Hannah Steuben Architecture Portfolio

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A compilation of various work completed during my under-graduate study at Iowa State University. My portfolio contains work from architectural studios, photography studies, and full-scale built work. Please enjoy!

Transcript of Hannah Steuben Architecture Portfolio

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H A N N A H S T E U B E Nhsteuben@gmail.com (319) 230-8629

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T A B L E O F C O N T E N T S

ARCHITECTURE

INTRODUCTION 5

30-51

6-29

52-61

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& MEDIA METHODSPHOTOGRAPHY

FULL-SCALE DESIGN

RESUMÉ

Boston Center for Experimental MusicMusicians ResidencyInnovative Objects Museum

Architectural PhotographyStudy AbroadAnalytical DrawingBathroom Redesign

Sustainable Furniture DesignFALLOW: topography

Work ExperienceReferences

Design

TABLE OF CONTENTS

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5INTRODUCTION

How can design better the world?

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A R C H I T E C T U R E“I tell my students: you must put into your work first effort, second love, and third suffering,” - Glen Murcutt

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The Center for Experimental Music project maximizes its unique and rather difficult site condition by incorporating context into the design. By embracing the specific qualities the program had to offer, the proposal became a true benefactor of its surrounding neighborhood.

A macro-to-micro scale approach enabled us to take into account the urban fabric patterns and cultural distinction that is Boston. A scheme of formal to informal spaces allows for the building to be known as a landmark of the city, but still encourages the very pedestrian-oriented culture that encompasses the area.

ARCH 403 STUDIO FALL 2012

PROFESSOR MITCHELL SQUIRE

PARTNERSHIPJASMINE SINGH

BOSTON CENTEREXPERIMENTAL MUSIC

forCSI of CENTRAL IOWA DESIGN COMPETITION PRIZE WINNER

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HISTORIC PLACES,CIVIC BUILDINGS,

VENUES FOR VISITING PERFORMERS, &

PERFORMANCE VENUES

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15.16.17.18.19.20.21.

15.16.23.26.

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John Hurd House Edward Everett House Deacon Larkin House Charlestown Five Cent Savings Bank Austin Block Wang Center Quong Kow School Josiah Quincy School Jacob Wirth BuildingsHayden Building Boston Floating Hospital for Children

Boston Children’s MuseumBoston Fire Museum City of BostonMIT List Virtual Arts Center

Boston Center for the ArtsCharles PlayhouseColonial TheatreCutler Majestic Theatre at Emerson CollegeLyric Stage Company TheatreMarine Industrial Park ShubertWang CenterStuart Street PlayhouseWilbur Theatre

Berklee College of MusicEmmanuel ChurchHuntington TheatreMary Baker Eddy LibraryMuseum of ScienceThe Shops at the Prudential Center

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20,000 ft. altitude1” = 1075’

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HISTORIC PLACES,CIVIC BUILDINGS,

VENUES FOR VISITING PERFORMERS, &

PERFORMANCE VENUES

9.12.13.14.

15.16.17.18.19.20.21.

15.16.23.26.

1.2.5.9.

10.13.

1.3.4.5.

6.7.

10.12.13.14.

John Hurd House Edward Everett House Deacon Larkin House Charlestown Five Cent Savings Bank Austin Block Wang Center Quong Kow School Josiah Quincy School Jacob Wirth BuildingsHayden Building Boston Floating Hospital for Children

Boston Children’s MuseumBoston Fire Museum City of BostonMIT List Virtual Arts Center

Boston Center for the ArtsCharles PlayhouseColonial TheatreCutler Majestic Theatre at Emerson CollegeLyric Stage Company TheatreMarine Industrial Park ShubertWang CenterStuart Street PlayhouseWilbur Theatre

Berklee College of MusicEmmanuel ChurchHuntington TheatreMary Baker Eddy LibraryMuseum of ScienceThe Shops at the Prudential Center

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ARCHITECTURE

detail section: material detailing, spacial configuration, and circulation understanding

context research: zoom studies of various types of city public gathering and performing spaces

SUBWAY STOPS,PARKING,

& WAlKING TOURSP

20,000 ft. altitude1” = 1075’

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diagraming

Diagrams indicating program locations and access availability

access diagram

micro city scale

A defined connection to the micro-level of Boston was the direct link to the neighboring nursing home

general public

paying admission

collaborating wellness facility

preformers

administration

f loor 1 & theater f loor 1

f loor 3 & theater f loor 3

f loor 4

f loor 2 & theater f loor 2

FLOOR 2

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1. cafe

2. library

3. reading room

4. wellness facility lobby

5. wellness facility lounge

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“Although apparently simple, this project demonstrates the type of thoughtful restraint found in well-regarded built works and serves as a fitting and sensitive addition to their site,” - Josh Ridgely, AIA, CSI, LEED AP, Competition Juror

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ARCH 302 STUDIOSPRING 2011

PROFESSORPETER GOCHÉ

PARTNERSHIPYASMINE SEPEHRI

NEW YORK CITYMUSICIANS RESIDENCYBWBR DESIGN COMPETITION FINALIST

The development of the musicians residency, condo complex, and performance stage was to embrace the ideal lifestyle and rituals of musicians. A variety of studies preceded the program design to get a better understanding of life as a musician.

Questioning the line of privacy and exploring the journey to the place of residence were the key components pushed throughout the design. Using circulation, degrees of transparency, and separation of program, a foreground was laid out to allow for the exploring of a life on display.

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“Alone time is the most special part of the day. I get to escape from school, daily worries, and outside noise. It’s time to just be,” - Javier Adnres, student musician

separation of time and space

An assemblage to represent Javiers need for a distiction of space between his music and outside stresses

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unit layout

Side-by-side units show the distint but coherent unit styles

soho residency

Varying perspectives show the quality of space and circulation running along the units

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NORTH GROUND FLOOR 1/16” = 1’

ARCHITECTURE

floor plans

Over-layed images begin to depict and explain the complex circulation

unit details

Varying perspectives show the quality of space and circulation running along the units

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The Columbus Museum for Innovative Objects of Design was greatly inspired by is intended content and the city’s appreciation for innovative thinking. Using the spaces to push the limits of what is expected into the unexpected allowed for new perspectives, the backbone of innovation

An understanding of section was extremely important in the development of the design and the idea of using anticipation as a driver in circulating and viewing. Using different kinds of sectional spaces allowed for a variety of display spaces, viewing opportunities, and continuity of the space as not only a holder of innovation but as inspiration.

ARCH 401 STUDIOFALL 2011

PROFESSORROBERT WHITEHEAD

INIVIDUAL

INNOVATIVE OBJECTS COLUMBUS MUSEUM for

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project proposal

Prior to schematic design, a group designed project proposal book was individualized to the innovation inspired essence of the project

CIRCULATION

UTILITIES

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ADITORIUM

STUDIOSTUDIOSTUDIO

CLEAN -UP SPACE

STORAGE

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underground museum

An underground museum design allowed for unique opportunities of spatial and lighting qualities

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P H O T O G R A P H Y& M E D I A M E T H O D S

PHOTOGRAPHY & MEDIA METHODS

“ Beauty can be seen in all things, seeing and composing the beauty is what separates the snapshot from the photograph,” – Matt Hardy

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One aspect to architecture that has always been personally intriguing is the use of light and the development of different kinds of lighting conditions. As a way of studying that phenomenon, photographing existing works at varying times of day begins to explain how light effects a space.

As a class study, Jasper Winery became the object of inquiry. Documenting the interior and exterior at different time intervals of the day brought to life the variety of spaces the building had to offer.

ARCH 437 ARCHITECTURAL

PHOTOGRAPHYFALL 2012

PROFESSOR:CAMERON CAMPBELL

BUILDING DESIGN:substance ARCHITECTURE

PHOTOGRAPHYARCHITECTURAL

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exterior exterior shot peeking into the reception hall; night lighting study

reception hall main receptional space adjacent to outdoor patio; daytime and mixed lighting study

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A semester abroad is a photographer’s dream come true. During the 5 months stay in Italy, explorations of color, black and white, contrast, depth of field, composition, and lighting styles were prevalently available.

The variety of techniques were applied to places among and around the city of Rome, as well as, throughout the continent of Europe. This collection includes images from Budapest, Hungary, Lysefjord fiord, Norway, Paris, France, and Tivoli and Rome, Italy.

EXPLORITORYPHOTOGRAPHY

SPRING 2012

SELF-TAUGHT

PLACE OF STAYROME, ITALY

EUROPEAN TRAVELSSTUDY ABROADPHOTOGRAPHERS’S FORUM COLLEGE PHOTOGRAPHY CONTEST FINALIST

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via ettore rolli

view of Roman street scape; photostitch study

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city rooftop

view from top of Palatine Hill, study of depth of field

forum detail column capital of temple ruin; contrast and color study

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roman kitchen

classic layout; lighting and depth-of-field study

villa de este

view over Tivoli; study of exposure layering

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norway

view of Lysefjord fiord from Preikestolen (The Pulpit Rock); landscape study

hungary

Magyard Museum of the Vajdahunyad Castle in Budapest; detail and contrast study

next page:france

Louvre courtyard in Paris,black/white and contrast study

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Sketching is a vital tool in design and communication. The study aboard programs includes an exhausted course of sketching and drawing exercises, including an independent study.

The fifty piece series of sketches is an experimental drawing project exploring the effects of time and repetition on quality of figure drawing. The intention was to gain strength in ability to sketch more quickly by starting with longer set periods of time and progressively shortening the allowed time length to sketch. As the length of the drawing period decreased, the number of drawings done at that set period of time increased to encourage practice.

ANALYTICAL DRAWINGSPRING 2012

PROFESSORSKAREN BERMAN

CALVIN LEWIS

FRANCESCO MANCINI

ANALITICAL DRAWINGSTUDY ABROAD

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The bathroom model and redesign project was an opportunity to use Cinema 4D for a project of choice. The bathroom design was chosen as a chance to give a little back to my parents and renovate one of the rooms in their home.

Techniques were highly focused on lighting proficiency and quality or render. Use of texturing, composition, and modeling were also under consideration.

ARCH 432 DIGITAL CINEMA 4D

FALL 2011

PROFESSORANSON CALL

MODEL & REDESIGNBATHROOM

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before

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F U L L - S C A L E D E S I G N

FULL-SCALE DESIGN

“To say that something is designed means it has intentions that go beyond its function. Otherwise it’s just planning.” - Ayse Birsel

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An avid interest in furniture design, stainability, and re-use projects led to a course in Sustainable Furniture Design. An open-ended project allowed for the study of re-purposed materials and lighting design.

The lamp was made from several recycled materials including two pieces of scrap plywood, 66 baby food jars, and one old holiday light set. The steel, sheet metal frame was customized around the size of the plywood and room needed for the wiring. CNC cut openings were used to allow the jars to be screwed in and out for bulb replacement and cleaning.

ART IS 360 SUSTAINABLE

FURNITURESPRING 2013

PROFESSORCHRIS MARTIN

INDIVIDUAL

FURNITURE DESIGNSUSTAINABLE FEATURED IN IOWA STATE UNIVERSITY STAINABILITY SYMPOSIUM

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The shelf fills the once desolated structure. New and foreign activity begin to fill the void. The act of eating in a seemingly unsanitary condition opens eyes to a new way of viewing how the void can function.

As each person lays out their own table setting, and sits in their own distinct way, they are presenting their own culture in the environment Similar to how the building sits in the landscape, the table is seemingly disconnected to its context, but upon examination, the connection begins to clarify itself. By placing people in balance of one another at the table, there is reciprocity similar to the exchange between humans and the building. At the table, each person is responsible for the other.

ARCH 404OPTION STUDIO

SPRING 2013

PROFESSORPETER GOCHÉ

PARTNERSHIPYASMINE SEPEHRI

TABLE TALKFALLOW: topography

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INTERN ARCHITECT Architecture intern for OPN Architects; Formats and constructs various models for use of client presentation and sketch work; Participates in design charrettes for competition schematic design

PHOTOGRAPHER/GRAPHIC DESIGNER Iowa State University’s Office of Pre-collegiate Programs for Talented and Gifted activities photographer; Creates promotional material through means of various prints and digital work

PHOTOGRAPHER ASSISTANTAssistant to the photographer for Integrated Studio; Assists with photograph compositions, lighting setups, clean-up, and studio/space set up; Studies professional techniques

DETASSELING CREW LEADER Crew leader and day-to-day manager for Steuben Detasselling with crews up to 50 workers; Contacts employees and assists with enrollment forms and training; Organizes workers, paperwork, and workers’ hours

BACHELOR OF ARCHITECTURE Iowa State University, Ames, IAMinor in Digital Media, Magna Cum Laude, Rome Study Abroad Program

HIGH SCHOOL DEGREE Jesup Community Schools, Jesup, IAValedictorian, IHSAA Berni Saggua Award, Iowa Governor’s Scholarship Recognition, Class President

H A N N A H S T E U B E N

WORK EXPERIENCE

EDUCATION

hsteuben@iastate.edu (319) 230-8629

FALL 2008 - SPRING 2013

FALL 2004 - SPRING 2008

WINTER 2012 - SPRING 2013

SUMMER 2012 - SPRING 2013

SUMMER 2012

SUMMER 2004 - FALL 2012

Mary Steubencontractor (319) 827-1509

Carmen Flaggesenior admissions counselor(515) 294-5689

David Sorg, AIAprincipal (319) 363-6018

Cameron Campbellphotographer (515) 451-3730

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AIAS Iowa State University Chapter Member and prior Vice PresidentHabitat for Humanity MemberTrack 1 Mentor Program Mentor & MenteeIowa State University Design Career Days Committee MemberJesup Community Arts in the Park MemberDestination Iowa State: Team Leader

Photography Forum College Division FinalistDean’s List MemberCSI of Central Iowa Design Competition Prize Winner BWBR Design Competition FinalistISU Architectural Program”8-4-2-1” Design Finalist Masonry Design Contest Prize Winner ISU President’s Leadership Class

SPRING 2013

FALL 2008 - SPRING 2013

FALL 2012

SPRING 2011

FALL 2009

FALL 2009

FALL 2008 - SPRING 2009

INVOLVEMENT

AWARDS

REFERENCES CALVIN LEWIS , FAIA PETER GOCHÉ, AIA ROB WHITEHEAD, AIA

Iowa State Faculty599 DesignAmes, IA 50011p. 515-294-2665e. calewis@iastate.edu

Iowa State Faculty156 DesignAmes, IA 50011p. 515-294-4717e. goche@iastate.edu

Iowa State Faculty156 DesignAmes, IA 50011p. 515-294-4717e. rwhitehd@iastate.edu

STRONG BACKGROUND

Adobe SuiteMicrosoft Office SuiteAutoCAD

MODERATE BACKGROUND

AutoCAD RevitCinema4DRhino 3D

EQUIPMENT

Laser cutter printerWood shop equipmentCNC router

TECHNOLOGY