DIGITAL PHOTOGRAPHY AND DESIGN PORTFOLIO

Gabi Marrero

NAME PLATE

LINE PHOTO SHOOT

SHAPE/FORM SHOOT

TEXTURE SHOOT

SPACE SHOOT

VALUE SHOOT

COLOR SHOOT

MONO WITH A SPLASH

REPETITION

BALANCE

EMPHASIS

CONTRAST

UNITY

ED PASCHKE

Ed Paschke was born in June 22, 1939.

He grew up in Chicago.

His father influenced him to be an artist.

Fireworks and colors were what gave Paschke so many ideas as a child.

He uses a lot of different colors and neon art with odd shapes.

He paints all the different things in the world that influence us differently like illnesses and public/economic/social issues.

PASCHKE PORTRAITFor most of my Paschke Portrait I changed the colors of my face with the quick select tool. I also used the rectangular/elliptical marquee

tool to add the circles around my eye and mouth as well as the stripes on the side of the

picture. To still show some of my eye and mouth I changed the opacity of the layer I was

working on. I added pink streaks to my hair with the paint brush tool and used the paint

filler to add the blue to my hair. I changed the texture of the photo and it is stained glass and I also changed the hue/saturation of the photo

to add some different colors to the photo.

IMPRESSIONIST RESEARCH

A group of rebel painters that changed the way people thought about art through their vision of the canvas.

Used loose brush work, broken color brush, dashes and dabs of paint to form edges

Impressionist art showed the general impression of the light on a scene or object and color reflected light

Instead of painting in studios impressionist artists began painting outdoors

More scenes and subjects doing things outdoors

IMPRESSIONIST PHOTO SHOP PRACTICE

IMPRESSIONIST PHOTO SHOP PAINTING PROJECT

TEXT PORTRAIT PRACTICE

TEXT PORTRAIT PROJECT

OPTICAL ILLUSION PRACTICE

OPTICAL ILLUSION

OP ART RESEARCH

Optical Art Illusion began in the 1960’s

Paintings would bend and bulge or sway, vibrate, and squiggle

Painters used hard edges, precise craftsmanship, and close color values to make these paintings

Optical Art is meant to fool the eyes in thinking something else is being presented in the painting

Artists- Bridget Riley(England), Victor Vasarely(America),

Richard Anuskiewicz(America), Carlos Cruz-Diaz, & Julian

Stanczak

PRIMARY COLORS

Red, Yellow, & Blue

SECONDARY COLORS

Orange, Violet, & Green

COMPLEMENTARY COLORS

Opposite colors on the color wheel

INTENSITY

Brightness of a color

TINT & SHADE

Tint – Any color plus white Shade – Any color plus black

WARM & COOL COLORS

Warm colors are red, yellow, and orange.

Cool colors are blue, green, and violet.

ANALOGOUS COLORS

Analogous colors are colors that sit side by side on the

color wheel and have a common hue. For example, orange, yellow, and green

are analogous because they all have yellow in common.

COLOR OPTICAL ART

SURREALISM

A style in which fantastical visual imagery from the subconscious mind is used with no intention of making the work logically comprehensible.

Techniques: Juxtaposition, distortion, disguising, fragmentation, and dislocation.

Began in the early 1920s with André Breton as the founder.

Salvador Dali was a major surrealist artist as well as René Magritte.

Was mostly popular in America and with high society.

JUXTAPOSITION PRACTICE

Juxtaposition is the transforming of one object into another or joining two

or more objects in an impossible combination.

FRAGMENTATION PRACTICEBreaking up an image and joining it together in

an unusual way.

DISTORTION PRACTICE

Changing an object or image by deformation, exaggeration, simplification, or a

progressive state of degradation, (burn, dissolve, crush, melt).

DISGUISING PRACTICE

Disguising is the use of hidden images and

obscuring the quality of an object by camouflaging it.

DISLOCATION PRACTICE

Dislocation is when you place an object outside of its

natural environment and into an unusual setting.

SURREALISM COLLAGE

TYPOGRAPHY PRACTICE #1

TYPOGRAPHY PRACTICE #2

TYPOGRAPHY PRACTICE #3

TYPOGRAPHY PRACTICE #4

TYPOGRAPHY PROJECT

MAGAZINE COVER

DAVID HOCKNEY

Born in Bradford, Yorkshire in 1937

Studied at Bradford School of Art and Royal College of Art

Begins making photo and painting collages that depict nature scenes or people being active from American inspiration

Many of his paintings depict his family

As an older adult, Hockney began painting and ma-

king art on his iPhone and iPad

PHOTO COLLAGE