Southern Oregon University Department of Theatre Arts 08 Playbill - for web.pdf · Southern Oregon...

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Southern Oregon University Department of Theatre Arts Spring 2008 Playbill By Janusz Glowacki Translated by Jadwiga Kosicka Center Square Theatre May 1525, 2008 Based on the Myths of Ovid Written and originally directed by Mary Zimmerman Center Stage Theatre May 22–June 1, 2008 Designated the Center for Excellence in the Fine and Performing Arts by the Oregon University System

Transcript of Southern Oregon University Department of Theatre Arts 08 Playbill - for web.pdf · Southern Oregon...

Page 1: Southern Oregon University Department of Theatre Arts 08 Playbill - for web.pdf · Southern Oregon University Department of Theatre Arts Spring 2008 Playbill By Janusz Glowacki Translated

Southern Oregon University Department of Theatre ArtsSpring 2008 Playbill

By Janusz GlowackiTranslated by Jadwiga Kosicka

Center Square TheatreMay 15–25, 2008

Based on the Myths of Ovid Written and originally directedby Mary Zimmerman

Center Stage TheatreMay 22–June 1, 2008

Designated the Center for Excellence in the Fine and

Performing Arts by the Oregon University System

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“Creating Space at the Center – Where We Stand”

Welcome to another example of the excellent quality of our work.

We are pleased to share two award-winning plays with you this spring. Mary Zimmerman’s interpretation of Ovid’s myths is a challenging piece to realize. Faculty director Dale Luciano, working with faculty scenic designer Sean O’Skea and

our students, has created the opportunity for you to visit the realm of grand imagination. Guest director Terri McMahon takes us on a journey to Janusz Glowacki’s sly vision of New York City from the eyes of Polish emigrants in Hunting Cockroaches.

SOU Theatre Arts has continued to grow and is currently the largest exclusively undergraduate theatre arts program in the western United States. The quality of the program attracts students from an expanding radius to our campus. We need more space to deliver the quality of program we are capable of delivering. The additional space will facilitate the department’s ability to supply rehearsal and lab spaces to support the scope and potential growth of our students and faculty.

At this point we are at the beginning of a fundraising process that will need to show support from our patrons, our alumni and friends to stimulate support from private and public funding sources. We are pleased to be able to note that the Theatre Arts building expansion has been selected as the number one priority for capital construction projects by SOU in its requests for state funding support.

Enclosed in the playbill you will find a contribution form. I hope you will consider being a part of our fundraising efforts at the earliest stages. Your support will help us realize our dream for our students and our community. Please contact me if you would like to be involved in exploring the means to raise the funds that will help us to realize our potential as one of the most dynamic and creative undergraduate theatre programs in the country.

Thank you for your patronage,Chris Sackett

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NOTICE: Flashing strobe lights, herbal cigarette smoke, and theatrical fog are part of the Metamorphoses production.

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2008-2009 Theatre Arts Scholarship RecipientsAngus Bowmer Scholarship

Olivia Todd

Schneider Merit Award

Kristen Mun

Jeffrey Allen Staver Award

Sarah Sabol

Bartell Memorial Scholarship

Jonathan Dyrud

Lee Mulling Scholarship

Sam Ashdown Nicholas Ferrucci Deborah Jensen

E. Mulling Scholarship

Christopher Carwithen Anna-Lisa Chacon Holly EdwardsAlexander Yochim

Mulling Award for Creative and Academic Excellence in Theatre

Monique Barbee Bridget CarlsonRobert Chikar Ryan Celeste Holt Erin Pike Dorian Robison

John W. Mitchell

Katherine Nowacki Gerhard D. Heiter Endowed Scholarship

Jimmy Garcia

Departmental Award for Outstanding Professional Potential

Caitlin Bedford Rachael JonesJames Larson Holly Nunn

Departmental Award for Noteworthy Achievement in Theatre

Stephen Abts Maxwell Bowman Robert Erickson Kimberlee FreimoellerKristin LakeRyan Nicolai Kiova StaleyLaura Wiley

Departmental Award to Encourage Students who have demonstrated skill, potential and dedication

Adrienne BrowningTim HomsleyBlaine Johnston Amanda Patt Danielle PecoffRussel RiviniusBradly SosinskiMorgana Spake

2007-2008 AAUW Outstanding Senior Woman in Theatre Arts

Linnaea Boone-Wilson

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Chris Sackett .........................................................Department ChairJim Giancarlo ..............................................Musical Theatre FacultyDavid Kelly.............................................................. Adjunct FacultyLaurie Kurutz ....................................Costume Construction Faculty Eric Levin .......................................... Director of Theatre Education Dale Luciano ......................................................... Directing Faculty Maggie McClellan ............................... Voice and Movement Faculty Sean O’Skea ...................................................Scenic Design Faculty Deborah Rosenberg ..................................... Costume Design Faculty Ezra Severin ...........................................Technical Direction Faculty Dennis Smith ............................................................. Acting Faculty Christi Courian ........................................... Administrative AssistantSu Grossmann ............................................ Administrative AssistantJane Hickinbotham ..................................... Staff Technical Manager

Department of Theatre Arts Faculty and Staff

2008-2009 SeasonCenter Stage Theatre

Ring Round The Moon by Jean Anouilh • November 13-23, 2008Anna in the Tropics by Nilo Cruz • February 19-March 8, 2009Love’s Labors Lost by William Shakespeare • May 21-31, 2009

Center Square TheatreAn Enemy of the People by Henrik Ibsen • November 6-16, 2008

Puss in Boots, book and lyrics by Greg Palmer and music by Cliff Lenz • February 13-March 1, 2009

Icarus by Edwin Sánchez May 14-24, 2009

THEATRE POLICIESPlease turn off your cellular phone, pager, beeper and wrist watch alarm before entering theatre. No cameras or recorders in the theatre. No food or drink in the theatre. Children under six years of age not admitted except to children’s show. Late seating is not guaranteed and latecomers may not be admitted to the theatre. When appropriate, latecomers will be seated in the rear of the theatre and may take their regular seats at intermission. No smoking anywhere in the Theatre Arts Building.

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Based on the Myths of OvidWritten and orginally directed

by Mary Zimmerman

Length:

One hour and twenty minutes with no intermission

Special thanks to Priscilla Hunter and Christopher Acebo.

Metamorphoses is produced by special arrangement with Bruce Ostler, Bret Adams, Ltd., 448 West 44th Street, New York, NY 10036.

Premiered in New York City by The Second Stage Theatre, New York, September, 2001Artistic Director: Carole RothmanManaging Director: Carol Fishman

Executive Director: Alexander FraserMetamorphoses was originally produced by Lookingglass Theatre Company, Chicago

Ovid’s Metamorphoses translated by David Slavitt, Johns Hopkins University Press, 1994Rainer Maria Rilke’s Poem Orpheus, Eurydice, Hermes. Translated by Stephen Mitchell,

1995 Modern Library.

Director: Dale LucianoScenic Designer: Sean O’Skea

Costume Designer: Hannah Wold*Sound Designer: Tim Brown*

Lighting Designer: Matthew Stiles

*These students have undertaken these assignments as the culminating creative projects to satisfy the thesis requirement for their Bachelor of Fine Arts Degrees.

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In Alphabetical Order

Alcyone, Atalanta, Narrator 2 ‘Orpheus & Eurydice,’ Psyche, Baucis and others ......................................................................... Monique Barbee

Midas’s Servant, Buyer of Erysicthon’s Mother, Attendant ‘Orpheus & Eurydice,’ Sisyphus, Narcissus and others ..............................Josh Bowen

Woman (opening), Aphrodite, Persephone, Attendant ‘Orpheus & Eurydice,’ Narrator 2 ‘Baucis & Philemon’ and others ..............Jen Brown

Orpheus, A, Philemon, Apollo and others ..........................Chris Carwithen

Silenus, Narrator 2 ‘Alcyone & Ceyx,’ Narrator ‘Erysicthon,’ Phaeton, Eros and others ......................................................................Nick Ferrucci

Cinyras, Zeus, Narrator 1 ‘Orpheus & Eurydice’ and others ... Jimmy Garcia

Oread, Myrrha, Fate, Narrator 3 ‘Baucis & Philemon’ ........ Hannah Grenfell

Scientist/Therapist, Pandora, Narrator ‘Pomona & Vertumnus/Myrrha,’ Narrator 5 ‘Baucis & Philemon’ and others ...................... Ryan Celeste Holt

Hunger, Attendant ‘Orpheus & Eurydice,’ Narrator 4 ‘Baucis & Philemon’ and others ...............................................................................Riyo Iwasaki

Narrator 1 ‘Alcyone & Ceyx,’ Lucina, Ceres, Pomona and others ................. ............................................................................................ Jenna Johnson

Midas, Poseidon, Hades, Sleep ..............................................John R. Lewis

Ceyx/Morpheus, Shrouded Figure with Noose, Hippomenes, Tantalus, Narrator 1 ‘Baucis & Philemon’ and others ..................Brandon Simpliciano

Eurydice, Q, Nursemaid and others .........................................Joanna Tyler

Midas’ Daughter, Iris, Erysicthon’s Mother, Fate and others .... Tara Watkins

Bacchus, Hermes, Erysichthon, Vertumnus ............................... Lex Yochim

Cast

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April 30 - May 25Thurs., Fri., Sat., 8 pm, Sundays, 2 pm

SPOTLIGHT on

Tony BennettMay 29 - June 15

Tony Award Winner, Best Play by Brian Friel

Dancing at LUGHNASADIRECTED BY DOUG WARNER

1969 Tony Award®

Promises, .....Promises

June 25 - July 27Book by Neil Simon,

Music by Burt Bacharach, Lyrics by Hal David

Based on the screenplay “The Apartment” by Billy Wilder

and I.A.L. DiamondBoth Sponsored by Jimmie Smith of Edward Jones Investments, Talent OR

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Metamorphoses Production CrewAssistant Director ..............................................................Katherine LewisDramaturg .................................................................................Barry KraftMovement Coordinator ........................................................... Joanna TylerMusical Assistance ..............................................................Meagan IversonStage Manager ..........................................................................Olivia ToddAssistant Stage Manager ...................................................Jonathan StinsonAssistant Scenic Designer .................................................Andrew ZehrungTechnical Director...............................................................Dorian RobisonAssistant Technical Director ............................................Christopher GreenProduction Assistant ..............................................................Maria BuzardShow Control ..........................................................................Laura WileyMaster Carpenter .............................................................. Winston BischofAssistant Master Carpenter ..................................................Micaela BatsonCarpenters .................................................Tim Homsley, Curtis Goodman, ..........................................................Kendal Lenton, Jon Oles, Cole Sutera Prop Master .........................................................................Erin DickinsonProp Artisans ..........................Zachary Centers, Freya Hammond-Williams, ...........................................................Robert Hastings, Meryn MacDougallPaint Charge Artist .................................................................Carly PalmerPaint Crew ........................ Lea Gillette, Ariel Jackson, Roxanne Miftahittin,.....................................Maire Murphy, Kelsey Wambold, Mallory WeddingAssistant Costume Designer ............................................. Celeste GiordanoDraper ...............................Michelle Coon, Katherine Nowacki, Savel SabolWardrobe Supervisor ...........................................................Russel RiviniusAssistant Wardrobe Supervisor ......................................... Lauren HochbergWardrobe Crew ...................................... Christine Kelley, Irene VippermanMakeup Supervisor ..............................................................Emily CaldwellMakeup Crew ............................................. Jennifer Rader, Jackie Williams Assistant Lighting Designer ............................................. Maxwell BowmanMaster Electrician ...................................................................... Jason BurgLight Crew ...... Elsa Bishop, Krystal Brewer, Kryssa Bush, Samantha Creed, ..........................................Maya Fein, Brennen Johnson, Kaylyn Kilkuskie, ....................................................................Aaron Postma, Makena RomasAssistant Sound Designer .........................................................Kristen MunVoices ..............................Sam Ashdown, Juliana Slemenda, Maire MurphySound Engineers ...........................................Amadon Jaeger, Erin ClaxtonSound Run ....................................................................... Michael DouglasRun Crew ............................ Tyler Below, William Cowell, Blaine Johnston, ............................................................................Ian King, Gabrielle Lewis

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Director’s NotesWhen I first saw Metamorphoses during its Broadway run

in New York, I was affected by a powerful sensation of intimate acquaintance with these stories, though I had only the vaguest (and possibly imagined) memories of them from childhood.

I thought to myself, “We know these stories!” In part, Zimmerman’s play is an exploration of how, in our

contemporary world, mythology can put us in touch with ourselves. One of the characters says, “Myths are public dreams and dreams are private myths,” and that’s a wonderful way of recognizing the power and significance of these ancient stories. The play is also (as one member of the cast put it) about how myths themselves are transformed over time.

And then, of course, there’s the water. Why water? Water generates life, sustains life, and purifies life of mistakes and wrongdoing. Water is itself transforming and restoring, and from Ovid, Zimmerman has remained faithful to the central metaphor of transformation and change, the ‘metamorphoses’ of the title, that ties the stories together. The first line of the play, uttered by a woman near the pool, is “Bodies, I have in mind, and how they change to assume new shapes…” This is an evocation of Ovid’s own prayer to the Gods, as he undertook writing his Metamorphoses, to help him “glimpse the secret and speak, better than I know how of the world’s birthing.” And since life comes from water, it is an ever-present part of the play’s environment.

For the actors, working on Metamorphoses has been an opportunity to create multiple, contrasting characterizations, based on ancient archetypes, within a dream tapestry of shifting images and events. For the designers and technicians, it’s been a special challenge to find visual and aural representations of some timeless tales viewed from a contemporary perspective that nonetheless respects the Ovid source. For everyone involved, it’s been a process of exploring the meanings underlying the tales that speak so vividly to our unconscious imaginations.

We live in troubled, complex, and perilous times. It is my hope that Metamorphoses offers reassurance and courage in the revelation that, two thousand years ago, the same thoughts, feelings, grief and joys at the center of human experience have changed very little, if at all.

The past is the present, and both become the future.– Dale Luciano

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About the PlaywrightsThe Metamorphoses is a twelve-thousand-line poem, written

by Ovid, which is arranged loosely in chronological order from the beginning of the universe’s creation to Augustan Rome. The poem’s major theme, as suggested in the title, deals with change in many different ways: from the wrathful, powerful Roman Gods, who change their personalities and bodies, to the mortal humans who go through emotional and spiritual changes through the magic of myth.

An early version of Mary Zimmerman’s Metamorphoses, entitled Six Myths, was produced at the Theatre and Interpretation Center of Northwestern University, Evanston, Illinois, in May 1996. The Broadway production opened at Circle in the Square, New York, on March 4, 2002. Zimmerman won a 2002 Tony Award for Best Director and the play was nominated for Best Play and Best Scenic Design.

In a 2002 interview, Mary Zimmerman said of Metamorphoses: “…if you take the long view, we’ve suffered incredible disasters and transforming events, and yet story goes on, narrative goes on…Even though we die, these stories continue and sort of tie us together.”

Mary Zimmerman is a professor of performance studies at Northwestern University. Zimmerman has adapted-directed The Notebooks of Leonardo da Vinci, The Odyssey, The Arabian Nights, Eleven Rooms of Proust, and Journey to the West. She is a recipient of a 1998 MacArthur Fellowship, an ensemble member of Chicago’s Lookingglass Theatre Company, and a Manilow Resident Director at the Goodman Theatre.

Publius Ovidius Naso, known to the English-speaking world as Ovid, is one of the most important and influential writers of classical literature and is often ranked with the likes of Virgil and Homer. Ovid’s works have directly inspired the literary products of Shakespeare, Marlowe, Chaucer, Dante, and many others. Born in 43 B.C. in Sulmo, Italy, Ovid’s father took him to Rome to study law, but he instead found his talent in poetry.

His poetry, however, clashed with the conservative moral values of Caesar Augustus. He was banished by Augustus in 8 A.D. During his exile, Ovid wrote Metamorphoses. He never returned to Rome and died in exile in A.D. 14.

– Alice Reid, Dramaturg

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At SOU, Dale Luciano has directed productions of Aeschylus’ epic Oresteia trilogy, The Cherry Orchard, Six Characters In Search of An Author, Jean Anouilh’s Antigone, A Midsummer Night’s Dream, Woyzeck (his own adaptation) and Alan Ayckbourn’s Comic Potential. For last year’s SOU season, he directed Adam Bock’s Swimming in the Shallows.

His translation of Alfred Jarry’s anarchist farce, Ubu Roi, was performed in 2006 at the Chashama Performance Space (“an Off-Off-Broadway venue that was actually ON Broadway,” he notes) in New York City, as well as having been presented at the Other Side Theatre in Portland and the University of Arizona.

He worked professionally in films and theatre as an actor and a director before he began his teaching career. He was a member of the teaching faculty at the University of Arizona in Tucson prior to being appointed Chair of the SOU Theatre Arts Department, a position he held from 1985 to 2000.

Dr. Luciano teaches courses in directing, dramatic literature and world theatre. He holds a BA and an MA from the University of California at Santa Barbara, and he holds his doctorate from the University of Iowa.

Josh Bowen (Midas’ Servant) is a freshman at SOU, originally from Mill Valley, California. This is his first role at SOU. Credits outside of SOU include Don Jon in Much Ado About Nothing and Yasha in The Cherry Orchard.

Tim Brown* (Sound Designer) is a senior at SOU, originally from Las Vegas, Nevada. He has been accepted into the department’s BFA degree program. Previous SOU credits include Assistant Sound Designer/Engineer for Urinetown, Projection Designer for Arcadia, and Sound Designer for Swimming in the Shallows. Credits at other theatres include Sound Designer for Altar Boyz, Sound Engineer for Little Shop of Horrors, and Sound Designer for Mohammed.

Chris Carwithen (Orpheus) is a junior transfer student at SOU, originally from Cottage Grove, Oregon. Chris transferred from Lane Community College in Eugene, Oregon. Previous SOU credits include Son in The White Plague, Humbug in The Phantom Tollbooth and Benvolio in Romeo and Juliet. Credits at other theaters include Valentine in Babes in Arms at the Hult Center, Cosmo in Singing in the Rain at Lane Community College and Finch in How to Succeed in Business… at Cottage Theater.

Metamorphoses Student Bios

Metamorphoses Director Bio

continued on page 12

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Jimmy Garcia (Cinyras) is a junior from Los Angeles, California. Previous roles at SOU include Psedolus in A Funny Thing Happened on the Way to the Forum, Aniello in Hotel Paradiso and Friar Lawrence in Romeo and Juliet. Credits at other theaters include Primitivo in Icarus at the Miracle Theatre in Portland.

Hannah Grenfell (Myrrha) is a junior transfer student at SOU, originally from Aspen, Colorado. Hannah transferred from Mesa State College in Grand Junction, Colorado. This is her first role at SOU. Credits at other theaters include Ariel in The Tempest, Madam de Tourvel in Les Liaisons Dangereuses and Mrs. Boyle in Whose Life is it Anyway?

Riyo Iwasaki (Hunger) is a senior at SOU, originally from Kyoto, Japan. Previous SOU credits include Guest/Citizen in Romeo and Juliet, Daughter in Hotel Paradiso and Leper in The White Plague.

Jenna Johnson (Pomona) is a junior at SOU, originally from Jacksonville, Oregon. Previous SOU credits include Paretta in Many Moons, Princess Pure Reason in The Phantom Tollbooth and Bernadette in Raised in Captivity.

John R. Lewis (Midas) is a senior at SOU, originally from Orinda, California. Previous credits at SOU include Officer Barrel in Urinetown, King Azaz in The Phantom Tollbooth, and Marcus Lycus in A Funny Thing Happened on the Way to the Forum. John was also an Ensemble member in the Oregon Shakespeare Festival’s 2007 production of Taming of the Shrew.

Katherine Lewis (Assistant Director) is a senior transfer student at SOU, originally from Ashland, Oregon. Katherine transferred from the University of Oregon. Previous SOU credits include Publicity Assistant for Hotel Paradiso, Stage Manager for Swimming in the Shallows and Assistant Director for Women of War. Credits outside of SOU include Assistant Director for the Planned Parenthood Teen Theater, Assistant Director of the Young Woman’s Theater Collective of Eugene and Elizabeth Procter in The Crucible at Lane Community College.

Dorian Robison (Technical Director) is a junior at SOU, originally from Medford, Oregon. Previous SOU credits include Technical Director for Many Moons, Assistant Technical Director for Arcadia and Master Carpenter for The Phantom Tollbooth. Credits outside of SOU include Scenic Artist Assistant for My Name is Bruce.

Metamorphoses Student Bios (continued)

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Metamorphoses Student Bios (continued)

*These students have undertaken these assignments as the culminating creative projects to satisfy the thesis requirement for their Bachelor of Fine Arts Degrees.

Brandon Simpliciano (Ceyx) is a senior at SOU, originally from Mililani, Hawaii. Previous roles at SOU include Mr. Noakes in Arcadia, Abram/Brother John in Romeo and Juliet and Shere Khan in Jungle Book.

Matthew Stiles (Lighting Designer) is a junior at SOU originally from Portland, Oregon. Previous credits at SOU include Lighting Designer for The White Plague, Assistant Lighting Designer for A Funny Thing Happened on the Way to the Forum and Assistant Lighting Designer for Entertaining Strangers. Credits outside of SOU include Lighting Design Intern with the Williamstown Theatre Festival in Williamstown, Massachusetts and Deck Hand/A2 for Cabaret at Portland Center Stage.

Olivia “V” Todd (Stage Manager) is a sophomore at SOU, originally from Renton, Washington. Previous credits at SOU include Production Assistant for The Philadelphia Story, Assistant Stage Manager for Hotel Paradiso, and Stitcher for Romeo and Juliet. Credits outside of SOU include Stage Manager for Jacques Brel is Alive and Well and Living in Paris at the Los Altos Theatre.

Joanna Tyler (Eurydice) is a senior at SOU, originally from Saranac Lake, New York. She has been accepted into the department’s BFA program. Previous credits at SOU include Klytemnestra in Women of War, Barb in Swimming in the Shallows and Liz Imbrie in The Philadelphia Story.

Hannah Wold* (Costume Designer) is a senior at SOU, originally from Wapato, Washington. Hannah transferred from Washington State University in Pullman, Washington. She has been accepted into the department’s BFA degree program. Previous SOU credits include Costume Designer for Romeo and Juliet, Assistant Costume Designer for A Funny Thing Happened on the Way to the Forum and Big Love.

Lex Yochim (Erysichthon) is a junior at SOU, originally from Clackamas, Oregon. Previous credits at SOU include Hot Blades Harry in Urinetown, Jellaby in Arcadia and Protean in A Funny Thing Happened on the Way to the Forum, as well as roles in The White Plague and Romeo and Juliet.

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Production Crew - Both ShowsFaculty Production Manager ....................................................Sean O’Skea

Faculty Technical Director .......................................................Ezra Severin

Faculty Costume Shop Supervisor ......................................... Laurie Kurutz

House Managers ............................Kimberlee Freimoeller, James O’Hanlon

Ushers ............................... Holly Edwards, Linnea Jefferson, James Larson, ........................................... Joanna Ortiz, Lisa MarieTaylor, Jamie Thomas

Box Office .......................Ashley Scallon, Ryan Celeste Holt, James Larson, ............................................... Jorge Paniagua, Danielle Pecoff, Savel Sabol, .............................................................. Brandon Simplicano, Alex Yochim

Concessions .........................................Justin Campanoli, Lauryn Hochberg

Publicity Assistants .................................Justin Campanoli, Ashley Scallon, ............................................................. Brandon Simpliciano, Alex Yochim

Poster Illustration ............................................................Samuel Dinkowitz

Press Photography .......................................Dennis Dunleavy, Sean O’Skea

Lobby Display .................. Kanaan Amoncio, Danielle Chaves, Mya Ewing, ....................................................................... Heather Harlan, Gregg Land

Draper .................................................................................Caitlin Bedford

Costume Truer ................................................. Nicole Fenton, Lauren Lind

Fitters ...................................................Adrienne Browning, Rachael Jones, ...................................................................... Morgana Spake, Kiova Staley

Stitchers ...............................Amy Baldwin, Libby Barnard, Monica Keaton, .....................Kayla Loisel, Amy Mazzaferro, Sereena Ojakian, Amy Rogers

Hair Cutter ............................................................................... Jacob Feller

Costume Crafts ................Gretchen Hutterli, Teresa Lascala, Brittney Spady

Playbill Dramaturg ...................................................................... Alice Reid

Archivist ................................................................................ Karla Badeau

Light Shop Maintenance ........................................................ Justin Cowan

Special projects ............................................. Carlyn Blount, Tamlin Horne, ...................................................................... Juliana Slemenda, Ryan West

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Director: Terri McMahonScenic Designer: Amanda Patt

Costume Designer: Linnaea Boone WilsonLighting Designer: Bridget Carlson

Sound Designer: Chris Sackett

Scene:

1983, a Lower East Side apartment in Manhattan

Length:

One hour and forty-five minutes including a fifteen-minute intermission

by Janusz GlowackiTranslated by Jadwiga Kosicka

Produced by special arrangement with Samuel French, INc.

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Anka .....................................................................Jordan Leigh Wakefield

Janek ................................................................................ Jonathan Dyrud

Immigration Officer ..........................................................Nicholas Walker

Czesio .................................................................................Sam Ashdown

Rysio .........................................................................................Nick Boyd

Mr. Thompson ....................................................................Michael Fallon

Mrs. Thompson .......................................................................... Ana Byers

Bum .................................................................................... Robert Chikar

Censor ..............................................................................Clinton K. Clark

Cast

I support the Southern Oregon University Theatre Arts program.

Use my donation for: □Theatre Arts Building addition □Theatre Arts scholarships

Donation Amount:

Please make checks payable to “SOU Foundation” and mail to: Southern Oregon University Foundation Southern Oregon University 1250 Siskiyou Blvd., Ashland, OR 97520

Clip and include form with donation

Only at Southern!Introducing a First-Class Facility

for One of the West Coast’s Top Theatre Arts ProgramsPlease join us as partners in this project

and “Experience Excellence.”

Yes!

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Hunting Cockroaches Production CrewStage Manager ........................................................................Stephen Abts

Assistant Stage Manager ......................................................... Karen Kuran

Assistant Scenic Designer ....................................................... Ryan Nicolai

Technical Director............................................................Christopher Cook

Production Assistant .................................................. Meaghan McGlasson

Master Carpenter .................................................................Zachary Myers

Assistant Master Carpenter .................................................. Derek Mesford

Carpenter .......................................................................... Robbie Erickson

Prop Master ..............................................................................Holly Nunn

Prop Artisans ......................... Riley Arthur, Amber DePerro, Isaac Kosydar, .................................................................Danielle Pecoff, Graham Tordoff

Paint Charge Artist ..........................................................Madeline Nutting

Paint Crew .................................................Anna-Lisa Chacon, Kristy Doty, ..........................................................Kaitlin Humphreys, Alyssa Rosenthal

Assistant Costume Designer .................................................Bradly Sosinski

Wardrobe Supervisor .............................................................. Caitlin Baird

Assistant Wardrobe Supervisor ..................................Talyssa Viela-Crandall

Makeup Supervisor .......................................................... Ashley Reverman

Assistant Lighting Designer ...................................................... Kristin Lake

Master Electrician .........................................................Catherine Ridenour

Light Crew ....... Garrett Alden, Justin Campanoli, Pamela Merten-Hindorff, ...........Nikolas Horaites, Benjamin Sheppard, Corey Stacey, Kira Wightman

Assistant Sound Designer .......................................................Suzanne Rose

Sound Engineer .................................................................. Patrick Buxton

Sound Run ........................................................................ Robert Erickson

Run Crew .....................................................Penuel Corbin, Jorge Paniagua

Dialect Coach ......................................... Dawid Skrzypek, Monika Pawelec

Language Consultants ........................................... David Kelly, Scott Kaiser

Videographer ..............................................................................David Ives

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Director’s Notes

Welcome to Hunting Cockroaches, described by one student in the SOU Theatre department as a “kitchen sink drama but the sink is a banana.” That says it all.

Januscz Glowacki (Gwo-vat-ski), the author of this bittersweet black comedy, is a Polish émigré living in New York who took his own first years of hard luck on the Lower East Side of Manhattan and wrote a play about them. Cockroaches, insomnia, the fall of communism in Poland and how to crack the American Dream obsess Glowacki’s artistic couple as they struggle in a democracy that can be harder to navigate than standing in the endless food and supply lines of communist Poland.

Humour, one of the major coping devices of the Polish people, is the victor for Glowacki’s characters. Censorship and the constant proliferation of fraudulent information and news hardened Poles’ willingness to believe anything. Making fun of official propaganda was a national pastime from World War II onward as displayed in this piece of insight: A Polish official asks another Polish official to give a realistic but positive outlook for Poland’s future. The official states, “Every Pole will have a personal airplane.” “That’s fine,” states the first official, “but why?” “When someone in Warsaw hears that some potatoes are on sale in Krakow they’d come in useful,” answers the second official.

Hunting Cockroaches’ hero and heroine, Janek and Anka, prevail as well by living on the cock-eyed side of things. And if they can find some work and obtain a green card without losing their humour they will achieve anyone’s dream if not the American one!

Glowacki went to London for the English premiere of his play Cinders in 1981 and while he was there martial law was declared in Poland. Flights were cancelled for weeks and during that transportation block he decided to emigrate to the United States leaving his wife and two-year-old daughter behind. They were reunited after two years but not before he had been reduced to scavenging a mattress from a trash pile to use to sleep in various friends’ and acquaintances’ apartments and at one point being informed by the immigration office that he did not exist at all and if he continued to insist on existing he would be deported. Welcome to America. Have a banana!

– Terri McMahon

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Hunting Cockroaches - About the Playwright

Janusz Glowacki is a playwright, novelist, screenwriter, short story writer, essayist, and the author of eight plays, ten books, six screenplays and ten radio plays.

In August 1980, Glowacki spent time with the striking workers at the Gdansk shipyard in Communist Poland, which resulted in the birth of Solidarity, a non-communist trade union. He wrote a novel, Give Us This Day, about the experience. The novel was stopped by censors and therefore published underground in 1981; subsequently, it became an underground best-seller and was later published in the United States in 1985.

In 1982, he immigrated to New York in the wake of martial law being imposed on Poland by its government. In 1985, Glowacki received a New York State Council on Arts grant to write Hunting Cockroaches.

Hunting Cockroaches was originally produced at the River Arts Repertory Company in Woodstock N.Y., then at the Manhattan Theatre Club, the Mark Taper Forum, Alley Theatre in Houston, Wisdom Bridge Theatre in Chicago, Oregon Shakespeare Festival in Ashland, and more than 40 other professional theatres in the US. The play was cited by the American Theatre Critics Association as an Outstanding New Play in 1986. It received the Joseph Kesselring Award and the Hollywood Drama League Critics Award in 1987. Time and several other magazines named it as one of the ten best plays of the year.

Glowacki also wrote Cinders, which received the Moliere Award in Buenos Aires for the best production of 1986. Antigone in New York was listed on Time magazine’s 1993 list of ten best plays of the year. His most recent play, The Fourth Sister, had its world premiere in January 2000 in Warsaw, Poland.

– Alice Reid, Dramaturg

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Hunting Cockroaches Student BiosStephen Abts (Stage Manager) is a junior at SOU, originally from Danville, California. Previous SOU credits include Production Assistant for Romeo and Juliet, Assistant Stage Manager for Arcadia, and Sound Designer for Many Moons.

Linnaea Boone Wilson (Costume Designer) is a senior at SOU, originally from Santa Cruz, California. Linnaea transferred from Cabrillo College in Aptos, California. She has been accepted into the department’s BFA program. Previous SOU credits include Costume Designer for Women of War, Draper for Romeo and Juliet and Draper for Hotel Paradiso. Credits at other theaters include intern at OSF costume shop, Stitcher for Shakespeare Santa Cruz and Dresser for the Buxton Opera Festival in England.

Ana Byers (Mrs. Thompson) is a senior at SOU, originally from Wapato, Washington. Ana transferred from Yakima Valley Community College in Yakima, Washington. Previous SOU credits include Helen of Troy in Women of War and Curio in Twelfth Night. Credits at other theaters include Karen in Dinner with Friends and Helen of Troy in Helena’s Husband.

Bridget Carlson (Lighting Designer) is a sophomore at SOU originally from Portland, Oregon. Previous SOU credits include Stage Manager for Many Moons, Assistant Stage Manager for Women of War and Master Electrician for Romeo and Juliet and The Phantom Tollbooth. Credits outside SOU include Lighting Design, Technical Direction and Electrician for New Century Players and Assistant Lighting Design for the Oregon Cabaret Theatre’s production of Altar Boyz.

Clinton K. Clark (Censor) is a junior at SOU, originally from Bend, Oregon. Previous SOU credits include Ensemble in Phantom Tollbooth and Old Man Strong in Urinetown. Credits outside of SOU include Simon in Jesus Christ Superstar and Petruchio in Taming of the Shrew.

Hunting Cockroaches Guest BioTerri McMahon is the assistant director of “The Clay Cart” at the 2008 Oregon Shakespeare Festival. She was the assistant director for James Bundy, who now heads the Yale Repertory Theatre, as well as for the Yale Drama Program production of “Romeo and Juliet” at The Acting Company. She directed “Guys on Ice” and “Lady with All the Answers” at the Oregon Cabaret Theatre. McMahon also directed “Henry V” at the Kern Shakespeare Festival and “Top Girls” at SOU. She has directed numerous School Visit Programs for the Oregon Shakespeare Festival over the years.

continued on page 26

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Chris Cook (Technical Director) is a sophomore at SOU, originally from Los Angeles, California. Previous SOU credits include Master Carpenter for Urinetown, Assistant Master Carpenter for Women of War, and Carpenter for Romeo and Juliet. Credits at other theatres include Set Construction and Backstage Management at the Fountain Theatre, and Crewing for several short films.

Jonathan W. Dyrud (Janek) is a sophomore at SOU, originally from Klamath Falls, Oregon. Previous SOU credits include Valentine in Arcadia, Georges in Hotel Paradiso and Sandy in The Philadelphia Story. Credits outside of SOU include Hortensio in Taming of the Shrew and Benny in Epic Proportions.

Holly Nunn (Prop Master) is a junior transfer student at SOU, originally from St. Helens, Oregon. Holly transferred from George Fox University in Newberg, Oregon. Previous credits at SOU include Cop #2 in Urinetown, Prop Crew for Urinetown and Prop Crew for Arcadia. Credits at other theaters include Lord Angus in Macbeth and Mrs. Winthrop in The Secret Garden at George Fox University.

Amanda Patt (Scenic Designer) is a junior at SOU originally from Santa Clarita, California. Previous credits at SOU include Assistant Scene Design for Phantom Tollbooth, Assistant Technical Director for Romeo and Juliet and Carpenter for The Philadelphia Story.

Catherine E. Ridenour (Master Electrician) is a junior at SOU, originally from St. Helens, Oregon. Previous credits at SOU include Light Crew for Ghosts, Light Crew for Entertaining Strangers and Light Crew for Women of War. Credits outside of SOU include Lighting Designer for the Oregon Shakespeare Festival’s Black Swan productions of The Changeling and Dutchman.

Jordan Leigh Wakefield (Anka) is a junior at SOU, originally from Seattle, Washington. Previous SOU credits include Cassandra in Women of War, Beth in A Lie of the Mind, and Maxiene in Tongue of a Bird. Credits at other theatres include Ronda-Louise in Women of Manhattan, Beverly in The Shadowbox, and Hermia in A Midsummer Night’s Dream.

Nick Walker (Immigration Officer) is a sophomore at SOU, originally from Redmond, Oregon. Previous credits at SOU include White Suit in Lorca in a Green Dress. Credits outside of SOU include Keizuke in In a Grove, various roles in The Dining Room and Michael in Bang, Bang You’re Dead.

Hunting Cockroaches Student Bios, cont.

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Thank You! The faculty, staff and students of the Department of Theatre Arts acknowledge the generosity of the following individuals, who have made donations to the Theatre Arts Building Fund, Scholarship and Operating

funds since 2004.

AnonymousSusan BallEd and Maureen BattistellaJan CraigieAnne F. DeckerJohn and Diane EngelhardtRichard L. HayBettie HenryDr. Charles Holloway

and Dr. Barbara GabertCraig Hudson and Jorge SilvaLaurie KurutzAlberta LeeJed and Celia Meese Foundation

Platinum Judith BartellAnne F. DeckerRichard L. HayVictoria HexterJennifer and Paul HohenloheCharles and Betty HoweJewish Communal Fund

(Recommended by Robert and Gerry Hodes Family)

Mr. and Mrs. Lewis Lefkowitz, Jr.Oregon Shakespeare FestivalHerb and Frances PetschekShirley PollockJoan T. SpearMr. and Mrs. Cecil StaverRobert and Janice StaverWestern Medical Consultants

GoldAshland Lions ClubJim and Lucille BurkeDr. Charles Holloway

and Dr. Barbara GabertFrank and Eleanor MarzoccoJames McConvilleRobert H. Miller and Doris SegnerKathleen OylerMr. and Mrs. Michael QuirkKathryn Cleland-Sipfle

and William SipfleTreasa SpragueSilver Dr. John I. AlexanderAlan Armstrong

and Victoria SturtevantLou Ann and Carmon AubleFran AversaDr. and Mrs. John Burns

Richard Moeschl Herb and Frances PetschekJames PlummerDon and Phyllis ReynoldsChris Sackett

and Brooke FriendlyPeter and Janice SchmitzJoan T. SpearTreasa SpragueRobert and Janice StaverCarl and Jean StrandSteve and Penelope ThorpeAllan WeisbardWisnia Transcription Services

Building Fund Donors

Theatre Department Donors

continued on page 28

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Theatre Department Donors, cont.Bronze, continuedCindy FaubionMargery GoodmanMichael and Helen HaldermanThe HamazonsJames and Jane HibbertMarjorie and Robert HoeftMary E. HollandCarole and Alan HorobinIBM Matching Grants ProgramCarol IngelsonAlbert and Leatrice IsaacsonHal and Marjorie JamisonBob and Mary Ann JonesSally Jones and Ben BenjaminMiriam and Frederick KolmVivian KornM.J. and Howard LevineAhna LichTonette LongDoris MannionBarbara and Tom MathiesonMr. and Mrs. David MedeirosNan and Ron MillerEdith MontgomeryDick and Marty MooreDr. and Mrs. Frank MooreSharon L. NelsonDorothy OrmesMack PurcellBarbara and Harvey RothMary SanteeRobert SchepplerSallie ShippenJenifer SkilesLloyd and Joanne SorensenDouglas and Diana SpenceJoan SteeleGerald and Ann SteinJames and Gwynn SullivanElizabeth TachellaSue ThomasLiz Vesecky and Herschel KingJane WetzelShirley and Barry Vitcov

Silver, continued Burt EikleberryDiane Cowan Jan CraigieJim and Helen DeanJudith FaulknerEllen HeimanJack and Marlene HenselmanRobert HilliardEd and Sheila HungerfordSandra and Edward KicePhilip Lang and Ruth MillerBill and Shirley PattonRobert PollockMarie and Bill RadkeJim and Sandi RisserPeggy RubinSusan RustMr. and Mrs. Steve SniderWillis and Daghner StanfillRobert and Joyce StevensRandall StothersGeorgia F. StraussMr. and Mrs. Eugene ThomasRudolf VestRonald and J. Brantley WaittJillian and Kevin WardPatty and Vince WixonBetty and Arthur WolvertonBronzeRhoda B. and S.C. AbrahamsDona AffolterWilliam and Janet AndersonLinda BarnettRaina and Roger BradshawRobert and Patricia ButlerKeith CampbellNancy CarterKen and Lyn ClarkeChristi CourianPam CurlClark and Carol CustodioJudith DraisJean EisenbergLue Douthit and Dee Anne Everson

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