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contents
5 L E
6 B I LFeaure Inerview
12 S P LW Z R Lk?W I A M A HW I
Old Mounain
14 SN S
Musan Cho Oh-hyun ( Heinz Insu Fenkl)
15 C R SScot . Sarbuck
16 T P H C IA Ik
17 T P S PMarin Willits Jr.
18 B HA Rk
19 AJesse LoVasco
20 T W I F IMarin Burke
24 F , k -Erynn Rowan Laurie
25 T G H A 26 S H Sb G
CT U M
Joel Long
30
J.K. McDowell
30 N Lk, M F31 F M W F dw
(D F W) RDiana Woodcock
34 S Chrisine Waresak
36 SGenevieve Lee
38 W NL #1: H L B S
Laurence Holden
41 A 3:
V F, K BDeer Has Full ail: N MC C
Gwendolyn Morgan
42 T I45 W
Jamie K. Reaser
48 T N Hyra Olsad
49
RBrendan Sullivan
50 W I D N INicole Parizeau
51 FxV
Michael Bazzet
52 C' Hk C Lb C
53 Y P N S B MDaniel Williams
54 J , CColin Dodds
55 F FTeodosia Henney
57 W T A N R,T R N k
Laura Sory Johnson
59 P Creaively MaladjusedTeodore Richards
60 Cb
4
13
14
15
17
19
24
26
28
32
35
36
P bG L, J K R,
Ak S, R S, P PSee pages or phoo credis.
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4P A S
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Leer rom he Edior
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6
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22
Erynn Rowan Laurie
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J.K. McDowell
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2
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2
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I cannot see the moon this morning as I walk on the beach. Overcast, windy, cold, and
somewhere behind the clouds a full moon is causing this very low tide. A spring tide,
when the moon and sun are aligned with the earth, and their gravitational forces com-
bine to create tides of exaggerated range.
Its Monday morning, and I can be out walking because I have quit my job, a good
job, and by good I mean decent pay, with benefits. But also a boring, exhausting, and
draining job. People dont know how to react when I tell them, not in this economy, not
at my age. They raise their eyebrows. Wow. And I dont know how to explain why I quit
and what I will do with the time that I could be making money.The beach is deserted except for crows feeding on the small islands of seaweed newly
exposed, and schoolchildren, who scamper between the wet sand flat and the tent where
their teacher waits on high, dry sand. Their shouts and screams of delight float to me on
the wind.
Debris litters the beach. Crab carcasses, hollowed and broken, tangled ribbons of
copper-colored seaweed, bits of shell. Rivulets of water flow back from the higher sand
to the Puget Sound. I search for something whole to take home, to show my husband,
and to put on my shelf, but nothing is whole except the rocks, and I cant even find an
exceptionally pretty rock. I give up and walk awhile, gazing outward now at the milky
waves.
And thats when I almost stumble on it.
Startling, and I want to say beautiful, but it is not beautiful. Orange with purple dots,about a foot long, it could be starfish-like except it has too many limbs, maybe 20,
purple-tipped, all facing the same direction, toward the water. The way it is lying, with
the meaty middle near the top and the limbs pointing down, it makes the shape of a heart.
Fascinating and compelling, yes, but too strange to be beautiful. Its a little scary, re-
sembling the spiders of my childhood nightmares, or images of cellular beings under the
lens of a microscope. Things not meant to be seen with the naked eye in the light of day,
which makes them as irresistible as a secret whispered just out of earshot. If I touched it,
it probably wouldnt move, but I dont touch it for fear that it will.
Instead, I pull out my iPhone, take a photo, and send it to my husband. And as soon as
I do, the mystery of it evaporates a little, and I wish I hadnt taken the photo and sent it
to David, not yet. I wish I would have kept it to myself a little longer, let the wonder of itlinger like a dream Ive just woken from but cant quite remember or the silent, stunned
minutes after reading the last page of a great book.
At first I think what draws me in is to learn what this creature is. To know what is
unknown. But then I realize to know the strange and not-quite-beautiful phantoms of the
sea is not the point. To show them to you is not the point. Thats not where the ultimate
pleasure lies. The pleasure is in something else. It is in the almost finding but never
knowing absolutely. The search, the surprise, and then the mystery. That is what makes
the children on the beach squeal and makes us strain to hear a whisper. That is what
makes me quit my job to do nothing but walk on the beach and scribble in a journal.
If seas exist inside me, what creatures are revealed during the very low tides of my
being? During a spring tide and a full moon? All I want is a little time to look.
Sea of marrow. S bld. My qignch sys cl h ss ihin , nd igin nligh n dk, gnl vs.
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4
Genevieve Lee
SOne way or anoher,Te choice will be made by our generaion
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P G L
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Laurence Hoen
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P G L
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Gwenoyn Morgan
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44 P J K R
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Brenan Sulivan
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Nicoe Parizeau
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Michae Bazzet
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The Wisdom Education Movement ManifestoHuman salvaion lies in he hands o he creaively maladjused.
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T Rauthor ofCosmosophia
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ConribuorsMichael Bazzet N O R, M R, P, SH, L I P S H Te Imaginary Ciy, b OW! A Cbk S, Tey: A Field Guide, B P 2013 H M
Marin Burke b I b F , , b x bk k USA, UK, I, BH Beowul(b b C B P, USA) k b J J
Colin Dodds M N Yk C H , Te Las Bad Job, N M ; D ,
Reeshmen A ragedy, - 2010 A Z C H - z b, b P Pz H Bk, N
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Heinz Insu Fenkl, b 1960 B, K, , , H b- ,Memories o My Ghos Broher, B & Nb D G N W - 1996 PEN/H A 1997 H , Y M- , A A I, b Sb 12, 2011 Te New Yorker.
Teodosia Henney j b H k z j, b T P Pz T M A
Laurence Holden N G M US H W j b C J b , b H , , , k , b, H Te Chrysalis Reader, Appalachian Heriage, Te Reach o Song, - b b G P S H k x GP S 2010 b B Hb R S 2011 H - 20 xb, 200 b, , H b :// ://
Laura Sory Johnson k B I, N Yk C, b Ak, M, B, Zbz R Zb, A H k b P Pz ap Souh Loop Review S C b -j
Genevieve Lee 23 M T , b, k b T , , , b b- b b I 2010, L T -b x T k
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S q I 2011, L Kz C S 2011 - R R, 2007 B N V: Gb W P C, U S S ,
G Sb E D H k O C G k k P C W S S b , bk, x Y x k
Joel Long bk L D b b B Ck P 2012Know-ing ime by Ligh b b 2010 H bkWinged Insecs W P PP Pz b 1999 L bk, Chopins Preludes Saron Beneah Every Fros b Ek P H Quarerly Wes, Gul Coas,Rhino,Biter Olean-der, Crab Orchard Review,Bellingham Review, Souweser,Prairie Schooner, Willow Springs, Poems and Plays, and
Seatle Review z American Poery: he Nex Generaion,Essenial Love,Fresh Waer, and I Goo he Ruined Place. H M A A L A U A F W A A W Wk
Jesse LoVasco V C N U H b , , b x b T / k S b , b T , b b , , S
k k - , kbk AWE S V 14 , - M
J. K. McDowell , , O x Cj Nigh, Mysery & Ligh MD H P C MD J S P W R MD b Hb Pb L M BRuminaions A wiligh N k b MD b N M L MD 20 GC , b b
Gwendolyn Morgan b b b bx W MFA C W G C, MD S F T S, b A, C S S b : Calyx, Dakoah,Kalliope,Kinesis,Manzania Quarerly, ribuar-ies: a Journal o Naure Wriing,VoiceCacher, Writen River jG J, , Abb Sk, Pbk W C
M Cho Oh-hyun, M, b 1932 M SG P K H b k
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O , j I 2007 C C- L A bkDisan Holy Man T M Gj K N M Z, Bk M Sk Hk Te Asia Lierary Review, Asympoe, AZALEA, Buddhis Poery Review
Old Mounain , - , B H M A
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N Pk S Az, S Dk, W-, C, Ak S PD G K S U, , , S b- , x, , j
Nicole Parizeau Whole Earh Mz U C-, Bk L H S S S F B A, M N Folio,
Poecology,Emrys Journal, Opium Magazine, W R U, Weaher, I
& P P N S M R P F 2013A A A C A
Pamela Pero N, M S bk -b -, S C L U MFAP H b Te New York imes, Grana,Te Alanic, Te Paris Review Daily H k bk he Slow Breah o Sone: A Romanesque Love Sory, S F S bk b -- G C H bk - b b W
Jamie K . Reaser , , b S BS FB, S A, C W M B S U S k b, , , -- S -, -b , x , , , , -- S Couring he Wild S, Hunley Meadows,Noe o Sel, Sacred Reciprociy S k B RM V V k W b k-b, k W Fbk
Angeliki Savvanoglou G, b B, UK, C- B H b k S j , ,,
Scot . Sarbuck Sarsher D B, O, T Sk C A E N, E, C-, q k P N H bk, River Walker, M R P E, O H k C W C S D M C, k Te rumpeer Journal o Ecosophy Ab U, Uniled Counry
Review
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Russell Sreur b- J Ck, G Pb , - - b, T C S, ://b, b , k I,
Brendan Sullivan b b , k-b b H j , H k - b H k , b x H Te Rusy Nail, A Cleanand Well Li Place, Haggard and Halloo, Mad Swirl, 521 Magazine, Guter Eloquence Te Missing Slae H
j H ,Nocurnal Embers
Chrisine Waresak S S b P F , b k b P N z E , P S S MA E U F b RED OCHRE Li
Marin Willits Jr S Lb S, N Yk H - H V C H 5Push-
car 3Bes O Te Ne H bk Falling In and Ou o Love (P H Pb-, 2005), Lowering Nes o Ligh (P H Pb, 2007), Te Garden o French Horns(P H Pb, 2008), Baskes o omorrow (F P, 2009), Te Girl Who Sang ForhHorses (P H Pb, 2010), Van Goghs Sunfowers or Cezanne (F L P,2010), Why Women Are A Ribbon Around A Bomb (L A, 2011), Proes, Peiion, Wrie, Speak:
Mailda Joslyn Gage Poems (M J G F, 2011), Secres No One Wans o alk Abou(D M P, 2011), How o Find Peace (K P, 2012), Playing Te Pauses In Te Ab-sence O Sars (M S R, 2012), No Special Favors (G F P, 2012) H bk Te Secre Language o he Universe (M S P, 2006), TeHummingbird(M S P, 2009), Te Hear Knows, Simply, Wha I Needs: Poems based on Emily Dickinson, her
lie and poery(A P, 2012) H bk Waiing For Te Day o OpenIs Wings (UNBOUND C, 2013), Ar Is he Impression o an Aris (E L PbH, 2013), Ciy O ens (C C P, 2013), A Is For Aora (S C P, -bk,2013), Swimming In he Ladle o Sars (K P, 2013)
DianaWoodcock - , Swaying on he Elephans Shoulders K D A 2010 V Qbx I P Pz W b b L R Pb 2011 H bk In he Shade o he Sidra ree (FL P),Mandala (F Pb), ravels o a Gwai Lo - P Pz ( P) S b V C U Q 2004 P , k b, M T
Daniel Williams Y S N M NC H MA E L S J S U FC, Cb C, M S D D PW F AM, b q PW Tursdays KSER-FM , B Nb, E Bk S, C Bk, Bk. R Grrrr..Poems Abou Bears, A Fine Frenzy: Poes Respond o Shakespeare, Sierra Songs and Descans, Ino he eeho he Wind, Amoskeag Journal, NEBO, Sea Sories, Te HoAir Quarerly,Minneonka Review, Grea American
Poery Show,Raven Chronicles,Rockhurs Review,Flowers & Vorexes Manzania, Common Ground Review, Yosemie Poes: A Gahering o his Place.
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