Typographic Perfection with OpenType?
Adam Twardoch
February 26, 2005
Abstract
In September 1999, Adobe Systems declared their PostScript Type 1 font format "obsolete". Until then,this font format was dominating the professional pre-press and printing business, but now was to be replacedwith OpenType – a font format developed by Microsoft and Adobe, with collaboration from Apple. Four anda half years later, OpenType is a fact: both the world’s largest font foundries and individual type designerpublish new fonts in this format.
OpenType fonts have numerous advantages: they can be used in many operating systems without anyconversions (Windows 9x/2000/XP, MacOS 9/X, some Unix environments); they use the universal characterencoding standard Unicode; finally, they can include typographic layout features that allow for comfortableuse of ligatures, small caps, swash alternates or old-style numerals, as well as more advanced functionalitysuch as justification alternates.
You may have heard that Unicode is the only solution for the encoding mess in electronic text processing.You may have also heard that OpenType is the new cross-platform font format that enables unprecedentedtypographic perfection. Adam Twardoch will present these technologies and discuss how much truth andhow much myth these promises hold.
Bio:Born 1975 in Poland, Adam now lives in Frankfurt (Oder), at the German-Polish border. He is Scripting
Products and Marketing Manager at Fontlab Ltd., an international software vendor specializing in fonteditors and typography products. He serves as typographic consultant to MyFonts, a major online fontdistributor. Adam provides consulting services in font creation, font tool development, font technology andmultilingual typography for Adobe, Bitstream, Corel, Linotype, Microsoft and other clients. Adam regularlywrites and lectures about fonts and typography. He is member of Association Typographique Internationale(ATypI) and of the Polish TEX Users’ Group (GUST).
Proceedings EuroTEX2005 – Pont-à-Mousson, France TUT04
Typographic Perfection with OpenType?Adam Twardoch
55
Adam
Tward
och
EuroT
EX 20
05Ad
am Tw
ardoch
Euro
T EX 20
05
Typ
ograp
hic pe
rfecti
on
with
Open
Type
?
3“N
o one
will ev
er nee
d more
than
128 c
harac
ters!”
– AS
CII4
“No o
ne wil
l ever
need m
ore th
an 12
8 cha
racter
s”?
TUT04 Proceedings EuroTEX2005 – Pont-à-Mousson, France
56 Typographic Perfection with OpenType?Adam Twardoch
5“N
o one
will ev
er nee
d more
than
128 c
harac
ters!”
256
256
6Co
depag
e sou
p: inc
ompa
tible 8
-bit e
ncodin
gstha
t only
cover
a sub
set of
the n
ecessa
ry cha
racter
set
7
Pięć
flak
onów
wod
y „Э
кзем
пляр
ъ”.
actual
text
Pięć
flak
onów
wod
y „Ý
ęçĺě
ďë˙đ
ú”.
text e
ncoded
as Wi
ndow
s 1250
(Cent
ral Eu
ropean
)
Piкж
flak
onуw
wod
y „Э
кзем
пляр
ъ”.
text e
ncoded
as Wi
ndow
s 1251
(Cyril
lic)
Typese
tting m
ultilin
gual t
ext ha
s alwa
ys bee
n a ch
alleng
ein
GUI la
yout a
pplica
tions
and i
n TEX
8Typ
esettin
g mult
ilingu
al text
has a
lways
been a
chall
enge
in GU
I layou
t app
licatio
ns an
d in T
EX
Proceedings EuroTEX2005 – Pont-à-Mousson, France TUT04
Typographic Perfection with OpenType?Adam Twardoch
57
9Diff
erent
charac
ter gr
oups
stored
in se
parat
e fonts
, sw
itchin
g fon
ts ofte
n nece
ssary
Wst
awia
nie
ligat
ur ja
ko p
ojed
yncz
ych
znak
ów p
owod
uje
prze
kłam
ania
w te
kści
e, w
idoc
zne
po z
asto
sow
aniu
inne
go fo
ntu.
Wst
awia
nie
ligat
ur ja
ko p
ojed
yncz
ych
znak
ów p
owod
uje
prze
kłam
ania
W
staw
iani
e lig
atur
jako
poj
edyn
czyc
h zn
aków
pow
oduj
e pr
zekł
aman
ia
Wst
awia
nie
ligat
ur ja
ko p
ojed
yncz
ych
znak
ów p
owod
uje
prze
kłam
ania
W
staw
iani
e lig
atur
jako
poj
edyn
czyc
h zn
aków
pow
oduj
e pr
zekł
aman
ia
Wst
awia
nie
ligat
ur ja
ko p
ojed
yncz
ych
znak
ów p
owod
uje
prze
kłam
ania
W
staw
iani
e lig
atur
jako
poj
edyn
czyc
h zn
aków
pow
oduj
e pr
zekł
aman
ia
Wst
awia
nie
ligat
ur ja
ko p
ojed
yncz
ych
znak
ów p
owod
uje
prze
kłam
ania
W
staw
iani
e lig
atur
jako
poj
edyn
czyc
h zn
aków
pow
oduj
e pr
zekł
aman
ia
Wst
awia
nie
ligat
ur ja
ko p
ojed
yncz
ych
znak
ów p
owod
uje
prze
kłam
ania
W
staw
iani
e lig
atur
jako
poj
edyn
czyc
h zn
aków
pow
oduj
e pr
zekł
aman
ia
Wst
awia
nie
ligat
ur ja
ko p
ojed
yncz
ych
znak
ów p
owod
uje
prze
kłam
ania
W
staw
iani
e lig
atur
jako
poj
edyn
czyc
h zn
aków
pow
oduj
e pr
zekł
aman
ia
Wst
awia
nie
ligat
ur ja
ko p
ojed
yncz
ych
znak
ów p
owod
uje
prze
kłam
ania
W
staw
iani
e lig
atur
jako
poj
edyn
czyc
h zn
aków
pow
oduj
e pr
zekł
aman
ia
Wst
awia
nie
ligat
ur ja
ko p
ojed
yncz
ych
znak
ów p
owod
uje
prze
kłam
ania
W
staw
iani
e lig
atur
jako
poj
edyn
czyc
h zn
aków
pow
oduj
e pr
zekł
aman
ia
Wst
awia
nie
ligat
ur ja
ko p
ojed
yncz
ych
znak
ów p
owod
uje
prze
kłam
ania
W
staw
iani
e lig
atur
jako
poj
edyn
czyc
h zn
aków
pow
oduj
e pr
zekł
aman
ia
Wst
awia
nie
ligat
ur ja
ko p
ojed
yncz
ych
znak
ów p
owod
uje
prze
kłam
ania
W
staw
iani
e lig
atur
jako
poj
edyn
czyc
h zn
aków
pow
oduj
e pr
zekł
aman
ia
Wst
awia
nie
ligat
ur ja
ko p
ojed
yncz
ych
znak
ów p
owod
uje
prze
kłam
ania
W
staw
iani
e lig
atur
jako
poj
edyn
czyc
h zn
aków
pow
oduj
e pr
zekł
aman
ia
Wst
awia
nie
ligat
ur ja
ko p
ojed
yncz
ych
znak
ów p
owod
uje
prze
kłam
ania
W
staw
iani
e lig
atur
jako
poj
edyn
czyc
h zn
aków
pow
oduj
e pr
zekł
aman
ia
Wst
awia
nie
ligat
ur ja
ko p
ojed
yncz
ych
znak
ów p
owod
uje
prze
kłam
ania
10In
GUI a
pplica
tions,
switc
hing f
onts m
ay lea
d to u
nwan
ted eff
ects,
in T EX
ligatu
re inf
ormati
on sto
red in
sepa
rate fi
les (.t
fm)
970x0061
225
0x00E1
261
0x0105
945
0x03B1
1103
0x044F
1488
0x05D0
9787
0x263B
32244
0x7DF4
11Un
icode
assign
s num
eric c
odes
to cha
racter
s
Frag
men
t zes
taw
u zn
aków
Uni
code
12Th
e Unic
ode S
tanda
rd enc
odes
100 00
0 cha
racter
s, 1 m
illion
possi
ble
TUT04 Proceedings EuroTEX2005 – Pont-à-Mousson, France
58 Typographic Perfection with OpenType?Adam Twardoch
Frag
men
t zes
taw
u zn
aków
Uni
code
13Th
e Unic
ode S
tanda
rd enc
odes
100 00
0 cha
racter
s, 1 m
illion
possi
ble
Frag
men
t zes
taw
u zn
aków
Uni
code
14Th
e Unic
ode S
tanda
rd enc
odes
100 00
0 cha
racter
s, 1 m
illion
possi
ble
Kró
tka
hist
oria
sta
ndar
du U
nico
de
1984
ISO
wor
king
gro
up c
reat
ed to
defi
ne u
nive
rsal
cha
ract
er s
et
1987
Uni
code
wor
king
gro
up c
reat
ed to
defi
ne u
nive
rsal
cha
ract
er s
et (A
pple
, Xer
ox)
1990
Dis
tinct
Uni
code
1.0
and
DIS
-1 1
0646
pub
lishe
d
1991
“Tw
o un
iver
sal c
hara
cter
set
s? N
ot a
goo
d id
ea!”
: Uni
code
and
ISO
106
46 m
erge
d
1993
Mer
ged
Uni
code
1.1
and
ISO
106
46-1
:199
3 pu
blis
hed
1996
Uni
code
2.0
pub
lishe
d, 3
8 88
5 en
code
d ch
arac
ters
1998
Uni
code
2.1
pub
lishe
d, a
ddin
g e.
g. th
e eu
ro c
hara
cter
1999
Uni
code
3.0
pub
lishe
d, 4
9 19
4 en
code
d ch
arac
ters
2000
ISO
/IE
C 1
0646
-1:2
000
publ
ishe
d (U
nico
de 3
.0 e
quiv
alen
t)
2002
Uni
code
3.2
pub
lishe
d, 9
5 15
6 en
code
d ch
arac
ters
(> 6
5 53
6!)
2003
Uni
code
4.0
pub
lishe
d, 9
6 51
3 en
code
d ch
arac
ters
2005
Uni
code
4.1
bet
a, 9
7 78
6 en
code
d ch
arac
ters
15Bri
ef hist
ory of
the U
nicod
e Stan
dard
1975
Pete
r K
arow
ann
ouce
s Ik
arus
at t
he A
TypI
con
fere
nce
in W
arsa
w
1985
Ado
be S
yste
ms
crea
tes
the
Post
Scri
pt la
ngua
ge a
nd d
efine
s th
e Po
stSc
ript
Typ
e 1
font
form
at (t
he s
peci
ficat
ion
is c
onfid
entia
l)
1987
App
le C
ompu
ter
and
Mic
roso
ft C
orp
star
t cre
atin
g th
eir
own
font
form
at
that
wou
ld b
e in
depe
nden
t fro
m a
n A
dobe
lice
nse
1990
Ado
be p
ublis
hes
the
Post
Scri
pt T
ype
1 sp
ecifi
catio
n
1991
Ado
be p
ublis
hes
ATM
, App
le a
nd M
icro
soft
pub
lish
the
True
Type
form
at
1993
–96
App
le d
evel
ops
True
Type
into
Tru
eTyp
e G
X (l
ater
: AAT
), Tr
ueTy
pe G
X (l
ater
: AAT
), Tr
ueTy
pe G
XM
icro
soft
dev
elop
s Tr
ueTy
pe in
to T
rueT
ype
Ope
n
1998
Ado
be jo
ins
the
Mic
roso
ft in
itiat
ive
and
crea
tes
the
CFF
form
at
CFF
form
at
CFF
that
allo
ws
plac
ing
Post
Scri
pt fo
nt d
ata
into
the
True
Type
file
str
uctu
re
1999
Ado
be a
nd M
icro
soft
ann
ounc
e O
penT
ype
base
d on
Tru
eTyp
e O
pen
and
CFF
2000
Firs
t Ope
nTyp
e fo
nts
publ
ishe
d by
Ado
be a
nd M
icro
soft
16Th
irty ye
ars of
digit
al outl
ine fo
nt tec
hnolo
gy: 19
75–2
005
Proceedings EuroTEX2005 – Pont-à-Mousson, France TUT04
Typographic Perfection with OpenType?Adam Twardoch
59
Ope
nTyp
e je
st fo
rmat
em u
niw
ersa
lnym
17On
e form
at, m
any p
latfor
ms: O
penTyp
e18
One c
harac
ter, m
any g
lyphs
01
2A
Ka
be
s0030
0031
0032
0041
004B
0061
0062
0065
0073
onum
smcp
fina
init
salt
hist
19In
addit
ion to
defau
lt cha
racter
form
s, Open
Type fo
nts ca
n have
varian
t glyp
hs ass
ociate
d with
so-ca
lled la
yout fe
atures
20Bri
oso Pr
o (Ro
bert S
limba
ch, Ad
obe S
ystem
s)Lay
out fe
atures
: stan
dard
ligatu
res (li
ga)
TUT04 Proceedings EuroTEX2005 – Pont-à-Mousson, France
60 Typographic Perfection with OpenType?Adam Twardoch
21Po
etica
Std (R
obert
Slim
bach,
Adob
e Syst
ems)
Layou
t Feat
ures: l
iga, d
lig, sa
lt, orn
mC
zter
y po
dsta
wow
e
form
y lit
er a
rabs
kich
isol
init
medi
fina
t 062Aت
ســتـ
ســتـ
ســـ
سـت
سـت
ســتســ
h 062Dح
سـحـ
سـحـ
ســ
سـح
سـح
ســـحـس
22In
the Ar
abic w
riting
syste
m, ea
ch let
ter ha
s four
differe
nt for
ms:
isolat
ed, in
itial, m
edial
and fi
nal
Ope
nTyp
e um
ożliw
ia p
opra
wny
skł
ad w
języ
ku a
rabs
kim
i inn
ych
języ
kach
sto
sują
cych
kal
igra
ficzn
e sy
stem
y pi
sma
23Th
e Open
Type fo
nt con
tains
appro
priate
layou
t featu
res (in
it, me
di, fin
a) tha
t map
the d
efault
form
to th
e con
textua
l form
s
Lite
ra ł
w p
iśm
ie d
ruko
wan
ym i
odrę
czny
m
Fals
ki 1
974
24So
me la
ngua
ges ha
ve loc
alized
glyph
form
s in ha
ndwr
iting
Proceedings EuroTEX2005 – Pont-à-Mousson, France TUT04
Typographic Perfection with OpenType?Adam Twardoch
61
Wład
ysław
Jag
iełło
intern
ation
al form
s
Wład
ysław
Jag
iełło
localiz
ed for
ms
Wład
ysław
Jag
iełło
ligatur
es
25Op
enType
allow
s for la
ngua
ge-sen
sitive
subst
itutio
nsso
for Po
lish la
ngua
ge, th
e call
igrap
hic lsl
ash ca
n be s
ubsti
tuted
War
iant
y zn
aków
dia
kryt
yczn
ych
z ac
ute
dost
osow
ane
do ję
z. p
olsk
iego
i hi
szpa
ński
ego
Fenw
ay, M
atth
ew C
arte
r 20
01
26Op
enType
allow
s for la
ngua
ge-sen
sitive
subst
itutio
nsso
differe
nt gly
ph va
riants
can b
e sele
cted d
epend
ing on
lang
uage
Dw
a w
aria
nty
font
ów w
form
acie
Ope
nTyp
e
27Op
enType
fonts
exist
in tw
o “fla
vors”
: Op
enType
TT an
d Open
Type P
S28
TUT04 Proceedings EuroTEX2005 – Pont-à-Mousson, France
62 Typographic Perfection with OpenType?Adam Twardoch
Cal
ligra
phic
Typ
efac
e by
Her
man
n Z
apf
Publ
ishe
d
in O
pen
Typ
e Fo
rmat
by L
inot
ype
Libr
ary
2930
31Ori
ginall
y pub
lished
as a s
eries
of Typ
e 1 fo
nts32
Zapfin
o Extr
a LT P
ro con
tains
an ex
tensiv
e set
of con
textua
l featu
restha
t simu
late c
alligr
aphic
“ran
domn
ess”
Proceedings EuroTEX2005 – Pont-à-Mousson, France TUT04
Typographic Perfection with OpenType?Adam Twardoch
63
33Wo
rks on
Wind
ows X
P SP-2
in m
any a
pplica
tions
includ
ing No
tepad
,als
o Ado
be InD
esign
, Illus
trator
CS, P
hotos
hop C
S, soo
n Mac
OS X
34Up
coming
: Gara
mond
Prem
ier Pr
oA n
ew ty
peface
fami
ly by R
obert
Slim
bach,
Adob
e Syst
ems
ABC
DEF
GH
IJK
LMN
OPQ
RST
UV
abcd
efgh
ijklm
nopq
rstu
vwxy
zàá
âãäå
ăāąǻ
áăâä
àāąå
ã ct
fbff
ffbffh
абвг
дежз
ийкл
мноп
рсту
фхцч
шщ
ъыьэ
αβγδ
εζηθι
κλμν
ξοπρ
ςστυ
φχψω
ϊϋόύ
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cdef
ghij
klm
nopq
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vwxy
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TUT04 Proceedings EuroTEX2005 – Pont-à-Mousson, France
64 Typographic Perfection with OpenType?Adam Twardoch
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TUT04 Proceedings EuroTEX2005 – Pont-à-Mousson, France
66 Typographic Perfection with OpenType?Adam Twardoch
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