Shakespeare CollectionTo celebrate ‘The Year of Shakespeare’ Routledge has put together a FREE article collection covering seven key topics.
Explore each topic by clicking on the titles below:
� Shakespeare and Gender
� Shakespeare and Performance
� Shakespeare and Intertextuality
� Shakespeare and Language
� Shakespeare and History
� Intercultural Shakespeare
� Shakespeare, the Mind and Reality
� Shakespeare Books from Routledge
Shakespeare Collection
� Shakespeare and Gender
Women & Performance: a journal of feminist theoryVolume 2, Issue 2, 1985
Shakespeare and the feminist actor
Women’s History ReviewVolume 4, Issue 4, 1995
New woman meets Shakespeare woman: the struggle over the figure of Portia in England in the late nineteenth and early twentieth centuries
Women’s WritingVolume 8, Issue 2, 2001
“you are pictures out of doore … saints in your iniuries”: picturing the female body in Shakespeare’s plays
ShakespeareVolume 7, Issue 1, 2011
“A woman’s hide”: The presentation of female characters in Michael Boyd’s The Histories
Women: A Cultural ReviewVolume 18, Issue 2, 2007
‘It’s not about gender’: Cross-gendered casting in Deborah Warner’s Richard II
Contemporary Theatre ReviewVolume 2, Issue 3, 1995
Shakespeare’s Cleopatra, the Male Gaze, and Madonna: Performance Dilemmas
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Shakespeare Collection
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� Shakespeare and Performance
Contemporary Theatre ReviewVolume 19, Issue 4, 2009
France’s ‘Other’ National Playwright? The Performance of Shakespeare in France and the Shakespeare Myth
Performance Research: A Journal of the Performing ArtsVolume 16, Issue 1, 2011
Acting Out Trauma in the Theatre of Embarassment: George Tabori’s Shylock Improvisations
Performance Research: A Journal of the Performing ArtsVolume 16, Issue 2, 2011
Making Mourning Show Hamlet and affective public-making
Contemporary Theatre ReviewVolume 19, Issue 3, 2009
The Politics of Location in Othello, Djanet Sears’s Harlem Duet, and Ong Keng Sen’s Desdemona
ShakespeareVolume 7, Issue 1, 2011
“Their eyes more attentive to the show”: Spectacle, tragedy and the structure of All is True (Henry VIII)
Textual PracticeVolume 19, Issue 1, 2005
Shakespeare live: reproducing Shakespeare at the ‘new’ Globe Theatre
English Studies in AfricaVolume 7, Issue 2, 1964
Early Shakespeare Productions in South Africa
Textual PracticeVolume 17, Issue 2, 2003
‘A Shakespeare for the people’? Negotiating the popular in Shakespeare in Love and Michael Hoffman’s A Midsummer Night’s Dream
Contemporary Theatre ReviewVolume 19, Issue 3, 2009
Unsettling AustrIllyria: Twelfth Night, Exotic Englishness and Empire
Quarterly Review of Film and VideoVolume 23, Issue 4, 2006
Star Power: Al Pacino, Looking for Richard and the Cultural Capital of Shakespeare on Film
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Shakespeare Collection
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� Shakespeare and Intertextuality
Journal of the Royal Musical Association (Proceedings of the Musical Association) Volume 43, Issue 1, 1916
The Purpose Behind Shakespeare’s Use of Music
Journal of the Royal Musical Association (Proceedings of the Musical Association)Volume 86, Issue 1, 1959
The Use of Song in Shakespeare’s Tragedies
FolkloreVolume 92, Issue 2, 1981
Folklore and Shakespeare
Shakespeare Volume 5, Issue 1, 2009
“Author! Author!”: Shakespeare and biography
ShakespeareVolume 6, Issue 4, 2010
Jane Austen and celebrity culture: Shakespeare, Dorothy Jordan and Elizabeth Bennet
ANQ: A Quarterly Journal of Short Articles, Notes, and ReviewsVolume 25, Issue 2, 2012
Traces of Shakespeare’s Cymbeline in Poe’s “Politian”
English Studies Volume 88, Issue 4, 2007
Blood, barbarism, and belly laughs: Shakespeare’s Titus and Ovid’s Philomela
New Review of Children’s Literature and LibrarianshipVolume 15, Issue 2, 2010
“I could a tale unfold…”: Adaptations of Shakespeare’s Supernatural for Children, from the lambs to Marcia Williams
FolkloreVolume 73, Issue 2, 1962
Shakespeare and the Fairies
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Shakespeare Collection
� Shakespeare and Language
ANQ: A Quarterly Journal of Short Articles, Notes, and ReviewsVolume 25, Issue 2, 2012
Archbishop William Sancroft’s Emendation of 3 Henry VI: Rereading “rook’d”
ANQ: A Quarterly Journal of Short Articles, Notes, and ReviewsVolume 23, Issue 4, 2010
On Nicknaming God’s Creatures in Hamlet
English Studies Volume 90, Issue 1, 2009
Dietetics as a Key to Language and Character in Shakespeare’s Comedy
English Studies Volume 88, Issue 5, 2007
The Semantics of Passion in Shakespeare’s Comedies: An Interdisciplinary Study
ShakespeareVolume 7, Issue 1, 2011
Proverbial Shakespeare: The print and manuscript circulation of extracts from Love’s Labour’s Lost
Text and Performance QuarterlyVolume 31, Issue 1, 2011
Descanting on Deformity: The Irregularities in Shakespeare’s Large Chiasms
Word & Image: A Journal of Verbal/Visual EnquiryVolume 4, Issue 3-4, 1988
Recovering Shakespeare’s images
Word & Image: A Journal of Verbal/Visual EnquiryVolume 4, Issue 3-4, 1988
Shakespeare’s comedies of shadow and substance: word and image in Henry IV and Twelfth Night
English Studies Volume 85, Issue 4, 2004
Carrying Tempest in his Hand and Voice. The Figure of the Magician in Jonson and Shakespeare
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Shakespeare Collection
� Shakespeare and History
Rethinking History: The Journal of Theory and PracticeVolume 3, Issue 1, 1999
Shakespeare’s ‘whole history’: Drama and early modern historical theory
ShakespeareVolume 7, Issue 4, 2011
Discoveries from archaeology: Dealing with the past in the present
ShakespeareVolume 7, Issue 1, 2011
Shakespeare and the uses of the past: Critical approaches and current debates
Textual PracticeVolume 24, Issue 1, 2010
Without remainder: ruins and tombs in Shakespeare’s Sonnets
European Journal of English StudiesVolume 15, Issue 2, 2011
Shakespearean Medievalism
European Journal of English StudiesVolume 13, Issue 1, 2009
The Third Citizen: Shakespeare’s Theater and the Early Modern House of Commons
History of European IdeasVolume 16, Issue 4-6, 1993
Shakespeare’s georgic nationalism
Textual PracticeVolume 3, Issue 1, 1989
Thatcher’s Shakespeare?
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Shakespeare Collection
� Intercultural Shakespeare
Language and Intercultural CommunicationVolume 3, Issue 2, 2003
Shakespeare, Chekhov and the Emergence of the Transcultured Self in Denmark
Current WritingVolume 5, Issue 1, 1993
The politics of editing the Shakespeare text in South Africa
Current WritingVolume 5, Issue 2, 1993
Writing caliban: Anticolonial appropriations of The Tempest
English Studies in AfricaVolume 47, Issue 2, 2004
Race, body, and language in Shakespeare’s sonnets and plays
Journal of Literary StudiesVolume 14, Issue 1-2, 1998
A postcolonial reading of colonial strategies in Shakespeare’s plays
Journal of Literary StudiesVolume 15, Issue 1-2, 1999
From the globe to globalisation: Shakespeare and Disney in the postmodern world
Journal of Postcolonial Writing (formerly World Literature Written in English)Volume 23, Issue 1, 1984
Re-writing The Tempest
Scrutiny2: Issues in English Studies in Southern AfricaVolume 1, Issue 1-2, 1996
Shakespeare – the cultural weapon
South African Theatre JournalVolume 21, Issue 1, 2007
Approaching Macbeth through representation, participation and facilitation—a theatre-in-education ‘adventure’
WasafiriVolume 11, Issue 22, 1995
Shakespeare in Africa: Reflections on the teaching of English literature abroad
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� Shakespeare, the Mind and Reality
Critique: Studies in Contemporary FictionVolume 50, Issue 1, 2008
“Tell My Story”: Remembrance and Revenge in Atwood’s Oryx and Crake and Shakespeare’s Hamlet
LIT: Literature Interpretation TheoryVolume 21, Issue 4, 2010
Back to the Future: Ecological Crisis and Recalcitrant Memory in The Tempest and Tar Baby
Textual PracticeVolume 4, Issue 2, 1990
The cultural politics of perversion: Augustine, Shakespeare, Freud, Foucault
ShakespeareVolume 5, Issue 2, 2009
Shakespeare, Human Nature, and English Literature
History of European IdeasVolume 1, Issue 3, 1981
Realistic convention and conventional realism in Shakespeare
ShakespeareVolume 5, Issue 2, 2009
Presentism, Walter Benjamin, and the Search for Meaning in King Lear
ShakespeareVolume 5, Issue 2, 2009
“Shaping Fantasies”: Responses to Shakespeare’s Magic in Popular Culture
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� Shakespeare Books from Routledge
Routledge offers a wide range of books for students and researchers interested in all aspects of Shakespeare Studies. From The Routledge Guide to William Shakespeare, a textbook that demystifies and contextualises Shakespeare for the twenty-first century, to Shakespeare: The Basics, an insightful and informative introduction to Shakespeare’s work, there is something for everyone. Our Routledge Studies in Shakespeare series is our home for cutting-edge, upper-level scholarly studies and edited collections.
The Routledge Companion to Actor’s Shakespeare provides a window onto how today’s actors contribute to the continuing life and relevance of Shakespeare’s plays. Its twin volume, The Routledge Companion to Director’s Shakespeare describes in illuminating detail how some of theatre’s most talented directors have brought Shakespeare’s plays to the stage. In How to do Shakespeare, Adrian Noble draws on several decades of top-level directing experience to shed new light on how to bring some of theatre’s seminal texts to life.
You can find our full range of Shakespeare books in our online catalogue.
Until 30th June 2013 you can get a 10% discount on your purchase of any of our Shakespeare books when you buy via our website. Simply enter the discount code YSHA12 at the checkout.
Go to � Shakespeare and Gender � Shakespeare and Performance � Shakespeare and Intertextuality � Shakespeare and Language � Shakespeare and History � Intercultural Shakespeare � Shakespeare, the Mind and Reality � Shakespeare Books from Routledge
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