Portfolio & Process Arlene Graziano, IllustratorMaiamorphosis Arts 2012
I work both digitally and traditionally.
I usually begin each illustration with a set of graphite sketches.
Next, I photograph or scan the sketches and import them into my drawing software.
I use Corel Painter and a Wacom tablet to finish the illustration.
Images are copyrighted material and cannot be reproduced without permission. Contact Arlene Graziano at [email protected] or visit my website at www.arlenegraziano.com
Thanks!
Portfolio & ProcessArlene Graziano, IllustratorMaiamorphosis Arts 2012
Images are copyrighted material and cannot be reproduced without permission. Contact Arlene Graziano at [email protected] or visit my website at www.arlenegraziano.com
Thanks!
Sometimes, I scan in my colored pencil drawings and inkwork then combine them digitally.
Portfolio & ProcessArlene Graziano, IllustratorMaiamorphosis Arts 2012
Images are copyrighted material and cannot be reproduced without permission. Contact Arlene Graziano at [email protected] or visit my website at www.arlenegraziano.com
Thanks!
My current highly technicalphotography set-up = digital camera + full sun outside + garden bench.
I found I had better luck preserving color nuances using sunlight.
But, I also use a bright white LED indoors with no flash.
Portfolio & ProcessArlene Graziano, IllustratorMaiamorphosis Arts 2012
Images are copyrighted material and cannot be reproduced without permission. Contact Arlene Graziano at [email protected] or visit my website at www.arlenegraziano.com
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I sketch as often as I can, either in color or in graphite or with a watercolor pan set.
I show some of my sketches on Flickr.com
Portfolio & Process Arlene Graziano, IllustratorMaiamorphosis Arts 2012
Images are copyrighted material and cannot be reproduced without permission. Contact Arlene Graziano at [email protected] or visit my website at www.arlenegraziano.com
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I am interested in Natural Science and History.
Often exploring one topic, will lead me to consider another.
I had been drawing the big horn ram from a photo I had taken in Colorado when I began thinking about the Colorado Gold Rush.
Portfolio & ProcessArlene Graziano, IllustratorMaiamorphosis Arts 2012
Images are copyrighted material and cannot be reproduced without permission. Contact Arlene Graziano at [email protected] or visit my website at www.arlenegraziano.com
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These two pieces were developed from a prompt on the website Illustration Friday.
Illustration Friday is a weekly illustration challenge. A topic is posted every Friday and then participants have all week to come up with their own interpretation. Illustration Friday was created by illustrator Penelope Dullaghan.
Messenger
Portfolio & ProcessArlene Graziano, IllustratorMaiamorphosis Arts 2012
Images are copyrighted material and cannot be reproduced without permission. Contact Arlene Graziano at [email protected] or visit my website at www.arlenegraziano.com
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Originally, I had thought that I would include the children in the foreground, but decided that I needed more emphasis on the messenger pigeon.
I work in digital layers, so it is fairly easy for me to make changes to a composistion.
Also on this page is a tracing paper sketch of the pigeon which the children have tried to hide in the kitchen. Initially, I had the pigeon eating a carrot.
I was afraid that the pigeon looked dead, so I added the girl’s fingers feeding him the breadcrust.
Portfolio & ProcessArlene Graziano, IllustratorMaiamorphosis Arts 2012
Images are copyrighted material and cannot be reproduced without permission. Contact Arlene Graziano at [email protected] or visit my website at www.arlenegraziano.com
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The black and white image is a thumbnail of about 16 that I sketched before I decided on the “mostly” final composition.
The color images here are actually vector sketches that I had considered refining for the completed artwork.
I use a program called Xara Xtreme which is where I slapped together these really rough - “roughs”.
Portfolio & ProcessArlene Graziano, IllustratorMaiamorphosis Arts 2012
Images are copyrighted material and cannot be reproduced without permission. Contact Arlene Graziano at [email protected] or visit my website at www.arlenegraziano.com
Thanks!
Ultimately, I decided not to illustrate my Chicken Licken piece using the vector artwork.
I think sometimes non-artists are shocked at the messy beginnings of most artwork.
It actually has taken a while for me to come to grips with sharing the messy parts.
Here is my final piece and one of the character sketches for Foxy Loxy.
Portfolio & ProcessArlene Graziano, IllustratorMaiamorphosis Arts 2012
Images are copyrighted material and cannot be reproduced without permission. Contact Arlene Graziano at [email protected] or visit my website at www.arlenegraziano.com
Thanks!
So, although I would prefer the world to view me as a natural creative genius, and see only my best- this is my process in most of its gory details.
Let me know if I can answer any questions or just send me a note to say hello!Arlene
Please visit my portfolio page at
arlenegraziano.com
Portfolio & ProcessArlene Graziano, IllustratorMaiamorphosis Arts 2012
Images are copyrighted material and cannot be reproduced without permission. Contact Arlene Graziano at [email protected] or visit my website at www.arlenegraziano.com
Thanks!
My Artist Statement Children show us such shining moments of perfection- a glimpse of what we all could be- and often in the quietest way.
I believe that we adults should listen harder for those quiet voices and try to honor their gift to us with visions of equal beauty.
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