Adelaide City Council – Noise Mitigation Standard Operating Procedures Page 1
Noise Mitigation Standard Operating Procedures
1. Introduction
The Adelaide Park Lands were set aside for public use more than 170 years ago and are
highly valued by the people of South Australia as the City’s primary public space.
While the Adelaide Park Lands serve as wonderful venues for a range of events, the ability to
stage events that have the potential to cause noise related environmental impact comes
with a legal responsibility under the Environment Protection Act 1993 to prevent and minimise
environmental impact as far as practicable.
The Standard Operating Procedures for Noise Mitigation have been developed to:
Document the requirements and procedures an event organiser is obliged to adhere
to;
Set the noise criteria that must be adhered to at the designated monitoring locations.
2. Legislative obligations
Event organisers have a legal obligation under the general environmental duty in section 25
of the Environment Protection Act 1993 (EP Act) that states:
A person must not undertake an activity that pollutes, or might pollute, the
environment unless the person takes all reasonable and practicable measures to
prevent or minimise any resulting environmental harm*.
Failure to comply with the General Environmental Duty can result in civil or criminal
prosecution.
*Environmental harm also includes nuisance, such as noise.
3. Definitions and Requirements
All event organisers have a responsibility to ensure noise impacts resulting from their event
are minimised, regardless of the type or scale of the event. However, certain types of events
have a higher risk of causing noise impacts on nearby residents and businesses. Various
event types and the minimum noise mitigation procedures that are required for each are
outlined below:
Multi Stage Music Festivals
Events that have more than one (1) stage continuously programmed with music acts that
have large audio infrastructure requirements and high level treble and/or bass outputs.
Minimum Noise Mitigation Requirements:
These events must comply with all requirements listed in this document and must have a
minimum of two (2) acoustic engineers monitoring throughout the event.
Large Scale Concerts
Events that have only one (1) stage continuously programmed with music acts that have
large audio infrastructure requirements and high level treble and/or bass outputs.
Adelaide City Council – Noise Mitigation Standard Operating Procedures Page 2
Minimum Noise Mitigation Requirements:
These events must comply with all requirements listed in this document and must have a
minimum of one (1) acoustic engineer monitoring throughout the event.
Symphonic and Classical Performances
Events with live classical, operatic and choral performances with extensive audio
infrastructure.
Minimum Noise Mitigation Requirements:
These events must provide a Noise Management Plan as per Item 7 of this document.
Cultural Events with a Music Component
Events that have a range of entertainment offerings including but not focussed on music
acts and have minor to medium audio infrastructure requirements.
Minimum Noise Mitigation Requirements:
These events must provide a Noise Management Plan as per Item 7 of this document.
Noise level monitoring and an output log may be required in some circumstances.
Temporary Music Venues
Events that have music acts located inside temporary venues (e.g. marquees)
Minimum Noise Mitigation Requirements:
These events must provide a Noise Management Plan as per Item 7 of this document.
Noise level monitoring and an output log may be required in some circumstances.
Note: All events that use public address systems for event announcements or commentary
must ensure that the volume is kept to a level that reaches event patrons only and does not
impact on surrounding residences and businesses.
Disclaimer: Adelaide City Council’s Event Management Team reserves the right to re-classify
an event or enforce additional requirements based on its individual circumstances.
4. Park Land Usage Limit (Multi Stage Music Festivals)
The number of multi stage music festivals held in the Adelaide Park Lands in a twelve (12)
month period (1 July – 30 June) will be no more than six (6)
The above total does not include events held in Park Land venues that are not controlled by
Adelaide City Council. This includes Memorial Drive Tennis Centre, Adelaide Oval, Botanic
Park or any concerts run in conjunction with the Clipsal 500 Adelaide.
Two (2) multi stage music festivals will not be permitted in the areas of Adelaide Park Lands
controlled by Adelaide City Council, on the same weekend.
5. Programming across the Park Lands
To limit the impact of multi stage music festivals across the Park Lands, suitable Park Land
venues have been identified, with a maximum number of events in each location set as
follows:
Rymill Park/Murlawirrapurka and Rundle Park/Kadlitpina
A maximum of three (3) music festivals per year across both Parks.
Adelaide City Council – Noise Mitigation Standard Operating Procedures Page 3
Bonython Park/Tulya Wardli
A maximum of three (3) music festivals per year.
Note: The area known as the ‘Plateau’ in Tampawardli (Park 24) is being investigated as
an alternative venue for multi stage music festivals. This site is currently unirrigated with no
power, water or sewer access and requires development.
6. Criteria for Assessing Music Festival Event Applications
If the Adelaide City Council Events Team receives more music festival applications than the
current guidelines allow, the following criteria will be used to assess the suitability of an
application.
Experience, knowledge and a good past performance record in organising the event.
Previous events organised without major incident.
Demonstration of previously implementing sound strategies to minimise public, resident
and business impact.
Knowledge and understanding of the broader Council requirements for the successful
staging of events in the Park Lands.
Park Lands left in acceptable condition after previous event(s).
Practices which reduce impact on the environment e.g. low pollution, minimisation of
greenhouse gas emissions and reduced transportation.
Evidence of practices which promote resource conservation including water
efficiency, energy conservation and recycled waste.
Event of National Significance incorporating major national and international acts.
Requested date and venue availability
7. Noise Management Plan
If requested under the Third Schedule of the Temporary Event Lease, the event organiser is
required to provide a detailed Noise Management Plan (NMP). The plan should address the
following points, and where appropriate provide justification for stated times, locations,
orientations etc:
A site plan that includes the location of the event and planned stage and speaker
orientations. It should also identify the nearest noise sensitive areas and include any
neighbouring land-use details.
A stage program that includes the time each music act is performing and the type of
music that is being performed.
Documentation of the event’s complaints handling and response procedure.
Details of the consultation measures that will take place with potentially noise affected
premises, both residential and businesses.
The maximum Leq,15min noise level at each FOH mixing desk (for multiple stages) that the
event will operate at, based on the Noise Criteria limits as set out in this document.
Details of any acoustic modelling may have been undertaken prior to the event.
All actions that have been implemented to address the event’s legal obligation to
abide by the General Environmental Duty under the Environmental Protection Act
Adelaide City Council – Noise Mitigation Standard Operating Procedures Page 4
1993. This means that as far as practicable the event organiser must prevent and
minimise the environmental impact of the event.
8. Event Site Plan
In order to minimise noise impacts, the event location should be as far away from noise
sensitive areas as possible. Justification for the selection of the event location should be
included in the NMP, particularly where the event is to be held near to noise sensitive areas.
Justification may include reasons such as safety, access and protection of the Park Land
environment.
It is also important that stages and speakers are located and orientated away from the
nearest noise sensitive areas. The NMP should provide justification for the stage and speaker
arrangement, demonstrating how mitigation of noise impacts has been considered in the
selection.
A site plan showing positioning and orientation of stages and speakers, as well as the
boundaries of the nearest noise sensitive receivers is to be provided to ACC Event
Coordinator at least 4 weeks before the event.
9. Mixing Desk Noise Levels
The NMP must specify the maximum Leq,15min noise level at the FOH mixing desk that the event
will operate at. For events with multiple stages, the maximum Leq,15min noise level for the mixing
desk at each stage should be specified. The specified Leq,15min noise level at the mixing desk
of any stage should not exceed 110 dB(C) (105dB(A) for events in the East Park Lands).
Based on the specified Leq,15min noise level at the FOH mixing desk, the ACC will provide
standard residential notification areas that may be used in the NMP. These have been based
on noise modelling of typical music events carried out by the ACC.
A considerable number of complaints received during music events are due to bass music
noise levels, particularly from events where bass music constitutes a significant part of the
music noise at the mixing desk. Bass music noise is not able to be effectively reduced during
propagation and the most effective way of mitigating it is to restrict or reduce its level at the
source.
10. Notification of Surrounding Businesses/Residents
The event organiser is required to prepare community notification information for distribution
to potentially affected noise sensitive areas.
Community notification provided by the event organiser should include a letter outlining
information about the event with organiser’s contact details to be distributed 2 weeks prior
to the event to the required notification area. A copy of the letter should be included in the
NMP and the ACC Event Consultant should be notified of the date it was distributed.
A Template Letter may be used (see attached Letter).
11. Complaints Response Procedure
The NMP is required to specify a procedure to be followed should a complaint be received
directly by the event organiser on the day of the event. The procedure should include:
a. Handling of call by the event organiser or nominated recipient.
Adelaide City Council – Noise Mitigation Standard Operating Procedures Page 5
b. Recipient of call to record details of complaint on Complaint Recording Template
(see attached Template).
c. Event organiser to assess complaint and check if problem can be simply resolved
by reducing noise levels between acts, reducing bass content of music or a similar
measure.
d. Where possible, advise acoustic engineer of complaint location and to undertake
measurement of music noise at FOH mixing desk and complaint location as
appropriate.
e. Where noise levels are measured at the complaint location, check that
appropriate community notification has been undertaken at the location. Where it
has not, record location for future notification.
f. If noise level at FOH mixing desk exceeds specified level and/or level at complaint
location exceeds the relevant noise trigger level for the location, reduce event
noise levels as appropriate to ensure compliance with the set noise criteria.
g. Advise complainant of action taken, if possible.
The completed complaints record and actions taken during the event to address any
complaints received should be recorded and a copy provided to the ACC Events Team
within 7 days of the conclusion of the event.
Complaints may also be received via Adelaide City Council and will be addressed in the
following manner:
1. The ACC After Hours Operator will have an up-to-date copy of the event
calendar, which will include the event date & times, as well as contact details for
the event coordinators (both ACC events team and external event manager).
2. Should a complaint be received, the phone operator should contact the ACC
Event Consultant and advise of the problem.
3. The name, contact number and address of the person lodging the complaint
should be recorded by the phone operator.
4. The ACC Event Consultant should advise the external event organiser and/or
acoustic engineer of the complaint if necessary.
5. If notified, the external event organiser and acoustic engineer should undertake
the standard complaint response procedure outlined in the NMP.
6. The ACC Event Consultant should ring the person who made the complaint and
advise of actions taken in response to the complaint (if deemed necessary).
7. In the week following the event, the ACC Event Consultant should write to the
person who made the complaint and again address the issues that were raised.
12. Acoustic Engineer Onsite
Multi Stage Music Festivals
Multi stage music festivals are required to have two (2) qualified acoustic engineers
responsible for monitoring sound levels at the event. This is to ensure that appropriate noise
monitoring at multiple stages and noise sensitive locations can be managed effectively.
The Adelaide City Council Events Team is responsible for engaging two (2) acoustic
engineers on behalf of the event organiser. The cost of the acoustic engineers is to be borne
by the event organiser.
Adelaide City Council – Noise Mitigation Standard Operating Procedures Page 6
One (1) acoustic engineer is to monitor sound levels at Front of House (FOH) mixing desks and
one (1) is monitor sound levels at noise sensitive locations outside of the event site as per the
attached maps. An acoustic engineer must be on site for the duration of the event including
sound checks.
The event organiser is required to comply with all directions provided by the acoustic
engineer/s. The event organiser is responsible for ensuring that the sound levels at the FOH
mixing desks and noise sensitive locations are kept within the noise criteria levels outlined in
this document.
A report is to be prepared by the acoustic engineer and submitted to the event organiser
and ACC Events Team within 7 days of the conclusion of the event. The report will include a
log of sound level testing throughout the event at all applicable sites.
Large Scale Concerts
An acoustic engineer is required at large scale concerts as per the process required for multi
stage music festivals however only one (1) acoustic engineer may be deemed necessary for
one (1) stage.
Other Events
Adelaide City Council may at its discretion determine:
a) If an acoustic engineer is necessary for certain periods during the event’s duration
based on the particulars of the event, its location and/or if any noise complaints
have been received in relation to the event in the past. This acoustic engineer will
be engaged by Adelaide City Council with the cost to be borne by the event
organiser.
b) That, where an acoustic engineer is deemed unnecessary, based on the
particulars of the event; the organiser may be required to log noise levels regularly
with appropriate equipment. The cost of hiring and operating noise logging
equipment is to be borne by the event organiser. The organiser must provide
Adelaide City Council with the full noise log (including any complaints made
directly to the event organiser) within 7 days of the conclusion of the event.
13. Noise Criteria (excluding the East Park Lands)
Acting on advice from the acoustic engineer, the event organiser is responsible for ensuring
the LCeq (15 min) sound pressure level at the front of house (FOH) mixing desk does not exceed
110 dB(C). If measurements at the nearest sensitive receiver(s) show that noise generated by
the event does not get close (within 5 dB) to noise criteria, then consideration could be given
to allow FOH mixing desk levels to increase up to 115 dB(C).
The following noise criteria are to be applied at noise sensitive premises:
Day-time (7.00am to 11.00pm): 60dB (A) LAeq (15 min)
Night-time (11.00pm to 7.00am): 45dB (A) LAeq (15 min)
And
Day-time (7.00am to 11.00pm): 75dB (A) LAmax (1 min)
Night-time (11.00pm to 7.00am): 60dB (A) LAmax (1 min)
The unweighted Leq level should not exceed 70dB in either of the 31.5Hz, 63Hz or 125Hz
octave bands, or if the acoustic engineer deems the low frequency content to be
excessive/annoying at sensitive premises.
Adelaide City Council – Noise Mitigation Standard Operating Procedures Page 7
If the octave band level exceeds 70dB on more than 3 occasions during the evening period
(7pm-11pm) of an event then bass noise levels should be actively reduced by 5dB.
Overall Sound Levels measured at noise sensitive premises are to be recorded in dB(A).
Spectral (e.g. octave band) sound levels are to be recorded in dB (unweighted) and
attached to the final report.
Sound Levels for major events that predominantly feature music with a heavy bottom-
end/bass frequency may be required to abide by noise goals expressed in dB(C) rather than
dB(A).
Adelaide City Council reserves the right to impose an A-weighted noise limit at the FOH
mixing desk in addition to the C-weighted limit in some circumstances.
If noise levels are recorded over the set noise criteria, the event organiser must comply with
all directions provided by the acoustic engineer and/or the ACC Event Consultant to turn
down/adjust noise levels to within the set criteria.
14. Noise Criteria (East Park Lands)
Acting on advice from the acoustic engineers, the event organiser is responsible for ensuring
the LCeq (15 min) sound pressure level at the FOH mixing desk does not exceed 105 dB(C). If
measurements at the nearest sensitive receiver(s) show that noise generated by the event
does not get close (within 5 dB) to noise criteria, then consideration could be given to allow
FOH mixing desk levels to increase up to 110 dB(C).
The following noise criteria are to be applied at noise sensitive premises:
Day-time (7.00am to 11.00pm): 65dB (A) LAeq (15 min)
Night-time (11.00pm to 7.00am): 50dB (A) LAeq (15 min)
And
Day-time (7.00am to 11.00pm): 80dB (A) LAmax (1 min)
Night-time (11.00pm to 7.00am): 65dB (A) LAmax (1 min)
The unweighted Leq level should not exceed 80dB in either of the 31.5Hz, 63Hz or 125Hz
octave bands, or if the Acoustic engineer deems the low frequency content to be
excessive/annoying at sensitive premises.
If the octave band level exceeds 80 dB on more than 3 occasions during the evening period
(7pm-11pm) of an event then bass noise levels should be actively reduced by 5dB.
Overall Sound Levels measured at noise sensitive premises are to be recorded in dB (A).
Spectral (e.g. octave band) sound levels are to be recorded in dB (unweighted) and
attached to the final report.
Adelaide City Council reserves the right to impose an A-weighted noise limit at the FOH
mixing desk in addition to the C-weighted limit in some circumstances.
If noise levels are recorded over the set noise criteria, the event organiser must comply with
all directions provided by the acoustic engineer and/or the ACC Event Consultant to turn
down/adjust noise levels to within the set criteria.
Adelaide City Council – Noise Mitigation Standard Operating Procedures Page 8
15. Noise Bonds
A $10 000 noise bond may be applied to events in the following situations:
1) If the event has had a history of not complying with the noise mitigation standard
operating procedures (SOPs).
2) If an event includes a large music component and may be at risk of exceeding the
levels outlined in the SOPs.
The event producer will be invoiced for the noise bond prior to the commencement of the
event.
The following processes will apply at the event and post event:
At the Event
1) Logging equipment will be set up at front of house (FOH) mixing desks at stages that
are at risk of exceeding the FOH Mixing Desk Noise Limit stated in the SOPs. The
selection of stages that the noise monitoring is undertaken at will be based on the
music line up and the style of music. This equipment will be set up by the independent
Acoustic Engineering Company engaged by Adelaide City Council. The cost to set
up this equipment will be borne by the Event Organiser. This equipment will provide
both real time and 15 minute averages of the sound pressure level being recorded at
the FOH mixing desks. Recorded levels will also be visible for sound technicians
working at the FOH mixing desks.
2) If the LCeq, sound pressure level at the FOH mixing desk exceeds the FOH Mixing Desk
Noise Limit, the independent acoustic engineer will ask the sound technician to
reduce the level to comply with the SOPs. If the sound engineer complies and
reduces the level, no further action will be required.
3) If the LCeq,(15 min) sound pressure level at the FOH mixing desk exceeds the FOH Mixing
Desk Noise Limit in the 15-minute period the Event Manager will be notified that they
are non-compliant with the SOPs. At this point there is still the opportunity for the Event
Manager to take action to ensure the SOPs are adhered to for the remainder of the
event.
4) If the 15-minute average reading taken with the independent acoustic engineer
present exceeds the FOH Mixing Desk Limit three times during the event the bond will
be withheld. This is not limited to one stage/mixing desk, the non-compliance can
occur at any stage.
5) Additionally, if the LCeq,(15 min) FOH Mixing Desk Noise Limit is exceeded by 10 dB(C) on
any one occasion the bond will be immediately forfeited and no further opportunities
to keep the bond will apply.
6) In addition to the forfeiting of the bond, should the event continue to remain non-
compliant after they forfeit their bond, the EPA will be notified by Council.
Post Event
1) The bond may still be forfeited if after receiving the independent acoustic engineer’s
report it is identified that the FOH Mixing Desk Noise Limit at any stage was exceeded
for more than 33% of the total event duration.
2) If the event was non-compliant further action may also include action taken by the
EPA and Council rejecting any future event applications.
Adelaide City Council – Noise Mitigation Standard Operating Procedures Page 9
16. Noise Monitoring Communication Flow Chart
At the Event
Noise levels exceeded above set criterion at the
mixing desk
If sound technicians don’t
comply by reducing levels or
the maximum level is
exceeded for 15 minutes
Independent Acoustic Engineer to notify sound
technician and ask them to reduce sound levels
Notify ACC event Consultant
and Event Manager to take
action
If sound engineer
complies and reduces
level no further action is
required
ACC Event Consultant to notify
Event Manager they are at risk
of losing noise bond.
If the level is exceeded a 4th
time the ACC Event Consultant
to notify the Event Manager the
bond has been forfeited
OR
If the LCeq,15 min FOH Mixing
Desk Noise Limit is exceeded by
10 dB(C) on any one occasion
the bond will be immediately
forfeited and no further
opportunities to keep the bond
will apply.
If noise level is exceeded on 2
more occasions at any
stage/mixing desk
If the event continues to
remain non-compliant
after they forfeit their
bond the EPA will be
notified by Council.
Further action could
include prosecution by
the EPA and Council
rejecting any future
event applications
Adelaide City Council – Noise Mitigation Standard Operating Procedures Page 10
17. Consequences and penalties of non-compliance
Pre-event
Failures to provide the information requested or carry out any actions that are required under
the direction of this document or the Third Schedule of the Lease/Licence could result in the
event not gaining approval. A final signed copy of the Lease/Licence agreement will not be
granted until the ACC Events Team is satisfied that all pre-approval requirements have been
met. No event that requires a Lease or Licence can legally take place until it has been
issued. Compliance with the Noise Mitigation SOPs is an essential step in the approval
process for events that are required to address these SOPs.
During the event
Breaches of any conditions in these SOPs, including the agreed maximum sound levels, can
have serious consequences for the event. Whilst not limited to, this could include ACC
having recourse to a noise bond that has been paid, prosecution and financial penalties
imposed by the EPA and possible impediments to staging further events in the Park Lands.
18. EPA involvement
The EPA may attend an event to take noise measurements in the surrounding area. It may
also require entry to the site at any time during the event in order to carry out noise
monitoring, particularly if a number of complaints about actual or potential noise have been
received. The EPA may also require a copy of the complaints register either during or
following an event in order to assess the information gathered and any action taken as a
result of a complaint.
EPA authorised officers may approach event organisers to take action to reduce noise levels
should the EPA consider that noise levels at a noise-affected premises is unreasonable,
and/or that all reasonable and practicable measures have not been taken to minimise the
potential noise impact. The Environmental Protection Act provides authorised officers with
various regulatory tools to apply in such circumstances*.
*For further information on the regulatory tools available to the EPA, please refer to EPA Publication, Compliance
and enforcement: Regulatory options and tools (2009).
Adelaide City Council – Noise Mitigation Standard Operating Procedures Page 11
Glossary
Acoustic terminology used in this document is described below:
A-weighted The A-weighting scale is designed to adjust the absolute sound
pressure levels based on the frequency content to correspond to
the subjective response of the human ear. Lower frequency noise is
negatively weighted by the A-weighting scale.
Bass music noise The low frequency content of music noise that is in the 31.5 Hz, 63 Hz
and 125 Hz octave bands. Can cause annoyance, particularly
when the low frequency content in the 31.5 Hz and 63 Hz octave
bands is the dominant part of the overall music noise at a location.
dB The decibel (dB) is a logarithmic unit of measurement used to
quantify sound pressure levels.
dB(A)
dB(C)
A-weighted sound pressure levels are expressed in units of dB(A).
C-weighted sound pressure levels are expressed in units of dB(C).
dB(Lin) Unweighted sound pressure levels are expressed in units of dB or
dB(Lin). This is used to express the lower frequency music noise levels
at the octave bands of 31.5 Hz, 63 Hz and 125 Hz as it provides a
better assessment of low frequency noise when the absolute level is
higher than in typical ambient noise situations.
Hz The Hertz (Hz) is the unit that quantifies the number of cycles per
second and refers to the frequency of a particular noise.
Leq,1min Equivalent continuous noise level measured over a period of one
minute and representing an approximate average of the noise level
over the period. One minute has been adopted to capture shorter
term increases in the noise level and to make measurements at
residential locations simpler.
Lmax The maximum noise level in a given measurement period.
Octave band The frequency spectrum of a noise is divided into discrete octave
bands, each described by the band’s centre frequency (e.g. 31.5
Hz or 1000 Hz).
Adelaide City Council – Noise Mitigation Standard Operating Procedures Page 12
CONSULTATION LETTER WITH RESIDENTS & BUSINESSES
<PRINT ON LETTERHEAD IF AVAILABLE >
<ATTACH EVENT FLYER IF AVAILABLE>
<Insert Date>
Dear Residents & Businesses
I am writing to advise you of an outdoor event called <Insert Event Name> that will be taking
place in <Insert Location> on <Insert Day & Date>. This will be a <Insert Event Type> beginning
at <Insert Start Time> and finishing promptly at <Insert Finish Time>. A sound-check will be
conducted at <Insert Expected Sound-check Time>. Expected attendance at the event is
<Insert Expected Attendance>.
<Insert Blurb about the Event if Appropriate>
The event will be appropriately monitored both internally and externally by our security
company, and we expect minimal disturbance from our patrons. The event will strictly
adhere to Adelaide City Council (ACC) and Liquor Licensing requirements and noise levels
will be independently monitored throughout the event
If you have any queries in the lead-up to this event, or have any feedback for us during or
after the event, please don’t hesitate to contact me on the following:
Telephone: <Insert phone / mobile number>
Email: <Insert Email address>
Alternatively, at anytime you can contact the ACC Customer Centre on 8203 7203.
Further information about the event can be found under the What’s On section of the ACC
Website: www.cityofadelaide.com.au/whatson.
Yours sincerely
<Insert Name>
<Insert Company>
Adelaide City Council – Noise Mitigation Standard Operating Procedures Page 13
COMPLAINT RECORDING TEMPLATE
Complaint One:
Time Received: .........................................................................................................................
Received From: .........................................................................................................................
Address: .....................................................................................................................................
Phone Number: ........................................................................................................................
Nature of Complaint: ...............................................................................................................
If Noise Complaint, noise level at time (in dB(A)): ...............................................................
Response from event organiser: .............................................................................................
.....................................................................................................................................................
ACC Event Organiser Notified: YES / NO
Complaint Two:
Time Received: .........................................................................................................................
Complaint Received From: .....................................................................................................
Address: .....................................................................................................................................
Phone Number: ........................................................................................................................
Nature of Complaint: ...............................................................................................................
If Noise Complaint, noise level at time (in dB(A)): ...............................................................
Response from event organiser: .............................................................................................
.....................................................................................................................................................
ACC Event Organiser Notified: YES / NO
Complaint Three:
Time Received: .........................................................................................................................
Complaint Received From: .....................................................................................................
Address: .....................................................................................................................................
Phone Number: ........................................................................................................................
Nature of Complaint: ...............................................................................................................
If Noise Complaint, noise level at time (in dB(A)): ...............................................................
Response from event organiser: .............................................................................................
.....................................................................................................................................................
ACC Event Organiser Notified: YES / NO
Adelaide City Council – Noise Mitigation Standard Operating Procedures Page 14
BONYTHON PARK NOTIFICATION AREA
1
2
3
4
5
Sound Monitoring Locations
1. Corner Cawthorne Street & Smith Street
2. Corner Mills Terrace & Buxton Street
3. Corner Mills Terrace & Strangways Terrace
4. Calvary Hospital, Strangways Terrace,
5. Corner Strangways Terrace & Jeffcott Street
Adelaide City Council – Noise Mitigation Standard Operating Procedures Page 15
ELDER PARK NOTIFICATION AREA
Sound Monitoring Locations
1. Corner Montefiore Hill & Jeffcott Street
2. Corner Pennington Terrace & King William Road
3. Corner Brougham Place & Mackinnon Parade
1
2
3
Adelaide City Council – Noise Mitigation Standard Operating Procedures Page 16
RUNDLE & RYMILL PARK NOTIFICATION AREA
1
3
4
5
Sound Monitoring Locations
1. Corner College Road & Little King William Street
2. Corner Rundle Street & Dequetteville Terrace
3. Bus Stop: Flinders Street
4. Corner East Terrace & Bartels Road
5. Corner Rundle Street & East Terrace
6. Royal Adelaide Hospital, North Terrace
2
6
Adelaide City Council – Noise Mitigation Standard Operating Procedures Page 17
MEMORIAL DRIVE & ADELAIDE OVAL NOTIFICATION AREA
Sound Monitoring Locations
1. Corner Pennington Terrace & Jeffcott Street
2. Corner Pennington Terrace & King William Road
3. Corner Brougham Place & Mackinnon Parade
1
2
3
Adelaide City Council – Noise Mitigation Standard Operating Procedures Page 18
VEALE GARDENS NOTIFICATION AREA
Sound Monitoring Locations
1. Corner Sturt Street & Russell Street
2. Corner South Terrace & Wilcox Street
3. Corner South Terrace & Owen Street
4. Corner South Terrace & Symonds Place
2
3
4
1
Adelaide City Council – Noise Mitigation Standard Operating Procedures Page 19
LIGHT SQUARE
1
2
Sound Monitoring Locations
1. Corner Morphett Street & Hindley Street
2. Corner Morphett Street & Waymouth Street
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