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Page 1: Making Verbs Work

Making Verbs WorkPassive versus Active Voice

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Use strong verbs.• Verbs provide the

momentum of writing.

• Proper verb choice makes the difference between crisp, clear writing and bloated, clumsy writing.

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What is the difference?A sentence is in the active voice when the subject does the acting instead of being the recipient of the acting.

Active: Lowell depicts a grim view of marriage.

Passive: Marriage is depicted as grim by Lowell.

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What is the difference?A verb that conveys action—as opposed to a verb that merely links the subject to a thought.

Active: Jim tossed the report away.

Linking: Jim was tired of the report.

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Active verbs

• just naturally go with writing that is in the active voice.

• When you put the subject front and center, doing something, you will probably find yourself using stronger, more interesting verbs.

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Active voice is generally stronger•Both kinds of verbs are useful in writing. That’s why we have both.

•But, unless you’re a diplomat or bureaucrat or some other kind of weasel, you need to rely on the active voice more than the passive.

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Active Voice• Uses direct action

verbs• Has a clearly defined

actor and action

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Passive Voice• Uses “to be” verb

forms• Emphasizes what was

found, not who did the finding

• Can be pedantic and wordy in the hands of amateurs

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Which verb form to use• Largely a matter of what you

want to emphasize– Active Voice emphasizes an

action taken by a subject.– Passive Voice

• emphasizes what was found, the end result.

• hides who was responsible for the action.

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Replace wimpy verb phrases

Strong verbs• Determine

• Measure

• analyze

Weak verb phrases

• Make a determination

• Perform a measurement

• Carry out an analysis

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Transform into active voice• Change nouns ending in –

tion, -ment, and –ance back into verbs.

Indication indicateContamination contaminateMeasurement measureVariation vary

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Use “is” verbs sparingly• Is beginning begins• Is used to detect detects

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When to use “is”• If sentence defines or

equates

Lowell’s poem is a sonnet.

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When not to use “is”• In sentences that do not

present a definition or equality

• To analyze

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Verb tenses• Using active voice eliminates

awkward tense shifts

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Parallel Construction• Verbs must be in the same

form

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Parallel vs. Non-parallelfaulty parallelism: She revels in chocolate, walking under the moonlight, and songs from the 1930s jazz period.

good parallelism: She revels in sweet chocolate eclairs, long moonlit walks, and classic jazz music.

good parallelism: She loves eating chocolate eclairs, taking moonlit walks, and singing classic jazz.

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Advantages of active voice:• Shorter, more direct • More forceful• Greater clarity (The

reader knows immediately who is doing what.)

• Sharper imagery

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Which is more effective?

• Stay away from the hot wire. It can kill you.

• The hot wire should be avoided. You can be killed by it.

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Should you ever use passive voice? Yes.

• Jon Franklin says that if you try to write entirely in the active voice, you are likely to produce something unreadable.

• He’s right. The active voice is great, but you can have too much of a good thing.

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Use passive voice• When the actor is unknown or

unimportant. The knife was found beside the

body.

• Or when you want to focus on the receiver of the action more than on the actor.

The teacher was fired for his political activism.

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Use passive voice• When you want a gentler or

more diplomatic approach. A teenage girl was killed Tuesday by a gunshot wound that police said was self-inflicted.

• When you want to strengthen the impression of objectivity—as, for example, in a research report.

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Use passive voice• When you want to achieve a

particular effect—whether it be wry, sardonic, sarcastic or comedic.

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Good writers use both voices.• Use active voice whenever

possible. • You need to know when to

use one voice or the other, and when to use them together.

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Credits• Celia M. Elliott, University of Illinois,

[email protected]

• John Rains, Writing Coach, The Fayetteville Observer, [email protected]

• Dr. L. Kip Wheeler, Carson Newman College, http://web.cn.edu/kwheeler/gram_parallelism.html

• Patricia Burgey, UWG