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Page 1: Langridge Oil Mediums RRP

Cold Pressed Linseed OilGolden coloured oil used as a traditional binder for grindingoil colours. When used to mill oil colours or mixed with prepared colours removes the pronounced ‘suede’ effect.Has increased wetting power and imparts flexibility to paintfilms. Use sparingly as a medium as linseed has a tendencyto yellow with age.

100ml 500ml Litre 4Litre$18.70 $50.49 $85.85 $214.59

Refined Linseed OilHighest quality Dutch linseed oil used as a medium foroil colours. Increases gloss and transparency.Adds a soft, ‘slippery’ quality when added to oil paints.Most economic of all artists’ drying oils.Use sparingly as a medium as linseed has a tendencyto yellow with age.

100ml 500ml Litre 4Litre$6.93 $18.72 $31.81 $79.53

Stand Oil (40 Poise)Non-yellowing oil for use in all oil mediums. Thick and honey-like oil, it will give enamel-like qualities to paint.Too thick to use straight, it should be diluted with solvent.Slow drying to allow al la prima painting.Reduces brush marks. Dries to a tough flexible film.Recommended for the home manufacture of oil mediums.

100ml 500ml Litre 4Litre$12.39 $33.57 $57.05 $142.63

Langridge Drying OilsDrying oils act as agglomorating binders for artists’ oil paint and provide body to the brushstroke as the colours arespread out. Selection of the appropriate oil can alter the working quality of the paint. Performance differences includepaste consistency, texture, effect on paint shades, desired drying time and mechanical strength of the paint film.Oils dry by absorbing oxygen, turning into a solid, non-reversable film. Full film drying takes up to six months

Cold Pressed Safflower OilPale’ slow drying oil preferred for preparing delicate colours,particularly whites and blues where the yellowing of linseedoil is more noticeable.Added to prepared oil colours for a longer working time dueto its’ slow drying nature.Safflower oil dries to a softer film than Linseed oil.

100ml 500ml Litre 4Litre$18.70 $50.49 $85.85 $214.59

Cold Pressed Walnut OilNatural drying oil used as a traditional binder for grindingoil colours.Alternative to Linseed Oil with similar drying rates andproperties. Has a long and distinguished history of use byFlemish renaissance artists.Similar tendency to yellow with age as Linseed.

100ml 500ml Litre 4Litre$18.70 $50.49 $85.85 $214.59

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Page 2: Langridge Oil Mediums RRP

Distilled Gum TurpentineNatural diluent and solvent for oil colours and varnishes.Distilled from the resin of tapped Gum Thus Pine.Unlike petrolleum distillate based solvents its function isnot solely to break-down oil but aids in dilution.Greater wetting power than other solvents.Pleasant pine odour.

100ml 500ml Litre 4Litre$7.48 $20.20 $34.34 $85.84

Low Toxic Solvent (Odourless)Completely odourless iso-paraffinic solvent.Permissible Exposure Level is at least 3 times higher thanalternative traditional solvents.Ideal turpentine replacement for artists concerned aboutexposure to harmful solvents.Will not dissolve Damar Resin

100ml 500ml Litre 4Litre$7.92 $21.38 $36.34 $90.88

Artists’ White SpiritEconomical all purpose solvent. Ideal for cleaning brushesas it has a strong detergent action.If used heavily it will as it has a strong detergent action.Over-use will matt oil paint due to partial destruction of oilpaint film.Has a distinctive petroleum smell.

100ml 500ml Litre 4Litre$6.93 $18.72 $31.81 $79.53

Langridge Solvents & Clean-upSolvents dissolve and mix with oils and resins to reduce the viscosity of paints and varnish.They also also used for the removal of oils, paint and varnishes. Solvents for artists materials must not react chemicallywith the materials with which they are mixed, must not have a destructive action on the underpainting and should evaporate completely, leaving no residue.

Safe-Clean-upA solvent free, non-toxic hand and brush cleaner for safelyremoving oil and acrylic paint.Work into the brush bristles and vigourously massage thebrush until light foaming occurs. Wash brushes in runningwater to remove paint. By placing brushes in Safe-Clean-upovernight it will even remove dried paint.

250ml Litre 4Litre$19.03 $57.09 $142.74

Page 3: Langridge Oil Mediums RRP

Impasto MediumVery dense, semi-opaque medium.When added to oil paint will create a pronounced ‘grab’ fromthe brush allowing for controlled, forceful mark-making.Relatively slow-drying, dependendent on film build.

120ml 500ml Litre 4Litre$17.95 $38.50 $65.50 $163.80

Underpainting MediumLean medium to be used for the ‘first-sketch’ in painting.Low oil content for rapid drying, minimising chances ofcracking when overpainting with full strength colours.Stand Oil base ensures non-yellowing of artwork.

100ml 500ml Litre 4Litre$11.55 $31.20 $53.00 $132.50

Glaze MediumA resin rich oil medium that gives oil colours increasedtranslucency. Perfect for the creation of optical depth andsoft suffusions of colour.Used for traditional thin glazes and fine detail work.

100ml 500ml Litre 4Litre$12.65 $34.15 $58.00 $145.15

Painting MediumFree-flowing medium for oils that improves paint handling.Quickly dries to a tack but remains fresh so that it may stillbe painted into. Perfect for wet on wet technique.Pale colours stay bright while deep tones are enriched.

100ml 500ml Litre 4Litre$12.21 $32.98 $56.00 $140.10

Oil Glazing GelA fast drying medium that gives a lasting brilliance to oils.Soft gel consistency designed for more robust glazing.Extends colours whilst holding brush marks.

120ml 500ml Litre 4Litre$25.30 $54.40 $92.50 $231.20

Wax Painting PasteWax medium with a thick, smooth, buttery consistency.Highly stable impasto medium that keeps colours bright.The correct medium for use in thick impasto painting.

120ml 500ml Litre 4Litre$17.95 $38.50 $65.50 $163.80

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Matte MediumA matte version of Langridge Painting Medium for adding fluidity and improve paint handling.Caution should be used when painting with deep tones as the matting agent slightly raises tonal values.

100ml 500ml Litre 4Litre$12.21 $32.98 $56.00 $140.10

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Oleogel (Safe-gel)Designed as a solvent-free oil gel for extending colourswhilst holding brush marks. Thixotropic.Solvents and driers may be added to manipulate fluidity,drying rate and handling to personal specification.

120ml 500ml Litre 4Litre$20.80 $44.70 $76.00 $189.95

Langridge Oil Painting MediumsOil mediums are used for changing the consistency of the paint, rendering it more convenient for brushing or applying,or more suitable for the artists’ particular technique, which may require paint that is thicker or thinner, faster or slowerdrying, more transparent or opaque.Glazes are added to paint to create thin, but permanent, veils of paint.The resin content creates optical depth similar to a colour varnish.

Page 4: Langridge Oil Mediums RRP

Oil PrimerA traditional linseed oil based oil primer. Produces a highquality white surface with good tooth and flexibility for oilpainting. Reduces sinking in of colours and imparts goodluminosity. Must be used on a pre-sized support (ie. rabbitskin glue or GOLDEN GAC100 on canvas or panel).

500ml Litre 4Litre$34.10 $57.95 $144.95

Acrylic Primer (Premium Grade)A superior high resin, low chalk content primer with excellent hiding power due to high Titanium White loading.Suitable for oils and acrylics. Can be applied to a wide rangeof surfaces including raw canvas, wood and paper.No prior sizing needed. Permanently flexible ground.

500ml Litre 4Litre$25.40 $45.75 $114.35

Langridge PrimersPrimers are coats applied to the support to provide a desirable surface on which to paint. Most grounds are white to offerthe brightest reflecting surface for light to act upon. Acrylic primers can be painted directly onto raw canvas. Do notapply over glue sizing. Oil primers need to have a coat of glue size applied first to protect the raw canvas underneath.

Low Toxic Gel Medium (Odourless)Low Toxic Solvent based soft gel medium added to paint for controlled manipulation of colours in thin application.Reduces exposure to harmful solvents. New Bottle!

100ml 500ml Litre 4Litre$13.55 $36.55 $62.10 $155.25

Low Toxic Painting Medium (Odourless)Low Toxic Solvent based fluid medium for improved painthandling. Reduces exposure to harmful solvents.Perfect for wet on wet technique.Stand Oil base ensures non-yellowing of artwork.

100ml 500ml Litre 4Litre$12.210 $32.95 $56.00 $140.10

Cobalt DriersSiccative made with cobalt octoate.Acts as a surface drier for all oil colours and mediums.To be used sparingly as its overuse will destroy paint films.

100ml 500ml$13.85 $37.40

Calcium DriersSiccative made with calcium octoate.Acts as a through-film drier for all oil colours & mediums.To be used sparingly as its overuse will destroy paint films.

100ml 500ml$13.85 $37.40

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Langridge SiccativesTo be added to oil paint or mediums for altering the speed of drying.

Langridge Low Toxic Oil Painting MediumsLangridge has developed paint mediums based on Low Toxic Solvent, to reduce exposure to harmful solvents.Particularly useful for schools and other applications where use of traditional solvents is prohibited.

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Retouch VarnishTemporary varnish for paintings six months or younger.Revives dull areas caused by sinking in of paint.Helps adhesion of subsequent paint layers.Laropal K80 Ketone resin based synthetic varnish.Dries to a satin finish. Remove with Artists White Spirit.

100ml 500ml Litre 4Litre$10.90 $29.40 $49.95 $124.95

Gloss VarnishLaropal K80 Ketone Resin based synthetic varnish.Final varnish for the protection of oil and acrylic paintings.Unifies painting with an even optical reflection.Non-yellowing and bloom resistant.Dries to a gloss finish. Remove with Artists White Spirit.

100ml 500ml Litre 4Litre$12.20 $32.95 $56.00 $139.50

Damar Varnish Used both as a final varnish and as a constituent of artists’oil and egg tempera mediums. Dries hard and clear.Highest quality resin clarified before filtration.Dries to a satin-gloss finish. Remove with Turpentine.

100ml 500ml Litre 4Litre$15.00 $40.70 $69.15 $179.90

Langridge VarnishesA varnish is used to protect the finished artwork. Picture varnishes perform the following functions:. Be fully removable without disturbing the oil paint film underneath.. Be resistant to moisture and general pollutants.. Create a complete film of even reflective quality.It is the varnishes’ function to prevent dirt reaching the paint surface. It is much easier to remove a dirty varnish andreplace that than to remove dirt from the oil painting itself, potentially damaging the paint-film.

Wax VarnishFor oil and acrylic painting.Apply with a clean cloth and polish to desired finish.Dries naturally to a matt reflection but may be buffed toa satin finish if required.Remove with Gum Turpentine.

120ml 500ml Litre 4Litre$17.05 $36.65 $62.30 $154.70

Matt VarnishLaropal K80 Ketone Resin based synthetic varnish.Final varnish for the protection of oil & acrylic paintings.Unifies painting with an even optical reflection.Non-yellowing and bloom resistant.Dries to a matt finish. Remove with Artists White Spirit.

100ml 500ml Litre 4Litre$12.20 $32.95 $56.00 $139.50

Satin VarnishLaropal K80 Ketone Resin based synthetic varnish.Final varnish for the protection of oil and acrylic paintings.Unifies painting with an even optical reflection.Non-yellowing and bloom resistant.Dries to a satin finish. Remove with Artists White Spirit.

100ml 500ml Litre 4Litre$12.20 $32.95 $56.00 $139.50

Isolating MediumNon-reversable, oil-based medium formulated to even-outthe reflective finish of the painting prior to varnishing.Dries to a non-yellowing, gloss finish so that the consequentapplication of a gloss, satin or matt picture varnish can beachieved more easily. Not to be used as a final varnish.

100ml 500ml Litre 4Litre$11.75 $31.80 $54.00 $135.00