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Kenzo Tange, Tokyo Bay Project (1960).

Kenzo Tange, Tokyo Bay Project (1960)

Top: Design for Caen-Herouville by Shadrach Woods of Team X, publishedin Urbanism Is Everybody's Business (Stuttgart: Karl Krämer, 1968)

Bottom: A new urban structure imposed upon an older fabric. Based on a drawing by Yona Friedman in L'Architecture Mobile

(Tournai, Belgium: Casterman, 1970.)

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Kenzo Tange, Tokyo Bay Project (1960); transit network and housing quarters

The 1933 rendering of Plan Obus for Algiers demonstrates Le

Corbusier'ssuperimposition of modern forms: the

long arching roadway that

includes housing-his viaduct city-

connecting central Algiers to its

suburbs and the curvilinear complex of

housing in the heights that

accesses the waterfront

business district via an elevated

highway bypassing the Casbah.

http://www.bidoun.com/issues/issue_

6/05_all.html

Paul Rudolph, Lower Manhattan Expressway project, 1970, and Hans Hollein (Austrian), Aircraft

Carrier (original title is “Flugzeugträger,” 1964)

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The Nimitz-class nuclear-powered aircraft carrier “Ronald Reagan” is 1,092 feet long, towering 20 stories

above the waterline, home to 6,000 sailors, carrying more than 80 aircraft, with a 4.5 acre flight deck and a

cruising speed in excess of 30 knots (34.5 mph).

Archigram, Project for “A Walking City,” 1964

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Peter Cook in 2004, with “Plug-In City” project and issue #4, “Archigram 4”

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Archigram, “The Cushicle,” an portable, inflatable environment, 1965

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Kisho Kurokawa, Nakagin Capsule Tower, 1972: 140 detachable spatial units joined to a central core for services and circulation

Peter Cook, Museum of Contemporary Art, Graz, Austria, 2003

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Cedric Price, Project for a Fun Palace, 1962

(for a brief but very literate curatorial statement go to http://www.arch.columbia.edu/gsap/54880 )

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Buckminster Fuller with his model for the Dymaxion House, 1929

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Case Study House #8, Charles and Ray Eames, 1949, Los Angeles (Pacific

Palisades)

Le Corbusier, Pavilion for the

Paris Decorative Arts Exhibition of 1925, “Pavilion

L’Esprit Nouveau”

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Case Study House #8, Charles and Ray

Eames

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Case Study House #22, Pierre Koenig, 1959-60, perspective view

Case Study House #22, Pierre Koenig, 1959-60 – the “free-floating roof shelter oriented to an expansive panorama.”

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Case Study House #22,

Pierre Koenig, 1959-60, plan

Julius Shulman, Photograph of Case

Study House #22 (Pierre Koenig, architect, Los

Angeles, 1959–60), 1960

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Case Study House #22, Pierre Koenig, 1959-60, glamorization of a CA landscape and lifestyle

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Superstudio, founded 1966 by Adolfo Natalini and Cristiano Toraldo di Francia, Roberto Magris, Gian Piero Frassinelli, Alessandro Magris and Alessandro Poli. 1969 project: “The

Continuous Monument, An Architectural Model For Total Urbanisation, 1969-71”

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“The Continuous Monument, An Architectural Model For Total Urbanisation, 1969-71”

Richard Rogers and Renzo Piano, friends since early boyhood, combine the Archigram/Cedric Price/Case Study House sensibilities and win a major

competition for the Pompidou Centre, Paris, 1971-77Competition drawing of facade, 1971

Competition drawing showing section, 1971

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Rogers and Piano, Pompidou Centre, 1977

Rogers and Piano, Pompidou Centre, entry façade from plaza

Rogers and Piano, Pompidou Centre, infrastructure on facade

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Cutaway view of Pompidou Centre,

1971

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