BB-%
F^ G7(9)5
E/B F7b13
9
Django (and Stochelo) plays bar 1-10 with his right hand fingers. If you are uncomfortable playing with your fingers just play it with your pick(all down strokes) and it will sound just as good!
4
23
4
2
1
311
11
14
11
4
122
14
22
2
I'll See You In My Dreams
4
1
23
4
1
23 2
4
1
23
4
1
23
4
4
1
03
4
1
03
2T
2
1
43
3 2 1
3
3
333
3331
3333
3335
5668
5668
5668
5668 6
8109
10 8
109
10
8109
10
8109
103
2323
2323
2323
2323
3
1202
1202
1202
1202
1
1
1221
3 2 1
B6 B-613
F% E7 F%17
D721
G7 C7F7
25
0
2
2
2 1 4 2 1 1 1 1 2
2 1 2 1
4 1 2 2 1 3 1 1 2 (3)2 13
3
2 1 4
1
3 1
4 1
1/2
0
1
2
2 1
3 1
1/2
0
3
5
7
7
58 5
5
5 5 5 5 6
75 7 5
8 5
7 7
7 7 9 7 6 7 8 6
7 5
7
4
9
10 7 10 7 7
0 2 3 6
7 5 7 5 5
2
B6 B-629
F%E7 F%
33
D7 A7 D-37
B B C7 F% F741
1 4 1
3
3 3 1 3 1
3
1 1 1 2 2
3
3
1 3 1 1
3
4 4 1
3
1 1 23
2 13
1 1 1
3
Because the E7 in this spot is just a "retardation" for the F chord in the next bar it is fineto just play "F" over it in the solos. In this case an Fmaj7 arpeggio.
3 3 3 3
2 1 3 2 1 4 1 1 1 1
1/2
1 1 1
1
1
1 2 1
2
3 1
2
3 1 2
3
Django plays around with the "9" and "b13" of C7 and is in fact suggesting a C7 (the dominant) for four whole bars. The tritone distance between the two makes for a peculiarsound: typcial Django!
5 85 7 8 7 8 7
5 5 5 6 7
7 5
7 5 5 8 12 8 5 5 7 7 7 9 7 6 7
8 79
10 7
5 7 5 3
5
5 5
5 5 5 5 5 56 6
56
7
56
7
56
7
7
3
B6 B-745
F% E7F%
49
D7
53
2 2 1
33
2 13
3
Django only changes to a Bb minor arpeggio in the secondhalf of bar 47. This creates a nice "delayed" effect.
2 13
32 1
33
2 13
3 1
1 2 1 3 1 3 1 3 3 2 1 2
1 3
(1)3
(2)3 1 4
1 1 21 3 1 1 1
3
The E7 is actually not played by the rhythm section onthe original recording. It is how most people play itnowadays. In any case in your solo you can just keep playing F anyway
3
2 1 4
1 13 2 1
2 11 1 1
2 11 1 1
2 1
This dominant lick is one of Django's and Stochelo's favourites, a good one to add to your bag of licks as well!
Typicial Django: he starts with a simple idea and sticks with it for several bars changing the notes to fit the chords,beautiful!
7 87
88
8
7
88
8
7
88
8
6
88
8
6
88 6
56
5 75
7 5
7 87
56
5 8 10 11 10
13
13 10
1010
10 12 10 9 10
11 1013 10
1112 11 10
11
10
10 10 10
11
10
10 10 10
11
10
4
G7 C7 F757
B6 B-661
F% E7 F%65
D7 A7D-
69
1 1 1
21 1 1 1
21 1 1
21 1 1
2
1
2 14 1 2 1
21 2 1
41 2 1
21 2 1
3
1
3 1 21
41 1 1 1 1 1 0 0 1 1 1 1 1 1 0 0 1 1 1 1 0 0 0 0
1 1 3 1 3 2 3 3
3 3 1 3 1 1 (4)3 (2)1 (1)1 (3)2 (2)1 3 1 1 2
2
The typical manouche dim arpeggio, but with one skipped note(A), skipping or adding a note in a normal arpeggio is an effective wayto vary the sound of the arpeggio Easy but very nice lick from A7 to D-, this is a good one to practice in all keys.
9
9 9
10 9
9 9 9
10
8 8 8
9
7 7 7
8
7 8
710
7 87
8 8
7 86
10 7 8
68 8
7 86
8
6 7
5
65 8
5 5 5 5 5 50 0
5 5 5 5 5 50 0
5 5 5 50 0 0 0
4 4
7
5 87
8 8 8 8 6 8 6 58 6 5
7 6 9 77
8 8
5
B B C7 F% F773
B6B-6
77
F% E7F%
81
D785
1
4 1 2 14 1 2 1
4 1 2 14 1 2 1
4 1 2 14 1 2
1
Django forces a repeated D dim triad without regarding harmonic changes for a bluesy sound. These kind of "hooks" are important in solos, they create memorable moments.Blues licks usually work best for this.
2 1
31 1 2 3
3
1 3 2
3
3 1 3 1 1 2 2 2
This lick doesn't make a lot of sense on Bb. It does however make sense in F (the main key):the B dim arpeggio suggests a #IV in F. It sounds like Django is substituting the subdominantwith a raised subdominant variant. I'm not sure you should pick this up, it's just part of Django's soloand we're all used to it.
Django continues his #IV idea and on this Moll Dur subdominant (Bb-6) it soundseven weirder. The "d"-note in the B dim arp. really clashes with the minor third ofBb-6, so again notg sure if you should pick this "trick" up.
1/2 3 3 1/2
2 1
41 2 1 3 4 3 1
2 14
4 1 2 4 11 3 2
Up and down F arpeggios ending on the 6th
1
31 1 1
2 1 3 3 2 1 1 41 3 2 1 4 1 4 1 3 2
1
1 3 11 3 2 2
3 5 3 3
No need to play this exactly as written,just time your slide to end on an up stroke.
A little early on the G7
3 5 3 3
6 9 6 7 6 9 6 7 6 9 6 7 6 9 6 7 6 9 6 7 6 9 6 7 6
7
8 6 8 6 4
67 4 7
6 7
6 8 6 46
7 7
6
5 8 56
57
87
56
5 8 12 8 10
13
10
1012 12
10 12 10 9 10 11 10 17 17 16 15 14 14 13 12 11 10 13 10 11 10 912 10
12 9
12
1110
10 12
1010
12 11 10
6
G7C7 F7
89
B6 B-693
F% E7F%
97
D7A7
D-
101
1
01
1 3 2 2 12 1
1 1
3 13 1 2 1
2 1 13
Playing Cm7 here.
1/2
1
22 2 3 1 1 1 4 1 4 1 1
4
Nice arpeggio based lick for minor chords
1/2
1 4 1 1
2 1 3 1 3 1 3 3 2 1 21
33
1 2 13 1 1 1
2 1 1 1
3 3
3 3
2 2 2 2 1
3 1 2 1 1 11
3
3 1 3 1 32 3 1 3 3
1
Great lick from A7 to Dm, practice this one in all keys!
1/2
9121212
121212 10
10
12 11 10 9
10
87 8
10 810 8
9 89
8
8
10
7 8 8 8 9
10 5 6 68 5 8
66
8
6 8 6 56
57
57 5
7 87
56
5 8 12 8 10
10 12 10 9 10 11 10 9 10
11 11 11 11 1012
14 15 14 13 14 14 17 17 12 15 13 15 14
15 12 14 1514
7
B B C7 F% F7
105
B6B-6
109
F%E7
F%
113
D7117
2
1 1 2 2 1
3
2 4 1
3
3 12
3
1 3 1
3
2 1 2
3
12
1 2 1
3
This is a great idea: lick based around F major triads with leadtones/embellishments but in quarter triplets! I never hear anyine doing this except for Django
3 3 3 3 3 3
2
Continuing the quarter triplet idea started in bar 106
1 13
3
12 1
3
3 1 2
3
33 1
3
2 3 1
3
2 1
3 3 3 3 3
1
2
Very nice melodic lick for F major, again one to practice for all keys!
1 1
4 2 1 1 3 1 3 11
1 2 2
1 1
41
21
32
1 1 1
41
21
32
1
Django making music out of a simple D major triad
1513 13 13 15 13 15 17 12 15 13 14 13 15 13
1514 15 14 15 14
1514
15 14 1517 15
1514
15 1314
15
15 1314
15 1216
14
1314 14 14
17 15 13 12 15 13
15 1313 14
15
15
15
13
14
17
14
1514
16
15
14
14 13
14
17
14
1514
16
15
14
14
8
G7C7 F7121
B6 B-6125
F%
E7
F%129
D7A7
D-
133
1 1
41
21
23 1 2 2 2
Stochelo makes a little mistake by playing an F# as thelast note in this bar. Django actually plays an F naturaland I corrected it in the tab.
Watch the typical Django/Stochelo picking pattern for repeated notes and add some vibratofor "attitude".
1 2 1
21 2
21
42 1 2
The D-natural on the beat 4 of bar 127 is strange but is much more comfortableto play than a D-flat. Django even plays a D-natural on beat 2 but Stochelochanged that (and it's better). I corrected the D-flat on beat 4 of bar 128which is what Django plays.
1 2 1 21 2
21
4 2 1 2 1 2 3
2 1 1 1
41 1 1
14
1 1 11
41 1 1 1
41 1 1 1
3 3 3 3 3
I also corrected this to what Django plays.
Typical Django idea but very usable by us mere mortals.
3 3 3 3 3
2 1 2 1 3 1 1 3
2 12 1
2 12 1 3
11 2
3
Another good A7-Dm lick to practice in all keys.
1/2
3
13
14
17
13
1514
1516
14
14 14
14 14 14 14 14 14 14 14 14 14 14
14 14
12 1312 15
14 1515
13 17 15 13 15 15 12 13
11 1514 15
1513 17 15 13 15 15 13
1515
14 14 14 14 17 12 12 12 12 15 10 10 10 10 13 9 9 9 9 12 8 8 8 8
11 10 11 10 13 11 10 12 11 10 11
9
119 12 10
13 1010
12
9
BB C7 F%137
2 2 1 3 3
21 4 1 0 1 2
(1)3
(2)3 3 3
2 3 1
3
This is a good gypsy jazz ending for any four last bars of a song in the key of F
1/2 3
6 4
3 67
6 1 3 1 0 1 2 3 4 5 6
2 31 1
10
Top Related