erroll garnerlive origina~ piano solos
bounce withhigh octaneyoung Iovefrom c to cbabette
me
CRITERION MUSIC CORP.
It is strange how a young p~ano player.ach~eves r~cogn[tlon in the iazz field. There are so many
good piano players that some unusual talent must stand out to make people label one indlvldual,
great. Erroll Garner bas achleved that distlnction.
This wrlter has been favored wlth many opportunities to heat Garner play at hls best-at infimate
galherings. Some of these come to mind-like the time a party of twe[ve had heen told of h~s prowess
at the piano and were anxious to heat hlm. It was a Tuesday night, and ofter being seoted comfort-
ably in the club, we found out that it was Garner’s night off. As a sponsor of the group, whlch
included Jo Stafford, Paul Weston, Johnny Mercer and others, it was qulte embarrass~ng. Luckily,
Garner, on h~s nlght off, was across the street "digging" Billie Holiday. He graclous[y consented to
sít in. There was a nolsy audlence and it was feared that th~s wou~d upset the mood. However,
music soothes the beast, a few bars by Garner and every drunk in the place was hypnotlzed. It was
a memorable concert, wh~ch made those present Garner fans, from then on.
At other gather~ngs in Hollywood, music~ans ~ike Axel Stordahl, Paul Weston, Gordon Jenklns and
Skltch Henderson were amazed at hls techn[que and ide~s. Many people hove trled to label Garner
wlth names ~ike "The Debussy of Jazz", and surely that is a compliment. Garner’s background serves
to throw some light on his co[orful style whlch could not stem from only a íazz upbringing. Erroll did
hot have múch forma~ muskal educatlon and had to rely upon hls ear for instructlon. If you listen to
his playlng, you wil[ heat some of bis tutors. Outstanding, is Fats Waaier. Also not[ceable is the fact
that he li~tened to many classlcal recordings, wh~ch has influenced his s~y~e.
Erro[I was born in Pittsburgh in 1921, He came from a musical famiIy whlch induded his brother L~nton,
one of the better accompanlsts. He served a short tlme wlth some orchestras, but was definlte~y slated
tobe a sololst. Garner’s greatest successes are achieved at intimate gatherlngs. Some 6f hls blggest
trlumphs have been attalned at �oncerts throughout the nafion.
This book contalns various examples of the Garner style, some of whlch have never been reco~ded~
commerclally. Garner’s musical knack of ~mprovlsing is best exemplified by "Babette" whlch he
composed comp[ete[y at one "take" at a prlvate recordlng session. "Young Love" ís one of h~s toost
beautiful works. There are also fine examples of hls rhythmic style in "Bounce With Me", "From C to
C" and "High Octane". These solos were transcrlbed by Morr~s Fe[dman, on outstandlng man in the
field. Garner heard these played by Feldman and was amazed at their accuracy. This book wi~l
rema~n a wrltten record of Garner’s greatness and wil~ he~p .other plonisls learn the color which
he, and only he, has contributed to piano playlng.
erroll garnerlive original piano solos
transcribed by morris feldman
contents page
babette 2
bounce with me 10
t-ro, m c to c 15
high octane 6
young Iove 20
Copyright MCMI. MICHAEI. H. GOLDSEN, INC.
2
BABETTEERROLL GARNER
a tempo
6
HIGH 0CTANE
Piano
ERROLL GARNER
10
BOUNCE WITH ME
Piano
ERROLL GARNER
Medium Bounce Tempo ~~----~
)~- "--~’" ’ ’ I "~ .... ~"
^ A
11
12
FROM C TO C
Moderately Bright
lS
ERROLL GARNER
Piano
© Copyright 1950. MICHAEL H. GOLDSEN, INC.AII Ri~hts Reserved Mede in U.S.A. International Copyright Secured
116
il-’ bJ F bJ.-l I:~ I ~ I
18
20
YOUNG LOVEERROLL GARNER
Moderately SlowI$ . ~ ~ ff’~---’Ï
i loco
© Copyright 1950, M]CHAEL H. GOLDSEN, INC.Made In U,S.A. International Copyright Secured
21
24
-1 loco
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PIANOPIANO SOLOSStandard EditJonsAUTUMR CONCEDTOLUSR WALTZMONTEV[OEOMOORLiGHT IN VERMONT
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MODERN PIANO SOLOSBEBOP BOOGIE By Benny CarterCONFIBMATION hy Charfie ParkerFANTASY IN BOP by Erroll GarnerFLIP FLOP by BiDy ButterHeldIN TH[ LAND OF O0-BLA-DEE Oy Mar7LouWi!!iamsLITTLE OD 9EROP by Erroll DarnerMOOSE TOE MOOCRE by Ohariie ParkerORRITHOLOGY by Oharlie ParkerROBBIN’S REST by Irlinois JacquetRUGOLO MEETS SUEADINO By Pete RuooloYARDBIOD SUITE by Charl[e Parker
PIANO FOLIOSEDROLL GARNER FOLlO--Book I
ERROLL GARRER FOLlO--Oook~l
Les Baxter’s "LA FEMME" SuitePiano Solos.
Harry Revel’s "MUSIC OUT OF THE MOON"Arranged & recorded by Los Baxter.
PIAHO HANOBOOK ON BOOGIE WOOOIE,BAROELHOUSE & BLUES
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JOB SULLIVRN PLAYSBOOGIE WOOGIE ANO THE BLUES.
HAL SCHAEFER IN TOE JAZZ WORKSHOPPiano solos transcribed from RCA Album.
TOP TV H]T TUNRS
"THE EXOTIC SOUNDS OF MARTIN DENNY"--
"MORE THAN ONE HUNDRED SONGS ARD GAMES PORCHILOREN"--FOe P[AHO~
KING COLE TRIO ARRANGEMENTSOSCAR MOOBE GUITAR SOLOS.NAT "KIND" COLE P~ANO SOLOS.JOHNNY MILLEB BASS BOOK.
Sold in separate bookscontainingthe following numbers:
ORGAN UKULELEFOLIOS SOUTH SEA FOLIOS
TOP TV, RADIO & RECORD UIFO Book #1--SOUTHSEASONGSFor Hammond Chord Organ with words & music Ier trom Hawaii, TahiU and SambaDream, Moonlight in Vermont--plus 2[ more hits.
CRITERION ORGAN HITSFor the Pre-set and Spinet model Hammond Organs,~9 hit songs arranged by Mark Laub.
CRITERION ORGAN DITOFor all Wurlilzer OrRans. ]9 ~it sonOS arranged byMark Laub.
EABL ORANT’S FAVÔRITESFor the Bammond Ohord Organ. Words & music [o B7~op ~ongs rocorded by Ear[ Orant.
ORGAN SOLO
"gUIET VILLAOE" for Hammond OrBan, For al! modblswith perc~~ssion effect,
SAXOPHONETENOR SAXOPHONE STYLES
By Sam Donahue. Solos by Don Oyas,Lector Young, etc.
CHARLIB PARKER’S BEBOP ALTO SAX FOLIORecorded hit bop alto so~os.
ILLINOIS JACQUE~ TENOR SAX FOLIOBecorded hit tenor solos.
CRARLIE VENTURA TENOR SAX FOLIO4 original recorded tenor solos.
TRUMPETG~EAT TRUMPET STYLES
8y OilJy Butterfield. Solos by Louis Armstrong,Harry James & Dizzy Gillesp]e.
SATCHMO’S SOLOSLouis Armstrong’s trumpet so]os fromfamous recordings, with piano accompaniment
DRUMSAMERICA’S GREATEST DRUM STYLISTSBy Oeorge WettBng.
Featurino styles of 22 top-noteB drummers.
PROFESSIONAL DRUM STUD[ESOy Brad Spinney.For Radio, Stace& Sereen.
CLARINETGREAT CLA~INET SYYLES
Sçlos by Artie SBaw, 9enny Goodman,Ouddy de F;a~co, etc.
JAZZ CONCERTO FOR C~ARINETBy Buddy de Franco,
Book #2--SONGS OF POLYNESIAfrom Hawaii, Tahiti & Maon
Book #3--]SLAND BONGOfrom Hawaii and Tahiti
Boer #4--MAORI MELODIESfrom the ~olynesians of New Zealand
Book #5--SONGS OF PARAB]SEfrom Hawaii, Tah[ti & MaorJ
BooB #B--SONGS FROM TOE PACIFIC ISLESfrom Hawad and TahitiCcntains words an~ music for voice and a]l singlenoteinstruments--ukulele, guita~ etc.
NOVELTY AND COMEDY SONGS FOR UKED~EAMY SONGS FOR UKEFor voiee and all single note instruments, Ukulele,Guita~ etc,
GUlTARGUITAR TUTOR by Laurindo AlmeidaA Complete Concert Dui[ar Method in 3 Courses--For Oeginners--lntermediates--AnB Advanced Stu-dents--lncludes Solos transcribed from Almeida’sCapitol OecorOings.
LAURINDO ALMEIDA GUITAR SOLOSAII sol~s transcribed as recorded by Eaurindo Afme[~~on CapJtol Records.
...AMOR FLAMENCO,..TEHUACAN
BALLEBIAS Y CANC~OH
La~rindo Almeida’s Concert Guitar Folio"FROM THE BOMANT[C ERA"Transcribed Solos from his Capitol album. Musico~Beethoven, ScBumann, Chopin, Massenet and Greig.
COUNTRY O~[TARHits frum the Country Field.
FOLKSY SONGS FOR DUITAR (Simple to Advanced)"MTA’, "Philadelphia Lawyer’~ etc.
20 RREAT TUNER FOR GUITAO (Pico Style)39 Great Arrangements by Dan Fox, featuring"Moonlight In Vermont’.
OSCAR MOORE GUITAR SOLO$
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