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Page 1: Conceptual and last lecture left side

Conceptual and

Activist Artleft side

Page 2: Conceptual and last lecture left side

On Kawara

The Today Series of

Date Paintings

1966

Installation view

[Fig. 22-04]

Page 3: Conceptual and last lecture left side
Page 4: Conceptual and last lecture left side

Marcel Broodthaers

Ground plan of Musée d’Art

Moderne at Le Coq, on the North

Sea coast of Belgium

View of the ground plan of the

Section Documentaire, August 1969 [Fig. 22-07]

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Michael Asher Situational Work

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Bruce Nauman

Self-Portrait as a Fountain

1966–70

Color photograph

19-3⁄4 × 23-3⁄4”

Edition of eight

[Fig. 22-17]

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Bruce Nauman – Walking in Contrapposto

https://www.youtube.com/watch?v=x7DWz_jMtR4Bruce Nauman’s Waling to Drake’s - Shut it Down

https://www.youtube.com/watch?v=uX4JERWvpak

Bruce Nauman – Lip Sinkhttps://www.youtube.com/watch?v=hbT9GGJdKOs

Peter Campus

http://youtu.be/Ar99AfOJ2o8

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Vito Acconci

Seedbed

1972

Performance

Page 10: Conceptual and last lecture left side

Vito Acconci

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Gilbert and George

The Singing Sculpture (“Underneath the Arches”)

1969

Presentation at the Sonnabend Gallery New York

[Fig. 22-27]

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Judy Chicago

The Dinner Party

1974–79

White tile floor inscribed in gold with 999 women’s

names; triangular table with painted porcelain, sculpted

porcelain plates, and needlework, each side 48’

The Brooklyn Museum of Art

New York [Fig. 22-32]

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Édouard Manet

Olympia

1863

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Guerrilla Girls

The Advantages of Being a Woman

Artist

1988

Poster

[Fig. 22-35]

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Judy Baca Great Wall of Los Angeles 1976–83 Length 1 ½ mile

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Page 17: Conceptual and last lecture left side

Post MinimalismEarth Art

New Imagists

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Eva Hesse

Accession II

1968

Galvanized steel vinyl 30-3⁄4 × 30-3⁄4 × 30-3⁄4”

Detroit Institute of Arts

[Fig. 23-04]

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Mario Merz

Giap Igloo—If the Enemy Masses His Forces, He Loses

Ground; If He Scatters, He Loses

Strength

1968

Metal tubes, wire mesh, wax, plaster,

and neon tubes height 3’ 11-1⁄4”,

diameter 6’ 6-3⁄4”

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Robert Smithson

Chalk–Mirror Displacement

1969

16 mirrors and chalk

approx. 10” in diameter

Art Institute of Chicago

[Fig. 23-21]

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Richard Long

A Line in Ireland

1974

Framed work consisting of photography and text

50-3⁄4 × 32 × 1-5⁄8”

[Fig. 23-25]

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Rachel Whiteread

Nameless Library

2000

Cast concrete

30’ × 23’ × 12’ 6”

Judenplatz, Vienna Austria

[Fig. 23-36]

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Post Modernism

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Ex Chippendale style highboy chest

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Page 26: Conceptual and last lecture left side

I. M. Pei

Grand Louvre Pyramid

1988

Paris

[Fig. 24-21]

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Page 31: Conceptual and last lecture left side

Chuck Close

Linda

1975–76

Acrylic on linen

9 × 7’

Akron Art Museum, Ohio

[Fig. 23-37]

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Page 33: Conceptual and last lecture left side

Philip Pearlstein

Nude with Legs Crossed

1974

Oil on canvas

48 × 40”

Collection of Lewis and Susan Manilow Chicago

[Fig. 23-46]

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Page 35: Conceptual and last lecture left side

Jenny Holzer

Selection from Truisms

1982Spectacolor

Board

20 × 40’

Installation Times Square

New York

[Fig. 24-48]

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Gerhard Richter

Vase

1984

Oil on canvas

7’ 4-1⁄2” × 6’ 6-3⁄4”

Museum of Fine Arts, Boston

[Fig. 25-09]

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David Salle

Tennyson

1983 Oil & acrylic

on canvas

6’ 6” × 9’ 9”

[Fig. 25-17]

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Andres Serrano

Piss Christ 1987

Cibachrome, silicone, Plexiglas, wooden frame

65 × 45-1⁄8 × 3⁄4” framed

60 × 40” unframed

Edition of four

[Fig. 26-01]

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Bill Viola

The Theater of Memory

1985

Video/sound installation

Orange County

Museum of Art,

California

[Fig. 26-13]

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Yasumasa Morimura

Portrait (Futago) 1988

Photographic chromogenic

print with acrylic paint

and gel medium

6’ 8-3⁄4 × 9’ 8”[Fig. 26-23]

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Matthew Barney

Richard Serra as “Fifth Degree,”

Cremaster 3

2002

Video to film transfer182 mins.

[Fig. 26-26]

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Mona Hatoum

Corps Étranger (Foreign Body)

1994 Video

installation

137-3⁄4 × 118 ×

118”

[Fig. 27-18]

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Bjarke Ingels—3 Warp-speed Architecture Tales

http://digital.films.com/PortalViewVideo.aspx?xtid=48455