Conceptual and
Activist Artleft side
On Kawara
The Today Series of
Date Paintings
1966
Installation view
[Fig. 22-04]
Marcel Broodthaers
Ground plan of Musée d’Art
Moderne at Le Coq, on the North
Sea coast of Belgium
View of the ground plan of the
Section Documentaire, August 1969 [Fig. 22-07]
Michael Asher Situational Work
Bruce Nauman
Self-Portrait as a Fountain
1966–70
Color photograph
19-3⁄4 × 23-3⁄4”
Edition of eight
[Fig. 22-17]
Bruce Nauman – Walking in Contrapposto
https://www.youtube.com/watch?v=x7DWz_jMtR4Bruce Nauman’s Waling to Drake’s - Shut it Down
https://www.youtube.com/watch?v=uX4JERWvpak
Bruce Nauman – Lip Sinkhttps://www.youtube.com/watch?v=hbT9GGJdKOs
Peter Campus
http://youtu.be/Ar99AfOJ2o8
Vito Acconci
Seedbed
1972
Performance
Vito Acconci
Gilbert and George
The Singing Sculpture (“Underneath the Arches”)
1969
Presentation at the Sonnabend Gallery New York
[Fig. 22-27]
Judy Chicago
The Dinner Party
1974–79
White tile floor inscribed in gold with 999 women’s
names; triangular table with painted porcelain, sculpted
porcelain plates, and needlework, each side 48’
The Brooklyn Museum of Art
New York [Fig. 22-32]
Édouard Manet
Olympia
1863
Guerrilla Girls
The Advantages of Being a Woman
Artist
1988
Poster
[Fig. 22-35]
Judy Baca Great Wall of Los Angeles 1976–83 Length 1 ½ mile
Post MinimalismEarth Art
New Imagists
Eva Hesse
Accession II
1968
Galvanized steel vinyl 30-3⁄4 × 30-3⁄4 × 30-3⁄4”
Detroit Institute of Arts
[Fig. 23-04]
Mario Merz
Giap Igloo—If the Enemy Masses His Forces, He Loses
Ground; If He Scatters, He Loses
Strength
1968
Metal tubes, wire mesh, wax, plaster,
and neon tubes height 3’ 11-1⁄4”,
diameter 6’ 6-3⁄4”
Robert Smithson
Chalk–Mirror Displacement
1969
16 mirrors and chalk
approx. 10” in diameter
Art Institute of Chicago
[Fig. 23-21]
Richard Long
A Line in Ireland
1974
Framed work consisting of photography and text
50-3⁄4 × 32 × 1-5⁄8”
[Fig. 23-25]
Rachel Whiteread
Nameless Library
2000
Cast concrete
30’ × 23’ × 12’ 6”
Judenplatz, Vienna Austria
[Fig. 23-36]
Post Modernism
Ex Chippendale style highboy chest
I. M. Pei
Grand Louvre Pyramid
1988
Paris
[Fig. 24-21]
Chuck Close
Linda
1975–76
Acrylic on linen
9 × 7’
Akron Art Museum, Ohio
[Fig. 23-37]
Philip Pearlstein
Nude with Legs Crossed
1974
Oil on canvas
48 × 40”
Collection of Lewis and Susan Manilow Chicago
[Fig. 23-46]
Jenny Holzer
Selection from Truisms
1982Spectacolor
Board
20 × 40’
Installation Times Square
New York
[Fig. 24-48]
Gerhard Richter
Vase
1984
Oil on canvas
7’ 4-1⁄2” × 6’ 6-3⁄4”
Museum of Fine Arts, Boston
[Fig. 25-09]
David Salle
Tennyson
1983 Oil & acrylic
on canvas
6’ 6” × 9’ 9”
[Fig. 25-17]
Andres Serrano
Piss Christ 1987
Cibachrome, silicone, Plexiglas, wooden frame
65 × 45-1⁄8 × 3⁄4” framed
60 × 40” unframed
Edition of four
[Fig. 26-01]
Bill Viola
The Theater of Memory
1985
Video/sound installation
Orange County
Museum of Art,
California
[Fig. 26-13]
Yasumasa Morimura
Portrait (Futago) 1988
Photographic chromogenic
print with acrylic paint
and gel medium
6’ 8-3⁄4 × 9’ 8”[Fig. 26-23]
Matthew Barney
Richard Serra as “Fifth Degree,”
Cremaster 3
2002
Video to film transfer182 mins.
[Fig. 26-26]
Mona Hatoum
Corps Étranger (Foreign Body)
1994 Video
installation
137-3⁄4 × 118 ×
118”
[Fig. 27-18]
Bjarke Ingels—3 Warp-speed Architecture Tales
http://digital.films.com/PortalViewVideo.aspx?xtid=48455
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