JORDAN [email protected]
608 | 886 | 7537
521 s 7th street, apt. 306minneapolis, minnesota 55415
M. Arch, BDA
Section 1 is a chronological account of projects throughout my education at the University of Minnesota. The projects here represent my best work but more importantly they show the massive potential for growth in skill over a relatively short amount of time. My goal moving forward is to become immersed in a team that continues to accellerate the development of craft. The best work, even when done individually, is alwasy a product of a generative environment.
EDUCATIONAL WORK
SECTION ONE
1 - 2 | romes urban web
3 - 4 | stepping stone
5 - 6 | artificial thicket
7- 8 | north-side net zero
9 - 10 | BAAR
11 - 12 | concrete
13 - 20 | industrial hybrid
21 - 28 | sub - recreation
29 - 48 | AUTHORIZED PERSONNEL ONLY
50 | resume
romes urban web | center for a green economy
This project begins the summary of my student work not for its depth of investigation or resolution, but because it marks the initial spark of passion for architecture that fueled my graduate experience. The project was completed over a four month study-abroad in Rome. The site was Via Portuense, a street with a vibrant and eclectic economy of recycled reused everything. The design seeks to give place to this thriving community and incorporate new econo-mies, like terrace farms and housing, into the already bustling street.
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mixed income residential restored education center gondola transportation hub
sun-space + greenhouse rain-water harvesting trelliscommunity terrace farm
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east | west section
This concept dealt with creating a piece of architecture that grows out of its surrounding context. The building leverages on site limestone other materials that directly reflect site conditions and existing features like the stone stair above. Functionally the nook that the building is set into allows for an intimate spatial condition with beautiful view sheds, and also reconnects three levels of a park that is currently difficult to navigate.
fall studio 2011 | stepping stone restaurant
existing stone stair
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1.5 = 1 sectional detail model 1.5 = 1 sectional detail model 1/8 = 1 building model
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This proposed cladding system utilizes found drift wood that endeavors to allow ecosystems to inhabit it. The sticks are placed at varrying degrees and sizes to allow for a variety of bird species to nest. The glowing ends attract their food source, insects. Droppings and collected dirt provide a base for plant and vine growth.
catalyst 2012 | artificial thicket
photograph: night5
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1: drift wood 2: zip-tie strapping 3: plywood frame | cnc 4: stick sizing + organization
5: frame grid numbering
FRAME
THE PIECES
SECURE
MATERIAL
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8 nylon straps
BACK FRAME3-5 x 3-0
MISSISSIPPI RIVER DRIFTWOOD
4-0 x 3-0FRONT FRAME
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6: drift wood element alignment 7: drift wood placement + securing
8: completed assembly model | rhino + grasshopper
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UP
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44 SFBathrm
34 SFMud Rm
153 SFKitchen
388 SFDining/Living Rm
24' -
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14' - 2" 8' - 2"
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130 SFBedrm
122 SFBedrm
176 SFMaster Bedrm
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128 SFBedrm
69 SFUtility Rm
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This net zero home in the north-side neighborhood of Minneapolis was designed with partner Habitat for Humanity. The design was built and a 1-year post occupancy study has shown that it does indeed achieve a net-zero energy use through sustainable building techniques and technologies.
north-side net zero | habitat for humanity house
basement plan 1st floor plan 2nd floor plan
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500 sq ft solar array
64 sq ft solar thermal panel
R100 energy heel truss roof
R40 2x6 stud wall 4 in. exterior foam
sirius low u-value windows
R40 12 in. poured concrete foun-dation 6in exterior foam
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The project is a soccer academy in a low income Buenos Aires neighborhood. The building form is representative of the nexus of inter-activity between all of its users; private boarding students and the low-income community that surrounds the complex. Ideally these new facilities promote interaction across social barriers via Argentinas first love: futball.
competition entry - summer 2013
ARCHMedium 2013 | BAAR
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1: support screen 2: manipulate form x2 3: combine manipulations 4: free standing form
5: house form work6: pour mixture + embed reinforcing
7: remove form work
white cement + fiber glass white & grey cement white & grey cement
This project was an experiment in a thin shell wall panel system that contradicts the preconceptions of concrete. at 1/16 inch the panels are light and of flowing form. The second, larger iteration, acts as a sculptural marker, potentially used for wayfinding. The form making process is de-signed to be variable and suit specific needs of a site.
concrete | light stone
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The act of inhabiting an existing place is inherently transformative and results in a hybrid condition. This project leverages existing structural artifacts as an organizational, tectonic, and aesthetic framework.. Inudstrial structures, contemporary architecture, and a return to the historic ecosystem give the site and project an identity that communicates much and informs the water research that it facilitates.
winner of the Design Democracy Fellowship 2014
wetland research center | industrial hybrid
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site plan15
second floor plan third floor plan
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existing
new structure
new volume
1/4 detail model
1/4 detail model
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east | south building | west
south building 1
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2-3/4 x 5-1/2 stainless steel tubeinsulated glass unitadhesive attached anodized aluminum extrusion
structural steel decking2 concrete2 extruded polystyrene insulationweather resistant barriergravel bed
east elevation
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2 stainless steel floor joiststructural steel decking 2 concrete2 extruded polystyrene insulation3 concrete topper w/ 1 pex tube radiant heating
existing steel beam
7 existing concrete foundation and topperexisting concrete footing2 concrete slab on gradeweather resistant barrier2 extruded polystyrene insulation3 concrete topper w/ 1 pex tube radiant heating
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2 steel angle bar truss
3 insulated metal panel w/ corrugated profile6 steel channel 24 o.c. w/ cellulose batt insulation1/2 plywood sheathing5/8 gypsum finish
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west | north building | east
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RETAIL
ECONOMY
PUBLIC
RENTALS
TRAININGRETAIL
REPAIRS
DINING
JANUARY FEBRUARY MARCH APRIL MAY JUNE JULY AUGUST SEPTEMBER OCTOBER NOVEMBER DECEMBER
JANUARY FEBRUARY MARCH APRIL MAY JUNE JULY AUGUST SEPTEMBER OCTOBER NOVEMBER DECEMBER
JANUARY FEBRUARY MARCH APRIL MAY JUNE JULY AUGUST SEPTEMBER OCTOBER NOVEMBER DECEMBER
EVENTS / FESTIVALS / FILMS / MUSICWORK SHOPS + TRAINING
CLIMBING
CLIMBING
SKATEBOARDING
ICE CLIMBING CLIMBING ICE CLIMBING
OUTD
OOR
INDOO
ROU
TDOO
RIND
OOR
OUTD
OOR
INDOO
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ICE SKATING
ICE SKATING
ICE SKATINGCURLINGCROSS COUNTRY SKIING
ICE SKATINGCURLING
CROSS COUNTRY SKIING
CANOE / KAYAK TRAINING
CANOE / KAYAK TRAINING
SKATEBOARDING
SKATEBOARDING
ICE CLIMBING
SKATEBOARDINGSHELTER SKATING SHELTER SKATINGEVENTS / FESTIVALS / FILMS / MUSIC
CLIMBING
CLIMBING
WORK SHOPS + TRAINING
EVENTS / FESTIVALS / FILMS / MUSICWORK SHOPS + TRAINING
CANOE / KAYAKSAILINGICE SAILING ICE SAILING
design duluth | sub-recreationThis project subverts the existing infrastructure and landform to create place informed architecture that satisfies recreational and economic needs. Three sites connect unused land in low-income West Duluth, bringing new attraction and public amenity where it is most needed.
context and existing recreational services major site connections
activity calendar - year round use
material cues economic flows subversion of existing conditions21
climbing center that takes advantage of existing climbing sites and trail infrastructure
skate center that inhabits an EPA superfund site and connects to existing hiking trails
sailing center that embodies industrial history and reconnects the city to the river
program nodes - scale shifts
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the ely peak intervention features an indoor climbing center, complimented by support services such as equipment repair and rental as well as training programs
the building acts as a trail head for existing climbing sites
a satellite building inhabits a repurposed train tunnel and provides services in the field
site section
site plan
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1 2 3 4 5 6 7 1 2 3 4 5 6 1 2 3 4
1 - climbing center
2 - shop / repair
3 - camp / shelter / staging
4 - camp / shelter / staging
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the dwp intervention features an indoor skate park and equipment repair or rental
a cafe and boardwalk service the general public and connect the outdoor skating elements to the indoor park
of particular interest is the underpass skate program which holds the opposite end of the sites path
site section
site plan
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1 2 3 4 5 6 7 1 2 3 4 5 6 1 2 3 4
1 - skate park / cafe
2 - picnic nook
3 - poplar nook
4 - skate nook
5 - dwp trail nook
6 - 35w overpass skate shelter
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the dock 7 intervention inhabits an abandoned pier on the st. louis river and features kayak and sail boat activity
to activate the entire strip multiple programmatic zones have been introduced in addition to the primary use
important landscape features such as the mounds and poplar groves create formal ties to the sites historic use
site plan
site section
27
1 2 3 4 5 6 7 1 2 3 4 5 6 1 2 3 4
1 - kayak rental
2 - climbing mound
3 - shelter / lockers
4 - community center
5 - skate spot / shelter
6 - riparian legacy mound
7 - boat launch / boat storage
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Subterranean worlds are an old curiosity; the basis of much mythology and legend. The mystery of these places, whether real or fantasy, thrives in the collective conscious of us all. The chill of not knowing is a visceral sensation; especially when accompanied with the simple thrill of being where you should not be.
The surface of Minneapolis - St. Paul obscures its own subterranean landscapes, shrouded in mystery, ripe with myth and complexity. Layers of utility - water, gas, electricity, sewers, and storm drains wind their way through the soft sandstone and along the bluffs of the Mississippi River. This infrastructural labyrinth mingles with natural caverns, eroded by the water that flows through the bluffs into the river.
These caves and underground streams have a history that has grown since before the city, that now sits above it, emerged. Some caves were used for the sacred meetings of local Native American tribes and were said to be the dwelling places of old gods. During pro-hibition these same spaces were used by smugglers to move in secret through the tunnels that had recently started to hollow out the rock beneath the city. Today the system is con-trolled more diligently and many of these curiosities have been sealed off from the surface. Where once a small kayak could make its way from a storm drain in Lake Calhoun, up an underground stream more than a mile into the heart of downtown Minneapolis, there is now a gate. The result of erecting barriers to the underworld is the creation an under-ground playground for those ambitious enough to subvert them.
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UNDERGROUND ENTRANCES
THE LABYRINTH
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CONCEPTUAL ELEVATION
PROPOSED ELEVATION31
N N
LEVEL 7 - SHARK CAGE
LEVEL 5 - GALLERY
LEVEL 3 - TRENCH
LEVEL 0 - SCAR
LEVEL 1
LEVEL 2
LEVEL 3
LEVEL 4
LEVEL 5
LEVEL 6
LEVEL 7
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The obvious use for the adapted space is as a gallery; one that holds artifacts, both historic and contemporary, that help tell the tale of the underground. Some portions of this new gallery are precariously accessible, a potential target for the graffiti artists that already operate covertly in the storm drains of the city. The program is simplistic but elegant in that it can shift and change its contents with the attitudes of its inhabitants. The major elements are paths that suggest, but dont dictate, an experience that might coerce a childlike curiosity from any number of explorers.
PATHS
PUBLIC PATH
SCAR PATH
33
SHARK CAGE + BIRDS NEST PATH
An intriguing moment in the extensive network of voids is a trench, 80 feet deep, where the back wall of an abandoned jail is pulled away from the bluff, presumably as a security measure to prevent imaginative inmates from escaping into the lattice of tunnels beyond. The spatial condition created by these sealed barriers is a series of thresholds - the bluff, the wall, the jail, and the surface. Imagining what is behind these barriers, what wonders extend into the dark, demands that control be skirted in the name of exploring the mysterious.
TRENCH
34
The storm drains at the bottom of the vault make a second exit but also compose the third path, dubbed the scar. The scar is a more delinquent path engaging visitors in a more tactile way. The storm drains here are explorable and covered in graffiti.
1 | ENTRY UNDER
1 2
1 - ENTRY UNDER
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Viewing lanes are carved open along the tunnel, making visible the vertical scale of the retaining wall.
2 | SCAR
3
2 - SCAR
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It would not be abnormal to happen upon someone painting the walls of this path that follows the tunnel into the bluff and eventually back into the bottom of the new vault.
3 | STORM DRAIN
3 - STORM DRAIN
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The shortest of these paths, dubbed the shark cage and the birds nest, runs the gamut of spatial change within the building in the span of 8 feet. Just inside the plaza level entry is an opening that leads into a dark subterranean room. The room is the space where the jail adjacent Wabasha Bridge is propped up above the bluff rock. Giant beams 20 feet deep are close overhead as they hold up the road above. The shark cage is a screened platform that looks out over this dark, compressed subterranean void that is representative of what may come deeper into the building. Six feet further and a second threshold leads to the birds nest; a precarious walkway suspended under the bridge 80 feet above the ground making the scale of vertical occupation known.
4 | SHARK CAGE + BIRDS NEST
4
4 - SHARK CAGE + BIRDS NEST
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The longest of these paths is meant to be a comprehensive experience of all the concepts explained above. The beginning is at the level of the city, in a plaza surrounded by poles of light. These poles order the public space and give clues to the structural grid beneath. As you descend into the building views across a space that is created by two wings of the existing jail allow glimpses into old cells, new galleries, and the exposed storm drains below.
A | PLAZA
The path moves across the wings of the old jail by exposed walkways that hang where the panopticon of the existing jail once stood. All of this new transparency, altered by various levels of screen, flies in the face of the buildings original purpose. The erosion of the jails barriers, walls, and secure elements demonstrates architectural subversion and breaking down imposed control.
B | PANOPTICON
A B39
B - PANOPTICON
A - PLAZA
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COnce across the hanging walkway a vaulted room composed of what is left of the existing jail. Antithetical to the buildings original controlling intent, this new grand space is the product of eroding old floors and walls.
C | GALLERY
C41
C - GALLERY
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The path is very visible here and can be seen winding out to the edge of the building. This is where the cells of the old jail still stand, however they are no longer separated by thick parallel walls. The path cuts through the shared walls of the cells, and allows movement through them, contrary to their original purpose.
D | CELL
As the path winds around the outside edge of the building a mysterious opening slides into view. This portal leads to the pivotal moment in the project; the trench. This important connection is treated with a simple walkway and a small scar in the bluff which marks the entry to the underworld. A grate 80 feet above, at street level, provides just enough light to make the scale of this hidden intervention comprehensible.
E | TRENCH
D E43
E - TRENCH
D - CELL
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The tunnel that leads through the bluff compresses as it approaches a new vault. While this underground intervention is large, it is also singular in order to preserve the mystery and unknown nature of the existing underworld. The placement of this void encompasses an intersection of the existing tunnels at all elevations.
F | INTERSECTION
The path continues to wind around the edge of the vault giving glimpses of forms in the dark void. Again, screens are used to obscure and frame views ultimately driving curiosity and exploration.
G | PODIUM
F G H45
G - PODIUM
F - INTERSECTION
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H - OCCULUS
GRATE
A podium at the bottom of the vault represents the big reveal. Free of screens and obscuring walls, the view up to the street, 100 feet above, is pierced by the new tunnel extrusions, all made visible by the oculus shining light down into the dark. The rumble of vehicles on the street, the dripping water, and the observers own footsteps echo through the vault enhancing the phenomenological experience and capturing the essence of the underworld.
H | OCCULUS
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SITE CONDITIONS
6
VAULT INSERTION
1
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4
5
VAULT AXON
5 - STORM DRAIN
1 - TCTR 2 - WATER
4 - GAS
3 - ELECTRIC
6 - WABASHA BRIDGE
Other paths through this complex labyrinth exist. These are self made experiences created through voluntary exploration. This last level engagement encompasses the willingness to get lost in this system of subverted control. The ambitious adventurer might find their own way into these spaces; skittering across inaccessible walkways and finding hidden openings to spaces not designated for the public. These levels of access and engagement provide a changing experience for a range of audiences. The essence of the underground, its histories and myths, have been captured here. What was hidden is revealed yet retains its mystery. The barriers of control give way to subversion and the phrase AUTHORIZED PERSONNEL ONLY no longer applies.
THE LABYRINTH
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Section two is a small sample of the professional work that Ive accomplished over the last year. Ive been involved with all of the design phases across a range of projects during my time with HGA. Ive also been involved in marketing efforts creating beautiful, compelling imagery to win projects. Currently my professional goal is to become licensed within two years and work in a collaborative environment that fosters and enhances my personal talent.
PROFESSIONAL WORK
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fundraising image for the St. Louis Park Community Center
contents
51 - 52 | College of St. Scholastica - Graduate Health 53 - 58 | Boise State University - Studio Arts
59 - 64 | Boise State University - Studio Arts
65 | Marketing and Fundraising
66 | resume
50
The project was taken from schematic design to final CDs in a three month period and imparted me with invaluable knowledge of how to create drawings sets and coordinate with other disciplines.
College of St. Scholastica | Gruaduate Healthunder construction - Duluth, Minnesota
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Boise State University | Sculpture Artsdesign development - Boise, Idaho
west perspective
This project marks the beginning of my design contributions at HGA. The sculpted mass of the new arts building is willful - appropriate to house the expanding studio arts program at Boise State. The two wings twist toward their context and the glass lobby draws views in and through a new landscape corridor.
53
north perspective
buildingsite
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graphic design, photography
LEVEL 05faculty lounge, mechanical penthouse
LEVEL 04painting, drawing, general education
LEVEL 03
sculpture, lobby, gallery, administrationLEVEL 01
LEVEL 02staff, metals, print media
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R - 137 3
R - 76 3
R - 133 0
R - 80 8
R - 134 3
R - 75 9
R - 133 7
R - 75 5
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the double curved nature of the form will require novel methods of description as the project progresses. In the case of a panel cladding system precise measurements of radii and bounding box geometry can make the complex geometry accessible.
south west perspective 56
the double curved geometry of the facade is generated by slightly radiating the footprint around a set of vertical anchors
floor plans distributed at the correct levels begin to describe an armature that supports the sloping form
south elevation
various iterations of a sun screen were developed for the southern expanse of glass looking to achieve visual and performative harmony
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eastern courtyard
lobby interior
eastern courtyard 58
Childrens Museum of Cheyennedesign development - Cheyenne, Wyoming
The childrens museum is situated between two 100 + year old buildings in the historic district of Cheyenne, Wyoming. Already constrained by the nature of infill projects the precarious structures next door were cause of additional concern. The project is a study in connected volumes that create a unified experience across multiple floors of gallery space.
east perspective59
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UP
UP
A. ALL INTERIOR PARTITIONS SHALL BE "A3_" UNLESS NOTED OTHERWISE.B. PLAN DIMENSIONS ARE FROM FACE OF FINISH WHERE HOLD OR CLEAR ARE
INDICATED. ALL OTHER PLAN DIMENSIONS ARE FROM FACE OF PARTITION TYPE ANDDO NOT INCLUDE APPLIED FINISHES.
C. ENSURE FINISH SURFACES ARE FLUSH AND SEAMLESS WHERE PARTITIONS AND/ORFURRING ARE COPLANAR.
D. ALL PIPING, CONDUITS AND RELATED MECHANICAL AND ELECTRICAL ITEMS SHALL BECONCEALED WITHIN PARTITION/WALL ASSEMBLY IN FINISHED AREAS UNLESS NOTEDOTHERWISE.
E. PROVIDE BACKING/BLOCKING TO SUPPORT ALL WALL-MOUNTED ITEMS.F. ALL MECHANICAL EQUIPMENT PADS TO BE 4" HIGH MINIMUM, UNLESS NOTED
OTHERWISE. SIZE OF PADS TO BE VERIFIED BY CONTRACTORG. REFER TO SHEET A___ FOR DETAIL OF TYPICAL DOOR JAMB AT ABUTTING WALLS
OR PARTITIONS.H. ALL OFFICES, TREATMENT ROOMS, CONSULTATION ROOMS, AND RECOVERY
ROOMS TO HAVE A SINGLE COAT HOOK MOUNTED ON THE DOOR (ROOMSIDE) UNLESS NOTED OTHERWISE. PATCH ALL HOLES IN EXISTING SURFACESWHERE EQUIPMENT HAS BEEN REMOVED OR DEMOLITION HAS OCCURRED.PREPARE SURFACES AS REQUIRED FOR NEW FINISHES. PATCH TO MATCHADJACENT SURFACE IF NOT SCHEDULED.
I. ALL EXISTING FLOOR OPENINGS AND DEPRESSIONS IN THE WORK SHALL BE FILLEDOR CLOSED, UNLESS NOTED OTHERWISE, WITH MATERIALS TO MATCH ADJACENTSURFACES, FINISHES AND FIRE RATINGS.
GENERAL NOTES - CONSTRUCTION PLAN
A
1
A4002
A4011
A4021
A4022
B
C
D
E
F
G
3 5
H
42
75 SF
ELEC119
281 SF
COATROOM
104
107 SF
ELEC110A
536 SF
STORE101
468 SF
RECEIVINGSTAGING
118
115 SF
STORAGE101A
81 SF
EMR101B
227 SF
MEN'S108
217 SF
WOMENS'106
428 SF
CORR.C100
1A410
1A410
1A411
1A411
2A412
2A412
1A413
1A413
15'-0
"
26'-0"8'-0"
15'-3
"22
'-0"
21'-3
"27
'-6"
20'-6
"7'-
5"
1,822 SF
GALLERY102
384 SF
CORR.116
34'-0" 16'-0" 34'-0"
204 SF
MECHANICAL110
103 SF
JAN112
121 SF
DIR.OFFICE
115117 SF
DIR.OFFICE
114
126 SF
VESTIBULEV100
1,954 SF
LOBBY100
263 SF
CONFERENCE117
161 SF
BOXOFFICE
103
303 SF
VOLUNTEERLOUNGE
105
204 SF
RECEPTION107
205 SF
BREAKROOM
109207 SF
OPENOFFICE
113
191 SF
OPENOFFICE
111
1'-9"
PL-W PL-E
1'-9"
PL-S
6" 6"
PROP LINE: 88'-6"
1'-2"
PROP
LIN
E:
132'-
1" +
/-
PL-N
1'-9"
1'-4"
HYNDSBUILDING
WYOMINGHOME
BUILDING
W 16TH STREET
ALLEY
PIONEERHOTEL
B3w
CW2CW1
B3
WS-1 WS-1
WS-1
B3
B3
B3
B3w
A3w
B3w
A3w A3w
A3w
B3
B3
B3
B3
B3
PM-1
7'-0"
65 SF
H20197
A3w
A3w
281 SF
EXIT STAIRS100
188 SF
EXIT STAIRS101
2
1
CW1
3
COPYRIGHT HAMMEL, GREEN AND ABRAHAMSON, INC.C
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NO DESCRIPTION DATE
DATESCALECOMM. NO.
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UCTION
NAME:DATE:REGISTRATION NUMBER:
I HEREBY CERTIFY THAT THIS PLAN, SPECIFICATIONOR REPORT WAS PREPARED BY ME OR UNDER MYDIRECT SUPERVISION AND THAT I AM A DULYLICENSED ARCHITECT UNDER THE LAWS OF THESTATE OF
CH
ILD
RE
N'S
MU
SE
UM
OF
CH
EYE
NN
E
The
docu
men
t and
the
idea
s in
corp
orat
ed h
erei
n, a
s an
inst
rum
ent o
f pro
fess
iona
l ser
vice
, is
the
prop
erty
of H
amm
el G
reen
and
Abr
aham
son,
Inc.
and
is n
ot to
be
used
, in
who
le o
r in
part
for a
ny o
ther
pro
ject
with
out t
he p
rior w
ritte
n au
thor
izat
ion
of H
amm
el G
reen
and
Abr
aham
son,
Inc.
208
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9/2/
2015
2:2
7:48
PM
1/8" = 1'-0"
A201
FLOOR PLAN -FIRST LEVEL
3259-002-00
AUGUST 29TH,2015
AUGUST 29TH, 2015
SCHE
MAT
IC D
ESIG
NAU
GUST
29T
H, 2
015
KEYNOTES - FLOOR PLAN# DESCRIPTION1 GLASS ELEVATOR SHAFT AND CAB2 MONUMENTAL STAIR3 STRUCTURAL BRACING - REFER TO STRUCTURAL DRAWINGS FOR ADDITIONAL INFORMATION4 FLEXIBLE BOX OFFICE KIOSK5 FLEXIBLE STORE DISPLAY6 OWS - 17 ORN RAIL - 18 LFD - 1, MARVIN LIFT AND SLIDE DOORS9 VRAW - 110 ORN MET - 211 ORN RAIL - 2
1/8" = 1'-0"1FLOOR PLAN - LEVEL 01
UP
UP
A
1
A4002
A4011
A4021
A4022
B
C
D
E
F
G
3 5
H
42
1,049 SF
SECONDFLOORLOBBY
200
1,214 SF
CLASSROOM204
75 SF
DATA201A
1A410
1A410
1A411
1A411
2A412
2A412
1A413
1A413
499 SF
STORAGE205
PL-W PL-E
PL-S
PL-N
PROP
LIN
E:
132'-
1" +
/-
1'-9"
15'-0
"15
'-3"
22'-0
"21
'-3"
27'-6
"20
'-6"
7'-5"
1'-5"
PROP LINE: 88'-6" +/-
1'-9"
HYNDSBUILDING
WYOMINGHOME
BUILDING
2'-3" 34'-0" 16'-0" 34'-0" 2'-3"
8'-0"
PIONEERHOTEL
4,882 SF
GALLERY201
436 SF
RoomS200
229 SF
EXIT STAIRS201
55 SF
FAM.TOILET
20255 SF
FAM.TOILET
203
81 SF
MOTHER'SROOM
198
1
2
6
B3w B3w
A3w
A3w
A3w
A3w
A3w
FS-1
FS-1
AFS-1
CW2
AFS-2
AFS-2
A3w
B3w
B3b
B3w
B3w
B3b
B3
B3
B3B3B3
PM-1
7
7
77
WS-1
WS-1
B3
AFS-2 AFS-2
A3w
B3w
A. ALL INTERIOR PARTITIONS SHALL BE "A3_" UNLESS NOTED OTHERWISE.B. PLAN DIMENSIONS ARE FROM FACE OF FINISH WHERE HOLD OR CLEAR ARE
INDICATED. ALL OTHER PLAN DIMENSIONS ARE FROM FACE OF PARTITION TYPE ANDDO NOT INCLUDE APPLIED FINISHES.
C. ENSURE FINISH SURFACES ARE FLUSH AND SEAMLESS WHERE PARTITIONS AND/ORFURRING ARE COPLANAR.
D. ALL PIPING, CONDUITS AND RELATED MECHANICAL AND ELECTRICAL ITEMS SHALL BECONCEALED WITHIN PARTITION/WALL ASSEMBLY IN FINISHED AREAS UNLESS NOTEDOTHERWISE.
E. PROVIDE BACKING/BLOCKING TO SUPPORT ALL WALL-MOUNTED ITEMS.F. ALL MECHANICAL EQUIPMENT PADS TO BE 4" HIGH MINIMUM, UNLESS NOTED
OTHERWISE. SIZE OF PADS TO BE VERIFIED BY CONTRACTORG. REFER TO SHEET A___ FOR DETAIL OF TYPICAL DOOR JAMB AT ABUTTING WALLS
OR PARTITIONS.H. ALL OFFICES, TREATMENT ROOMS, CONSULTATION ROOMS, AND RECOVERY
ROOMS TO HAVE A SINGLE COAT HOOK MOUNTED ON THE DOOR (ROOMSIDE) UNLESS NOTED OTHERWISE. PATCH ALL HOLES IN EXISTING SURFACESWHERE EQUIPMENT HAS BEEN REMOVED OR DEMOLITION HAS OCCURRED.PREPARE SURFACES AS REQUIRED FOR NEW FINISHES. PATCH TO MATCHADJACENT SURFACE IF NOT SCHEDULED.
I. ALL EXISTING FLOOR OPENINGS AND DEPRESSIONS IN THE WORK SHALL BE FILLEDOR CLOSED, UNLESS NOTED OTHERWISE, WITH MATERIALS TO MATCH ADJACENTSURFACES, FINISHES AND FIRE RATINGS.
GENERAL NOTES - CONSTRUCTION PLAN
COPYRIGHT HAMMEL, GREEN AND ABRAHAMSON, INC.C
4 2
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S u
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M i n
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5 5
4 0
1
REVISION HISTORY - THIS SHEET
NO DESCRIPTION DATE
DATESCALECOMM. NO.
NOT FOR
CONSTR
UCTION
NAME:DATE:REGISTRATION NUMBER:
I HEREBY CERTIFY THAT THIS PLAN, SPECIFICATIONOR REPORT WAS PREPARED BY ME OR UNDER MYDIRECT SUPERVISION AND THAT I AM A DULYLICENSED ARCHITECT UNDER THE LAWS OF THESTATE OF
CH
ILD
RE
N'S
MU
SE
UM
OF
CH
EYE
NN
E
The
docu
men
t and
the
idea
s in
corp
orat
ed h
erei
n, a
s an
inst
rum
ent o
f pro
fess
iona
l ser
vice
, is
the
prop
erty
of H
amm
el G
reen
and
Abr
aham
son,
Inc.
and
is n
ot to
be
used
, in
who
le o
r in
part
for a
ny o
ther
pro
ject
with
out t
he p
rior w
ritte
n au
thor
izat
ion
of H
amm
el G
reen
and
Abr
aham
son,
Inc.
208
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001
9/2/
2015
2:2
7:50
PM
1/8" = 1'-0"
A202
FLOOR PLAN -SECOND LEVEL
3259-002-00
AUGUST 29TH,2015
AUGUST 29TH, 2015
SCHE
MAT
IC D
ESIG
NAU
GUST
29T
H, 2
015
1/8" = 1'-0"1FLOOR PLAN - LEVEL 02
KEYNOTES - FLOOR PLAN# DESCRIPTION1 GLASS ELEVATOR SHAFT AND CAB2 MONUMENTAL STAIR3 STRUCTURAL BRACING - REFER TO STRUCTURAL DRAWINGS FOR ADDITIONAL INFORMATION4 FLEXIBLE BOX OFFICE KIOSK5 FLEXIBLE STORE DISPLAY6 OWS - 17 ORN RAIL - 18 LFD - 1, MARVIN LIFT AND SLIDE DOORS9 VRAW - 110 ORN MET - 211 ORN RAIL - 2
1 Revision 1 Date 1
close to the main entry is the monumental stair and a glass elevator. Because of the constrained vertical program stack, circulation is a key element celebrated by moving it to the front as an object on display.
61
A B
C D
A
B
C D
A1
A4002
A4011
A4021
A4022
B
C
D
E
F
G
3 5
H
42
971 SF
THEATRELOBBY
301
75 SF
DIM302C
103 SF
J.C.308
809 SF
CAFESEATING
300
271 SF
CAFE305
71 SF
S/L LOCK302A
73 SF
S/L LOCK302B
1,107 SF
SECRETGARDEN
303
267 SF
BALCONY304
1A410
1A410
1A411
1A411
2A412
1A413
1A413
3,601 SF
THEATER302
PL-W PL-E
PL-S
PL-N
2'-3" 34'-0" 16'-0" 8'-0" 26'-0" 2'-3"
PROP O.D.: 88'-6" +/1
PROP
O.D
.: 1
32'-1
" +/-
1'-4"6" 1'-9"
1'-9" 6"
1'-9"
15'-0
"15
'-3"
22'-0
"21
'-3"
27'-6
"20
'-6"
7'-5"
1'-5"
CORR.C300
STORAGE310
MEN'S306
WOMEN'S307
15'-0
"
26'-11"
1'-9"
HYNDSBUILDING
WYOMINGHOME
BUILDING
10'-0"10'-0" 30'-0"4 1/8"
PIONEERHOTEL
1'-5 1/8"
302 SF
GREENROOM
309
227 SF
EXIT STAIRS301
169 SF
EXIT STAIRS300
WS-2
WS-2
WS-2
A3wB3w
A3w
B3
FS-1
FS-1 CW2
CW1
B3w
B3
B3
B3
B3
WS-1
B3
98
1
2
AFS-2 AFS-2WS-1
B3
B6_
10 10 11
A. ALL INTERIOR PARTITIONS SHALL BE "A3_" UNLESS NOTED OTHERWISE.B. PLAN DIMENSIONS ARE FROM FACE OF FINISH WHERE HOLD OR CLEAR ARE
INDICATED. ALL OTHER PLAN DIMENSIONS ARE FROM FACE OF PARTITION TYPE ANDDO NOT INCLUDE APPLIED FINISHES.
C. ENSURE FINISH SURFACES ARE FLUSH AND SEAMLESS WHERE PARTITIONS AND/ORFURRING ARE COPLANAR.
D. ALL PIPING, CONDUITS AND RELATED MECHANICAL AND ELECTRICAL ITEMS SHALL BECONCEALED WITHIN PARTITION/WALL ASSEMBLY IN FINISHED AREAS UNLESS NOTEDOTHERWISE.
E. PROVIDE BACKING/BLOCKING TO SUPPORT ALL WALL-MOUNTED ITEMS.F. ALL MECHANICAL EQUIPMENT PADS TO BE 4" HIGH MINIMUM, UNLESS NOTED
OTHERWISE. SIZE OF PADS TO BE VERIFIED BY CONTRACTORG. REFER TO SHEET A___ FOR DETAIL OF TYPICAL DOOR JAMB AT ABUTTING WALLS
OR PARTITIONS.H. ALL OFFICES, TREATMENT ROOMS, CONSULTATION ROOMS, AND RECOVERY
ROOMS TO HAVE A SINGLE COAT HOOK MOUNTED ON THE DOOR (ROOMSIDE) UNLESS NOTED OTHERWISE. PATCH ALL HOLES IN EXISTING SURFACESWHERE EQUIPMENT HAS BEEN REMOVED OR DEMOLITION HAS OCCURRED.PREPARE SURFACES AS REQUIRED FOR NEW FINISHES. PATCH TO MATCHADJACENT SURFACE IF NOT SCHEDULED.
I. ALL EXISTING FLOOR OPENINGS AND DEPRESSIONS IN THE WORK SHALL BE FILLEDOR CLOSED, UNLESS NOTED OTHERWISE, WITH MATERIALS TO MATCH ADJACENTSURFACES, FINISHES AND FIRE RATINGS.
GENERAL NOTES - CONSTRUCTION PLAN
COPYRIGHT HAMMEL, GREEN AND ABRAHAMSON, INC.C
4 2
0 5
t h
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r e e
t N
o r
t h ,
S u
i t e
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4 0
0 0
M i n
n e
a p
o l i
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M i n
n e
s o
t a
5 5
4 0
1
REVISION HISTORY - THIS SHEET
NO DESCRIPTION DATE
DATESCALECOMM. NO.
NOT FOR
CONSTR
UCTION
NAME:DATE:REGISTRATION NUMBER:
I HEREBY CERTIFY THAT THIS PLAN, SPECIFICATIONOR REPORT WAS PREPARED BY ME OR UNDER MYDIRECT SUPERVISION AND THAT I AM A DULYLICENSED ARCHITECT UNDER THE LAWS OF THESTATE OF
CH
ILD
RE
N'S
MU
SE
UM
OF
CH
EYE
NN
E
The
docu
men
t and
the
idea
s in
corp
orat
ed h
erei
n, a
s an
inst
rum
ent o
f pro
fess
iona
l ser
vice
, is
the
prop
erty
of H
amm
el G
reen
and
Abr
aham
son,
Inc.
and
is n
ot to
be
used
, in
who
le o
r in
part
for a
ny o
ther
pro
ject
with
out t
he p
rior w
ritte
n au
thor
izat
ion
of H
amm
el G
reen
and
Abr
aham
son,
Inc.
208
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inco
lnw
ayC
heye
nne,
Wyo
min
g 82
001
9/2/
2015
2:2
7:51
PM
1/8" = 1'-0"
A203
FLOOR PLAN -THIRD LEVEL
3259-002-00
AUGUST 29TH,2015
AUGUST 29TH, 2015
SCHE
MAT
IC D
ESIG
NAU
GUST
29T
H, 2
015
1/8" = 1'-0"1FLOOR PLAN - LEVEL 03
KEYNOTES - FLOOR PLAN# DESCRIPTION1 GLASS ELEVATOR SHAFT AND CAB2 MONUMENTAL STAIR3 STRUCTURAL BRACING - REFER TO STRUCTURAL DRAWINGS FOR ADDITIONAL INFORMATION4 FLEXIBLE BOX OFFICE KIOSK5 FLEXIBLE STORE DISPLAY6 OWS - 17 ORN RAIL - 18 LFD - 1, MARVIN LIFT AND SLIDE DOORS9 VRAW - 1
10 ORN MET - 211 ORN RAIL - 2
A
1
A4002
A4011
A4021
A4022
B
C
D
E
F
G
3 5
H
42
GARDEN BELOW-15'
1A410
1A411
2A412
1A413
PL-W PL-E
PL-S
15'-0
"15
'-3"
22'-0
"21
'-3"
27'-6
"20
'-6"
7'-5"
1'-5"
2'-3" 34'-0" 16'-0" 8'-0" 26'-0" 2'-3"
PROP O.D.: 88'-6" +/-
PL-N
HYNDSBUILDING
WYOMINGHOME
BUILDING -BELOW
37'-9
"11
'-0"
12'-8
"35
'-4"
35'-4
"
1'-9" 50'-0" 1'-2"
12'-5
3/8
"58
'-6"
7'-5
5/8"
78'-5
"
52'-11"
PN-2
PN-2
PN-2
EMGEN
CHILLER
AFS-2
FS-1
FS-1
WS-1
WS-1
A. XXX
GENERAL NOTES - FINISH SCHEDULE
1
1
D D
E E
F F
G G
3
3
4
4
2
2
1A410
1A410
2A412
2A412
1A413
1A413
PL-W
PL-W
CHILLER
EMGEN
WS-1
WS-1
WS-1
COPYRIGHT HAMMEL, GREEN AND ABRAHAMSON, INC.C
4 2
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t h
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S u
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n e
a p
o l i
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M i n
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s o
t a
5 5
4 0
1
REVISION HISTORY - THIS SHEET
NO DESCRIPTION DATE
DATESCALECOMM. NO.
NOT FOR
CONSTR
UCTION
NAME:DATE:REGISTRATION NUMBER:
I HEREBY CERTIFY THAT THIS PLAN, SPECIFICATIONOR REPORT WAS PREPARED BY ME OR UNDER MYDIRECT SUPERVISION AND THAT I AM A DULYLICENSED ARCHITECT UNDER THE LAWS OF THESTATE OF
CH
ILD
RE
N'S
MU
SE
UM
OF
CH
EYE
NN
E
The
docu
men
t and
the
idea
s in
corp
orat
ed h
erei
n, a
s an
inst
rum
ent o
f pro
fess
iona
l ser
vice
, is
the
prop
erty
of H
amm
el G
reen
and
Abr
aham
son,
Inc.
and
is n
ot to
be
used
, in
who
le o
r in
part
for a
ny o
ther
pro
ject
with
out t
he p
rior w
ritte
n au
thor
izat
ion
of H
amm
el G
reen
and
Abr
aham
son,
Inc.
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heye
nne,
Wyo
min
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001
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2015
2:2
7:53
PM
1/8" = 1'-0"
A204
ROOF PLAN
3259-002-00
AUGUST 29TH,2015
AUGUST 29TH, 2015
SCHE
MAT
IC D
ESIG
NAU
GUST
29T
H, 2
015
1/8" = 1'-0"1ROOF
KEYNOTES - ROOF PLAN# DESCRIPTION
1/8" = 1'-0"2ROOF PLAN - THEATERthe third floor hosts a multifunctional performance space as well as the hidden
garden. The garden is screened from the street but visible from the interior - the plantings slide into view as you ascend the elevator.
62
E
G H
F
E
F
GH
63 east perspective - night
LEVEL 01100' - 0"
1
LEVEL 02115' - 0"
LEVEL 03135' - 0"
35
ROOF150' - 0"
BASEMENT90' - 0"
4 2
1A410
1A411
PL-WPL-E
HIGH PARAPET161' - 8"
88'-6"
2'-3"34'-0"16'-0"8'-0"26'-0"2'-3"
GALLERY102
LOBBY100
GALLERY201
SECONDFLOORLOBBY
200
THEATRELOBBY
301
CAFESEATING
300
PER FDN EASMENT1'-6"
HYNDSBUILDING
WYOMINGHOME
BUILDING
3'-0"
8'-4"
15'-0
"20
'-0"
15'-0
"11
'-8"
58'-4
"
HIGH ROOF159' - 2"
COPYRIGHT HAMMEL, GREEN AND ABRAHAMSON, INC.C
4 2
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M i n
n e
a p
o l i
s ,
M i n
n e
s o
t a
5 5
4 0
1
REVISION HISTORY - THIS SHEET
NO DESCRIPTION DATE
DATESCALECOMM. NO.
NOT FOR
CONSTR
UCTION
NAME:DATE:REGISTRATION NUMBER:
I HEREBY CERTIFY THAT THIS PLAN, SPECIFICATIONOR REPORT WAS PREPARED BY ME OR UNDER MYDIRECT SUPERVISION AND THAT I AM A DULYLICENSED ARCHITECT UNDER THE LAWS OF THESTATE OF
CH
ILD
RE
N'S
MU
SE
UM
OF
CH
EYE
NN
E
The
docu
men
t and
the
idea
s in
corp
orat
ed h
erei
n, a
s an
inst
rum
ent o
f pro
fess
iona
l ser
vice
, is
the
prop
erty
of H
amm
el G
reen
and
Abr
aham
son,
Inc.
and
is n
ot to
be
used
, in
who
le o
r in
part
for a
ny o
ther
pro
ject
with
out t
he p
rior w
ritte
n au
thor
izat
ion
of H
amm
el G
reen
and
Abr
aham
son,
Inc.
208
W L
inco
lnw
ayC
heye
nne,
Wyo
min
g 82
001
9/2/
2015
2:2
8:23
PM
1/4" = 1'-0"
A412
BUILDINGSECTION - E-WBETWEEN 'C' +'D' - LOOKINGSOUTH
3259-002-00
AUGUST 29TH,2015
AUGUST 29TH, 2015SC
HEM
ATIC
DES
IGN
AUGU
ST 2
9TH,
201
5
1/4" = 1'-0"2E-W SECTION BETWEEN C-D - LOOKING SOUTH
64E - W section
marketing | fundraising
Part of my role at HGA has been to quickly create materials that respond to vague client requests in order to win projects for the firm. The brewery below was a successful four day effort based on the companies branding document.
true respite brewery - tree house
true respite brewery - tap room65
JORDAN [email protected]
608 | 886 | 7537
521 S 7th Street, # 306minneapolis, minnesota 55415
education
extracurricular + awards
work experience
skills + software
references
University of Minnesota - College of Design 2014 - masters of architecture 2011 - bachelors of design in architecture
M. Arch, BDA
fellowships + awards 2014 - Richard Morrill Masters Final Project Award 2014 - Design Democracy Fellowship 2013 - Bill & Elizabeth Pedersen Fellowship 2013 - Saul Parness Fellowship
teaching assistant 2014 - design fundamentals 2 - Andrea Johnson 2013 - design fundamentals 1 - Lisa Hsieh 2012 - architectural history - Leon Satkowski
designer - HGA - minneapolis oct. 2014 - present - Steven Dwyer Boise State Studio Arts - Childrens Museum of Cheyenne involved in all design phases across multiple projects - marketing and client iteractions architectural intern - MSR - minneapolis dec. 2013 - may 2014 - Eric Amel U of M Raptor Center - U of M Bee Discovery - U of M Bee Lab predesign - schematic design - programming - visualization - detailing - marketing
architectural intern - Architecture Field Office - minneapolis may 2013 - sep. 2013 - Mic Johnson schematic master plan for Stadium Village schematic design - representation - 3d modeling
fabrication - CDES - minneapolis - AIA Honor Award may 2013 - dec. 2013 - Adam Marcus Centenniel Chromograph physical fabrication - digital fabrication tools - assembly staging - documentation
autocad - masteryadobe creative suite - masteryphysical modeling - proficientsketchup - masteryrhino - masterygrasshopper - competencyrevit - proficient
Sharon Roe, M. ArchDirector of BDA ProgramUniversity of Minnesota - [email protected] 747 3779
Steven R. Dwyer - AIAPrincipalHGA [email protected] 758 4214
Eric Amel - [email protected] 225 1051
Ozayr Saloojee, M. ArchAssociate ProfessorUniversity of Minnesota - [email protected] 625 0690
JORDAN [email protected] 608 | 886 | 7537
521 s 7th street, apt. 306minneapolis, minnesota 55415
M. Arch, BDA