Yiri Analysis. Overview In the set work there are 3 clear strands or ideas. 1. The balaphone...
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Transcript of Yiri Analysis. Overview In the set work there are 3 clear strands or ideas. 1. The balaphone...
![Page 1: Yiri Analysis. Overview In the set work there are 3 clear strands or ideas. 1. The balaphone ostinati. (When layered together form a complex polyphonic.](https://reader031.fdocuments.net/reader031/viewer/2022032722/56649f505503460f94c73538/html5/thumbnails/1.jpg)
Yiri
Analysis
![Page 2: Yiri Analysis. Overview In the set work there are 3 clear strands or ideas. 1. The balaphone ostinati. (When layered together form a complex polyphonic.](https://reader031.fdocuments.net/reader031/viewer/2022032722/56649f505503460f94c73538/html5/thumbnails/2.jpg)
Overview
In the set work there are 3 clear strands or ideas.
1. The balaphone ostinati. (When layered together form a complex polyphonic texture.
2. The drum ostinati (1 bar repeated pattern)
3. The vocal line (Based on pentatonic scale with simple call and response structure)
![Page 3: Yiri Analysis. Overview In the set work there are 3 clear strands or ideas. 1. The balaphone ostinati. (When layered together form a complex polyphonic.](https://reader031.fdocuments.net/reader031/viewer/2022032722/56649f505503460f94c73538/html5/thumbnails/3.jpg)
Intro 0’00 – 0’:18
In free tempo High improvised balaphone solo Monophonic texture Trills or rolls on some notes. Establishes key of Gb
![Page 4: Yiri Analysis. Overview In the set work there are 3 clear strands or ideas. 1. The balaphone ostinati. (When layered together form a complex polyphonic.](https://reader031.fdocuments.net/reader031/viewer/2022032722/56649f505503460f94c73538/html5/thumbnails/4.jpg)
Section 1 (0’18 – 0’34)
Second balaphone joins mainly playing in octaves.
Strong rhythmic feel based on 2 bar phrase.
Heterophonic texture as Balaphone 2 plays a decorated version of balaphone 1
![Page 5: Yiri Analysis. Overview In the set work there are 3 clear strands or ideas. 1. The balaphone ostinati. (When layered together form a complex polyphonic.](https://reader031.fdocuments.net/reader031/viewer/2022032722/56649f505503460f94c73538/html5/thumbnails/5.jpg)
Section 2 (0’34 – 1’09)
3 Drums enter. Occasional djembe fills Melody includes syncopated rhythms
![Page 6: Yiri Analysis. Overview In the set work there are 3 clear strands or ideas. 1. The balaphone ostinati. (When layered together form a complex polyphonic.](https://reader031.fdocuments.net/reader031/viewer/2022032722/56649f505503460f94c73538/html5/thumbnails/6.jpg)
Section 4 Chorus A1
Voices enter in UNISON Melody short, no harmony.
![Page 7: Yiri Analysis. Overview In the set work there are 3 clear strands or ideas. 1. The balaphone ostinati. (When layered together form a complex polyphonic.](https://reader031.fdocuments.net/reader031/viewer/2022032722/56649f505503460f94c73538/html5/thumbnails/7.jpg)
Section 5 Instrumental Solo 1
Short solo balaphone break. Accompanied by ostinati on drums
![Page 8: Yiri Analysis. Overview In the set work there are 3 clear strands or ideas. 1. The balaphone ostinati. (When layered together form a complex polyphonic.](https://reader031.fdocuments.net/reader031/viewer/2022032722/56649f505503460f94c73538/html5/thumbnails/8.jpg)
Section 6 Chorus A2
Similar to A1
![Page 9: Yiri Analysis. Overview In the set work there are 3 clear strands or ideas. 1. The balaphone ostinati. (When layered together form a complex polyphonic.](https://reader031.fdocuments.net/reader031/viewer/2022032722/56649f505503460f94c73538/html5/thumbnails/9.jpg)
Section 7 Instrumental
Voices out. Solo on lower pitched balaphone.
![Page 10: Yiri Analysis. Overview In the set work there are 3 clear strands or ideas. 1. The balaphone ostinati. (When layered together form a complex polyphonic.](https://reader031.fdocuments.net/reader031/viewer/2022032722/56649f505503460f94c73538/html5/thumbnails/10.jpg)
Section 8 Call and Response Section 1
Dramatic new melody with long held notes and short punctuated notes.
Call enters first. Still accompanied by drums
Vocals now include triplet figures. Voices answer the call in unison at b63.
![Page 11: Yiri Analysis. Overview In the set work there are 3 clear strands or ideas. 1. The balaphone ostinati. (When layered together form a complex polyphonic.](https://reader031.fdocuments.net/reader031/viewer/2022032722/56649f505503460f94c73538/html5/thumbnails/11.jpg)
Section 9 Call 2
Balaphone now plays 3 note semiquaver
figure introducing cross rhythms. Rhythmically exciting with drum ostinati,
syncopated ideas, triplet rhythms..
![Page 12: Yiri Analysis. Overview In the set work there are 3 clear strands or ideas. 1. The balaphone ostinati. (When layered together form a complex polyphonic.](https://reader031.fdocuments.net/reader031/viewer/2022032722/56649f505503460f94c73538/html5/thumbnails/12.jpg)
Section 10 Response 2
Choir in UNISON
![Page 13: Yiri Analysis. Overview In the set work there are 3 clear strands or ideas. 1. The balaphone ostinati. (When layered together form a complex polyphonic.](https://reader031.fdocuments.net/reader031/viewer/2022032722/56649f505503460f94c73538/html5/thumbnails/13.jpg)
Section 11 Call 3
Solo voice with some varied balaphone rhythms in a solo break.
![Page 14: Yiri Analysis. Overview In the set work there are 3 clear strands or ideas. 1. The balaphone ostinati. (When layered together form a complex polyphonic.](https://reader031.fdocuments.net/reader031/viewer/2022032722/56649f505503460f94c73538/html5/thumbnails/14.jpg)
Section 12 Instrumental
Solos carry on. New ideas on balaphones. Three beat rest before…..
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Section 13 Chorus B1
Full choir in unison singing ‘Yiri’ with short instrumental interjections to break up the vocals.
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Section 14 Dialogue
Interplay between voices and instruments
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Section 15 Instrumental
Instrumental based on riffs. More virtuosic – rapid passages
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Section 16 Chorus A3
Full choir again
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Section 17 Final Instrumental
Heavily syncopated. Drums re-enter just before coda.
![Page 20: Yiri Analysis. Overview In the set work there are 3 clear strands or ideas. 1. The balaphone ostinati. (When layered together form a complex polyphonic.](https://reader031.fdocuments.net/reader031/viewer/2022032722/56649f505503460f94c73538/html5/thumbnails/20.jpg)
Section 18 Coda
5 x 2-bar phrases in octaves. Dramatic rests. Strong riff Concludes with bell sound.
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Important style notes.
Tempo is unvaried after it is first established. Regular beat throughout. Drum ostinati persists throughout. Dynamics are largely unvaried and changes
occur only through textural layering.