Yi-Ting Tong Portfolio

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DESIGN PORTFOLIO YI-TING TONG e. [email protected] | t. (315) 744 6366

description

Thesis architecture student at Syracuse university Portfolio

Transcript of Yi-Ting Tong Portfolio

  • DESIGN PORTFOLIO

    YI-TING TONG e. [email protected] | t. (315) 744 6366

  • CO

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  • Pittsburgh, PA

    Piazza Torquato Tasso MuseumFlorence, Italy

    Hudson Yards MuseumNew York City, NY

    Parson Fashion Design School New York City, NY

    Venice Film InstituteVenice, Italy

    I / ENTER -MIXING | -ACTION | -CONNECTION

    Professional Work Taipei, Taiwan

    Travel Sketches

  • I / ENTER -MIXING | -ACTION | -CONNECTION Pittsburgh, PA

    Office Building for city Council Members of Pittsburgh,accross from City County Building in Pittsburgh, PA

    It is the assertion of this thesis that the government is a pro-tected institution serving the public, for which reason it needs to respond, acknowledge and invite the public. This relationship provides opportunities of mixing and interaction between the two extremes, while keeping the necessary boudaries. In order to accomplish this, an interstitial, mediating space is provided to facilitate and alleviate the interaction and co-existence of the seperate realms.

    (In collaboration with Kate Talkachova)

  • MASS MASS AND VOID OFFICE UNITS OPEN SPACES AS CONNECTORS

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    ENVELOPE ALTERATION DUE TO SOLAR EXPOSURE

    PUSHED IN

    INCREASE SURFACE AREA TO ALLOW MORE SUN EXPOSURE

  • A building that responds to the city grid by incorporating ele-ments of rigid structure and its breakdown.

    A building that incorporates elements of public green space. Idea of public green space weaving through urban fabric.

  • DN

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    1/32" = 1'-0"1Level 0

    1/32" = 1'-0"2Entry

    1/32" = 1'-0"3Level 1

    1/32" = 1'-0"4Level 2

    1/32" = 1'-0"5Level 3

    1/32" = 1'-0"6Level 4

    1/32" = 1'-0"7Level 4.5

    1/32" = 1'-0"8Level 5

    1/32" = 1'-0"9Level 6

    1/32" = 1'-0"10Level 7 1/32" = 1'-0"11

    Level 7.5 1/32" = 1'-0"12Level 8

    1/32" = 1'-0"13Level 9

    1/32" = 1'-0"14Level 10

    1/32" = 1'-0"15Level 10.5

    1/32" = 1'-0"16Level 11

    DNDD

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    Lawyers Offices Council Offices Horizontal Circulation Vertical Circulation Public spaces Green spaces

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    IJKLMNOP Q

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    Circulation Diagram

    Toilet

    Mechanical room

    Egress

    Elevators

    Main ElevatorsCafe and Forum Level Occupancy Classification:B Classification: OfficesA-3 Classification: Assembly and Forum1-500 occupant load: 2 means of egrees Longest path of travel:148 ft Fire stair width: 44 in

    Common Path of Travel

    Longest Path of Travel

    Section through interstitial space

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    HVAC Riser ShaftSh ftRestroomsFirestair 48 width w/ 2 hr protective wwallw

    Area of RefugegDouble-sided ElevatorvHydraulic Elevatorrr

    HVAC Riser ShaftRestrooms

    Firestair 48 widthw/ 2 hr protective wallww

    2 hr fire rated doorArea of Refuge

    Double-sided ElevatorDDService Elevator

    Glass Elevatorumns (steel encased18 Coluue with polished finish)in concreteeain Wall (5 Mullions)Curtaa

    air (width 8, 7 risers)Ceremonial Staa

    Forum Cafe

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    1/16" = 1'-0"2Entry - Gallery

    (produced using Revit)

  • oof 174-0

    Level 11161-0

    Level 10.5154-0

    Level 10147-0

    Level 9133-0

    Level 8119-0

    Level 7.5112-0

    Level 7105-0

    Level 691-0

    Level 577-0

    Level 4.570-0

    Level 463-0

    Level 3 49-0

    Level 233-0

    Level 114-0

    Entry

    K G F E D C B A

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    Level 0-14-0

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    Tranverse Section B (produced using Revit)

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    Roof 174-0

    Level 11161-0

    Level 10.5 154-0

    Level 10 147-0

    Level 9133-0

    Level 8119-0

    Level 7.5 112-0

    Level 7105-0

    Level 691-0

    Level 577-0

    Level 4.570-0

    Level 463-0

    Level 3 49-0

    Level 0-14-0

    Mechanical Level-28-0

    Tranverse Section C (produced using Revit)

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    (produced using Revit)

  • Detail Section | Observatory Deck

    Batt Insulation

    Grated Catwalk

    Tinted Glass Spandrel Panel

    Catwalk Support Beam

    Double Glazed Fixede Window

    Custom Light Metal Screen

    Cover Panel

    Growing MediumVegetation (mainly grass)

    Microfab layer

    Perforated Drainage Pipe

    Gravel

    Blocking

    Retention LayerConcrete Curb

    Steel I-Beam

    Drop Ceiling (2x2 grid)

    Section detail of outdoor green spaces(produced using Rhino and Cinema4d)

  • 3 Concrete Slab on 2 Metal Deck

    Rigid Insulation

    Steel I-Beam

    Raised Computer Floor (2x2 grid)

    Plasterboard

    Double Glazed e Awning Window

    Double Glazed Fixede Window

    Grated Catwalk

    Custom Light Metal Screen

    Drop Ceiling (2x2 grid)

    10 Floor-Ceiling Height

    Tinted Glass Spandrel Panel

    Climate Control Louvers

    Microfab layer

    Growing Medium

    Perforaff ted Drainage Pipe

    Vegetation (mainly grass)

    Gravel

    BlockingRetention Layer

    Concrete Curb

    Batt Insulation

    Base Sheet Membrane

    Cap Sheet Membrane

    Cover Panel

    Gutter

    Concrete Roof Slab

    Drainage/Water Retention Layer

    Thermal Insulation

    Catwalk Support Beam

    Uni-Strut Steel Structure

    Section detail of office spaces(produced using Rhino and Cinema4d)

  • Piazza Torquato Tasso Gallery Florence, Italy

    The project is a new gallery space for the exposition of foreign art in Florence. The American dream in Florence served as the main theme for the design. The concept of the design derives from a set of photo-graphs taken by an American student residing in Florence. From these photographs and along with the idea of connecting the tourists back more local and intimate space of the piazza Tor-quato, a formal strategy was developed to create a gallery suited to the theme. By analzying the photographs, there was a clear em-phasis on ideas of overlapping and framing which were both used as a formal tectonic influence in the design.

    Museo Come Una Rovine Monumentale

    Photographs by Ana Thor

  • 1. site context 2. connect| linking paths & crossing through building

    3. extraction and intrusion of programs b/t piazza and site | push and pull

    3. continuation of green space| public vs private courtyard

  • circulation diagram

    gallery art studio|office library|meeting space

    roof terrace cafe

    programmatic diagram

    layering and framing diagram

  • grided plane push and pull of spaces | creation of deep & shallow spaces

    Axon diagram

  • connecting other piazza

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    Connection with other public plazas Extension of existing garden space

    Existing condition of site Carving out of site at angleto allow connection and access

    Intrusion of plaza into site Extension of site onto plaza

  • coat che

    ck

    ticket de

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    cafe

    event space | outdoor public space

    gallery

    gallery

    entry

    kitchen

    office

    shop

  • library|meeting rooms

    art studio & office

    gallery space

    event space | outdoor public space

    gallery

    gallery

    cafe

  • GROUND

    4m

    7m

    11m

    14 m

    17 mRoof

    8m

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    section a | scale 1:100

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    0GROUND

    4m

    7m

    11m

    14 m

    17 mRoof

    8m

    12m

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    0GROUN

    4m

    7m

    11m

    14 m

    17 mRoof

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    12m

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    section B | scale 1:100

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    Section A ( produced using Revit)

    Section B ( produced using Revit)

    Section C ( produced using Revit)

  • Perspective View ( produced using Revit)

  • Sectional Perspective ( produced using Revit)

  • Hudson Yards Museum New York City, NY

    The project is situated in New York city in proximity to the Highline. The programs of the building include 9 main galleries, 2 kunsthall galleries, a library, a cafe, and recreational spaces. The concept is to extend the highline within the museum and to create pockets of public spaces embedded along the main circulation path of the building that become magnets for social interaction. These rest areas are essential to the promenade aspect of the design as they allow visitors to pause and rest while enjoying the art thus responding to the problem of museum fatigue. The design of the building was also affected by the type of art that would be displayed in each gallery space. By shifting the volumes around the core and by folding and peeling away the exterior enveloppe, a variety of room sizes with different in-tensity of natural light are created. This allows for a more versa-tile arrangement of the art.

  • SITE

    MUSEUM

    HIGHLINE = 38

    GROUND FLOOR

    MUSEUM

    OPEN SPACE

    HIGHLINE = 38

    ART

    GROUND FLOOR

    Highline

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    GROUND FLOOR +/- 0

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    Storage/study

    Plant roomloading dock

    street lobby

    Retail

    Prep Area

    Off

    K Gallery6700 sqft

    5500 sqft

    1260 sqft

    3000 sqft

    reception

  • K gallery

    storage

    cafe

    Retail

    Office

    4300 sqft

    3200 sq ft

    7000 sq ft

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  • Parson Fashion Design School The Interstitial Space

    New York City, NY

    The project is situated in New York city and the site is the current Parson Fashion School of design. The building sits on a corner site and the concept derives from the idea of pliage and fold, a common usage in fashion. Starting with two ribbons which are then intertwined and folded multiple times, a carved-like space is created in between. The ribbon then divides into two allowing the seperation of two main programs: Fashion stu-dios and classrooms. (private vs public) The interstital wall becomes the backbone of the build-ing and main circulation space connecting the two opposite programs which are slightly offsetted. It is threading the two pro-grams together and allowing views and social interactions.

  • STUDIO

    GALLERYClASSROOMS

    ATRIUM SPACE

    CAFE

    OFFICES

    RUNWAY

    AUDITORIUM

    OFFICES

    OFFICES

    OFFICES

    LOBBY/EXPOLOLLLO XLO YLOLOL YYY

    GALLERY

    GALLERY

    RUNWAYR GALLGAL

    VignettesA3

  • Venice Film Institute Weaving architecture

    Venice, Italy

    The design of the film institute derives from the analysis made of the movie The Draughtsmans Contract. By analyzing the screenshots of the movie, we notice that the setting of the acts are mostly symmetrical and mirrored while the storyline of the movie isnt. Taking on this unsettled and ambigu-ous aspect of the movie, the design of the Film Institute tries to explore it even further with the idea of weaving. So that we under-stand the screenshots as moments in space and the threading of them as a form of weaving. The conceptual model of the design investigates the ar-chitectural potential of weaving.

  • First conceptual model -

    Base on the movie The Draughtmans contract, the sequences of events are analyzed and diagramed into intertwin-ing and weaving threads. The more compact the thread is the more compli-cate the story line.

    Second conceptual model -

    By forming two sets of threads repre-senting the two different perspectives present in the movie and intertwining them, pocket spaces are formed.

    Third conceptual model -

    A more elaborate model inspired by the the second one which emphasizes on the formation of space.

  • Physical Model

  • Travel Sketches Italy

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  • ARCHINET Design GroupUrban design Planing Architecture Interior Design

    Professional Work Taipei, TaiwanDrawings produced for ARCHINET Design Group

  • ARCHINET Design GroupUrban design Planing Architecture Interior Design

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    Checked by:

    Drawn by:

    Date:

    Job No.:

    Drawing Title:

    Drawing Number:

    Sheet: of

    Revisions:

    Rev.1

    MI 006

    10-JUL-2011

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    ARCHINET Design GroupUrban design Planing Architecture Interior Design

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