WOOLLEY &WALLISSALISBURY SALEROOMS

Clarice CliffArt Deco &20th Century DesignWednesday 15th April 2015

Specialist DepartmentsPlease dial +44 (0)1722 followed by the number listed below

Members of The Society of Fine Art Auctioneers

20TH CENTURY DESIGN

Michael Jeffery — 424505Amanda Lawrence — 329477

ASIAN ART

John Axford MRICS ASFAV — 424506Sophie Lister — 424591Alex Aguilar Doméracki — 424583Freya Yuan — 424589

CLOCKS, WATCHES & SCIENTIFIC INSTRUMENTS

Richard Price (Consultant) — 07741 242421Gemma Bush — 339752

ENGLISH & EUROPEAN CERAMICS & GLASS

Clare Durham — 424507Amanda Lawrence — 329477

FURNITURE

Mark Richards — 411854Jim Gale — 339161Anna Brown — 411854

JEWELLERY

Jonathan Edwards FGAA 424504Marielle Whiting FGA — 424595

PAINTINGS

Victor Fauvelle — 424503Jo Butler — 424592

SILVER

Rupert Slingsby — 424501Lucy Chalmers — 424594

TRIBAL ART & ANTIQUITIES

ARMS & ARMOUR

Will Hobbs — 339752Gemma Bush — 339752

VALUATIONS FOR INSURANCE & PROBATE

Paul Viney ASFAV — 424509Clive Stewart-Lockhart FRICS FRSA 424598

ACCOUNTS

Janice Clift (Office Manager) — 424500Ruth Pike 424599

MARKETING

Tamzin Corbett — 424590

GENERAL OFFICE

Linda Garthwaite — 424500Pauline WestSharon RingwoodNicola Young

SALEROOM MANAGER

David Jordan — 424500

BOARD OF DIRECTORS

Paul Viney ASFAV Chairman

John Axford MRICS ASFAVDeputy Chairman

Clive Stewart-Lockhart FRICS FRSAManaging Director

COMPANY SECRETARY

Jim Macarthur CA — 424599

ASSOCIATE DIRECTORS

Will HobbsMichael JefferyMark RichardsRupert SlingsbyJonathan Edwards FGAAJanice CliftClare Durham

CLARICE CLIFF

ART DECO &20TH CENTURY DESIGN

Wednesday 15th April 2015 at 10.00am

ENQUIRIESMichael Jeffery 01722 424505michaeljeffery@woolleyandwallis.co.uk

Amanda Lawrence 01722 329477amandalawrence@woolleyandwallis.co.uk

Front cover: Selected items from the saleBack cover: Lot 125 detail

Catalogue £10.00 (£12.00 by post)Images and a catalogue word search facility are available at www.woolleyandwallis.co.uk

LIVE BIDDING

Please register by 5pm on Tuesday 14th April.Please note there is a 3% surcharge for using this service.

COLLECTION OF LOTSPlease note that all lots will be cleared from our Castle StreetSaleroom to our Salt Lane office on Monday 20th April, the furniturewill be removed to our Old Sarum warehouse on Friday 17th Aprilfor collection, If you are collecting items after this date pleasecontact the department to arrange in advance.

CONDITION OF LOTSReports on condition may be available on request. The absence ofcondition reports in the catalogue does not imply that the lot is freefrom imperfections or faults.

ARTIST’S RESALE RIGHT / DROIT DE SUITE

Droit de Suite is a royalty payable to a qualifying artist or the artist’sheirs each time a work is resold during the artist’s lifetime and up toa period of 70 years after the artist’s death.

Royalties are calculated on a sliding percentage scale based on thehammer price excluding the buyer’s premium. The royalty does notapply to lots selling below the sterling equivalent of €1,000 and themaximum royalty payable on any single lot is the sterling equivalentof €12,500.

Droit de Suite, which is not subject to VAT, will be added to thebuyer’s purchase price and then passed on to the relevant collectingagency by the auctioneer.

Please enquire for the accepted exchange rate on the day of the sale.

Royalties for Droit de Suite are as follows:

4% Up to €50,0003% €50,000.01 - 200,0001% €200,000.01 - 350,0000.5% €350,000.01 - 500,0000.25% In excess of €500,000

Up to a maximum levy of €12,500

Lots marked with a ‡ symbol are potentially subject to the levy.

VIEWING TIMES

Saturday 11th April 10.00am – 1.00pmMonday 13th April 10.00am – 5.00pmTuesday 14th April 9.00am – 5.00pmWednesday 15th April 9.00am – 10.00am

CITES REGULATIONS Please note that lots marked λ may be subject to CITES Regulationswhen exported.

The CITES Regulations may be found at www.defra.gov.uk/ahvla-en/imports-exports/cites/

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INDEXClarice Cliff 1-163

Louis Wain 164-171

Continental Ceramics 208-246

Glass 247-288

Dodo Burgner Artwork 294-305

Furniture 306-324

Metal ware 325-358

20th Century Design

Glass 359-409

Sam Herman Glass 401-409

Ceramics 410-685

Moorcroft Pottery 449-489

Studio Pottery 501-642

Works on Paper 686-708

Furniture 709-721

Sculpture 722-741

Metal ware 744-783

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CLARICE CLIFF

1. ‘Original Bizarre’ a Clarice CliffBizarre Hereford biscuit barrel and cover,painted with bands of red and green triangleswith central red band, the cover green andred bands printed factory mark, red Bizarremark 17cm. high £100-200

2. ‘Original Bizarre’ a Clarice CliffBizarre Single-handled Lotus jug, paintedwith bands of red diamonds on a blueground, between broad red bands and greenstripes, printed factory marks, 29cm. high

£100-200

LiteratureLouise Meisel & Leonard Griffin The BizarreAffair, page 20 this design illustrated on theoriginal promotional advert for Bizarre Ware.

3. A rare Kiddies Ware hot-chocolateservice designed by Joan Shorter, forClarice Cliff, printed and painted with naiveanimals, in colours, comprising Conicalcoffee pot and cover, two beakers and a trayprinted Joan Shorter Wilkinson mark, tray29.5cm. wide. (4) £450-500

LiteratureLeonard Griffin Clarice Cliff The Art of Bizarre,Pavilion, page 21 for a publicity photo of JoanShorter examining some comparable KiddiesWare pieces.

4. ‘Double V’ a Clarice Cliff Bizarre Duckegg cruet set, comprising tray with centralduck handle, and three egg cups, painted incolours printed factory marks, damages totwo egg cups, 14cm. high (4) £100-200

5. ‘Rhodanthe’ a Clarice Cliff Biarritzplate, painted in colours, a Stamford teapot,cover and milk jug, a My Garden Sugar sifterand cruet and a collection of Clarice Cliff andSusie Cooper ceramics, printed factorymarks, 26.5cm. wide £200-300

6. ‘Autumn’ a Clarice Cliff Bizarre sugarbasin with electroplated cover and tongs,painted in colours, a ‘Canterbury Bells’Tankard coffee pot and cover, a ‘Ravel’ Odilontureen and cover and six other Clarice Cliffitems printed marks, 9cm. high. (9)£100-150

7. ‘Poplar’ a Clarice Cliff Bizarre MeiPing lamp base, painted in colours insideorange and black bands, a Crocus teapot andcover, two jugs, cup and saucer and sevenother items printed factory marks, lamprestored, 26.5cm. high (12) £200-300

8. ‘Apples’ a Clarice Cliff Bizarrebreakfast bowl, painted in colours to the rim,two Crocus breakfast bowls, two other ClariceCliff Liberty bowls and two blackbird piefunnels, printed factory marks, wear to Libertypaint work,17.5cm. wide (7) £100-200

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9. ‘Melon’ a Clarice Cliff FantasqueBizarre Conical milk-jug and sugar basin,painted in colours, and a Melon Conicalcoffee can and saucer printed factory marks,milk-jug 6.5cm. high £200-400

10. ‘Sunspots’ a modern Wedgwoodlimited edition vase from a design byClarice Cliff, produced for the Clarice CliffCollector’s club, in original box, and threeother modern Wedgwood pieces printedmarks, 21cm. high (4) £100-200

11. ‘Arabesque’ a Clarice Cliff BizarreConical tea cup and saucer, painted incolours 7.5cm. high £100-200

12. ‘Orange Roof Cottage’ a Clarice Cliffashtray, painted in colours, an Oranges andLemons ashtray and a Berries pepper potprinted factory marks, 12cm. diam. (3)

£200-300

13. ‘Applique Avignon’ a Clarice CliffBizarre Cylindrical preserve pot and cover,painted in colours printed and painted marks,restored, 8.5cm. high £200-300

14. ‘Applique Lucerne’ a Clarice CliffBizarre Cylindrical preserve pot and cover,painted in colours printed and painted marks,restored 9cm. high £150-200

15. ‘Secrets’ a Clarice Cliff Bizarre Clog,painted in colours, and a Clarice Cliff DeleciaOranges Clog printed factory marks, 10.5cm.wide (2) £200-400

16. ‘Coral Firs’ a Clarice Cliff BizarreCylindrical preserve pot and cover, paintedin colours and a Green Erin Daffodil preserveand cover printed factory mark, Coral Firsrestored, hairline to rim of Erin cover, 9.5cm.high (2) £150-250

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17. ‘Sunray’ a Clarice Cliff Bizarre Clog,painted in colours printed factory mark,13cm. wide £400-600

18. ‘Orange Roof Cottage’ a Clarice CliffBizarre Clog, painted in colours printedfactory mark, 14cm. wide £300-500

19. ‘Pink Roof Cottage’ a Clarice CliffBizarre Clog, painted in colours printedfactory marks, professionally restored,13.5cm. wide £300-500

20. ‘Orange Bridgewater’ a Clarice CliffBizarre Clog, painted in colours printedfactory marks, 11cm. wide £200-300

21. ‘Orange Trees and House’ a ClariceCliff Fantasque Bizarre Clog, painted incolours printed factory mark, 10.5cm. wide

£150-200

22. ‘Luxor’ a Clarice Cliff FantasqueBizarre Clog, painted in colours printedfactory mark 13cm. wide £300-500

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23. ‘Circle Tree’ a Clarice Cliff FantasqueBizarre Cylindrical preserve pot and cover,painted in colours printed factory marks,9.5cm. high £200-300

24. ‘Tennis’ a Clarice Cliff BizarreCylindrical preserve pot and cover, paintedin colours printed factory mark, professionalrestoration to the cover 9.5cm. high

£200-300

25. ‘Cubist’ a Clarice Cliff BizarreCylindrical preserve pot and cover, paintedin colours printed factory marks, 10cm. high

£300-400

26. ‘Swirls’ a Clarice Cliff Cylindricalpreserve pot and cover, painted in coloursprinted factory marks, restored rim, 9.5cm. high

£200-300

27. ‘Berries’ a Clarice Cliff FantasqueBizarre Cylindrical preserve pot and cover,painted in colours printed factory marks,9.5cm. high £150-200

28. ‘Orange Roof Cottage’ a Clarice CliffFantasque Bizarre Cylindrical preserve potand cover, painted in colours printed factorymark, 9.5cm. high £200-300

29. ‘Pastel Trees and House’ a ClariceCliff Fantasque Bizarre Cylindrical preservepot and cover, painted in colours, printedfactory marks, restored yellow band to rim,9.5cm. high £150-200

30. ‘Solitude’ a Clarice Cliff FantasqueBizarre Cylindrical preserve pot and cover,painted in colours printed factory mark,restored, 9.5cm. high £200-300

31. ‘Red Trees and House’ a Clarice CliffFantasque Bizarre Cylindrical preserve potand cover, painted in colours printed factorymark, 9cm. high £100-200

ProvenanceClarice Cliff Christie’s South Kensington 13thNovember 1997 lot 128

32. ‘House and Bridge’ a Clarice CliffFantasque Bizarre Cylindrical preserve potand cover, painted in colours printed factorymarks, 10cm. high £200-300

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33. ‘Branch and Squares’ a Clarice CliffBizarre Clog, painted in colours printedfactory mark, 13.5cm. wide £300-400

34. ‘Berries’ a Clarice Cliff Bizarre Clog,painted in colours, printed factory mark,13.5cm. wide £200-300

35. ‘Feather and Leaves’ a Clarice CliffFantasque Bizarre Clog, painted in coloursprinted factory marks, 13cm. wide £200-300

36. ‘Melon’ a Clarice Cliff FantasqueBizarre Clog, painted in colours printed factorymark, professionally restored 13cm. wide

£200-300

37. ‘Red Trees and House’ a Clarice CliffFantasque Bizarre Clog, painted in coloursprinted factory marks, professionally restored10.5cm. wide £200-300

38. ‘Orange Secrets’ a Clarice CliffFantasque Bizarre Clog, painted in coloursprinted factory mark, 14cm. wide £200-300

ProvenanceChristie’s South Kensington 19th October2006 lot 18.

39. ‘Blue Firs’ a Clarice Cliff Bizarre Clog,painted in colours printed factory mark,professionally restored, 10.5cm. wide

£200-300

40. ‘Blue Autumn’ a Clarice CliffFantasque Bizarre Clog, painted in colours,printed factory mark, 13cm. wide £200-300

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41. ‘Honolulu’ a Clarice Cliff FantasqueBizarre Cylindrical preserve pot and cover,painted in colours printed factory marks,9.5cm. high £150-250

42. ‘Blue Firs’ a Clarice Cliff BizarreCylindrical preserve pot and cover, paintedin colours printed factory mark, restoration,9.5cm. high £150-200

43. ‘Blue Japan’ a Clarice Cliff BizarreCylindrical preserve pot and cover, paintedin colours printed factory marks, 9.5cm. high

£150-200

44. ‘Japan’ a Clarice Cliff BizarreCylindrical preserve pot and cover, paintedin colours printed factory marks, two bruisesto top rim 9.5cm. high £150-250

45. ‘Pastel Melon’ a Clarice Cliff BizarreCylindrical preserve pot and cover, paintedin colours printed factory marks, bruise to toprim,10cm. high £100-200

46. ‘Green Chintz’ a Clarice CliffFantasque Bizarre Cylindrical preserve potand cover, painted in colours printed factorymarks, 10cm. high £100-200

47. ‘Sunrise’ a Clarice Cliff FantasqueBizarre Cylindrical preserve pot and cover,painted in colours and a Clarice CliffWindbells Cylindrical preserve pot and cover,printed factory marks, restored 9cm. high (2)

£200-300

48. ‘Castellated Circle’ a Clarice CliffFantasque Bizarre Cylindrical preserve potand cover, painted in colours printed factorymark, restored, 10cm. high £100-200

49. ‘Honolulu’ a Clarice Cliff Conical saltand pepper pot cruet set, painted in coloursprinted marks, 8cm. high £150-250

50. ‘Butterfly’ a Clarice Cliff FantasqueBizarre pepper pot, painted in colours, anda Clarice Cliff Crocus Conical cruet setprinted factory marks,mustard cover restored,8cm. high £100-200

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51. ‘Red Picasso Flower’ a Clarice CliffFantasque Bizarre Conical coffee can andsaucer, painted in colours printed factorymarks, 7cm. high £150-200

52. ‘Lightning’ a Clarice Cliff BizarreTankard coffee can and saucer, painted incolours printed factory mark, 6.5cm. high

£150-200

ProvenanceThe Daniel Brodie Hogg Collection, Christie’sSouth Kensington, 11th February 1999, lot 112

53. ‘Pebbles’ a Clarice Cliff FantasqueBizarre Tankard coffee can and saucer,painted in colours printed factory marks,6.5cm. high £150-200

54. ‘Poplar’ a Clarice Cliff Bizarre Conicalcoffee can and saucer, painted in coloursprinted factory marks, professionally restoredcan, 6.5cm. high £100-150

55. ‘Circle and Squares’ a Clarice CliffFantasque Bizarre Tankard coffee can andsaucer, painted in colours printed factorymarks, 6.5cm. high £200-300

56. ‘Mondrian’ a Clarice Cliff FantasqueBizarre Tankard coffee can and saucer,retailed by Lawleys, painted in coloursprinted factory marks, 6cm. high £200-300

57. ‘Diamonds’ a Clarice Cliff BizarreTankard coffee can and saucer, painted incolours printed factory mark, restored can6cm. high £100-200

58. ‘Cafe’ a rare Clarice Cliff BizarreConical coffee can and saucer, retailed by Lawleys, printed factory marks, restored7cm. high £400-600

59. ‘Applique Blue Lugano’ a Clarice CliffTankard coffee can and saucer, painted incolours printed and painted marks, 6cm. high

£300-500

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60. ‘Coastal Oak’ a Clarice Cliff BizarreDaffodil cup and saucer, painted in colours,and a Pastel Melon salt and pepper printedfactory marks, cup restored 7cm. high (3)

£150-250

61. ‘Shark’s Teeth’ a Clarice Cliff BizarreHeath fern pot, painted in colours printedfactory marks, 7.5cm. high £100-200

62. ‘May Avenue’ a Clarice Cliff salt,painted in colours printed factory mark,8.5cm. high £200-300

63. ‘Kew’ a Clarice Cliff Beehive honeypot and cover, painted in colours printedfactory marks, restored, 8.5cm. high

£150-200

64. ‘Honolulu’ a Clarice Cliff Bizarre Clog,painted in colours printed factory marks,professionally restored rim, 13.5cm. wide

£300-400

65. ‘Orange Erin’ a Clarice Cliff BizarreClog, painted in colours printed factory mark,professionally restored rim, 11cm. wide

£150-200

66. ‘Bobbins’ a Clarice Cliff FantasqueBizarre Clog, painted in colours printedfactory mark, restored rim, 13cm. wide

£200-300

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67. ‘Picasso Flower’ a Clarice Cliff BizarreClog, painted in colours printed factory mark,13cm. wide £200-300

68. ‘Lightning’ a rare Clarice Cliff BizarreClog, painted in colours printed factory mark,13cm. wide £250-300

69. ‘Blue Crocus’ a Clarice Cliff BizarreClog, painted in colours printed factory mark,13.5cm. wide £200-300

70. ‘Sungleam Crocus’ a Clarice CliffBizarre Clog, painted in colours printedfactory mark, 13cm. wide £250-350

71. ‘Poplar’ a Clarice Cliff Bizarre Clog,painted in colours printed factory marks,13cm. wide £200-300

72. ‘Orange Autumn’ a Clarice CliffBizarre Clog, painted in colours printedfactory mark, 13.5cm. wide £200-300

73. ‘House and Bridge’ a Clarice CliffBizarre Clog, painted in colours printedmarks, 10.5cm. wide £300-500

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74. ‘Honolulu’ a Clarice Cliff FantasqueBizarre Conical cup and saucer, painted incolours printed factory marks, 7.5cm. high

£200-300

75. ‘Swirls’ a Clarice Cliff FantasqueBizarre Conical tea cup and saucer, paintedin colours printed factory marks, 7.5cm. high

£250-350

76. ‘Melon’ a Clarice Cliff FantasqueBizarre 280 vase, painted in colours betweenorange and black bands printed factorymarks, 15.5cm. high £200-400

77. ‘Tennis’ a Clarice Cliff Bizarre Conicaltea cup and saucer, painted in coloursprinted factory marks, professionally restored,7cm. high £150-200

78. ‘Applique Blue Lucerne’ a Clarice CliffConical tea cup and saucer, painted incolours printed factory marks, 7cm. high

£500-1,000

79. ‘Windbells’ a Clarice Cliff FantasqueBizarre Conical sugar sifter, painted incolours printed factory marks, wear to blue,hairline to aperture rim 14cm. high £200-300

80. ‘Bobbins’ a Clarice Cliff FantasqueBizarre Conical sugar sifter, painted incolours printed factory marks, printed factorymarks, restored tip, 14cm. high £300-500

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81. ‘Orange Roof Cottage’ a Clarice CliffFantasque Bizarre 360 vase, painted incolours between yellow and orange bandsprinted factory marks, 21cm. high £400-500

82. ‘Newport’ a Clarice Cliff FantasqueBizarre twin-handled Lotus jug, painted incolours between brown and yellow bandsprinted factory marks, professional restorationto base, 30cm. high £300-500

83. ‘Autumn’ a Clarice Cliff FantasqueBizarre Lotus jug, painted in coloursbetween green, yellow and red bands printedfactory mark 24.5cm. high £700-1,000

84. ‘Whisper’ a Clarice Cliff Bizarre Isisvase, painted in colours between orange andgreen bands printed factory marks, restoredband to top rim 25cm. high £300-500

85. ‘Windbells’ a Clarice Cliff FantasqueBizarre 362 vase, painted in colours betweengreen, yellow and orange bands printedfactory marks, professionally restored top rim,20.5cm. high £250-300

86. ‘Orange Chintz’ a Clarice Cliff Bizarre362 vase, painted in colours between blackand orange bands printed factory marks,restored 20cm. high £250-300

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87. ‘Umbrellas and Rain’ a Clarice CliffFantasque Bizarre beaker, painted in coloursprinted factory marks, 10.5cm. high

£350-400

88. ‘Keyhole’ a Clarice Cliff Bizarrebeaker, painted in shades of blue, orangeand black printed factory mark, 9.5cm. high

£250-350

89. ‘Melon’ a Fantasque Bizarre beaker,painted in colours printed factory marks,professional restoration to top rim, 9.5cm. high

£200-300

90. ‘Red Trees and House’ a Clarice CliffFantasque Bizarre beaker, painted in colours between red and black bands printedfactory mark, professionally restored base,10.5cm. high £250-300

91. ‘Crocus’ a Clarice Cliff Bizarre beaker,painted in colours between yellow andbrown bands printed factory mark, small chipto top rim, 9.5cm. high £100-200

92. ‘Blue Crocus’ a large Clarice Cliffoctagonal bowl, painted in colours insideyellow and blue bands, and a Crocus bowl,printed factory marks, wear to interior, 21cm.diam. (2) £100-150

93. ‘Crocus’ a Clarice Cliff BeehiveHoney-pot and cover, painted in colours, aChester fern pot and a jug in the samepattern, printed factory marks, 10cm. high (3)

£100-200

94. ‘Crocus’ a Clarice Cliff BizarreBachelor tea set for one, comprisingStamford tea pot and cover, milk-jug andsugar basin, one cup, saucer and side plateprinted factory marks, wear to cup, saucerand side plate, saucer replacement, 12cm.high (6) £200-300

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95. ‘Sliced Fruit’ a Clarice Cliff miniaturevase, shape no.177, painted in coloursprinted factory mark, 6cm. high £300-500

96. ‘Berries’ a Clarice Cliff FantasqueBizarre miniature vase, shape no.177, paintedin colours printed factory mark, 6cm. high

£300-500

97. ‘Liberty’ a rare Clarice Cliff miniaturevase, shape no.177, painted with bandsprinted factory mark, 6cm. high £100-200

98. ‘Floreat’ a Clarice Cliff FantasqueBizarre vase, shape no.177, painted incolours printed factory marks, 6cm. high

£200-400

99. ‘Tennis’ a Clarice Cliff Bizarreminiature vase, shape no.177, painted incolours printed mark, 6cm. high

£1,000-2,000

ProvenanceClarice Cliff including the Leonard GriffinCollection, Christie’s 4th December 2003, lot 64

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100. ‘Vardon’ a Clarice Cliff Bizarre BonJour preserve pot and cover, painted incolours printed factory mark, 11cm. high

£400-600

101. ‘Green Erin’ a Clarice Cliff Bizarre BonJour preserve pot and cover, painted incolours printed factory mark, 11cm. high

£250-350

102. ‘Honolulu’ a Clarice Cliff BizarreCylindrical preserve and cover, painted incolours printed factory marks, professionalrestoration to top rim 9.5cm. high £250-300

103. ‘Honolulu’ a Clarice Cliff Daffodilpreserve pot, painted in colours printedfactory marks 8cm. high £150-200

104. ‘Sunray’ a Clarice Cliff Bizarre fernpot, painted in colours printed factory mark,7.5cm. high £500-600

105. ‘House and Bridge’ a Clarice CliffFantasque Bizarre Heath fern pot, paintedin colours printed factory mark, professionallyrestored, 7.5cm. high £300-500

106. ‘Red Tulip’ a Clarice Cliff FantasqueBizarre Athens jug, painted in coloursprinted factory marks, restored hairline,15.5cm. high £150-200

107. ‘Honolulu’ a Clarice Cliff BizarreAthens jug, painted in colours, and a ClariceCliff Rudyard Bon Jour coffee pot printedmarks, Honolulu restored, Rudjard missingcover, 15cm. high (2) £150-200

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108. ‘Orange Roof Cottage’ a Clarice CliffBizarre cigarette and ashtray, shape no.420,painted in colours printed factory marks,9.5cm. wide £300-400

109. ‘Melon’ a Clarice Cliff FantasqueBizarre cigarette and ashtray, shape no.420,painted in colours printed factory marks9.5cm. wide £250-300

110. ‘Orange House’ a rare Clarice CliffFantasque Bizarre cigarette and ashtray,shape no.420, painted in colours printedfactory marks, 9.5cm. high £300-400

111. ‘Orange Trees and House’ a ClariceCliff Fantasque Bizarre cigarette and ashtray,shape no.420, painted in colours printedfactory marks, 9.5cm. wide £200-300

112. ‘Sliced Fruit’ a pair of Clarice CliffBizarre 206 vases, waisted cylindrical form,painted in colours between orange, yellowand brown bands printed factory marks,16cm. high. (2) £300-500

113. ‘Melon’ a pair of Clarice CliffFantasque Bizarre beakers, painted incolours between black and orange bandsprinted factory marks, 11.5cm. high (2)

£100-200

114. ‘Swirls’ a Clarice Cliff Bizarrecandlestick, shape no.331, painted incolours, and a pair of Broth 310 candlesticksprinted factory marks, wear to paint, 9cm.wide. (3) £100-200

115. ‘Melon’ a pair of Clarice CliffFantasque Bizarre candlesticks, shapeno.331, painted in colours printed factorymarks 8.5cm. diam. £250-300

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116. ‘Moonflower’ a Clarice Cliff Bizarreside plate, painted in colours printed factorymark, 14.5cm. diam. £100-150

117. ‘Inspiration Persian’ a Clarice CliffBizarre plate, painted in shades of blue,turquoise, yellow and pink printed andpainted mark 23cm. diam. £300-500

118. ‘Secrets’ a Clarice Cliff Bizarre trefoildish, with electroplated handle, a Secretsashtray, a Peter Pan Crocus cruet a Taorminafooted bowl and a flower-brick printed factorymarks, 22cm. wide (6) £100-200

119. ‘Sunrise’ a Clarice Cliff FantasqueBizarre side plate, painted in colours insideorange and yellow bands, and a ‘Secrets’side plate printed factory marks, light wear topaint, 14.5cm. diam. (2) £100-200

120. ‘Coral Firs’ a Clarice Cliff Bizarre plate,painted in colours inside grey and brownbands, printed factory marks, 23cm. diam.

£180-220

121. ‘Blue Mowcop’ a Clarice Cliff plate,painted in colours printed factory mark,23cm. diam. £100-200

122. ‘Mowcop’ a Clarice Cliff Lynton sifter,painted in colours, a Mowcop Biarritz plate anda side plate printed factory marks, 13cm. high

£100-200

123. ‘Alton’ a Clarice Cliff Bizarre side plate,painted in colours inside brown, red and greenbands, a Royal Doulton Bulldog modelled asWinston Churchill, and two pottery birdsprinted factory marks, plate broken and re-stuck 17.5cm. diam. (4) £50-100

124. ‘Broth’ a Clarice Cliff plate, painted incolours inside red, black and green bands, anIsland conical cup, saucer and side plate anda Blue Ravel Conical cup and saucerimpressed date mark for 1929 for plate22.5cm. diam. £100-200

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125. ‘Orange Roof Cottage’ a Clarice CliffBizarre plate, painted in colours inside greenand orange bands, printed factory marks,20cm. diam. £300-350

This plate has the impressed date mark for1933.

126. ‘House and Bridge’ a Clarice CliffFantasque Bizarre plate, painted in coloursinside yellow, orange and black bandsprinted factory mark, minor professionalrestoration to back of rim 23cm. diam.

£200-300

127. ‘Gibraltar’ a Clarice Cliff FantasqueBizarre plate, painted in colours insideyellow, pink and blue bands printed factorymarks, wear 18cm. diam. £250-300

128. ‘Luxor’ a Clarice Cliff Bizarre sideplate, painted in colours inside orange bandprinted factory mark, professionally restored15.5cm. diam. £300-400

129. ‘Orange Bridgewater’ a Clarice CliffBizarre plate, painted in colours inside yellowbands, printed factory marks 21.5cm. diam.

£300-400

130. ‘Orange Erin’ a Clarice Cliff Bizarreplate, painted in colours inside an orangeband printed factory mark, 23cm. diam.

£200-300

131. ‘Sunray’ a Clarice Cliff Bizarre sideplate, painted in colours inside orange andblack bands printed factory marks, over-painted blue14cm. wide £300-400

132. ‘Mondrian’ a Clarice Cliff Bizarre sideplate, painted in colours inside blue band,printed factory marks 14.5cm. diam.

£300-400

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133. ‘Pink Pearls’ a Clarice Cliff bowl,painted in colours, a Viscaria large ribbedbowl and a Gayday bowl printed factorymarks, 19cm. diam. £100-200

134. ‘Orange Gardenia’ and ‘Melon’ twoClarice Cliff Bizarre octagonal servingbowls, painted in colours printed marks,23cm. diam. £150-200

135. ‘Blue Chintz’ a Clarice Cliff FantasqueBizarre 205 vase, painted in colours between green and blue bands printedfactory marks,professionally repainted bands21cm. high £300-500

136. ‘Blue Chintz’ a Clarice Cliff BizarreHiawatha bowl, painted in colours insidegreen and blue bands, and another ClariceCliff Blue Chintz bowl, printed factory marks,restored 28cm. diam. (2) £150-200

137. ‘Rhodanthe’ a Clarice Cliff BizarreConical sugar sifter, painted in colours, anda Canterbury Bells Bon Jour sifter, printedfactory marks 14cm. high. (2) £100-200

138. ‘Aurea’ a Clarice Cliff Bizarre Bon Joursugar sifter, painted in colours, and a ClariceCliff My Garden sifter, printed and paintedmarks, hairline to Aurea, 13cm. high (2)

£100-200

139. ‘Marguerite’ a Clarice Cliff BizarreConical sugar sifter, modelled in low reliefand painted in colours printed and paintedmarks, 14cm. high £100-200

140. ‘Mowcop’ a Clarice Cliff Conicalsugar sifter, painted in colours printedfactory mark, 14.5cm. high £100-200

133134

135 136

137 138

139 140

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141

142

141. ‘Red Autumn’ a Clarice Cliff FantasqueBizarre sandwich set for six, painted in coloursinside red and black bands, printed factory marks,small chip to back of tray 30cm. wide, (7) £250-350

142. ‘Applique Palermo’ a Clarice Cliff AppliqueBizarre Hiawatha bowl, painted in colours printedmarks 32cm. diam. £2,500-3,000

22

143. ‘May Blossom’ a Clarice Cliff Bizarrebowl, painted in colours, and a Clarice CliffCrocus bowl printed factory mark, 24cm.diam. (2) £150-250

144. ‘Tulips’ a Clarice Cliff Chester fernpot, painted in colours, and a Forest Glen potwith electroplated cover, printed factorymarks, 9cm. high (2) £100-200

145. ‘Coral Firs’ a Clarice Cliff BizarreConical coffee can and saucer, painted incolours printed factory marks, 6.5cm. high

£150-200

146. ‘Pastel Melon’ a Clarice Cliff FantasqueBizarre Conical coffee can and saucer,painted in colours printed factory marks, saucerprofessionally restored, 6.5cm. high £150-200

147. ‘House and Bridge’ a Clarice CliffBizarre Beehive honeypot and cover,painted in colours printed factory mark,10cm. high £100-200

148. ‘Orange Trees and House’ a ClariceCliff Fantasque Bizarre bowl, painted incolours, and a ‘Sunrise’ bowl retailed byLawleys, printed factory marks, 17.5cm.diam. (Orange Trees and House bowl). (2)

£100-150

149. ‘Delecia Pansies’ a Clarice CliffBizarre Hiawatha bowl, painted in colours,and another Clarice Cliff bowl, printed factorymarks, 19cm. diam. £100-200

150. ‘Autumn’ a Clarice Cliff Bizarre 516sugar basin with electroplated cover,painted in colours, and a Killarney 230preserve and cover printed factory marks,9.5cm. high £100-200

151. Four Modern Wedgwood Bizarreitems after the designs of Clarice Cliff,comprising; Blue Firs YoYo vase, Mountainand Blue Firs chargers and a Honolulu tubevase, in original boxes printed marks, YoYo23cm. high £50-100

143 144

145 146

147

148 149

150 151

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152. ‘Honolulu’ a rare Clarice Cliff BizarreBon Jour sugar sifter, painted in coloursprinted factory mark 12.5cm. high £700-800

153. ‘Fruit’ a Clarice Cliff Fantasque BizarreTolphin jug, retailed by Lawleys, painted incolours between orange, blue and brownbands printed factory marks, 25cm. high

£100-200

154. ‘Nasturtium’ a Clarice Cliff BizarreGlobe vase, shape no.370, painted in coloursbelow an orange band, printed factory marks,15cm. high £400-500

155. ‘Pink Roof Cottage’ a rare Clarice Clifforiginal design watercolour on paper, withpencil annotation and Clarice Cliff printedback-stamp to border, 36.5 x 28cm. (sheet)

£500-600

152

153 154

155

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156 157

159 160

161

162

163

158

156. ‘Red Roofs’ a Clarice Cliff Fantasque Bizarre bowl withinverted rim, painted in colours printed factory marks, light starcrack to base, 19cm. diam. £100-200

157. ‘Gay Day’ a Clarice Cliff Bizarre Bowness jardiniere,painted in colours between brown and yellow bands printed andpainted marks, hairline to body, 21cm. high

£100-200

158. ‘Berries’ a Clarice Cliff Fantasque Bizarre Perth jug,painted in colours printed factory marks, minor oxidisation andwear to paint, 15cm. high £100-200

159. ‘Capri’ a Clarice Cliff Bizarre Lotus jug, painted in coloursabove brown bands printed factory mark, 29cm. high £250-350

160. ‘Autumn’ a Clarice Cliff single-handled Isis vase, printed insilver on a pale green ground printed factory mark, 20cm. high

£100-200

161. A Clarice Cliff Bizarre banded Bon Jour tea for two,painted with brown and red bands, comprising; teapot and cover,milk-jug and sugar basin, two cups, saucers and a side plateprinted factory marks, small chip to underside of one cup, 14cm.high (teapot) £200-400

162. A Clarice Cliff Bizarre plate and soup bowl designed byBillie Waters, designed for the Art in Industry exhibition 1934,painted with a deer running past a stylised tree, in shades of greyprinted factory mark, plate 20cm. diam. £100-200

163. A Clarice Cliff Bizarre dinner service designed by GordonForsyth, for the 1934 Art in Industry exhibition, painted with a simpledash border in red and silver, the reverse with flower stems;comprising; two graduated platters, tureen and cover, six plates, sideplates and soup bowls, and two dessert plates printed factory markand facsimile signature largest platter 41cm. wide. £200-400

163 mark

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163

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A PRIVATE COLLECTION

OF

LOUIS WAIN ANIMALS

164. The Lucky Bully Bulldog a rare figuralspill vase designed by Louis Wain, paintedin colours facsimile signature, printed factorymarks, restored front leg, 14.5cm. wide

£300-500

165. The Lucky Pig a figural vase designedby Louis Wain, painted in colours facsimilesignature and impressed marks to base12cm. high £300-500

166. The Lucky Black Cat a figural spillvase designed by Louis Wain, painted incolours facsimile signature, impressed andpainted factory marks, minor damages andoverpainting to side, 14cm. high £300-500

167. The Lucky Haw-Waw Cat a figural catdesigned by Louis Wain, painted in coloursfacsimile signature, printed and paintedmarks, 13.5cm. high £300-500

168. The Lucky Futurist Cat a figural vasedesigned by Louis Wain, painted in colourswith black Meow Meow notes, facsimilesignature, printed factory marks, originalpaper label 13cm. high £300-500

LiteratureSue Lunt Age of Jazz British Art DecoCeramics, National Museums of LiverpoolExhibition catalogue, page 30 cataloguenumber 12 this design illustrated.

169. The Lucky Knight Errant Cat a figuralvase designed by Louis Wain, painted incolours, facsimile signature, repaired legs,damages 14.5cm. high £100-200

LiteratureSue Lunt Age of Jazz British Art DecoCeramics, National Museums of LiverpoolExhibition catalogue, page 106 cataloguenumber 108 for this design illustrated. Thisdesign registered 1914.

164 165

166 167

168 169

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170. The Lucky Haw Waw Cat a rare largefigural vase by Louis Wain, painted incolours impressed facsimile signature,impressed The Lucky Master Cat and 5123 tobase, damages to tail and chin, oxidisedcolours, 20.5cm. high £1,500-2,000

170

171

171. The Lucky Master Cat a rare largefigural vase by Louis Wain, painted incolours impressed facsimile signature, printedmarks to base, overpainting, 29cm. high

£2,000-3,000

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172. ‘Horse and Jockey’ a Susie CooperProductions part service, printed in colours,comprising; large punch bowl, tea cup,saucers and side plate, breakfast bowl andthree plates printed marks, 31.5cm. diam.

£300-400

173. ‘Black Pom and Tango Terrier’ a SusieCooper Productions side plate, printed andpainted in colours, a Susie CooperProductions Noah’s Ark side plate and twotankards printed factory marks, 17.5cm.diam. (4) £100-200

174. A Susie Cooper Studio vase, dated1932, tapering cylindrical form, painted withtulip flowers in colours on a mushroom glaze,another Studio vase and a plate, and tworectangular dishes printed and paintedmarks, main vase professionally restored,minor damages, 19.5cm. high (5) £100-200

175. ‘Moon and Mountain’ a Gray’sPottery Paris jug designed by SusieCooper, painted in colours, and a Gray’sPottery Cubist jug printed liner mark,damages and wear to paint, 11.5cm. high (2)

£150-200

176. A rare Susie Cooper Angel Fish tablecentrepiece, painted in colours incised SusieCooper England, minor glaze loss to baserim, 28cm. high £300-500

172

173

174

175 176

177. A pair of Ashtead Pottery Genozolions designed by Percy Metcalfe, modelledon rectangular plinth, covered in a speckledblue glaze printed marks, restored teeth18.5cm. high £200-400

178. ‘Eastern Lady’ an Ashtead Potteryfigure designed by Phoebe Stabler, modelno. M.37, painted in colours printed factorymarks,14cm. high £120-180

179. An Ashtead Pottery jug, shape J16,painted with a galleon at full sail, in colourson an ivory ground, another Ashtead J16 jugpainted with an oriental sage and a vasedecorated with a geometric band printed andpainted marks, hairline to galleon jug rim,19cm. high. (3) £100-200

180. A Carter Stabler & Adams PoolePottery vase by Ann Hatchard, pattern XE,painted with fuchsia flowers, in colours on awhite ground, and a Poole Pottery Bluebirdvase impressed and painted marks, 22cm.high. (2) £100-200

181. ‘Buster Girl’ a Carter Stabler AdamsPoole Pottery figure designed by PhoebeStabler, painted in colours impressed marks,17cm. high £250-300

182. ‘Buster Boy’ a Carter Stabler &Adams Poole Pottery figure designed byPhoebe Stabler, dated 1912, painted incolours impressed factory marks, restoredhead 17cm. high £200-300

183. A Carter Stabler & Adams PoolePottery book end modelled as three wisemonkeys, designed by Hugh Llewellyn,covered in a running brown glaze impressedmark, 17cm. high £100-200

184. The Bull a rare plaster maquettefigure designed by Phoebe Stabler, paintedin colours annotated in pencil Stabler, minorchips to paint work 33cm. wide £400-600

This figure was designed by Phoebe Stablerand produced both from a kiln in herHammersmith garden and also at Carter,Stabler & Adams’ Poole Pottery.

LiteratureBritish Art & Design 1900-1960, V&AMuseum, page 78-79 for a stonewareexample made by Carter, Stabler & AdamsPoole Pottery.

177 178

179 180

181 182

183 184

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30

185. A Carlton Ware Handcraft dish,pattern 4241, painted with geometricradiating designs, in colours, the rim giltprinted and painted marks, 18cm. diam.

£100-200

186. A set of six Royal Chelsea CountryPleasures plates designed by EdwardArdizzone CBE RA, printed to the well withcountry pursuits; Courting, Fishing, Drinking,Bathing, Boating, and The Picnic, titled to therim, printed factory marks, facsimile signatureDiz to well, crack to Courting 26.5cm. diam.

£200-400

187. A rare Shelley Pottery Pomegranatevase, painted in colours printed factory mark,13.5cm. high £250-300

188. A Royal Stanley Pomegranate vase,baluster form, tubeline decorated andpainted in colours, and another smallerprinted factory marks, 18cm. high £150-200

189. Two Royal Doulton Series Wareplates, printed and painted with an exoticbird perched amidst foliage, in colours on awhite ground, and ten other Royal Doultonplates printed factory marks, 25cm. diam. (12)

£100-200

190. A rare Chinese Jade Cockatoos figuregroup by Charles Noke, covered in a greenand white jade glaze printed and paintedmarks, minor professional restoration to oneplume 11.5cm. high £300-500

191. A rare Shelley Sunray Vogue tea setfor one, painted in shades of yellow andblack, comprising; tea pot and cover, milk-jugand sugar basin, one cup, saucer and sideplate printed factory marks, spoutprofessionally restored 11cm. high £500-800

LiteratureChris Watkins, William Harvey and Robert SenftShelley Potteries, Barrie & Jenkins, page 106colour plate X for a comparable set illustrated.

185

186

187

188

189190

191

31

192. A Crown Ducal vase designed byCharlotte Rhead, tubelined and painted withflowers and foliage in colours on a mottled orangeground, a Bursley Ware jug by Charlotte Rheadpattern TL38, and two other Charlotte Rheadvases, printed factory marks, all four with Rheadfacsimile signatures 22cm. high (4) £100-200

193. A Crown Ducal Persian Rose chargerdesigned by Charlotte Rhead, pattern 4040,tubeline decorated in colours with flowers andfoliage, and another Charlotte Rhead chargerpattern 5411 printed and painted marks, facsimilesignature to both 33cm. diam. (2) £100-200

194. A Bursley Ware charger designed byCharlotte Rhead, tubeline decorated with a bandof acorns and oak leaves, in shades of green,yellow and brown, between geometric bands,and two Charlotte Rhead vases printed andpainted marks, 37cm. diam. (3) £100-200

195. A Crown Ducal Tudor Rose chargerdesigned by Charlotte Rhead, pattern 4318,tubeline painted in colours with geometricflowers and foliage in colours, and a CharlotteRhead vase printed factory marks, facsimilesignatures to both 31.5cm. diam. (2) £100-200

196. A large Crown Ducal charger designed byCharlotte Rhead, painted with flowerheads inyellow, orange and gold on a mottled orangeground, and a bowl in the same pattern printedfactory marks, facsimile signature to both 44.5cm.diam. £100-200

197. A Crown Ducal Manchu charger designedby Charlotte Rhead, tubeline painted in colourson a pale green ground, and another CharlotteRhead Falling Leaves charger pattern 494, printedand painted factory marks, both with facsimilesignature 32cm. diam. (2) £100-200

198. Two Wedgwood earthenware plates,painted with fish swimming in whirlpools, in blue andsilver lustre on a white Moonstone glaze, four similarplates decorated in pink and silver with a simpleflower spray and two others impressed and paintedmarks, 23cm. diam. £100-150

199. A Wedgwood Pottery vase by NormanWilson, ovoid with asymmetric neck, covered in amushroom brown glaze impressed marks and NMmonogram 19cm. high £100-200

192 193

194 195

196 197

198 199

32

200. A Wedgwood Top Hat bowl designedby Keith Murray, covered in a matt blueglaze, and a Wedgwood flaring vase coveredin a matt blue glaze printed factory marks andKM monogram to both 24cm. diam. (2)

£100-200

201. A Wedgwood Pottery urn shapedvase designed by Keith Murray, covered ina Celadon and Champagne glaze, and aWedgwood Pottery bowl covered in a mattblue glaze printed factory marks, KMmonogram, 20.5cm. high. (2) £100-200

202. A Wedgwood flaring bowl designedby Keith Murray, ribbed form, covered in aMatt Straw glaze, and another Wedgwoodfooted bowl covered in a Matt Straw glazeprinted factory marks, KM monogram, starcrack to main bowl, 14cm. high (2) £100-200

203. A Wedgwood 1937 Coronationcommemorative jug designed by KeithMurray, printed in blue on a white ground,printed factory mark, 21cm. high £100-200

204. Firbolgs III a Wedgwood Fairylandlustre octagonal bowl designed by DaisyMakeig-Jones, painted in black lustre andgilt on a red lustre ground, the interior with the Thumbelina (flying on a swallow’sback) roundel, printed and painted marks,21cm., diam. £1,500-2,500

LiteratureUna Des Fontaines Wedgwood FairylandLustre Sotheby Parke Bernet, page 176 figure74 this design illustrated.

200

201

202

203

204

detail

206

33

205

207

205. ‘Candlemas’ a pair of WedgwoodFairyland lustre vases designed by DaisyMakeig-Jones, printed and painted incolours and gilt on a black ground, printedand painted marks, professional restoration21.5cm. high £2,000-3,000

LiteratureUna des Fontaines Wedgwood FairylandLustre, Sotheby Parke Bernet, page 1168-171for the Candlemas pattern.

206. ‘Butterfly Woman’ a WedgwoodFairyland lustre vase designed b DaisyMakeig Jones, printed and painted in colourson a black lustre ground, highlighted in giltprinted and painted marks, 19.5cm. high

£1,000-2,000

LiteratureUna des Fontaines Wedgwood FairylandLustre, Sotheby Parke Bernet, page 146 plate30 for an identical vase.

207. ‘Fairy in a Cage’ a WedgwoodFairyland lustre octagonal bowl designedby Daisy Makeig Jones, painted in coloursto the inside on a pearl lustre ground, theexterior on a black lustre ground with theWoodland Elves VII - Toadstool pattern,highlighted in gilt, printed and painted factorymarks, 23cm. diam. £1,500-2,000

LIteratureUna Des Fontaines Wedgwood FairylandLustre, Sotheby Parke Bernet, page 155figure 62 this design illustrated.

detail

34

CONTINENTAL CERAMICS

GOLDSCHEIDER POTTERY

208. A Goldscheider Pottery model of a woman in a flowingblue dress cast from a model by Josef Lorenzl, model no.6227,painted in colours impressed and printed factory marks, facsimilesignature, minor glaze nicks, 34cm. high £1,200-1,500

209. A Goldscheider Pottery figure of a dancer cast from amodel by Stephan Dakon, model no.8127, modelled holding thehem of her pink dress, glazed in colours impressed and printedmarks, 38cm. high £1,000-2,000

LiteratureOra Pinhas, Goldscheider, Richard Dennis, page 156 for acomparable.

210. ‘Tarantella’ a Goldscheider Pottery figure of a dancerwith a tambourine cast from a model by Josef Lorenzl, modelno.6753, painted in shades of pink, purple and black impressedand printed marks, original paper label 38cm. high £2,000-3,000

208

209 210

35

211. A Goldscheider Pottery model of a girlseated on a bookcase reading a book cast froma model by Josef Lorenzl, model no.7226,wearing green bow and black gingham dress,painted in colours impressed and printed marks,original paper label, minor restoration to tips ofshoes 24cm. high £3,000-4,000

LiteratureOra Pinhas Goldscheider Richard DennisPublications, page 131 this design illustrated.

212. Bob a Goldscheider Pottery model of ayoung dancer cast from a model by StephanDakon, model no.5815, cast in confident posewearing shorts and frilled blouse top, in pink andpurple impressed and printed marks, impressedDakon facsimile signature to base 37cm. high

£4,000-5,000

LiteratureOra Pinhas Goldscheider Richard DennisPublications, page 116 this design illustrated.

Robert E Dechant & Filipp GoldscheiderGoldscheider Arnoldsche, page 97 this modelillustrated.

This figure is based on the Hollywood actress anddancer Louise Brooks, modelled with bob haircutthat she made famous in the 1920s.

211

212

36

213. A Goldscheider Pottery mask of awoman wearing a blue beret, model no.6537, painted in shades of turquoise, brown,orange and white impressed and paintedmarks, 17m. high £150-200

214. A Goldscheider Potter freestandingbust of a woman, model no.7088, painted inshades of black, white and turquoise,impressed and printed marks, minor glazefrits 13cm. high £100-150

215. A Goldscheider Pottery model of theMadonna and Child, glazed in colours printedGoldscheider England mark, 27cm. high

£100-150

216. A Goldscheider Pottery wall mask ofa girl holding a fan, model 6542, painted inshades of orange, blue and black, impressedand printed marks, 25cm. high £500-800

217. A Goldscheider Pottery mask of awoman with yellow bead necklace, modelno.7121, painted in shades of black, white,yellow and turquoise, impressed and printedmarks, losses to hair curls, 31cm. high

£500-800

218. ‘Comedy’ a large GoldscheiderPottery wall mask, model no.6280,modelled as a woman holding a mask,glazed black, white, green and orangeimpressed and printed marks, £700-1,000

213 214

216 217

218

215

37

219. A Goldscheider Pottery figure of awoman holding a mask, designed by ClaireHerczeg, model no.7691, glazed in coloursimpressed and printed marks, signedHerczeg to base, 38cm. high £1,000-2,000

LiteratureOra Pinhas Goldscheider Richard Dennis,page 150 for a comparable example.

220. A Goldscheider Pottery figure of a girlwith an ermine muff designed by ClaireHerczeg, model no.8241, wearing a long blueermine lined coat, impressed marks,impressed marks, indistinct signature to base,39cm. high £1,000-2,000

LiteratureOra Pinhas Goldscheider, Richard Dennis,page 130 this figure illustrated.

221. A Goldscheider Pottery model of adancer in flowing dress cast from a modelby Stephan Dakon, model no. 7195, paintedin colours impressed and printed marks,professional restoration to hands, hairline tobase rim, 39cm. high £800-1,200

LiteratureOra Pinhas Goldscheider Pottery, RichardDennis Publications, page 156 for acomparable figure decorated in a greencolour variation.

219

220

221

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222. A Boch Freres Keramis vase designedby Charles Catteau, pattern D.1174. shape844, enamelled with geometric flowers andfoliage in shades of blue, yellow and black ona crackled white ground, and another GresKeramis vase printed factory marks,professionally restored rim, 31.5cm. high (2)

£100-200

223. A Boch Freres Keramis vase designedby Charles Catteau, pattern D.1208, paintedwith stylised crocus flowers in green, yellowand black on a crackled white ground printedand painted marks, 31.5cm. high £100-200

LiteratureMarc Pairon Charles Catteau Art DecoCeramics Made in Belgium, Fondation CharlesCatteau, page 633 catalogue number 1327

224. A Boch Freres Gres Keramis vasedesigned by Charles Catteau, patternD.914, decorated with panels of bell flowersin black enamel on a crackled white glazeimpressed, printed and painted marks,24.5cm. high £100-200

LiteratureMarc Pairon Charles Catteau Art DecoCeramics Made in Belgium, Fondation CharlesCatteau, page 553 for a comparable vase.

225. A Boch Freres Gres Keramis vasedesigned by Charles Catteau, patternD.771, slender, swollen cylindrical form,painted with flowerhead roundels in brownand back on a gun-metal grey groundimpressed, printed and painted marks,facsimile signature 27cm. high £100-200

LiteratureMarc Pairon Charles Catteau Art DecoCeramics Made in Belgium, FondationCharles Catteau, page 424 catalogue number989 for a comparable vase

226. A Boch Freres Gres Keramisstoneware vase designed by CharlesCatteau, pattern D.820, shouldered ovoidform, decorated with a band of scrollingfoliage in brown on a crackled white groundprinted marks, Pomone mark 13cm. high

£200-300LiteratureMarc Pairon Charles Catteau Art DecoCeramics Made in Belgium, FondationCharles Catteau, page 433 catalogue number1013 for a comparable vase.

227. A Boch Freres Gres Keramis vasedesigned by Charles Catteau, patternE.2466, barrel form, decorated with achevron band in brown on a rust colouredground impressed, printed and paintedmarks, hand painted signature 20cm. high

£100-200LiteratureMarc Pairon Charles Catteau Art DecoCeramics Made in Belgium, FondationCharles Catteau, page 564 for a drawing ofthis design, the signature is hand painted byCharles Catteau.

222

224 225

226 227

223

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228. A rare Boch Freres Keramis vasedesigned by Charles Catteau, patternD.2531, ovoid with collar rim, enamelled inwhite, sand and black on a terracotta groundwith exotic cranes wading before treesprinted and painted marks, 23cm. high

£500-1,000LiteratureMarc Pairon Charles Catteau Art DecoCeramics Made in Belgium, FondationCharles Catteau, page 370 catalogue number794 for this design illustrated.

229. A Boch Freres Keramis vase thedesign attributed to Charles Catteau,pattern D.2854, shape 909, painted with aband of birds amongst flowering foliage onblue and rust on a white ground printed andpainted marks, 31cm. high £150-200

230. A Boch Freres Keramis vase designedby Charles Catteau, pattern D.750, paintedwith stylised flowerheads in shades of yellowand orange on a crackled white groundimpressed and printed marks, facsimilesignature 35cm. high £100-200

LiteratureMarc Pairon Charles Catteau Art DecoCeramics Made in Belgium, FondationCharles Catteau, page 556 catalogue number

231. A large Boch Freres Keramis vasedesigned by Charles Catteau, patternD.2305, shouldered form, painted with afrieze of scrolling flowers and foliage inmushroom on a brown ground printed andpainted marks, facsimile signature 35cm. high

£300-400

LiteratureMarc Pairon Charles Catteau Art DecoCeramics Made in Belgium, FondationCharles Catteau, page 316 catalogue number600 for a comparable design.

232. ‘Perseus and the Gorgons’ a fineBoch Freres Keramis vase designed byCharles Catteau, enamelled in black withwarriors fighting the Gorgons, on a redcrackled glaze, highlighted in gilt printed andpainted marks 36cm. high £800-1,200

228 229

230 231

232

40

233. A Boch Freres Keramis stonewarevase, numbered 73, compressed gourd formwith collar neck, painted with flowers andfoliage in black, white and pale yellow lustreon a pink lustre ground, A Sevres vase byPaul Milet covered in a streaked yellow andblue glaze, a Sevres Box and cover by PaulMilet, an Aesthetic Movement vaseattributed to Edmond Lachenal and a largelamp base covered in a blue glaze, impressedand painted marks, 16cm. high £200-300

234. A tall Amphora earthenware vase,slender swollen form, painted with parrotsamidst stylised foliage, on a textured blueground printed and impressed marks, 49cm. high £50-100

235. An Evolution stoneware vase byEdouard Cazaux, compressed, ovoid formcovered in a silver grey glaze, the shoulderwith blue circle design printed mark, incisedCazaux, stress crack to body, 16cm. high

£50-100

236. A Quimper vase, ovoid with flaringfluted neck and twin-loop handles, painted withgeometric flowers and foliage in colours and aQuimper jug painted marks, 13.5cm. high

£100-200

237. A Gouda Pottery Regina vase,shouldered form, painted with Art Nouveauflowers and foliage in colours on a creamground, a dish, a vase and a circular box andcover similar, and three miniature Gouda items,and six reference books on Gouda printed andpainted marks, damages 26cm. wide £50-100

238. An Augarten porcelain Melon mochaset for two, originally designed by JosefHoffmann, fluted form decorated with gilt,comprising mocha pot and cover, milk-jug,sugar basin and cover, two cups and saucersprinted factory marks, pot 18cm. high (6)

£350-450

239. A pair of Rosenthal twin-branchcandlesticks, model no.635, each modelledwith a putti sitting on a golden sphere printedfactory marks, impressed number 18.5cm.high (2) £150-200

233

234

236

237

238 239

240

241

235

41

240. A Hael Werkstatten pottery teaservice designed by Margarete (Grete)Heymann Lobenstein, comprising milk-jug,sugar basin and cover, three cups, fivesaucers and six side plates, with pastillehandles, covered in a pale blue glaze printedForeign and GHL monogram and 181, plates19.5cm. diam. £400-600

LiteratureSue Lunt Age of Jazz British Art DecoCeramics, National Museums of LiverpoolExhibition catalogue, page 146 for a laterversion produced by Ridgways circa 1937-39.

This design with its round pastille handlesinfluenced Clarice Cliff’s Bon Jour range.

241. An Augarten Ena porcelain service,designed by Ena Rottenberg, the coversmodelled with heads in exotic headdress’,comprising teapot and cover, hot-water potand cover, two sugar basin and covers, milk-jug, six cups and saucers printed factorymarks, hot-water 17cm. high £250-350

242. ‘Le Prelude’ a large pottery model of alion and lioness cast from a model byMozzer?, model no.425, covered in a greyglaze, impressed title, number and facsimilesignature, minor chips, 67cm. wide £100-200

243. A pair of Essevi pottery busts by TSebalin, modelled as two girls in fashionabledress, in colours painted Italia and signatureT Sebalin, minor restoration, hairline to base21cm. high £200-300

244. A Michael Anderson & Son Danishpottery lamp base, modelled as a woman inlong coat and scarf holding a muff, paintedwith geometric patterning impressed andpainted marks, paper label 26.5cm. high

£100-150

245. A Schwarzburger Werkstatte porcelainmodel of a pierrot cast from a model byDorothea Charol, modelled offering up a redrose, painted in colours impressed fox mark,facsimile signature and printed factory mark,36.5cm. high £200-300

246. A large and impressive stonewarevase, attributed to the Abramtsevo ColonyRussia, modelled in low relief with a capedfigure riding a rearing black stallion, thereverse with a naked woman riding a stag,before a crescent moon, in impressionistcolours unsigned, minor damages 58cm. high

£1,000-2,000

ProvenanceRussian Art, Christie’s King Street, June 8th2010, lot 259

242 243

244 245

246

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GLASS

247. A Monart Stoneware glass vase,shape GA, shouldered form with cylindricalneck, surface decorated with green and bluepulls on a mottled green ground, unsigned21cm. high £100-200

248. A Stevens & Williams cut glass vasedesigned by Keith Murray, bucket form, cutwith stylised flower stems, acid etched markand facsimile signature 21cm. high £200-300

249. A Stevens & Williams cut glassdecanter and glasses designed by KeithMurray, faceted form, comprising decanterand stopper, four glasses, four smallerglasses and six shot glasses unsigned 29cm.high (15) £250-350

250. A Stevens & Williams cut glass bowldesigned by Keith Murray, flaring, facetedform acid etched mark and facsimilesignature to base 19cm. diam. £180-220

251. A Ladybirds pate de verre glasspendant by Gabriel Argy-Rousseau, oval,cast in low relief with three ladybirds, withsilks signed GAR in the cast, 6.5cm. long

£600-1,000LiteratureJanine Bloch-Dermant G.Argy-RousseauGlassware as Art Thames & Hudson, page195 catalogue number 23.32 for this designillustrated.

252. A Papyrus pate de verre glasspendant by Gabriel Argy-Rousseau, oval,cast in low relief with flower and foliagesigned GAR in the cast, 6.5cm. long

£600-700

LiteratureJanine Bloch-Dermant G.Argy-RousseauGlassware as Art Thames & Hudson, page202 catalogue number 24.42 for this designillustrated.

253. A Sea Thistle pate de verre glasspendant by Gabriel Argy-Rousseau, oval,cast in low relief with flower and foliagesigned GAR in the cast, 6.5cm. long

£600-1,000

LiteratureJanine Bloch-Dermant G.Argy-RousseauGlassware as Art Thames & Hudson, page200 catalogue number 24.34 for this designillustrated.

247 248

249 250

253251

252

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254. A Le Verre Francais cameo glass vase,flaring cylindrical form, amber glass cased inbrown, decorated with beetles andgeometric panels, etched Le Verre Francais,cameo Charder 28.5cm. high £400-500

255. A De Latte cameo glass vase, footed,flaring form, mottled white and purple glaze cased in purple, decorated with daisyflowers cameo signature De Latte Nancy24.5cm. high £300-400

256. A Daum cameo glass vase,shouldered, mottled red glass cased in brightyellow, decorated with stylisedchrysanthemum flowers etched Daum &Nancy to foot rim 26cm. high £500-800

257. A Le Verre Francais Schneider cameoglass vase, shouldered form with appliedhandles, mottled blue glass overlaid withroyal blue, decorated with stylised pendulousflowers etched Le Verre Francais to foot rim22cm. high £300-500

258. A Muller Freres cameo glass tablelamp and shade, amber glass cased in reddecorated with a butterfly flying past fuchsiaflowers, the domed shade with similarbutterflies and flowers cameo signatureMuller Freres to shade and stem 37cm. high

£3,000-4,000

254 255 256 257

258

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259. A Scailmont amber glass vasedesigned by Henri Heemskerk, mouldblown with geometric floral panels, signed inthe cast Scailmont HH 29cm. high £150-200

260. A De Latte enamelled glass table lampand shade, enamelled in colours with panelsfo stylised flowers and foliage signed A DeLatte France to base, repaired 53cm. high

£300-400

261. A Muller Freres Luneville clear andfrosted glass plaffonier, cast in low reliefwith panels of seahorse, on a geometricradiating design, with metal fittings andchains, signed Muller Freres Luneville in thecast, 35cm. diam. £150-200

262. A Muller Freres clear and frostedglass plaffonier, modelled in low relief withstylised flowerhead, the rim with panels ofstylised flowers, with ram head mounts andhanging chains, signed in the cast MullerFreres Luneville 35cm. diam. £150-250

263. A Verart clear and frosted emeraldgreen glass vase, flaring cylindrical form,decorated with a flock of flying birds over a stylised wavy sea etched Verart Paris 21cm. high £300-500

264. An Andre Thuret glass vase, the thickclear glass with tiny air bubble inclusions,applied with panels, etched andre thuret18.5cm. high £800-1,200

265. A Baccarat enamelled glass vase,slender, shouldered cylindrical form, texturedglass enamelled with chrysanthemumflowers in colours acid-etched Baccaratroundel mark, 20cm. high £250-350

266. An Orrefors glass vase by VickeLindstrand, tall, flaring clear glass on blackglass foot, cut with a stylised female figure,and a Kosta glass vase by Elis Bergh etchedOFLA409/4A 18.5cm. high £150-250

267. A Daum Nancy Jade Mahoganycased glass vase, slender, tapering form withapplied handles to the rim, on applied footetched Daum & Nancy to side 39cm. high

£400-600

268. A Daum Nancy glass vase, pulledmottled red glass with aventurine inclusionson applied foot etched Daum & Nancy Franceto foot rim 23cm. high £400-600

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LALIQUE GLASS

269. Pour Les Blesses a cast patinatedmetal medal from a design by ReneLalique, two cruciform badges designed byRene Lalique and a modern invited to TheJewellery of Rene Lalique exhibition atGoldsmith’s Hall, signed in the cast 3cm. high

£50-100

270. ‘ Le Vin Du Clos’ a Rene Lalique clearand frosted glass advertising dish, signedR Lalique in the cast 16cm. diam. £150-200

271. ‘Houppes’ no. 6451 a Laliqueopalescent glass powder box and cover,and a Lalique cellulose lamp shadedecorated with Dom Remy thistle flowers,intaglio R Lalique and etched France to rim ofcover, small chip to base rim 14cm. diam. (2)

£300-500

272. ‘Epins’ a Rene Lalique clear andfrosted glass bottle and stopper, with bluestaining, cast R Lalique to base 11cm. high

£150-200

273. ‘Lys’ No.382 a Lalique clear andopalescent glass footed bowl designed byRene Lalique, wheel cup R Lalique FranceNo. 382, small chip to top rim edge, 24cm.diam. £200-300

269270

271

272

273

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274. ‘Dindon’ no.287 a Rene Lalique Topazglass pin tray, etched R Lalique 11cm. diam.

£200-300

275. ‘Souris’ no.286 a Rene Lalique yellowglass pin tray etched R Lalique France 11cm.diam. £250-300

276. ‘Moineau’ no.284 a Rene Laliqueyellow glass pin tray, etched R LaliqueFrance 10cm. diam. £250-350

277. ‘Reynard’ no.291 a Rene Laliqueyellow glass pin tray, etched R Lalique11cm. diam. £300-500

278. ‘Coq Nain’ No.1135 a Rene Laliqueclear and frosted glass paperweight, stencilR Lalique France mark, 20.5cm. high

£300-400

279. ‘Moineau sur Socle’ no.1156 a ReneLalique clear and frosted glass figure castR Lalique France to base 11cm. high

£200-300

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276 277

278 279

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280. ‘Reine Marguerite’ no.3155 a Laliqueglass carafe with silver stopper designedby Rene Lalique, etched Lalique to side,base with felt attached 25.5cm. high (carafe)

£1,200-1,800

281. ‘Spirales’ No.1060 a Laliqueopalescent glass vase designed by ReneLalique, moulded in relief, stencil R LaliqueFrance 17cm. high £1,000-1,500

282. ‘Gui’ No. 948 a Rene Laliqueopalescent glass vase, with blue staining,etched R Lalique France no.948 to foot rim,17cm. high £600-800

280

281 282

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283. ‘Moineau - Timide’ a Rene Laliqueclear and frosted glass table figure etchedR Lalique France 13.5cm. wide £150-200

284. ‘Moineau’ No.1450 a Rene Laliquefrosted glass table figure, etched R Laliqueno.1450 to base, minor nicks, £150-200

285. A pair of modern Lalique clear andfrosted glass swans signed in the castLalique France 36cm. wide £1,500-2,000

286. ‘Pouilly’ no.5223 a Rene Lalique clearand frosted glass decanter and stopper andsix glasses, with blue staining, stencil RLalique mark, 29cm. high £800-1,200

287. ‘Argos’ no. Nine Cristal Lalique clearand frosted wine glasses, a decanter,stopper and five glasses, a frosted glasscocktail shaker and six glasses and six blueglass bowl glasses by various makers, acidetched mark, 11cm. high (Lalique Glasses)

£200-300

288. ‘Thibet’ No.1083 a Rene Lalique clearand frosted glass vase, the handles withremains of black staining, stencil mark RLalique France 20cm. high £800-1,200

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286 287

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289. A set of four hand coloured pochoirprints by S Chompre, framed, signed SChompre, image 18 x 18.5cm. (4) £250-300

290. John Hall Thorpe (1874-1947)Pansies in a vasewoodblock on paper, framedsigned in pencil Hall Thorpe16.5 x 15cm (image) £100-150

291. An Art Deco style framed portraitphotograph of Noel Coward, with note WithAlll Good Wishes Noel Coward, 1933 incommon mount 50 x 42cm. £50-100

292. Barnett Freedman (1901-1958)Theatre a lithographic London Undergroundposter, published by the Curwen Press, dated1936, framed signed and dated in the print 36x 31cm. £150-200

ProvenanceThe Property of a Lady, removed from acottage on the Stourhead Estate

293. ‘Tapis Moderne’ a loose leaf foliopresented by M Matet and edited by HErnst, limited edition, printed in France,illustrating carpet designs by Da SilvaBruhns, J Adnet, Eileen Gray, Jean Lurcat,Pablo Picasso, Fernand Leger and SoniaDelaunay, 39 x 30cm. £500-700

289 part

290 291

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293

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DODO BURGNER

‡ 294. Dodo Burgner (1907-1998)Cords - Stoffe (poster design)ink and white on paper, unframedunsigned, losses 67 x 43cm. £500-1,000

‡ 295. Dodo Burgner (1907-1998)Woman with a hand mirroran early ink on paper, unframedsigned DW24 x 20.5cm. £100-150

‡ 296. Dodo Burgner (1907-1998)Girl with a Whipink on paper, unframedsigned Dodo31 x 21.5cm. £100-150

294

295 296

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‡ 297. Dodo Burgner (1907-1998)Woman in a Green Capewatercolour and pencil on paper, unframedsigned Dodo17.5 x 15.5cm. £100-150

‡ 298. Dodo Burgner (1907-1998)Woman leaning on a tablewatercolour and pencil on paper, unframedunsigned 54 x 44cm (sheet) £100-150

‡ 299. Dodo Burgner (1907-1998)Gentleman with a women on either arm, watercolour on papersigned dodo28 x 19cm. £100-200

‡ 300. Dodo Burgner (1907-1998)Fashion studiesthree watercolour and pencil on paperstudies, unframedunsigned, 55 x 32cm, sheet size (3) £100-200

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298

299 300

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‡ 301. Dodo Burgner (1907-1998)Nighttime Conversationwatercolour on paper, framedsigned Dodo in pencil29 x 26cm. £500-1,000

‡ 302. Dodo Burgner (1907-1998)Oh Pardon - Young Couple Drinkingwatercolour and pencil on paper, unframedsigned Dodo and titled31 x 21cm. £100-150

‡ 303. Dodo Burgner (1907-1998)Exotic figures on a day bedwatercolour on paper, unframedsigned Dodo29 x 22cm. £100-150

‡ 304. Dodo Burgner (1907-1998)Salomewatercolour and pencil on paper, unframedsigned Dodo30 x 17cm. £100-150

‡ 305. Dodo Burgner (1907-1998)Girl with a Ballan early watercolour and pencil on paper,unframedsigned Wolff21 x 14cm. £100-150

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304 305303

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FURNITURE

306. A Heal’s weathered oak wardrobe,with canted top, internally fitted with singleshelf and hanging rail, inset ivorine label todoor 173cm. high £100-200

307. A Heal’s oak chest of drawers, twoshort drawers above five graduated longdrawers, applied metal label to reverse126cm. high, 77cm. wide £50-100

308. The Waterfall a Rowley Gallerymarquetry wall mirror, with centralmarquetry panel, flanked by glass, in gildedgesso frame original paper label to reverse83 x 65cm. £200-300

309. Diane The Huntress a Rowley Gallerygilt wood panel, on painted wood circularmount, applied Rowley Gallery label toreverse 90cm. diam. £200-400

310. A Rowley Gallery side table, circularsection top above shelf, on four curved legs,painted green and golden yellow, appliedRowley Gallery ivorine label, 59cm. high,60cm. diam. £100-200

311. ‘Bull Finch and Cherry Blossom’ aRowley Gallery marquetry panel, in originalgesso frame, applied Rowley label to reverse68 x 21cm. £100-150

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308

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312. A giltwood hall mirror, oval withquartered, etched glass, the frame paintedwith faux rope border and coral red, the topcrowned with a floral panel in gilt 107cm.high, 78cm. wide £100-200

313. An Austrian mahogany occasionaltable, circular top, on tapering square legswith cast bronze capitals, the table top edgeset with mother of pearl diamonds, 76cm.high, 76cm diam. £300-500

314. A pair of Ecole D’Nancy mahoganyarm chairs, with carved gilt lotus feet andfoliate panels, with pink velvet floralupholstery 94cm. high £300-500

315. A pair of oak bedside cabinetsdesigned by Jules Leleu, each with singledrawer, 55cm. high, 50cm. wide

£1,200-1,800

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314

315

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316. A Leleu Art Deco satinwood,shagreen and ivory dressing table andchair, designed by Jules Leleu, rectangulartop inset with diamond shaped panels ofshagreen bordered with ivory, on four curvedflaring legs with bronze feet, patinated metalfittings, glass cover applied ivorine label todrawer 99 x 49cm top, 75cm high

£2,000-3,000

317. A carved wood wall mirror in themanner of Paul Follot, carved with a garlandof fruit, with silk hanging rope and tasslesterminals 88cm. wide £150-250

318. A mahogany tub chair in the mannerof Andre Groult, with green upholstery75cm. high £100-200

319. A pair of mahogany tub chairs thedesign attributed to Leon Jallot, withreeded, swollen front leg, silk floralupholstery 90cm. high £1,500-2,000

320. A large rosewood dining table, oneight swollen, reeded legs, with silveredbronze feet 199 x 119cm. high £800-1,200

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317

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320

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321. A Modernist Knoll Associates Brno cantileverchair designed by Ludwig Mies van der Rohe, blackleather pads on chrome frame, 78cm. high

£100-150

322. A parchment occasional table, streamlinedform, with two drawers, 97cm. wide. £100-150

323. A birch laminate serving trolley designed byAlvar Aalto, model no.901, rectangular on bentwoodframe, with ebonised bar handle, stamped 5 torunners, 92 x 46cm. £1,600-1,800

LiteratureThe Studio Yearbook, 1937 page 134 plate 2 for acomparable Finmar trolley.A New Design for Living Lane Publications, page 20figure 25 for a comparable trolley (Cat.20)

324. A large French silk carpet, decorated with aChinese dragon in yellow and red on a black ground342 x 221cm. £500-1,000

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327 328

329 330

331 332 333

METALWARE

325. A bronze mounted enamel vase by AVilpien, flaring cylindrical form, enamelledwith geometric flowers in red, black andwhite on a blue and grey ground, with loosebronze foot with vertical columns, painted AVilpien signature 25cm. high £500-600

326. A silver mounted alabaster and lapisdesk tidy, streamlined form, with silverhinge, applied bands of lapis, a chrome metaland glass double inkwell with calendar and afrosted glass figure of a woman stampedmarks, H G & S London 1937 20cm. wide, (3)

£100-200

327. A streamlined chrome and bakeliteilluminating globe, 40cm. high £300-400

328. A silver bucket vase in the manner ofJean Despres, with bead decoration to rimand hammered fixed handle etched signed JDespres 17cm. high £150-200

329. A pair of Christofle electroplatedthree branch candleabrum, reeded, flaringcylindrical stem with three scroll branches,and central sconce with domedcover/snuffer, the base with hole and ivoryinsulator for electric cable, stamped factorymarks to underside of base rim, 34.5cm. high(2) £600-800

330. A Bestlite desk lamp base, an earlydesk mounted anglepoise lamp, a Fase desk-lamp and two other wall hanging lanterns,and a small collection of metalware castmarks to Bestlite 56cm. high (a lot) £100-150

331. A patinated metal umbrellastand/hall console in the style of EdgarBrandt, with marble shelf and loose driptrays, 71cm. wide, 70cm. high £100-200

332. A lacquered metal lamp base, swollenovoid form decorated with two carpswimming in turbulent waters, on woodenbase, with silk shade, 38cm. high £300-500

333. A Szandrik electroplated metalMocca service, model no. 10996, in themanner of Josef Hoffmann, comprisingmocha pot and hinged cover, milk-jug, sixcups with white glass liners and arectangular tray stamped marks, to tray 61cm.wide £200-300

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334. a silk lined beadwork clutch bag,decorated with geometric flower design22cm. long £100-200

335. Three inlaid plastic broochesdesigned by Jean Cocteau, each circularform with geometric face design unsigned,6cm. diam. (3) £100-150

336. An Art Deco lacquered box and coverby Jean Dunand, circular form, inlaid withmother of pearl and shell decoration, signedJean Dunand to base, missing silk tassle,13cm. diam. £800-1,200

LiteratureFelix Marcilhac, Jean Dunand His Life andWorks, Thames and Hudson, page 103colour plate 88 for an identical box and coverdesigned for Madame Dunand, 1925

337. A silver-gilt enamelled cigarette case,rectangular, hinged cover, black enamel withgeometric Mon to the centre, the rimbordered with egg shell and red lacquerstamped marks to interior 8.5 x 6.5cm.

£100-200

338. A pair of Camile Faure Limogesenamel plaques, each rectangularenamelled in bright colours with an exoticlong-tailed birds, on a brown ground, framedsigned Faure Limoges France, paper label toreverse 16 x 11.5cm (panel) £1,500-2,000

339. A Dryad Lester polished bronze twin-branch candelabra, on circular base and fourfluted feet stamed Dryad Lester No.8 to base30cm. high £100-150

340. An Edgar Brandt patinated metaltable lamp, shallow domed base onclustered ball feet, supporting hexagonalstem and flaring sconce, textured finishstamped E Brandt to foot rim 26cm. high

£500-700

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336

337 338

339 340

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SCULPTURE

341. A gilt patinated bronze model of adancer cast from a model by Daniel JosephBacque, the naked figure wearing a cap, herright leg raised, on circular marble base, castBacque to underside of foot 40cm. high,

£600-1,000

342. A silvered bronze model of a nudewoman in the manner of Josef Lorenzl,modelled standing on tiptoes her arms raisedupwards, on white veined red marble base,unsigned, 20.5cm. high £400-600

343. A patinated bronze figure of an oldman resting on his shovel cast from amodel by Galle, signed Galle in the cast40cm. high £400-600

344. An alabaster pierrot lamp designedby Prof. G Viti, modelled in trouser suit withruff collar, balancing a globe on his back, onalabaster column incised Prof G Viti,damages 58cm. high (figure with globe).

£300-500

ProvenanceSotheby’s Billingshurst July 1987

345. A Gustave Gillot patinated bronzemantle clock cast from a model by PaulFollot, modelled with a child leaning over thedomed floral encrusted frame, with Romannumerals, signed in the cast 27cm. wide

£700-1,000

341

342

343 344 345

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346. William A Lovegrove (1902-1970)Tiger and Gazelles,patinated bronze, signed in the cast and Suisse Fres Parisfoundry marks, 103cm wide £1,500-2,000

347. A verdi gris patinated bronze modelof a panther on a branch cast from a modelby J Rochard, on rectangular black marblebase signed J Rochard in the cast 40cm.wide £400-500

348. Whirling (A Dance of Spring) apatinated bronze model of two dancinggirls cast from a model by Andre Gilbert,modelled holding hands, wearing swimmingcostume, on circular base, signed in the castAndre Gilbert 37cm. high £1,000-1,500

349. A patinated bronze model of a nudedancer cast from a model by Josef Lorenzl,modelled standing on one leg her armsoutstretched and holding a billowing scarf,on veined green onyx base signed in the castLorenzl 27cm. high £1,500-2,000

346

347

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350. A pair of silvered metal figural bookends, each modelled as a kneeling younggirl, hands clasped behind her back, onveined black marble base 14cm. wide

£100-150

351. A pair of patinated metal squirrelbook ends, on mottled green marble bases16cm. high £100-150

352. A patinated bronze model of a hounddog, model 2440, modelled seated beside alarge red marble bowl, cast foundry markpossibly Goldscheider, 23cm. wide £100-200

353. A Friedrich Goldscheider alabasterbust of a pierrot, with downcast look, insetGoldscheider seal 11cm. high £100-150

354. A patinated bronze bust of a youngboy smoking, cast from a model by VMasella, on stepped marble base, and a deskblotter, signed in the cast 25cm. high

£100-200

355. A patinated metal and peach mirrorglass mantle clock, domed glass back withoffset dial, set with a resting female figure inthe style of Josef Lorenzl, 38cm. wide

£250-300

356. A patinated metal figure of a woman,modelled semi-naked, reclining and holdinga dish, on marble base with patinated metaland glass screen unsigned 38cm. wide

£50-100

357. A patinated bronze figure of aBachanalian woman cast from a model byBruno Kruse, on black marble base with redmarble panels signed in the cast B Kruse40cm. high £800-1,200

358. A patinated metal figural lamp base,modelled as a topless woman balancing ona flaring, square plinth, in her right handholding up a green striped glass ball shadestamped registered, 47cm. high £200-250

350 351

353 354

355 356

357 358

352

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GLASS

359. A James Powell Whitefriars wineglass designed by Harry Powell, swollen,flaring cylindrical bowl, collection paper label,15.5cm. high £100-200

ProvenanceThe J S M Scott Collection.

360. A James Powell Whitefriars StrawOpal glass, swollen, flaring bowl, 12.5cm.high £100-200

361. A James Powell Whitefriars wineglass probably Designed by Harry Powell,with twin embedded gold knopped stem,flaring bowl, stem re-fused 16cm. high

£150-250LiteratureLesley Jackson Whitefriars Glass, ManchesterMuseum & Art Gallery catalogue, page 113plate 76 for a comparable glass.

362. A sea green glass possibly JamesPowell Whitefriars, the stepped bowl withapplied blue threads, 14cm. high £100-200

363. A Webb’s Bronze bottle vase, withdimpled square body and tapering neck andeverted rim, another smaller, and four othervases 21.5cm. high (6) £250-350

364. A James Powell Whitefriars Romancut finger bowl, a Minerbi Suite finger bowletched with water-lily design, and a BlueOpal finger bowl 10.5cm. diam. £100-200

365. A Stourbridge straw opal glass vase,ovoid with everted rim, on applied foot,applied with floral prunt, and two other vasesunsigned (3) £150-250

366. A pair of Powell Whitefriars glass18th Century style cut cordial glasses, thebowl cut with simple flower motif, ondiamond cut stem 14cm. high (2) £100-200

367. A Stourbridge cut glass waterdecanter and glass, and a dimpled,clearglass decanter and stopper 31cm high(decanter) £80-120

359 360 362

363

364 365

366 367

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368. A small Galle cameo glass dishdesigned by Emile Galle, pale pink glassoverlaid with purple, decorated with violetflowers cameo signature Galle 10cm. diam.

£250-300

369. A Legras cameo glass vase, swollenform, acid etched with fern fronds, in greenand yellow over salmon pink, cameosignature Legras to foot rim 15.5cm. high

£100-200

370. A Daum Nancy Art Nouveau glassvase, rectangular section, acid etched in lowrelief with poppy flower stems, highlightedin gilt, gilt Daum Nancy to base, small chip totop rim, 19cm. high £100-200

371. A monumental Art Nouveau Gallecameo glass vase by Emile Galle,compressed with tall cylindrical neck, paleamber glass overlaid with purple fuchsiasprays cameo Galle signature, remains ofpaper label 76cm. high £3,500-4,500

369 370

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372. A Stevens & Williams Acanthusgoblet vase, with battuto cut ground, andtwo smaller graduated goblet vasesunsigned 33cm. high (3) £200-300

373. A pair of Baccarat Faux Rock Crystalbottles with silver feet and stoppers,swollen pear-shaped glass bodies etchedwith swirling foliate panels, the sphericalstoppers cast in low relief with scrollingflowers and foliage, with internal stoppersstamped marks to mounts 23cm. high. (2)

£800-1,200

374. An iridescent glass vase in themanner of Loetz, ovoid dimpled body withinverted and pinched rim, streaked white andpink with iridescence 15cm. high £200-250

375. An Austrian iridescent glass vase,probably Loetz, tapering square section witheverted pinched rim, golden splashediridescence with green irregular stripes12.5cm. high £200-300

376. An Art Nouveau Loetz glass solifleurvase, compressed body with tall cylindricalneck, covered in golden iridescent splashes,unsigned 20.5cm. high £100-150

377. A Loetz Papillon glass vase, appliedtwin-handles, covered in a splashed blue,with iridescent finish 17cm. high £350-400

378. A pair of Legras enamelled glassvases, flaring red glass bodies, enamelled incolours and gilt with blackberry frondssigned in gilt to one Legras 24.5cm. high (2)

£200-300

379. An Art Nouveau glass vase, possiblyKralik, tapering green glass with knoppedneck, covered in red trailing, unsigned, paperlabels to base 41cm. high £100-200

372 373

374 375

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379

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380. A tall Art Nouveau Van Hauten metalmounted enamelled glass vase, slender,cylindrical form enamelled with stylisedflowers in colours and gilt, with gilt metalmount pierced and cast with flag iris,stamped Van Hauten to base 50cm. high

£300-400

381. Seven Fritz Heckert hock glasses,enamelled with shamrocks, with gilt rims,20.5cm. high £200-300

382. A Legras cameo glass vase, waistedcylindrical form, cameo etched in low reliefwith berried foliage, enamelled red, cameoLegras signature 34.5cm. high £150-200

383. An Art Nouveau Val St Lambert glassvase by Van de Velde, swollen cylindricalform pink glass graduating to green, cut withscrolling leaf repeat unsigned, sold with aletter of attribution from Val St Lambert,26cm. high £800-1,200

384. A Stevens & Williams amber glassvase designed by Keith Murray, ovoidribbed form with everted top rim, acid etchedmark and facsimile signature 25cm. high

£250-350

385. A Whitefriars etched glass vaseprobably by Geoffrey Baxter, flaringcylindrical form, cut with a stylised fishchasing a shoal of smaller fish unsigned21.5cm. high £100-200

LiteratureWendy Evans, Catherine Ross and AlexWerner, Whitefriars Glass James Powell &Sons of London Museum of London, page331 plate 581 from the 1960 cataloguereproduced, this vase illustrated

386. A Whitefriars glass Tangerine Hoopvase designed by Geoffrey Baxter, aWhitefriars Tangerine Bamboo vase and acollection of Whitefriars and continentalglass 29cm. high £100-200

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382 383

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394 395

387. A Blenko Cobalt blue glass vase, tall,eliptical form cast in relief, and a Barolacopalescent vase cast in low relief with fish,applied with seahorse handles signed in thecast Barolac Blenko vase 35.5cm. high, (2)

£100-200

388. A Daum glass lamp base, thick,tapering clear glass body, and two otherglass lamp bases etched Daum France to thefoot rim 25cm. high (3) £100-200

389. ‘Dawamesk’ a Baccarat scent bottleand stopper for Guerlain, blue glass with giltdecoration acid etched roundel mark, smallnick to base of stopper, 11cm. wide £50-100

390. A pair of Murano glass poodles,unsigned 26cm. high £100-200

391. A pair of Bimini Werkstatte blownglass Giraffe by Marianne von Allesch,25.5cm. high, tallest. £100-150

392. A tall Murano Cordonato D’Oro glasslamp probably Barovier & Toso, taperingfluted pink and opaque glass stem onknopped base with four applied feet, theclear glass with gold aventurine inclusions97cm. high £400-500

393. A pair of tall green glass vasesprobably Scandinavian, on applied footunsigned 50cm. high £150-200

394. A Venini Murano glass bowl, internallypink latticino, cased in clear with appliedwhite glass rims and heraldic emblem signedVenini Murano 20.5cm. diam. £250-350

395. An Italian flaring glass vase possiblyVenini, green, blue and gold aventurineswirling columns cased in clear unsigned27.5cm. high £300-400

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396. An Orrefors glass vase by EdwardHald, faceted tapering clear glass internallydecorated with aubergine web designetched Orrefors Edward Hald, minor nicks33.5cm. high £100-200

397. An Orrefors Aerial glass vase byEdwin Ohstrom, thick cased glass internallydecorated with a bird panel flanked withgeometric panels, in blue cased in clearincised marks and signature 12cm. high

£300-500

398. A large Murano glass vase in themanner of Barrovier, flaring cylindrical formon applied foot with applied fin handles, thickpale purple glass with drawn air bubble andaventurine inclusions, 37cm. high.

£600-1,000

399. A Sommerso glass bottle andstopper, by S Signoretto, blue, pink andgreen glass cased in clear etched signatureto base 28.5cm. high (2) £100-200

400. An Archimede Seguso glass vase,ribbed, shouldered pale pink glass with goldaventurine inclusions, on applied foot, andtwo modern I Quadernio di ArchimedeSeguso catalogues, (no.2 and No.12) etchedArchimede Seguso Murano 43cm. high (3)

£600-800

LiteratureI Quadernio di Archimede SegusoNo.2, (1994)this model illustrated on the back cover.

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SAM HERMAN

GLASS

401. Sam Herman (born 1936)a clear glass sculptural bottle form, made atthe Royal College of Art, irregular form withswollen neck, applied trailing, etched SamuelJ Herman 36cm. high £200-300

Catalogue NotesWe would like to thank Sam Herman for hishelp in cataloguing this lot.

402. Sam Herman (born 1936)a flaring square section glass vase,opalescent and clear glass with yellow andaubergine internal stripes etched SamHerman to base 23.5cm. high £150-200

403. Sam Herman (born 1936)a flaring cylindrical vase with irregular toprim, dated 1981, surface decorated withblue, turquoise and lustrous splashes etchedSamuel Herman and 1981 date to base27cm. high £200-300

404. Sam Herman (born 1936)a large irregular form platter made at Val StLambert, dated 1971, clear glass, streakedwith opaque and lime green etched SamuelJ Herman, 1971 46cm. wide £250-350

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409

405. Sam Herman (born 1936)a tall bottle vase, flattened form with tallpulled neck with irregular rim, ruby red glasswith blue and white splashed surfacedecoration, etched Samule Herman to base38.5cm. high £200-300

406. Sam Herman (born 1936)a shouldered glass vase, irregular form,surface decorated with red, blue striationsand lustrous finish etched Samuel Herman25cm. high £150-250

407. Sam Herman (born 1936)a tall bottle form vase, aubergine glass casedin clear with lustrous finish and green and redtrails etched Samuel Herman 35cm. high

£150-250

408. Sam Herman (born 1936)an irregular bottle with solifleur aperture,clear glass surface decorated with purplestriations and lustrous finish etched signatureto side 22cm. high £200-300

409. Sam Herman (born 1936)a large flat charger made at the Jam FactorySouth Australia, irregular form, swirling yellowand red cased in clear, etched SamuelHerman 1976 SA1198, 50cm. wide £300-500

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CERAMICS

410. A Howell & James pottery charger byMrs G Rothway, dated 1887, painted withflowers and scrolling foliage in colours on abright orange ground, original paper labels toreverse 39.5cm. diam. £100-200

ExhibitedHowell & James Art Pottery Exhibition 1887Class VII Painting on China, no.37

411. A Copeland Pottery tile depictingwinter, painted in colours impressedCopeland mark, 15cm. square £50-100

412. ‘The Collection of MartinwareFormed by Mr Frederick John Nettlefold, areference book by Charles Beard, privatelypublished with Waterlow & Sons Ltd, 1936,and a pair of Harriman Judd Collectioncatalogues Sotheby’s New York £100-200

413. A Martin Brothers stoneware vase,dated 1-1910, shouldered form covered in arunning amber glaze incised 1-1910 MartinBros London & Southall 19.5cm. high

£100-150

414. A large Lauder Barum pottery vaseby Alexander Lauder, shouldered cylindricalform, slip decorated with stylised flowersand foliage in colours on a sand colouredground, and another similar incised AlexLauder Barum 12/15/189, restored, 49cm.high (2) £200-300

415. A C.H.Brannam Barum Pottery vase,dated 1896, tapering form with appliedtwisted handles, incised and painted with Lilyflowers in brown and blue on a blue ground,and a C.H.Brannam vase painted with awading bird, incised marks, incised AB artistmonogram, restored 40cm. high £50-100

416. A pair of Lauder Barum dragon vases,shouldered form, each applied with a dragonlike reptile, the body incised with scaly fishamongst waterweed in blue, green, yellow andochre on a pale blue ground impressed LauderBarum mark, restored, 32cm. high £150-200

417. A Baron Barnstaple twin-handledvase, shouldered form, applied with twindragon handles, painted with a bird perchedon flowering foliage, about to catchbutterflies flitting innocently, the reverse witha bird flying past stylised Art Nouveau flowerstems, and a C H Brannam vase by WilliamBaron dated 1888, painted with birdsamongst stylised foliage incised marks,restored 30cm. high £50-100

418. A Royal Doulton stoneware vase, ovoidwith a tapering cylindrical neck and everted rim,covered in a streaked purple Hare’s fur glaze,and a collection of Doulton, Moorcroft,Burmantoft’s Faience and other ceramicsimpressed marks, 25cm. high £100-150

415

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419. A Linthorpe Pottery vase designed byDr Christopher Dresser, ovoid with twin-handles, cast in low relief with geometricflower design, covered in a streaked brownglaze indistinct marks, chip to top rim,21.5cm. high £100-200

420. A Linthorpe Pottery vase designed byDr Christopher Dresser, flattened ovoidtwin-handled body, with cast foliate design,covered in a streaked green glaze impressedfacsimile mark, small glaze chip to foot rim,20cm. high

LiteratureWidar Halen Christopher Dresser, Phaidonpage 163 figure 185 this design illustrated.

£200-400

421. An unusual Linthorpe Pottery Aztecvase designed by Dr Christopher Dresser,the ovoid body with incised decoration,angular handle with central spout, covered ina streaked brown and green glaze marksindistinct 19cm. high £500-800

LiteratureWidar Halen Christopher Dresser, Phaidonpage 163 figure 185 this design illustrated.

422. A Linthorpe Pottery ewer designedby Dr Christopher Dresser, the bodymodelled as an urchin, with twin spouts andbridged handle, glazed ochre impressedmark and facsimile signature, small glazechip to spout, 18cm. high £500-700

LiteratureWidar Halen Christopher Dresser, Phaidonpage 163 figure 185 this design illustrated.

423. A rare set of four William De MorganSand’s End Pottery tiles, each impressed,hand carved and slip decorated with a seatedlioness, covered in a green glaze impressedfactory mark, minor glaze loss and chips15.5cm. square £800-1,200

LiteratureJon Catleugh William De Morgan Tiles, Trefoil,page 149 figure 237 for a comparable tiledecorated with a seated bear like creature.

424. A rare William Dr Morgan Sand’s EndPottery tile, painted with a serpent in blackon a blue ground impressed factory mark, tinyglaze chips, 15.5cm. square £1,000-1,500

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425. Eight Minton’s tiles designed by JohnMoyr Smith, printed in black and brown withfairy tales and historical scenes and a wallplate painted with orchids impressed marks,printed MS monogram, minor rim chips,15.5cm. square (9) £100-150

426. A pair of Carter’s Tiles, Poole Potteryarchitectural tiles, probably modelled byWilliam Unwin, each modelled as a classicaldolphin either side of an urn, glazed ochre,chips, 31cm. wide £50-100

427. A small Compton Art Potters wallplaque, modelled in low relief with the ChristChild, glazed in colours impressed mark,small chip to corner, 13.5 x 9.5cm £50-100

428. A Pilkington’s tile cast in low relief witha portrait of a Robert Baden Powell, in militarydress, inside foliate border, glazed blue,another Two Pilkington’s tiles decorated withmilitary leaders Lord Roberts and probablyFerdinand Foch, in blue and two glazed brown,cast P mark 15cm. square £100-200

ProvenancePrivate collection

429. A tall twin handled vase in the styleof Zsolnay Pecs, painted with a floral patternin shades of ruby lustre on a white groundunmarked 45cm. high £200-300

430. A Minton’s Secessionist vase, twin-handled form, decorated with a peacock incolours on a green ground, and a C HBrannam jug decorated with AestheticMovement flower panels, printed factorymarks, damages 30cm. high £100-200

431. A large Ruskin Pottery high-firedstoneware vase, dated 1922, compressedform with tapering neck, covered in a sangde boeuf and speckled lavender glaze on asilver-grey ground, and four Radford itemsimpressed marks, museum restored crack tobody 28cm. high (5) £300-350

432. A Foley Intarsio vase designed byFrederick Rhead, model no. 3570, twin-handled urn form, printed and painted withstylised flowers and foliage, in coloursprinted mark, hairline to top rim, 25cm. wide

£100-200

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436

433. A large collection of Royal Doultonand Doulton Lambeth stoneware, includingNatural Foliage and Silicon Ware, variousimpressed and incised marks, (a lot)

£200-300

434. An Asprey silver mounted RoyalDoulton stoneware jack, stamped marks,London 1941 16cm. high £100-150

435. A Royal Doulton stoneware model ofa goat by Francis Pope, modelled seated onhaunches, impressed Doulton mark, damages51cm. high £200-400

LiteratureDesmond Eyles and Louise Irvine DoultonLambeth Wares, Richard Dennis Publicationspage 194 for a comparable

436. A large Doulton Lambeth stonewareAlhambra vase, dated 1880, shoulderedform with tall winged handles, cast in lowrelief with Persian panel decoration andscript bands, glazed blue and buff impressedfactory mark and date 1880, repaired neck,48cm. high £600-1,000

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437. A Royal Doulton stoneware vase by George Tinworth,incised and applied with seaweed design, glazed in shades ofblue on a buff ground impressed mark, incised monogram toside 25.5cm. high £100-200

438. ‘Queen Victoria - Queen & Empress’ a Doulton Lambethstoneware commemorative jug, modelled in low relief andglazed in colours, a Doulton Lambeth jug, a Doulton Siliconbaluster vase and a bowl impressed and incised marks, mainjug restored 18.5cm. high £100-200

439. A Royal Doulton stoneware paperweight designed byMark V Marshall, modelled as grotesque creature, impressedmark, 8.5cm. wide £100-200

LiteratureDesmond Eyles & Louise Irvine The Doulton Lambeth Wares,page 258 for an identical paperweight illustrated.

440. A Doulton Burslem Blue Children’s Ware vase, ovoid,printed with a child holding a doll, a frog next to her on thebench printed marks, 17cm. high £80-100

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441. A Royal Doulton stoneware LordNelson commemorative tea set, modelled inlow relief with a roundel of The Victory, and aportrait of Lord Nelson, the neck inscribedEngland Expects Every Man Will do his Duty,with rope handles, comprising teapot andcover, milk-jug and sugar basin, impressedfactory marks, teapot 13cm. high (3) £200-300ProvenanceA private collection of Nelson commemorativeRoyal Doulton ceramics

LiteratureDesmond Eyles and Louise Irvine DoultonLambeth Wares, Richard Dennis Publications,page 280 this design illustrated

442. A Royal Doulton stoneware LordNelson commemorative vase, twin-handledwaisted cylindrical form, modelled in low reliefwith a roundel portrait of Lord Nelson, thereverse a roundel inscription England expectsevery man will do his duty, in green, blue andbrown impressed and incised marks, 14.5cm.high £200-300

ProvenanceA private collection of Nelson commemorativeRoyal Doulton ceramics.

443. A Royal Doulton stoneware LordNelson commemorative jug, cylindrical form,modelled in low relief with a portrait roundel ofLord Nelson flanked by the battle of Trafalgar,below inscription England expects everymanwill do his duty, inside rope borders, glazedgreen, ochre and blue impressed and incisedmarks, 27.5cm. high £200-300

ProvenanceA private collection of Nelson commemorativeRoyal Doulton ceramics

444. A pair of Royal Doulton stonewareLord Nelson commemorative jug, swollencylindrical form with applied thick ropehandle, modelled in low relief with a roundelportrait of Lord Nelson flanked by the Battleof Trafalgar, below inscription Englandexpects every man will do his duty, in shadesof blue, green and brown impressed andincised marks, 19.5cm. high (2) £300-500

ProvenanceA private collection of Nelson commemorativeRoyal Doulton ceramics

445. A pair of Royal Doulton stonewareLord Nelson commemorative jug, swollencylindrical form with applied thick ropehandle, modelled in low relief with a roundelportrait of Lord Nelson flanked by the Battleof Trafalgar, below inscription Englandexpects every man will do his duty, in shadesof blue, green and brown impressed andincised marks, 19.5cm. high (2) £300-500

ProvenanceA private collection of Nelson commemorativeRoyal Doulton ceramics

446. A pair of Royal Doulton Lord Nelsoncommemorative stoneware tygs, each modelledin low relief with a portrait of Lord Nelson, a coatof arms and a quote England expects every manwill do his duty, inside rope borders with three thickrope handles, glazed ochre, blue and greenimpressed and incised marks, minor damages andrepairs 16.5cm. high (2) £300-500

ProvenanceA private collection of Nelson commemorativeRoyal Doulton ceramics

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445 446

447 448

447. A Royal Doulton stoneware LordNelson commemorative teapot and cover,modelled in low relief with roundel portrait ofNelson, the reverse with The Victory, belowinscription England expects every man to dohis duty, in shades of blue, brown and green,and a Royal Doulton Lord Nelson vaseimpressed and incised marks, 13.5cm. high(2). £200-300

ProvenanceA private collection of Nelson commemorativeRoyal Doulton ceramics

448. A pair of Royal Doulton stonewareLord Nelson commemorative tobacco jarsand covers, each swollen barrel form,modelled in low relief with roundel portrait ofLord Nelson, The Victory and a coat of arms,below inscription England expects every manwill do his duty, in shades of blue, green andbrown impressed and incised marks, small chipto blue ground jar 13.5cm. high (2) £200-300

ProvenanceA private collection of Nelson commemorativeRoyal Doulton ceramics.

A PRIVATE COLLECTION OF ROYAL DOULTONLORD NELSON COMMEMORATIVE STONEWARE

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449. A Moorcroft Pottery FlamminianWare biscuit box and cover designed byWilliam Moorcroft, slip decorated with aheart-shape foliate motif, glazed red incisedfacsimile signature, small nick to cover rim,16.5cm. high £200-300

450. A Moorcroft Pottery Florian Warevase by William Moorcroft, compressedform with flaring neck and everted, flutedrim, painted with stylised flowers in blue,green and yellow on a celadon ground,painted green facsimile signature minorprofessional restoration to top rim 9cm. high

£250-300

451. ‘Bara Ware’ a Moorcroft Potterybottle vase retailed by Liberty & Co,painted with flower panels in pink and greenon a white ground, and a Moorcroft Tobaccojar and cover printed mark, painted greenfacsimile signature, damages 31cm. high

£100-150

LiteraturePaul Atterbury Moorcroft Pottery, RichardDennis Publications, page 62 plate 4 forcomparable examples.

Barbara Morris Liberty Design, ChartwellBooks, page 69 for a Bara Ware plateillustrated.

452. ‘Blue Poppy’ a James Macintyre vasedesigned by William Moorcroft, painted inshades of blue and green on a white groundprinted factory marks, painted greensignature, professional restoration to neck,24cm. high £400-500

453. ‘Waving Corn’ a Moorcroft Potteryvase, footed form, painted in shades of pinkand green on a white ground impressedmark, painted blue signature 15.5cm. high

£400-500

454. ‘Leaf and Berries’ a Moorcroft Potteryvase, footed, cylindrical form, painted incolours on a blue ground impressed marks,painted blue signature 14.5cm. high

£100-200

455. ‘Anemone’ a Moorcroft Potteryflambe vase, ovoid with cylindrical neck,painted in colours under a flambe glazeimpressed marks, painted blue signature20cm. high £700-800

456. ‘Leaf and Berry’ a Moorcroft Potteryvase, painted in colours under a flambe glazeimpressed marks, painted blue signature24.5cm. high £800-1,000

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450

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455 456

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457. ‘Eventide’ a Moorcroft Pottery platedesigned by William Moorcroft, painted incolours impressed and painted signature18.5cm. diam. £700-900

458. ‘Yellow Poppy’ a James Macintyredish designed by William Moorcroft,quattrolobed form, painted with Poppyflowers in yellow, green and blue on aceladon ground painted green signature27cm. diam. £750-850

459. ‘Eventide’ a Moorcroft Pottery platedesigned by William Moorcroft, painted incolours impressed and painted signature18.5cm. diam. £700-900

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458

459

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460. ‘Clematis’ a Moorcroft Pottery vase,painted in colours under a flambe glazeimpressed and painted marks, 20cm. high

£500-600

461. ‘Hibiscus’ a Moorcroft Pottery vase,baluster form, painted in colours under arich flambe glaze impressed mark, paintedblue signature 31cm. high £1,000-1,500

462. ‘Marine’ a Moorcroft Pottery flambevase, cylindrical form painted in coloursundera flambe glaze impressed mark,painted blue signature 18.5cm. high

£600-700

463. ‘Anemone’ a Moorcroft Pottery dish,painted in colours under a flambe glazeimpressed marks, painted blue signature25cm. diam. £300-350

464. ‘Springflowers’ a Moorcroft Potteryvase, bucket form, painted in colours on agreen ground, impressed marks, paintedsignature 18cm. high £350-400

460 461

462

463 464

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465. ‘Moonlit Blue’ a Moorcroft Potteryvase designed by William Moorcroft,baluster form, painted in shades of blue andgreen impressed marks, painted greensignature, professionally restored 13cm. high

£600-800

466. ‘Dawn’ a Moorcroft Pottery vasedesigned by William Moorcroft, ovoid witheverted rim, painted in shades of blue andcream, between chevron bands impressedmark, painted blue signature £850-950

467. ‘Powder Blue Cornflower’ a tallMoorcroft Pottery vase designed byWilliam Moorcroft, painted in shades of blueon a mottled powder blue ground paintedblue signature, minor professionalrestoration, 31cm. high £500-800

468. ‘Moonlit Blue Pansy’ a rare MoorcroftPottery vase designed by WilliamMoorcroft, painted in shades of blue andgreen impressed mark, painted greensignature, minor professional restoration totop rim, 22cm. high £250-300

ProvenanceRichard Dennis Gallery

Private collection

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469. ‘Claremont’ a Moorcroft Pottery vasedesigned by William Moorcroft, painted incolours on a streaked yellow and greenground, painted green signature, printed mark,professional restoration to neck, 18cm. high

£500-600

470. ‘Claremont’ a Moorcroft Pottery vasedesigned by William Moorcroft, painted inshades of pink, blue and ochre on a whiteground impressed mark, painted facsimilesignature 10.5cm. high £150-200

471. ‘Big Poppy’ a Moorcroft Pottery vasedesigned by William Moorcroft, painted incolours on a blue ground impressed marks,painted blue signature 20cm. high

£1,600-1,800

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472. ‘Pomegranate’ a Moorcroft Potteryminiature vase designed by WilliamMoorcroft, painted in colours on a mottledgreen ground painted green monogram5.5cm. high £700-800

473. ‘Pansy’ a Moorcroft Pottery miniaturebaluster vase designed by WilliamMoorcroft, painted in colours on a celadonglaze painted green monogram 6.5cm. high

£700-900

474. ‘Poppy’ a James Macintyre Potteryminiature vase designed by WilliamMoorcroft, painted in shades of green andblue on a white ground, printed mark,painted green signature 6cm. high £850-950

475. ‘Flambe Hazledene’ a rare MoorcroftPottery vase, painted in colours under aflambe glaze impressed marks, painted bluesignature 13cm. high £2,000-2,500

476. ‘Pansy’ a Moorcroft Pottery vasedesigned by William Moorcroft, painted incolours on a white ground impressed mark,painted green signature, restored top rim,16cm. high £550-650

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477. ‘Frilled and Slipper Orchids’ aMoorcroft Pottery vase, painted in coloursunder a flambe glaze impressed marks, paperlabel 20cm. high £800-1,000

478. ‘Wisteria’ a Moorcroft Pottery vase,shouldered form with collar rim, painted incolours on a blue ground, impressed marks,painted blue signature, original paper label16cm. high £150-200

479. ‘Iris’ a Moorcroft Pottery vasedesigned by William Moorcroft, ovoid withcylindrical neck, painted in colours on ablue/green ground impressed marks, paintedblue signature 30.5cm. high £1,800-2,200

480. ‘Iris’ a Moorcroft Pottery vasedesigned by William Moorcroft, swollencylindrical form, painted in colours on a palegreen/blue ground impressed mark, paintedgreen signature 32cm. high £1,600-2,000

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481. ‘Blue Rooster’ a Moorcroft Potteryvase, painted in colours on a cream ground,in original box, impressed and painted marks,18cm. high £200-250

482. ‘Maypole’ a Moorcroft Pottery trialvase, painted in colours on a blue groundimpressed and painted marks, 37cm. high

£400-500

483. ‘William Morris’ a Moorcroft Potteryvase, painted in colours on a white groundimpressed marks, painted WM monogram31.5cm. high £300-400

484. ‘Dandelion’ a Moorcroft Potterylimited edition vase, painted in colours on awhite ground, in original box, impressed andpainted marks, 49/200 17cm. high £250-350

485. ‘Badger’s Field’ a modern MoorcroftPottery limited edition jug, painted incolours, in original box, impressed andpainted marks, 20cm. high £400-500

486. ‘Daffodil’ a Moorcroft Pottery limitededition vase, painted in colours on a blueground, in original box painted marks36.5cm. high £400-600

487. ‘Daffodil’ a Moorcroft Pottery limitededition vase, painted in colours on a blueground, in original box painted marks36.5cm. high £400-600

488. ‘Blackwell’ a Moorcroft Potteryginger jar and cover, painted in colours, inoriginal box impressed and painted marks14cm. high £200-250

489. ‘Swan Lake’ a Moorcroft Potterylimited edition vase, painted in colours, inoriginal box, impressed and painted marks,42cm. high £700-800

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DENNIS CHINAWORKS

490. ‘Praying Mantis’ a Dennis Chinaworksvase designed by Sally Tuffin, dated 2005,painted in colours impressed and paintedmarks, numbered 3/25, 30cm. high £200-300

491. ‘Grape’ a Dennis ChinaworksCollector’s Day vase designed by SallyTuffin, dated 2001, painted in colours printedand painted marks, 25cm. high £100-200

492. A Dennis Chinaworks YohjiYamamoto figure designed by RogerMichell, dated 1985, painted in coloursprinted factory marks, 29cm. high £100-200

493. ‘Salmon’ a Dennis Chinaworks vasedesigned by Sally Tuffin, dated 1999,painted in colours impressed and paintedmarks, 21.5cm. high £150-200

494. ‘Dandelion’ a Dennis Chinaworks vasedesigned by Sally Tuffin, dated 2005, flaringconical form with pierced decoration, painted incolours, and a Gala Day Lilac vase printed andpainted marks, no.9 17.5cm. high (2) £120-180

495. ‘Albatross’ a Dennis Chinaworks vasedesigned by Sally Tuffin, dated 2005,painted in colours impressed and paintedmarks, 32cm. high £150-200

496. ‘Koi Carp’ a Dennis Chinaworks vasedesigned by Sally Tuffin, dated 2004,painted in colours impressed and paintedmarks, 39.5cm. high £200-300

490 491

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497. ‘Lion’ a Dennis Chinaworks vasedesigned by Sally Tuffin, dated 2000, ovoidform, painted in colours printed and paintedmarks, 21cm. high £150-200

498. A Dennis Chinaworks stepped vasedesigned by Sally Tuffin, dated 20026,numbered 2, painted with panels of stylisedflowers and panels in silver lustre, printedand painted marks, 25cm. high £150-250

499. ‘Polar Bear’ a Dennis Chinaworks jarand cover designed by Sally Tuffin, dated2003, painted in colours printed and paintedmarks, no.5, 15cm. high (2) £150-250

500. ‘Penguin’ a Dennis Chinaworkscandlestick designed by Sally Tuffin, dated2006, numbered 1, painted in colours printedand painted marks to the base 26cm. high

£250-350

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A PRIVATE COLLECTION

OF STUDIO POTTERY

501. Edwin Beer Fishley (1832-1911)a tall twin-handled vase, resist decoratedwith a charioteer, the reverse an axe wieldingwarrior in yellow on a brown groundunsigned 33cm. high £300-500

502. Edwin Beer Fishley (1832-1911)A Fremington Pottery charger, decorated witha simple brush design in ochre on a greenground, and two bowls incised marks, chipto rim, 29cm. diam. £150-250

503. A Ruskin Pottery vase by WilliamHowson Taylor, shouldered form covered ina matt blue glaze, two Owl jugs probablyretailed by Liberty and made by FarnhamPottery, and a collection of studio potteryimpressed marks, 25cm. high £100-200

504. Reginald Wells (1877-1951)a Coldrum Pottery vase on tripod feet,covered in a pitted blue glaze, anotherColdrum pottery vase and an Oxshott Potteryvase impressed marks, 15cm. high£100-200

505. Reginald Wells (1877-1951)a large Coldrum Pottery vase, covered in astreaked blue and pink glaze, and anothersmaller Soon vase with lug handlesimpressed mark, repaired rim, 31cm. high

£100-200

506. A C H Brannam Pottery bird jug,dated 1899, modelled as a wading bird, a tallgrass rising to form the handle, glazed blueand green, a twin-handled vase in themanner of Blanch Georgian Vuillamy, andincised marks, restored 26.5cm. high (3)

£100-200

507. Katharine Pleydell-Bouverie (1895-1985)a small stoneware vase, compressed ovoidform with incised decoration, covered in anash glaze, another similar, two saucers, asmall bowl, two jardinieres impressed marks,8.5cm. high (7) £150-250

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508. Ray Finch (1914-2012)a Winchcombe Pottery stoneware cider jar,with wooden tap and cork bung, painted withcombed decoration impressed seal mark,33cm. high £100-200

509. Ray Finch (1914-2012)a Winchcombe Pottery slip decorated plate,and a collection of Winchcombe Potteryimpressed seal marks, 22cm. diam. (a lot)

£100-200

510. Michael Cardew O.B.E. (1901-1983)a Winchcombe Pottery jug, ovoid form,decorated with simple grass design in ochreand brown glazes impressed seal marks,24cm. high £150-250

511. Michael Cardew O.B.E. (1901-1983)a Winchcombe Pottery wall pocket, incisedwith simple grass design in resist, glazedgreen, and another smaller impressed sealmarks, 22.5cm. high (2) £100-200

512. Michael Cardew O.B.E. (1901-1983),attributeda Winchcombe Pottery tankard, incised withfish, glazed yellow-green, another mug andthree jugs impressed Winchcombe seal mark.hairline crack 11.5cm. high (5) £100-200

‡ 513. Michael Cardew O.B.E. (1901-1983)an Early pottery jug, ovoid with appliedhandle, painted in resist with geometric bandin a treacle brown glaze impressed MC sealto base, minor glaze faults 20.5cm. high

£250-300

‡ 514. Michael Cardew O.B.E. (1901-1983)a Winchcombe Pottery flagon, painted withgrass seedheads in brown on an ochreground impressed seal marks, 30cm. high

£200-300

‡ 515. Michael Cardew O.B.E. (1901-1983)a Winchcombe Pottery slip decorated bowl,in brown on a green ground impressed sealmarks 26.5cm. diam. £200-300

LiteratureOliver Watson British Studio Ceramics, Victoria& Albert Museum catalogue, page 163catalogue number 94 for a comparable bowl.

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90

‡ 516. William BillMarshall (1923-2007)a Leach Pottery stoneware teapot and cover,painted with a simple brushed grass designin blue and tenmoku spots on a celadonglaze, a Paul Barron bottle vase, a TrevorCorser Leach Pottery tile, a Rosemary Wrenowl and three other pots impressed sealmarks, chips to spout of pot 13cm. high (7)

£250-300

‡ 517. William BillMarshall (1923-2007)a St Ives porcelain vase, ovoid with collar rim,with impressed flowerhead design coveredin a celadon glaze, impressed seal marks,21cm. high £300-500

518. David Leach (1911-2005)a Lowerdown Pottery vase, slender form withswollen neck and collar rim, covered in arunning Dolomite glaze impressed seal markto base, small chip to base rim, 45cm. high

£100-200

519. Ray Finch M.B.E (1914-2012)a Winchcombe Pottery stoneware charger,decorated with a simple trailed design to welland rim, under an ash glaze, another RayFinch charger glazed tenmoku and anothercharger impressed seal mark, 34cm. diam.

£100-200

520. Ray Finch M.B.E. (1914-2012)a Winchcombe Pottery jug, painted with asimple wavy line design in brown on an ashglaze, a charger and a salt-glazed jugimpressed seal marks, 25.5cm. high (3)

£100-150

‡ 521. Charles Vyse (1882-1971)a stoneware censor, modelled in low reliefand covered in a pale Sung blue crazed glazepainted Vyse 21cm. diam. £200-300

522. Charles Vyse (1882-1971)an ovoid stoneware vase, dated 1928,covered to the foot with a thick pale bluerunning glaze, and a Tenmoku glazed potincised C Vyse 1928 15.5cm. high (2)

£100-200

516

517

518

519 520

521 522

91

523. Malcolm Pepper (1937-1980)a stoneware vase, shouldered form witheverted rim, covered to the foot with a crazedpale blue glaze, painted with a band ofstylised foliage in blue, and a MalcolmPepper plate, painted with a pagoda in agarden setting impressed seal mark to plate,vase has rim chips, vase 41.5cm. high, plate29.5cm. diam.(2) £200-300

ProvenanceThe Liliana Epstein Collection, Christie’sSouth Kensington, 27th April 1998, lot 23(plate)

524. Malcolm Pepper (1937-1980)a shouldered stoneware vase with evertedneck, painted in rust with simple brushdesign, over tenmoku, impressed seal mark,minor over-painting to the top rim, 27cm. high

£100-200

525. Phil Rogers (born 1951)a stoneware bottle vase, decorated in resistwith fish amongst waterweed, under an ashglaze, a jug and a Ray Finch bottle impressedseal marks 19cm. high £100-150

526. Richard Batterham (born 1936)a stoneware footed bowl, the exterior withincised columns glazed tenmoku, the interiorglazed celadon, a tall jug and a covered jugby Richard Batterham unsigned 26cm. diam.(3) £100-200

‡ 527. Jim Malone (born 1946)an Ainstable Pottery vase, fluted, bottle form,incised with simple comb decoration,covered in a running white ash glaze to thefoot, impressed seal marks, 35cm. high

£100-200

528. Mike Dodd (born 1943)a stoneware vase with collar rim, painted andincised with panel design under an ash glaze,a bowl and two single-handled vasesimpressed seal marks, 22cm. high £100-150

529. Mike Dodd (born 1943)a stoneware vase, ovoid form with collar rim,decorated with zigzag motif, under an ashglaze, and another Mike Dodd vase similarimpressed seal marks, 20cm. high (2)

£100-200

523

524

525

526527

528 529

92

530. Mike Dodd (born 1943)a shouldered stoneware vase, decorated inresist with a simple grass design under athick celadon glaze, another Mike Dodd vasewith loop handle decorated with a willowtree and another vase impressed seal marks,24cm. high £100-200

531. Mike Dodd (born 1943)a cut-sided stoneware vase, covered to thefoot in a pale blue glaze, a Mike Dodd teapotand cover and a Peter Swanson vaseimpressed seal mark, 18.5cm. high (3)

£100-200

532. Mike Dodd (born 1943)an ovoid stoneware vase, with fluteddecoration, covered in a pitted celadon glaze,and another smaller impressed seal marks23cm. high £100-150

‡ 533. Mike Dodd (born 1943)a tall, cut-sided stoneware vase, shoulderedwith collar rim, covered in a running thick ashglaze forming zigzag design impressed sealmark, 32cm. high £100-200

‡ 534. Mike Dodd (born 1943)a tall stoneware vase, shouldered, facetedform covered in a running tenmoku glaze, theshoulder with running, thick ash glazeimpressed seal mark, 42cm. high £100-200

535. Colin Pearson O.B.E (1925-2003)a tall salt-glaze stoneware jug, with inciseddesign, a Michael Casson footed bowl and ajug impressed seal marks, 37cm. high (3)

£100-200

‡ 536. Michael Casson O.B.E. (1925-2003)a tall salt-glazed stoneware vase, paintedwith stylised figures dancing impressed sealmark, 38cm. high £100-150

‡ 537. Colin Pearson O.B.E (1925-2003)a large ovoid stoneware vase, with collar rim,covered in a hare’s fur glaze, and ash rim,impressed seal mark, 30cm. high £100-200

530 531

532

533

534

535

536 537

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‡ 538. Dame Lucie Rie D.B.E. (1902-1995)a miniature footed vase, covered to the footwith a mustard yellow glaze impressed sealmark, 4.5cm. high £300-500

ProvenanceA Private Collection of Studio Pottery

‡ 539. John Ward (born 1938)a hand-built stoneware vase, disc form withpulled rim and incised circle design, glazedmottled white and pale turquoise impressedseal mark, 23.5cm. high £350-450

‡ 540. Colin Pearson O.B.E. (1901-1983)a stoneware winged pot, rectangular form,applied with entwined handles, covered in apale blue and pink glaze impressed sealmark, 26cm. high £200-300

‡ 541. Colin Pearson O.B.E (1923-2007)a stoneware teapot and cover, with appliedspout and scroll handle, covered in a pitted blue glaze impressed seal to handle16.5cm. high £100-200

‡ 542. Colin Pearson O.B.E (1923-2007)a stoneware jug, irregular form, with scrollingapplied handle, covered in a pitted blue glazeimpressed seal mark, 21.5cm. high £100-200

538

539

540

541542

94

‡ 543. James Campbell (born 1942)a painted stoneware platter, painted with acoastal scene with a crow in the foregroundin colours incised Campbell 96 52, 38.5cm.

£150-250

‡ 544. Gabriele Koch (born 1948)a tall burnished vase, slender form burnishedblack with pink patches incised GabrielleKoch 32cm. high £200-400

545. Chris Carter (born 1945)a stoneware vase, elliptical section coveredin a volcanic glaze, and another Chris Cartertwisted vase impressed seal mark, 24cm.high, (2) £100-200

546. Peter Beard (born 1951)an inlaid porcelain vase, ovoid with blue andturquoise chevron design, and an AlanWallwork segment vase impressed sealmark, 14cm. high £100-200

‡ 547. Jason Wason (born 1946)a stoneware vase and cover, modelled in lowrelief with fifteen stud panel decoration,glazed black metallic, and another smallerimpressed seal mark 15cm. high £100-200

‡ 548. Takeshi Yasuda (born 1943)a footed earthenware bowl, irregular form,covered in a crackled cream glaze, and aTakeshi Yasuda small jug unsigned 17cm.wide £100-200

549. Mike Dodd (born 1943)a stoneware unomi, incised with grasses,covered in a pitted ash glaze, another MikeDodd Unomi, a Ken Matsuzsaki unomi andanother impressed seal marks 12.5cm. diam.

£100-150

550. Kevin de Choisy (born 1954)a Whieldon glazed gourd teapot and cover,glazed yellow and green, six other studioteapots and a collection of studio potteryimpressed marks, unsigned 29cm. diam.

£100-200

543

544

545 546

547548

549

550

95

JOHN MALTBY

‡ 551. John Maltby (born 1936)an early footed dish, surface decorated andslid decorated with abstract design incisedMaltby 68, chips to enamels 23cm. diam.

£100-150

‡ 552. John Maltby (born 1936)a stoneware electric wall clock, modelled witha bird swooping down on three dangling fishsigned John Maltby to reverse 26cm. high

£150-200

‡ 553. John Maltby (born 1936)a stoneware twin-handled vase, enamelledwith flowers and a red cross on a buffground, the interior and reverse glazed backwith red enamel splashes painted Maltbysignature 17cm. high £300-500

‡ 554. John Maltby (born 1936)a stoneware cup form with applied handle,enamelled with a bird flying past foliage incolours on a buff ground, the interiortenmoku impressed seal mark, 13cm. high

£300-500

‡ 555. John Maltby (born 1936)a stoneware cup form vase enamelled withships at sea, in white and brown on a blueground, the angled vase on rectangularpottery base painted Maltby 17cm. high

£300-500

551

552

553

554

555

96

WALTER KEELER

‡ 556. Walter Keeler (born 1942)a salt-glaze stoneware trough vase, ellipticalform, covered in a blue glaze, the interiormustard yellow impressed seal mark, 33cm. wide £300-500

‡ 557. Walter Keeler (born 1942)a salt-glazed stoneware teapot and cover,with looping gun-barrel spout and straphandle, the conical cover with scrolling strapfinial glazed grey-blue impressed seal mark tothe side 22cm. high, 30cm wide. £300-500

‡ 558. Walter Keeler (born 1942)a salt-glazed stoneware jug, tall cylindricalform with angled neck and applied straphandle, impressed seal mark to body, 26cm.high £200-300

‡ 559. Walter Keeler (born 1942)a salt-glaze stoneware teapot and cover withgun-barrel spout, on ball feet, glazed blueimpressed seal mark, 18cm. high £100-200

‡ 560. Walter Keeler (born 1942)a small salt-glaze stoneware teapot andcover, covered in a blue glaze impressed sealmark to side 14.5cm. high £100-200

‡ 561. Walter Keeler (born 1942)a salt-glaze stoneware ovoid teapot and coverwith over-slung handle, covered in a blueglaze impressed seal mark to side 20cm. high

£150-250

562. Walter Keeler (born 1942)a salt-glaze stoneware storage jar and cover,swollen cylindrical form, glazed blue, and asmall Walter Keeler jug impressed seal mark19cm. high (2) £100-200

‡ 563. Walter Keeler (born 1942)a salt-glaze stoneware plate with fin rim,covered to the rim with blue glaze, the flatwell grey impressed seal mark 30cm. diam.

£100-200

556557

558

559

560

561

562563

97

‡ 564. Walter Keeler (born 1942)a Whieldon stoneware jug and cover, withrope-twist applied handle and spout, coveredin a mottled green and aubergine runningglaze impressed seal mark, 18cm. high

£150-250

‡ 565. Walter Keeler (born 1942)a Whieldon jug, on offset base, covered in apale yellow glaze with green and yellowsplashes impressed seal mark to side 17cm. high £150-250

‡ 566. Walter Keeler (born 1942)a Whieldon glaze jug, angled, faceted form,covered in a splashed green and aubergineglaze, the interior cream impressed seal markto handle 22cm. high £100-200

‡ 567. Walter Keeler (born 1942)an angled Whieldon jug, covered in a green,yellow and aubergine sponged glazeimpressed seal mark, 13cm. high £100-200

‡ 568. Walter Keeler (born 1942)a Whieldon glaze teapot and cover, angledform with over-slung handle and appliedthorns, covered in a Whieldon glaze impressedseal mark, 21.5cm. high £300-500

ProvenanceSotheby’s Contemporary selling exhibition.

564 565

566 567

568

98

569. George Fishley (1771-1865)a rare hand-built pottery watch pocket stand,modelled with a shepherd resting with threesheep, the back modelled in relief withacorns, a mask, shells and geometric leafmotif, glazed in shades of brown and yellow,23cm. high £1,000-1,500

LiteratureJohn Edgeler A Selling Exhibition of 20thCentury Slipware, Winchcombe 12-26thNovember 2011 page 8 for a comparablewatch pocket.

570. Bernard Leach (1887-1979) attributeda Leach Pottery Onion Seller slip decorateddish, painted in shades of brown and whiteon a marbled ground impressed St Ives mark,33cm. wide £300-500

‡ 571. David Leach (1911-2005)an early earthenware tankard possibly LeachPottery, swollen barrel form with appliedhandle and Cornwall symbol, covered in arust brown glaze impressed DL monogram13.5cm. high £100-150

‡ 572. Bernard Leach (1887-1979) a Leach Pottery stoneware vase and cover,covered in a Hare’s fur glaze impressed sealmarks, 13cm. high £250-350

573. Bernard Leach (1887-1979)a Leach Pottery stoneware vase, squaresection with circular rim, resist decorated ingreen over brown wit a hatched design, aJanet Leach vase, a Vera Tollow bowl, a Rakufigure and a stoneware bowl impressed BLand Leach Pottery seals, firing faults,damages to Janet Leach, 13.5cm. high (5)

£200-300

574. Leach Potterya stoneware plate, painted with a Willow treedesign, in shades of tenmoku and blue on aspeckled celadon ground impressed LeachPottery seal mark, 31cm. diam. £100-150

569

570

571

572

573

574

99

‡ 575. Bernard Leach (1887-1979)attributeda Leach Pottery mug, covered to the footwith a pale yellow glaze, incised with proverbAs I was going to St Ives, I Met a Man withSeven Wives and figures, impressed St Ivesseal mark, minor glaze frits, 11cm. high

£300-500

‡ 576. Michael Cardew (1901-1983)a Winchcombe Pottery mug, cylindrical formwith strap handle, incised with a drinkingmotto Brandy and Gin Swell out the Skin...,glazed mustard impressed seal marks,13.5cm. high £250-350

‡ 577. Bernard Leach (1887-1979)a large Leach Pottery stoneware vase, resistdecorated to the shoulder with simple scrolldesign, in a thick tenmoku glaze impressedseal marks to base, small glaze nick to toprim, 25cm. high £600-800

‡ 578. Bernard Leach (1887-1979)a Leach Pottery stoneware vase, waistedcylindrical form, covered to the foot in aspeckled blue glaze impressed seal marks,17cm. high £300-500

576

577

578

575

100

‡ 579. David Leach (1911-2005)a Lowerdown Pottery earthenware coffeeset, fluted form covered to the foot in a tin-glaze, comprising; coffee pot and cover,milk-jug and sugar basin, twelve cups andthirteen saucers, impressed marks, minorfrits coffee pot 18.5cm. high £350-450

‡ 580. David Leach (1911-2005)a large Lowerdown Pottery teapot and cover,with bamboo handle, painted with simplebrush repeat band in blue and tenmoku, twoimpressed seal marks, 22cm. high £300-350

‡ 581. Janet Leach (1918-1997)a Leach Pottery large and impressivestoneware vase, shouldered form, covered ina running ash green glaze impressed sealmark 33cm. high £300-500

582. Lowerdown Potterya stoneware teapot and cover, painted witha flower motif in brown and blue on anoatmeal ground to the foot, a jug similar, a abeaker enamelled with grasses and threeother Lowerdown pieces impressed sealmarks, pot 12cm. high £150-200

‡ 583. Jim Malone (born 1946)a flat-sided stoneware vase, incised with asimple weeping tree design, covered in arunning ash glaze to the foot, impressed sealmark, 38cm. high £650-750

584. Sven Beyer (born 1946)a flaring stoneware bowl with twin-handles,glazed to the interior with ash glaze unsigned43cm. diam. £100-200

585. George J Coxa rare Mortlake Pottery vase, cylindrical formwith applied roundel, covered in a paleceladon glaze incised GJC monogram, M1912, 10.5cm. high £100-150

‡ 586. Charles Vyse (1882-1971)a stoneware vase, covered to the foot in aChun glaze incised C Vyse Chelsea 12cm.high £200-300

579

580

581

582

583

584

585 586

101

‡ 587. Malcolm Pepper (1937-1980)a tall stoneware vase, covered in a runningtenmoku glaze impressed seal mark, 35cm.high £200-300

‡ 588. Malcolm Pepper (1937-1980)a large stoneware vase, fluted ovoid formwith everted rim, covered in a pale bluerunning glaze to the shoulder, over tenmoku,impressed seal mark, 31cm. high £200-300

‡ 589. Malcolm Pepper (1937-1980)a crackle glazed stoneware vase, ovoid,shouldered form with everted rim, paintedwith a frieze of bamboo stems in blue on alight grey crackled glaze to the foot, unsigned27cm. high £100-200

ProvenancePurchased directly from Malcolm Pepper.

590. Ursula Mommens (1908-2010),attributedA stoneware vase, shouldered form, coveredin a running tenmoku glaze, impressed mark25cm. high

ProvenanceHenry Rothschild Associations, Kettle’s Yard,April 1981, purchased by the present vendoras by Ursula Mommens £50-100

591. Malcolm Pepper (1937-1980)attributeda stoneware ovoid vase with everted rim,covered in a running tan glaze over tenmoku,unsigned 35cm. wide £150-200

‡ 592. Michael Casson O.B.E (1925-2003)a Wobage Farm stoneware vase, flaringform, covered to the foot with a trailedtenmoku glaze to the foot, impressed sealmark, 26cm. high

Catalogue NotesThis specific seal with the Wobage W andMC initials dates this vase to 1977-79.

£100-200

‡ 593. Jim Malone (born 1946)a stoneware charger, incised with simplestroke design, covered in a tenmoku glaze,impressed seal mark, 34.5cm. diam.

£100-200

‡ 594. Michael Cardew (1901-1983)a Winchcombe Pottery wall pocket, incisedwith simple grass motif, covered in a richtenmoku glaze impressed seal marks, 22cm.high £100-150

587 588

589 590

591 592

593 594

102

595. Nigerian Village potterya large earthenware vase, ovoid with evertedrim, incised with geometric design, withwoven string stand, unsigned 38cm. high

£100-150

ProvenancePottery From Three Nigerian Villages (PotsFrom Nigeria collected by Damlami Aliyu &Michael O’Brien) Amalgam Gallery, Barnes,1990 (in conjunction with Rupert Spirastoneware pots exhibition).

Private collection.

596. Nigerian Village potterya large earthenware vase, ovoid with evertedrim, incised with geometric design, withwoven string stand, unsigned 38cm. high

£100-150

ProvenancePottery From Three Nigerian Villages AmalgamGallery, Barnes, 1990

Private collection.

597. Jan Van Der Vaart (1931-2000)a porcelain bowl, covered in a flambe glazeto the foot, incised V D Vaart, 26cm. diam.

£100-150

‡ 598. Alan Caiger-Smith (born 1930)an unusual Aldermaston Pottery vase,painted in copper and ruby lustre with an owlperched in a flowering tree bough, thereverse with a parrot, painted monogram,29cm. high £500-800

599. Laurence McGowan (born 1942)a stoneware ginger jar and cover, paintedwith daisy flowers in pink, white and greenon a black ground, two jugs and three othervarious items painted monograms 21cm.high (6) £100-150

600. John Verando a large stoneware vase, dated 1969,amorphic form with twin necks, covered witha running ash glaze, and another by the sameartist, painted signature and date 44cm. high

£100-200

John Verando ran a ceramic gallery andpottery on Richmond Hill, London in the1960s and 1970s.

‡ 601. Poh Chap Yeap (born 1927)a large flat platter with fluted rim, covered ina rich tenmoku glaze, incised Yeap, 37cm.diam. £150-200

595 596

597 598

599

600 601

103

‡ 602. James Tower (1919-1988)Glacier 5, 1980, a rare footed earthenwarebowl, painted decoration, incised Tower30.5cm. diam. £1,000-1,500

LiteratureTimothy Wilcox The Ceramic Art of JamesTower, page 158 catalogue number 151.

‡ 603. Ewen Henderson (1934-2000)a stoneware unomi, irregular form, covered ina volcanic glaze and porcelain slip, 13cm. wide.

£300-400

‡ 604. Alev Siesbye (born 1938)a large open bowl, covered in a rich lapislazuli glaze with bronze rim, incised Alev,23cm. high, 30cm. diam. £2,500-3,500

ProvenancePrivate Collection.

602

603

604

104

605. Mashikoa large stoneware charger, resist decoratedin blue, brown and white glazes on a celadonground unsigned 41cm. diam. £300-500

ProvenanceArts and Crafts Woolley and Wallis 22nd June2011 lot 23.

‡ 606. Keiko Hasegawa (born 1941)a stoneware bottle, covered in a volcanicpurple glaze impressed seal mark, 20cm. high

£100-200

‡ 607. Derek Emms (born 1929)a porcelain bowl incised with a flowerroundel, covered in a celadon glazeimpressed seal mark, 32cm. diam. £100-200

‡ 608. Kawase Shinobu (born 1950)a porcelain bowl with pinched rim, coveredin a celadon glaze, with original fitted box,signed to the underside of the box lid, re-stuck chip to rim 23.5cm. diam. £200-300

‡ 609. Quentin Bell (1910-1996)a Fulham Pottery vase, barrel form, paintedwith geometric design in blue, yellow andochre indistinct marks to base 19cm. high

£100-150

‡ 610. Waistel Cooper (1921-2003)a stoneware vase, swollen form with flaringneck, rough textured finish, the interior withspeckled brown glaze, and a Waistel Cooperbeaker vase painted Waistel 19cm. high

£100-200

‡ 611. Jason Wason (born 1946)a low, flaring earthenware bowl with evertedrim, applied cone decoration, with burnishedglaze impressed seal mark, 37.5cm. diam.

£100-200

‡ 612. Jason Wason (born 1946) a footed stoneware vase, flaring conical formwith applied lug handles, glazed with olivegreen splash impressed seal mark, 19cm.high £100-150

605 606

607

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609

610

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613. Mary Rogers (born 1929)a porcelain footed bowl, irregular sectionwith fluted rim, painted with columns ofradiating dots from the well, and anotherMary Rogers bowl painted with radiatingflower stems, applied paper gallery labels,14cm. wide. £200-300

614. Geoffrey Swindell (born 1945)three porcelain vases, glazed in coloursincised S marks, 15cm. high (tallest) (3)

£300-500

LiteratureLucie Rie, Hans Coper and Their Pupils,Sainsbury Centre for Visual Arts, page 62catalogue number 110-112 for Swindellvases.

‡ 615. Edmund De Waal (born 1964)a porcelain pouring jug, pale celadon glazewith bleeding blue rim, impressed seal mark,8.5cm. high £100-200

‡ 616. Edmund De Waal (born 1964)a porcelain vase and cover, impressed panel,glazed flambe on a celadon groundimpressed seal mark 13cm. high £150-250

‡ 617. Ian Godfrey (1942-1992)a stoneware bowl, the rim with pierced rimdecoration, covered to the foot in a bronzeglaze unsigned, firing cracks to pierced band24cm. diam. £150-200

ProvenancePrivate Collection.

‡ 618. Gwyn Hanssen Pigott (born 1935)a porcelain bowl, covered in a mottledcappuccino glaze impressed seal mark,24cm. wide £300-500

ProvenancePrivate Collection.

619. Peter Lane (born 1932)an early terracotta footed bowl, decorated inresist with abstract design in the style of thePicassoettes, incised signature 17cm. diam.

£50-100

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614

616

617

618

619

615

106

620. Janet Leach (1918-1997)a small Leach Pottery stoneware vase withlug handles, covered to the foot with a redand celadon running glaze, and threeAvoncroft Pottery items attributed toGeoffrey Whiting, impressed seal marks,small chip to Janet Leach vase 12cm. high

£150-250

621. Alan Spencer Green (1932-2003)a solifleur vase, covered in a pale ochrehare’s fur glaze, a pedestal bowl and fourmatt black box and covers etchedmonogram, chip to rim of one box 29cm. high

£200-300

622. Peter Hayes (born 1946)a raku sack form vase, dated 1993, withsolifleur aperture, glazed bronze, an AntoniaSalmon burnished bowl and a porcelain bowlby Joanna Howells incised Peter Hayes 93,19cm. high £100-200

‡ 623. Julia Carter-Preston (1926-2012)an earthenware bowl, covered in a darkbronze glaze incised marks, two fine stresscracks to the rim 32cm. diam. £100-150

‡ 624. Betty Blandino (1927-2011)a hand coiled vase, ovoid with pulled rim,covered in a pitted buff glaze, the interiorglazed brown impressed seal mark, 27cm. high £100-150

‡ 625. Jon Middlemiss (born 1949)a stoneware pot, streamlined form withrectangular lug handle, resist decorated withblue panels on a grey ground, impressed sealmark, 32cm. wide £100-150

‡ 626. David Garland (born 1941)a large flat earthenware bowl, slip decoratedwith white under a brushed green glaze43.5cm. diam. £100-150

‡ 627. Gabriele Koch (born 1948)Vessel with Groove, a smoke fired ceramicvase, etched signature 31.5cm. high

£300-500

ProvenanceGabriele Koch New Ceramics, Beaux ArtsBath, 2008

Private collection

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621

622

623

624

625

626 627

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628. John Ward (born 1938)a hand built stoneware vase. covered in ablue glaze with bronze patches, and anothercovered in a mottled white and pale blueglaze impressed seal mark, 9cm. high

£100-200

‡ 629. John Ward (born 1938)a hand built stoneware vase with pinched inrim, covered in a mottled blue-green glazeover white impressed seal mark, 12cm. high

£100-200

‡ 630. John Ward (born 1938)a hand built stoneware vase, shoulderedform covered in an oatmeal glaze impressedseal mark, 11cm. high £100-200

‡ 631. John Ward (born 1938)a hand built stoneware bowl, with pinched inrim, glaze to inside and out with black andwhite bands, impressed seal mark, 9.5cm.high, 14cm. wide. £150-200

‡ 632. John Ward (born 1938)a hand built stoneware vase, slender fromwith pulled up rim, glazed with broad whitestripe to top rim, over black groundimpressed seal mark, 19cm. high £200-300

629

630

631

632

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‡ 633. John Maltby (born 1936)a slab built vase, painted with an abstract harbourscape,in red and black enamels on a muff ground painted Maltby24cm. high £600-1,000

‡ 634. John Maltby (born 1936)Two Birds and Wall, a large sculpture group, on woodenbase signed and titled to base, paper label to base, 36cn,high, 35cm. wide £400-500

ProvenanceGodfrey Watt

‡ 635. Dame Lucie Rie D.B.E (1902-1995)a stoneware pouring vessel, ovoid with pulled rim, covered ina manganese glaze over grey impressed seal mark 9cm. high

£500-1,000

‡ 636. Dame Lucie Rie D.B.E (1902-1995)a tea cup and saucer, decorated to the exterior withsgraffito lines in a manganese glaze over off white,impressed seal mark 12.5cm. diam. £400-600

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634

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‡ 637. Dame Lucie Rie D.B.E (1902-1995)a flaring bowl, decorated with fine sgraffitolines in manganese on a buff groundimpressed seal 14.5cm. diam. £1,500-2,000

‡ 638. Dame Lucie Rie D.B.E (1902-1995)a flaring conical bowl, covered to the foot inan unusual pitted yellow-green glaze impressedseal mark, 10.5cm. high, 18cm. diam.

£3,000-5,000

637

638

110

‡ 639. Dame Lucie Rie D.B.E (1902-1995)a porcelain footed bowl, covered to the foot with a yellow glaze, the rim withrunning manganese impressed seal mark, 11cm. high, 17cm. diam. £4,000-6,000

111

‡ 640. Kate Malone (born 1959)a Garlic Bud vase, 2001, stoneware coveredin a yellow crystalline glaze etched KateMalone 19.5cm. high £500-800

‡ 641. Felicity Aylieff (born 1954)Asymmetric Vessel, 2000, a large white clayand glass terrazzo vase, 35.5cm. high

£300-400

‡ 642. Christie Brown (born 1946)Head, 2000, a large brick clay and grogsculpture, 32cm. high £400-500

640

641 642

112

643. A Hancock & Sons Morris Ware vasedesigned by George Cartlidge, pattern C77-27ted in colours on a bright blue groundprinted and painted factory marks, facsimilesignature 30cm. high £700-900

644. A Hancock & Sons Morris Ware vasedesigned by George Cartlidge, pattern C2-4, painted in colours printed and paintedmarks, facsimile signature 25cm. high

£400-500

645. A Hancock & Sons Morris Ware vasedesigned by George Cartlidge, pattern C9-9, painted in colours printed and paintedmarks, 16cm. high £400-500

646. A Hancock & Sons Morris Ware vasedesigned by George Cartlidge, pattern C9,painted in colours printed and painted marks15cm. high £350-450

647. A Hancock & Sons Morris Ware vasedesigned by George Cartlidge, pattern C10-12, painted in colours printed and paintedmarks, facsimile signature 22cm. high

£400-500

648. A Hancock & Sons Morris Ware vasedesigned by George Cartlidge, pattern C7-12, painted in colours printed and paintedmarks, facsimile signature 20.5cm. high

£400-500

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649. A Wemyss Pottery tankard, painted incolours with clover, on a white groundimpressed mark, small chip to handle,14.5cm. high £200-300

650. A Wemyss Pottery large tankard,painted with apples, in colours on a whiteground impressed and painted Wemyss14cm. high £200-300

651. A Wemyss Pottery Biscuit box andcover, painted with cherries in pink, brownand green on a white ground impresses,printed and painted marks, 12.5cm. diam.

£180-220

652. A Wemyss Pottery large mug, paintedwith hens and cockerels in black, red andgreen on a white ground impressed Wemyssmark, 14cm. high £200-300

653. A Bernard Moore vase, shoulderedbaluster form, painted with a crane andfinches flying above stylised clouds, coveredin a flambe glaze painted Bernard Mooremark, rim frits 24cm. high £100-200

654. A pair of Bursley Ware Seed Poppyvases designed by Frederick Rhead, paintedin colours printed factory marks, 28cm. high

£500-600

655. A Royal Worcester ewer, dimpledovoid form, printed and painted in coloursand gilt with apple blossom spray, andanother Royal Worcester jug smaller printedfactory marks, 22cm. high £50-100

656. A Rosenthal porcelain After Newtonplate designed by Sir Eduardo Paolozzi,printed to the well with Newton, the rimprinted with geometric panels, printedThomas Germany 31cm. diam. £100-150

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657. ‘Simpkin’, ‘Amiable Guinea Pig’,‘Simpkin’, ‘Ginger’, and ‘Tommy Brock’ fiveBeswick Pottery Beatrix Potter figures,painted in colours, various brown and giltmarks, tallest 12cm. high (5) £200-400

658. ‘Pig Wig’, ‘Benjamin Bunny’, ‘PiglingBland’, ‘Mrs Rabbit’ and ‘Mr BenjaminBunny and Peter Rabbit’ five BeswickPottery Beatrix Potter figures, painted incolours printed gilt and brown marks, 11cm.high (5) £200-400

659. A large collection of Beswick Potteryand Royal Doulton Beatrix Potter figures,painted in colours, printed marks, (a lot)

£400-600

660. ‘Peter Rabbit’, ‘Timmy Willie’, ‘TimmyTiptoes’, ‘Jemima Puddleduck’, Mrs TiggyWinkle’, ‘Tabitha Twitchit’ and ‘Mrs Rabbit’seven Beswick Beatrix Potter figures, paintedin colours, and a Beswick Tree stump displaystand Tabitha silver mark, rest brown factorymarks, stand 30cm. wide. (8) £100-150

661. ‘Duchess with Pie’ a Beswick PotteryBeatrix Potter figure, painted in coloursprinted brown mark 9.5cm. high £200-400

662. ‘Duchess with Flowers’ a BeswickPottery Beatrix Potter figure, painted incolours printed gilt mark, 9.5cm. high

£400-600

663. A set of Four modern Royal DoultonArt Deco Collection limited edition figures,modelled by Tom Potts, comprisingOptimism HN4165, Ecstacy Hn4163, DestinyHn4164 and Wisdom HN4166, painted incolours, in original boxes, (4) £700-900

664. Six Alice in Wonderland porcelainfigures, painted in colours, comprising;Alice, Mad Hatter, Rabbit, Frog, Footman andKing, printed Made in England, impressedtitles, Mad Hatter 12cm. high £100-200

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658

659

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661

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665. A Poole Pottery Contemporary Carafevase designed by Alfred Read, pattern /YCS,painted with columns of stylised foliage inyellow and grey on a white ground, a PoolePottery Chinese Blue vase and five otherPoole Pottery items printed and paintedmarks, 19.5cm. high. (7) £150-200

666. A Poole Pottery Contemporary Carafevase designed by Alfred Read, patternX/PLT, painted with columns in TropicTurquoise, Purbeck and Smoke grey, printedand painted marks, 38.5cm. high £100-200

LiteratureLeslie Hayward and Paul Atterbury PoolePottery, Richard Dennis Publications, page103 for a comparable Carafe vase illustrated.

667. A Poole Pottery Atlantis stonewareHelmet table lamp by Guy Sydenham, withcarved chain-mail decoration to the exteriorglazed white and turquoise, the interiorcarved with a bearded knight glazed orangeimpressed mark, incised monograms,professionally restored30cm. high £200-300

668. Terry Frost‘Trewellard Blue - variant’ a Poole Potteryblank, painted in blue and black on a whiteground, and a Terry Frost wall plate retailedby the Tate Gallery, unmarked, 35cm. diam.

£150-250

669. Ron Hitchens, an eighteen tile panel, each cast in low reliefwith geometric design, glazed copper-bronze, framed, signed Ron HItchens to thereverse, 51.5 x 31.5cm. £50-100

670. A large Poole Potter Studio sculptureby Tony Morris, deeply modelled as a towerof scaly fish, glazed in shades of green andblue, sold with the original Poole Potteryreceipt minor restoration 38cm. high

£800-1,200

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667

668

669

665

670

675

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CONTINENTAL CERAMICS

671. A Longwy Pottery Aesthetic Movement tile, enamelled witha bird flying past flower stems and a geometric border, in colourson a turquoise ground, mounted in wooden stand and nine Englishtiles printed with a floral design, Longwy tile 21cm square, stand29cm. square £100-200

672. An Art Nouveau Ernst Wahliss pottery vase designed byPaul Dachsel, ovoid form, the shouldered modelled in relief with lilypad leaves, the stems looped to form handles, painted in pink andochre, highlighted in gilt impressed marks, 13cm. high £100-200

673. A Jerome Massier Vallauris Pottery vase by Pierre Perret,shouldered form, impasto painted with daisy flowers in colours ona graduated blue ground, and a Pilkington’s Lancastrian twin-handled vase, covered in a golden lustre glaze impressed marks,painted marks, chips to Vallauris, handle missing to Pilkington’s vase16.5cm. high £100-200

674. A tall French Art Nouveau vase, twin-handled form, printedand painted with garlands of roses in red and gilt on a blue ground,the neck decorated with a band of laurel, painted factory mark,54cm. high £200-300

675. A Zsolnay Pecs model of a woman undressing, covered in agolden green lustre glaze, and an Art Nouveau continental potterymodel of a draped nude female covered in a red lustre printed giltmark, impressed 12, red figure with old restorations, 26cm. high

£200-300

676. A large Fischer Hungarian pottery ewer, pierced form, thescrolling spout and handle with grotesque mask terminals, incolours on a cream ground, highlighted in gilt, stamped mark to base46cm. high £200-250

677. A large Art Nouveau terracotta figural vase from a modelby Artistide de Ramieri, modelled with a woman drinking from awaterfall, the tall neck with metal liner signed in the cast, minorchips, 56cm. high £400-500

678. A tall terracotta sculpture of a woman crouching cast froma model by Emil Caver, dated 1903, modelled crouching to pick upa frog, painted grey signed in the cast and dated 60cm. high

£400-600

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677

678

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671

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679. Six Richard Ginori earthenwareflower pots, modelled, flaring cylindricalform, covered in sky blue, orange and vividyellow glazes printed Richard Ginori mark9.52.6, 11cm. high £400-600

680. A Richard Ginori coffee set for sixdesigned by Gio Ponti, model no.5030,glazed black and white, comprising; coffeepot and cover, milk-jug, sugar basin and coverand six small cups and saucers printedRichard Ginori mark, 28-9-35, painted 5030,17cm. high (9) £800-1,200

681. A Richard Ginori vase the designattributed to Gio Ponti, shoulderedcylindrical form, painted with a patchworkdesign in shades of blue printed RichardGinori mark, painted 5002/3427, fine hairlineto inside of top rim, 23cm. high £400-600

682. Al Merito three Fornasetti platesdesigned by Piero Fornasetti, each printedin colours with medals, printed factory marks,numbers 3,4,5, chip to rim of one, 26cm. diam.

£200-300

683. Pablo Picasso (1881-1973)Service Visage Noir, a Madoura pottery charger, designed 1948 inan edition of 100impressed Madoura Plein Feu and PicassoEditions mark, painted edition Picasso,restored 42cm. diam. £500-800

LiteratureA.Ramie Picasso Catalogue de l’OeuvreCeramique Edite 1947-1971, Madoura,catalogue number 35.

684. A Saxbo Danish stoneware vase byJais Nielsen, shouldered form modelled inlow relief with saints and Roman soldiersgathered around the dead Christ figure,glazed green impressed and incised marks,16cm. high £100-200

685. An Arabia Finland teapot and coverdesigned by Ulla Procope-Nyman, coveredin a matt brown glaze, an Arabia stonewaredish, A Royal Copenhagen Faience tall vaseand three other items printed marks, teapotcracked 16cm. high (6) £100-150

679

680

681

682

683

684 685

118

686. A collection of reference books ondesign, including; Liberty Style by MervynLevy, The Liberty Style by Victor Arwas,Nanny Still catalogue, Timo Sarpaneva aretrospective , 1994, Finnish Post War Glass(1945-1996) and Schmuck BurgGiebichenstein 1970-1992, and TaschenDecorative Arts Yearbooks (a lot) £100-150

687. Tom Gentleman (1892-1966)The Grey Horses, SP11a school print, published by the BaynardPress, framed signed in the print, Studio Designs paperlabel to reverse67 x 42cm (image) £100-200

688. ‘Artek 1935-1985’ a colour poster,framed 69 x 72cm. £50-100

689. Edward Rogers (1911-1994)a collection of black and white patterndesigns on paper, dated circa 1975, mountedin seven frames 66 x 54cm. £100-200

690. Raymond Peynet (1908-1999)a lithographic print on paper, framedsigned Peynet, numbered 171/175 65 x 49cm. £100-200

691. ‘L’Estampe Moderne’ a lithographcover by Alphonse Mucha, Juin 1897 signedin the print 41 x 31cm. £200-300

692. ‘Clio’ thirteen lithographs byAlphonse Mucha, 1899, with hand gilding,individually framed signed in the print 12 x8cm. £1,000-1,500

LiteratureAnn Bridges Alphonse Mucha The CompleteGraphic Works, page 168 catalogue L.25

693. ‘Sitra’ an off-set lithograph byAlphonse Mucha, 1900, framed signed inthe print 19 x 7cm (image) £150-200

686

687

688 689

690 691

692 693

119

694. ‘Ilsea’ four colour lithograph prints on paper by AlphonseMucha, 1897, framed, signed in the print 29 x 20cm (sheet)

£800-1,200

695. ‘Monaco - Monte Carlo’ a modern lithographic printedposter after a design by Alphonse Mucha, authorised by JiriMucha, framed, signed in pencil and numbered 230/350,, 57 x39cm (image) £2,000-3,000

LiteratureAnn Bridges Alphonse Mucha The Complete Graphic Works page59 catalogue A21 for the original design illustrated.

696. ‘Madonna with Child’ a colour heliogravure on paper byAlphonse Mucha, 1919, framed, 15 x 10.5cm. £300-400

697. ‘Slavia’ a colour heliogravure print by Alphonse Mucha,1919, framed, and ‘The Feast of Svantovit on Rgen Island’ byAlphonse Mucha, 22 x 14cm. £150-200

698. ‘Kapitola III’ a colour lithograph by Alphonse Mucha,1897, framed, 19.5 x 15cm (image) £300-400

694

695

696 697 698

120

LESLIE GOODAY PAINTINGS699. Leslie Gooday O.B.E. (1921-2013)The Black Chimney, 1993watercolour on paper, framedsigned and dated lower left36.5 x 10.5cm. £100-150

700. Leslie Gooday O.B.E. (1921-2013)Aztec 4acrylic on paper, framedsigned lower left42 x 29.5cm. £100-200

701. Leslie Gooday O.B.E. (1921-2013)Cyclamen and Table Flowersacrylic on paper, framedsigned lower right31 x 28.5cm. £100-200

702. Leslie Gooday O.B.E. (1921-2013)Targetacrylic on paper and collage, framedsigned lower left51 x 51cm. £100-200

703. Leslie Gooday O.B.E. (1921-2013)The Red Tulip, acrylic on paper, framedsigned lower right51 x 36cm. £100-200

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701

702 703

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704. Leslie Gooday O.B.E. (1921-2013)Hiram Abim, acrylic on board, framedsigned lower right56.5 x 26.5cm. £100-200

705. Leslie Gooday O.B.E. (1921-2013)The White Horse of the Apocalypseacrylic on paper, framesigned lower right57 x 27cm. £100-200

706. Leslie Gooday O.B.E. (1921-2013)The Frogacrylic on paper, framedsigned lower left35 x 32cm. £100-150

707. Leslie Gooday O.B.E. (1921-2013)Abdo Nagi Potacrylic on paper, framedsigned lower right and monogrammed45 x 25cm. £100-200

708. Leslie Gooday O.B.E. (1921-2013)Vases in a landscape (untitled)acrylic on paper, framedsigned lower left35 x 38cm. £100-200

704 705

706

707

708

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FURNITURE

709. A Liberty & Co Anglo Moorishbureau, with arched substructure andmashrabiya panel gallery applied paper label62cm. wide, 93cm. high £200-300

LiteratureDaryl Bennett Liberty’s Furniture The Birth ofModern Interior Design, ACC, page 85 plate3.46 for a sideboard with similar decoration.

710. An Arts and Crafts mahogany wall-mounted display shelf possibly Shapland &Petter, the back inset with patinated metalfish roundel, stamped R930, 127 to back, ,67cm. high, 76cm wide £100-200

711. A James Shoolbred mahoganyoccasional table, possibly designed by H.W.Batley, model 9105, octagonal top overflaring legs and rectangular shelf stampednumber 61 x 45cm top, 67cm high.

£100-200

712. A Liberty & Co oak and leatherfirescreen, the rectangular Letho paneldecorated with embossed foliate designapplied leatho label 77 x 59cm. £150-250

713. A Heal’s oak Fine Feathers dressingtable probably designed by Ambrose Heal,inset with pewter bird motif, Fine FeathersMake Fine Birds,107cm. wide, 140cm. high

£300-500LiteratureJohn Andrews Arts and Crafts Furniture,Antique Collector’s Club page 141 plate 147for a comparable piece.

714. A pair of Liberty & Co stonewarejardinieres designed by Archibald Knox, thetapering body with look handles, cast in reliefwith Celtic entrelac motif, stamped mark,weathered 36cm. high £1,000-2,000

709

712 713 714

709 label

711

710

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715. An Arts and Crafts patinated coppertwin-branch ceiling light, the piercedcircular section body with pink silk hangingshade, with central rod flanked with threescrolling supports unsigned 53cm. diam.

£200-300

716. A pair of Cotswold School oakpedestals or occasional tables, slenderoctagonal tops on tapering stem andradiating cruciform form foot unsigned77cm. high £100-200

717. An Austrian Secessionist paintedwood plant trough, rounded rectangularform, painted in black and white 80cm. high,81cm wide £250-350

718. An Austrian bentwood hallstand inthe manner of Thonet, flaring squaresection, with bentwood hooks, stamped NA& AFI to on leg 201cm high £100-200

719. A Paco Rabanne cream lacquereddining table, the faceted central pedestalsupporting octagonal top with singleextension leaf, remains of signature PacoRabanne to side to top, 130cm. wide.

£100-200

720. A Venini glass hanging ceiling light,thirty six cylindrical shades on a chromeframe, 44cm high £500-800

715

716

717

718

719

720

721. A rare stag beetle coffee table designed by Francois Melin, brass segmented body, partially gildedand patinated, with rectangular glass top, 101.5 x 64cm. £5,000-7,000

124

125

λ 722. A gilt bronze and ivory figuralcasket cast from a model by DominiqueAlonzo, modelled as a Renaissance lady,hinged at the plinth, on alabaster basestamped marks, 18cm. high £400-600

ProvenanceChristie’s (?) July 1986 lot 1248

Private collection

723. A gilt bronze candlestick cast from amodel by Auguste Rubin, modelled as afemale figure, supporting a foliate sconce,signed Rubin in the cast 29cm. high

£300-500

724. A patinated bronze figural vide pochecast from a model by Auguste Rubin,hinged, modelled as an Art Nouveau maidenholding an oil lamp signed in the cast Rubin20cm. high £200-300

725. An Art Nouveau patinated bronzefigural lamp base cast from a model by MMeliodon, modelled as a female figure, backarched and arms outstretched, on ebonisedwood base signed in the cast, 54cm. high

£400-600

726. Shackled a large patinated and coldpainted bronze figure cast from a model byEmmanuel Villanis, modelled as a nubinaslave, bare-breasted with red skirt andturban, signed in the bronze E Villanis59.5cm. high £1,000-2,000

722

723

724

725

726

126

727. Moe a patinated bronze bust castfrom a model by Emmanuel Villanis, ontitled socle, signed in the cast E Villanis,26.5cm. high £400-600

728. A pair of patinated bronze ArtNouveau busts cast from a model by H.Vidal, on red veined marble bases, signed inthe bronze cast 20cm. high £400-600

729. Frinette a patinated bronze bust castfrom a model by Emmanuel Villanis, on waisted, titled socle signed in the cast E Villanis, stamped A513, 22cm. high

£300-500

730. Diane a patinated bronze bust castfrom a model by Emmanuel Villanis, ontitled socle signed in the cast E Villanis,impressed foundry roundel 21cm. high

£300-500

731. Dancer with Flowers a patinatedbronze bust cast from a model by V Bruymeesigned in the bronze, Paris 25cm. high

£400-600

732. ‘Silvia’ a patinated bronze cast froma model by Emmanuel Villanis, on titledwaisted socle, on red veined marble basesigned E Villanis in the cast with foundrymark, and numbered 6438 30cm. high

£500-800

727

728

729730

731 732

127

733. A patinated bronze figure of Victory,standing on an orb, on waisted socle andsquare base, unsigned 19cm. high £100-150

734. A silvered bronze model of a womanholding a garland of flowers cast from amodel by Helene Grunne, signed in the castHelen Grunne and foundry mark, 29cm. high

£200-300

735. Reveil a gilt bronze figure cast from amodel by Paul Philippe, on veined green onyxbase, signed in the cast Philipe, 40cm. high

£500-800

736. A pair of Art Nouveau patinatedbronze vases cast from a model byEdmond Moreau-Sauve, cast with twin-handles, the rim flower encrusted on sinuousfoliate stems, on white marble bases, signedin the case Moreau Sauve 49cm. high

£1,000-1,500

737. A Secessionist silver hand-mirror andhairbrush, cast in low relief with geometricdesign, a Secessionist patinated brassinkwell, a stamp box similar, an enamelledglass vase in the manner of Emile Galle and aglass vase decorated with monkeys, stampedmarks, damages, mirror 30cm long; (6)

£100-200

738. ‘Albert Carre’ a bronze plaque castfrom a model by Alexandre Charpentier,signed AC in the case 8 x 7cm. £50-100

733 734

735

736

737

738

128

739

740

739. Ivor Abrahams (1935-2015)Gymnasts, three patinated bronze figures, signed in the cast 25cm. wide £1,500-2,000

‡ 740. Terence Coventry (born 1938)Owl (silver), 2006cast sterling silver in an edition of 10signed in the cast TC 6/10 and assay marks, 13.5cm. high

£800-1,200

ProvenanceGallery Pangolin, 2006

Private collection.

LiteratureTerence Coventry, Gallery Pangolin, 2006 exhibitioncatalogue this actual sculpture illustrated.

741. Richard CowdySwimming Pool, 1975patinated bronzesigned and dated 75 in the cast60 x 34cm. £300-400

741

129

742. ‘Beethoven’ an Arts and Craftscarved mahogany frame, rectangular,carved with foliate columns and set withpatinated copper life masks, incised musicalscore for Andante Cantabile, with print datedParis 1901, 90 x 58.5cm. £300-500

743. An Arts and Crafts copper frame,rectangular, stamped in low relief with thistleand Robbie Burns quotes, with Burn’s Graceprint by Henry John Dobson ARCA (1858-1928), 62 x 52cm. £100-200

744. An Art Nouveau Orivit three piece teaset on a tray, model 2173-2175, cast in lowrelief with flowering foliage sprays,comprising teapot and cover, hot-water potand cover and milk-jug, on a twin-handledtray stamped marks, tray 43cm. wide.

£100-200

745. A Tiffany Studios bronze desk letterrack, cast in low relief and set with motherof pearl disks stamped Tiffany Studios NewYork, etched 452, 16cm. wide £200-300

746. A pair of W.M.F pewter and glassdecanters, with hinged covers, the cast withflowers, the glass body with cut foliatedesign stamped marks, 26cm. high

£200-250

747. A Secessionist copper and brass traydesigned by Gustave Serrurier-Bovy, swollenrectangular form the rim and handles withpierced decoration unsigned 53.5cm. wide

£350-450

748. A patinated copper tray, rectangular,the well cast in low relief with a water nymphpulling a fairy across a pond on a lilypadsigned in the cast D R Kuck, 29.5cm. wide

£200-300

749. An Elkington & Co Egyptian Revivalcentrepiece, dated 1881, the piercedlozenge base set with two Sphinx, belowscallop shell and lotus flowers, with cut glassbowl, with commemorative inscription,stamped marks, 28cm. wide £300-500

742

743

744

745

746

747

748 749741

130

750

751

752

753

754

755

756 757758

750. A Liberty & Co Tudric Pewter threepiece tea set, model no.0303, cast in lowrelief with a stylised foliate panel, comprisingteapot and cover, milk-jug and sugar basinstamped marks, 12.5cm. high £100-200

751. A Liberty & Co Tudric Pewter jugdesigned by Archibald Knox, cast in lowrelief with Art Nouveau whiplash design, aLiberty tray designed by Archibald Knox anda four piece pewter teaset stamped marks,20cm. high £200-400

752. A Liberty & Co English Pewter threepiece coffee set designed by ArchibaldKnox, model no.0231, cast in low relief withwhiplash Honesty, comprising coffee pot andhinged cover, milk-jug and sugar basin,stamped marks, 22cm. high £250-300

753. A Liberty & Co Tudric Pewter vasedesigned by Archibald Knox, bombe form ontripod foot, cast in low relief with Art Nouveaufoliate design, another pewter vase model0821 and a tray designed by Archibald Knox,stamped marks 19cm. high (3) £200-400

754. An Arabia Pottery teapot and coverdesigned by Ulla Procope-Nyman, coveredin a matt white glaze, a Royal Copenhagenpolished metal desk tidy, a Stelton coffee potand a collection of items printed factorymark, 15.5cm. high £100-200

755. A Best & Lloyd polished aluminiumtable lamp designed by Gerald Abramovitz,51cm. high, 72cm. wide £150-250

Catalogue NotesThis lamp won a Design Centre Award in1966 and was exhibited at the PhiladelphiaMuseum of Art exhibition Design Since 1945,(1983-84)

756. ‘Arundel’ a screen-printed textiledesigned by John Piper, printed by ArthurSanderson printed selvedge, 214 x 118cm

£100-200

757. A perspex and polished aluminiumLumitron table lamp designed by RobertWelch, 54cm. high £200-300

758. An Olivetti Valentine typewriterdesigned by Ettore Sottsass, designed 1969,a Tam Tam stool designed by Henry Massonnetand a Secticon desk clock designed by AngeloMangiarotti, clock 24cm. high (3) £100-200

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759. A Liberty & Co Cymric silver button,cast in low relief with a pomegranate, andanother Liberty & Co Cymric silver buttoncast with a sailing boat, stamped marks,Birmingham 1901 2cm. diam. £50-100

LiteratureBarbara Morris Liberty Design, ChartwellBooks, page 84 for a Cymric rose bowl withsimilar pomegranate design, attributed toBernard Cuzner.

760. A Charles Horner Art Nouveau silverhatpin, cast and pierced with a simple berryand entwined foliate design, and seven otherhatpins stamped marks, 18cm. long (8)

£200-250

761. A Liberty & Co 9ct gold enamel andseed pearl brooch designed by ArchibaldKnox, made by W H Haseler, modelled as anArt Nouveau entwined foliate stem withgreen enamel leaf, set with three small seedpearls, stamped marks, London 375, 1941

£800-1,200

762. A set of six Liberty & Co silver andenamel spoons the design attributed toArchibald Knox, the flower terminalsenamelled green and blue, in original fittedcase, stamped marks, Birmingham 19229.5cm. diam. £500-600

763. A William H Haseler silver andenamel card case, rectangular, hinged form,cast in and stamped in low relief with a vaseof flowers, enamelled black petals, stampedmarks, WHH Birmingham 1924, 8.5 x 6.5cm.

£200-300

764. John William Bailey (1831-1914)Ch. Brocidlea, 1908miniature enamel portrait of a bulldog,framedsigned, titled and dated lower right7 x 6cm. (panel) £200-300

765. A novelty Parasol glass and metaldesk clock, with German movement, the dialwith Arabic numerals and rose garlanddecoration 16.5cm. high £150-200

766. A Hermes bronze and tortoiseshellpicture frame, rectangular with easel back,stamped Hermes Paris 27 x 21cm. £200-300

759

760

761

762

763 764

765

766

767. A Novelty Screw electroplated desktidy unsigned 16cm. high £100-150

768. A Modernist patinated metalsculpture, textured finish with applied castroundel of musical instruments, on steppedebonised wood base 41cm. high £100-150

769. a large collection of Novelty cruets,including ceramic, glass and plastic (a lot)

£50-100

770. A Novelty aeroplane electroplatedteapot and cover, with ebonised woodhandle, unsigned 24cm. wide £150-200

771. A Georg Jensen silver christeningspoon and fork, the flaring stems stampedHugh, a Bernard Instone silver butter knifewith turquoise enamel roundel and two othersilver spoons stamped marks 14cm long

£100-200

772. A Georg Jensen silver coaster, modelno.51D, decorated with a simple band offlowering vine, and four smaller coastersstamped marks, 11.5cm. diam. £300-400

773. A set of six Georg Jensen Acornsilver knives and forks, in original fitted box,with silver blades and handles, stampedmarks, 17cm. high £400-500

774. A Georg Jensen silver necklace,modelled as a simple leaf wrapped around aball chain, stamped mark, facsimile signature5cm wide (leaf) £250-300

775. A Georg Jensen silver brooch, modelno.251, pierced rectangular form cast with twinleaping dolphins stamped marks, 4cm. wide

£200-250

776. A Georg Jensen silver brooch, modelno.301, modelled as a wreath of tulip flowersstamped marks, 3.5cm. diam. £150-200

767

768

769770

771

772

773774 775 776

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133

777. A silver link bracelet, by T E From, twosilver neck rings and a collection of jewellerystamped marks, 16.5cm. wide £100-200

778. A Flora Danica silver gilt brooch byEggert Denmark, by Orla and Grethe Eggert,modelled as a leaf, and another largerstamped marks, largest 6cm. wide £50-100

779. A Stratton enamelled metal compact,circular with hinged cover, enamelled withEgyptian panel in black and orange, a LucienLelong white enamelled compact and twoother enamelled compacts stamped marks8cm. diam. (4) £100-150

780. Two French hand-clasp celluloidcigarette cases, one marbled cream, withyellow sleeved ivorine hand holding a greenpebble forming the clasp, the other in a deepchocolate and blue marble, the blue checkedsleeve hand curving over the edge as theclasp stamped Foreign, £200-250

LiteratureThe Pursuit of Style John Jesse at KensingtonChurch Street, Sotheby’s 22nd February 2006lot 268 for two identical cigarette cases

Bevis Hillier The World of Art Deco TheMinneapolis Institute of Art, London, page176 for comparable.

781. A large Russian samorodok silver andamber compact, circular, the hinged coverset with panels of Amber inset withimpurities and a captured fly, the base atextured samorodok silver finish, with originalfelt pouch unsigned 10cm. diam. £100-150

782. A Tiffany & Co compact, squaresection, L’Odeon style with radiatingsunburst, set with yellow metal geometricclasp with three rubies, in original felt casestamped Tiffany & Co 14K 6cm. square

£100-150

783. A Dhassy Brevete enamelled metalcompact, canted square section, the hingedcover enamelled with geometric design setwith egg shell, a Coty Powder box and coverdesigned by Rene Lalique, a lipstick casewith Peynet figure decoration and thirteenother compacts and containers stampedmarks, 5cm. square £100-150

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Asian ArtWednesday 20th & Thursday 21st May 2015

ENQUIRIESJohn AxfordTel: +44 (0)1722 424506johnaxford@woolleyandwallis.co.uk

A fine and rare pair of Chinese Imperial pale celadon jademodels of jardinières, Qianlong 1736-96, 37.5cm overall.Provenance: a distinguished private collection in the UK, purchased from John Sparks Ltd.

Estimate: £40,000-60,000

Arts & CraftsWednesday 17th June 2015Closing date for entries 23rd April

ENQUIRIESMichael JefferyTel: +44 (0)1722 424505michaeljeffery@woolleyandwallis.co.uk

A rare Liberty & Co silverclock, model no. 579, stampedmarks, London 1900.Estimate: £3,000 - £5,000

Clocks, Watches & Scientific InstrumentsFriday 17th July 2015Entries are now being accepted for this sale

ENQUIRIESRichard Price (Consultant)Tel: +44 (0)7741 242421richardprice@woolleyandwallis.co.uk

Part of a collection of fifty carriage clocks, including silver and gold mounted examples.Varying estimates.

Fine Porcelain & PotteryTuesday 15th September 2015Entries are now being accepted for this sale

A rare English delftware dry drug jar, dated 1663, inscribed ‘DIASCORDIUM’ for Water Germander, cultivated in Britain for use as an antidote to poisons and as an antiseptic.Estimate: £1,5000 - £2,000

ENQUIRIESClare DurhamTel: +44 (0)1722 424507claredurham @woolleyandwallis.co.uk

Auction Information

OPENING HOURSMonday to Friday 9am – 5.30pm and 10am to 1pm on Saturdays.

VIEWINGAll our auctions are on view at least two days prior to the sale and details will be found in therelevant catalogues.

BIDDING IN THE ROOMTo bid at auction you will need a paddle number. Thiscan be obtained from the office either during the viewor on the day of the sale. We now provide permanentpaddle numbers which can be used for any future sale,once registered.

REGISTERING WITH USAll first time buyers need to register with us. Onceregistration is complete you will be provided with apermanent paddle number which can be used in allfuture sales.

To register, you will need to provide two forms ofidentification:

1. a passport or photographic driving licence

2. a utility bill or document showing your name and address

You can register in person or by contacting the office on01722 424500 or emailing enquiries@woolleyandwallis.co.ukYou will be asked to show your documents, or fax oremail copies.

PLEASE NOTE: Registering with the-saleroom.com orthrough our website does not automatically registeryou with us.

COMMISSION BIDDINGIf you are unable to attend the sale you can leave acommission bid. This will be executed on your behalfby the auctioneer who will purchase the lot as cheaplyas possible bearing in mind any reserve price and other bids.

TELEPHONE BIDDINGIt is usually possible to bid on the telephone by priorarrangement with the office.

LIVE ONLINE BIDDINGLive online bidding is now available for most of ourauctions via the-saleroom.com, enabling you to takepart in the bidding from anywhere in the world, live as it happens. To bid online you need to register atwww.the-saleroom.com, subject to approval. There is a 3% charge for this service.

In completing the bidder registration on www.the-saleroom.com and providing your credit carddetails and unless alternative arrangements are agreedwith Woolley and Wallis Salisbury Salerooms Ltd, you:

1. authorise Woolley and Wallis Salisbury SaleroomsLtd, if they so wish, to charge the credit card givenin part or full payment, including all fees, for itemssuccessfully purchased in the auction via the-saleroom.com, and

2. confirm that you are authorised to provide thesecredit card details to Woolley and Wallis SalisburySalerooms Ltd through www.the-saleroom.com andagree that Woolley and Wallis Salisbury SaleroomsLtd are entitled to permit the shipping of the goodsto the card holder name and card holder addressprovided in fulfilment of the sale.

CONDITION REPORTSThe relevant department will be pleased to givecondition reports on any lot, where practical. Allweights and measures given in the catalogue shouldbe regarded as approximate.

The colours printed in the catalogue are not necessarilytrue.

SALE RESULTSThese will be posted on our website shortly after the sale.

BUYER’S PREMIUMEach lot is subject to a Buyer’s Premium of 22% + VATon the first £500,000 of the hammer price and 12% + VATthereafter.

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PAYMENT AND CLEARANCEPayment is due immediately after the auction inpounds sterling. If you are a first time buyer we willneed your name, address and bank details and willrequire funds to be cleared before purchases can bereleased.

The following methods of payment may be made:

Bankers draft, cashiers cheque, personal cheque,travellers cheques, debit and credit cards and cash upto a sterling equivalent of €15,000. We are no longerable to accept card payments of over £1,000 where thecard-holder is not present.

Wire transfers should be sent to:Lloyds TSB, Blue Boar Row, Salisbury SP1 1DB.Account no. 00957707Sort code 30-97-41IBAN no. GB20LOYD30974100957707BIC code LOYDGB21063

Credit cards: Visa or Mastercard for which there is a2% surcharge + VAT

Debit cards: Delta, Switch, Connect

Where practical, payment can be made and purchasescollected during the auction.

Please note that furniture and clock lots will normallyremain in our salerooms for three working daysfollowing each sale, after which they will be removedto our store and arrangements for collection must bemade in advance with the office.

Storage charges will be levied on all lots in thefurniture and works of art and clock sales not collectedwithin 30 calendar days of the sale. This will include ahandling fee of £20 (+ VAT) per consignment and astorage charge of £2 (+ VAT) per lot per day. No goodswill be allowed to be collected until these charges havebeen paid.

VATLots marked with an asterisk (*) are subject to VAT onthe hammer price. Lots marked with an omega (Ω) havebeen temporarily imported from outside the EU and aresubject to VAT at 5% on the hammer price and thebuyer’s premium. In online catalogues, the Sales Tax %column indicates the rate of VAT on hammer price.

CITES REGULATIONS Please note that lots marked λ may be subject toCITES Regulations when exported.

The CITES Regulations may be found atwww.defra.gov.uk/ahvla-en/imports-exports/cites/

ARTIST’S RESALE RIGHT / DROIT DE SUITEDroit de Suite is a royalty payable to a qualifying artist orthe artist’s heirs each time a work is resold during theartist’s lifetime and up to a period of 70 years after theartist’s death.

Royalties are calculated on a sliding percentage scalebased on the hammer price excluding the buyer’spremium. The royalty does not apply to lots sellingbelow the sterling equivalent of €1,000 and themaximum royalty payable on any single lot is the sterlingequivalent of €12,500.

Droit de Suite, which is not subject to VAT, will be addedto the buyer’s purchase price and then passed on to therelevant collecting agency.

Please enquire for the accepted exchange rate on theday of the sale.

Royalties for Droit de Suite are as follows:

4% Up to €50,0003% €50,000.01 - 200,0001% €200,000.01 - 350,0000.5% €350,000.01 - 500,0000.25% In excess of €500,000Up to a maximum levy of €12,500

Lots marked with a ‡ symbol are potentially subject to the levy.

PACKING AND SHIPPINGWoolley & Wallis do not offer a packing and despatchservice but the following are carriers in our area.

Alban Shipping 01582 493 099info@albanshipping.co.ukwww.albanshipping.co.uk

APS 0800 118 5868 sales@apservices.info07736 544 362www.apservices.info

Mailboxes 01264 360 333info@mbeandover.co.ukwww.mbe.co.uk/andover

Pack & Send 0845 465 0564sales@packsend.co.ukwww.packsend.co.uk

Please note that we cannot be held responsible for anydamage or loss to items once they are in the hands ofa carrier.

SOCIETY OF FINE ART AUCTIONEERS AND VALUERS and the ROYAL INSTITUTION OF CHARTERED SURVEYORS

CONDITIONS OF BUSINESS

INFORMATION FOR BUYERS 1. Introduction. The following informative notes are intended to assistBuyers, particularly those inexperienced or new to our salerooms. All salesare conducted on our printed Conditions of Sale which are readily availablefor inspection and normally accompany catalogues. Our staff will be happyto help you if there is anything you do not fully understand.

2. Agency. As auctioneers we usually contract as agents for the sellerwhose identity, for reasons of confidentiality, is not normally disclosed.Accordingly if you buy your primary contract is with the seller.

3. Estimates. Estimates are designed to help buyers gauge what sort of summight be involved for the purchase of a particular lot. The lower estimatemay represent the reserve price and certainly will not be below it.Estimates do not include the Buyer’s Premium or VAT (where chargeable).Estimates are prepared some time before the sale and may be altered byannouncement before the sale. They are in no sense definitive.

4. The purchase price. The Buyer shall pay the hammer price together witha premium thereon of 22% on the first £500,000 and 12% thereafter +VAT at the appropriate rate.

5. VAT. (*) indicates that VAT at the current standard rate is payable by thepurchaser on the hammer price as well as being an element in the buyer’spremium. This imposition of VAT is likely to be because the seller is registeredfor VAT within the European Union and is not operating the Dealers MarginScheme or because VAT is due at 20% on importation into the UK. The doublesymbol (**) indicates that the lot has been imported from outside the EuropeanUnion and the present position is that these lots are liable to a reduced rate ofVAT (5%) on the gross lot price (i.e. both the hammer price and the buyer’spremium). Lots which appear without either of the above symbols indicatethat no VAT is payable on the hammer price. This is because such lots are soldusing the Auctioneers’ Margin Scheme and it should be noted that the VATincluded within the Premium is not recoverable as input tax.

6. We are, primarily, agents for the seller. We are dependent on informationprovided by the seller and whilst we may inspect lots and act reasonably intaking a general view about them we are normally unable to carry out adetailed or any examination of lots in order to ascertain their condition in theway in which it would be wise for a buyer to do. Intending buyers have ampleopportunity for inspection of goods and, therefore, accept responsibility forinspecting and investigating lots in which they may be interested. Pleasenote carefully the exclusion of liability for the condition of lots contained inthe Conditions of Sale. Neither the seller nor we, as the auctioneers, acceptany responsibility for their condition. In particular, mechanical objects of anyage are not guaranteed to be in working order. However, in so far as we haveexamined the goods and make a representation about their condition, weshall be liable for any defect which that examination ought to have revealedto the auctioneer but which would not have been revealed to the buyer hadthe buyer examined the goods. Additionally, in specified circumstances lotsmisdescribed because they are ‘deliberate forgeries’ may be returned andrepayment made. There is a 3 week time limit. (The expression ‘deliberateforgery’ is defined in our Conditions of Sale).

7. Electrical goods. These are sold as ‘antiques’ only and if bought for usemust be checked over for compliance with safety regulations by aqualified electrician first.

8. Export of goods. Buyers intending to export goods should ascertain (a) whetheran export licence is required for the goods to leave the U.K. and (b) whetherthere is any specific prohibition on importing the goods in question into thedestination country because, e.g. they may contain prohibited materials such asivory. Charges may be applicable for export licences. Ask us if you need help.

The denial of any permit or licence shall not justify cancellation or rescission ofthe sale contract or any delay in payment.

9. Bidding. Bidders will be required to register before the sale commencesand lots will be invoiced to the name and address on the registration form.Some form of identification will be required if you are unknown to us.Please enquire in advance about our arrangements for telephone bidding.

10. Commission bidding. Commission bids may be left with the auctioneersindicating the maximum amount to be bid excluding buyers’ premium. Theywill be executed as cheaply as possible having regard to the reserve (if any)and competing bids. If two buyers submit identical commission bids theauctioneers may prefer the first bid received. Please enquire in advance aboutour arrangements for the leaving of commission bids by telephone or fax.

11. Methods of Payment. As a general rule any cheques tendered will needto be cleared before removal of the goods is permitted. Please discusswith our Office in advance of the sale if other methods of payment areenvisaged (except cash).

12. Collection and storage. Please note what the Conditions of Sale state aboutcollection and storage. It is important that goods are paid for and collectedpromptly. Any delay may involve the buyer in paying storage charges.

TERMS OF CONSIGNMENT FOR SELLERS 1. Interpretation. In these Terms the words ‘you’, ‘yours’, etc. refer to theSeller and if the consignment of goods to us is made by an agent weassume that the Seller has authorised the consignment and that theconsignor has the Seller’s authority to contract. Similarly the words ‘we’,‘us’, etc. refer to the Auctioneers.

2. Commission is charged to sellers at the following rates: 15% + VAT oneach lot sold for up to £999, 10% + VAT on each lot realising £1,000 andabove.

3. Removal costs. Items for sale must be consigned to the sale room by anystated deadline and at your expense. We may be able to assist you withthis process but any liability incurred to a carrier for haulage charges issolely your responsibility.

4. Loss and damage waiver. We are not regulated by the FSA for theprovision of insurance to clients. However, we for our own protectionassume liability for property consigned to us at lower pre-sale estimate.To justify accepting liability, we make a charge of 1.5% of the hammerprice plus VAT or, if unsold, our mid estimate of the hammer price. If theowner of goods consigned instructs us in writing not to take such action,they then remain at owner’s risk unless and until the property in thempasses to the Buyer or they are collected by or on behalf of the owner,and clause 4 is inapplicable.

5. Illustrations. The cost of any illustrations is borne by you. If we considerthat the lot should be illustrated your permission will usually be asked first.The copyright in respect of such illustrations shall be the property of us,the auctioneers, as is the text of the catalogue.

6. Minimum bids and our discretion. Goods may be offered subject to areserve agreed between us before the sale in accordance with clause 7.

7. We may sell lots below the reserve provided we account to you for thesame sale proceeds as you would have received had the reserve been thehammer price. If you specifically give us ‘discretion’ we may accept a bidof up to 10% below the formal reserve. .

Reserves.

(a) You are entitled to place prior to the auction a reserve on any lotconsigned, being the minimum hammer price at which that lot may besold. Reserves must be reasonable and we may decline to offer goodswhich in our opinion would be subject to an unreasonably high reserve(in which case goods carry the storage and insurance charges stipulatedin these Terms of Consignment).

(b) A reserve once set cannot be changed except with our consent.

(c) Where a reserve has been placed only we may bid on your behalf and onlyup to the reserve (if any) and you may in no circumstances bid personally.

8. Electrical items. These are subject to detailed statutory safety controls.Where such items are accepted for sale you accept responsibility for thecost of testing by external contractors. Goods not certified as safe by anelectrician (unless antiques) will not be accepted for sale. They must beremoved at your expense on your being notified. We reserve the right todispose of unsafe goods as refuse, at your expense.

9. Soft furnishings. The sale of soft furnishings is strictly regulated by statutelaw in the interests of fire safety. Goods found to infringe safetyregulations will not be offered and must be removed at your expense. Wereserve the right to dispose of unsafe goods as refuse, at your expense.The rights of disposal referred to in clause 8 and 9 are subject to theprovisions of The Torts (Interference with Goods) Act 1977, Schedule 1, acopy of which is available for inspection on request.

10. Descriptions. Please assist us with accurate information as to theprovenance etc. of goods where this is relevant. There is strict liabilityfor the accuracy of descriptions under modern consumer legislation andin some circumstances responsibility lies with sellers if inaccuraciesoccur. We will assume that you have approved the catalogue descriptionof your lots unless informed to the contrary. Where we are obliged toreturn the price to the buyer when the lot is a deliberate forgery underCondition 15 of the Conditions of Sale and we have accounted to youfor the proceeds of sale you agree to reimburse us the sale proceeds.The liability to reimburse the sale proceeds shall not arise where you areacting reasonably and honestly and are unaware of the forgery but weare or ought to have been aware of it.

11. Unsold and withdrawn items. If an item is unsold it may with yourconsent be re-offered at a future sale. Where in our opinion an item isunsaleable you must collect such items from the saleroom promptly onbeing so informed. Otherwise, storage charges may be incurred. Wereserve the right to charge for storage in these circumstances at areasonable daily rate.

12. Withdrawn and bought in items. These are liable to incur a charge of upto 10% plus VAT of the reserve or low estimate on being bought in orwithdrawn after being catalogued.

13. Conditions of Sale. You agree that all goods will be sold on our Conditionsof Sale. In particular you undertake that you have the right to sell the goodseither as owner or agent for the owner. You undertake to compensate usand any buyer or third party for all losses liabilities and expenses incurredin respect of and as a result of any breach of this undertaking.

14. Authority to deduct commission and expenses and retain premium and interest.

(a) You authorise us to deduct commission at the stated rate and allexpenses incurred for your account from the hammer price and consentto our right to retain beneficially the premium paid by the buyer inaccordance with our Conditions of Sale and any interest earned on thesale proceeds until the date of settlement.

(b) You authorise us in our discretion to negotiate a sale by private treaty notlater than the close of business on the day of the sale in the case of lotsunsold at auction, in which case the same charges will be payable as if suchlots had been sold at auction and so far as appropriate these terms apply.

15. Warehousing. We disclaim all liability for goods delivered to our saleroomwithout sufficient sale instructions and reserve the right to make minimumwarehousing charge of £2 per lot per day. Unsold lots are subject to thesame charges if you do not remove them within a reasonable time ofnotification. If not removed within three weeks we reserve the right to sellthem and defray charges from any net proceeds of sale or at your expenseto consign them to the local authority for disposal.

16. Settlement. Subject to our normal trading conditions, payment will bemade by BACS or cheque four weeks after the sale unless the buyer hasnot paid for the goods. In this case no settlement will then be made butwe will take your instructions in the light of our Conditions of Sale. Youauthorise any sums owed by you to us on other transactions to bededucted from the sale proceeds. You must note the liability toreimburse the proceeds of sale to us as under the circumstancesprovided for in Condition 10 above. You should therefore bear thispotential liability in mind before parting with the proceeds of sale untilthe expiry of 28 days from the date of sale.

CONDITIONS OF SALE

Woolley & Wallis Salisbury Salerooms Ltd carries on business withbidders, buyers and all those present in the auction room prior to or inconnection with a sale on the following General Conditions and on suchother terms, conditions and notices as may be referred to herein.

1. DEFINITIONS

In these Conditions:

(a) ‘auctioneer’ means Woolley & Wallis Salisbury Salerooms Ltd or itsauthorised auctioneer, as appropriate;

(b) ‘deliberate forgery’ means an imitation made with the intention of deceivingas to authorship, origin, date, age, period, culture or source but which isunequivocally described in the catalogue as being the work of a particularcreator and which at the date of the sale had a value materially less than itwould have had if it had been in accordance with the description;

(c) ‘hammer price’ means the level of bidding reached (at or above anyreserve) when the auctioneer brings down the hammer;

(d) ‘terms of consignment’ means the stipulated terms and rates ofcommission on which Woolley & Wallis Salisbury Salerooms Ltd acceptsinstructions from sellers or their agents;

(e) ‘total amount due’ means the hammer price in respect of the lot soldtogether with any premium, Value Added Tax chargeable and anyadditional charges payable by a defaulting buyer under these Conditions;

(f) ‘sale proceeds’ means the net amount due to the seller, being the hammerprice of the lot sold less commission at the stated rate, Value Added Taxchargeable and any other amounts due to us by the seller in whatevercapacity and however arising.

(g) ‘‘You’, ‘Your’, etc. refer to the buyer as identified in Condition 2. (h) The singular includes the plural and vice versa as appropriate.

2. BIDDING PROCEDURES AND THE BUYER (a) Bidders are required to register their particulars before bidding and to

satisfy any security arrangements before entering the auction room toview or bid;

(b) the maker of the highest bid accepted by the auctioneer conducting thesale shall be the buyer at the hammer price and any dispute about a bidshall be settled at the auctioneer’s absolute discretion by reoffering theLot during the course of the auction or otherwise. The auctioneer shallact reasonably in exercising this discretion.

(c) Bidders shall be deemed to act as principals. (d) Our right to bid on behalf of the seller is expressly reserved up to the

amount of any reserve and the right to refuse any bid is also reserved.

3. INCREMENTS

Bidding increments shall be at the auctioneer’s sole discretion.

4. THE PURCHASE PRICE

The Buyer shall pay the hammer price together with a premium thereon of22% on the first £500,000 and 12% thereafter + VAT at the appropriate rate.

5. VALUE ADDED TAX

Value Added Tax on the hammer price is imposed by law on all itemsaffixed with an asterisk or double asterisk. Value Added Tax is charged atthe appropriate rate prevailing by law at the date of sale and is payable bybuyers of relevant lots. (Please refer to ‘Information for Buyers’ for a briefexplanation of the VAT position).

6. PAYMENT (a) Immediately a lot is sold you will: (i) give to us, if requested, proof of identity, and (ii) pay to us the total amount due in pounds sterling(b) Any payments by you to us may be applied by us towards any sums

owing from you to us on any account whatever without regard to anydirections of you or your agent, whether express or implied.

7. TITLE AND COLLECTION OF PURCHASES (a) The ownership of any Lots purchased shall not pass to you until you have

made payment in full to us of the total amount due. (b) You shall at your own risk and expense COLLECT any lots that you have

purchased and paid for from our premises not later than 3 working daysfollowing the day of the auction or upon the clearance of any cheque usedfor payment (IF LATER) after which you shall be responsible for anyCOLLECTION, storage and insurance charges.

(c) No purchase MAY be COLLECTED AND WE SHALL NOT RELEASE ANYLOT TO YOU OR YOUR AGENT until it has been paid for.

8. REMEDIES FOR NON-PAYMENT OR FAILURE TO COLLECT PURCHASES (a) If any Lot is not paid for in full and taken away in accordance with these

Conditions or if there is any other breach of these Conditions, we, asagent for the seller and on our own behalf, shall at our absolute discretionand without prejudice to any other rights we may have, be entitled toexercise one or more of the following rights and remedies:

(i) to proceed against you for damages for breach of contract; (ii) to rescind the sale of that lot and/or any other lots sold by us to you; (iii) to resell the lot (by auction or private treaty) in which case you shall be

responsible for any resulting deficiency in the total amount due (aftercrediting any part payment and adding any resale costs). Any surplus soarising shall belong to the seller;

(iv) to remove, store and insure the lot at your expense and, in the case ofstorage, either at our premises or elsewhere;

(v) to charge interest at a rate not exceeding 1.5% per month on the total amountdue to the extent it remains unpaid for more than 3 working days after the sale;

(vi) to retain that or any other lot sold to you until you pay the total amount due; (vii) to reject or ignore bids from you or your agent at future auctions or to

impose conditions before any such bids shall be accepted; (viii) to apply any proceeds of sale of other Lots due or in future becoming

due to you towards the settlement of the total amount due and toexercise a lien (that is a right to retain possession of any of your propertyin our possession for any purpose until the debt due is satisfied.

(b) We shall, as agent for the seller and on our own behalf pursue theserights and remedies only so far as is reasonable to make appropriaterecovery in respect of breach of these conditions

9. THIRD PARTY LIABILITY

All members of the public on our premises are there at their own risk andmust note the lay-out of the accommodation and security arrangements.Accordingly neither the auctioneer nor our employees or agents shall incurliability for death or personal injury (except as required by law by reasonof our negligence) or similarly for the safety of the property of personsvisiting prior to or at a sale.

10. COMMISSION BIDS Whilst prospective buyers are strongly advised to attend the auction andare always responsible for any decision to bid for a particular lot and shallbe assumed to have carefully inspected and satisfied themselves as to itscondition, we will if so instructed clearly and in writing execute bids on theirbehalf. Neither the auctioneer nor our employees or agents shall beresponsible for any failure to do so save where such failure is unreasonable.Where two or more commission bids at the same level are recorded wereserve the right in our absolute discretion to prefer the first bid so made.

11. WARRANTY OF TITLE AND AVAILABILITY The seller warrants to the auctioneer and you that the seller is the trueowner of the property consigned or is properly authorised by the trueowner to consign it for sale and is able to transfer good and marketabletitle to the property free from any third party claims.

12. AGENCY The auctioneer normally acts as agent only and disclaims any responsibilityfor default by sellers or buyers.

13. TERMS OF SALE The seller acknowledges that lots are sold subject to the stipulations ofthese Conditions in their entirety and on the Terms of Consignment asnotified to the consignor at the time of the entry of the lot.

14. DESCRIPTIONS AND CONDITION (a) Whilst we seek to describe lots accurately, it may be impractical for us to carry

out exhaustive due diligence on each lot. Prospective buyers are given ampleopportunities to view and inspect before any sale and they (and anyindependent experts on their behalf) must satisfy themselves as to theaccuracy of any description applied to a lot. Prospective buyers also bid onthe understanding that, inevitably, representations or statements by us as toauthorship, genuineness, origin, date, age, provenance, condition orestimated selling price involve matters of opinion. We undertake that any suchopinion shall be honestly and reasonably held and accept liability for opinionsgiven negligently or fraudulently. Subject to the foregoing neither we theauctioneer nor our employees or agents nor the seller accept liability for thecorrectness of such opinions and all conditions and warranties, whetherrelating to description, condition or quality of lots, express, implied orstatutory, are hereby excluded. This Condition is subject to the next followingCondition concerning deliberate forgeries and applies save as provided for inparagraph 6 ‘information to buyers’.

(b) Private treaty sales made under these Conditions are deemed to be salesby auction for purposes of consumer legislation.

15. FORGERIES Notwithstanding the preceding Condition, any lot which proves to be adeliberate forgery (as defined) may be returned to us by you within 21 daysof the auction provided it is in the same condition as when bought, and isaccompanied by particulars identifying it from the relevant cataloguedescription and a written statement of defects. If we are satisfied fromthe evidence presented that the lot is a deliberate forgery we shall refundthe money paid by you for the lot including any buyer’s premium providedthat (1) if the catalogue description reflected the accepted view of scholarsand experts as at the date of sale or (2) you personally are not able totransfer a good and marketable title to us, you shall have no rights underthis condition. The right of return provided by this Condition is additionalto any right or remedy provided by law or by these Conditions of Sale.

GENERAL 16. We shall have the right at our discretion, to refuse admission to our

premises or attendance at our auctions by any person. 17. (a) Any right to compensation for losses liabilities and expenses incurred

in respect of and as a result of any breach of these Conditions andany exclusions provided by them shall be available to the seller and/orthe auctioneer as appropriate.

(b) Such rights and exclusions shall extend to and be deemed to be forthe benefit of employees and agents of the seller and/or theauctioneer who may themselves enforce them.

18. Any notice to any buyer, seller, bidder or viewer may be given by firstclass mail or Swiftmail in which case it shall be deemed to have beenreceived by the addressee 48 hours after posting.

19. Special terms may be used in catalogue descriptions of particular classesof items in which case the descriptions must be interpreted inaccordance with any glossary appearing in the catalogue.

20. Any indulgence extended to bidders buyers or sellers by usnotwithstanding the strict terms of these Conditions or of the Terms ofConsignment shall affect the position at the relevant time only and inrespect of that particular concession only; in all other respects theseConditions shall be construed as having full force and effect.

21. English law applies to the interpretation of these Conditions.

PAINTINGS, DRAWINGS, LITHOGRAPHS, ENGRAVINGS AND PRINTS

In accordance with long standing practice in Fine Art Sale Rooms certainterms used in descriptions in the Catalogue have the meanings ascribedto them in the glossary below.

Glossary

Any statement as to authorship, attribution, origin, date, age, provenanceand condition is a statement of opinion and is not to be taken as astatement of fact. The Company reserves the right, in forming theiropinion, to consult and rely upon any expect or authority considered bythem to be reliable.

(a) Edward Lear: In our opinion a work by the artist. (When the artist’sforename(s) is not known, a series of asterisks, followed by the surnameof the artist, whether preceded by an initial or not, indicates that in ouropinion the work is by the artist named.

(b) Attributed to Edward Lear: In our opinion probably a work by the artistbut less certainly as to authorship is expressed than in the precedingcategory.

(c) Studio of Edward Lear: In our opinion a work by an unknown hand in thestudio of the artist which may be or may not have been executed underthe artist’s direction.

(d) Circle of Edward Lear: In our opinion a work by an as yet unidentified butdistinct hand, closely associated with the named artist but not necessarilyhis pupil.

(e) Style of ...; Follower of Edward Lear: In our opinion a work by a painterworking in the artist’s style, contemporary or nearly contemporary, butnot necessarily his pupil.

(f) Manner of Edward Lear: In our opinion a work in the style of the artist andof a later date.

(g) After Edward Lear: In our opinion a copy of a known work of the artist. (h) The term signed and/or dated and/or inscribed means that in our opinion

the signature and/or date and/or inscription are from the hand of the artist. (i) The term bears a signature and/or date and/or inscription means that inour opinion the signature and/or date and/or inscription have been addedby another hand.

(j) Dimensions are given height before width. (k) Pictures are framed unless otherwise stated.

BOOK AUCTIONS

If, on collation, any named item in this catalogue proves defective in textor illustration, the lot may be returned within 14 days of the sale with thedefects stated in writing. This proviso shall not apply to defects stated inthe catalogue or announced at the time of sale; nor to the absence ofblanks, half titles, tissue guards or advertisements, damage in respect ofbindings, stains, spotting, marginal tears or other defects not affectingcompleteness of text or illustration; nor to drawings, autographs, lettersor manuscripts, signed photographs, music, atlases, maps or periodicals;nor to books not identified by title; nor to books sold not subject to return.

ARTIST’S RESALE RIGHT / DROIT DE SUITE

Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirseach time a work is resold during the artist’s lifetime and up to a period of70 years after the artist’s death.

Royalties are calculated on a sliding percentage scale based on thehammer price excluding the buyer’s premium. The royalty does not applyto lots selling below the sterling equivalent of €1,000 and the maximumroyalty payable on any single lot is the sterling equivalent of €12,500.

Droit de Suite, which is not subject to VAT, will be added to the buyer’spurchase price and then passed on to the relevant collecting agency bythe auctioneer.

Please enquire for the accepted exchange rate on the day of the sale.

Royalties for Droit de Suite are as follows:

4% Up to €50,0003% €50,000.01 - 200,0001% €200,000.01 - 350,0000.5% €350,000.01 - 500,0000.25% In excess of €500,000

Up to a maximum levy of €12,500

Lots marked with a ‡ symbol are potentially subject to the levy.

ValuationsValuations are a core part of our business and are usually carried out by a senior specialist or directors. Accuracy, speed and above all confidentiality are paramount.

INSURANCE VALUATIONSWritten valuations for insurance can vary from a single item to a large estate. Before starting we discuss the various options available so that the valuation is specifically tailored to individual client’s needs.

For valuations of an entire house contents an itemised bound valuation is produced and can beaccompanied by photographs when required. In addition to providing an inventory, written valuations can prevent painful arguments with a loss adjuster in the event of a claim.

Woolley & Wallis valuations are accepted by all leadinginsurance companies.

PROBATE VALUATIONSWe offer a speedy and professional service for executors and trustees and provide bound valuations for probate and duplicate copies when required. Since security is often a consideration, we can usuallyarrange for a house to be cleared and sent for auction, our Valuations Department ensures that executors are informed of which sales are involved and the results thereof.

We also carry out valuations for Family Division, Capital Gains Tax, and Private Treaty Sales.

Contact Christine Johnson 01722 424509

FREE AUCTION VALUATIONSFree verbal valuations of items for sale are available at our Castle Street salerooms. Please telephone therelevant specialist or call our office on 01722 424500.

Woolley & Wallis Salisbury Salerooms Ltd.51-61 Castle Street, SalisburyWiltshire SP1 3SU

Registered in England No. 2998482

VAT No: 631 9832 29

Design & Production by Jamm Design Ltd.Tel. 020 7424 7830 www.jammdesign.co.uk

SALISBURY

MILL ROAD

NEW STREET

FISHERTON ST

WYNDHAM ROAD

SCOTS LN BEDWIN ST

WINCHESTER ST

CHIPPER LN SALT LN

ASHLEY ROAD

ST ANN ST

SOUTH WEST RD

HULSE RD C

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TLE STR

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NEW CANAL

CATHEDRAL

A360 DEVISES RD A36(T) CHURCHIL

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A36 CHURCHILL WAY NORTH

CA

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345

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A36(T) C

HURCHILL WAY S

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36(T

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A36(T) SOUTHAMPTON ROAD

HARNHAM ROAD A3094 NEW HARNHAM

DOWNTON ROAD A338

WILTON RD A36CENTRALCAR PARK

AMESBURY &MARLBOROUGH

LONDON, ANDOVER& WINCHESTER

WILTON &WARMINSTER

A338 BOURNMOUTH& RINGWOODA354 DORCHESTER

WEYMOUTH & BLANDFORD

SOUTHAMPTON

WOOLLEY & WALLIS

SALEROOMS

A345 Castle RdPortwayBeehive Park & Ride

A345 A36

Chu

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A36

Old Sarum

Woolley & WallisSalisbury Salerooms51 – 61 Castle StreetSP1 3SU

Woolley & Wallis 2 Danebury CourtOld Sarum ParkSP4 6EB

SALISBURY

AMESBURY

WOOLLEY & WALLIS Salisbury Salerooms

Follow A345 for 1.7 miles. At Beehive Park & Ride follow the signs for A338 Swindon and Marlborough.

Sarum Business Park

Old Sarum Park

WOOLLEY & WALLIS Old Sarum

E

N S

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Kia Motors

Westover Garage

MARLBOROUGH & SWINDON

DIRECTIONS FROM WOOLLEY & WALLIS CASTLE STREET TO OLD SARUMDIRECTIONS FROM WOOLLEY & WALLIS CASTLE STREET TO OLD SARUM

Follow A345 for 1.7 miles. At Beehive Park & Ride follow thesigns for A338 Swindon and Marlborough.

TESCO

CASTLE STREET

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ROLLESTONE STREET

PAY AND

DISPLAY

CAR PARK

PEDESTRIAN ROUTE

DRIVING ROUTE TO SALT LANE

Woolley & WallisSalisbury Salerooms51 – 61 Castle StreetSP1 3SU

Woolley & Wallis Carter House6 – 10 Salt LaneSP1 1EE

Qudos

DRIVING ROUTE TO CASTLE ST.

WOOLLEY & WALLIS Salt Lane

WOOLLEY & WALLIS Salisbury Salerooms

DIRECTIONS FROM WOOLLEY & WALLIS CASTLE STREET TO SALT LANE

Due to the one-way system of Salisbury please follow the red route when driving from Salt Lane to Castle Street.

DIRECTIONS FROM WOOLLEY & WALLIS CASTLE STREET TO SALT LANE

Due to the one-way system of Salisbury, please follow the redroute when driving from Salt Lane to Castle Street.

Absentee Bid FormClarice Cliff, Art Deco & 20th Century Design

Wednesday 15th April 2015Please bid, on my behalf, for the undermentioned lots up to theprices shown which do not include the buyer’s premium or anyV.A.T. payable on lots. These bids are to be executed as cheaplyas is permitted by other bids, and/or reserves if any, and subjectto the Conditions of Sale printed in the Catalogue. Please notewe cannot guarantee that bids received after 4pm on the dayprior to the auction will be executed.

Billing Name (please print)

Address

Postcode

Daytime telephone

Email

All accounts must be settled within 21 days. There is no surcharge for debit card payments, but for credit cards there willbe a 2% (+VAT) surcharge. ID is required for all first time bidders.

Signature

PLEASE PRINT CLEARLY IN BLOCK LETTERS

Lot Number Brief Decription Price Excludingin numerical buyer’s premiumorder & VAT

WOOLLEY &WALLIS

Salisbury Salerooms, 51-61 Castle Street, Salisbury, Wiltshire SP1 3SU • Tel: 01722 424500 Fax: 01722 424508

www.wool leyandwal l is.co.uk

AUCTION CALENDAR 2015

20TH CENTURY DESIGN

17th June – Arts & CraftsMichael Jeffery +44 (0) 1722 424505 • michaeljeffery@woolleyandwallis.co.uk

ENGLISH & EUROPEAN CERAMICS & GLASS

21st April – English & European Ceramics & GlassClare Durham +44 (0) 1722 424507 • claredurham@woolleyandwallis.co.uk

SILVER

29th April14th & 15th July28th OctoberRupert Slingsby +44 (0) 1722 424501 • rupertslingsby@woolleyandwallis.co.ukLucy Chalmers +44 (0) 1722 424594 • lucychalmers@woolleyandwallis.co.uk

JEWELLERY

30th April16th JulyJonathan Edwards +44 (0) 1722 424504 • jonathanedwards@woolleyandwallis.co.ukMarielle Whiting +44 (0) 1722 424595 • mariellewhiting@woolleyandwallis.co.uk

ASIAN ART

20th & 21st MayJohn Axford +44 (0) 1722 424506 • johnaxford@woolleyandwallis.co.ukSophie Lister +44 (0) 1722 424591 • sophielister@woolleyandwallis.co.uk

PAINTINGS

3rd June – 20th Century & Contemporary ArtVictor Fauvelle +44 (0) 1722 424503 • victorfauvelle@woolleyandwallis.co.ukJo Butler +44 (0) 1722 424592 • jobutler@woolleyandwallis.co.uk

FURNITURE & WORKS OF ART

1st JulyMark Richards +44 (0) 1722 411854 • markrichards@woolleyandwallis.co.uk

CLOCKS, WATCHES & SCIENTIFIC INSTRUMENTS

17th JulyRichard Price +44 (0) 7741 242421 • richardprice@woolleyandwallis.co.uk

www.woolleyandwallis.co.uk