Woolley & Wallis

WOOLLEY &WALLISSALISBURY SALEROOMS

British Art PotteryWednesday 3rd December 2014

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Salisbury Salerooms, 51-61 Castle Street, Salisbury, Wiltshire SP1 3SUTel: 01722 424500 Fax: 01722 424508

Specialist DepartmentsPlease dial +44 (0)1722 followed by the number listed below

Members of The Society of Fine Art Auctioneers

20TH CENTURY DESIGNMichael Jeffery — 424505Amanda Lawrence — 329477

ASIAN ARTJohn Axford MRICS ASFAV — 424506Sophie Lister — 424591Alex Aguilar Doméracki — 424583Freya Yuan — 424589

CLOCKS, WATCHES & SCIENTIFIC INSTRUMENTSRichard Price — 07741 242421Gemma Bush — 339752

ENGLISH & EUROPEAN CERAMICS & GLASSClare Durham — 424507Amanda Lawrence — 329477

FURNITUREMark Richards — 411854Jim Gale — 339161Anna Brown — 411854

JEWELLERYJonathan Edwards FGAA 424504Marielle Whiting FGA — 424595

PAINTINGSVictor Fauvelle — 424503Jo Butler — 424592

SILVERRupert Slingsby — 424501Lucy Chalmers — 424594

TRIBAL ART & ANTIQUITIESARMS & ARMOURWill Hobbs — 339752Gemma Bush — 339752

VALUATIONS FOR INSURANCE & PROBATEPaul Viney ASFAV — 424509Clive Stewart-Lockhart FRICS FRSA 424598

ACCOUNTSJanice Clift (Office Manager) — 424500Ruth Pike 424599

MARKETINGTamzin Corbett — 424590

GENERAL OFFICELinda Garthwaite — 424500Pauline WestSharon RingwoodNicola Young

SALEROOM MANAGERDavid Jordan — 424500

BOARD OF DIRECTORSPaul Viney ASFAV Chairman

John Axford MRICS ASFAV

Deputy Chairman

Clive Stewart-Lockhart FRICS FRSAManaging Director

COMPANY SECRETARYJim Macarthur CA — 424599

ASSOCIATE DIRECTORSWill HobbsMichael JefferyMark RichardsRupert SlingsbyJonathan Edwards FGAAJanice CliftClare Durham

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BRITISH ART POTTERY & 20TH CENTURY DESIGNWednesday 3rd December 2014 at 10.30amViewing TimesSaturday 29th November 10.00am – 1.00pmMonday 1st December 10.00am – 4.30pmTuesday 2nd December 10.00am – 4.30pmWednesday 3rd December 9.00am – 10.30am

ENQUIRIESMichael Jeffery 01722 [email protected]

Amanda Lawrence 01722 [email protected]

Front cover: Lot 121 & 60Back cover: Lot 336 & 337

Catalogue £10.00 (£12.00 by post)Images and a catalogue word search facility are available at www.woolleyandwallis.co.uk

LIVE BIDDING

Please register by 4pm on Tuesday 2nd December.There is no surcharge for using this service.

CITES REGULATIONS Please note that lots marked λ may be subject to CITES Regulations when exported.

The CITES Regulations may be found atwww.defra.gov.uk/ahvla-en/imports-exports/cites/

COLLECTION OF LOTSPlease note that all lots will be cleared from our Castle Street saleroom to our Salt Lane office on Friday 5th December and Furniture will beremoved to our Old Sarum warehouse for collection.If you are collecting items after this date pleasecontact the department to arrange in advance.

CONDITION OF LOTSReports on condition may be available on request.The absence of condition reports in the cataloguedoes not imply that the lot is free from imperfectionsor faults.

ARTIST’S RESALE RIGHT / DROIT DE SUITE

Droit de Suite is a royalty payable to a qualifying artist or theartist’s heirs each time a work is resold during the artist’s lifetimeand up to a period of 70 years after the artist’s death.

Royalties are calculated on a sliding percentage scale based onthe hammer price excluding the buyer’s premium. The royaltydoes not apply to lots selling below the sterling equivalent of€1,000 and the maximum royalty payable on any single lot is thesterling equivalent of €12,500.

Droit de Suite, which is not subject to VAT, will be added to thebuyer’s purchase price and then passed on to the relevantcollecting agency by the auctioneer.

Please enquire for the accepted exchange rate on the day of the sale.

Royalties for Droit de Suite are as follows:

4% Up to €50,0003% €50,000.01 - 200,0001% €200,000.01 - 350,0000.5% €350,000.01 - 500,0000.25% In excess of €500,000

Up to a maximum levy of €12,500

Lots marked with a ‡ symbol are potentially subject to the levy.

FROM THE

STEPHEN WILCOCK

COLLECTION OF TILES

1. ‘David Lloyd George’ a Barratt & Cotile designed by George Cartlidge, from aphotograph by Ernest Mills, in shades ofgreen, ‘Little Boy Blue’ a tile designed byWalter Crane, a large Minton Godwit tile andthree other tiles impressed marks, LloydGeorge tile 22.5 x 15.5cm £100-200

LiteratureTony Johnson The Morrisware, Tiles and Artof George Cartlidge, private press, page 80plate 213 for a J H Barratt & Co portrait tile ofDavid Lloyd George.

2. A pair of large Wedgwood Farmyardtiles designed by William Wise, eachprinted in blue with bull and pigs in a farmsetting, framed signed W Wise in the print,restored 30cm. square £100-200

3. A set of four Minton & HollinsAesthetic Movement tiles, printed in silverand gold with birds perched on variousfoliate sprays impressed marks, minor rimnicks, 15cm. square £100-200

4. A large Minton’s tile designed byA.W.N Pugin, printed in colours with printedfoliate design, framed impressed marks,30cm. square £150-250

LiteratureFired Earth Richard Dennis & TACS, page 100catalogue number 163 for this designillustrated

5. A pair of Burmantoft’s FaienceArchitectural panels, cast in low relief withan elaborate urn design, glazed green,framed, 55 x 15cm. £100-200

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6. A William De Morgan PooleArchitectural tile, painted with the midsection of a sailing vessel, in blue, green andyellow, a William De Morgan Raised Lion tileand a small raised bird tile impressed marks,damages 15cm. square £100-150

7. Two William De Morgan DiagonalLeaf tiles, painted in shades of green andturquoise, and two other William De MorganPersian tiles, impressed Sand’s End Potterymark to one, restoration, 15cm. square

£100-200LiteratureJon Catleugh William De Morgan Tiles,Trefoil Books, page 62 colour plate VI for acomparable tile

8. A William De Morgan Merton AbbeyCarnation tile, painted in shades of yellowand green on a white ground, a William DeMorgan trellis tile and two other tilesimpressed marks, 15cm. square £150-250

LiteratureJon Catleugh William De Morgan Tiles, TrefoilBooks, page 72 figure 68 for this design

9. Two William De Morgan BBB tiles,each painted in shades of blue, yellow andgreen on a white ground, and two William DeMorgan or William Morris Pink and Hawthorntiles impressed marks, minor damages,15cm. square £200-400

LiteratureJon Catleugh William De Morgan Tiles, page48 for the rare Pink and Hawthorn tilesillustrated.

10. A pair of William De Morgan Sand’sEnd Pottery Islamic tiles, painted with astylised flower stem in shades of blue,green, aubergine and yellow on a whiteground, and a pair of William De MorganMerton Abbey Persian Flowers tiles,impressed marks, £300-400

LiteratureJon Catleugh William De Morgan Tiles,Trefoil, page 125 plate 171 for this designillustrated.

Martin Greenwood The Designs of WilliamDe Morgan, Richard Dennis Publications,page 147 figure 742-743 for the originaldesign of the Persian Leaf design

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11. A William De Morgan ruby lustre tile, paintedwith an eagle and serpent on a scrolling foliage ground,a William De Morgan ruby lustre Comical Bird tile andanother William De Morgan ruby lustre tile painted marksto one, small chip to corner of eagle tile, 15cm square

£500-1,000

12. Two William De Morgan large Persian Flowerstiles, painted in shades of blue and green, and threeother William De Morgan tiles impressed marks, 20.5cm.square £150-250

LiteratureMartin Greenwood The Designs of William De Morgan,Richard Dennis Publications, page 152 figure 559 for theoriginal design

13. A William De Morgan Mongolian twelve tilepanel, painted in colours on a white ground, framed, 75x 60cm, each tile 15.5cm. square £1,000-2,000

Provenanceprivate collection

14. A William De Morgan Sands End Pottery tiledesigned by Halsey Ricardo, modelled in low relief witha leaping mythical beast in ruby lustre impressed mark22.5cm. square £300-500

LiteratureTiles by William De Morgan The Jon Catleugh Collection,Haslam & Whiteway, page 66 catalogue number 232 fora comparable tile

William De Morgan Blackwell House, 2002, page 27catalogue number 49 for a comparable tile

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15. An early William De Morgan Marabou Stork tile, painted inblue, framed minor rim chips, 15cm. square £200-400

LiteratureMartin Greenwood The Designs of William De Morgan, RichardDennis Publications, page 128 figure 1035 for the original design

16. A fine pair of William De Morgan Sand’s End PotteryChameleon tiles, painted in shades of green and blue on a whiteground impressed marks, 15.5cm. square £6,000-10,000

ProvenanceRichard Dennis GalleryStephen Wilcock Collection

LiteratureMartin Greenwood The Designs of William De Morgan Richard DennisPublications, page 126 plate 918 for the original design illustrated.

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TILES

17. ‘Encyclopaedia of British Art Pottery’ by Victoria Bergesen, andten other books and pamphlets on Art Pottery and tiles, and a collectionof books on design £50-100

18. A plaster panel of a winged cherub in the manner of Della Robbia,coloured red and ochre, framed unsigned 29 x 31cm. £100-200

19. An original watercolour on paper design for five tile panel, in themanner of Lewis F Day, simple blue flower stems, framed unsigned sheet76 x 16cm. £100-200

20. A large collection of tiles, including a Maw & Co ruby lustre tiledesigned by Lewis F Day, decorated with a heraldic lion, three Minton’stile decorated with bird roundels in blue on a cream ground, two tilesprinted with medieval sporting scenes, and a large collection of MintonTiles designed by John Moyr Smith, various marks, damages 15.5cm. high

£200-300

21. Six Craven Dunnill two tile panels of rare breed pigs, painted in afarm landscape, in colours impressed marks to reverse, damages 15.5cm.square tiles £100-200

ProvenancePrivate collection

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22. A Prosser’s Patent Minton & Co tile designed by A.W.NPugin, printed in pale blue with simple foliate panel, on a whiteground, two other Minton’s tiles and two Maw & Co encaustictiles impressed marks, minor rim chips, 15cm. square £100-200

23. A pair of Minton Hollins & Co tiles, handpainted with ansimulated embroidered vase of stylised flowers, in colours, aGodwin four tile panel, and ten other tiles impressed marks,15cm. square £100-200

24. A Minton’s four tile planter with bronze frame the tilesdesigned by John Moyr Smith, each tile printed withShakespearian Scenes in blue and brown on a white groundimpressed marks, chip to inside 20cm. high £150-200

25. A Pilkington’s tile cast in low relief with a portrait of aRobert Baden Powell, in military dress, inside foliate border,glazed blue, another Two Pilkington’s tiles decorated with militaryleaders Lord Roberts and probably Ferdinand Foch, in blue andtwo glazed brown, cast P mark 15cm. square £100-200


26. A Minton’s encaustic tile designed by A.W.N Pugin forSt Augustine’s Ramsgate, decorated with a black bird in a redshield, martlett emblem unsigned 15.5cm. square £150-200

LiteraturePaul Atterbury and Clive Wainwright Pugin, V&A exhibitioncatalogue, page 146 plate 266 for this tile illustrated at StAugustine’s Ramsgate with the Martlett emblem, circa 1852.

27. A pair of Pilkington’s tiles designed by Lewis F Day, dustpressed with a flower spray in shades of blue and green on acream ground impressed P mark 15cm. square £100-200

28. A Copeland encaustic tile, dust-pressed in low relief witha geometric foliate repeat in the manner of A.W.N Pugin, anEdward Hammond tile cast in low relief with a medieval musicianplaying pipes, and two Minton’s tiles designed by Dr ChristopherDresser impressed marks, damages 19.5cm. square £150-250

29. ‘John Stanhope Arkwright’ a Godwin Encausticcommemorative tile, the round tile celebrating his 21st birthday,two Minton tiles designed by John Moyr Smith and five othertiles, impressed marks, 15.5cm. diam. £100-200

30. Two Minton’s Art Pottery Studio tiles designed byWilliam Stephen Coleman, each painted with putti in a gardensetting, in colours on a majolica turquoise ground impressed andprinted marks, minor glaze loss 20cm. square £200-300

LiteratureJoan Jones Minton, The First Two Hundred Years of Design andProduction, page 222 for a similar design.

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31. A Frieze of five Minton’s Aesthetic Movementtiles, printed with scaly fish swimming in turbulentwaters, in blue on a white ground impressed marks,printed No.1829, one tile cracked and minor rim chips,,each tile 15cm. square £200-300

32. A large Copeland tile plaque painted withfairies in a landscape, the sun rising in the distance,painted in shades of blue on a white ground impressedmarks, 60 x 29cm. £200-300

33. A Dunsmore Alice in Wonderland tile designedby C.F.A Voysey, printed in colours with the Queen, ona speckled off white ground impressed marks, forWooliscroft blank 15cm. square £100-200

34. A set of six Minton’s Spirit of the Flowers tilesdesigned by C.O.Murray, printed in black on a creamground with flower fairies impressed marks, 15cm.square £100-200

The complete set of twelve tiles were designed circa1880.

35. A Carter’s Farmyard Series four tile paneldesigned by E.E. Stickland, model FY7, screen printedwith ducks on a pond in colours impressed and paintedmarks, panel 30cm. square £200-300

LiteratureLeslie Hayward and Paul Atterbury Poole Pottery,Richard Dennis Publications, page 169 this rangeillustrated.

36. A Dutch four tile Tulips and Carnations tilepanel, possibly retailed by Morris & Co, painted withtulips and carnation flowers in aubergine on a blue andwhite ground, framed paper label to reverse each tile13cm square, panel 27.5cm. square £300-400

ProvenancePeter Creffield Collectionprivate collection

Catalogue Notesretailed by Morris & Co these tiles were used by WilliamMorris at Kelmscott Manor.

37. A four tile Tulips and Carnations panel, tin-glazein shades of yellow and aubergine on a white ground,framed paper labels to reverse 13cm. square, panel27.5cm. square £300-500

ProvenancePeter Creffield Collectionprivate collection

LiteratureRichard & Hilary Myers William Morris Tiles, RichardDennis Publications, page

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38. A Thomas Elsley tin glaze four tile panel probably retailed byMorris & Co, painted with flowers and foliage in shades of yellow, greenand blue on a white ground, framed unsigned 15cm. square, panel 32.5cm.square £200-400

LiteratureRichard & Hilary Myers William Morris Tiles, Richard Dennis Publications,page

39. A Morris & Co Elsley twelve tile panel, tin-glazed tiles in shades ofblue and green on a cream ground, framed, each tile 13cm. square

£500-800LiteratureRichard & Hilary Myers William Morris Tiles, Richard Dennis Publications, page

40. Eight tin-glaze tiles in the manner of Morris & Co, decorated witha bough of berried foliage in blue and yellow on a white ground, unsigned,minor rim chips, 15.5cm. square £50-100

41. Four William De Morgan Memland Hall tiles on Poole PotteryArchitectural blanks designed by William Morris, painted in colours withfoliate design in colours on a midnight blue ground, framed in two framesimpressed marks, minor chips, each tile 15cm. square £500-700

Catalogue NotesAn example of the full panel design is held in the William Morris Gallery,catalogue number C.176, dated to 1876

LiteratureRichard & Hilary Myers William Morris Tiles, Richard Dennis Publications,page 124 figure 221 for the full panel

42. A Dutch Sunflower tin glaze tile designed by William Morris orWilliam De Morgan, painted in shades of blue on an off white ground, andtwo Maw & Co tiles moulded in relief with radiating oak leaf and acorn designimpressed marks to Maw tiles, glaze chips, 15.5cm. square £200-300


LiteratureRichard & Hilary Myers William Morris Tiles, Richard Dennis Publications,page 105 figure 165 for comparable tiles illustrated.

43. Five William De Morgan BBB tiles on Wedgwood blanks, paintedin ruby lustre on a white ground impressed Portland Urn mark, minor chips,15cm. square £100-200

44. A William De Morgan Persian four tile panel, painted withcarnations in shades of aubergine, green, blue and turquoise on a whiteground, framed, repair to one corner, 31cm. square £300-500

LiteratureJon Catleugh

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45. A William De Morgan tree tile panel, painted with a fruiting lemon plant in a William De Morganvase, in shades of green, yellow, blue and aubergine on a white ground, mounted on board each tile, minorglaze loss, 15.5cm. square £1,200-1,800

LiteratureWilliam De Morgan Blackwell House, 2002, page 15 for an illustration of an incomplete example of this panel.

46. A rare set of four William De Morgan Sand’s End Pottery tiles, each impressed, hand carved andslip decorated with a seated lioness, covered in a green glaze impressed factory mark, minor glaze lossand chips 15.5cm. square £1,500-2,000

LiteratureJon Catleugh William De Morgan Tiles, Trefoil, page 149 figure 237 for a comparable tile decorated with aseated bear like creature.

47. An unusual William De Morgan Sand’s End Pottery six tile panel, painted with classical floralcornucoppia flanked by classical creatures, in colours on an aubergine and turquoise ground, framedimpressed marks, tiles 20cm square, panel 70 x 49.5cm. £2,000-4,000

Catalogue NotesIt is believed this panel may well be a special commission and thus is a unique design.


48. A rare William Dr Morgan Sand’s End Pottery tile, painted with a serpent in black on a blue groundimpressed factory mark, tiny glaze chips, 15.5cm. square £1,500-2,000

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49. A University College Londoncommemorative silver medal awardedto Evelyn Pickering, (Evelyn De Morgan),Drawing from Life class, 1st prize, dated1874-75, 4cm. diam. £500-600

50. A fine Maw Jackfield charger,painted to the well with a galleon at fullsail, another sailing into the distance,the rim a border of carnation flowers, ina rich ruby lustre on cream ground, thethree hanging holes modelled asbearded mask, painted Camel MJmark, chips to rim, 47cm. diam.

£500-1,000

ProvenanceJ.G. Glendinning O.B.E.Fine Art Society

51. ‘William De Morgan 15th June-18th June 1989’ Victoria & AlbertMuseum and ‘The Ceramics of WilliamDe Morgan’ 17th July-22nd December2002 Blackwell House, two posters,framed, largest 80 x 54cm. £50-80

52. A large William De Morgan bowl,painted to the exterior with a frieze ofcarnation flowers, in ruby lustre on awhite ground, the interior ruby lustrewith stylised flowerhead to the well,unsigned, hairline crack 33cm. diam.

£300-500

53. A large earthenware bowl in thestyle of William De Morgan, theexterior painted with exotic leaf designin ruby on a white ground, the interiorwith a radiating sum motif and foliatetendrils, unmarked, minor damages andglaze faults 33cm. diam. £600-900

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54. A William De Morgan Fulham triple lustre rice plate, painted tothe well with four leaping fish in ruby lustre, the rim five sailing ships atsea in golden lustre on a midnight blue ground painted W.D.M Fulham,repaired rim 23.5cm. high £3,000-5,000

LiteratureWilliam Gaunt & M D E Clayton Stamm-William De Morgan Studio Vista,page 112 plate 98 this plate illustrated.

ProvenanceThe William E. Wiltshire Collection, Sotheby’s 18th November 1991, lot 93

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55. A William De Morgan wall plate, painted to the well with a carnationflower, the rim with scrolling flowers, in ruby lustre on a white ground Morris &Co paper label Hanover Square, damaged and stapled, 31cm. diam. £400-600

LiteratureRob Higgins and Christopher Stolbert Robinson William De Morgan Arts andCrafts Potter, Shire Press page 24 this label reproduced.

ExhibitedA Sense of Place, William Morris, Blackwell House, 26th June-17 October 2010

56. A William De Morgan Pottery plate, painted with two eagles holding olivebranches, in ruby lustre on a cream ground, the reverse with simple flower spraysunsigned 22cm. diam. £800-1,200

57. A massive William De Morgan charger, painted to the well with a vase offlowers with scrolling foliage, the rim with a frieze of carnation flowers, glazed inshades of copper lustre, the reverse with scrolling foliage, professionalrestoration, 51.5cm. diam. £2,500-3,500

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58. A William De Morgan Sand’s End Pottery double lustre vase,by James Hersey, twin-handled form, painted with stylised flower andfoliage panels in ruby and copper lustre impressed factory mark,painted monogram, 22cm. high £1,500-2,000

LiteratureMartin Greenwood The Designs of William De Morgan, RichardDennis Publications, page 239 plate 253 for a variation of this designin a polychrome colour.

59. A William De Morgan single-handled vase, ovoid withcylindrical neck, painted with scaly fish in shades of ruby lustre on awhite ground, unsigned 19.5cm. high £2,000-3,000

LiteratureChristopher Robinson & Rob Higgins, William De Morgan Arts andCrafts Potter Shire, page 23 this actual vase illustrated.

The William E Wiltshire Collection Sotheby’s 18th November 1991 lot5 for a charger decorated with similar fish

60. A William De Morgan charger by Charles Passenger, paintedwith two figures, half-boy-half lion, offering up a bowl before a flamingpot, inside scrolling flower stems, in ruby lustre, painted CPmonogram, hairline to rim, 36.5cm. diam. £1,500-2,000

LiteratureMartin Greenwood The Designs of William De Morgan, RichardDennis Publications, page 207 plate 23 this design illustrated.

61. A William De Morgan Sand’s End Pottery charger by CharlesPassenger, painted with two winged lions, in ruby lustre and red ona white ground impressed marks, painted CP monogram, glaze lossto rim, 41cm diam. £4,000-6,000

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62. A William De Morgan vase by J S Babb, shouldered form, painted with flower stems in shadesof aubergine, green and black on a turquoise ground painted JB monogram 20cm. high £700-1,000

63. A William De Morgan bottle vase the design attributed to Halsey Ricardo, ovoid withknopped cylindrical neck, painted with birds perched amongst scrolling foliage, in shades of blue,pink and green painted mark, painted H monogram, fine museum repair to neck, 32cm. high

£2,500-3,000

LiteratureMartin Greenwood The Designs of William De Morgan, Richard Dennis Publications, page 231 plate208 for a comparable bottle vase.

64. A William De Morgan Persian bottle vase, ovoid with knopped, cylindrical neck, painted withstylised flowers and bird head motif, in pink, blue, green, and turquoise on a white ground impressedtulip mark, 20cm. high £600-800

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65. A Burmantoft’s Faience Anglo Persian vase by Leonard King,pattern D.196, shouldered cylindrical form, painted with scrollingfoliage in blue, turquoise and green on a white ground impressed andpainted marks, small chips and glaze loss,, 16.5cm. high £100-200

66. A Burmantoft’s Faience Anglo Persian vase by Leonard King,pattern D.292, compressed form with flaring cylindrical neck, paintedwith panels of stylised foliage in blue, pink and green on a white groundimpressed and painted marks, small hairline to top rim, 14cm. high

£100-200

67. A Burmantoft’s Faience Anglo Persian vase by Leonard King,pattern 2435, shouldered form with flaring cylindrical neck, paintedwith panels of stylised flowers and foliage in shades of blue,turquoise, green and aubergine on a white ground impressed andpainted marks minor glaze loss, 14cm. high £100-200

68. A Burmantoft’s Faience Anglo Persian vase by Leonard King,pattern D.637, shouldered form with tapering cylindrical neck, paintedwith panels of stylised flowers and foliage in shades of blue, yellow,pink and green on a pale blue ground impressed and painted marks,minor glaze loss, 13cm. high £100-200

69. A Burmantoft’s Faience Anglo Persian vase by Leonard King,pattern 2117, shouldered form with flaring neck, painted with panelsof foliage in shades of blue, turquoise, green and yellow on a whiteground impressed and painted marks, 11cm. high £100-200

70. A Burmantoft’s Faience Anglo Persian vase designed byLeonard King, ovoid with flaring neck, painted with a band of flowersin shades of blue and green on a white ground, and two otherBurmantoft’s Faience Anglo Persian vases impressed and paintedmarks 14.5cm. high £150-250

71. A large Burmantoft’s Faience Anglo Persian floor vase byLeonard King, model D.607, shouldered, cylindrical form with flaringneck, painted with a frieze of scrolling foliage in colours to neck andbody, the shoulder with sunburst motif impressed marks, paintedmonogram, small hairline to top rim, 53cm. high £2,000-4,000

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DOULTON ART POTTERY

72. A Doulton Lambeth stoneware baluster vase byMark V Marshall, dated 1880, incised AestheticMovement bands of decoration below applied fernfronds, in shades of green, blue and brown on a buffground impressed and incised marks, professionallyrestored 36cm. high £300-500

73. A large Doulton Lambeth stoneware vase byEliza Simmance, slender baluster form with flaring neck,tubeline decorated with Art Nouveau flowers and foliagein mustard, blue and green on a mottled pale greenground impressed mark, incised monogram 42cm. high

£500-800

74. A Doulton Lambeth Silicon Ware vase by JohnBroad and Mark V Marshall, baluster form, modelled inrelief with birds to the body, the neck with flying birds,impasto decorated with flowers and foliage in white ona brown ground, impressed marks, incised marks, minorlosses to high points 46cm.high £250-350

LiteratureDesmond Eyles, Doulton Lambeth Wares, Richard DennisPublications, page 170 for a comparable example.

75. A pair of Doulton Lambeth vases by Frank Butler,dated 1876, shouldered form, incised with panels of stiffleaf foliage, the neck with scrolling seaweed and appliedflorets, glazed green, purple and brown, another solifleurvase by Edith Lupton and two gourd vases impressed andincised marks, restored 21.5cm. high £200-300

76. A Doulton Burslem vase, shouldered, twin-handledform, painted with Persian flowers and foliage in colourson a cream ground impressed and painted marks,restored handles, 29cm. high £100-150

77. A Doulton Lambeth stoneware ewer by Mark VMarshall, bellied form, incised with scrolling foliage, glazedin shades of green on a mottled green and white ground,and a Doulton Lambeth Carrara Ware vase by Mark VMarshall, impressed and incised marks, 23cm. high

£200-300

ProvenanceBritish Art Pottery Woolley and Wallis, 26th November2008, lot 16private collection

78. A Doulton Lambeth stoneware jug by GeorgeTinworth, dated 1878, tapering cylindrical form, incisedwith scrolling seaweed, with applied florets, in green ona brown ground impressed marks, incised monogram toside, 24cm. high £100-200

79. A Doulton Lambeth stoneware puzzle jug byArthur Barlow, dated 1874, the ovoid body incised withscrolling seaweed with applied florets, glazed blue, greenand brown, and a Doulton Lambeth vase by Arthur Barlow,impressed and incised marks, restored 26cm. high

£200-300

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80. A Doulton Lambeth vase by Hannah Barlow, incised with afrieze of horses, between bands of slip decorated flowers and foliage,in shades of green, brown, blue and white, on a buff ground,impressed mark, incised monogram, professionally restored neck27.5cm. high £150-250

81. A Doulton Lambeth stoneware ewer by Hannah Barlow,incised with a frieze of grazing sheep, between bands of stylisedfoliage, in shades of brown, blue and green on a buff groundimpressed and incised marks, 32cm. high £200-300

82. A Doulton Lambeth stoneware jug by Hannah Barlow,tapering, cylindrical form, incised with a chicken and chicks in ameadow, in brown on a buff ground impressed mark and incisedmonogram 26.5cm. high £200-300

83. A Doulton Lambeth stoneware Dragon vase, dated 1879, triplegourd form, applied with a dragon, incised with flower sprays, in blue,ochre and brown impressed marks, monogram, small chip to foot rim,37cm. high £1,500-2,000

84. A Royal Doulton stoneware vase by Elisa Simmance, balusterform, painted with Art Nouveau cornflowers, in shades of green andblue on a buff ground impressed and incised marks, 36cm. high

£400-600

85. A Doulton Lambeth stoneware vase by Eliza Simmance,slender cylindrical form, painted with Art Nouveau foliate sprays onwhiplash stems, in green and ochre on a blue ground impressedmarks, incised monogram 38cm. high £400-600

86. A tall Royal Doulton stoneware vase by Vera Huggins,slender, shouldered form, incised in low relief with flower stems, inblue on a white ground, and a Doulton Lambeth Persian vase,impressed and incised marks, 38.5cm. high £150-250

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87. A Doulton Lambeth Faience wall charger, painted with floralsprays in colours on a pale lemon ground painted marks, 94 artistmonogram, hairline to rim, 35cm. diam. £100-200

88. A large Doulton Lambeth pottery charger, painted with aCockatoo perched on a prunus bough, impressed mark, 48cm. diam.

£150-200

89. ‘Queen Victoria - Queen & Empress’ a Doulton Lambethstoneware commemorative jug, modelled in low relief and glazed incolours, a Doulton Lambeth jug, a Doulton Silicon baluster vase anda bowl impressed and incised marks, main jug restored 18.5cm. high

£200-300

90. A Royal Doulton box and cover, hexagonal, printed with birdand scrolling foliage panels in blue on a pearl lustre ground printedmarks, hairline 14cm. high £50-100

91. ‘The Three Musketeers’ a Royal Doulton limited edition twin-handled vase designed by Charles Noke, moulded in low relief,painted in colours printed marks, number 267 of 600 25cm. high

£100-200

92. A pair of Royal Doulton painted porcelain plaques, therectangular plaques painted with an oval portrait panel of a medievalcouple, framed visible panel 11. x 8.5cm. £500-700

87

89

91

90

88

92

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93. ‘The Birth of Printing 1476’ a rare twin-branch stonewarecandlestick designed by Gilbert Bayes, made for AlliedNewspaper’s Ltd Christmas 1935, modelled in low relief, glazed greenimpressed marks, 19cm. high

LiteratureLouise Irvine & Paul Atterbury Gilbert Bayes Sculptor, Richard Dennis,page 163 for this design illustrated. £200-300

94. A Royal Doulton Chinese Jade model of a duck designed byCharles Noke, covered in a green streaked white glaze printed mark,painted Chinese and Noke signature 8.5cm. high £600-900

95. A Doulton Burslem Lucian Ware vase by W Slater, waistedform with solifleur neck, decorated with peony flowers in colours,highlighted in gilt, printed factory mark, 41cm. high £300-500

96. ‘Sylvia’ HN1478 a Royal Doulton figure, painted in coloursprinted and painted marks 27cm. high £100-200

97. ‘Nell Gwyn’ H.N.1887 a Royal Doulton figure, painted incolours printed and painted marks, 17.5cm. high £100-200

93

96 97

95

94

24

98. A Royal Doulton Flambe vase by Harry Nixon, shoulderedform with collar rim, decorated with a band of pendulous fruitinggrape vine, in green and red on a flambe red ground, highlighted ingilt printed factory mark, HN monogram 16cm. high £1,000-1,500

99. A Royal Doulton Sung Veined Flambe vase designed byCharles Noke, painted in shades of blue on a red flambe groundprinted marks, Sung and painted FM monogram 18.5cm. high

£250-300

100. A Royal Doulton Flambe bottle vase, covered in a blackglazed speckled in orange another smaller, four flambe cups andsaucers, a sugar basin, a fox and another vase printed marks,20.5cm. high £200-300

100A. A Royal Doulton veined flambe vase designed by CharlesNoke, ribbed, shouldered form, covered in a smoked purple andblack glazed over rich red flambe, printed Doulton mark 19cm. high

£300-400

101. A Bernard Moore flambe bowl, painted to the interior withflowers and foliage in red on a black ground printed Bernard Mooreand JC monogram 26cm. diam. £500-700

102. A Bernard Moore flambe vase, shouldered, cylindrical formwith collar rim, painted with birds flying past tree boughs in flambered on a red ground Bernard Moore script mark, 24cm. high

£100-200

103. A Bernard Moore Diakokan figure, covered in a red flambeglaze splashed in blue and yellow painted BM monogram 5.5cm.high £150-200

104. A Bernard Moore model of a rabbit, with applied eyes,covered in a blue glaze painted BM monogram 7cm. high

£150-25098

99

100

100A

101 102 103 104

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MARTIN BROTHERS POTTERS

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105. A photograph on wood of the Martin Brothers in thepottery, depicting Robert Wallace modelling in a bird, Edwin andWalter comparing pots, framed 29.5 x 21.5cm. (image) £200-300

106. A Martin Brothers stoneware tile, dated 1881, modelled inlow relief with leaf and berry design, glazed green and ochreincised date to side 15.5cm. £200-300

107. A Martin Brothers stoneware tile, dated 1881, modelled inlow relief with dandelion flower stems in green and blue on abrown ground incised date to side 15.5cm. high £200-300

LiteratureMalcolm Haslam The Martin Brothers Potters, Richard DennisPublications, figure 143 page 98 for comparable tiles

108. ‘Boobies, Boojums and Snarks The Ceramic Curiosities ofthe Martin Brothers 1880-1914’ a limited edition exhibitioncatalogue by Jordan Volpe Gallery £100-200

109. ‘Boobies, Boojums and Snarks The Ceramic Curiosities ofthe Martin Brothers 1880-1914’ a limited edition exhibitioncatalogue by Jordan Volpe Gallery £100-200

110. ‘A Catalogue of the Collection of Martinware Formed byMr Frederick Nettlefold’ a reference book by Charles Beard,privately published with Waterlow & Sons Ltd, 1936 £200-300

ProvenanceMargaret Hope Middleton (bookplate)Private collection.

111. A Catalogue of the Collection Collection of MartinwareFormed by Mr Frederick John Nettlefold, a reference book byCharles Beard, privately published with Waterlow & Sons Ltd, 1936,and a pair of Harriman Judd Collection catalogues Sotheby’s NewYork £150-250

105

106 107

108

111110

109

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112. A rare Martin Brothers stoneware spoon warmer by Robert Wallace Martin, dated 1882, modelled with gaping mouth and staringeyes, his ears pricked up to form a handle, glazed in shades of green and blue highlighted with white spots, incised Martin London & Southall,5.9.1882, 17cm. high £15,000-20,000

ProvenanceBritish, Continental & American Decorative Arts, Phillips, 12th March 1991 lot 455private collection The Harriman Judd Collection Part Two, Sotheby’s New York, 6th October 2001 lot 57.

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113. A Martin Brothers stoneware jug by Robert Wallace Martin, dated1884, swollen form, incised with classical figures beside a cornucopia, insidescrolling foliage, in blue on a mottled green ground incised 23.5.84 R WMartin & Bros London & Southall 18cm. high £200-400

114. A Martin Brothers stoneware vase by Robert Wallace Martin, slendersolifleur form, incised decoration glazed brown, and a Martin Brothers single-handled vase incised R W Martin London & Southall 12cm. high £150-250

115. A Martin Brothers stoneware Dragon vase by Robert Wallace Martin,dated 1890, ovoid with everted rim, incised with dragons perched amongstscrolling foliage, in shades of ochre and brown on a buff ground incised 3.1890R W Martin London & Southall, small nick to top rim, 13cm. high

£2,000-2,500

116. A Martin Brothers stoneware jug by Robert Wallace Martin, dated1882, bellied form, incised with a small bird perched on a bamboo stem, ingreen and blue on a brown ground, the thumb-press with painted signatureand date, incised R W Martin London & Southall, 25cm. high £150-250

117. A Martin Brothers stoneware jug, bellied form, incised with spikyfoliage in shades of brown and green on a buff ground incised Martin London& Southall 26cm. high £400-600

118. A Martin Brothers stoneware jug by Robert Wallace Martin, dated1880, simple bellied form, incised and modelled with flower stems, in yellow,green and brown on a buff ground incised 9.7.80 R W Martin London &Southall 19.5cm. high £200-300

119. Two Martin Brothers stoneware beakers, dated 1914, flaring cylindricalform, incised with birds flying and perched on boughs, in brown on a buffground incised 11 1914 Martin Bros Southall, repaired damages, 9cm. high

£300-500

120. A Martin Brothers stoneware solifleur vase, incised with a simplespray of wild flowers and foliage, glazed yellow and brown on a buff groundincised Martin Brothers, London 5-83 16.5cm. high £150-200

113

116

117

118

119 120

114 115

116 detail

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121. A Martin Brothers stoneware bird vase and cover by Robert Wallace Martin, dated 1898, modelled upright with sideways, knowinglook, with large flat beak and claw feet, glazed in shades of blue, green, brown and buff incised Martin Bros London & Southall 9-1892 to baseand 6-1892, flat, small chip to collar of cover 37cm. high £30,000-40,000

ProvenanceSotheby's Londonprivate collection

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122. A Martin Brothers stoneware Aquatic vase by RobertWallace Martin, slender, shouldered vase, incised with fishamongst waterweed, in shades of ochre, blue and green incised24.10.82 R.W.Martin London & Southall 26.5cm. high £400-600

123. A Martin Brothers stoneware fish salt, modelled withgaping mouth, glazed to interior blue, the exterior pale silver-grey incised Martinware Southall 10.5cm. wide £800-1,200

124. A Martin Brothers stoneware Aquatic solifleur vase,incised and painted with fish, jellyfish and snails amongstwaterweed, in brown on a buff ground incised 3 92 Martin Bros,restored 13.5cm. high £700-1,000

125. A Martin Brothers stoneware vase by Robert WallaceMartin, dated 1879, shouldered form, incised with goldenpheasants amongst grasses, in shades of green and blue,incised 344, 13.11.79 R W Martin London & Southall, 25cm. high

£400-600

126. A Martin Brothers stoneware vase by Edwin & WalterMartin, dated 1903, incised and painted with slipper orchids,dragonflies and insects, in brown, highlighted in white 3-1903Martin Bros London & Southall, professional restoration to insideof top rim, 24cm. high £500-1,000

122

123

124 two views

125 126

31

127. A Martin Brothers stoneware bird jar and cover by Robert Wallace Martin, dated 1891, the small bird modelled stood upright withforward looking with hooked beak, glazed in brown and green with a blue flashes to the wing and tail plumage head incised R.W.Martin & BrosLondon & Southall 11-91, the base Martin Bros London & Southall, head restored,hairline cracks to jar rim 18cm. high £8,000-10,000

32

128. A Martin Brothers stoneware gourdvase by Edwin & Walter Martin, dated1904, ovoid with swollen neck, incisedgroove decoration, covered in a mottledbrown glaze, and a Martin Brothers jugincised 8-1904, Martin Bros London &Southall, hairline to base, 21cm. high

£200-300

129. A Martin Brothers stoneware gourdvase by Edwin & Walter Martin, dated 1898,ribbed, ovoid form incised with fine veins,glazed brown incised 11-98 Martin BrosLondon 8.5cm. high £300-500

130. A Martin Brothers stoneware gourdvase by Edwin & Walter Martin, painted1896, shouldered, ribbed form, painted inshades of green incised 2-96 Martin BrosLondon, 8.5cm. high £300-500

131. A Martin Brothers miniaturestoneware gourd vase by Edwin & WalterMartin, shouldered form, incised with aspiral decoration, glazed brown 4-1906Martin Bros London & Southall 6.5cm. high

£200-300

132. A Martin Brothers stoneware gourdvase by Edwin and Walter Martin, coveredin a mottled blue glaze incised Martin BrosSouthall 10cm. high £500-800

133. A Martin Brothers stonewareminiature Gourd vase by Edwin & WalterMartin, shouldered, swollen form withincised decoration, glazed ochre and brownincised 1-99 Martin Bros London & Southall6.5cm. high £300-500

ProvenanceAD Antiquesprivate collection

128 129

130 131

132 133

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134. A Martin Brothers stoneware bird jar and cover by Robert Wallace Martin, modelled leaning slightly whilst staring forward, glazed inshades of blue and green with pink blush, on ebonised wood base, incised R W Martin & Bros Southall to head and base, professional restoration23cm. high £10,000-15,000

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135. A large Martin Brothers stoneware Aquatic vase by Robert Wallace Martin, dated 1886, incised with fish, a ray and eels, in shades ofgreen, ochre and brown, on hardwood stand incised R W Martin London & Southall 1.1886, top base and to rim, old repairs with rivets, 42cm.diam. £4,000-6,000

136. A Martin Brothers stoneware Aquatic vase by Robert Wallace Martin, dated 1882, ovoid with cylindrical neck, applied with swan headhandles, incised with fish swimming below bull-rush, in ochre, blue and white incised 23.2.82 R W Martin London & Southall, minor professionalrestoration to the base rim, 23cm. high £1,000-1,500

135 three views

136

35

137. A Martin Brothers stoneware bird jar and cover by Robert Wallace Martin, dated 1906, with upright stance and staring eyes, glazed inshades of blue and green highlighted in aubergine, on ebonised wood stand, incised 30.6.1905 R W Martin & Bros London & Southall, to baseand neck rim, small glaze chip to rim of body 28cm. high £18,000-22,000

ProvenanceLaurence W.Hodson (1869-1933)

36

138. A Martin Brothers stoneware Aquatic vase by Edwin &Walter Martin, dated 1904, shouldered, square section, each sideincised with a spider crab, in shades of brown on a buff groundincised 3-1904, Martin Bros London & Southall 6cm. high

£800-1,200

139. A rare Martin Brothers miniature Aquatic ewer by Edwin& Walter Martin, dated 1906, ovoid with loop handle, incised withtwo fish flanking an eel, in green, blue and aubergine, incised8.1906 Martin Bros London & Southall 2cm. high £1,000-1,500

138 four sides

139 both side

37

140. A Martin Brothers stoneware Viking jug by Robert Wallace Martin, modelled upright in fur coat, with bearded face and arms to side,glazed brown incised Martin Bros London & Southall, minor professional restoration to top and base rims 36cm. high £5,000-8,000

LiteratureThe Harriman Judd Collection of British Art Pottery, Sotheby’s New York, 22nd January 2001 lot 271, page 111.

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141. A large Martin Brothers stoneware cheese dish and cover byRobert Wallace Martin, dated 1884, the base incised with a friezeof stylised foliage, the dome cover with a frieze of ducks flying abovea river, a heron wading amidst the bull rushes below, in shades ofbrown, aubergine and blue on a buff ground incised 12 84 R W Martin& Brothers London & Southall, small hairline to rim of cover 31cm. high

£4,000-6,000

142. A Martin Brothers stoneware Aquatic vase by Edwin &Walter Martin, dated 1906, slightly tapering, square section,modelled in low relief and incised with scaly fish, on an incisedbackground, in shades of ochre and green incised 1-1906 Martin BrosLondon & Southall, professionally restored top rim, 26.5cm. high

£800-1,200

141 both sides

142 four sides

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143. A fine Martin Brothers stoneware Bird vase, dated 1893, shouldered square section, incised to each side with a comical bird beforegrasses, in shades of ochre, green and blue incised 11-1893 Martin Bros London & Southall 23.5cm. high £3,000-5,000

149

144. ‘Waste Not Want Not’ a Minton’s encaustic stonewareplaque designed by A.W.N Pugin, decorated with a wheel ofradiating ears of corn, in blue and puce impressed 430 to reverse34cm. diam. £500-1,000

145. A set of four Lahoche & Pannier plates retailed by L’Escalierde Cristal, two printed and painted with lobster motif, the other twowith a hare motif, in colours inside a blue border printed factory mark24cm. diam. £50-100

146. A Doulton Lambeth Persian charger, painted with a centralradiating, flower design, inside radiating panels, the rim with flowerroundels, in shades of blue, green and aubergine on a cream groundprinted mark, 31cm. diam. £200-300

147. A Wedgwood Pottery footed bowl, in the manner of Alfred &Louise Powell, painted to the well with a stylised flowerhead, insidescrolling design in shades of green, purple and blue on a whit ground,the reverse with scroll design, impressed Wedgwood mark, 3DP32cm. diam. £100-200

148. An Aesthetic Movement plate, painted to the well with amaiden portrait, inside autumnal foliage on a sky blue ground paintedE s d to reverse 22.5cm. diam. £50-100

149. A Wileman & Co Faience vase designed by Frederick Rhead,tapering solifleur form, slip decorated with daisy flowers in yellow andochre on a mottled blue/green ground, and another Wileman & CoFaience vase decorated with flowers printed marks, minor glaze loss16cm. high £150-250

150. A Bailey & Co Fulham stoneware vase, shouldered balusterform, incised and painted with stylised flowers and foliage in blue andbrown on a buff ground, a beaker vase, a Doulton vase and three otheritems impressed and incised marks, 22.5cm. high £150-250

151. A portrait plate of John Milton by Lewis F Day, painted in blueand salmon pink, painted Lewis F Day 13 Mecklenburgh Square31.5cm. square £100-150

152. A rare pair of Raphael and Dante portrait plaques by Lewis F Day, dated 1876, painted incised a border of laurel monogrammedand dated in blue to reverse one in half and re-stuck 29cm. diam.

£150-250

LiteratureThe Magazine of Art, 1878, page 179 these plaques mentioned in anarticle on painting on china

ExhibitedHowell & James, Regent Street 1878


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144 145 146 147

148

150

152

151152 mark

153. A Sunflower Pottery vase by Sir Edmund Elton, shouldered form withcylindrical neck and everted, pinched rim, applied with three looped handles,slip decorated with flowers and foliage in ochre and green on a streaked blueand green ground painted Elton mark, small glaze chip re-stuck to toprim,30cm. high £100-200

154. A Sunflower Pottery vase designed by Sir Edmund Elton, shoulderedform with flaring rim and lug handles, slip decorated with flower sprays inblue, green and brown on a streaked blue and green ground painted Eltonmark, restored rim, glaze chip 30cm. high £100-200

155. A Sunflower Pottery Platinum glaze ewer by Sir Edmund Elton,compressed form with cut neck and loop handle, modelled in low relief withflowers and foliage, painted Elton mark 19cm. high £300-400

156. A Farnham Pottery ewer, shouldered form with short spout and over-slung handle, incised in low relief with panels of pansies, covered in a greenglaze incised TH monogram 16cm. high £100-150

157. An unusual Aldershot School of Art earthenware jug, by E M Martin,tapering cylindrical form decorated with four dancing maidens incised marksto base 25cm. high £100-200

158. A Compton Potter’s Art Guild plaque, cast in low relief with thecrucified Christ child, coloured in green with gold highlights impressed mark,small nick to rim, 12.5 x 9cm. £50-100

159. A Compton Art Potters pilgrim bottle, cast seal mark, glazed green,a Compton Pottery frog and an archer book end impressed marks, chip tobook end pilgrim bottle 11cm. high £200-300

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153 154

155156

157158

159 159 detail

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160. A Cantagalli Pottery architectural tile,domed rectangular form, cast in relief withthe Madonna and Child, glazed in shades ofgreen, blue and white impressed marks,48cm. high £300-500

161. A Della Robbia Pottery wall plaque byMarianna De Caluwe, circular, modelled inlow relief with the Christ Child, in blue andgreen on a cream ground, incised mark, artistmonogram and exhibition paper label, firingcrack to rim, 38cm. diam. £400-600

ExhibitedHomes Arts and Industries Exhibition,undated, catalogue number 271

LiteraturePeter Hyland The Della Robbia Pottery, ACC,page 90, figures 90 and 91 this plaqueillustrated.

162. A Della Robbia bottle vase by LizWilkins and John Cecil Shirley, incised withpanels of mice perched on wheat, in shadesof brown, yellow and green on a turquoiseground incised mark and Shirley, painted LWmonogram, glaze flakes to top rim, 27cm.high £700-900

163. A Della Robbia Pottery twin-handledvase by Ruth Bare, incised and painted withArt Nouveau flowers, in shades of blue,green and yellow incised marks, RBB artistmonogram, professionally restored rim,28cm. high £300-500

164. A Della Robbia Pottery vase by AC,compressed form, incised and painted withArt Nouveau foliage and opium poppyseedheads, in green and yellow on a blueground incised marks to base 12.5cm. high

£150-250

165. A Della Robbia Pottery albarello vaseby Liz Wilkins, waisted cylindrical form withcollar rim, incised with stylised foliate panelsin yellow, green and red over cream groundincised marks, painted LW mark 19.5cm. high

£300-500

166. A large Della Robbia charger byGwendoline Buckler, copied from a designby Aphra J Peirce, the well incised with theMadonna and child, the rim with angelroundels inside scrolling foliate wreath, inshades of green, yellow and brown on aterracotta ground incised marks, paintedGEMB mark, minor professional restoration torim, 48cm. diam. £1,000-2,000

Catalogue NotesGwendoline Buckler was the eldest daughterof John Findlay Buckler, an Anglicanclergyman (educated at MarlboroughSchool). He moved from Somerset toWallasey in the 1870s and by 1891 wasrector at Bidston close to the Della Robbiafactory in Birkenhead.

160

161

162

163

164

166165

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RUSKIN POTTERY

167. A large Ruskin Pottery high-fired stonewarevase, dated 1922, compressed form with taperingneck, covered in a sang de boeuf and speckledlavender glaze on a silver-grey ground, and four Radforditems impressed marks, museum restored crack tobody 28cm. high £600-800

168. A small Ruskin Pottery high-fired stonewarevase, shouldered form with cylindrical neck, covered ina pale lavender glaze, mint green speckles over sangde boeuf, the shoulder with white painted scissor mark10.5cm. high £700-900

169. A Ruskin Pottery high-fired stoneware vase,dated 1933, twin-handled shouldered form, covered ina lavender glaze over sang de boeuf, with blue andgreen speckles impressed marks, £500-700

170. A Ruskin Pottery souffle glaze stoneware vase,slender baluster form with twin looped handles,covered in a streaked blue souffle glaze impressedWHT monogram mark, 33cm. high £400-600

171. A Ruskin Pottery high-fired stoneware balustervase, dated 1932, covered in a streaked green andpurple glazed over silver-white ground, with speckledorange patches, incised facsimile signature, impressedmarks, 16.5cm. high £700-900

172. A Ruskin Pottery high-fired stoneware vase,shouldered form with collar rim, covered in a speckledmint green glaze with lavender splashes over silver-white impressed marks, 14.5cm. high £500-800

167

168

169 170

171 172

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173. A Pilkington’s Lancastrian vase by Charles Cundall, dated1910, compressed form, painted with a frieze of flowers and foliagein ruby and golden lustre, another vase, two Pilkington’s Lancastrianbowls and a charger decorated with a heraldic lion by William SMycock, impressed and painted marks, restored, vase 16cm. wide

£350-450

173A. A Pilkington's Royal Lancastrian vase by William S Mycock, dated 1928, shouldered form, painted with trailingclematis flowers in ruby lustre on a pale blue ground impressedand painted marks, artist cipher and date mark, 30cm. high

£600-800

174. An early Pilkington’s Lancastrian vase, dated 1912,slender, ribbed form, covered in a opalescent feathered blue glaze,two compressed vases covered in a curdled blue glaze and twoothers with feathered glazes impressed marks, tallest 24.5cm. high

£100-150

LiteratureA.J.Cross Pilkington’s Royal Lancastrian Pottery and Tiles, RichardDennis Publications page 34 plate XVII for comparable examples.

A Catalogue of the Lancastrian Pottery, Manchester City ArtGalleries, page 32 catalogue numbers 24 and 37 for twocomparable vases.

175. A Pilkington’s Lancastrian vase, compressed, ribbed form,covered in a running aubergine, green and blue glaze, and threeother PIlkington’s items impressed marks, 16.5cm. high £150-250

176. A Pilkington’s Royal Lancastrian vase, compressed gourdform with knopped neck, painted in golden lustre with some scalyfish swimming amongst waterweed, the knopped neck with redlustre impressed marks to base 12cm. high £300-500

177. A Pilkington’s Lancastrian vase by Richard Joyce, dated1908, ovoid, painted with scaly fish between columns ofwaterweed, in copper and ruby lustre on a pale blue groundimpressed marks, painted cipher and date mark, 11cm. high

£300-500

178. A Pilkington’s Lancastrian vase by William S Mycock,dated 1918, shouldered, ovoid form with single-loop handle,inscribed with a Latin motto to shoulder, above a band of stiff leafin golden lustre on a reed lustre ground impressed marks, paintedcipher and date, small flat chip to underside of foot rim 11cm. high

£500-600

179. A Pilkington’s Royal Lancastrian vase and cover by GladysRogers, painted with a grape vine frieze in orange and copper lustreon a rich red ground impressed marks, painted artist cipher, smallglaze nicks 17cm. high £600-800

173173A

174

175

176

177

178

179

PILKINGTON’S LANCASTRIAN

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180. A Pilkington’s Lancastrian Pottery Sea Maiden vase designed by Walter Crane, painted by William S Mycock, ovoid with everted neck,painted with a classical female figure in a sailing boat, between bands of laurel and Greek Key, in golden lustre on a blue ground painted artistcypher WC Des cypher and impressed marks, paper label 27cm. high £5,000-7,000

LiteratureA J Cross Pilkington’s Royal Lancastrian Pottery and Tiles Richard Dennis Publications, plate V page 9 for three examples of this vase in differentcolours.

46

181. A Pilkington’s Lancastrian vase by William Mycock,dated 1916, shouldered form, painted with tulip panels in rubyand copper lustre on a blue ground impressed marks paintedcipher and date, restored top rim 17cm. high £200-300

182. A Pilkington’s Lancastrian vase by Richard Joyce,compressed ovoid form with tapering neck, painted withpanels of single flower stems in ruby and copper lustre on agreen ground impressed marks, painted artist cipher 12cm.high £500-800

183. A Pilkington’s Lancastrian vase by Gladys Rogers,dated 1910, beaker form, painted with a frieze of running stagsbetween stylised trees, in gold and ruby lustre on a streakedpink and orange ground impressed marks, date mark andpainted cipher 13cm. high £400-600

ProvenancePilkington’s Royal Lancastrian Pottery Exhibition 1980, RichardDennis, catalogue number 208.

Private collection

184. A Pilkington’s Lancastrian vase by Richard Joyce,dated 1918, shouldered form with solifleur neck, painted ingolden lustre with a frieze of stags walking between trees, onan sand ground impressed mark, painted cipher and date mark24cm. high £600-1,000

185. A Pilkington’s Lancastrian vase and cover by WilliamS Mycock, dated 1907, slender, shouldered form, painted withscrolling Tudor rose with entwined heart-shaped foliage, in goldlustre on a red ground, impressed marks, painted monogramimpressed VII for 1907, fine hairlines to top rim, 15.5cm. high

£500-700

186. A Pilkington’s Royal Lancastrian vase by William S Mycock, dated 1925, slender baluster form, painted with anexotic bird on scrolling flowering foliage, in golden and rubylustre on a blue ground impressed mark, painted monogramand date 20cm. high £400-600

181

186185

184183

182

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188

187

187. A Pilkington’s Lancastrian twin-handledvase by William S Mycock, dated 1913, shoulderedform painted with heraldic fleur de lys and Maltesecross on a shield, in ruby and copper lustre on ablue lustre ground, inscribed Pro Patria in goldimpressed marks, painted artist cipher and datecode 21,5cm. high £1,200-1,800

188. A large Pilkington’s Lancastrian ginger jarand cover by William S Mycock, dated 1914,painted with a galleon at full sail, the reverse with aheraldic shield and inscription Theu Quantom FatiParva Tabella Vehij, below a Greek Key border, ingolden lustre on a deep blue lustre ground,impressed mark, painted artist cipher and date code24cm. high £2,500-3,500

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MOORCROFT POTTERY

189. A Moorcroft Pottery vase designed by WilliamMoorcroft for retail by Liberty & Co, twin-handled form,painted with simple daisy flower stems in shades of yellow, blueand green on a celadon ground painted green facsimilesignature, printed mark, chip to top rim 12.5cm. high £300-500

190. A Moorcroft Pottery Florian Ware vase by WilliamMoorcroft, compressed form with flaring neck and everted,fluted rim, painted with stylised flowers in blue, green andyellow on a celadon ground, painted green facsimile signatureminor professional restoration to top rim 9cm. high £300-500

191. A Macintyre Pottery bowl designed by WilliamMoorcroft, painted with panels of roses and yellow flowersbelow a frieze of foliate panels in pink, green and blue on aceladon ground painted green facsimile signature, impressednumber, professionally restored chip to foot rim 25cm. diam.

£700-900

192. ‘Peacock Feathers’ a James Macintyre Florian Waretwin-handled vase designed by William Moorcroft, paintedin shades of green, yellow and blue on a pale blue groundprinted mark painted green facsimile signature, minorprofessional restoration to top rim 12.5cm. high £400-600

193. ‘Poppy’ a tall James Macintyre & Co Florian Ware tygdesigned by William Moorcroft, painted in shades of blue andgreen on a white ground, printed mark, painted facsimile greensignature, restored handles, 25.5cm. high £1,500-2,000

189 190

191

193

192

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194. ‘Cornflower’ a Moorcroft lustre vase designed by WilliamMoorcroft, in shades of blue, green and yellow painted green facsimilesignature 10.5cm. high £1,500-2,000

195. Pansy’ a James Macintyre vase designed by William Moorcroft,ovoid with knopped neck, painted in shades of yellow, pink, purple and greenon a white ground printed mark, painted green facsimile signature 11.5cm.high £700-1,000

196. ‘Claremont’ a rare Moorcroft Pottery teapot and sugar basindesigned by William Moorcroft, made for retail by Shreeve & Co SanFrancisco, painted in shades of red and blue on a streaked celadon groundpainted green Shreeve & Company and facsimile signature, professionalrestoration, teapot 17cm. high £2,000-3,000

LiteraturePaul Atterbury Moorcroft Pottery 1897-1993, Richard Dennis Publications,page 92 plate 2 for a comparable silver mounted teapot

194

195

196

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197. ‘Honesty’ a James Macintyre Florian Ware jardinieredesigned by William Moorcroft, swollen cylindrical form with flutedrim, painted in shades of blue printed factory mark, painted greensignature 18.5cm. high £500-1,000

198. ‘Lilac’ a James Macintyre & Co Florian Ware vase designedby William Moorcroft, shouldered form with everted rim, painted inshades of blue, highlighted in yellow and pale flambe red on a paleblue ground printed factory mark, painted green facsimile signature20cm. high £1,500-2,000

199. ‘Daisy’ a James Macintyre Florian Ware vase designed byWilliam Moorcroft, waisted form with everted rim and four handles,painted in shades of green, yellow and blue on a pale blue groundprinted mark, painted facsimile signature 12cm. high £1,600-1,800

200. ‘Honesty’ a Moorcroft Pottery vase by William Moorcroft,ovoid with waisted neck, painted with two bands of stylised honestyseedheads in shades of blue, green and yellow on a cream groundimpressed marks, painted blue ground 16.5cm. high £500-700

LiteraturePaul Atterbury Moorcroft Pottery, Richard Dennis Publications, page120 plates 1 and 2 for comparable Honesty designs.

201. ‘Cornflower’ a James Macintyre & Co Florian Ware vasedesigned by William Moorcroft, waisted cylindrical form, painted inshades of blue, green and yellow on a white ground printed mark,painted facsimile signature 20.5cm. high £2,000-3,000

202. ‘Cornflower’ a James Macintyre Florian Ware vase designedby William Moorcroft, painted in shades of blue and green on a whiteground printed marks, painted green facsimile signature 11.5cm. high

£300-500

203. ‘Flambe Cornflower’ a Moorcroft Pottery vase designed byWilliam Moorcroft, twin-handled urn form, covered in a mottled redflambe glaze impressed marks, painted blue signature, restored handle22cm. high £500-800

204. ‘Fish’ a Moorcroft Pottery vase designed by WilliamMoorcroft, slender, shouldered form, tubeline decorated with a scalyfish, in green and blue on a celadon ground impressed marks, paintedblue facsimile signature 28.5cm. high £1,200-1,800

197198

199

200

201

202

203

204

51

205. ‘Flambe Landscape’ a rare Moorcroft Pottery vase designedby William Moorcroft, baluster form, painted in yellow and blue under aflambe glaze impressed and painted blue facsimile signature 30cm. high

£6,000-8,000

LiteraturePaul Atterbury Moorcroft Pottery Richard Dennis Publications, figure2 page 95 this actual vase illustrated.

206. ‘Flambe Leaf and Berry’ a tall Moorcroft Pottery vasedesigned by William Moorcroft, dated 1940, shouldered cylindricalform with everted rim, painted in colours under a rich flambe glazeimpressed marks, painted blue signature dated 1940, 32cm. high

£1,000-2,000

205

206

52

207. ‘Moonlit Blue Pansy’ a rare Moorcroft Pottery vasedesigned by William Moorcroft, painted in shades of blue andgreen impressed mark, painted green signature, minor professionalrestoration to top rim, 22cm. high £400-600

ProvenanceRichard Dennis GalleryPrivate collection

208. ‘Powder Blue Cornflower’ a Moorcroft Pottery vasedesigned by William Moorcroft, painted in shades of blue on apowder blue ground impressed mark, painted blue facsimilesignature 25cm. high £600-1,000

209. ‘Moonlit Blue’ a Moorcroft Pottery vase designed byWilliam Moorcroft, with Liberty Tudric Pewter foot, painted inshades of blue and green on a blue ground stamped marks,professionally restored 29.5cm. high £1,500-2,000

210. ‘Pansy’ a Moorcroft Pottery vase designed by WilliamMoorcroft, flaring cylindrical form, painted in shades of green,purple and yellow on a blue ground impressed marks, painted greenfacsimile signature 26cm. high £200-300

211. ‘Eventide’ a Moorcroft Pottery plate with Tudric Pewter rimdesigned by William Moorcroft, made for retail by Liberty & Co,painted in shades of sand, green and flambe red impressed marks,stamped Tudric mark, 28cm. diam. £2,000-2,500

207 208

209 210

211

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212. ‘Wisteria’ a Moorcroft Pottery tazzawith Liberty Tudric Pewter foot designedby William Moorcroft, painted in colourson a blue ground stamped marks, 25cm.diam. £100-200

213. ‘Pansy’ a Moorcroft Pottery bowlwith Tudric Pewter foot designed byWilliam Moorcroft, painted in colours ona blue ground stamped marks, MoorcroftTudric 01311 26cm. diam. £250-300

214. ‘Pomegranate’ a Moorcroft Potterybowl designed by William De Morgan,painted in colours on a blue groundimpressed marks, painted green facsimilesignature, small nick to top rim 18.5cm.diam. £100-150

215. ‘Pomegranate’ a Moorcroft Potteryvase designed by William Moorcroft,shouldered form with everted rim, paintedin colours on a mottled green and blueground impressed marks, paintedfacsimile signature 21.5cm. high £200-300

216. ‘Spanish’ a Moorcroft Pottery twin-handled comport designed by WilliamMoorcroft, painted in shades of pink,purple, and ochre on a mottled greenground impressed marks, 29.5cm. wide,15.5cm. high £1,200-1,500

217. ‘Spanish’ A Moorcroft cup andsaucer designed by William Moorcroft,painted in shades of pink, sand and blueon a green ground, painted green facsimilemonogram £500-700

218. ‘Frilled and Slipper Orchids’ aMoorcroft plate, painted in colours on awhite ground painted blue signature 19cm.diam. £100-200

219. ‘Frilled and Slipper Orchids’ aMoorcroft Pottery vase, shouldered form,painted in colours on a green groundimpressed marks, painted blue facsimilesignature 24cm. high £250-300

212 213 214215

216 two views

217 two views

218 219

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220. ‘Wisteria’ a Moorcroft Pottery bowl with Liberty EnglishPewter foot, designed by William Moorcroft, painted in colours ona blue ground impressed marks, painted blue facsimile signature,stamped marks to pewter 17.5cm. diam. £150-200

221. ‘Flag Iris’ a Moorcroft Pottery lamp base designed by WilliamMoorcroft, shouldered and footed cylindrical form, painted in colourson a blue ground, impressed marks, painted green signature 21.5cm.high £100-200

222. ‘Anemone’ a Moorcroft Pottery vase, ovoid with collar rim,painted in colours on a blue ground impressed marks, painted bluesignature 21cm. high £150-250

223. ‘Pansy’ a Moorcroft Pottery vase designed by WilliamMoorcroft, slender baluster form with everted rim, painted in shadesof pink, purple and green on a blue ground impressed marks, paintedblue facsimile signature, professionally restored base rim, 27cm. high

£300-500

224. ‘Pansy’ a Moorcroft Pottery bowl and cover, painted in colourson a blue ground, an ‘Orchid’ jug and a ‘Leaf and Berry’ jug impressedmarks and painted blue facsimile signature, hairlines, 8.5cm. high

£300-500

225. ‘Clematis’ a Moorcroft Pottery vase designed by WalterMoorcroft, painted in colours on a pale green ground impressedmarks, painted green signature 15.5cm. high £100-150

226. ‘Violet’ a Moorcroft Pottery clock designed by Sally Tuffin,painted in shades of pink, purple and green on a dark blue groundimpressed marks, 16cm. high £100-200

227. ‘Freesia’ a Moorcroft cylindrical vase designed by WilliamMoorcroft, painted in colours on a blue ground, a ‘Springflowers’ urnshaped vase and an ‘Anemone’ basin impressed marks, 8cm. high

£200-400

228. A modern Moorcroft Pottery vase, shouldered form tubelinedecorated with exotic flowers and foliage in colours on a graduatedgreen ground, and two other modern Moorcroft vases impressed andpainted marks, 21cm. high £200-300

229. ‘Carp a Moorcroft Pottery charger designed by Sally Tuffin,painted in colours on a celadon ground impressed and painted marksto reverse 35cm. diam. £200-300

ProvenanceGifts for Good Children Christie’s Education, 9.12.91

220 221

223

222

224

226225

229227 228

MINTON'S SECESSIONIST230. A Minton’s Secessionist vase designed by Leon Solon andJohn Wadsworth, shouldered form with everted rim, painted withArt Nouveau tree design in shades of purple, green and blue printedmarks, 22.5cm. high £100-150

231. A Minton’s Secessionist vase designed by Leon Solon andJohn Wadsworth, shouldered form with everted rim, painted withArt Nouveau tree design in shades of mustard, green and blue printedmarks, 22.5cm. high £100-150

232. A Minton Secessionist vase designed by Leon Solon andJohn Wadsworth, swollen cylindrical form with everted rim, paintedwith Art Nouveau trees in blue, purple and green on a white groundprinted factory marks, 22.5cm. high £200-400

233. A Minton’s Secessionist vase designed by Leon Solon andJohn Wadsworth, waisted cylindrical form with applied handles, slipdecorated with Art Nouveau tree design in green and yellow on a redground printed marks, 17cm. high £100-150

234. A pair of Minton Secessionist candlesticks designed by LeonSolon and John Wadsworth, painted with flowers in shades of green,ochre and red, with factory holes for electricity, and a Minton’s Secessionistvase printed marks, hairline to one 16.5cm. high £150-250

LiteratureJoan Jones Minton The First 200 Years, Swan Hill Press page 248 fora similar candlestick illustrated.

235. A Minton’s Secessionist wall plate designed by Leon Solonand John Wadsworth, slip decorated with pendulous Art Nouveauflowers in green, cream and ochre on a red ground, and two Minton’sSecessionist plates impressed and printed marks, 25.5cm. diam.

£100-150

236. A pair of Minton’s Secessionist vases designed by LeonSolon and John Wadsworth, shouldered form, painted with ArtNouveau swag design in shades of green and red printed marks,32cm. high £150-200

LiteratureJoan Jones Minton The First 200 Years, Swan Hill Press page 246 fora pair of similar vases.

55

233232

231230

235 236

234

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237. No Lot

238. A Wedgwood Pottery plate byTherese Lessore, painted in blue with awasherwoman scrubbing, impressed marks,painted artist cipher 22cm. diam. £200-300

LiteratureMaureen Batkin, Wedgwood Ceramics 1846-1959, Richard Dennis Publications, page 151plate 365 for comparable examplesillustrated.

239. A pair of Wedgwood vases, in themanner of Alfred and Louise Powell,shouldered, cylindrical form, painted with aflowering tree, in pink, yellow and green ona midnight blue ground impressedWedgwood mark, painted LG artist cipher,damages 38.5cm. high £100-200

240. Two Wedgwood earthenware plates,painted with fish swimming in whirlpools, inblue and silver lustre on a white Moonstoneglaze, four similar plates decorated in pinkand silver with a simple flower spray and twoothers impressed and painted marks, 23cm.diam. £150-200

241. A Wedgwood Pottery part service byAlfred Powell, the jug and cover painted inpink lustre with a stag running in amountainous landscape, the reverse with adeer standing alert, the rest with deervignette, comprising covered jug, sugarbasin, cake plate, two cups, saucers and sideplates and a sandwich plate, impressedmarks, painted artist cipher, minor damages,covered jug 15cm. high £200-400

LiteratureMaureen Batkin, Wedgwood Ceramics 1846-1959 Richard Dennis Publications, page 148plate 355 for similar designs.

238

239

240

241241 reverse

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242. A fine Wedgwood bowl painted by Alfred Powell, the interior painted with rooks nesting in a tree, the exterior with buildings in alandscape, with footbridges in the foreground, in colours impressed marks, painted artist monogram and 756, exhibition label 35.5cm. diam.

£1,000-2,000

ExhibitedCrafts of the Cotswolds Exhibition, Cheltenham, 1951, catalogue number 285

ProvenanceMr H. K. Gimson(Humphrey Kitson Gimson was nephew of Ernest Alfred Gimson).Private collection

LiteratureMaureen Batkin Wedgwood Ceramics 1846-1959, Richard Dennis Publications, page 148 plate 353 for a comparable Rookery scene.

The Harriman Judd Collection of British Art Pottery, January 22 2001, lot 415 for the above bowl.

242 label

242 inside

58

243. A Wedgwood Fairyland Lustre LilyTray designed by Daisy Makeig-Jones,decorated in the ‘Fairy Gondola’ pattern,printed and painted in colours, highlighted ingilt printed factory mark, 33cm. diam.

£3,000-4,000

LiteratureUna Des Fontaines Wedgwood FairylandLustre, page 117 plate 21 for this design.


244. A Wedgwood Fairyland lustre Chalicebowl designed by Daisy Makeig-Jones,decorated to the interior in the ‘Fairy Gondola’pattern, the exterior in the ‘Twyford Garlands’pattern, printed marks, 27cm. diam.

£2,000-3,000

LiteratureUna Des Fontaines Wedgwood FairylandLustre, page 117 plate 21 for a comparableexample.


245. A Wedgwood Fairyland lustre Octagonbowl designed by Daisy Makeig-Jones,decorated with the ‘Running Figures pattern,the exterior in the ‘Geisha’ or ‘Angels’ pattern,printed and painted in colours, highlighted ingilt printed factory mark, 16cm. diam

. £1,000-2,000



243

244

245

A PRIVATE COLLECTION OF FAIRYLAND LUSTRE BY DAISY MAKEIG-JONES

59

246. A Wedgwood Fairyland lustreImperial bowl designed by Daisy Makeig-Jones, the interior in the ‘Elves and BellBranch’ pattern, the exterior in the ‘PoplarTrees’ pattern, printed and painted in colourshighlighted in gilt printed factory marks,23cm. diam. £1,500-2,000



247. A Wedgwood Fairyland lustre K’angH’si bowl designed by Daisy Makeig-Jones, the interior decorated in the ‘Gardenof Paradise’ pattern, the exterior in the‘Woodland Bridge’ pattern, printed andpainted in colours, highlighted in gilt printedfactory mark, 18cm. diam. £1,000-2,000

LiteratureUna Des Fontaines Wedgwood FairylandLustre, page 123 figure 43 this designillustrated.


248. An unusual Wedgwood Fairylandlustre Lincoln plate designed by DaisyMakeig Jones, decorated to the well withthe Roc Centre pattern enamelled in coloursand highlighted in gilt, the rim printed in bluewith rose flowers and foliage printed andpainted marks, W.559, 27cm. diam.

£1,800-2,200

LiteratureUna Des Fontaines Wedgwood FairylandLustre Sotheby’s Park Bernet, plate 50 page215 for a comparable plate

246

247

248

250. A Wedgwood Fairyland Lustre vase and cover designed byDaisy Makeig Jones, shape no.2046, decorated in the Candlemaspattern, in colours, highlighted in gilt printed factory mark, 22.5cm. high

£4,000-5,000

LiteratureUna Des Fontaines Wedgwood Fairyland Lustre Sotheby’s ParkBernet, plate 37 page 168 for a variation of this design illustrated.

249

60

250

249. A Wedgwood Fairyland lustre vase designed by DaisyMakeig-Jones, decorated in the ‘Flame Daventry’ pattern, printedand painted in colours, highlighted in gilt printed mark, 20.5cm. high

£1,500-2,000

LiteratureUna Des Fontaines Wedgwood Fairyland Lustre, page 253 plate 66 fora comparable example.


61

251. ‘The Coronation of Queen Elizabeth II -1953’ a Wedgwood commemorative mug fromthe design by Eric Ravilious, printed in colours,and a Wedgwood Sporting mug designed byRichard Guyatt printed factory marks, 10.5cm. high

£200-300

252. A Wedgwood Garden part dinner servicedesigned by Eric Ravilious, printed with awoman reading in a deck chair and a gardenerresting under an arbour, in yellow and black,comprising four soup bowls and six dinner platesprinted marks, 25.5cm. diam. £100-200

253. A Wedgwood Pottery sea lion designedby John Skeaping, covered in a celadon glaze,impressed marks, 21cm. wide £200-300

LiteratureMaureen Batkin Wedgwood Ceramics 1846-1959, Richard Dennis Publications, page 188colour plate XLVIII for a comparable sculpture

254. A Wedgwood Pottery model of aKangroo designed by John Skeaping, coveredin a celadon glaze impressed Wedgwood ,J.Skeaping marks 22cm. wide £100-150

255. A Hancock & Sons Morrisware vasedesigned by George Cartlidge, pattern C3-13,slip decorated with cornflowers in purple andgreen on a streaked blue ground printed marks,painted facsimile signature 18cm. high £300-500

256. A Gwendoline Parnell Chelsea figure of alady in medieval dress, on wooden with glasscasing, pencil annotations to base figure 24.5cm.high £100-200

257. A pair of Late Mayers Glasgow Schoolplates designed by George Logan, printed inblue and yellow with Art Nouveau flower repeat,a Peacock coffee can, saucer and sugar bowl, aContinental Art Nouveau bust, a Brannam Potteryvase, a Gustavsberg Argenta plate and two otheritems printed marks, minor damages 20cm. diam.

£100-150

258. A Wood & Sons Elers Ware vase designedby Frederick Rhead, tubeline decorated withpendulous Art Nouveau flowers, in green andsand, highlighted with white, a pair of spill vasessimilar and a pair of Elers Ware spill vases on awhite ground printed factory marks, 27.5cm. high

£100-150

259. A pottery seated black cat, modelledwearing a neck tie, printed details, applied greenglass eyes apparently unmarked 33cm. high

£100-200

251252

253254

255 256

257 part

258257 part259

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260. A Royal Cauldron charger designed by FrederickRhead, painted with a phoenix, in shades of coral red ona yellow, blue and green ground impressed and printedmarks, drilled hanging hole, 43cm. diam. £200-300

261. A Crown Ducal Tudor Rose charger designed byCharlotte Rhead, pattern 4491, painted in shades oforange, green and gold lustre, on a cream ground,another decorated with a roundel of orange and foliage,two other chargers and five other items printed marks,facsimile signature 36cm. diam. £200-400

262. A Shelley Eve shape coffee set for four, pattern11739, printed and painted in orange and silver withsimple flower stems, comprising coffee pot and cover,milk-jug and sugar basin, six cups and saucers, and aShelley Silver Sage part tea set for six comprising milk-jugand sugar basin, six cups and saucers, printed andpainted marks, hairline to spout, coffee pot 18cm. high

£200-400

263. A Royal Worcester Art Deco cased coffee set forsix, pattern 1086, printed in gilt and enamelled in coralwith stylised flower design, comprising, six cups andsaucers and six enamelled silver spoons, printed marks,spoons hallmarked saucers 9.5cm. diam. £300-500

264. A Burleigh Ware Edward VIII coronation mugdesigned by Dame Laura Knight, the handle modelledas a lion, printed and painted design, two others, a ShelleyMabel Lucie Attwell beaker, an Old Bill plate and fourother items printed marks, damages, mugs 8cm. high

£100-200

265. A Gray’s Pottery large plate, with fluted rim,painted with bell flowers in colours, the rim highlighted inplatinum on a pale blue ground printed mark, 31cm. diam.

£100-200

266. A pair of Gray’s Pottery vases, pattern A.628,waisted cylindrical form, painted with stylised flowers andfoliage in colours on a cream ground, the rim paintedorange, printed clipper mark, 24cm. high £100-200

267. A set of three Gray’s Pottery graduated jugs byHilda, pattern A11663, painted with stylised flowers in green,grey and black on a cream ground printed clipper mark,painted numbers, signed Hilda to side tallest 12cm. high

£100-150

268. A Gray’s Pottery Gloria Lustre bowl designed bySusie Cooper, painted to the well with a flying exotic bird,inside a border of flowers, in golden lustre on a pearlground, the exterior with simple geometric columns, anda Gloria Lustre bowl decorated with a stylised flowerheadby Susie Cooper printed and painted marks, 20.5cm. high

£100-200

260261

262

263

264

265

268267

266

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269. A Susie Cooper Productions Curlew coffee set forsix designed by Susie Cooper, painted with a seedheaddesign in blue and green, highlighted in platinum,comprising coffee pot and cover, milk-jug and sugar basin,six cups and saucers printed factory marks, 20cm. high

£300-500

270. A large Richard Parkinson Pottery model of aJudge designed by Susan Parkinson, model no.87,glazed in shades of blue unsigned 32cm. high

£800-1,200

LiteratureCarol Cashmore & Tim Smith-Vincent Susan Parkinson &The Richard Parkinson Pottery, published by the authors,page 55 this model illustrated. The judge was firstintroduced for the American market - one of a series ofbusts linked by the theme of wigs.

271. A Richard Parkinson Pottery model of an owl,designed by Susan Parkinson, glazed in olive green withscratched feathers unsigned 21cm. high £100-200

LiteratureCarol Cashmore and Tim Smith-Vincent Susan Parkinson& The Richard Parkinson Pottery, author published, page22 for a comparable owl

272. A Poole Pottery Studio charger, painted with alandscape in colours, a modern Poole Pottery Studiocharger by S Pottinger and two other Poole Pottery itemsprinted factory marks, 35cm. diam. £100-150

ProvenanceThe Nick Rocke Collection

272A. A Carn Pottery vase modelled in relief with anowl, glazed white and blue, another modelled with a cat,three other vases, and a collection of Bernard Rookepottery printed marks, 15cm. high, £100-200

273. An Old Tree stoneware erotic sculpture by GuySydenham, glazed, incised marks to base 24cm. high

£100-150

ProvenanceGiven by Guy Sydenham to the vendor. Inspired by thepoetry of Skylark Durston Guy Sydenham produced hisown poem about an old oak tree, and producedsculptures of the oak tree.

269

270 271

272 part

272A273 two views

64

274. A pair of Clarice Cliff Bizarre book ends,shape no.406, cast in low relief with flowers,painted in shades of red, blue, yellow and black,two Clarice Cliff jugs and three other Clarice Cliffitems printed factory marks, 16cm. high

£300-400

275. ‘House and Bridge’ a Clarice Cliff bowl,painted in colours inside yellow, orange and blackbands printed marks, 26cm. diam. £300-500

276. A Clarice Cliff Bizarre part servicedesigned by William Robbins for the 1934 Artin Industry Exhibition, printed to the rim withleaping dolphins, comprising two long servingtrays, two sauce boats and eight plates printedmarks, 59cm. wide £200-300

277. ‘Stroud’ a Clarice Cliff Bizarre Conical teaset for four, painted in colours, comprising; milk-jug and sugar basin, four cups, saucers, sideplates and a sandwich plate printed marks,conical jug 11.5cm. high £150-250

278. ‘Original Bizarre’ a Clarice Cliff tankardcoffee set for six, painted with triangles in purpleand green, outlined in brown, comprising coffeepot and cover, six cans and saucers printedfactory marks, wear, finial re-stuck, 19cm. high

£200-400

279. ‘Honeydew’ a Clarice Cliff Bizarre Triestetea for two, painted in colours printed factorymarks damages to pot and one saucer teapot13cm. high £150-200

280. ‘Original Bizarre’ a Clarice Cliff Doverjardiniere, painted with yellow diamonds insidered, outlined in green between blue borders aCrocus Beehive honey pot and six other itemsprinted marks, £200-300

281. ‘Circle Tree’ a Clarice Cliff FantasqueBizarre Globe teapot and cover, painted incolours printed factory mark, minor professionalrestoration to spout 10.5cm. high £200-300

274

275

277276

278

279

280 281

CLARICE CLIFF

282. ‘Limberlost’ a Clarice Cliff Bizarre Biarritzplate, painted in colours printed factory marks,16.5cm. wide £100-200

283. ‘Limberlost’ a Clarice Cliff FantasqueBizarre Stamford teapot and cover, painted incolours, a sugar basin and a Conical milk-jug inthe same pattern printed factory marks,professional restoration, 12cm. high £400-600

284. ‘Limberlost’ a Clarice Cliff Bizarre fourpiece table centrepiece, comprising two troughsand two cube candlesticks, painted in coloursprinted factory marks, troughs 25.5cm. wide

£250-350

285. ‘Rhodanthe’ a Clarice Cliff Bizarre Biarritzplate, dated 1935, painted in colours, a ‘Viscaria’Biarritz plate and an ‘Aurea’ plate printed factorymarks, 16.5cm. wide £150-200

286. ‘Orange Gardenia’ and ‘Melon’ twoClarice Cliff Bizarre octagonal serving bowls,painted in colours printed marks, 23cm. diam.

£200-300

287. ‘Orange Roof Cottage’ a Clarice CliffFantasque Bizarre octagonal serving bowl,dated 1932, painted with a repeat border incolours printed factory marks, impressed date23cm. diam. £100-200

288. ‘Pine Grove’ a Clarice Cliff octagonalserving bowl, dated 1936, painted in colours,and two Clarice Cliff Original Bizarre octagonalserving bowls printed factory marks, 23cm. diam.

£100-200

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282283

284

285

286

287

288

284 detail

66

289. ‘Crocus’ a Clarice Cliff Bizarre Conicalsugar sifter, painted in colours betweenbrown and yellow bands, two other CrocusConical sugar sifters and a plate variousmarks, 14cm. high £200-300

290. A Clarice Cliff Toby jug, painted incolours, and a pair of smaller Toby salts printedmarks, one salt repaired toby 17cm. high

£50-100

291. ‘Blue Japan’ a Clarice Cliff Bizarrevase, cylindrical form, painted in coloursprinted factory marks, 12.5cm. high

£100-200

292. ‘Inspiration Rose’ a Clarice CliffBizarre vase, shape 200, the triangularsection vase painted in shades of blue,brown, pink and orange on a turquoiseground printed marks, professionally restoredtop rim, 19cm. high £500-800

293. ‘Farmhouse’ a Clarice Cliff FantasqueBizarre plate, painted in colours insideyellow, orange and black bands printedfactory mark 22.5cm. diam. £150-200

294. ‘Coral Firs’ a Clarice Cliff Bizarre vaseshape no.566, painted in colours betweenyellow and brown bands, printed factorymark, 16cm. high £100-200

290

292291

294293

289

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STUDIO POTTERY

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295. Eight books on studio pottery, including‘Pottery In Britain Today’ by Michael Casson

£50-100

‡ 296. Charles Vyse (1882-1971)a stoneware vase dated 1932, slender bottle formwith everted rim, glazed to the foot with a tenmokuglaze with rush splash incised CV 1932 20cm. high

£100-200

297. Edwin Beer Fishley (1832-1911)a Fremington pottery bowl, shouldered form, appliedwith three loop handles, covered in an olive greenglaze incised marks, minor glaze chips 23cm. diam.

£100-200

298. George Fishley Hollanda pottery charger, incised with a deer beside afruiting tree, the rim with stylised oranges, in blue,turquoise and orange etched signature 34cm. diam.

£150-200

‡ 299. Reginald Wells (1877-1951)a Coldrum stoneware dish on three feet, coveredin a thick strawberry pink glaze, an Ashworth’sColdrum vase by Reginald Wells and a WinchcombePottery candlestick by Michael Cardew impressedmarks, 17.5cm. diam. £100-200

ProvenanceErik Hancock collection (Coldrum dish)

private collection

‡ 300. Reginald Wells (1877-1951), attributedan ovoid vase, probably Soon, with flaring rim,covered in a streaked dark blue and ochre glaze,and a collection of pottery including C.H.Brannamand Briglin unsigned 9cm. high £50-100

LiteratureJohn A Bartless British Ceramic Art, Schiffer, page229 for a comparable vase.

‡ 301. Reginald Wells (1877-1951)an Ashworth Coldrum bowl, dated 1910, coveredin a streaked blue glaze incised marks and date,glaze chip to foot rim 15cm. diam. £50-100

295

296

297

298

299 detail299

301300

‡ 302. Bernard Leach (1887-1979)a stoneware charger, painted with a foliate spray inshades of tenmoku and blue on an oatmeal groundimpressed Leach pottery mark, painted BLmonogram, small glaze frit to underside of rim27.5cm. diam. £400-600

‡ 303. Bernard Leach (1887-1979)a stoneware bowl, painted to the well with simpleflower stem design in blue and tenmoku on a buffground, the exterior mottled tenmoku, impressedLeach Pottery mark, 28.5cm. diam. £500-800

ProvenanceContemporary Ceramics Phillips 2nd December1999, lot 19

‡ 304. Bernard Leach (1887-1979)a stoneware Medieval jug, with simple incised leafrepeat to the shoulder, covered in an ash glazeimpressed BL and Leach Pottery seal marks, paperlabel 23.5cm. high £400-500

‡ 305. Bernard Leach (1887-1979)a stoneware footed bowl, painted with two fishswimming, in olive green on a speckled off whiteground, the exterior tenmoku impressed seal mark,painted BL monogram 30cm. diam. £700-1,000

‡ 306. Bernard Leach (1887-1979)a slab built stoneware bottle, painted in resist withpanels of geometric fern design, in blue-green andtenmoku on a mottled oatmeal ground to the foot,impressed seal marks, 19.5cm. high £2,000-3,000

‡ 307. Bernard Leach (1887-1979)a stoneware bottle vase, shouldered form withcollar rim, covered in a tenmoku glaze to the base,painted with blue swirl repeat impressed sealmarks 22.5cm. high £600-1,000

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302 303

304 305

306 307

70

308. Leach Potterya stoneware vase, ovoid with collar rim, covered tothe foot with an olive glaze, with white paintedspot decoration, impressed seal mark, 19cm. high

£100-200

‡ 309. Bernard Leach (1887-1979)a porcelain teapot and cover, incised with flowerdesign, glazed to the foot in celadon, with bamboohandle, impressed BL seal below handle 14.5cm. high

£300-500

310. Leach Potterya stoneware tankard with applied scroll handle,incised with the drinking verse ‘Drink aboutBrother, when this is done, We’ll have Another’,impressed seal mark, 11.5cm. high £100-200

‡ 311. Katherine Pleydell-Bouverie, (1895-1985)a stoneware vase, shouldered form with evertedrim, incised decoration, covered to the foot withan ash glaze impressed seal mark, 18.5cm. high

£300-500

‡ 312. David Frith (born 1943)a stoneware square bowl on four feet, traileddecoration to the rim, the well with tenmoku cross-hatch design impressed seal marks, 27.5cm. wide

£100-150

313. Winchcombe Potterya slip decorated dish dish with pie-crust rim, and acopy of British Studio Pottery The Victoria & AlbertMuseum collection reference book impressed sealmark, 24cm. wide £80-120

‡ 314. William Plumptre (born 1959)a slab built stoneware vase, shouldered form witheverted rim, with incised panel decoration, glazedash over tenmoku painted monogram 25.5cm. high

£150-200

‡ 315. William ‘Bill’ Marshall (1923-2007)a tall stoneware vase, waisted, shoulderedcylindrical form, painted with simple brush motif ina hakeme glaze incised WM mark 35cm. high

£500-700

‡ 315A. Seth Cardew (born 1934)a Wenford Bridge plate, painted to the well with awading bird in tenmoku on an ash groundimpressed seal marks 26cm. diam. £80-120

308

309

310 311

313

312

314 315

315A

71

‡ 316. David Leach (1911-2005)a rare Leach Pottery stoneware flagon, glazed tothe foot with a splashed ash glaze impressed DLand Leach Pottery seals, paper label, 28cm. high

£300-400

‡ 317. David Leach (1911-2005)a rare Leach Pottery stoneware vase, swollencylindrical form, painted in tenmoku with aninterlinked arch design on an ash glaze impressedDL and Leach Pottery seals, paper label 29cm. high

£500-800

318. Leach Potterya stoneware vase with pierced lug handles,shouldered form, glazed to the foot with adolomite glaze impressed Leach Pottery seal andflooded artist seal and England 19cm. high

£100-150

‡ 319. David Leach (1911-2005)a large Lowerdown Pottery teapot and cover, withbamboo handle, painted with simple brush repeatband in blue and tenmoku, two impressed sealmarks, 22cm. high £300-500

‡ 320. David Leach (1911-2005)a Lowerdown Pottery porcelain footed bowl,decorated with a band of cut decoration, glazedpale blue, and another David Leach bowl withsimple painted decoration impressed DL seal marksmaller bowl 10.5cm. diam. £100-200

‡ 321. David Leach (1911-2005)a Lowerdown Pottery porcelain footed bowl, withcut band of decoration, glazed pale blue,impressed DL seal mark, 12.5cm. diam.

£100-200

316 mark

316 317

318 319

320321

73

A PRIVATE COLLECTION OF STUDIO POTTERY

‡ 322. Bernard Leach (1887-1979)a Leach Pottery porcelain side plate, painted withtwo fish to the well, in cobalt blue on a pale blueground, the rim and back glazed olive/brownimpressed Leach pottery seal and BL 14.5cm.diam. £250-300

LiteratureBernard Leach, Hamada and Their Circle, TheWingfield Digby Collection Phaidon, page 45plate 37 for an identical plate.

ProvenanceSt Ives Galleryprivate collection

323. Leach Potterya stoneware plate, incised to the well with an oakleaf, glazed celadon, a Leach Pottery stonewareWillow plate, and a slip decorated plateimpressed marks, 24cm. diam. £150-250

‡ 324. David Leach (1911-2005)a Lowerdown Pottery stoneware ovoid vasedecorated in wax resist with foxglove design,under dolomite glaze impressed DL seal mark17.5cm. high £250-350

LiteratureEmmanuel Cooper and Kathy Niblett David LeachRichard Dennis, page 105 page 103 for a similarvase

‡ 325. David Leach (1911-2005)a large Lowerdown Pottery vase, ovoid with collarrim, painted in tenmoku and rust with a foxglovedesign, impressed DL seal 26cm. high £300-500

‡ 326. Shoji Hamada (1894-1978)a stoneware unomi, decorated in wax resist witha tenmoku glaze, in wooden box, lid signed8.5cm. high £500-800

ProvenanceTremayne Applied Arts, 2011

‡ 327. David Leach (1911-2005)a tall stoneware bottle vase with everted rim,painted with simple brush stroke decoration inrust over a rich tenmoku glaze unsigned, firingfaults 47cm. high £300-500

ProvenanceWoodbury Pottery, 2001private collection

322323

324

325

326327

74

‡ 328. Seth Cardew (born 1934)a Wenford Bridge Pottery plate, painted tothe well with a wading bird, in blue andbrown on an off white ground impressed sealmarks, 28cm. diam. £100-200

‡ 329. Michael Cardew O.B.E (1901-1983)a Winchcombe Pottery vase, shoulderedform, painted with simple flower stemdesign, in brown on a pale brown groundimpressed seal marks, 22cm. high £200-300

‡ 330. John Ward (born 1938)a flattened disk form with pulled shoulder,covered in a textured white glaze impressedseal mark, 32.5cm. high £400-600

‡ 331. John Ward (born 1938)an earthenware vase, glazed black and whitewith geometric panels impressed seal mark16.5cm. high £250-350

ProvenanceWoodbury Studio 2010private collection

‡ 332. Hans Coper (1920-1981)an early cup form vase, resist decorated inmanganese and white, the inside also glazedwhite impressed seal mark, 11.5cm. high

£800-1,200

LiteratureTony Birks, Hans Coper, Collins, page 97 fortwo variants decorated with white glaze

ProvenanceTremayne Applied Arts, 2003private collection

329

328

331330

332

75

‡ 333. Dame Lucie Rie D.B.E (1902-1995)a flaring porcelain bowl, covered in a speckled blue glaze, the rim with a thin pink band and white rims, impressed seal mark, 18cm. high

£3,000-5,000

ProvenanceContemporary Ceramics, 22nd June 1995, Bonhams, London page 57 lot 84private collection

interior

76

‡ 334. John Maltby (born 1936)a stoneware cup form, painted with stylisedboats in colours on a buff ground paintedMaltby, exhibition paper label 14.5cm. high

£200-300

‡ 335. John Maltby (born 1936)Angel, a stoneware sculpture, mounted onpainted wooden base, painted Angel title andMaltby signature to base 37cm. high

£150-250

‡ 336. John Maltby (born 1936)a stoneware leaning vase form, with flat, slabrim, painted with tulip flower stem in white,black and grey on a splashed ground, thereverse with a bird flying past a sail motifpainted Maltby 22cm. high £300-500

‡ 337. John Maltby (born 1936)a stoneware handled pot form, painted withflowers before a cross, in colours paintedMaltby 29cm. high £200-300

335

334 front & back

336front & back

337 front & back

‡ 338. Tomoo Hamada (born 1967)a stoneware unomi, footed form, decoratedwith coral red over tenmoku, in woodencase signed to the lid 7cm. high £100-150

‡ 339. Uchida Kunio (1910-1994)a stoneware vase, cylindrical with invertedrim, covered in a namako-yu (sea cucumber)glaze, in wooden box, impressed seal mark,18.5cm. high £100-150

‡ 340. Kawase Shinobu (born 1950)a porcelain bowl with pinched rim, coveredin a celadon glaze, with original fitted box,signed to the underside of the box lid, re-stuck chip to rim 23.5cm. diam.

£600-1,000

‡ 341. Shoji Hamada (1894-1978)a waisted stoneware flower vase, resistdecorated with simple finger wipe designunder tenmoku, the rim picked out in white,in presentation wooden box and cover, withstamped red Kiln seal mark, cover signed16cm. high £400-600

77

338

339

340

341

338 signature

339 signature

340 signature

341 signature

78

‡ 342. Richard Batterham (born 1936)a stoneware charger glazed to the well with an ashglaze, the rim tenmoku, and two smaller chargerscovered in an ash glaze unsigned 36cm. diam.

£100-200

‡ 343. Richard Batterham (born 1936)a stoneware twin-handled basin, covered in an ashglaze,a fluted bowl, a small tureen and cover and twopourers, basin 31cm. diam. £100-200

‡ 344. Richard Batterham (born 1936)a porcelain footed vase, covered in a pale celadonglaze with simple iron spot to side, and two bowlssimilar unsigned, paper exhibition numbers 10cm. high

£100-200ProvenanceHambledon Gallery,

‡ 345. Richard Batterham (born 1936)a stoneware teapot and cover, fluted form, coveredin a tenmoku glaze, another covered in an ash glaze,another smaller and a stoneware tea canister andcover covered in a celadon glaze unsigned largestteapot 14cm. high £150-250

LiteratureMichael Casson Pottery in Britain Today, Studio Vista,plate 183 for a comparable teapot.

‡ 346. Mike Dodd (born 1943)a stoneware twin-handled storage vase and cover,fluted form, covered in an ash glaze and a Sven Bayerjar and cover impressed MD seal mark, 32cm. high

£150-200

‡ 347. Richard Batterham (born 1936)a stoneware large pouring vessel, covered to the footin an ash glaze, and five others smaller, unsigned32cm. diam. £150-250

‡ 348. Richard Batterham (born 1936)a porcelain vase, swollen square section, covered to thefoot in a pale celadon glaze, a stoneware box and cover,a stoneware jar and cover, a Phil Rogers stonewareunomi and a collection of items by various artists

£200-300

‡ 349. David Eeles (born 1933)an Eeles Pottery charger, fluted rim, painted with afemale portrait, and another Eeles Pottery chargerimpressed seal marks,37cm. diam. £100-150

‡ 350. Phil Rogers (born 1951)a large stoneware vase, shouldered form, incisedwith simple motif, glazed to the foot with an ash glazeimpressed seal mark 53cm. high £300-500

LiteratureCeramic Review issue 131, 1991, this actual vaseillustrated page 36.

Provenanceprivate collection.

342

343

344345

346

347

348

349

350

79

‡ 351. David Frith (born 1943)a large stoneware charger, painted with brushdesign in iron red on a celadon ground, and anothercharger impressed seal marks, 50cm. diam.

£100-200

‡ 352. Ruthanne Tudball (born 1945)Monterey a slip decorated stoneware wall charger,signed in slip 39cm. diam. £80-120

‡ 353. William Ruscoe (1904-1990)an elliptical dish dated 1961, incised starburstdesign covered in a green glaze, a stoneware jugand a vase covered in a tenmoku and rust design byWilliam Ruscoe, incised and painted marks, dish34cm. wide. £200-400

‡ 354. Peter Lane (born 1932)an early terracotta footed bowl, decorated in resistwith abstract design in the style of the Picassoettes,incised signature 17cm. diam. £100-150

355. A stoneware figure of a centaur and adancer, glazed in colours painted SH to baseimpressed seal mark, losses to feet 41cm. high

£300-500

‡ 356. Waistel Cooper (1921-2003)a stoneware vase, ovoid with flaring rim, covered ina pitted glaze, the interior glazed grey with brownspots painted Waistel 16cm. high £100-200

357. Kenneth Clark (1922-2012)a square section bowl, dated 1993, painted withflowers in vivid colours, a cylindrical vase byKenneth Clark and a collection of ceramics and tiles,and a glass vase by Annette Meech painted marks,bowl 22cm. wide £100-150

351

352

353

354

355

356 357

80

‡ 358. Julian King-Salter (1954)a coil built spiralling vase, glazed in colourimpressed seal mark, 27cm. high £100-150

‡ 359. Aki Moriuchi (born 1947)a stoneware vase and covered vessel, each withthick running and pitted white glaze impressed sealmarks vase 8.5cm. high £100-150

‡ 360. Waistel Cooper (1921-2003)a large ovoid lamp base with flaring cylindricalneck, covered in a speckled and running ash glaze,glazed drill hole to side, and three vases by WaistelCooper, painted signature 28cm. high £200-300

‡ 361. Marianne De Trey (born 1913)a porcelain pedestal vase, painted with abstractpanel design in red and blue/grey, and anothersmaller impressed seal mark, 12.5cm. high

£100-200

‡ 362. Alan Spencer Green (1932-2003)a solifleur vase, covered in a pale ochre hare’s furglaze, a pedestal bowl and four matt black box andcovers etched monogram, chip to rim of one box29cm. high £400-500

LiteratureMichael Casson Pottery in Britain Today, StudioVista, plate 123 for a comparable box and cover.

‡ 363. Betty Blandino (1927-2011)a coiled pottery vase, with applied decoration,glazed ochre and off white, and a Betty Blandinocoiled pouring vessel form impressed seal mark,12.5cm. high £150-250

‡ 364. Bernard Rooke (born 1938)a stoneware totem lamp base, impressed Rookeglazed in colours 75cm. high £100-150

365. A small footed dish in the manner of SusanParkinson, painted with poppy seadhead designin green and ochre on a white ground, paintedindistinct monogram, repaired stem 19cm. long

£50-100

358

359

361360

362

363

364

365

81

‡ 366. Takeshi Yasuda (born 1943)a large handled dish, circular bowl form withapplied cone handle, covered in a crackled creamglaze applied paper retail label 39cm. diam.

£300-500

‡ 367. Janice Tchalenko (born 1942)a Dartington Pottery platter, dated 1996, ellipticalform, modelled in low relief and glazed in shades ofblue and lavender painted monogram 41cm. wide

£100-150

‡ 368. Alan Caiger Smith (born 1930)an Aldermaston Pottery bowl, painted with a bandof geometric patterning in blue, green and rust, atwin-handled bowl, a small Alan Spencer Greenporcelain bowl and and another vase painted marks

£100-200

‡ 369. Alan Caiger Smith (born 1930)six Aldermaston Pottery goblets, glazed in shadesof blue, red and green on an off-white groundpainted marks, 13.5cm. high £100-200

‡ 370. Alan Caiger Smith (born 1930)an Aldermaston Pottery vase and cover, taperingcylindrical form, painted in shades of blue on a tinglaze painted marks, 32cm. high £250-350

371. Aldermaston Potterya bucket shaped vase, painted in shades of pinkand blue on a tin glaze painted marks, 20cm. high

£150-200

‡ 371A. Alan Caiger Smith (born 1930)an Aldermaston Pottery tureen, cover and stand,painted in blue on a tin glaze painted marks, 27cm. high

£250-300

‡ 372. Alan Caiger Smith M.B.E (born 1930)Four Aldermaston Pottery plates, painted to the rimwith red and yellow abstract design on an off whitetin glaze painted monogram 23cm. diam.

£100-200

‡ 373. Alan Caiger Smith (born 1930)an Aldermaston Pottery platter, rounded, squaresection on four feet, painted with stylisedflowerhead design in pink on a mottled whiteground painted monogram, CA84 33cm. high

£100-200

366

367

368

369

370

371

371A

372

373

82

A PRIVATE COLLECTION OF

LAURENCE MCGOWAN POTTERY

‡ 374. Laurence McGowan (born 1942)a large stoneware bellied jug, painted with bands of birds, inshades of blue, pink and green on a white ground, paintedmonograms 30cm. high £100-150

‡ 375. Laurence McGowan (born 1942)a large stoneware bellied jug painted with lily flowers in shadesof pink, purple and green on an off white ground, paintedmonograms 31cm. high £100-150

‡ 376. Laurence McGowan (born 1942)a stoneware covered jug, painted with a robin perched in a tree,in blue and pink on a white ground, a custard jug, another jugand two other items painted monograms 31cm. high

£150-200

‡ 377. Laurence McGowan (born 1942)a stoneware vase, shouldered form, painted with birdsamongst foliage in shades of blue, pink and green on a whiteground painted marks, 24.5cm. high £100-150

‡ 378. Laurence McGowan (born 1942)a stoneware ginger jar and cover, painted with daisy flowers inpink, white and green on a black ground painted monograms21cm. high £100-150

‡ 379. Laurence McGowan (born 1942)a stoneware plate, painted with two birds amongst foliage tothe well, the rim a frieze of pairs of birds, in red, black and greenon a white ground, and two tall jugs painted monograms29cm. high £100-150

‡ 380. Laurence McGowan (born 1942)a stoneware solifleur vase, painted with daisy flowers in shadesof pink and green on a black ground, a tazza in the same designand two other vases painted marks, 17.5cm. high £100-150

‡ 381. Laurence McGowan (born 1942)a stoneware tazza, painted with a bird amongst foliage insideradiating flower stems and foliage, in shades of black, green,pink and purple, and a Laurence McGowan fluted bowl andanother footed bowl painted marks, 18cm. diam. £150-200

‡ 382. Laurence McGowan (born 1942)a stoneware bowl painted with blackberry fruit and flowers, inshades of black, red, and green on a white ground, and anotherbowl painted with birds painted monogram 17cm. high

£100-150

374 375

376

377 378

379

380

381

382

385

83

‡ 383. Laurence McGowan (born 1942)a stoneware charger painted with birdsperched on a tree bough, in colours, the riminscribed The Diligent Farmer Plants Trees theFruit of Which he Himself will never See,painted marks, 40cm. diam. £100-200

‡ 384. Laurence McGowan (born 1942)a stoneware charger, painted to the well withlilies, in shades of pink, white, yellow andgreen on a white ground, paintedmonograms 37cm. diam. £100-150

‡ 385. Laurence McGowan (born 1942)a stoneware jar and cover, painted with afrieze of robins amongst foliage in shades ofred and green on an off white ground, thecover with stylised flower stems paintedmonograms 26.5cm. high £100-200

‡ 386. Laurence McGowan (born 1942)a stoneware vase and cover, painted with afrieze of marching birds, in shades of black,purple and red on a white ground paintedmonograms 21cm. high £100-200

‡ 387. Laurence McGowan (born 1942)a twenty tile panel, painted in blue with fishand sea creatures amidst waterweed andwaterlily pads and a water-lily flower, insidefish border painted monogram and X,impressed H&E Smith marks to tiles, each tile15.5cm. square, panel 61.5 x 77cm.

£100-200

383 384

386

387

84

LUCIE RIE

‡ 388. Dame Lucie Rie D.B.E (1902-1995)a small stoneware bowl, flaring conical formcovered in a speckled blue glaze, the interiorwith two simple painted black bandsimpressed seal mark 13cm. wide £400-600

‡ 389. Dame Lucie Rie (1902-1995)a stoneware serving bowl, roundedrectangular form, glazed buff, the exteriorcovered in an aubergine glaze with sgraffitoband to border impressed seal mark,repaired chip to to top rim possibly by theartist 26.5 x 22.5cm. £300-500

‡ 390. Dame Lucie Rie D.B.E (1902-1995)a stoneware vase, waisted cylidrical form,covered in a pitted white glaze impressedseal mark, 11.5cm. high £400-600

ProvenanceChristopher Norman Taylor Collection,Woolley and Wallis British Art Pottery 28thNovember 2008, lot 225

Private collection.

‡ 391. Dame Lucie Rie D.B.E (1902-1995)and Hans Coper (1920-1981)a stoneware cylindrical vase, glazed to thefoot exterior bronze, the interior greyimpressed seal marks, 11cm. high £500-800

ProvenancePrimavera Gallery, CambridgePrivate collection

‡ 392. Dame Lucie Rie D.B.E (1902-1995)a porcelain conical bowl, with simple incisedband decoration, covered in a yellow glaze,impressed seal mark, original Albion Mewspaper label 13.5cm. high, 23.5cm. wide

£1,000-1,500

ProvenanceBeaux Arts BathPrivate collection

388389

390 391

392

85

‡ 393. Dame Lucie Rie D.B.E. (1902-1995)a large, flaring bowl, covered in a matt blue, pitted glaze, the rim highlighted in bronze and manganese impressed seal mark, 24.5cm. diam.

£4,000-6,000

Provenancepurchased by the vendor from Lucie Rie directly

86

‡ 394. Dame Lucie Rie D.B.E. (1902-1995)a stoneware bottle vase with flaring rim, covered in a pitted pink glaze with brown stripes, the flaring rim with brown speckled interior impressedseal mark, 27.5cm. high £3,000-5,000


87

‡ 395. Dame Lucie Rie D.B.E. (1902-1995)a porcelain footed bowl, flaring conical form, the exterior white with manganese bands and inlaid vertical lines, the interior sgraffito decorated,covered in a manganese and bronze glaze impressed seal mark 22cm. diam. £5,000-8,000


88

‡ 396. Dame Lucie Rie D.B.E. (1902-1995)a porcelain flaring conical bowl covered to the interior and exterior with pale green with grey and pink shading, the rim picked out with manganeseimpressed seal mark, 23cm. diam. £3,000-5,000


LiteratureDame Lucie Rie Sale of a Lifetime, Bonhams, 17th April 1997, lot 198 for comparable bowl

Lucie Rie Sainsbury Centre for the Visual Arts and V&A Craft Council, catalogue number 156 for a comparable bowl.

89

‡ 397. Dame Lucie Rie D.B.E (1902-1995)a stoneware conical bowl, covered to the foot in a blue and turquoise glaze, the rim highlighted with bronze impressed seal mark, 21.5cm.diam. 11cm. high £3,000-5,000

ProvenanceContemporary Ceramics, Phillips, 21st April 1994 lot 428Private collection

90

‡ 398. Gabrielle Koch (born 1948)Vessel with Groove, a smoke fired ceramicvase, etched signature 31.5cm. high

£400-600

ProvenanceGabrielle Koch New Ceramics, Beaux ArtsBath, 2008Private collection

‡ 399. John Ward (born 1938)a small ovoid vase with irregular rim, glazedin black and white with geometric designs,impressed seal mark 13cm. high £250-350

‡ 400. John Ward (born 1938)an earthenware vase, covered in a black andwhite geometric design, impressed sealmark, 16.5cm. high £350-450

‡ 401. John Ward (born 1938)an ovoid vase with tapering square neck, buffwith pale brown circle design impressed sealmark, 25.5cm. high £400-600

398

399 400

401

91

‡ 402. Hans Coper (1920-1981)a large, early stoneware vase, pulled ovoid form with flat disk rim, resist decorated with white slip stripes over a manganese glaze impressedseal mark, 36.5cm. high £5,000-10,000

Provenancepurchased directly from Hans Coper by the present vendor

Literature Tony Birks Hans Coper, Collins, page 83 for three similar vases circa 1953.

92

‡ 403. John Maltby (born 1936)Two Ships, a rectangular pottery plaque,mounted and framed impressed seal mark,plaque 34cm. wide £100-200

‡ 404. John Maltby (born 1936)a stoneware pot and cover with bamboohandle, painted with iron-red flowers on abuff ground, with tenmoku rim and cover,impressed seal mark, minor glaze loss, 12cm.high £100-150

‡ 405. John Maltby (born 1936)a stoneware Tiger box and cover, glazed incolours impressed seal mark, paperexhibition number 15.5cm. high £120-180

‡ 406. John Maltby (born 1936)Cat, a stoneware box and cover, glazed inreds impressed seal mark, 18cm. high

£150-200

‡ 407. John Maltby (born 1936)Standing Queen, a stoneware figure onstepped base, painted in colours, highlightedin gilt impressed seal mark, painted signatureand title 28cm. high £300-500

403404

405 406

407

93

‡ 407A. John Maltby (born 1936)Boat Family, 2006, a stoneware sculpture,impressed seal mark, signed, dated and titledto base, paper exhibition number 4, 36cm. high

£300-500

‡ 408. John Maltby (born 1936)Two Birds and Wall, a large sculpture group,on wooden base signed and titled to base,paper label to base, 36cn, high, 35cm. wide

£600-900

ProvenanceGodfrey Watt

‡ 409. John Maltby (born 1936)Blown Figures With a Wall, a stonewaresculpture, applied seal, signed and titled tobase 24.5cm. high £250-300

‡ 410. John Maltby (born 1936)Seabird and Wall, a stoneware sculpture, onebonised wood base impressed seal mark,painted signature and title, tape cataloguenumber, 31cm. high £300-500

ProvenanceCandover Gallery,Private collection

407A 408

409

410

94

‡ 411. Alan Wallwork (born 1931)a pierced stoneware bowl, elliptical form,glazed ochre and off white, and an AlanWallwork split form vase incised AWmonogram 26cm. wide £150-250

‡ 412. Alan Wallwork (born 1931)a large stoneware split form vase, incised,and glazed in ochre and white, incised AWmark 50cm. high £400-600

‡ 413. Alan Wallwork (born 1931)a large stoneware vase, flattened disk formwith small aperture, light incised decorationglazed white and ochre incised AW mark50cm. high £250-350

‡ 414. Peter Hayes (born 1946)a small stoneware cubist head sculpture, onblack slate base, etched Peter Hayes to base13.5cm. high £100-200

‡ 415. Robin Welch (born 1936)a tall cylindrical vase, painted with banded,incised and applied decoration,and a slabbuilt vase by Robin Welch impressed sealmark, 26.5cm. high £100-150

‡ 416. John Bedding (born 1947)a Gaolyard Studios winged vase form, withliner, glazed in fumed verdi gris and bronze,highlighted with gilt impressed seal marks,41.5cm. wide £100-200

‡ 417. Peter Beard (born 1951)Green Oval Vessel, impressed seal mark,29.5cm. high £300-400

411

412 413

414 415

417416

418. Sotis Filippides (born 1963)a stoneware pouring vessel, waisted, flaringcylindrical form glazed black, the interiorglazed off white, and two other pouringvessels by Sotis Filippides incised mark,tallest 27.5cm. high £300-500

419. Sotis Filippides (born 1963)a stoneware pouring vessel, ovoid blackbody with tall, incised cylindrical neckcovered in a brown glaze, glazed off whiteto the interior, and a smaller pouring vesselby Sotis Filippides incised mark, 31cm. high

£200-300

420. Chris Carter (born 1945)a collared stoneware vase, covered in apitted off-white glaze impressed seal mark,34cm. high £200-250

421. Chris Carter (born 1945)A Core stoneware cylindrical vase, coveredin a textured off white glaze with blackbands impressed seal mark 59cm. high

£450-550

422. Chris Carter (born 1945)a large stoneware barrel, covered in a pittedoatmeal glaze impressed seal mark, 52cm.high £500-600

95

418 419

420 421

422

96

DENNIS CHINAWORKS

423. ‘Avocet’ a Dennis Chinaworks vasedesigned by Sally Tuffin, dated 2007,painted in colours impressed and paintedmarks, 16.5cm. high £100-200

424. ‘Doves’ a Dennis Chinaworks vasedesigned by Sally Tuffin, dated 2001,painted in colours impressed and paintedmarks, 27cm. high £200-300

425. ‘Pelican’ a Dennis Chinaworks vasedesigned by Sally Tuffin, dated 2000,painted in colours on a pale blue groundimpressed and painted marks, 29cm. high

£200-300

426. ‘Albatross’ a Dennis Chinaworks vasedesigned by Sally Tuffin, dated 2005,painted in colours impressed and paintedmarks, 32cm. high £200-300

427. ‘Black Cockerel’ a Dennis Chinaworkscharger designed by Sally Tuffin, dated2001, painted in colours impressed andpainted marks, 37cm. diam. £300-400

428. Dorking Cockerel’ a large DennisChinaworks vase designed by Sally Tuffin,dated 2004, painted in colours impressedand painted marks 35.5cm. high £300-400

424423

426425

428427

429. ‘Heron’ a Dennis Chinaworks vasedesigned by Sally Tuffin, dated 2001,painted in colours on a blue groundimpressed and painted marks, 33.5cm. high

£250-300

430. ‘Koi Carp’ a Dennis Chinaworks vasedesigned by Sally Tuffin, dated 2004,painted in colours impressed and paintedmarks, 39.5cm. high £300-400

431. ‘Sunflower’ a Dennis Chinaworkstazza designed by Sally Tuffin, dated 2007,painted in colours impressed and paintedmarks, painted Yesterdays 15.5cm. diam.

£100-200

432. ‘Sunflower’ a Dennis Chinaworksbox and cover designed by Sally Tuffin,dated 2006, painted in colours impressedand painted marks, 16cm. diam. £150-200

433. ‘Bats’ a Dennis Chinaworks chargerdesigned by Sally Tuffin, dated 2008,painted in colours impressed and paintedmarks, 29cm. diam. £150-200

434. ‘Daffodil’ two Dennis Chinaworksvases and a jug designed by Sally Tuffin,painted in colours on a yellow groundimpressed marks, jug 24cm. high £200-300

97

429 430

431

433434

432

98

20TH CENTURY DESIGN

435. A modern set of four Tief glassshades, flaring cylindrical orange glass withpulled blue rim, and five clear glass shadesacid-etched Tief 16cm. high £50-100

ProvenanceAlbert E Wade collection

436. An Art Nouveau Emile Galle cameoglass vase, tapering cylindrical form, cameodecorated with berried foliage in shadesbrown over amber glass, with applied metalfitting to the neck came signature Galle22cm. high £100-200

437. A W.M.F Ikora glass lamp base, orangeglass with yellow and white veins, cased inclear, and another smaller, 18.5cm. high

£150-250

438. A Whitefriars Studio glass vase byGeoffrey Baxter, flattened disk form withpulled and shaped rim, blue glass with whitelines, cased in clear, another similar greenvase, a Whitefriars textured triangular vaseand another Whitefriars cased vase unsigned14cm. high £200-300

Lesley Jackson Whitefriars Glass RichardDennis Publications, page 87 for apromotional photo of Geoffrey Baxter withthis studio range, 1961.

439. A Whitefriars Streaky glass vase,cylindrical form, green and blue streakscased in clear, another smaller and twoHartley Wood streaked glass vases appliedWhitefriars label to one 25.5cm. high

£150-200

440. A Holmegaard glass lamp basedesigned by Michael Bang, ovoid whiteglass streaked with blue, cased in clearapplied paper label 22cm. high £100-200

441. A John Walsh Walsh Leaf patternglass vase designed by Clyne Farqharson,bucket form, cut and polished decoration,another shouldered glass Leaf vase a mug,a cut glass bowl similar and an Orreforsglass vase by Sven Parmquist, a Kosta glassobelisk by Anne Warrf and a Moser glassvase etched marks, 25cm. high £100-150

442. A Murano Italian glass egg in themanner of Venini, blue and green stripedcased in clear, and two other glass eggssmaller, etched Murano 91 19cm. high

£100-150

435 436

437 438

439

440

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99

443. ‘Coquilles’ no.3320 a large Laliqueopalescent glass ceiling shade designedby Rene Lalique wheel cut R Lalique France,minor frit chips to suspension holes 30cm.diam. £100-200

444. ‘Bulbes’ no.3302 a Lalique opalescentdish, R Lalique France 25cm. diam.

£150-200

445. ‘D’Orsay - Le Lys’ a Lalique clear glassscent bottle and stopper, with sepia staining,intaglio moulded R Lalique 21.5cm. high

£300-500

446. A Le Verre Francais cameo glassvase, footed, swollen cylindrical form witheverted rim, mottled orange glass withpurple cameo overlay fruiting tendrils,etched Le Verre Francais to foot 39cm. high

£1,000-1,500

447. A Daum Nancy glass vase, purpleglass domed foot and swollen columngraduating to flaring red glass bowl withpulled rim, with golden aventurineinclusions, etched Daum & Nancy France23cm. high £600-800

448. A Holmegaard Gulvase designed byOtto Bauer, white glass cased in red, andanother amber glass Gulvase, original paperlabel to red Gulvase, 30cm. high £100-200

449. A Mdina glass Fish vase designed byMichael Harris, flattened disk form withsolifleur neck, streaked brown and purpleglass cased in clear etched Mdina 1978 andsignature 21cm. high £100-200

450. A faceted glass Saturn vaseattributed to Fontana Arte, clear facetedglass with blue glass ring and foot unsigned16cm. high £150-250

443 444

445

446

447

448

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100

451. An Amphora Pottery Art Nouveaucentrepiece, the stem modelled as threeeagles, flaring bowl decorated in low reliefwith waterlily flowers and pads below a bandof circle and diamond motif, in colours, andan Amphora Pottery ewer impressed marks27cm. high £150-250

452. An Art Deco Amphora Pottery ewer,enamelled in low relief with a sphinx abovea band of scarab motif, in colours impressednumbers 38cm. high £80-120

453. A near pair of Primavera earthenwarecandlesticks,waisted form, painted with dotand line motif, in green, cream and brownimpressed Primavera mark, minor glaze lossand professional restoration, 19cm. high

£100-200

454. A large Fornasetti Foot ceramicumbrella stand designed by PierroFornasetti, modelled as a right lower leg andfoot in Roman sandal, highlighted in gilt,printed Fornasetti mark, minor professionalrestoration to the top rim, 57.5cm. high

£300-500

LiteraturePatrick Mauries Fornasetti Designer ofDreams, page 184 for a comparable form.

455. A Longwy Pottery box and cover,square section, the cover painted with aparrot perched in a tree bough lit by lanterns,in colours on a blue ground, a pair ofcylindrical vases decorated with flowers abowl and three dishes printed marks,13.5cm. wide £150-200

456. A Thun Pottery wall plate decoratedwith a view of Tells capelle, painted incolours inside enamelled border of stylisedflowers and foliage, and six others paintedmarks, 25cm. diam. £100-200


457. A Delphin Massier Vallauris jardiniere,ovoid with collar rim, painted with seagullsabove waves in blue and white, paintedmarks, signed Max 26cm.high £100-200


452451

453

454

455

456 457

455 detail

458. ‘Woman with a veil’ and Womanwith Flowers’ a pair of limited editionRoyal Copenhagen blanc de chine figuresdesigned by Arno Malinowski, printed andpainted marks, AM monogram to base21cm. high £400-600

459. ‘Moon Girl a Royal Copenhagenfigure designed by Gerhard Henning,model no 2413 designed in 1924, modelledin elaborate dress, holding an exotic flower,painted in colours, highlighted in gilt printedand painted in colours 30cm. high

£300-500

LiteratureNick and Caroline Pope, Royal CopenhagenPorcelain, Schiffer page 152

460. A Van Briggle pottery vase, footedcylindrical form, cast in relief with three nativeAmerican Indian heads, glazed matt blueincised marks, minor professional restorationto top rim, 27.5cm. high £200-300

461. ‘River Path’ a Rookwood Pottery tileplaque by Fred Rothenbusch, painted witha river landscape with tall trees, in vellumcolours, framed, impressed factory marks,tile 24 x 13cm. £500-600

LiteratureRookwood Pottery, Treadway Gallery, page109 catalogue number 1101 for acomparable tile.


462. A Zsolnay Pecs vase, shoulderedcylindrical form, painted with stylised flowerpanels in ruby and copper lustre printedmarks, glaze nicks to base rim, 19.5cm. high

£250-350

463. A Longwy Pottery ewer and cover,slender tapering form, painted with stylisedflowers and foliage in colours, highlighted ingilt printed and painted marks 18cm. high

£50-100

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BOCH FRERES KERAMIS464. A Boch Freres Keramis vase designed by Charles Catteau,pattern D.1174. shape 844, enamelled with geometric flowers and foliagein shades of blue, yellow and black on a crackled white ground printedfactory marks, professionally restored rim, 31.5cm. high £100-200

465. A Boch Freres Keramis vase designed by Charles Catteau,pattern D.1208, painted with stylised crocus flowers in green, yellowand black on a crackled white ground printed and painted marks,31.5cm. high £200-300

Literature: Marc Pairon Charles Catteau Art Deco Ceramics Made inBelgium, Fondation Charles Catteau, page 633 catalogue number 1327

466. A Boch Freres Keramis vase designed by Charles Catteau,pattern 963, shape 2334, enamelled with a band of stylised flowersand foliage in pink and yellow on a crackled off white groundimpressed and printed marks, 32cm. high £250-300

467. A Boch Freres Keramis vase designed by Charles Catteau,pattern D.750, painted with stylised flowerheads in shades of yellowand orange on a crackled white ground impressed and printed marks,facsimile signature 35cm. high £200-300

Literature: Marc Pairon Charles Catteau Art Deco Ceramics Made inBelgium, Fondation Charles Catteau, page 556 catalogue number

468. A Boch Freres Keramis vase designed by Charles Catteau,pattern D.1099, painted with columns of stylised flowers and foliagein shades of pink, yellow and black on a crackled white ground printedand painted marks, 31cm. high £300-500

Literature: Marc Pairon Charles Catteau Art Deco Ceramics Made inBelgium, Fondation Charles Catteau, page 630 catalogue number 135for a comparable vase

469. A Boch Freres Keramis vase designed by Charles Catteau,pattern D.983, enamelled with two bands of stylised flowers in rustred and green on a crackled white ground printed and painted marks,facsimile signature 29cm. high £100-200

Literature: Marc Pairon Charles Catteau Art Deco Ceramics Made inBelgium, Fondation Charles Catteau, page 219 catalogue number 265for a comparable vase

470. A Boch Freres Gres Keramis stoneware vase designed byCharles Catteau, pattern D.820, shouldered ovoid form, decoratedwith a band of scrolling foliage in brown on a crackled white groundprinted marks, Pomone mark 13cm. high £300-500

Literature: Marc Pairon Charles Catteau Art Deco Ceramics Made inBelgium, Fondation Charles Catteau, page 433 catalogue number1013 for a comparable vase.

471. A Boch Freres Gres Keramis vase designed by CharlesCatteau, pattern D.922, enamelled with columns of circular geometricpatterns, in mushroom and black on a lightly crackled cream groundprinted, painted and incised marks, 28cm. diam. £100-200

Literature: Marc Pairon Charles Catteau Art Deco Ceramics Made inBelgium, Fondation Charles Catteau, page 656

472. A Boch Freres Gres Keramis vase designed by CharlesCatteau, pattern D.974, painted with panels of stylised bell flowers inblack enamel on a crackled white ground impressed, printed andpainted marks, 28.5cm. £200-300

Literature: Marc Pairon Charles Catteau Art Deco Ceramics Made inBelgium, Fondation Charles Catteau, page 437 catalogue number1042 for a comparable vase

473. A Boch Freres Gres Keramis vase designed by CharlesCatteau, pattern D.914, decorated with panels of bell flowers in blackenamel on a crackled white glaze impressed, printed and paintedmarks, 24.5cm. high £200-300

Literature: Marc Pairon Charles Catteau Art Deco Ceramics Made inBelgium, Fondation Charles Catteau, page 553 for a comparable vase.

464 465

466 467

468

469

470

471

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474. A Boch Freres Keramis vase designed by Charles Catteau,pattern D.2233, painted with bell flowers and foliage in brightenamels on a crackled cream ground printed and painted marks,31cm. high £300-500

LiteratureMarc Pairon Charles Catteau Art Deco Ceramics Made in Belgium,Fondation Charles Catteau, page 708 for a comparable vase

475. A Boch Freres Keramis vase designed by Charles Catteau,painted by Leon Delfant, pattern D.1733, painted with stylised flowersin colours on a matt brown ground printed and painted marks, paintedLD monogram 32cm. high £100-200

476. A Boch Freres Keramis vase designed by Charles Catteau,pattern D.1847, shape no.914, painted with stylised flowers andfoliage in colours on a matt brown ground printed and painted marks,34cm. high £100-200

477. A Boch Freres Keramis vase the design attributed to CharlesCatteau, pattern D.2854, shape 909, painted with a band of birdsamongst flowering foliage on blue and rust on a white ground printedand painted marks, 31cm. high £300-500

478. A Boch Freres Keramis vase designed by Charles Catteau, byMarcel Bougard for Atelier Fantaisie, pattern D.1093, painted with bellflower roundels in colours on a brown ground printed and paintedmarks, 31cm. high £100-200

LiteratureMarc Pairon Charles Catteau Art Deco Ceramics Made in Belgium,Fondation Charles Catteau, page 306 catalogue number 559

479. A Boch Freres Keramis vase designed by Charles Catteau,pattern D.1111, shouldered square section vase, painted with stylisedflowerhead and foliage panels in yellow and orange on a white andbrown ground printed and painted marks, facsimile signature 25cm. high

£400-600

LiteratureMarc Pairon Charles Catteau Art Deco Ceramics Made in Belgium,Fondation Charles Catteau, page 304 catalogue number 705

480. A Boch Freres Gres Keramis vase designed by CharlesCatteau, pattern E.2466, barrel form, decorated with a chevron bandin brown on a rust coloured ground impressed, printed and paintedmarks, hand painted signature 20cm. high £200-300

LiteratureMarc Pairon Charles Catteau Art Deco Ceramics Made in Belgium,Fondation Charles Catteau, page 564 for a drawing of this design, thesignature is hand painted by Charles Catteau.

481. A Boch Freres Gres Keramis vase designed by CharlesCatteau, pattern D.771, slender, swollen cylindrical form, painted withflowerhead roundels in brown and back on a gun-metal grey groundimpressed, printed and painted marks, facsimile signature 27cm. high

£200-300

LiteratureMarc Pairon Charles Catteau Art Deco Ceramics Made in Belgium,Fondation Charles Catteau, page 424 catalogue number 989 for acomparable vase.

482. A Boch Freres Gres Keramis vase designed by CharlesCatteau, pattern D.1000, shape 960, slender, swollen cylindrical formwith everted rim, painted with geometric columns in green and blackon a pale green ground printed, incised and painted marks, facsimilesignature 30cm. high £200-400

LiteratureMarc Pairon Charles Catteau Art Deco Ceramics Made in Belgium,Fondation Charles Catteau, page 426 catalogue number 994.

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477 478

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483. A rare Boch Freres Keramis vase designedby Charles Catteau, pattern D.2531, ovoid withcollar rim, enamelled in white, sand and black on aterracotta ground with exotic cranes wading beforetrees printed and painted marks, 23cm. high

£1,500-2,000

LiteratureMarc Pairon Charles Catteau Art Deco CeramicsMade in Belgium, Fondation Charles Catteau, page370 catalogue number 794 for this design illustrated.

484. An unusual Boch Freres Keramis vasedesigned by Charles Catteau, pattern D2531,footed form with four lug handles, enamelled inwhite, cream and black with cranes wading in ariver, on a terracotta vase, painted marks restorationto foot rim, 34cm. high £300-500

LiteratureMarc Pairon Charles Catteau Art Deco CeramicsMade in Belgium, Fondation Charles Catteau, page370 catalogue number 794 for a similar vase

485. A Boch Freres Gres Keramis vase designedby Charles Catteau, pattern D.2300, painted inmushroom with doves flying by berried foliagefronds, on a pale, speckled brown groundimpressed, printed and painted marks, 22cm. high

£500-1,000

LiteratureMarc Pairon Charles Catteau Art Deco CeramicsMade in Belgium, Fondation Charles Catteau, page390 catalogue number 868 for a comparable vase

486. A large Boch Freres Keramis vase designedby Charles Catteau, pattern D.2305, shoulderedform, painted with a frieze of scrolling flowers andfoliage in mushroom on a brown ground printedand painted marks, facsimile signature 35cm. high

£500-800

LiteratureMarc Pairon Charles Catteau Art Deco CeramicsMade in Belgium, Fondation Charles Catteau, page316 catalogue number 600 for a comparable design.

487. ‘Perseus and the Gorgons’ a fine BochFreres Keramis vase designed by CharlesCatteau, enamelled in black with warriors fightingthe Gorgons, on a red crackled glaze, highlighted ingilt printed and painted marks 36cm. high

£2,000-3,000

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486

487 both sides

WORKS ON PAPER

488. ‘He Hath Exalted The Humble and the Meek’ a large stainedglass window design for Ecclesmachan church, watercolour onpaper, annotated in pencil, 183 x 91cm (sheet) £200-300

489. A Watercolour on paper design by Ellen Mary Rope, depictinga child offering up spring flowers to a crow perched on a tree trunk, alizard, lamb and finches watch on, framed, annotated in pencilE.M.Rope West Wing to reverse, image 51cm. diam. £500-800

490. ‘Runnymede Pageant’ a poster design gouache on paper,framed 47 x 34cm. £100-200

Catalogue NotesIt appears this was a design produced for the 1934 pageant postercompetition.

491. G R HarrisSpit and Polish, oil on canvas-boardframedsigned to front, paper label with title to reverse 60 x 50cm. £80-120

492. Romain de Tirtoff (Erte), attributedLes Nouvelles, from La Nouvelle Orleans, gouache on paper, framedfacsimile signature, annotated to reverse, titled and Erte stamp sheetsize 37 x 27cm. £200-300

493. Romain de Tirtoff (Erte), attributedLe Point de Venise, Le Gondolier gouache on paper, framed facsimilesignature, annotated to reverse, titled and back stamp sheet size 27 x24cm. £200-300

494. A textile design for Bianchini Ferier, gouache highlighted withsilver and gold on paper, and two others similar framed 43 x 28cm.(image) £200-300

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490 491

494

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495. ‘Decorative Art & ModernInteriors’ six Studio VistaYearbooks, 1974/75, 1975/76,1977,1978,1979, 1980, and acollection of reference books

£100-200

496. A large collection of Artand Design reference books,

£100-200ProvenanceThe Nick Rocke Collection

497. Don de GrootBreamwatercolour and body colour onpaper, framed and anothersmaller Golden Breamsigned to paper label on reverse,dated 9839 x 25cm (image) £100-200

498. Frank Brangwyn R.A.Ghent, 1906 an etching onpaper, another etching of Ghentand a windmill both by FrankBrangwyn, mounted, unframedsigned in the print 35 x 31cm.

£300-500

499. ‘Leben Und SterbenLassen (Live and Let Die)’ aGerman issue James Bond filmposter, printed in colours 118 x84cm £200-400

500. Spotted Plant, a paintedslate panel titled in pencil onreverse, gallery label 42 x 19cm

£100-150ProvenanceCompass Gallery

‡ 501.Teodor Durski (born 1976)Greg, 2007lithograph on paper, framedsigned, titled and numbered9/22 in pencilimage 99 x 69cm. £200-300

495

496

497

498

499 500 501

107

DODO BURGNER

108

‡ 502. Dodo Burgner (1907-1998)Gentleman with a women on either arm, watercolour on papersigned dodo28 x 19cm. £100-200

‡ 503. Dodo Burgner (1907-1998)Dancing Couple and The Proposalwatercolour on paperone signed Dodo22 c 13cm (image of Dancing Couple) £200-300

‡ 504. Dodo Burgner (1907-1998)three fashion studieswatercolour on paperunsigned54 x 44cm. £300-500

503

502

504

109

‡ 505. Dodo Burgner (1907-1998)Two Women in Conversation, watercolour on paper, unsigned 30 x 27cm £300-500

‡ 506. Dodo Burgner (1907-1998)Circus Performers (nude in the mirror)watercolour on paper, unsigned 24.5 x 18.5cm. £100-200

‡ 507. Dodo Burgner (1907-1998)Woman on a Balcony watercolour on paper, unsigned 32 x 20.5cm. £100-200

505

506 507

110

‡ 508. Dodo Burgner (1907-1998)An Advanceinks on papersigned Dodo29 x 19cm. £100-200

‡ 509. Dodo Burgner (1907-1998)Dancers with a Headink on papersigned with initials DW32 x 25cm. £100-200

‡ 510. Dodo Burgner (1907-1998)At The Races,watercolour on paperunsigned 32 x 23cm. £150-200

‡ 511. Dodo Burgner (1907-1998)Woman with her Maid (Bathroom)black ink on paper, with white heighteningunsigned 18 x 16cm. £100-200

508 509

510

511

FURNITURE

512. A Gothic Revival parquetry hall tablethe design attributed to AlfredWaterhouse, possibly manufactured byHoward & Sons, on cross stretchers withturned legs 102cm. diam, 77cm. high

£300-400

ProvenanceThe part contents of a Wiltshire Rectory.

513. A Gothic Revival panel in the mannerof A.W.N Pugin, painted with a cross andmitre, annotated Panel from WestminsterAbbey to the reverse 53.5 x 19cm.

£100-150

514. An Art Nouveau carved oak panel,square, carved with bell flower sprays,unsigned 46.5 x 47.5cm. £100-200

515. An Aesthetic Movement parquertyinlaid music cabinet, two double doorcupboards, set with parquetry panels ofclassical musicians, the interior with panelsof flower stems unsigned 109cm. high,52cm wide £200-300

516. An Arts and Crafts four-fold screen,each panel covered with The Angel with theTrumpet textile designed by Herbert Horne,Century Guild, each panel 171 x 54.5cm.

LiteratureLinda Parry Textiles of the Arts and CraftsMovement, Thames & Hudson, page 43plate 34 for an example of this textile design.Provenance: The part contents of a WiltshireRectory. £150-250

517. A James Shoolbred mahoganyoccasional table, possibly designed by H.W.Batley, model 9105, octagonal top overflaring legs and rectangular shelf stampednumber 61 x 45cm top, 67cm high

£300-400

Literature Cooper Furniture page for a discussion onBatley designing for Jas Shoolbred.

518. An English Art Nouveau glazeddisplay cabinet, glazed and stained doors,the frame inlaid with mixed metalflowerhead motif, 87cm wide, 178cm high

£300-400

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513

514

515 516

517

518

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519. An Arts and Crafts walnut corner armchair, turned tripod legs with plank back rest carved withNordic dragon design, with black leather seat unsigned 90cm. high £50-100

520. An Aesthetic Movement ebonised wood low chair, in the manner of E W Godwin, the back withgeometric lattice design, unsigned 72cm. high £50-100

521. An Edward Barnsley walnut side table, rectangular section, unsigned 65 x 43cm. £50-100

ProvenanceRural Industries Bureau, Wimbledon

522. A Gordon Russell & Sons oak stool, square section with carved legs and dowelled joints, with leatherseat applied metal label 32.5cm. square £200-300

523. An Austrian bentwood hallstand in the manner of Thonet, flaring square section, with bentwoodhooks, stamped NA & AFI to on leg 201cm high £200-300

524. A large Sigmund Oppenheim mahogany sideboard and display cabinet, two flanking bevelledglass cabinets with adjustable shelves, central cabinet with marble top and mirror back, inlaid with hollyand ebonised wood circle panels to base, polished metal furniture and foot plate to base, applied label,251cm wide, 184cm, high £400-600

525. An Art Deco Majorelle rosewood display cabinet, shallow bowed form with open shelf above, singleglazed compartment flanked by two doors, with inlaid brass and mother of pearl panels to door furniture181cm wide, 171cm high £200-300

519 520 521

522

523

524525

526. A Rowley Gallery mirror designed by Robert Anning Bell,domed rectangular form, inlaid with marquetry woman holding a ropeswag, above a basket with swags, unsigned 61cm. high £300-400

Literature20th Century Design Bonhams, 28th November 2007 lot 79 for thepair to this mirror.

527. A pair of Art Deco bedside shelves, probably English, theasymmetric curved veneer back rail supporting two shelves, with rodterminal to front unsigned 75.5cm high (tallest) and 73cm high

£200-300

528. A Heal’s weathered oak sideboard, central drawer withflanking cupboards, below mantle with metal cup hooks, inset ivorinelabel 129cm. wide, 122cm. high £150-200

529. A set of six Clissett High Back ladder-back chairs designedby Ernest Gimson, with strung seats, 115cm. high £300-500


LiteratureEdward Gardiner Rush Seated Chairs, page 11 this Clissett High Backchair illustrated (no.15) priced at £2.

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530. A Sormel Besancon adjustable officechair the design attributed to Jean Prouve,green enamelled steel frame with bent plyback and seat, applied paper label to back,79cm. high £600-1,000

LiteratureModernism from a Californian Collection,Christie’s South Kensington, 18th November2007, lot 256 for an identical chair

531. A Bestlite desk anglepoise lampdesigned by Robert Best, with extendingchrome stem, black enamelled base andshade, and an orange enamelled Flower Potlight designed by Verner Panton, cast marks,52cm. high £100-200

532. A set of four Fritz Hansen Oxfordchairs designed by Arne Jacobsen, modelno.7307, burnished steel frame with bluetextile upholstery, applied labels 88cm. high

£200-300

533. A Fritz Hansen Windsor chairdesigned by Ove Boldt, stamped FH mark,90cm.high £100-200

533A. A Fornasetti enamelled tin match boxcover made for Vespa motorbikes, designedby Piero Fornasetti, printed in coloursprinted gilt marks, 15 x 11cm.

£150-250

‡ 534. Brian Willsher (1930-2010)a tall pine wood sculpture, dated 2002,signed and dated in pen 54cm. high

£300-400

531530

530 label

532

533A

533 534 front & back

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535. ‘Centaurs’ an Edinburgh Weavers jacquard woven cotton and linendesigned by Alan Jarvis, 252 x 105cm £200-300

LiteratureLesley Jackson Edinburgh Weavers, V&A Publishing, page 260 plate 457 for acomparable example.


‡ 536. Sir Eduardo Paolozzi KBE R.A. (1924-2005)a plaster torsounsigned34cm. long £300-500

‡ 537. Sir Eduardo Paolozzi KBE R.A. (1924-2005)a plaster head on pine base, and another plaster head unsigned,tallest 15cm. high, smaller head 10.5cm. high £300-500

538. Sir George Frampton R.A.(1860-1928)Cardinal, 1892plaster panel, framedsigned and dated in the cast 47 x 35cm. £500-1,000

539. The Aviator a patinated bronze cast from a model by Alexandre Kelety,on polished slate base signed in the cast Kelety, stamped bronze, 29cm. high,31cm. wide £1,500-2,000

535

536

537

538

539

116

540. A Ferdinand Barbedienne gilt and patinated bronzetazza, after a design by J E Reine, the shallow dish with centralbas-relief depicting classical lovers, inscribed Coupe Trouard-Riolle, 1912, signed in the cast, F Barbedienne, 47cm. diam.

£400-600

541. A Patinated metal sculpture of a woman holding adove, on a stepped marble base, and a patinated metalsculpture of two dogs, unsigned 32cm. wide £50-100

542. A patinated bronze bust of a young boy smoking, castfrom a model by V Masella, on stepped marble base signed inthe cast 25cm. high £100-200

543. ‘Hooded Cloak’ a pair of patinated bronze figural bookends cast from a model by Demetre Chiparus, on veinedmarble bases, signed in the bronze 18cm. high

LiteratureBryan Catley Art Deco and Other Figures ACC publishing page68 for a figure comparable. £200-300

544. A pair of bronze sculptures of jockeys riding horses,signed in the bronze AG 1/3 34cm. wide £100-200


‡ 545. Karin Jonzen (1914-1998)Young Girl (standing nude),bronze resin on a black slate basenumbered 25/10054cm. high £700-1,000

Catalogue NotesKarin Jonzen studied at the Slade School of art between 1933and 1937.

ProvenanceHeredities Limited, private collection.

λ 546. A gilt bronze and ivory figure of a medievalfalconer cast and carved from a model by Eutrope Bouret,on veined marble base signed Bouret in the bronze 26cm. high

£500-1,000

541540

542

543

544

545 546

547. A pair of wrought iron andironsdesigned by Ernest Gimson andprobably made by Alfred Bucknell, ontripod feet 54cm. high £100-200

LiteratureAnnette Carruthers Ernest Gimson and TheCotswold Group of Craftsmen, LeicesterArts and Museums Service, page 99 for acontemporary photograph of theDaneway showrooms with a comparablepair of ??

548. A pair of polished steel and brasswall sconce designed by Edward Spencer,the stamped shield back with threearticulated sconce, unsigned 43cm. high

£100-200

549. A cast and pierced brass door grillepanel the design attributed to A.W.NPugin for the Palace of Westminsterunsigned 52 x 25cm. £300-400

Literature Pugin and the Gothic Revival, Bonhams,15th July 2009, lot 52 for an identical grille

550. ‘Carnation’ three Morris & Cowoven woollen fabrics made up ascushions, designed by John Henry Dearle1905-1910, largest 44 x 25cm £150-250

LiteratureLinda Parry William Morris Textiles, Crescent,page 167 plate 110 for this design.

551. A Newlyn Industrial Class coppertea caddy and cover, elliptical form,repousse hammered with three sailingships, the cover with two scallop stampedNewlyn 13cm. high £250-300

552. An Arts and Crafts copper vaseprobably by John Williams, cylindrical formwith two strap handles, repousse hammeredwith scrolling foliage 29.5cm. high

£150-200

553. A Birmingham Guild of Handicraftscopper wall or table lamp designed byArthur Stansfield Dixon, the curvedsupport on domed plate pierced for wallmounting, hinged, supporting hammeredcopper shade unsigned 58cm. high

£1,500-2,000

LiteratureAlan Crawford, By Hammer and Hand,Birmingham Museum & Art Gallery, page99 plate 77 for another table lamp. Page101 plate 80 for a contemporary illustrationof a display of Birmingham Guild ofHandicrafts lamps.

Classic Arts and Crafts, Christie’s SouthKensington, 2nd November 2000 lot 173for an identical lantern.

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550

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118

554. A Hukin & Heath bottle holder thedesign attributed to Dr ChristopherDresser, model no.3098, the oak body withchrome metal mounts, rod handle stampedmarks, regd diamond, 19cm. high £100-200

555. A Jaeger le Coultre travel clock, model106633, chrome case in red leather travelcase, and an Asprey easel back clock, signedto dial, stamped marks, case 10.5cm. wide

£100-200

556. A Walker & Hall Pride stainless steelfour piece tea set designed by DavidMellor, with black nylon handles and finials,comprising teapot and hinged cover, hot-water pot and hinged cover, sugar basin andmilk-jug stamped marks, 16cm. high

£100-200LiteratureBritish Art & Design 1900-1960, Victoria &Albert Museum, page 216 for this design

557. A Georg Jensen silver sauce boatdesigned by Johan Rohde, shape no. 304,stamped marks, 20cm. wide £800-1,200

Literature100 Years of Georg Jensen Christie’s NewYork, 19th January 2005 lot 269 for acomparable sauce boat

David A Taylor & Jason W Laskey GeorgJensen The Silver Fund Collection, page 136for a comparable sauce boat.

558. Six pairs of enamelled metal cufflinks, unsigned £50-100

559. a pewter bangle mounted withceramic stone, and ten other ceramicmounted items, probably Ruskin Pottery

£100-200

560. A silver link bracelet, by N E From,two silver neck rings and a brooch stampedmarks, 16.5cm. wide £100-200

561. A C & C Ltd silver panel, stamped inlow relief with an Art Nouveau maiden, aSecessionist buckle, an Arts and Crafts barbrooch mounted with a pearl, and acollection of jewellery stamped marks,Birmingham 1903 4.5 x 2.5cm. £150-200

562. A silver link bracelet in the manner ofGeorg Jensen, each rectangular panelpierced and cast with a bird before a scrollof foliage, stamped C.B.H 830 S18.5cm. long

£100-200

554

555

556557

558

559

560

561

562

563. A Georg Jensen silver neck ringdesigned by Vivianna Torun Bulow-Hube,model no.174, a bracelet and a Georg Jensensilver ring model 423 designed by NannaDitzel, set with green agate stone, stampedmarks and Torun, necklace 16cm. wide

£300-500

564. A Jorgen Jensen pewter and enamelbracelet, another set with purple stone,another set with amber stone and a smallcollection of jewellery stamped marks, 6.5cmwide £100-200

565. An Arts and Crafts ring possiblyMurrle Bennett, cast with foliate panels anda central mother of pearl stone unsigned

£100-150

566. A Murrle Bennett silver and enamelbrooch, enamelled with a Lion rampant inblue on a purple ground, stamped marks,3cm. wide £100-200

567. A Marius Hauer enamelled gilt metalpendant necklace, enamelled in sky bluestamped marks, 4.5cm. long £150-250

568. An Arts and Crafts plique a jourenamel hair comb in the manner of CharlesRobert Ashbee, decorated with a three wildrose flowers in orange and green unsigned14.5cm. wide £200-300

119

563

563 detail

564

565

566

567

568 detail

568

120

569. A Siersbol silver pendant necklace on neck ring, two other neck rings, a pair ofearrings, a bangle, a pair of cuff links and a clip stamped marks, Siersbol pendant 5.5cm. long

£100-200

570. A silver pendant on neck ring, set with amber stone, a pair of silver cuff links set withamber stone and a silver ring various marks, £100-200

571. A Georg Jensen silver bar brooch, model 274, elliptical form, pierced and cast in lowrelief with stylised flowers, and another Georg Jensen silver brooch stamped marks, 4cm. wide

£200-300

572. A pair of silver and ceramic cuff links by Anton Michelsen Denmark, the square panelset with blue ceramic square, another pair of silver disc cuff links by Anton Michelsen andanother pair by Cado stamped marks, 2cm. square £100-200

573. A Flora Danica silver gilt brooch by Eggert Denmark, by Orla and Grethe Eggert,modelled as a leaf, and another larger stamped marks, largest 6cm. wide £100-200

574. A Janna Mexican silver gilt sea urchin box and cover, stamped marks, 4.5cm.diam. £100-150

121

569

570

571

572

573

574

122

575. A William Hair Haseler silver and enamel pendant necklace,retailed by Liberty & Co, cast in low relief with a foliate motif, enamelledin blue and green stamped WHH mark and silver, 2.5cm. high

£200-300

576. A Murrle Bennett silver and enamel bar brooch, elliptical form,cast in low relief and enamelled in blue and green stamped marks,850 3cm. wide £100-200

577. A Charles Horner silver and enamel pendant necklace,modelled as a butterfly, enamelled in shades of blue and greenstamped marks, Chester, 2.5cm. wide £150-200

578. A Charles Horner silver and enamel bar brooch, pierced andcast in low relief with Art Nouveau foliate design, enamelled greenand blue stamped marks, Chester 3cm. wide £100-200

579. A Queensway silver and enamel bar brooch, rectangular barwith mother of pearl terminals, enamelled green and blue stampedmarks, 4cm. wide £100-200

580. A Charles Horner silver and enamel pendant necklace, piercedand cast Secessionist panel and drop, enamelled in shades of greenand blue stamped marks, Chester, 4cm. long £150-200

581. A Charles Horner silver and enamel pendant necklace, piercedwhiplash foliate form, enamelled blue and green, with enamelledsilver drop stamped marks, Chester, 1912, 3cm. wide £250-350

582. A Liberty & Co silver link bracelet, each square panel case andset with silver seed pearl, with yellow metal links stamped L C & C Ld20cm. long £150-250

Catalogue notesThis unusual stamped mark was used by Liberty in 1903.

583. A James Fenton silver and enamel link bracelet, therectangular panels enamelled blue and purple, the clasp green andbrown stamped marks, 18cm.long (approx.) £300-400

578

577

576

575

579

581

580

582

583

123

LIBERTY & CO.

124

584. A Liberty & Co Hadley oak umbrella stand, with carved cut-out heartmotif and pegged joints, set with olive green tiles and enamelled metal driptrays 87.5cm. high £200-300

LiteratureDaryl Bennett Liberty’s Furniture 1875-1915 The Birth of Modern InteriorDesign, ACC Books, page 216 this design illustrated plate 6.4from theYuletides Gift catalogue 1903/04.

585. A Liberty & Co Anglo Moorish bureau, with arched substructure andmashrabiya panel gallery applied paper label 62cm. wide, 93cm. high

£300-500LiteratureDaryl Bennett Liberty’s Furniture The Birth of Modern Interior Design, ACC,page 85 plate 3.46 for a sideboard with similar decoration.

586. A Liberty & Co mahogany Thebes stool, the square section seat onfour turned legs, with remains of gilt decoration 43cm. square £200-300

587. A pair of Liberty & Co Otley oak fire bellows designed by ArchibaldKnox, the heart shaped panels and stem carved with Celtic knot motif,76cm. long £150-250

LiteratureDaryl Bennett Liberty’s Furniture 1875-1915 The Birth of Modern InteriorDesign, ACC books, page 224 plate 6.26 this design illustrated in aYuletides catalogue, 1907.

584

585

587

586

585 label

125

588. A mahogany glazed display cabinet probably retailed byLiberty & Co, curved ends, hinged central glazed doors withmashrabiya panel decoration unsigned 68cm. wide £200-300

589. A Liberty & Co mahogany table, square top on flaring, turnedlegs, with rounded feet, square shelf impressed Liberty marks 65cmhigh, 40cm square top. £100-200

λ 590. A pair of Anglo Persian tables possibly retailed by Liberty& Co, octagonal form, inlaid with ivory panels 61cm. high, 61cm.diam. £500-1,000

588

589

590590 top

126

591. A repousse copper panel by John Pearson, dated 1900,rectangular, hammered in relief with two lions on a hill top before amedieval cityscape, the sun rising in the distance behind woodland,framed hammered JP monogram and date to reverse, panel 106 x 24cm.

£800-1,200

592. A Liberty & Co terracotta Olaf jardiniere designed byArchibald Knox, with four loop handles, cast with a band of Celticentrelac motif, impressed mark, 44cm. high £700-1,000

LiteratureStephen A Martin, Archibald Knox, ARTMEDIA page 276 for thisdesign illustrated

Veronica Franklin Gould, Archibald Knox and Mary Seton Watts,Modern Celtic Garden Pottery Arrow Press, page 20 for a comparableexample illustrated in a Liberty catalogue.

592A. A Compton Potter's Art Guild Scroll jardiniere the designattributed to Mary Seton Watts, cast in relief with two scroll handles,impressed wheel mark, 29cm. high £500-800

LiteratureVeronica Franklin Gould Archibald Knox & Mary Seton Watts ModernCeltic Art Garden Pottery, page 17 for a comparable pot circa 1898.

593. An oak bureau, in the manner of Liberty & Co, with piercedfoliate back plate, the patinated metal hinges with ‘Ruskin’ ceramicroundels, 123cm high, 64cm wide £100-200

591

592

592A

593

594. A Loetz iridescent glass vase, ovoidwith tall solifleur neck and flaring rim, coveredin a splashed blue iridescence 22,5cm. high

£200-300

LiteratureLiberty 1875-1975 V&A catalogue D252G,page 89, for an identical vase illustrated

595. A James Couper & Sons Clutha glassvase designed by Dr Christopher Dresser,shouldered form with solifleur neck withinverted rim, green glass internally decoratedwith brown streaks and air bubbles unsigned17.5cm. high £100-200

LiteratureMichael Thomas Vaughan Clutha page 4 thisdesign illustrated.

596. A James Coper & sons Clutha glassvase the design attributed to Dr ChristopherDresser, shouldered form with knopped neck,pale green glass with fine air bubble inclusionsand brown swirls, a plate and another vasessimilar unsigned 8.5cm. high £100-200

597. A James Couper & Sons Clutha glassvase, shouldered cylindrical form witheverted rim, green glass with air bubbleinclusions, a green glass dish with fluted rim,and another vase unsigned 8cm. high

£100-200

LiteratureLiberty Yuletides advertisment published inBric a Brac 1908 for a similar shape illustratedno.3 titled Flower Bowls.

598. A tall glass vase possibly JamesCoper & Sons Clutha glass, ovoid with talltapering neck, pale green glass with airbubble inclusions, and six other glass itemssimilar unsigned 18.5cm. high £100-200

599. A Monart Stoneware glass vase,shape GA, shouldered form with cylindricalneck, surface decorated with green and bluepulls on a mottled green ground, unsigned21cm. high £100-200

600. A Monart glass vase, swollencylindrical form, streaked green glass withwhorls, cased in clear, and another vasesimilar unsigned 21cm. high £50-100

601. A Monart glass vase, taperingcylindrical form with everted rim, on appliedfoot, mottled orange glass graduating toyellow with whorls, cased in clear unsigned20cm. high £100-150

127

594 595

596

597

598

599

600601

128

602. ‘Bara Ware’ a Moorcroft Pottery bottle vase retailed byLiberty & Co, painted with flower panels in pink and green on a whiteground, and a Moorcroft Tobacco jar and cover printed mark, paintedgreen facsimile signature, damages 31cm. high £150-250

LiteraturePaul Atterbury Moorcroft Pottery, Richard Dennis Publications, page62 plate 4 for comparable examples.Barbara Morris Liberty Design, Chartwell Books, page 69 for a BaraWare plate illustrated.

603. A Moorcroft Pottery Flamminian Ware biscuit box and coverdesigned by William Moorcroft, slip decorated with a heart-shapefoliate motif, glazed red incised facsimile signature, small nick to coverrim, 16.5cm. high £300-500

604. ‘Claremont’ a Moorcroft Pottery vase designed by WilliamMoorcroft, retailed by Liberty & Co, painted in shades of red and blueon a celadon green ground, printed Liberty mark, painted greenfacsimile signature, restored, 10.5cm. high £500-800

605. ‘Hazledene’ a Moorcroft Pottery vase designed by WilliamMoorcroft, retailed by Liberty & Co, painted in shades of yellow,green and blue on a celadon green ground printed factory mark,painted green facsimile signature, professionally restored top rim,15.5cm. high £1,000-1,500

LiteraturePaul Atterbury Moorcroft Pottery 1897-1993, Richard DennisPublications, page 69 plate 1 for comparable vases

606. ‘Hazledene’ a Moorcroft Pottery vase designed by WilliamMoorcroft, shouldered form with everted rim, painted in shades ofgreen and blue on a pale green ground printed Liberty mark andpainted green facsimile signature, professional restoration to base15cm. high £1,500-2,000

LiteraturePaul Atterbury Moorcroft Pottery 1897-1993, Richard DennisPublications, page 69 plate 1 for comparable vases

606 mark602603

604

605

606

607. A Gouda Pottery Regina vase, shouldered form,painted with Art Nouveau flowers and foliage in colours ona cream ground, a dish, a vase and a circular box and coversimilar, and three miniature Gouda items, and six referencebooks on Gouda printed and painted marks, damages26cm. wide £100-200

608. A terracotta vase by Owen Davis, ovoid form witheverted rim, decorated in slip with a figure in an archway, apanel of a lion and a heron with an eel in its beak, in yellowon a buff ground, incised signature, repaired rim, 23cm. high

£100-200

Catalogue NotesOwen Davis was born in Barnstaple, setting up a designstudio in London and influencing the young CharlesBrannam.

609. A large Lauder Barum pottery vase by AlexanderLauder, shouldered cylindrical form, slip decorated withstylised flowers and foliage in colours on a sand colouredground incised Alex Lauder Barum 12/15/189, restored,49cm. high £300-500

610. A large Lauder Barum pottery vase by AlexanderLauder, shouldered cylindrical form, slip decorated withstylised flowers and foliage, in colours on a sand colouredground incised Lauder Barum Alex 15.12.1891, restoredbase, glaze loss 51cm. high £300-500

611. A C.H.Brannam Dolphin vase by William Baron,dated 1891, ovoid the shoulder applied with three dolphin,supporting a knopped collar, painted with scaly fishamongst waterweed, in colours on a blue ground incisedmarks, WB monogram 23cm. high £200-300

612. A C.H.Brannam terracotta vase, dated 1899mshouldered form with applied handles, painted with a griffinpanel, in shades of cream, brown and green on a greenground incised marks, 22cm. high £180-220

129

607

608front & back

609 610

611 612

130

613. An early C.H.Brannam terracotta jug, dated1880, ovoid, decorated in low relief with a pane offish and a ray, flanked by birds catching insects, inyellow on a terracotta ground incised CH BrannamBarum 1880, restored neck, 21.5cm. high

£100-150

614. An early C.H. Brannam vase by JamesDewdney, dated 1883, ovoid decorated withpanels of a bird and stylised flowers, in blue on abrown ground, and a Brannam Griffin candlestickby W Garland, incised marks, 16.5cm. high

£100-150

615. A pair of Lauder Barum dragon vases,shouldered form, each applied with a dragon likereptile, the body incised with scaly fish amongstwaterweed in blue, green, yellow and ochre on apale blue ground impressed Lauder Barum mark,restored, 32cm. high £300-500

616. A Baron Barnstaple twin-handled vase,shouldered form, applied with twin dragonhandles, painted with a bird perched on floweringfoliage, about to catch butterflies flittinginnocently, the reverse with a bird flying paststylised Art Nouveau flower stems, and a C HBrannam vase by William Baron dated 1888,painted with birds amongst stylised foliageincised marks, restored 30cm. high £100-200

617. A modern C.H. Brannam vase made forLiberty & Co, dated 1991, shouldered twin-handled form, applied and incised with twocircling fish, glazed blue incised marks, handlerepaired, 36cm. high £100-150

618. A C.H.Brannam Barum Pottery vase, dated1896, tapering form with applied twistedhandles, incised and painted with Lily flowers inbrown and blue on a blue ground, and aC.H.Brannam vase painted with a wading bird,incised marks, incised AB artist monogram,restored 40cm. high £100-200

619. A C.H. Brannam comical twin-handledvase the design attributed to BlancheGeorgiana Vulliamy, modelled as a grimacingface, the handles modelled as ears glazed green,a small Baron jug designed by Blanche Vulliamyand eight other Devon pots incised marks,damages face 15cm. high £150-250

613

614 615

616

617

618 619

620. A C.H. Brannnam terracotta candlestickand sconce by Frank Thomas, dated 1899,modelled as a stork standing beside a largebamboo shoot, glazed green, blue ochre and whiteincised C H Brannam Barum, 1899, FT monogram,minor glaze loss, restoration, 26cm. high

£100-150

621. A Lauder Barum pottery vase, shoulderedform, incised and painted with a panel of scalyfish, the reverse with a panel of birds, in yellow,brown and blue on a green ground, inside scrollingfoliage borders, incised Lauder 30cm. high

£150-250

622. A large C.H.Brannam Barnstaple potteryvase by James Dewdney, dated 1905, taperingcylindrical form with everted rim and threeapplied scroll handles, incised and painted in slipwith three scaly fish, amidst waterweed, paintedin shades of green, blue and brown incisedmarks, restored, 42cm. high £200-300

623. A C.H. Brannam terracotta vase by JamesDewdney, shouldered form, painted with panelsof birds amongst foliage and a peacockdisplaying, in brown and blue incised marks, JDmonogram, chip to foot rim, 34cm. high

£100-200

624. A pair of Lauder Barum vases, taperingcylindrical form with everted, fluted rims, incisedand painted with panels of scaly fish amongstwaterweed to one, the other with birds perchedon flowering boughs, in shades of ochre, greenand blue on a green ground impressed marks,minor glaze frits 30cm high £100-200

625. A terracotta jug by Mary Mersom, dated1885, slip decorated with a grotesque creatureamidst scrolling foliage, in blue on a brownground incised marks, restored, 22.5cm. high

£100-200

131

620

621 front & back

622 623

624 625

132

626. A Liberty & Co Cymric silver and enamel button pendantnecklace the design attributed to Archibald Knox, cast in low relief withradiating foliate design enamelled in blue and green, set with mother ofpearl stone, stamped marks, Birmingham 1901, 3cm. diam. £200-300

627. A William H. Haseler Liberty & Co silver and enamel buttonbrooch the design attributed to Archibald Knox, enamelled in lowrelief with radiating foliate design enamelled blue and green, set withmother of pearl stone stamped marks, Birmingham 1909, 3cm diam.

£200-300

628. A Liberty & Co Secessionist rose gold pendant, set with pinkstone and seed pearl, stamped Liberty mark 9ct, 3cm. high £500-700

629. A Murrle Bennett silver and enamel pendant designed byArchibald Knox, pierced triangular frame with Celtic knot decoration,with green and blue enamel panel, stamped MB roundel, 850 4cm. high

£400-600LiteratureStephen A Martin The Designs of Archibald Knox, ARTMEDIA, page255 for a comparable piece

Vivienne Becker Art Nouveau Jewellery, page 164 plate 243 for acomparable piece

630. A Liberty & Co silver and enamel buckle, the design attributedto Oliver Baker, pierced and cast with foliate design, enamelled bluestamped marks, Birmingham 1908, 8cm. wide £350-400

631. A Liberty & Co silver pedestal bowl, the circular footsupporting wirework stem and hammered bowl, stamped marksBirmingham 190810cm. diam. £150-200

632. A Liberty Cymric silver photograph frame, rectangular, setwith two turquoise stones, leather back, stamped marks, Birmingham1904, missing easel back 11.3cm. high £300-400

LiteratureVictor Arwas Liberty Style, Parco, Japanese exhibition catalogue, page117 catalogue S12 for a comparable frame.

633. A Liberty English Pewter and enamel box and cover byCharles Fleetwood Varley, rectangular, the hinged cover set withrectangular enamel plaque of a riverscape by Charles FleetwoodVarley, stamped marks to box, signed Varley to enamel, dents andcracks to enamel, 21cm. wide £1,000-1,500

634. A Liberty & Co Cymric silver and enamel box and coverdesigned by Archibald Knox, rectangular section, the hinged coverset with two roundels cast in low relief with art nouveau whiplashfoliage enamelled red, blue and green £1,500-2,000

626 627

628

629

630

631

632

634

633 detail

133

635. A Liberty & Co Tudric Pewter and enamel mantel clock designed by Archibald Knox, model no.0629, architectural form, set with Art Nouveaufoliate enamel panel in red blue and green, the copper dial with Roman numerals and green and blue enamel stamped marks, 17cm. high

£3,000-5,000

LiteratureStephen A Martin Archibald Knox, ARTMEDIA, page 233 this design illustrated.Victor Arwas Liberty Style, Parco, Japanese exhibition catalogue, page 104 P.39 this design illustrated.

134

636. A pair of Liberty & Co Cymric silver spoons, possibly designed by Archibald Knox, model no.694,stamped marks, Birmingham 1905 16cm long £400-600

637. A silver and abalone shell locket possibly Liberty & Co, circular, cast in relief with leaves, set withabalone flowers, unsigned 2cm. diam. £100-150

638. An Art Nouveau gold and enamel pendant necklace the design attributed to Archibald Knox,pierced and cast triangular section, cast with foliate border set with pearl flower and drop, enamelled inblue and purple, on gold link chain unsigned 4cm. long £500-800

LiteratureArchibald Knox Society Journal 150th Anniversary Edition, page 68 for a comparable pendant necklaceillustrated.

639. A Liberty & Co Cymric silver button, cast in low relief with a pomegranate, and another Liberty &Co Cymric silver button cast with a sailing boat, stamped marks, Birmingham 1901 2cm. diam. £100-200

LiteratureBarbara Morris Liberty Design, Chartwell Books, page 84 for a Cymric rose bowl with similar pomegranatedesign, attributed to Bernard Cuzner.

640. A Liberty & Co Cymric silver button designed by Archibald Knox, cast in low relief with foliatedesign, inset with turquoise stone, and another cast in low relief with flower sprays, enamelled green andyellow stamped marks, Birmingham 1904 2cm. diam. £100-200

641. A Liberty & Co gold Secessionist pendant the design attributed to Archibald Knox, pierced form,set with peridot stone stamped marks, L & CO 9ct, 2.5cm. long £500-800

642. A Murrle Bennett & Co silver and opal buckle, pierced Art Nouveau foliate form set with six blackopal stones stamped marks, London 1902, 6.5cm. wide £350-400

643. A silver easel backed enamel panel by Charles Fleetwood Varley, rectangular frame with appliedfoliate decoration, set with rectangular enamel panel of trees before a sunset unsigned, stamped silver,10 x 4.5cm. £300-500

644. A Liberty & Co silver and enamel belt buckle, the design attributed to Oliver Baker, pierced, hammeredfinish, enamelled with square panels in green and blue stamped marks Birmingham 1913, 7cm. wide

£250-350

135

636

642643

644

637

638

639

640

641

645. A pair of Liberty & Co English Pewter Thousla candlesticksdesigned by Archibald Knox, model no.08, flat, circular basesupporting cylindrical stem and flat drip pan, cast in low relief withCeltic knot bands stamped marks, 16cm. high £1,000-2,000

LiteratureArchibald Knox Beauty and Modernity a designer ahead of his time,150th anniversary exhibition, Olympia, page 32 catalogue number 41for a comparable candlestick.

646. A Liberty & Co English Pewter butter dish with green glassliner designed by Archibald Knox, model no. 0316, roundedrectangular form, cast in low relief with Art Nouveau berried foliagetendrils, stamped marks, 0316 17cm. wide £100-200

647. A Liberty &Co Tudric Pewter and glass butter dish designedby Archibald Knox, model no.0163, cast in low relief with ArtNouveau stylised honesty, with green glass liner, stamped marks,19cm. wide £300-500

LIteratureStephen A Martin Archibald Knox, ARTMEDIA, page 208 this designillustrated.

648. A Liberty & Co English Pewter tray designed by ArchibaldKnox, model no.0557, rounded rectangular form with over-slunghandle, cast in low relief with stylised ivy sprays stamped marks,31cm. wide £150-200

649. A Liberty & Co Tudric Pewter tray designed by ArchibaldKnox, twin-handled form, pierced and cast in low relief with foliatedesign, stamped marks, 28cm. wide £100-200

650. A Liberty Tudric Pewter butter knife designed by ArchibaldKnox, the handle cast in low relief with heart-shaped foliate designon sinuous stems unmarked, 14.5cm. long £100-200

136

645

646

645 detail

647

648

649

650

137

651. A Liberty & Co Tudric Pewter and copper mantel clock, model 066, architectural form, cast in low relief with a frieze of stylised trees,the circular copper dial with Arabic numerals, stamped marks, 29.5cm. high £6,000-10,000

138

652. An Art Nouveau W.M.F. pewter tray, cast in reliefwith a figure rising from a lily pad, a serpent on the rim, aW.M.F cruet tray with glass bottles, two pewter dishes andan English Pewter Art Nouveau crumb scoop probablyretailed by Liberty & Co stamped marks, 24.5cm. wide

£300-400

653. An unusual Liberty & Co Tudric Pewter dishdesigned by Archibald Knox, model no. 0231, cast in lowrelief with stylised honesty seedheads stamped marks,14cm. diam. £200-300

654. A Liberty & Co Tudric Pewter candlestick designedby Archibald Knox, model no.0897, triangular section, castin low relief with Art Nouveau foliate sprays stamped marks,13cm. wide £200-300

655. A pair of Liberty English Pewter tazza designed byArchibald Knox, model no.01161, the slightly domed basecast in low relief with stylised honesty, three fin stemssupporting shallow bowl stamped marks, 27cm. high

£500-700

652

653

654

655

656. A large Liberty & Co pewter box andcover designed by Archibald Knox, swollensquare section, cast in low relief with flowersand foliage stamped marks, 15cm. square

£400-600

657. A Liberty & Co English Pewter box andcover designed by Archibald Knox, modelno.0194, swollen square section, cast in lowrelief with stylised flowers and foliagestamped mark, 11.5cm. high £300-500

658. A Liberty & Co pewter vase designedby Archibald Knox, bombe form, cast in lowrelief with Art Nouveau scrolling foliage, ontripod foot, stamped marks, 19cm. high

£100-200

659. A Liberty & Co English Pewter jug andcover designed by Archibald Knox, cast inlow relief with Art Nouveau stylised honestyseedheads, and another Liberty Tudric Pewterjug and cover designed by Archibald Knox,stamped marks, 14cm. high £100-200

660. A Liberty & Co Tudric Pewter and glassewer designed by Archibald Knox, modelno. 0456, tapering cylindrical form, cast with afrieze of heart-shaped foliage on Art Nouveausinuous stems stamped marks, 32cm. high

£700-900

139

656

658 659

660

657

140

661. A Liberty & Co English Pewter traydesigned by Archibald Knox, model no.359,pierced and cast in low relief with stylised heart-shaped foliage stamped marks, 23cm. wide

£100-200

662. A Liberty & Co Tudric Pewter inkwelldesigned by Archibald Knox, model no.0162,circular section, with hinged cover, the domedcover cast in low relief with clover repeatstamped marks, 12cm. diam. £150-200

663. A pair of Liberty & Co Tudric Pewtertwin-branch candlesticks designed byArchibald Knox, model no. 0530 cast in reliefwith berried foliage, the base similarly cast andpierced, with loose sconces stamped marks,28cm. high £2,000-3,000

LiteratureStephen A Martin Archibald Knox, ARTMEDIA,page 217 for a comparable pair of candlestickillustratedVictor Arwas The Liberty Style, Rizzoli New York,catalogue number 37 for a comparablecandlestick.

661

662

663

141

664. A Liberty & Co Tudric Pewter and enamel twin-branch candelabra designed by Archibald Knox,model no., cast and pierced with berried foliage panels,the base with two blue enamel panels, stamped marks,28.5cm. high £1,500-2,000

665. A large pair of Liberty & Co Tudric Pewtervases designed by Archibald Knox, bombe form ontripod foot, cast in low relief with Art Nouveau foliageon whiplash stems stamped marks, 29cm. high

£1,500-2,000LiteratureStephen A Martin Archibald Knox, ARTMEDIA, page186 this design illustrated.

666. A large Liberty & Co Tudric Pewter and enamelrose bowl designed by Archibald Knox, model 0229,twin-handled form, cast in low relief with Art Nouveauwhiplash foliage, enamelled in shades of blue stampedmarks, 16cm. high £1,000-1,500

LiteratureStephen A Martin Archibald Knox, ARTMEDIA, page209 this design illustrated.

664

665

666

2015 Sale Calendar

25th February A Private Collection of British Art Pottery

15th April Clarice Cliff, Art Deco and 20th Century DesignClosing date for entries 18th February

17th June Arts and CraftsClosing date for entries 23rd April

21st October 20th Century DesignClosing date for entries 19th August

25th November British Art PotteryClosing date for entries 30th September

ENQUIRIESMichael JefferyTel: +44 (0)1722 [email protected]

Fine Porcelain and PotteryTuesday 24th February 2015We are now accepting entries for this sale.

ENQUIRIESClare DurhamTel: +44 (0)1722 [email protected]

A pair of Meissen figures of a reclining shepherd andshepherdess, 18th century.Estimate: £1,000 - £2,000

A Private Collection of British Art PotteryWednesday 25th February 2015

ENQUIRIESMichael JefferyTel: +44 (0)1722 [email protected] A collection of vases by Peter Hayes

20th Century & Contemporary ArtWednesday 10th December 2014

Marcel Dyf (French 1899-1985)Rivière à Autun, BourgogneSignedOil on boardEstimate: £10,000 - £15,000

ENQUIRIESVictor Fauvelle

Tel: +44 (0)1722 [email protected]

Jo Butler +44 (0)1722 424592

[email protected]

Auction Information

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BIDDING IN THE ROOMTo bid at auction you will need a paddle number. Thiscan be obtained from the office either during the viewor on the day of the sale. We now provide permanentpaddle numbers which can be used for any future sale,once registered.

REGISTERING WITH USAll first time buyers need to register with us. Onceregistration is complete you will be provided with apermanent paddle number which can be used in allfuture sales.

To register, you will need to provide two forms ofidentification:

1. a passport or photographic driving licence

2. a utility bill or document showing your name and address

You can register in person or by contacting the office on01722 424500 or emailing [email protected] will be asked to show your documents, or fax oremail copies.

PLEASE NOTE: Registering with the-saleroom.com orthrough our website does not automatically registeryou with us.

COMMISSION BIDDINGIf you are unable to attend the sale you can leave acommission bid. This will be executed on your behalfby the auctioneer who will purchase the lot as cheaplyas possible bearing in mind any reserve price and other bids.

TELEPHONE BIDDINGIt is usually possible to bid on the telephone by priorarrangement with the office.

LIVE ONLINE BIDDINGLive online bidding is now available for most of ourauctions via the-saleroom.com, enabling you to takepart in the bidding from anywhere in the world, live asit happens. To bid online you need to register atwww.the-saleroom.com

In completing the bidder registration on www.the-saleroom.com and providing your credit carddetails and unless alternative arrangements are agreedwith Woolley and Wallis Salisbury Salerooms Ltd, you:

1. authorise Woolley and Wallis Salisbury SaleroomsLtd, if they so wish, to charge the credit card givenin part or full payment, including all fees, for itemssuccessfully purchased in the auction via the-saleroom.com, and

2. confirm that you are authorised to provide thesecredit card details to Woolley and Wallis SalisburySalerooms Ltd through www.the-saleroom.com andagree that Woolley and Wallis Salisbury SaleroomsLtd are entitled to permit the shipping of the goodsto the card holder name and card holder addressprovided in fulfilment of the sale.

CONDITION REPORTSThe relevant department will be pleased to givecondition reports on any lot, where practical. Allweights and measures given in the catalogue shouldbe regarded as approximate.

The colours printed in the catalogue are not necessarilytrue.

SALE RESULTSThese will be posted on our website shortly after the sale.

BUYER’S PREMIUMEach lot is subject to a Buyer’s Premium of 22% + VATon the first £500,000 of the hammer price and 12% + VATthereafter.

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147

PAYMENT AND CLEARANCEPayment is due immediately after the auction inpounds sterling. If you are a first time buyer we willneed your name, address and bank details and willrequire funds to be cleared before purchases can bereleased.

The following methods of payment may be made:

Bankers draft, cashiers cheque, personal cheque,travellers cheques, debit and credit cards and cash upto a sterling equivalent of €15,000. We are no longerable to accept card payments of over £1,000 where thecard-holder is not present.

Wire transfers should be sent to:Lloyds TSB, Blue Boar Row, Salisbury SP1 1DB.Account no. 00957707Sort code 30-97-41IBAN no. GB20LOYD30974100957707BIC code LOYDGB21063

Credit cards: Visa or Mastercard for which there is a2% surcharge + VAT

Debit cards: Delta, Switch, Connect

Where practical, payment can be made and purchasescollected during the auction.

Please note that furniture and clock lots will normallyremain in our salerooms for three working daysfollowing each sale, after which they will be removedto our store and arrangements for collection must bemade in advance with the office.

Storage charges will be levied on all lots in thefurniture and works of art and clock sales not collectedwithin 30 calendar days of the sale. This will include ahandling fee of £20 (+ VAT) per consignment and astorage charge of £2 (+ VAT) per lot per day. No goodswill be allowed to be collected until these charges havebeen paid.

VATLots marked with an asterisk (*) are subject to VAT onthe hammer price. Lots marked with an omega (Ω) havebeen temporarily imported from outside the EU and aresubject to VAT at 5% on the hammer price and thebuyer’s premium. In online catalogues, the Sales Tax %column indicates the rate of VAT on hammer price.

CITES REGULATIONS Please note that lots marked λ may be subject toCITES Regulations when exported.

The CITES Regulations may be found atwww.defra.gov.uk/ahvla-en/imports-exports/cites/

ARTIST’S RESALE RIGHT / DROIT DE SUITEDroit de Suite is a royalty payable to a qualifying artist orthe artist’s heirs each time a work is resold during theartist’s lifetime and up to a period of 70 years after theartist’s death.

Royalties are calculated on a sliding percentage scalebased on the hammer price excluding the buyer’spremium. The royalty does not apply to lots sellingbelow the sterling equivalent of €1,000 and themaximum royalty payable on any single lot is the sterlingequivalent of €12,500.

Droit de Suite, which is not subject to VAT, will be addedto the buyer’s purchase price and then passed on to therelevant collecting agency.

Please enquire for the accepted exchange rate on theday of the sale.


4% Up to €50,0003% €50,000.01 - 200,0001% €200,000.01 - 350,0000.5% €350,000.01 - 500,0000.25% In excess of €500,000Up to a maximum levy of €12,500


PACKING AND SHIPPINGWoolley & Wallis do not offer a packing and despatchservice but the following are carriers in our area.

Alban Shipping 01582 493 [email protected]

APS 0800 118 5868 [email protected] 544 362www.apservices.info

Mailboxes 01264 360 [email protected]/andover

Pack & Send 0845 465 [email protected]

Please note that we cannot be held responsible for anydamage or loss to items once they are in the hands ofa carrier.

SOCIETY OF FINE ART AUCTIONEERS AND VALUERS and the ROYAL INSTITUTION OF CHARTERED SURVEYORS

CONDITIONS OF BUSINESS

INFORMATION FOR BUYERS 1. Introduction. The following informative notes are intended to assistBuyers, particularly those inexperienced or new to our salerooms. All salesare conducted on our printed Conditions of Sale which are readily availablefor inspection and normally accompany catalogues. Our staff will be happyto help you if there is anything you do not fully understand.

2. Agency. As auctioneers we usually contract as agents for the sellerwhose identity, for reasons of confidentiality, is not normally disclosed.Accordingly if you buy your primary contract is with the seller.

3. Estimates. Estimates are designed to help buyers gauge what sort of summight be involved for the purchase of a particular lot. The lower estimatemay represent the reserve price and certainly will not be below it.Estimates do not include the Buyer’s Premium or VAT (where chargeable).Estimates are prepared some time before the sale and may be altered byannouncement before the sale. They are in no sense definitive.

4. The purchase price. The Buyer shall pay the hammer price together witha premium thereon of 22% on the first £500,000 and 12% thereafter +VAT at the appropriate rate.

5. VAT. (*) indicates that VAT at the current standard rate is payable by thepurchaser on the hammer price as well as being an element in the buyer’spremium. This imposition of VAT is likely to be because the seller is registeredfor VAT within the European Union and is not operating the Dealers MarginScheme or because VAT is due at 20% on importation into the UK. The doublesymbol (**) indicates that the lot has been imported from outside the EuropeanUnion and the present position is that these lots are liable to a reduced rate ofVAT (5%) on the gross lot price (i.e. both the hammer price and the buyer’spremium). Lots which appear without either of the above symbols indicatethat no VAT is payable on the hammer price. This is because such lots are soldusing the Auctioneers’ Margin Scheme and it should be noted that the VATincluded within the Premium is not recoverable as input tax.

6. We are, primarily, agents for the seller. We are dependent on informationprovided by the seller and whilst we may inspect lots and act reasonably intaking a general view about them we are normally unable to carry out adetailed or any examination of lots in order to ascertain their condition in theway in which it would be wise for a buyer to do. Intending buyers have ampleopportunity for inspection of goods and, therefore, accept responsibility forinspecting and investigating lots in which they may be interested. Pleasenote carefully the exclusion of liability for the condition of lots contained inthe Conditions of Sale. Neither the seller nor we, as the auctioneers, acceptany responsibility for their condition. In particular, mechanical objects of anyage are not guaranteed to be in working order. However, in so far as we haveexamined the goods and make a representation about their condition, weshall be liable for any defect which that examination ought to have revealedto the auctioneer but which would not have been revealed to the buyer hadthe buyer examined the goods. Additionally, in specified circumstances lotsmisdescribed because they are ‘deliberate forgeries’ may be returned andrepayment made. There is a 3 week time limit. (The expression ‘deliberateforgery’ is defined in our Conditions of Sale).

7. Electrical goods. These are sold as ‘antiques’ only and if bought for usemust be checked over for compliance with safety regulations by aqualified electrician first.

8. Export of goods. Buyers intending to export goods should ascertain (a) whetheran export licence is required for the goods to leave the U.K. and (b) whetherthere is any specific prohibition on importing the goods in question into thedestination country because, e.g. they may contain prohibited materials such asivory. Charges may be applicable for export licences. Ask us if you need help.

The denial of any permit or licence shall not justify cancellation or rescission ofthe sale contract or any delay in payment.

9. Bidding. Bidders will be required to register before the sale commencesand lots will be invoiced to the name and address on the registration form.Some form of identification will be required if you are unknown to us.Please enquire in advance about our arrangements for telephone bidding.

10. Commission bidding. Commission bids may be left with the auctioneersindicating the maximum amount to be bid excluding buyers’ premium. Theywill be executed as cheaply as possible having regard to the reserve (if any)and competing bids. If two buyers submit identical commission bids theauctioneers may prefer the first bid received. Please enquire in advance aboutour arrangements for the leaving of commission bids by telephone or fax.

11. Methods of Payment. As a general rule any cheques tendered will needto be cleared before removal of the goods is permitted. Please discusswith our Office in advance of the sale if other methods of payment areenvisaged (except cash).

12. Collection and storage. Please note what the Conditions of Sale state aboutcollection and storage. It is important that goods are paid for and collectedpromptly. Any delay may involve the buyer in paying storage charges.

TERMS OF CONSIGNMENT FOR SELLERS 1. Interpretation. In these Terms the words ‘you’, ‘yours’, etc. refer to theSeller and if the consignment of goods to us is made by an agent weassume that the Seller has authorised the consignment and that theconsignor has the Seller’s authority to contract. Similarly the words ‘we’,‘us’, etc. refer to the Auctioneers.

2. Commission is charged to sellers at the following rates: 15% + VAT oneach lot sold for up to £999, 10% + VAT on each lot realising £1,000 andabove.

3. Removal costs. Items for sale must be consigned to the sale room by anystated deadline and at your expense. We may be able to assist you withthis process but any liability incurred to a carrier for haulage charges issolely your responsibility.

4. Loss and damage waiver. We are not regulated by the FSA for theprovision of insurance to clients. However, we for our own protectionassume liability for property consigned to us at lower pre-sale estimate.To justify accepting liability, we make a charge of 1.5% of the hammerprice plus VAT or, if unsold, our mid estimate of the hammer price. If theowner of goods consigned instructs us in writing not to take such action,they then remain at owner’s risk unless and until the property in thempasses to the Buyer or they are collected by or on behalf of the owner,and clause 4 is inapplicable.

5. Illustrations. The cost of any illustrations is borne by you. If we considerthat the lot should be illustrated your permission will usually be asked first.The copyright in respect of such illustrations shall be the property of us,the auctioneers, as is the text of the catalogue.

6. Minimum bids and our discretion. Goods may be offered subject to areserve agreed between us before the sale in accordance with clause 7.

7. We may sell lots below the reserve provided we account to you for thesame sale proceeds as you would have received had the reserve been thehammer price. If you specifically give us ‘discretion’ we may accept a bidof up to 10% below the formal reserve. .

Reserves.

(a) You are entitled to place prior to the auction a reserve on any lotconsigned, being the minimum hammer price at which that lot may besold. Reserves must be reasonable and we may decline to offer goodswhich in our opinion would be subject to an unreasonably high reserve(in which case goods carry the storage and insurance charges stipulatedin these Terms of Consignment).

(b) A reserve once set cannot be changed except with our consent.

(c) Where a reserve has been placed only we may bid on your behalf and onlyup to the reserve (if any) and you may in no circumstances bid personally.

8. Electrical items. These are subject to detailed statutory safety controls.Where such items are accepted for sale you accept responsibility for thecost of testing by external contractors. Goods not certified as safe by anelectrician (unless antiques) will not be accepted for sale. They must beremoved at your expense on your being notified. We reserve the right todispose of unsafe goods as refuse, at your expense.

9. Soft furnishings. The sale of soft furnishings is strictly regulated by statutelaw in the interests of fire safety. Goods found to infringe safetyregulations will not be offered and must be removed at your expense. Wereserve the right to dispose of unsafe goods as refuse, at your expense.The rights of disposal referred to in clause 8 and 9 are subject to theprovisions of The Torts (Interference with Goods) Act 1977, Schedule 1, acopy of which is available for inspection on request.

10. Descriptions. Please assist us with accurate information as to theprovenance etc. of goods where this is relevant. There is strict liabilityfor the accuracy of descriptions under modern consumer legislation andin some circumstances responsibility lies with sellers if inaccuraciesoccur. We will assume that you have approved the catalogue descriptionof your lots unless informed to the contrary. Where we are obliged toreturn the price to the buyer when the lot is a deliberate forgery underCondition 15 of the Conditions of Sale and we have accounted to youfor the proceeds of sale you agree to reimburse us the sale proceeds.The liability to reimburse the sale proceeds shall not arise where you areacting reasonably and honestly and are unaware of the forgery but weare or ought to have been aware of it.

11. Unsold and withdrawn items. If an item is unsold it may with yourconsent be re-offered at a future sale. Where in our opinion an item isunsaleable you must collect such items from the saleroom promptly onbeing so informed. Otherwise, storage charges may be incurred. Wereserve the right to charge for storage in these circumstances at areasonable daily rate.

12. Withdrawn and bought in items. These are liable to incur a charge of upto 10% plus VAT of the reserve or low estimate on being bought in orwithdrawn after being catalogued.

13. Conditions of Sale. You agree that all goods will be sold on our Conditionsof Sale. In particular you undertake that you have the right to sell the goodseither as owner or agent for the owner. You undertake to compensate usand any buyer or third party for all losses liabilities and expenses incurredin respect of and as a result of any breach of this undertaking.

14. Authority to deduct commission and expenses and retain premium and interest.

(a) You authorise us to deduct commission at the stated rate and allexpenses incurred for your account from the hammer price and consentto our right to retain beneficially the premium paid by the buyer inaccordance with our Conditions of Sale and any interest earned on thesale proceeds until the date of settlement.

(b) You authorise us in our discretion to negotiate a sale by private treaty notlater than the close of business on the day of the sale in the case of lotsunsold at auction, in which case the same charges will be payable as if suchlots had been sold at auction and so far as appropriate these terms apply.

15. Warehousing. We disclaim all liability for goods delivered to our saleroomwithout sufficient sale instructions and reserve the right to make minimumwarehousing charge of £2 per lot per day. Unsold lots are subject to thesame charges if you do not remove them within a reasonable time ofnotification. If not removed within three weeks we reserve the right to sellthem and defray charges from any net proceeds of sale or at your expenseto consign them to the local authority for disposal.

16. Settlement. Subject to our normal trading conditions, payment will bemade by BACS or cheque four weeks after the sale unless the buyer hasnot paid for the goods. In this case no settlement will then be made butwe will take your instructions in the light of our Conditions of Sale. Youauthorise any sums owed by you to us on other transactions to bededucted from the sale proceeds. You must note the liability toreimburse the proceeds of sale to us as under the circumstancesprovided for in Condition 10 above. You should therefore bear thispotential liability in mind before parting with the proceeds of sale untilthe expiry of 28 days from the date of sale.

CONDITIONS OF SALE

Woolley & Wallis Salisbury Salerooms Ltd carries on business withbidders, buyers and all those present in the auction room prior to or inconnection with a sale on the following General Conditions and on suchother terms, conditions and notices as may be referred to herein.

1. DEFINITIONS

In these Conditions:

(a) ‘auctioneer’ means Woolley & Wallis Salisbury Salerooms Ltd or itsauthorised auctioneer, as appropriate;

(b) ‘deliberate forgery’ means an imitation made with the intention of deceivingas to authorship, origin, date, age, period, culture or source but which isunequivocally described in the catalogue as being the work of a particularcreator and which at the date of the sale had a value materially less than itwould have had if it had been in accordance with the description;

(c) ‘hammer price’ means the level of bidding reached (at or above anyreserve) when the auctioneer brings down the hammer;

(d) ‘terms of consignment’ means the stipulated terms and rates ofcommission on which Woolley & Wallis Salisbury Salerooms Ltd acceptsinstructions from sellers or their agents;

(e) ‘total amount due’ means the hammer price in respect of the lot soldtogether with any premium, Value Added Tax chargeable and anyadditional charges payable by a defaulting buyer under these Conditions;

(f) ‘sale proceeds’ means the net amount due to the seller, being the hammerprice of the lot sold less commission at the stated rate, Value Added Taxchargeable and any other amounts due to us by the seller in whatevercapacity and however arising.

(g) ‘‘You’, ‘Your’, etc. refer to the buyer as identified in Condition 2. (h) The singular includes the plural and vice versa as appropriate.

2. BIDDING PROCEDURES AND THE BUYER (a) Bidders are required to register their particulars before bidding and to

satisfy any security arrangements before entering the auction room toview or bid;

(b) the maker of the highest bid accepted by the auctioneer conducting thesale shall be the buyer at the hammer price and any dispute about a bidshall be settled at the auctioneer’s absolute discretion by reoffering theLot during the course of the auction or otherwise. The auctioneer shallact reasonably in exercising this discretion.

(c) Bidders shall be deemed to act as principals. (d) Our right to bid on behalf of the seller is expressly reserved up to the

amount of any reserve and the right to refuse any bid is also reserved.

3. INCREMENTS

Bidding increments shall be at the auctioneer’s sole discretion.

4. THE PURCHASE PRICE

The Buyer shall pay the hammer price together with a premium thereon of22% on the first £500,000 and 12% thereafter + VAT at the appropriate rate.

5. VALUE ADDED TAX

Value Added Tax on the hammer price is imposed by law on all itemsaffixed with an asterisk or double asterisk. Value Added Tax is charged atthe appropriate rate prevailing by law at the date of sale and is payable bybuyers of relevant lots. (Please refer to ‘Information for Buyers’ for a briefexplanation of the VAT position).

6. PAYMENT (a) Immediately a lot is sold you will: (i) give to us, if requested, proof of identity, and (ii) pay to us the total amount due in pounds sterling(b) Any payments by you to us may be applied by us towards any sums

owing from you to us on any account whatever without regard to anydirections of you or your agent, whether express or implied.

7. TITLE AND COLLECTION OF PURCHASES (a) The ownership of any Lots purchased shall not pass to you until you have

made payment in full to us of the total amount due. (b) You shall at your own risk and expense COLLECT any lots that you have

purchased and paid for from our premises not later than 3 working daysfollowing the day of the auction or upon the clearance of any cheque usedfor payment (IF LATER) after which you shall be responsible for anyCOLLECTION, storage and insurance charges.

(c) No purchase MAY be COLLECTED AND WE SHALL NOT RELEASE ANYLOT TO YOU OR YOUR AGENT until it has been paid for.

8. REMEDIES FOR NON-PAYMENT OR FAILURE TO COLLECT PURCHASES (a) If any Lot is not paid for in full and taken away in accordance with these

Conditions or if there is any other breach of these Conditions, we, asagent for the seller and on our own behalf, shall at our absolute discretionand without prejudice to any other rights we may have, be entitled toexercise one or more of the following rights and remedies:

(i) to proceed against you for damages for breach of contract; (ii) to rescind the sale of that lot and/or any other lots sold by us to you; (iii) to resell the lot (by auction or private treaty) in which case you shall be

responsible for any resulting deficiency in the total amount due (aftercrediting any part payment and adding any resale costs). Any surplus soarising shall belong to the seller;

(iv) to remove, store and insure the lot at your expense and, in the case ofstorage, either at our premises or elsewhere;

(v) to charge interest at a rate not exceeding 1.5% per month on the total amountdue to the extent it remains unpaid for more than 3 working days after the sale;

(vi) to retain that or any other lot sold to you until you pay the total amount due; (vii) to reject or ignore bids from you or your agent at future auctions or to

impose conditions before any such bids shall be accepted; (viii) to apply any proceeds of sale of other Lots due or in future becoming

due to you towards the settlement of the total amount due and toexercise a lien (that is a right to retain possession of any of your propertyin our possession for any purpose until the debt due is satisfied.

(b) We shall, as agent for the seller and on our own behalf pursue theserights and remedies only so far as is reasonable to make appropriaterecovery in respect of breach of these conditions

9. THIRD PARTY LIABILITY

All members of the public on our premises are there at their own risk andmust note the lay-out of the accommodation and security arrangements.Accordingly neither the auctioneer nor our employees or agents shall incurliability for death or personal injury (except as required by law by reasonof our negligence) or similarly for the safety of the property of personsvisiting prior to or at a sale.

10. COMMISSION BIDS Whilst prospective buyers are strongly advised to attend the auction andare always responsible for any decision to bid for a particular lot and shallbe assumed to have carefully inspected and satisfied themselves as to itscondition, we will if so instructed clearly and in writing execute bids on theirbehalf. Neither the auctioneer nor our employees or agents shall beresponsible for any failure to do so save where such failure is unreasonable.Where two or more commission bids at the same level are recorded wereserve the right in our absolute discretion to prefer the first bid so made.

11. WARRANTY OF TITLE AND AVAILABILITY The seller warrants to the auctioneer and you that the seller is the trueowner of the property consigned or is properly authorised by the trueowner to consign it for sale and is able to transfer good and marketabletitle to the property free from any third party claims.

12. AGENCY The auctioneer normally acts as agent only and disclaims any responsibilityfor default by sellers or buyers.

13. TERMS OF SALE The seller acknowledges that lots are sold subject to the stipulations ofthese Conditions in their entirety and on the Terms of Consignment asnotified to the consignor at the time of the entry of the lot.

14. DESCRIPTIONS AND CONDITION (a) Whilst we seek to describe lots accurately, it may be impractical for us to carry

out exhaustive due diligence on each lot. Prospective buyers are given ampleopportunities to view and inspect before any sale and they (and anyindependent experts on their behalf) must satisfy themselves as to theaccuracy of any description applied to a lot. Prospective buyers also bid onthe understanding that, inevitably, representations or statements by us as toauthorship, genuineness, origin, date, age, provenance, condition orestimated selling price involve matters of opinion. We undertake that any suchopinion shall be honestly and reasonably held and accept liability for opinionsgiven negligently or fraudulently. Subject to the foregoing neither we theauctioneer nor our employees or agents nor the seller accept liability for thecorrectness of such opinions and all conditions and warranties, whetherrelating to description, condition or quality of lots, express, implied orstatutory, are hereby excluded. This Condition is subject to the next followingCondition concerning deliberate forgeries and applies save as provided for inparagraph 6 ‘information to buyers’.

(b) Private treaty sales made under these Conditions are deemed to be salesby auction for purposes of consumer legislation.

15. FORGERIES Notwithstanding the preceding Condition, any lot which proves to be adeliberate forgery (as defined) may be returned to us by you within 21 daysof the auction provided it is in the same condition as when bought, and isaccompanied by particulars identifying it from the relevant cataloguedescription and a written statement of defects. If we are satisfied fromthe evidence presented that the lot is a deliberate forgery we shall refundthe money paid by you for the lot including any buyer’s premium providedthat (1) if the catalogue description reflected the accepted view of scholarsand experts as at the date of sale or (2) you personally are not able totransfer a good and marketable title to us, you shall have no rights underthis condition. The right of return provided by this Condition is additionalto any right or remedy provided by law or by these Conditions of Sale.

GENERAL 16. We shall have the right at our discretion, to refuse admission to our

premises or attendance at our auctions by any person. 17. (a) Any right to compensation for losses liabilities and expenses incurred

in respect of and as a result of any breach of these Conditions andany exclusions provided by them shall be available to the seller and/orthe auctioneer as appropriate.

(b) Such rights and exclusions shall extend to and be deemed to be forthe benefit of employees and agents of the seller and/or theauctioneer who may themselves enforce them.

18. Any notice to any buyer, seller, bidder or viewer may be given by firstclass mail or Swiftmail in which case it shall be deemed to have beenreceived by the addressee 48 hours after posting.

19. Special terms may be used in catalogue descriptions of particular classesof items in which case the descriptions must be interpreted inaccordance with any glossary appearing in the catalogue.

20. Any indulgence extended to bidders buyers or sellers by usnotwithstanding the strict terms of these Conditions or of the Terms ofConsignment shall affect the position at the relevant time only and inrespect of that particular concession only; in all other respects theseConditions shall be construed as having full force and effect.

21. English law applies to the interpretation of these Conditions.

PAINTINGS, DRAWINGS, LITHOGRAPHS, ENGRAVINGS AND PRINTS

In accordance with long standing practice in Fine Art Sale Rooms certainterms used in descriptions in the Catalogue have the meanings ascribedto them in the glossary below.

Glossary

Any statement as to authorship, attribution, origin, date, age, provenanceand condition is a statement of opinion and is not to be taken as astatement of fact. The Company reserves the right, in forming theiropinion, to consult and rely upon any expect or authority considered bythem to be reliable.

(a) Edward Lear: In our opinion a work by the artist. (When the artist’sforename(s) is not known, a series of asterisks, followed by the surnameof the artist, whether preceded by an initial or not, indicates that in ouropinion the work is by the artist named.

(b) Attributed to Edward Lear: In our opinion probably a work by the artistbut less certainly as to authorship is expressed than in the precedingcategory.

(c) Studio of Edward Lear: In our opinion a work by an unknown hand in thestudio of the artist which may be or may not have been executed underthe artist’s direction.

(d) Circle of Edward Lear: In our opinion a work by an as yet unidentified butdistinct hand, closely associated with the named artist but not necessarilyhis pupil.

(e) Style of ...; Follower of Edward Lear: In our opinion a work by a painterworking in the artist’s style, contemporary or nearly contemporary, butnot necessarily his pupil.

(f) Manner of Edward Lear: In our opinion a work in the style of the artist andof a later date.

(g) After Edward Lear: In our opinion a copy of a known work of the artist. (h) The term signed and/or dated and/or inscribed means that in our opinion

the signature and/or date and/or inscription are from the hand of the artist. (i) The term bears a signature and/or date and/or inscription means that inour opinion the signature and/or date and/or inscription have been addedby another hand.

(j) Dimensions are given height before width. (k) Pictures are framed unless otherwise stated.

BOOK AUCTIONS

If, on collation, any named item in this catalogue proves defective in textor illustration, the lot may be returned within 14 days of the sale with thedefects stated in writing. This proviso shall not apply to defects stated inthe catalogue or announced at the time of sale; nor to the absence ofblanks, half titles, tissue guards or advertisements, damage in respect ofbindings, stains, spotting, marginal tears or other defects not affectingcompleteness of text or illustration; nor to drawings, autographs, lettersor manuscripts, signed photographs, music, atlases, maps or periodicals;nor to books not identified by title; nor to books sold not subject to return.

ARTIST’S RESALE RIGHT / DROIT DE SUITE

Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirseach time a work is resold during the artist’s lifetime and up to a period of70 years after the artist’s death.

Royalties are calculated on a sliding percentage scale based on thehammer price excluding the buyer’s premium. The royalty does not applyto lots selling below the sterling equivalent of €1,000 and the maximumroyalty payable on any single lot is the sterling equivalent of €12,500.

Droit de Suite, which is not subject to VAT, will be added to the buyer’spurchase price and then passed on to the relevant collecting agency bythe auctioneer.

Please enquire for the accepted exchange rate on the day of the sale.


4% Up to €50,0003% €50,000.01 - 200,0001% €200,000.01 - 350,0000.5% €350,000.01 - 500,0000.25% In excess of €500,000

Up to a maximum levy of €12,500


ValuationsValuations are a core part of our business and are usually carried out by a senior specialist or directors. Accuracy, speed and above all confidentiality are paramount.

INSURANCE VALUATIONSWritten valuations for insurance can vary from a single item to a large estate. Before starting we discuss the various options available so that the valuation is specifically tailored to individual client’s needs.

For valuations of an entire house contents an itemised bound valuation is produced and can beaccompanied by photographs when required. In addition to providing an inventory, written valuations can prevent painful arguments with a loss adjuster in the event of a claim.

Woolley & Wallis valuations are accepted by all leadinginsurance companies.

PROBATE VALUATIONSWe offer a speedy and professional service for executors and trustees and provide bound valuations for probate and duplicate copies when required. Since security is often a consideration, we can usuallyarrange for a house to be cleared and sent for auction, our Valuations Department ensures that executors are informed of which sales are involved and the results thereof.

We also carry out valuations for Family Division, Capital Gains Tax, and Private Treaty Sales.

Contact Christine Johnson 01722 424509

FREE AUCTION VALUATIONSFree verbal valuations of items for sale are available at our Castle Street salerooms. Please telephone therelevant specialist or call our office on 01722 424500.

Woolley & Wallis Salisbury Salerooms Ltd.51-61 Castle Street, SalisburyWiltshire SP1 3SU

Registered in England No. 2998482

VAT No: 631 9832 29

Design & Production by Jamm Design Ltd.Tel. 020 7424 7830 www.jammdesign.co.uk

SALISBURY

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ST ANN ST

SOUTH WEST RD

HULSE RD C

AS

TLE STR

EET

NEW CANAL

CATHEDRAL

A360 DEVISES RD A36(T) CHURCHIL

L W

AY

WES

T

A36 CHURCHILL WAY NORTH

CA

ST

LE R

D A

345

COO

MB

E R

OA

D

A36(T) C

HURCHILL WAY S

OU

TH

A

36(T

) CH

UR

CH

ILL

WAY

EA

ST

A36(T) SOUTHAMPTON ROAD

HARNHAM ROAD A3094 NEW HARNHAM

DOWNTON ROAD A338

WILTON RD A36CENTRALCAR PARK

AMESBURY &MARLBOROUGH

LONDON, ANDOVER& WINCHESTER

WILTON &WARMINSTER

A338 BOURNMOUTH& RINGWOODA354 DORCHESTER

WEYMOUTH & BLANDFORD

SOUTHAMPTON

WOOLLEY & WALLIS

SALEROOMS

A345 Castle RdPortwayBeehive Park & Ride

A345 A36

Chu

rchi

ll W

ay

A36

Old Sarum

Woolley & WallisSalisbury Salerooms51 – 61 Castle StreetSP1 3SU

Woolley & Wallis 2 Danebury CourtOld Sarum ParkSP4 6EB

SALISBURY

AMESBURY

WOOLLEY & WALLIS Salisbury Salerooms

Follow A345 for 1.7 miles. At Beehive Park & Ride follow the signs for A338 Swindon and Marlborough.

Sarum Business Park

Old Sarum Park

WOOLLEY & WALLIS Old Sarum

E

N S

W

Kia Motors

Westover Garage

MARLBOROUGH & SWINDON

DIRECTIONS FROM WOOLLEY & WALLIS CASTLE STREET TO OLD SARUMDIRECTIONS FROM WOOLLEY & WALLIS CASTLE STREET TO OLD SARUM

Follow A345 for 1.7 miles. At Beehive Park & Ride follow thesigns for A338 Swindon and Marlborough.

TESCO

CASTLE STREET

SC

OT

S L

AN

E

CH

IPPE

R L

AN

E

SA

LT L

AN

E

BED

WIN

STR

EET

ENDLESS STREET

ROLLESTONE STREET

PAY AND

DISPLAY

CAR PARK

PEDESTRIAN ROUTE

DRIVING ROUTE TO SALT LANE

Woolley & WallisSalisbury Salerooms51 – 61 Castle StreetSP1 3SU

Woolley & Wallis Carter House6 – 10 Salt LaneSP1 1EE

Qudos

DRIVING ROUTE TO CASTLE ST.

WOOLLEY & WALLIS Salt Lane

WOOLLEY & WALLIS Salisbury Salerooms

DIRECTIONS FROM WOOLLEY & WALLIS CASTLE STREET TO SALT LANE

Due to the one-way system of Salisbury please follow the red route when driving from Salt Lane to Castle Street.

DIRECTIONS FROM WOOLLEY & WALLIS CASTLE STREET TO SALT LANE

Due to the one-way system of Salisbury, please follow the redroute when driving from Salt Lane to Castle Street.

152

Absentee Bid FormBritish Art Pottery

Wednesday 3rd December 2014Please bid, on my behalf, for the undermentioned lots up to theprices shown which do not include the buyer’s premium or anyV.A.T. payable on lots. These bids are to be executed as cheaplyas is permitted by other bids, and/or reserves if any, and subjectto the Conditions of Sale printed in the Catalogue. Please notewe cannot guarantee that bids received after 4pm on the dayprior to the auction will be executed.

Billing Name (please print)

Address

Postcode

Daytime telephone

Email

All accounts must be settled within 21 days. There is no surcharge for debit card payments, but for credit cards therewill be a 2% (+VAT) surcharge. ID is required for all first timebidders.

Signature

PLEASE PRINT CLEARLY IN BLOCK LETTERS

Lot Number Brief Decription Price Excludingin numerical buyer’s premiumorder & VAT

WOOLLEY &WALLIS

Salisbury Salerooms, 51-61 Castle Street, Salisbury, Wiltshire SP1 3SU • Tel: 01722 424500 Fax: 01722 424508

www.wool leyandwal l is.co.uk

AUCTION CALENDAR 2015

FURNITURE & WORKS OF ART

8th January25th March1st JulyMark Richards +44 (0) 1722 411854 • [email protected]

SILVER

20th & 21st January28th & 29th April14th & 15th JulyRupert Slingsby +44 (0) 1722 424501 • [email protected] Chalmers +44 (0) 1722 424594 • [email protected]

JEWELLERY

22nd January30th April16th JulyJonathan Edwards +44 (0) 1722 424504 • [email protected] Whiting +44 (0) 1722 424595 • [email protected]

TRIBAL ART & ANTIQUITIES

10th FebruaryWill Hobbs +44 (0) 1722 339752 • [email protected]

CLOCKS, WATCHES & SCIENTIFIC INSTRUMENTS

11th February17th JulyRichard Price +44 (0) 7741 242421 • [email protected]

ENGLISH & EUROPEAN CERAMICS & GLASS

24th February– Fine Porcelain & Pottery21st April – English & European Ceramics & GlassClare Durham +44 (0) 1722 424507 • [email protected]

20TH CENTURY DESIGN

25th February – A Private Collection of British Art Pottery15th April – Clarice Cliff, Art Deco & 20th Century Design17th June – Arts & CraftsMichael Jeffery +44 (0) 1722 424505 • [email protected]

PAINTINGS

11th March3rd JuneVictor Fauvelle +44 (0) 1722 424503 • [email protected] Butler +44 (0) 1722 424592 • [email protected]

ARMS & ARMOUR

25th MarchWill Hobbs +44 (0) 1722 339752 • [email protected]

ASIAN ART

20th & 21st MayJohn Axford +44 (0) 1722 424506 • [email protected] Lister +44 (0) 1722 424591 • [email protected]

www.woolleyandwallis.co.uk

Woolley & Wallis

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