William Saturno, "High Resolution Documentation of the Murals of San Bartolo, Guatemala"

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MAY AARCHAEOLOGY 8 9 2009 In Maya Arch aeology 1  , edited by Charles Golden, Stephen Houston, and J oel Skidmore, pp. 8-27. San Francisco: Precolumbia Mesoweb Pres s. Will iam Saturno HighResolutionDocumentation of theMura ls of SanBarto lo,Guate mal a MayaArchaeology Reports T his portfolio of images of the North Wall of the San Bartolo murals was recorded by the author in 2004 and 2005 using a atbed digital scanner. The divergence from customary archival practice was demanded by the constricted space and the desire to attain the highest possible resolution. Comparable recording of detail could only have been achieved on photographic lm by placing a large-format camera within inches of the wall and uniformly lighting, registering, overlapping, and subsequently stitching together over 300 set-ups. By contrast, laser-leveling ensured accurate registration of the digital scanner, and the scanner itself provided a uniform source of light. The images were recorded at 1:1 scale at 400 pixels per square inch. For details of the discovery and preliminary investigation of the San Bartolo murals see Saturno, Taube, and Stuart (2005) and Saturno (2006).

Transcript of William Saturno, "High Resolution Documentation of the Murals of San Bartolo, Guatemala"

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2009 In Maya Archaeology 1 , edited by Charles Golden, Stephen Housto

William Saturno

HighResolutionDocof theMuralsofSanB

MayaArchaeology Reports

This portfolio of images of the North Wall of the Sdigital scanner. The divergence from customary attain the highest possible resolution. Comparab

placing a large-format camera within inches of the wall together over 300 set-ups. By contrast, laser-leveling ens

provided a uniform source of light. The images were recand preliminary investigation of the San Bartolo murals

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Figure 1. Rendering of the San Bartolo North Wall mural by Heather Hurst.

Figure 2. Frames from a 2004 video by David Pentecost (available at www.gomaya.com).

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