UPPERPOOLDESIGNSTUDIOWHITELIGHT08

INDUSTRIAL DESIGN

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The curated work in this book samples the outcomes of dedicated industrial design students who undertook a twelve week collaborative upper pool design studio in second semester 2008.

Whitelight is a part of the wide selection of Upper Pool design studios for 2008 offered by the In-

dustrial Design Program at RMIT University, Melbourne Australia.

Lecturer: Dr. Scott Mayson

Whitelight 08 was a collaborative studio collocated at RMIT and Foshan University, China. The artefact driven studio was aligned with an industry partner, National Star PRC, and undertaken within a professional studio frame-work. RMIT students also utilised CREE LED technol-ogy for their luminaires where optimum illumination was required.

Students were required to design luminaires that utilised the emergence of high output one, three and five watt LED technology platforms. To develop a context for a commercial sight, and create innovative sustainable meth-ods for production and end of life product take back.

They are: Francisca BradburyPip Grinter

Aran KamonchanKyrin Snyder

Di Tan

Ellen TanoemargaTiffany Trotter

Wan Chen TsaiRyan Van den Dolder

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WHITELIGHT STUDIO

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Thalatha

Inspired by Moorish geometry and Post-modernist philosophy, This luminaire is a decorative sculptural artifact designed for corporate foyers. It is designed to fill the void in an entrance hall or foyer of a building. The materials employed were designed to harmonise with the finishes and aesthetics commonly found in office interiors, marble, reflective counter tops

and sleek minimalist colour schemes. The design is modular and intended to be placed in groupings that create a free flow-ing surface with in the building interior. Thalatha consists of 24, 1watt Luxeon side emitting LEDs.

Francisca Bradbury

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Pod

Pod is a pendant luminaire inspired by natural organic forms. Light pours from the pods bladed openings, creating a subtle light projecting patterns on the floor. Pod serves as a decorative light for both com-mercial and residential dwellings. It is intended to be displayed in multiples that can hang in either a random or sequential manner.

The luminaire’s “skin” is made from two identical ABS plastic halves which clip together. Pod is powered by six 1 watt Edixeon LEDS.

Pip Grinter

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Musha

Musha is a pendant luminaire inspired by one of the Disney’s animation classics ‘Alice in Wonderland’.

Musha is a massive pendant lamp made out of industrial wool felt that uses high power LEDs as its main light source for down light at the center of the lamp, pro-vides enough light for dinning table center

piece or high ceiling staircase. Small T-type LEDs or fiber optic lights around the underneath of the lamp also create glowing and shimmering effects to set the mood in the environment to be more warm and calm with a little touch of fantasy.

Musha incorporates an array of five, 5 watt CREE LEDs

aranaran.wordpress.com

Aran Kamonchan

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Kyrin Snyder

Aetaslux

Light can serve a direct purpose of il-luminating for task. However, light can do much more than this. It can affect the ambience of a space and affect how we perceive form and texture. This desk lamp was designed with these three aspects in mind. Whilst a functional light, its form is accentuated by the light produced and with its cool light it creates an ambiance of

serenity.The manufacturing process consists of a wax master which is electro-formed creating a 1- 2mm layer of metal. The wax is then vaporised creating a thin metal structure.

Aetaslux consists of ten 5 watt CREE LEDs.

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The Sun

The Sun, just like the name, it is inspired by the naturalist light that we have on the earth- Sun light. The shape itself represents the sun ray spreading out through the clouds towards earth. As a pendant light, The Sun can be broad-ly used in many different atmosphere, such as restaurants, function rooms or theatres etc.. It creates powerful luminaires which

would travel through the acrylic rods to the surrounding shells and project interest-ing patterns onto the surface light.The Sun is powered by Cree XR-E IP6 six led light engine and run by 1000mA Buck Puck driver. The cooling system is simply the use of one piece of heat sink, cut to the shape of a circle and stuck onto the back of the light engine by using arctic silver thermal epoxy.

Di Tan

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Harlequin

Harlequin is inspired by the eccentricities of circus realm, in combination with the radiance of ever-changing north light, au-rora. As a pendant luminaire, Harlequin’s shape, shades of colours, and the pattern of its reflection, emits a strong presence in an interior space. It uses the sustainable mate-rial, HDPE, roto-moulded into shape, as well as 3 watt RGB LEDs for the electrical

component, which intensity of each hue is adjustable, thus resulting in numerous combinations of colours to suit different moods and atmospheres, highlighting its versatility. Harlequin can provide a range of colour, from angry and vibrant red, romantic pink-purple hues to soothing blue-green, to suit any event. Therefore, in functionality aspect, Harlequin answers the need of mood lighting for public places.

Ellen Tanoemarga

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Crysalis

Crysalis is an outdoor luminaire that is intended to light a pathway through the Royal Botanical Gardens for the Moon-light Cinema.

This light was inspired by the faceted form of quarts stones. I wanted to create a light

that created a warm dreamscape adding to the experience of watching a movie under the stars.

Crysalis is illuminated with one 1 watt CREE LED.

Tiffany Trotter

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Dressing

Dressing is a pendant and floor light designed for womans clothing stores. It is inspired by the female form, womans gar-ments and oriental flowers.

The Luminaire is made from a laser cut polycarbonate frame covered with two

layers of patterned laser cut fabric. The profiled fabric flowers project patterns onto the surrounding surfaces. Dressing consists six 3 watt LEDs.

Wan Chen Tsai

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Ryan Van den Dolder

Kolida

The kolida is an innovative luminaire that combines, movement and changing colour to provide a unique lighting experience.

The main feature of the luminaire is the de-velopment of an array of RGB LEDs at its base. This array projects a kaleidoscope of colour across an interior space. Six white LEDs are aligned with the fin structure

that provides task or mood light to the space. A feature of the Kolida is its use of a physical fin dimming system that changes the intensity of the light, by opening and closing the fins to limit the protrusion of light.