PIANO VOCAL

--------

Based on a conception of Jerome RobbinsIv1usic by Lyrics by

Leonard StephenBernstein Sondheinl

Book byArthur

LaurentsEntire Original Production Directed and Choreographed by

Jerome Robbins

MUSIC THEATRE INTERNATIONAL

NOTICE: DO NOT DEFACE! Should you find it necessary to markcues or cuts, use a soft black lead pencilonly.NOT FOR SALE This book is rented for the periodspecified in your contract. It remains theproperty of:

Music Theatre International421 West 54th StreetNew York, NY 10019(212) 541-4684www.MTIShows.com

Copyright 1956, 1958 by Arthur Laurents, Leonard Bernstein,Stephen Sondheim and JeromE' Robbins. Copyright renewed.

Music & Lyrics 1957 by Leonard Bernstein and Stephen Sondheim. Copyright renewed.

In accordance with the terms and conditions specified in your perfor-mance license, all music, lyrics and dialogue contained herein are theproperty of the Authors and are fully protected by copyright.

You are not permitted to make any cha11ges to the music, lyrics ordialogue of the Play, including the interpolation of new materialand/or the exclusion of existing material. Any changes shall consti~tute a wilful infringement of said copyright and will subject- you toall the criminal pen,alties and civil liabilities under the United StatesCopyright Act.

This book may not be duplicated and must be returned at the conclu-sion of your production. This Play is the property of its Authors.Remember, you have rented these materials and been granted aperformance license. You may not duplicate any portion of thesematerials, disseminate them in any way, in whole or in part,including electronic or digital transmission and posting on theInternet, or use them for performances other i-han those specified inyour license agreement.

l\!IuSIC THEATRE INTERNATIONAL

421 West 54th StreetNew York NY 10019

IMUSIC THEATRE INTERNATIONAL

----- _._---

IJ

WEST SIDE STORY

OVERTURE 11.PROLOGUE 142.JET SONG 292A .JET SONG CHASE , 433.S0METHING'S COMING 453A. SOMETHING'S COMING CHASE 554.THE DANCE AT THE GYM BLUES 574A. PROMENADE 614B. MAMBO , 624C. CHA-CHA 714D. MEETING SCENE 734E. JUMP 755. MARIE 786. BALCONY SCENE 837. AMERICA 957A. AMERICA TO DRTJGSTORE 1128. COOL 1148A. COOL CHASE 1258B. UNDER DIALOGUE AND CHANGE OF SCENE 1269.UNDER DIALOGUE 1309A. ONE HAND, ONE HEART 13310.TONIGHT 14111. THE RUMBLE 15712.1 FEEL PRETTy 16613. UNDER DIALOGUE 18113A. BALLET SEQUENCE 18313B. TRANSITION TO SCHERZO 18513C. SCHERZO ' 18613D. SOME\Y/HERE 19013E. PROCESSION AND NIGHTMARE 19314. GEE, OFFICER KRUPKE 201

14A. CHANGE OF SCENE 21715.A BOY LIKE THAT AND I HAVE A LOVE 21815A. CHANGE OF SCENE, 23016. T.AUNTIl'!G SCENE 23217.FINALE , 240

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Piano..Vocal --12- Overture

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Piano-Vocal -14- West Side Story1

Prologue[CUrtam]Allegro Moderato (~. = 116-128)(deliberately)

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Piano-Vocal --18- #1- Prologue

85Drums' 8483(Baby John and A-rab enter)

81 82

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Piano-Vocal -22- #l-Prologue

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Piano-Vocal -23- #l-Prologue

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169 170 >- 171 172 _

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Piano-Vocal -24-- #l-Prologue

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Piano-Vocal ---25-- #l-Prologue

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Piano-Vocal --26-- #l--Prologue

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[236] >239

Piano-Vocal -27- Ill-Prologue(Bernardo piercesA-rab's ear)

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- 241 I:> ~~ ~:;: 242If-- r- ~-

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i

(ACTION)Tony don't belong any more.

(RIFF)Against the Sharks we need every man we got

1\4 5 6 7-

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77f'/fi;

tJ t+~~~. #~~~~... t+~~~ .... #~~p :::::::=-

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~ (ACTION)Well, he acts like he don't wanna belong.

(RIFF) Cut it, Action boy,I and Tony started the Jets.

ofI 8 1':\---

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(BABY JOHN)Who wouldn't wanna belong to the Jets!

(ACTION)Tony ain't been with us for over a month.

fI 13 I ~ 15 2 16 ~tJ r tf- r I tf .... '-~- #~~=:>-

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(9/26101)

Piano-Vocal -30- #2- Jet Song

(A-RAB)Which we couldn't have done without TOhy.

(BABY JOHN)He saved my ever lovin' neck!

(RIFF)Right! He's always come through for us and he will now.

(RIFF)

you're a

29

Jet, you're a

30

Jet all the

31

way from your

Piano-Vocal --31-- #2- Jet Song

day.in'dylastyourtoretteacig

(RIFF)~~~~~.~33~_~_-~ __~---==;~__ 3EW --.....-------L...-...J -.-~ - =- ----'~~==-:-- ======~==

cresc poco a poco,., I 37 38 39

==F~~ I- - - r,_ v ,...,"'v .-I~ - I I IvVhen you're a Jet, if the spit hits the fan, you got

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I - I I

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41 42 43.,

, r- ,... ==r'- v

-~ I I I I I I I rbroth - ers a - round, you're a fam - i - ly man! You're

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,; r' ~..~..., .. r' ~"I r' r'nev - er a - lone,--- you're nev - er dis - con - nect - ed!--

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Piano-Vocal --32- #2- Jet Song

(RIFF)1\ I 48 50 51... ~~ j j~1"'\~ ,. r

You're home with your own: When com - pa - ny's ex-

1\ I .

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~4~j :::i=j==~*-2f=====:j~~pect - ed, you're well pro tectI I I~...-~~

Then you are

56

set with a cap tal

58

J, which you'll

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cresco

nev - er

cresco

for

60

get till they

61

cart you a

62

way. When-- you're a

Piano-Vocal -33-- #2 - Jet Song

66564(RIFF)

,.,I

63 >- >- 6 1>- >-L..._ fill _ ,

1\ L...-

&l , . .., .

,; I IJet, You stay :1

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(RIFF)~ I know Tony lik~ I know me.

)

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I guarantee you can count him in.

(~)~

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Piano-Vocal -2-34-

(,t\-RAB) Where you gonna find Bernardo?

#2- Jet Song

(BIG DEAL) But the gym's neutral territory.

I'm only gonna challenge him.

:-... 90

(A-RAB)Great, Daddy-O! (RIFF)

So everybody dress up sweet and sharp.

Piano-Vocal -35- #2- let Song

(They primp and preen)97 98

102(ALL)f1001'\ 99 I1.#

,; ..I .' I I IOh, when the Jets fall in at the

-

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106 107 ~-

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,; ~ I r r I Jcorn - ball dance, we'll be the sWeet - est dress. - in' gang in pants!

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.,;.' .' I I I ~ I r rAnd when the chicks dig us in our Jet black ties,--- they're gon - na

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Piano-Vocal -36- #2-1et Song

~ (They danee together, a little wild.)r--2cre'c

(ALL)1'1 113 I s . 114 I 115 .1 --,

...

'-"

~ r - Iflip, gon - na flop, gon - na drop like flies!

2 ;]).J. - >-1'1 I I I ~ I j. I II I I

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=-

118 119

ff stace.

----_._.........--

123

-DEppmp ")

----~----

125 f (RIFF),., I 126 I 127 ... 128 -

I{ - ~,r-. "")I' "")I' x x .... IV

--j'- V

,; IHey. Cool. Eas - y. Sweet.

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Piano-Vocal -37- #2- Jet Song

(A-RAB)We always walk tall!(He runs of!>

(RIFF)Meet Tony and me at ten. And walk tall!~ 130

"I

------

13~ I 132 1 ________IJ

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-

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,.

(BABY JOHN)We're Jets!

(ACTION)The greatest!

#

~133 134 135 I-

136

*' *' *' *'Ilo. Ilo. ..

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~ (ACTION and BABY JOHN),.., I 138 I 139 I 140 I

,; I - ..When you're a Jet, you're the top cat in town, you're the

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" 141 142 I 143 I 144 I

r_ v r- .-I .-I-

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gold rned - al kid with the heav - y weight crown!,.., l I ~

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Piano-Vocal -38- #2-- Jet Song

1481 7~ (A-RAB, ACTION and BIG DEAL)

461\ I 1 4 III

If r-

-,'"'-'v

-,; I I I IWhen you're a Jet, you're the swing - in' - est thing. Lit - tie

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I I I I

(ALL)15251501491\ I 1 1-

If-

1---

r-,'" ....

,; I I I I Iboy, you're a man; Lit - tIe man, you're a king! The

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Jets are in gear,--- our cyl - in - clers are click - in'.--

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Piano-Vocal -39- #2- Jet Song

>- 163,---162161

(ALL)1601'1 I I \ ~, )J Ii.-':=:= I

,; r H'" ,. Iev - ry Puer - to Ric - an's -- a lous - y-- chick - en!--

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167166165~ pp1'1

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-

,; III - ... '-'Here come- the Jets like- a bat out- of hell. Some - one

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pp~~

cresco poco a poco~~.;. .:. . ~ .:.

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169 ~ 170 "'"'--- 171 I..., .,

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,; '- IIIgets in-_ our way, some - one don't feel-_ so well.

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,; ~ - I.....J ----Here come the Jets: Lit - tIe world,--__ step a - side! Bet - ter

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-40- #2- Jet Song

(ALL)

J".~nos esyourkeep

..

f---

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~, 'I~ (.1=.,1.)

~ 181 1822itttWL~J:::=:::;~~-_.~--+---:"j~~L22JP~ draw - in' the line,-___ so

hid - den!_

183 184 _ 185 . . , ~186. .' ' ,~~~~~~-a; _ ~ ~-rt1ElI) ________We're hang - in a sign,___ says:

I

(J. = J)190

, 'I

1\ 187 188 189 :>- :>- ...-----... :>-,w' -

~

.; r ft r I I """-'"Vis - it - ors for - bid - den"_ And we ain't_ kid din'!

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ftllll' ":" .. 11

Piano-Vocal -41- #2- Jet Song

(ALL)f,., "--- 192 ~ 193 cresco ~ 194

-.., ..,

.......... ...

- -

x X.-I

,; I...."'"

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Here come- the Jets, Yeah!- An' we're gon - na beat ev - Iry

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ff\ 195 196-

~ 197 ~ 198 I-

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last bug - gin' gang on the whole bug - gin' street! On- the

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divf\ 200 201 1 202 1 ~'.' \I

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,; r -whole ev - er moth - er lov - in

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Piano-Vocal --42-- #2 - Jet Song

street!--------,---

. Yeah!._-_._----_._----.-----~

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Applause Segue

Piano-Vocal -43- West Side Story2a

let Song Chase

2

Allegro moderato (~. = 116-128)(deliberately)

"~-;L:\ ~ 2 &I &I ~~J ~ 3 r-1 &I &I ~

.--

---

--,-~ -- -r -v - t- I I

p,..,...

-"""'Ii:.tt .. ~ tot ..

(9/26/01)

Piano-Vocal -44- #2a-let Song Chase

19

roughly

18

------------

21\ 24 25 26 27~

I{- -r_ .-j ...

,"v -l-U~.- #~~, > ~..J >-

-

Piano-Vocal -45- West Side Story

3

Something's Coming

(TONY)PPSafety(Vocal last time)

(RIFF) Maybe what you're waitin' for will be twitchin' at the dance. (He runs offJ(TONY) Who knows?

" ~ 1 2 3 'j :>- \.~ oWu."I

,; '\ I'ad lib. Could-

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.,-~ r I pVj pr ~P dim.

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,; >'---'"knows?

-There's_

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- -

=F -r- =F r-- - -I .. .. .. I ..(9/26/01)

Piano-Vocal --46-- #3-Something's Coming

rhythmically1'1 J,jo 12

-

13-

14-

15-

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-,; r I r I '-'some - thing due-- an - y day;- I will know- right a - way,-

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,; I I I Isoon as it shows.

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,; r ~ ~ I...--.l >- :::> :::> >-It may corne can - non - ball - ing down thru the sky, gleam in its eye,

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,; >- ~bright as a rose! Who-

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Piano-Vocal --47- #3-Something's Coming

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'if >-""--'knows? It's_

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on -ly just_ out of reach- down the block,- on a beach,-

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to me!

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Applause Segue

Piano-Vocal --55- West Side Story

3a

Something's Coming Chase

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(Repeat, if necessary and fadewhen lights come up on next scene.)

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(9/26/01)

Piano~Vocal #3a-Something's Coming Chase

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Piano-Vocal --57-

The Dance at the GymBlues

lVest Side Story

4

(MARIA) Because tonight is the real beginning of my life as a young lady of America!

,., I ~. CD 1 ~~J.~. 2 I I J I J I J I J I J I J-

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_ IS. _ IS. _ IS. _ IS. _ IS. _

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Piano-Vocal -58- #4-Blues

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22

#4-Blues

Piano-Vocal -60- #4-Blues

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(Repeat ifnecessary, and cut off on cue)(Bernardo enters with Maria, Anita and Chino. As the Jets see them they drop out of the dance one by one and wity-draw to one side of the hall. The Sharks draw to their side. After (l briefconsultation, Riff starts across the stageto make his challange.)

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Piano-Vocal ----61- #4-Blues

(Repeat, if necessary, and cut offass thetwo gangs move toward each other.) long

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Promenade West Side Story4aTempo di Paso Doble

~ (GLAD HAND) All right: here we go! >- >- >-~>-~ !: !: .. >-"

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~ fmarc. ff ... ->-~' ~A ?= ~~ ~ ~~ ?= ~ ~ ~~~ >- I

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(Repeat ad lib. and cut offwith whistle)Segue: Mambo

rr

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pesante.... nJ} .J }

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Piano-Vocal --62- West Side Story4b

MamboMambo solo ad Jib.

rs81~ Drums

=uBongos:> :> :> :>

:e62~~(Add Cowbells, etc.):> :> :> :>

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Piano-Vocal -63- #4b-Mambo

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Piano-Vocal --64-- #4b--Mambo

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Piano-Vocal -65-- #4b-Mambo

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Piano-Vocal ---66-- #4b-Mambo

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--------#i-.-~~~~~~~~V=:Q

ifz

Piano-Vocal ---69- #4b-Mambo

Trumpet solo

" ~ H ,. b. ,.-,. 175';'- b.~ ~-(L 176,. 177\I ~fir'll

~.ff

~ >- >- >-

" ~ # rl_ I >- >- rl_ I >- >--IS.

-- ill_

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-

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---===----

ifzifz

" 178 H ,. b. ,.-,. 179 .;.. b.~ ~-(L' 180)2.- 181-~' ,.\I ~ ~

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----

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" ~ H t!= q~ ,.-~ 183 :r: q~ ;.~~ 184 185 ~ ~-

1\

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(Tony and Maria see each other,)

ifzifzifz

" 186 _#~.......-

187H~. ~~ 188 _ H~""'.-

189 H.-~. ~ ~.-

~ t;:::;l ~ ~- -

.Iff

: .. .. ../

- ~ --+1 .. ~ .. ~ .. ~~ -- >- .. >- .. >- :jI

...

Piano-Vocal -70- #4b-Mambo

:> 193191f\, 190 ft:;;- .. I ~:;;."-- --n-- 192 ~-~...~ .. ....---,;r_ ~... ~b...:~

--

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1202 1----~ -----------2-0-3 ------~204 205 rall. malta 206

(The lights dim and the crowd disappearsas Tony and Maria approach each other.)

Segue

Piano-Vocal -71-- West Side Story

4c

Cha-Cha

1207

1

f\ ,l.j. 20B)~ ~ . ====F. --r~ l~p .J~ . ~~)- .

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L-J. -- --- ~~f\ ,l.j. 209 210 ..

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----

L.J

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-

U. ----- C-.l=dJ -., --...I r I r L r-

(9/26/01)

Piano-Voca I -72--

-_OJ

#4c-Cha-Cha

229 ::;-

" ~26.J'~ >- .J'1 227 )J~ j;~ 228 L. h "I h ->- ~ i.~... . ... .- -. - -

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-

.psub. --==~

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- ---- .....~ Ii= Ii: -- -.J I -.... ... .,

raIl.230 pp

~===~--=:r~~==-----======'-=====-==-===-::==--~ ~~~i~~~

dim. malta

PianowVocal -73-

Meeting SceneWest Side Story

4d

(MARIA)I know you are not.

MenD mosso (.J = 72)(TONY)You're not thinkingI'm someone else?

I":\. _---__ 1":\.~-&- --&,,2~1 = 232 =

(TONY)Or that we've met before?

(MARIA)I know we have not.

~ ~ I::;:::I::::;J==J~~I=::::I::::::=J;:=-~~J--I-- I":\.~ MIl MIl -J -J _ ""'oC"

(TONY)I felt,I knew...But this is...

'I-'-'-~\:)J:_ - 236 D:."

..

--r V(MARIA)My handsare socold.

1 #~mp

I -----0pp

l ------.-r I

pp

!I-.J.

2351'\ ~

r_-

----_1":\.239-

(He takes themin his.)

(MARIA)Yours, too (He moves herhands to his face.)

(MARIA)So warm.

(TONY)Yours, too.

(MARIA)But of course,They are the same.

(MARIA) I have not yetlearned to joke that way.I think now I never wilL

You're notjoking me?

+~(TONY) It's so much.

to believe.

I i J J .b ~.l. d-- t':\ 1 nl1240 I J#J .J ~- 24~~1'\ ~ -- ... - - 241 -&- IIF. J..-I=-w-.

=...

~ f ppcresco pp =I

---- ----" ~ r I I J..J r I I J ~ I ~ 0~ MIl .-l _ 101- .-I

--

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"-7 :

~ 1

Piano-Vocal #4d-Meeting Scene

:::=

======:.:..:::

:-:=

======2==6----~;:--:-=--~.-3

I-eJFl

(The others begzn to reappear and the lights dim up slowly during the ensuing action.)accel. poco a poco======:~!!:::-----

249 .----- . _~,--,=- :J

+--!rT.,------

=

Allegretto(sempre cresco e accel.)

.

cresco malta I~c:?e-~f*=~rE=f~~~acre, sempre cresco e, aceel..---- ~-.~-r

r

f'I. 254 J ... I J 255 r-, I ~ I ~~~ 256..t1l!: II!. l ~ 257_ JJ\I

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Piano-Vocal -75- #4d - Meeting Scene

First tempo (Paso Doble)(Repeat if necessary, until cut off by whistle)

Segue: Jump

>- >- >-

r

~ l .. .. .. ~ ~ \.,., 263 ~ I I "I!: "I!: 264 .. 1!: .. ~ 265 _-=

-= 266-=I"'" I"'" I"'" , , J'I

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Tum]J West Side Story4e269(If wanted)

Lo stesso tempo, fast, light, dry12681

,., 267./

If .. r_ .."" " "'"'-'v

'. ",-," ~tJ ..I .. ~. ~ !(Rim shots) pp sub. "--..: j.....--' .

(' (' ,

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.=.'\ .=.

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272

274 275

Piano-Vocal -76- #4e-Jump

2792782771\ I-

-

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281,., r-; I ~I' 282 r-; I 283~

....... .......

- -~ \7 7 7---to 7tJ r I I --,. r' T ,.. ~ I --,. r r ,.. 1"

"T '7 ~ "T '~... J::'7' A ... .. A

-=---

A .. - .. A

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-=

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.. bi- - - -

... ... ... ,., 284 ~ I ~ " . 286 /"""; I 287~ ~

@} r I I 7 Y I Vl--J -r I I ,.. -V r V ~l~

"'-- "'-- "'--.. bi ~ bi ~ bi ~ I- ~ bi

289>-_ h.,--..... ~~- I 290 - 2911\ ,~. >-

-y.

tJ-

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-~ -:::: I

""Z'T. vr-o " --.:;;;- ...:.T .. "T.. .. I-" r-:

- '. T .. '. ...~ I r ~ I r ~

1\ 293 ~~ 294 I I 295 )~j ,

..,.; .. Ill.-= .. j

-

..-=

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L;;::;;: ..~ I" rJ-_ V't-

" 'IT I- .-I ..

IiJ -v-o:'"staccato sempre

I I

.....-. ~ -~'7 ~ ,..,---

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-'~ '1~

,., 296 297 h~ 298 I l 299 >- ~~u ~~ "":'" I

-,

'7 0::-=,,--

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Piano-Vocal -77--- #4e-Jump

>- 311>- >-,...-.,

) >->- >-

>-

(Repeat if necessary and fade on cue) (RIFF) Let's get the chicksand kick it.

II-

i 313 314 315 \.\I ... ,, ,

J tJ ~ >--r- .,. "b~ ~"J -.J ..I~ ..J l 1..- P sub. ::=:=- pp>-

-

L 1 I ... ""'-" ~~~~ ~ ~I ~ I:>

'. 8vb

Piano-Vocal -78-

MariaWest Side. Story

5

(DIESEL) We'll see him at Doc's(TONY) Maria...

Slowly and Freely(TONY) P

11 ~ ~ 1 .---3 ------, 3 2-

r. ... II..'"-'I .... .-I,; ., - ... -&

-.-'The most beau - ti - ful sound I ev - er heard. Ma -

11 ~ ff

..> "-J t r - -=- 4'PP j r uI.------LL

:'rl

,., ~ .~ 3 cresco 3 3 4I{ //If I' ,r_ ..

,; - ..1 - .. - .. .'--.. _..__uri a, Ma ri a, Ma - ri a, Ma ri a ...

.11 ~ ft\I //If I/IIf "- "-

r_

} ..> q- - #r -) r crescoLJ.

-".. //If

.' "'" //If11 --

11 ~ ~ 5 .--1-----'--1 3 3 1 6..

-,- or II..,"-'v ..-1

,; ., - ... -& ...1All the beau - ti - ful sounds of the world in a sin - gle word: Ma -

,., ~ ~- ---

I{ //If-r_

-~, -~ ':! t r - -=- -&'~ r---

~uIJ.

..::,. JIIf

- //If //If

-~ //If

11

(9/26/01)

.... ..Ma - ri - a, Ma

Piano-Vocal

cresco

1\ ~ H 7/IIf lito.

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,;ri - a,

,., ~ H-

)~ "" ,../Ilf lito./IIfr_

.-.I'-'IJ'

~qrcresc.

It

1

3

...'

Ma - ri - a,

--

3

-79-

8rail.

ri - a...

#5-Maria

mp dolcer----3--,Moderato con Anima

7lffwarmly1\ I l- 10 I 1 11 l

""..

r_ v 7 '\I-

,; I I I I I I I I rri - a! I've just met a girl named Ma - ri - a, and

, 3-----, I 3------,1\ I ----r--- .....-

----I ~I---

---OJ

tJ q. .....-- -... . - q.~ "111I .- ~:r .... ... q.:j' "1111'~-' ..mp dolce

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"I 12 13 14

1\ L...-

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-

.-.I_.

-

-.-l

-.-l ..., .-l

,; - r .... - -sud - den - ly that name wi11 nev - er be the same to me. Ma -

1'1 I ~-----

.~ r-~~ r7

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r7 _

.-l .--/ .'-I)' 1- 'ZI .. /~

-

-

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... ~ .. :;t .... ~f~--3-----'cresco~--3-----,

"i l 16 ' 1 I 17

,-v

,; I I - I I I I Iri - a! I've just kissed a girl named Ma - ri - a, and

, 3--, I 3----,r'\~

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---

~I /~I I1\ L... .r

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v r.1

l "---" :;t ... -I~ :;t -.;. -I~ ...

Piano-Vocal -80- #5-Maria

Jf

sud - den - ly I've found how won - der - ful a sound can be!-- Ma -

itSay

}--:-.7 ,-.:;;:-Ift~ ...

r" I ..,;

,---3 -------,

. play - ing--loud and there's mu - sicSay itri - a!--~

--I'

.'

ppsub.22 ,--3.-----, 23 .--3~-

~~._-~-'?" -'" ---gf~~--~~~:==rt~~~~.E'~~

I'llri - a ...__~

,.----.=..1.-------, ,----- 3---, 25 dolce 26-i~~~-,-=~-_.__-~-_~ ~~_~--=:f-=-'=gz----;;~)~.~*-~soft and it's al - most like pray - ing Ma

Ma

'---3~----..J'--3-'~cresco malta

----_._--,--ri - a!---

~3-----,

ne - ver stop say - ing Ma

poco rall.r---, a tempo

,---- 3 ---, ~ _ _ _ ?9 --- f~~~~~-~'~-~~iErf=- l==:==~---,--~--~~-~.~~

Piano-Vocal -81- #5-Maria

,.,1

30-.

31 32--

--...

--~ 0::-

-

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'J r' I 1ri - . a!__ Ma - ri - a! Ma - ri -

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tJ ~ - .. r' f - r -r"!fdolce

--..

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r'\ _ ---, r--3--, n- ---~~-----01

--

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a! Ma - ri - a! Ma-ri - - -i 3- I 3----,

,., I~ ~ ~I ~I---u

-"I(-.;:

tJ it q~ ..,;. --------~ . - q_lP'. __ ~r ..,; ...~=i cresco:

=..;;:r-

-'-J

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>- 41 I 3S?--=t~ r F r

ri - a Say it loud and there's rou sic

36

~~ I 31\ I -I I I ; I I-- ,

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1

, .p.- 3"7.0.- 38 ~..o. 390.6- ----.,., r"""\.-

n-01 ......

I( 0;;.,-

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(Ossia)-" f.. ~-9--;-l--'1\

I "'"""n n

tJa Ma ri a, Ma ri a, Ma - ri a, Ma -

~~ I~ I -I~I ~r I -~1\ I I 1 I _.-

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tJ I- ..... .- --..if .... -.J .. ...... "111I 1 1

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Piano-Vocal -82- #5-M'aria

p dolceppsub.

"I 42 .-3- 43 I r--- 3 -----. '-1- 44

--*-. - - -,-

-

.... r- .- r--

- r- r-'-' 101'" ./ ..

- -,; I I I I I I I r -play - ing Say it soft and it's al - most like pray - ing Ma -

~~I r--3---, r--3----, ,---3------,"

1 I~I I 1-----;--"1 -~.. ~ ---..........--

-

--

Ir r

_.

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pp dolce.-

~

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-',.

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- .... .. -....

.'I":\pp,---- 3 --------,

moltorall..------- 3---,

,?,. ~i,.,~. ~' II- 47 gJJJJ""" IIJI'~~~-E,; . ~

I'll ing Ma ri a!n - a----- ne - ver stop say - - -f r----- 3--.-', ,.---3--.,

"I--

l

-----

1------ 1---

"-

--t-o + --+,

-

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- -

.... .--I ~-

--

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-

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._-

-r-" .... r-; r- --'- ...l .... --- ~... ' -r I ..,; .'-.- -----~~- 4 --~---v

menD mosso ppp a piacere

~~~~~~.~.-~~~4' __~-l:l,.-----3~

.--t-----.-----.,

The most beau - ti - ful sound

Applause Segue

ri - a.Maev - er heard

-----.~~n~--,.~

....".~-~-+-"".....e_f--.--~---.~--:J-+----':-------- .~.:-~ tor-,--~I

Piano-Vocal -83-- West Side Story

6

Balcony Scene33Very Slowly

f\ I 1

-----

2 ~I 3 I ~-...\ l~~41 r\ I I\I I' -I .-I

1\ v~- '. - - - .-

I-.-Ir~r~VI"'" - ...tJ I I I I ~ I IIpp -

-

3 3

sempre pp

f\ I 13 ,I r I I i..~1 I I I J J.~J 1 16 I I J .J I J J'- v 1>0";

tJ I r1\ I~

./~---, .----3 ----,- '- ~

./

tJ .e- n- .,-~ -,J ~'-----.:

f\ 1171)~ J 18 J ~ J :J. j) 19 ;- J J J J 20 I e-\I ., -

- -1\ I- CI. >-I'"r,", v r~ fJ' I"'" ll.~-tJ I~I 1---- I I V~-

-r-'f\ I l-_----

--......

----

---......

\I r7 I' :1\.-.I .-I .... ./~

-tJ ..,~ u u

(9/26/01)

Piano-Vocal ~84- #6-Balcony Scene

1\ I .loC"'-22

23 -e- 24 b-e- 25 r. }........... oC"'~ ..

= '"...:"TT ~~- ~~ ---.;::'TT'-" - ---"" ,u -e- .1~ . rI

....----.~ ~r;.------=-:-:-- ~ !'""' l ~I. _.~-~. ~ r-

L--3-'--- 3----' '--- 3----'

(TONY) See only me.(MARIA)(TONY)(MARIA)Imagine being You see? Iseey~.

-----------

1\ I 26afraid of you! 27r-3----, r-3----, 28 I I 29

=>7 .-J;- -.~~-~ 17 ..:.;;: ...J ...J .-l

U VT- ~ /y .. - ~ ... - ..,.J. .. ~, ~U"~ ~I~--- --'0 ,.J J

....:. ,... ~. IT-7 -L..

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poco a poco accel. (very gradually)1\ I (MARIA)pP 31 r I I I 32

-

"T 1iO-:;J

tJ -.T. .' -I' ..,; .. I T ., Io'lOn - ly you, you're the on .. ly thing I'll see for - ev - er. In my

"1--

---

tJ'-,..IU"- U"

., .,., ...... ...'r~ently pulsing

-~------

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.~ =..-. t-o" .~

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V

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"I 33 1 34

-

35-u ...~

--rlfl' ... ...J-

...J

- -

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-

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,J I I I I I I r 1eyes, in my words and in eve - ry - thing I do, no - thing else but you

-

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AI-

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AI

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6, 1>~1> , 1> I r I cresco~ J ~) J ) ~ J JL ~ .J ; ~ J J~J J, n

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- - - -.. [:I

~. I f' - - -

f\ I 39 40 41

tJ .. ..

7lff To - ny, To - ny...flo I ~

..---

'-~v""~ ~ I

sight that I see is Ma - ri - a.

f\ I~ ---''''1 J 1IJ [7 ..-j ...-j. -.....

,1\ I- ~ r~ ~

tJ - 1 i____u

u

I--< L-_

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p.e.-

=

~ 0

1'1 .Uo flo 109 110 111 I 112

-

-~ I I .. V .right, but here you are, and

1'1 .Uo H I0

, -+..... r- ," .

-,; I I .. -d.right, but here you are, and

1'I,.Uo flo ~ -

~ tt-l .. .... .. .. .. +1.......... .... ........ ------ i" -- .- ---- .- .,1 TT-- -- --- --- --)

IP

LL,t;;~. I1f

~~ :! ~ ~-.~ -...

r, '"' ~ fJ: 113 cresco I 1~4 I 115 116-

-

tJ .. I I 1what was just a world is a star to -

1'1 JJ H . 7lff -:cresco " I I\J 1111 ... r.J r.J

I{-

r

-r_

-I'"'"

-~' .-I -- .. I I 1what was just a world is a star to -

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Il I,-- -

-

.. ..

- '-

- - 1:. ..... ~

Piano-Vocal -92- #6-Balcony Scene

raIl.(VOICE-offstage) Maruca! (MARIA) Wait for me!

-6'~ -_-e-

MoHo meno mosso (sub. in 4)(MARIA)

l.I f! 118 119 120 I- -

tVnight!

I l.I H (TONY) pp I

~night! To -

t l.I ft .",.' .. I I ..~ I I I(

U I I I H- I I If dim. malta pp rail.

==] ==] J==] ==] r=J r==J.

- -('0" ~~ lh~

Broadly(TONY)

,., I 122 123 124

~ ... d ... ... -d.night, to - night, it all be - gan to - night, I

ioI I I

U # ~tt ~- ... ... ~tt

~ I~"" ~ ~-6'~ -6' -& --6' -

1

(Maria re enters)~ I I 125 I 126 127 128 --

..

-..

-.

) ... I Isaw you and the world went a - way.

I I~(

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Piano-Vocal -93- #6-Balcony Scene

(MARIA) I cannot stay. Go quickly. (TONY) I'm not afraid. (MARIA) They are strict with me.Please.

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#6-Balcony Scene--94--

Adagio (sempre in 4)pp

Te adora,Anton.

144

Piano-Vocal(MARIA)Tony! Whatdoes Tonystand for?

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145 I 146'Jf I...

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tJ I .. -d.(TONY) Te Adora, Good night, good night, sleepAnton. Maria.

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,; I .. -d.(Fade on "Tony") Good night, good night, sleep

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well and when you dream, dream of me

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well and when you dream, dream of me,.,

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Piano-Vocal -99-- #7-America

535251(ANITA)

r, kg II like to be in A - mer - i - cal O. K. by me in A - mer - i - cal(GIRLS) (except Rosalia)

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I like to be in A - mer - i - cal O. K. by me in A - mer - i - cal

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Piano-Vocal -100- #7-America

(ad lib. OLE's! etc.)

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get on.--- _

(ANITA)

I know a boat you can

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~San Juan.---I like the cit - Y of

(ROSALIA)

(ROSALIA)mL,., 68 I l 69 "10 71

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Piano-Vocal -101- #7-America

76 (ANITA) 77 78 79-=::::::.f >-

mer - - cal

mer - i - cal>-

ver - y big deal in A

ver - ybig deal in A

ca,

ca,wi - re spoke wheel in A - mer -

wi - re spoke wheel in A - mer -(GIRLS) (except Rosalia)

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If there's a road you can drive on.-------

(ROSALIA)85

I'll drive a Bu-ick through San JU~

86

(ANITA)

87 88 (ad lib. OLE's! etc.)

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Piano-Vocal -102-- #7-America

9291llif

9089 (ROSALIA)~ 1\ I l.~_. f=tt gg I- ...--.- -

tJ- ' """.---- .I'll give my cou - sins a free ride.__ \

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1m - mi - grant goes to A - mer - ca, man - y hel - los in A-

~f~~__~~100~~mer - i-ca, no - bod - Y knows in A - mer - 1 ca, Puer - to Ri - co's in A-

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Piano-Vocal -103-- #7-America

(ALL)101 -=::::::: f::> 102

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(Whistling)

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+ttt b4 _- +dII -II. - .. -r_ - ~ - .-I -.-IIU - - - - ... ----""--.--I'll bring a T. V. to San Juan.--

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Piano-Vocal -106- #7-America

145(ROSALIA),., 144 I l 146- -

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147 148f (ANITA) 149 150

Com - fort is yours in A-

Com - fort is yours in A-cal

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mer

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like the shores of A

I like the shores of Af (GIRLS) (except Rosalia)

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wall floors in A-

154

ca,

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Knobs on the doors in A - mer

152151

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Piano-Vocal -107- #7-America

(Whistling)

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(ANITA)-=::::::::1\ 155 ::> ::> 157 158 159 , I , I I

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