OTTO HAAS

September, 2014

WELCOME TO SCOTLAND

1) ADAM, Adolphe Charles (1803-1856): The Celebrated Marseilles Hymn;

Arranged as a Brilliant Fantasia for the Piano Forte by Adolphe Adam (Member of

the Conservatory of Paris). London: Published by Balls & Son, [wm 1828]. Score: 1

f. (title), 7 pp., folio, engraved. Disbound, sewn. £30

Not in BL.

2) ADAMS, James B. (fl. 1770-1820): Maria. The Words by Mr.Pott, Set by J.B.

Adams. [‘As from above the genial dews’]. [London]: A.P. [Ab. Portal], [1780?].

Score for voice, flute and violin, cembalo and bass: 2 ff., folio, engraved. Disbound,

drop title, printed on one side only. With arrangement for German flute of guitar at

the end. £75

RISM AA298i and BUC p. 6 cite the same single copy.

3) AUBER, Daniel-François-Esprit (1782-1871): Barcarole de l'opera La Muette

de Portici (Den Stumme i Portici). “Amis, la matinée est belle”, “ En nyfødt Soel i

Østen Gløder”, pour le pianoforte, compose par Auber [AWV 16]. Copenhague: chez

C.C. Lose, [ca. 1840]. Vocal score: pp.70-72, oblong folio, engraved. Disbound. £20

4) BACH, Johann Sebastian (1685-1750): 371 vierstimmige Choralgesänge von

Johann Sebastian Bach. Dritte Auflage. Leipzig: bei Breitkopf & Härtel, [1832?].

Score: 1 f. (title), 211 pp., oblong octavo, lithographed, plate number 5089. Half calf,

foot of backstrip worn, with marbled boards. Armorial bookplate of Henry Parr.

Edited, with a foreword by Carl Ferdinand Becker (1804-1877). £75

5 [BALLET]: Théatre de Monte-Carlo, Saison de Ballets, direction René Blum.

Paris: Éditions Artistiques de Paris, 1931. Season brochure, 32 pp., + 6 pp.

programme for Friday 10 April: first night of Les Ballets de Boris Kniaseff, with

ticket. Brochure stapled, with decorative gold cord tie, sunned, programme folded as

issued, outer fore-edge spotted. Illustrated throughout with images of the performers.

£40

6) BEECKE, Franz Ignaz (1733-1803): Fischerlied in Musik gesetzt von

Hauptmann Beecke, zugeeignet der Frau von La Roche, gebohrne von Gutterman. A

Mayence: Chez le Sr Bernard Schott, [1785?]. 7 pp., engraved, oblong folio, plate

number 1. Folded as issued. Decoratively bordered title-page. £250

First edition. Schott’s first imprint.

7) BEETHOVEN, Ludwig von (1770-1827): Grand Septuor, Oeuvre 20 de L. van

Beethoven. Partition. Leipzig: au Bureau de Musique de C.F. Peters, [1832]. Score:

1 f. (title), 92 pp., octavo, engraved, plate number 2254. Original half morocco with

marbled boards, corners bumped. Ownership label of Ella’s Musical Union. £450

Second edition of the score.

Bound with: Partition du premier Quintetto (Oeuvre 4), pour deux Violons, deux

Altos et Violoncelle, compose par L. van Beethoven. A Offenbach s/m: chez J. André,

[1829]. Score: 43 pp., lithographed, plate number 5281. First edition of the score.

Kinsky-Halm p. 13.

And with: Partition du second Quintetto (Oeuvre 29), pour deux Violons, deux Altos

et Violoncelle, composé par L. van Beethoven. A Offenbach s/m: chez J. André,

[1829]. Score: 39 pp., lithographed, plate number 5282. Second edition of the score.

Kinsky-Halm p. 73.

8) BEETHOVEN, Ludwig von (1770-1827): Sonate

pour le Forté Piano Avec Accompagnement d’un Cor,

ou Violoncelle, compose et Dédiée a Mme

. La Baronne

de Braune par Louis van Beethoven, Oeuvre 17E. A

Paris: Chez Pleyel, [1802]. Parts: 1 f. (title), 11, 4 pp.,

folio, engraved by Michot, plate number 411.

Disbound, sewn. With the ownership stamp and pencil

markings of Alfred Cortot. £225

Not in BnF.

9) BEETHOVEN, Ludwig von (1770-1827): Grand Octuor Original pour deux

Clarinettes, deux Hautbois, deux Cors et deux Bassoons, Composé par L. van

Beethoven, Oeuv. Posthume [i.e. Op. 103]. A Paris: Chez Richault, [1844?]. Parts: 1

f. (title), 7, 7, 6, 5, 5, 5, 7, 6 pp., folio, engraved, plate number 5531R. Folded as

issued. With the ownership stamp and pencil markings of Alfred Cortot. £150

Second edition, preceding the first edition of the score. Not in BnF, BL or San José.

10) BEETHOVEN, Ludwig von (1770-1827): Five Favorite Waltzes for the Piano

Forte, One of which is The last Waltz Composed by L.V. Beethoven. [London]:

Published by the Proprietor, [ca. 1830]. 4 pp., folio, engraved. Disbound, title dusty.

Of doubtful authenticity. £35

Comprising: The Trent Waltz, The Prague Waltz, The Cologne Waltz, The last Waltz

composed by L.V. Beethoven and Beethoven’s celebrated Military Waltz.

11) [BEETHOVEN]: BULOW, Hans Guido von (1830-1894): Cadenzen zum

vierten Clavierconcert (G dur) von Ludwig van Beethoven, componirt von Hans von

Bülow. Leipzig: Verlag von F.E.C. Leuckart, [1880]. Score: 13 pp., folio,

lithographed, plate number F.E.C.L.1284. Folded as issued. £40

12) BOYCE, William (1711-1789): Here Shall Soft Charity, A Favorite Duett, Sung

with Universal Applause by Mr. Harrison & M

r. Bartleman, at the Concert of Antient

Music, and by Mr. Braham & M

r. T. Welsh in the Oratorios, at the Theatre Royal,

Covent Garden, Composed by William Boyce, Arranged for the Piano Forte. The

Words by Joseph Cradock [i.e. Craddock]. London: Printed & sold at Bland &

Wellers, [wm 1804]. Vocal score: 1 f. (title), 6 pp., folio, engraved by Hunter.

Disbound. £65

Not in RISM. The duet from Boyce’s Ode for the Leicester Infirmary. Boyce’s

anthem was composed for the first performance (during divine service) on the new

organ at the Leicester Infirmary on 3 September 1774. See Bartlett, William Boyce: A

Tercentenary Sourcebook and Compendium, pp. 203-205.

13) [CATALOGUE]: A Catalogue of Vocal and Instrumental Music, Printed for and

Sold by Peter Welcker (Music Seller to their Majesties and all the Royal Family) at

his Music Shop in Gerrard Street St. Ann’s Soho, London. London: Peter Welcker,

[inter 1775-1777]. 4 pp., folio, engraved. Disbound. £180

14) [CATALOGUE]: Music, Engraved, Printed, Published and Sold by Samuel,

Ann, and Peter Thompson, (At No. 75), St. Paul’s Church Yard, London; and May be

had at most Music Shops and Booksellers throughout England, Scotland, Ireland, and

America. London: Samuel, Ann and Peter Thompson, [after 1779]. 4 pp., folio,

engraved, p. 4 with listing of musical instruments and music apparatus also sold.

Disbound. Listing includes Hook’s Vauxhall Songs for 1779. £220

15) CHAULIEU, Charles (1788-1849): Ma Nacelle. Fantaisie pour le Piano, sur

une Romance, Composée & Dédiee à Mademoiselle Augustine Rollet Par Ch.

Chaulieu, Op. 30. London: Published by J. Balls, [ca. 1830]. Score: 1 f. (title), 9 pp.,

folio, engraved. Disbound, sewn. £30

Not in BL which cites a copy with 13 pp.

16) CHOPIN, Fryderyk Franciszek (1810-1849): Etudes Pour le Piano, Dédiées à

son Ami F. Liszt par Fred. Chopin, Op. 10. Paris: chez Maurice Schlesinger, [1833].

1 f. (title), 54 pp., 1 f. (blank), engraved, folio, plate number MS1399. Disbound,

sewn. With publisher’s signature stamp. £250

First edition, third issue. Grabowski & Rink 10-1b-Sm.

17) CHOPIN, Fryderyk Franciszek (1810-1849): Scherzo pour Piano, Dédié à

Mademoiselle Adèle de Furstenstein par F. Chopin, Opéra 31. Paris: chez Maurice

Schlesinger, [ca. 1850]. 1 f. (title), 19 pp., engraved, folio, plate number M.S.2494.

Folded as issued, little worn and spotted. With publisher’s name stamp “Brandus et

Cie.”. Alfred Cortot’s copy with his initial stamp. £125

First French edition, later issue. Platzman2 p. 132. Brown no. 111. Chomiński and

Turło no. 198. Kobylanska pp. 76-77. Grabowski & Rink 31-1-Sm.

18) CHOPIN, Fryderyk Franciszek (1810-1849): Scherzo pour le Piano, Dédié à

Mademoiselle la Comtesse Adèle de Fürstenstein par Fr. Chopin, Oeuv. 31. Leipzig:

chez Breitkopf & Härtel, [ca. 1875]. 23 pp., lithographed, folio, plate number 9671.

Disbound, sewn. With publisher’s oval stamp “Breitkopf & Härtel” around a lyre.

£65

First German edition, later issue. This imprint not in Platzman2. Brown no. 111.

Chomiński and Turło no. 198. Kobylanska pp. 76-77. This later issue not in

Grabowski & Rink.

19) CHOPIN, Fryderyk Franciszek (1810-1849): Deux Nocturnes pour Piano,

dédiées a Madame la Baronne de Billing, nee de Courbonne, par Fréd. Chopin, Op.

32. Paris: chez Maurice Schlesinger, [ca. 1850]. 1 f. (title), 9 pp., engraved, folio,

plate number M.S.2500. Disbound, sewn. With publisher’s name stamp “G. Brandus

& S. Dufour”. Alfred Cortot’s copy with his initial stamp. £125

First French edition, later issue. Platzman2 p. 134. Brown no. 106. Chomiński and

Turło no. 116. Kobylanska pp. 77-78. Grabowski & Rink 32-1-Sm.

20) CLEMENTI, Muzio (1752-1832): Sonate de Clementi avec accomptn

. de

Violon [Op. 5, no. 3]. [S.l.: ca. 1800]. Keyboard part: 5 ff., oblong folio. Disbound,

sewn. Copyist’s manuscript, in brown ink, on 10-stave hand-ruled paper,

indecipherable watermark with trimmed through lettering and a partial fleur-de-lis.

Each movement with number of bars noted at the end. £80

Clementi’s Op. 5was composed in the period 1780/1 and first published, in London,

ca. 1790.

21) [CLUCK]: Cluck cluck. A

new Drinking Song Sung by

Mr.Dodd at the Theatre Royal in

Drury-Lane wth

great Applause,

Set by an Eminent Master.

[London]: A.P. [Ab. Portal], [ca.

1780]. Score for voice and bass: 2

ff., folio, engraved. Disbound,

drop title, printed on one side only.

With arrangement for guitar at the

end. £75

BUC p. 736 and the BL cite a

single sheet folio only. Not in

RISM.

22) CORRI, Domenico (1746-1825): My ain kind dearie, With Variations by D.

Corri. Edinburgh: Printed for Corri, Dussek & Co., [ca. 1800]. Score: 4 pp., folio,

engraved. Disbound, edges worn. £15

23) CORELLI, Arcangelo (1653-1713): Corelli’s Six Sonatas, Opera IMO

., Adapted

for the Organ. Six Sonatas, Opera IIMO

., Adapted for the Piano Forte or Harpsichord

by Edward Miller, MUS.D. [with] Corelli’s Six Sonatas, Opera IIIMO

., Adapted for

the Organ. Six Sonatas, Opera IVTO

., Adapted for the Piano Forte or Harpsichord by

Edward Miller, MUS.D. Book II. [London]: Printed by Longman & Broderip and to

be had at all the Music Shops, [ca. 1795]. Score: two volumes, 1 f. (title), 4

(biography of Corelli), 25 pp., 1 f. (title), 37 pp., folio, engraved. Disbound, sewn.

Book I signed by Miller and numbered 242; p. 1 and verso of p.37 of book II both

with publisher’s catalogue no.III. £220

BUC p. 216 citing two copies. Arranged by Edward Miller (1735-1807).

24) CRAMER, John Baptist (1771-1858): Four Divertimentos, for the Piano

Forte, Consisting of Marches, Andantes, and Original German-Waltz’s, with an

Accompaniment for a Tamburino and Triangle ad Libitum, Composed by J.B.

Cramer, Op.17. London: Printed & Sold by L. Lavenu, [wm 1800]. Keyboard part:

17 pp., folio, engraved by J. Allen. Half parchment with plain boards. £120

Only Lavenu & Mitchell imprint in BL.

25) CZERNY, Charles (1791-1857): The Favorite Cavatina Sorté Secondami, Sung

by Madame Malibran Garcia in Rossini’s Opera of Zelmira, Arranged for the Piano

Forte, with Difficult & Brilliant Variations, and Dedicated to Madlle

. Tréne de

Maurojoni, by C. Czerny, Op. 21. London: Published by G. Walker & Son, [ca.

1830]. Score: 1 f. (title), 17 pp., folio, engraved. Disbound, sewn. £30

Not in BL.

26) [DANCE]: A Favorite Collection of Popular Country Dances, Arranged for the

Piano-Forte, Violin &c, with their proper figures. No. 9 [with 10 and 24]. London:

Printed & Sold by Skillern & Challoner, [wm 1808 and 1814]. Scores: 4, 4, 4 pp.,

folio, engraved. Disbound. Some browning. Each with decorative title-page and

vignette. Each dance with the movements for the dancers given. £90

No. 9 contains: The Happy Return, Lord Cochrane, Flora McDonald, The Russian

Dance, The Italian Momfrina, The Stralsund Waltz, The new Spanish Patriots, and

Whiskey for ever.

No. 10 contains: The Jubilee, Morgiana in Ireland, La Terza, The Sylph, The Bowery,

and Prince or Princess Dolgorucki.

DICKENS, Charles John Huffam (1812-1870)

27) COOTE, Charles (1831-1916): No

Thoroughfare. Galop By Chas. Coote Jun

r.

By Kind Permission of Charles Dickens

Esqre

. As performed nightly at the Adelphi

Theatre. [For piano]. London: Hopwood

Crew, [1868?]. Score: 1 f. (title), 5 pp.,

folio, plate number H&C1321. Blue

coloured jaunty title-page. £75

[Not in Dickensiana]

28) GLOVER, Stephen (1813-1870): What are the wild waves saying? Duet,

Founded on an Incident in the Narrative of “Dombey and Son”, Written and

respectfully inscribed to Charles Dickens Esq., by Joseph Edwardes [sic] Carpenter,

The Music Composed by Stephen Glover. London: Robert Cocks and Co., [inter

1852-1864?]. Score for voice and piano: 1 f. (title), 9 pp., folio, plate number 7641.

Outer fold reinforced, some thumbing. Publisher’s blind-stamp dated 6 February

1864; imprint cites Napoleon III. £40

[Dickensiana no. 443.]

29) GLOVER, Stephen (1813-1870): What are the wild waves saying. Duet,

founded on an incident in the narrative of Dombey and Son, Written and respectfully

inscribed to Charles Dickens Esq., by Joseph Edwards Carpenter, The Music

Composed by Stephen Glover. London: Messrs Robert Cocks and Co., [ca. 1850].

Score for voice and piano: 1 f. (title), 9 pp., folio, plate number 7641. Outer fold

reinforced, some edges dusty. £40

[Dickensiana no. 443.]

30) LINLEY, George (1798-1865): Little Nell, Ballad, The Words by Miss

Charlotte Young, The Music composed, and inscribed to Charles Dickens Esqre

., by

George Linley. London: Published by Cramer, Beale & Co., [1848]. Score for voice

and piano: 1 f. (title), 5 pp., folio, engraved, plate number 4388. Outer fold

reinforced. £40

[Dickensiana no. 437 citing only the Cramer & Co. printing of 1865]

31) RUSSELL, Henry (1812-1900): The Ivy Green, The Poetry by Charles Dickens

Esqe. (Published by permission of Mess

rs. Chapman & Hall), The Music by Henry

Russell. London: Jefferys & Co., [inter 1840-1843]. Score for voice and piano: 1 f.

(title), 7 pp., folio, engraved. Outer fold reinforced. Pictorial title-page by Brandard

of a graveyard by a church. £80

[This imprint not in Dickensiana]

32) RUSSELL, Henry (1812-1900): The Ivy Green, Song, The Poetry by Charles

Dickens Esqr. (Published by express permission of Mess

rs. Chapman & Hall), The

Music by Henry Russell. London: Jefferys & Nelson, [inter 1840-1843]. Score for

voice and piano: 1 f. (title), 7 pp., folio, engraved. Outer fold reinforced. £40

[This imprint not in Dickensiana]

33) EBERS, Carl Friedrich (1770-1836): Walses pour le Pianoforte par C.F.

Ebers, Oeuv. 46. Leipzig: au Bureau de Musique de C.F. Peters, [1818?]. Score: 9

pp., oblong quarto, engraved, plate number 1384. Disbound, pages separated. £50

Not in BL or SBB.

34) GILDON, John: A Grand Duet for Two Performers on one Piano Forte,

Composed & most Respectfully Dedicated to Miss Scott & Miss Ht. Scott (Little

Oakley, Essex) by J. Gildon, Op. 12. London: Printed & Sold by J. Balls, [1811].

Socre: 19 pp., folio, engraved, plate number 85. Disbound, sewn. Decoratively

bordered title-page with foliage. £90

Kassler, Music Entries at Stationers’ Hall, 1710-1818, p. 617, entered 7 October

1811.

35) GOW, John H. (1764-1826?): Der Freischütz. The Favorite Quadrilles,

Performed at the Nobilities and other Balls, from the above celebrated Opera,

Arranged for the Pianoforte by John H. Gow. London: Published by John Gow &

Son, [wm 1823]. 1 f. (title), 9 pp., folio, engraved by Hutchison, plate number 76.

Disbound, sewn. With the steps. £35

Comprising: The Bridesmaid’s Chorus, The Bacchanalian Song, Der Freischütz, La

Favorite and The Jaeger Chorus.

Not in BL.

36) GOW, John H. (1764?-1826), GOW, William (ca. 1755-1791): A Fourth

Collection of Slow Airs, Strathspeys and Reels, with a Bass for the Violincello,

Harpsichord or Piano Forte, dedicated by permission to the Highland Society of

London by Jno. & and W. Gow. London: Printed & sold by Wm

. Campbell, [wm

1799]. Score: 1 f. (title), 36 pp., 1 f. (blank), folio, engraved. Folded as issued. £275

RISM G3224. BUC p. 391.

37) GOW, Nathaniel (1763-1831): The Favorite Dances of 1812, Some of which

are Composed & the whole arranged for the Piano Forte by Nath. Gow. As

Performed at his Annual Ball in George Street Assembly Rooms the 3d. of March.

Edinr.: Printed & sold by Gow & Shepherd, 1812. 3 pp., folio, engraved by Johnson

& Anderson, plate number G & S. Folded as issued. £55

Comprising: The Marchioness of Douglas’s Favorite, Calver Lodge, Sir George Clerk

of Pennycuick, The Persian Dance, The Tank, Marchioness of Queensbery and

Fleur’s Castle.

38) GOW, Nathaniel (1763-1831):

The Earl of Moira’s Welcome to

Scotland. A Favourite Strathspey,

To which is added Four Favourite

Dances the whole Carefully

Corrected By Nath. Gow.

Edinburgh and London: Printed &

Sold by Gow & Shepherd, and John

Gow, [1803?, wm 1801]. Score for

keyboard: 2 pp., folio, engraved by

J. Johnson. Disbound, sewn.

£65

RISM GG 3231b citing just one

copy.

The publication also includes: Col.

Upton’s merry Conceit and the three

Irish dances: Off she goes, Sir Philip

Mc.Que, and Hey me Nanny.

39) GOW, Niel (1727-1807): A Second Collection of Strathspey Reels, &c., With a

Bass for the Violoncello or Harpsichord. Dedicated (By Permission) to the Noblemen

& Gentlemen of the Caledonian Hunt By Niel Gow, at Dunkeld. Edinburgh: Printed

for Corri & Company, [ca. 1790]. Score: 1 f. (title), 36 pp., folio, engraved. Stitched

as issued, edges a little dusty and chipped. With an engraving of a stylised fox over

thistles at the centre. £240

RISM G3249. BUC p. 392.

40) HANDEL, George Frideric (1685-1759): Six Grand Chorusses From M r.

Handel’s Oratorios, Adapted for the Organ or Harpsichord By M r. Hook. [Book I].

London: Printed for Wm. Randall, [1778?]. Score: 1 f. (title), 4 (Elizabeth Randall’s

catalogue), 19 pp., folio, engraved. Disbound, sewn. £225

Smith p. 265. RISM H1421. BUC p. 420. Arranged by James Hook (1746-1827) the

volume includes five excerpts from Handel’s Messiah and two from Judas

Maccabaeus.

41) HANDEL, George Frideric (1685-1759): [Lesson, HWV 495b]. [London:

second quarter of the eighteenth century]. Score: 2 ff., oblong folio (27 x 35 cm).

Folded bifolium. Manuscript, in brown ink, on 10-stave paper. Previously folded

vertically with some wear along the fold of f. 2. This is a mostly accurate copy of the

HWV 495b text, but omitting bars 90-94; it may have been copied from source B.

£500

Händel-Hallische Ausgabe, IV/1, Klavierwerke I (revised 2000), pp. 96-99, Anhang 7

and IV/7, Klavierwerke - Kritischer Bericht, p. 69.

42) [HAUSERL]: Das Hauserl am Roan [‘I hab enk a Häuserl am Roan’].

München: bei Falter u. Sohn, [inter 1820-1827]. Score for voice and keyboard with

alternative guitar accompaniment: single sheet oblong folio. Some light browning.

£45

43) HAWLEY, Charles Beach (1858-1915): Songs by Charles B. Hawley: The

sweetest flower that blows. Low voice. Cincinnati, etc.: The John Church Company,

[1898]. Score for voice and piano: 5 pp., folio, plate number 12768-3. Folded as

issued, outer fold separated, edges a little chipped. Coloured pictorial title of red

flowers. £15

44) HAYDN, Joseph (1732-1809): Six Canzonets with an Accompaniment for the

Piano Forte, Composed & Dedicated to The Right Honble

. Lady Charlotte Bertie by

DR. Haydn. 2

d Set. [London]: Printed by Clementi, Banger, Collard, Davis &

Collard, [wm 1824]. Score: 23 pp., folio, engraved. Folded as issued, outer fold with

old paper reinforcement. A little dusty. Without the plate number 1571 found in the

British Library copy. £75

45) HAYDN, Joseph (1732-1809): Sonata per il Clavicembalo, Del Sigre

. Giuseppe

Hayden [Hob. XVI/43]. [S.l.: ca. 1800]. Score: 7 ff., oblong quarto. Marbled boards.

Copyist’s manuscript, in brown ink, on 8-stave hand-ruled paper. £250

Composed and first printed, by Beardmore and Birchall in London, in 1783.

46) HAYDN, Joseph (1732-1809): A Grand Overture as performed at Mr.

Salomon’s, Concert, Hanover Square, arrangd [sic] for the Piano Forte or

Harpsichord with an Accompaniment For a Violin, Composed by Joseph Haydn

[Hob. I/92]. London: Printed by Longman and Broderip, [1791]. Keyboard part

only: 19 pp., folio, engraved. Disbound, sewn. £175

Hoboken vol. 1, p. 174. BUC p. 174.

47) HERZ, Henri (1803-1888): New & Superior Edition. Allegro and Air with

Variations (facile) for the Piano Forte by Henry Herz. London: Printed & sold by

George & Manby, [ca. 1830]. Score: 1 f. (title), 11 pp., folio, engraved. Disbound,

sewn. £30

This edition not in BL.

48) HIMMEL, Friedrich Heinrich (1765-1814): Trois Sonates pour le Pianoforte

avec Violon et Violoncelle, composes et dediées A Son Altesse Imperiale Madame la

Grande Duchesse, Son Altesse Royale, Madame la Duchesse, Marie de York par F.H.

Himmel, Op. 16. No.1. Berlin: chez Charles Paez, [ca. 1825]. 14, 3, 2 pp., oblong

folio, engraved, plate number 876. Limp marbled covers with red cloth backstrips.

Piano part with slight water-stain at lower edges, general foxing. £180

49) HUMMEL, Johann Nepomuk (1778-1837): Nouvelle Valses et Coda en forme

de Bataille, composes pour la Salle d’Apollon de Vienne Pour Piano-Forté par J.N.

Hummel, Opéra 91. A Paris: Chez Carli, [1824?]. Score: 1 f. (title), 23 pp., folio,

engraved, plate number 2018. Plain card covers with decoratively embossed cloth

backstrip, old paper label to front cover. £180

Bound with: Douze Valses Pour le Piano Forté, Composées Par J.N. Hummel, Op.

29. à Paris: Chez Carli, [1824?]. Score: 1 f. (title), 13 pp., plate number 1998.

50) INDY, Vincent d’ (1851-1931): Visiting card with autograph note. [Paris: s.d.].

52 x 89 mm. Verso previously adhered to card. “d'Indy remercie vivement Madame

Sala de son musicale marque de sympathie dont il est vraiment touché, et lui exprime

ses plus sincères hommages”. £95

51) KIRSHAW, George: Lovely Nancy with Varations for the Harpsicord, By

Mr.Geo. Kirshaw. London: Printed for Rich

d. Bride, [ca. 1770]. Score: 4 pp., folio,

engraved. Disbound, sewn. £100

RISM K851 citing just one copy (BL). Not in BUC.

52) KRAYS, C.B.: Waltz as Danced by Monsr. Laborie, & Mad

me Hillisberg, at the

King’s Theatre Hay Market, Arranged for the Piano Forte, Flute & Tamborine

Accompts. By C.B. Krays. London: Printed for T. Monzani, [wm 1799]. The Opera

Music Warehouse, No.13, Miscellaneous Periodical Single Pieces for the Piano

Forte, Consisting of Favorite Opera Dances, Rondos, Waltzes, Marches & Airs with

Variations, &c. Score: 3 pp., folio, engraved. Disbound, sewn. Charming attractive

series title. £55

Not in Levy & Ward.

53) LACHNITH, Ludwig Wenzel (1746-1820): Recueil de Walzes Pour le Forté-

Piano par Lachnith. 1ere

. Suite. A Paris: chez Sieber, [1799]. Score: 1 f.

(title/publisher’s catalogue), 6 pp. (?lacking p.7), oblong folio, engraved, plate

number 40. Disbound, pages separated. BnF has a copy with 7 pp. £30

RISM L149 citing two copies only (both in Paris).

54) LATOUR, Francis Tatton (1766?-1837): The Copenhagen Waltz, with

Variations for the Piano Forte, Composed by T. Latour. London: Printed & Sold by

Chappell & Co., [wm 1813]. Score: 5 pp., folio, engraved, plate number 137.

Disbound, drop title. £30

First edition (1812), second issue.

55) [LEEVES, William (1748-1828)]: Auld Robin Gray, with the much admired

Tune. [‘Young Jamie lov’d me weel’]. [London]: Printed by Longman and Broderip,

[ca. 1790]. Score for voice and bass: 4 pp., folio, engraved. Disbound, sewn. With

arrangement for one or two guitars on p. 4. £75

? RISM L 1425. This imprint not in BUC. Text by Anne Lindsay Barnard (1750-

1825).

Bound with: The Favorite Variations to Auld Robin Gray [for keyboard]. London:

Printed by Longman & Broderip, [ca. 1790]. Score: 5 pp., engraved.

Not in RISM or BUC.

56) LOUET, Alexandre (1753-1817): Variétes Lyriques Journal, dédié Aux

Amateurs, Composé de Sonates de Piano-Forte de Romances et d’ariettes, Paroles

françoises et Italiennes avec Accompagnement Par M R. Loüet, Oeuvre 8. A Paris:

chez Mr. Bligny, [ca. 1792]. Score: 1 f. (title), 12 pp., oblong folio, engraved by

Melle Vanglenne. Disboud, sewn. Decoratively bordered title-page. £250

Comprising: Sonata XII, Dédié à Mademoiselle Henriette D’Estampes, Arioso da

Giovinetta Signora Pauline de Monb 1792 Con Variozioni [sic], Air de la Cosa rara

[‘Plus fraiche plus belle’], and Romance d’Estelle Dédiee a Mademoiselle Pauline

Princesse Darembert.

RISM citing just Opp. 7 and 9.

57) MAHLER, Gustav (1860-1911): Erste Symphonie in D Dur von Gustav

Mahler. Klavierauszug zu vier Händen, [arrangiert von Bruno Walter]. Wien,

Leipzig: Universal-Edition, [1923]. Score: 83 pp., folio, plate number U.E.947.

Publisher’s printed wrappers, edges stained, dusty and worn. £30

58) MAHLER, Gustav (1860-1911): Zweite Symphonie in C moll von Gustav

Mahler. Klavierauszug zu vier Händen, arrangiert von Bruno Walter. Wien,

Leipzig: Universal-Edition, [1921]. Score: 95 pp., folio, plate number U.E.949.

Publisher’s printed wrappers, front detached and chipped, backstrip worn away, edges

dust-stained. £30

59) MESTRINO, Niccolo (1748-1789): Trois Duos pour deux Violons, Par

Mestrino. 4e. Livre de Duo. A Paris: Chez Augte. Le Duc et Comp

ie., [1795?]. Parts:

1 f. (title), 13, 13 pp., folio, engraved, without plate number as noted by RISM.

Single sheets as folded and issued, few brown stains and spots. £150

RISM M2413. BUC p. 671. Hirsch III.404.

60) MOZART, Wolfgang Amadeus (1756-1791): Quatuor de W.A. Mozart,

arrange pour le Piano Forté à quatre mains par C.D. Stegmann. No. 10 [KV 499].

Bonn et Cologne: chez N. Simrock, [1819?]. Score: 31 pp., oblong folio, engraved,

plate number 1621. Folded as issued. With the ownership stamps and pencil

markings of Alfred Cortot. £80

Arranged by Carl David Stegmann (1751-1828).

61) MOZART, Wolfgang Amadeus (1756-1791): Sonate pour deux piano forte par

W.A. Mozart [KV 448]. Vienne: Au Magasin de l’imprimerie chimique, [1810?].

Parts: 17, 12 pp., oblong folio, lithographed, plate number 1390. Individually sewn.

With the ownership stamp and pencil markings of Alfred Cortot. £125

62) PUGET, Loise (1810-1889): Album de Melle

. L. Puget. Paris: chez J.

Meissonnier, 1842. Score + plates: 36 ff., quarto. Quarter cloth with silk moiré gilt

embossed boards, worn and scuffed, a.e.g. Each song with lithographed plate, lacking

the one to “Le Montagnard Centenaire”. £120

63) [PONIATOWSKI, Józef Antoni (1763-1813)] BERANGER, Pierre Jean de

(1780-1857): Poniatowski. Hatons-nous. Chansons dédiées au Général Lafayette,

premier grenadier de la garde nationale polonaise, suivies du 14 Juillet 1829, et des

couplets a mes amis devenus ministres, par Béranger. Paris: a l’agence du Comité,

[1831]. 23 pp., + 4 illustrations and 2 autograph letters, octavo. Quarter morocco

with blue marbled boards, edges and corners a little rubbed, original printed blue

wrappers bound in. An extra-illustrated copy with a line-engraving of Béranger

(covering “two” pages”) by Brebant after the portrait by A. Masson, three portraits of

Poniatowski, one lithographed and two engraved, and with autograph letters signed by

Béranger and by Lafayette. Béranger’s letter to Wilhelm discusses proofs of his Le

Roi d’Yvetot, the mistakes they contain and his entitlement to copies; he also discusses

a possible issue of other works. Le Roi d’Yvetot, included in Béranger’s first

collection, was a satire against Napoleon, about which Louis XVIII remarked: “We

must excuse the author of Le Roi d’Yvetot of many things”. “Le caveau”, referred to

in the letter, is probably the Caveau Moderne, to which Béranger was elected in 1813.

Both Les Gueux and Le Roi d’Yvetot were circulated widely in the form of manuscript

copies, and the acclamantion they received contributed much to his growing

reputation as a song writer.

Lafayette’s letter to Grandmenil, dated 29 August 1831, states his readiness to receive

the Commission des Condamnés Politiques at any time, but as he has to be out a great

deal, he recommends between 10 and 11am. £1,200

Vicaire I, 408.

64) [RANELAGH GARDENS]: Sung at the Regatta in Ranelagh Gardens. [‘Ye

Lords and ye Ladies who form this gay throng’]. [London: 1775?]. Score for voice

with bass accompaniment: single sheet folio, engraved. Disbound, edges worn and a

little chipped. £100

Not in RISM, BUC or BL. COPAC cites one copy (Oxford). Probably printed

following the Regatta of 1775.

65) [RECUEIL]: Receuil de Duo. [France: ca. 1780]. Oblong 12mo. 165 ff.

Manuscript vocal lines to a collection of French songs (pp. 1-144) and Italian songs

(pp. 181-275); pp. 113-131, 146-180 and 276-287 unused, with an unpaginated index

on the final leaves. Each page with an engraved decorative border incorporating

flowers and sea-shells, each exquisitely hand-coloured. Contemporary French red

morocco, gilt, side with dentelle, at centre a chain of flowers forming the letter “M”

surrounded by a wreath, backstrip lettered “RECUEIL / DE DUO / 2ME. / DESSUS /

M”, gilt inner dentelles, blue silk doublures, gilt edges, a superb production. £3,800

The letter “M” in a festoon is characteristic of Derome, see for example his binding to

David Garrick’s copy of Lucretius, where the covers contain a floral monogram of Gs

surmounted by a wreath. The rich dentelle border is well-suited to the romanticism of

the songs themselves whose refrains include ‘Aimex moi comme je voues aime’, ‘Je

veux toujours boire, chanter et rire’, ‘Ah! quelle recompense mon coeur nage dans le

plaisir’, ‘L’amour est jaloux l’amour est jaloux de ses droites’, ‘Une égale tendresse

va combler nos desirs, va combler nos dessirs’, ‘Dieu d’amour tes douces chaines

valente mieux que la liberté’. Leather bookplate of Mortimer L. Schiff to verso of

front end-paper (see Sotheby’s New York, 7 July 1938, lot 1145).

66) [RUSSIAN]: A Grand Russian

Polonaise, As performed by The

Russian Horn Band, With

extraordinary Success at the Argyll

Rooms, Arranged for the Piano

Forte. London: Royal Harmonic

Institution, [1831]. Score: 1 f. (title),

3 pp. (verso of p. 3 with publisher’s

catalogue of “New and Select

Music”), folio, engraved, plate

number 3641. Disbound, sewn.

£120

Not in BL. Title with portrait of

“Karzeneff, Leader of the Band”

[?the Grand Duchess Helena’s band]

from a life drawing by H.C.

Maguire.

67) SCHUBERT, Franz (1797-1828): Erlkönig. Ballade von Goethe In Musik

gesetzt mit Begleitung des Piano-Forte … von Franz Schubert, 1tes

Werk. Neue

Ausgabe. Wien: bei Ant. Diabelli und Comp, [1840]. Score: 11 pp., folio, engraved,

plate number D. & C. No. 766. Disbound, sewn. With decoratively bordered

lithographed title-page with portrait of Schubert at the top. £75

Hirsch M.1183.(1.).

68) SMART, Thomas (1747-1803): Love and Innocence, Set to Music by Thos.

Smart. [‘Wanton pleasures far away’]. [London: s.n., 1780?]. Score for voice and

bass accompaniment: 2 ff., folio, engraved, printed on one side of sheet only.

Disbound, sewn. With arrangement for guitar at the end. £75

RISM S 3600 and BUC p. 957 citing just the one copy.

69) [STORM]: The Storm, Sung by M r. Dodd. [‘Cease rude Boreas, blust’ring

Railer’]. [London: s.n., ca. 1775]. Score for voice and bass accompaniment: single

sheet folio, engraved. Disbound, previously folded in quarters. With nine verses. £45

This “imprint” not listed in RISM or BUC.

70) STRAUSS, Johann (1825-1899): Wo die

Citronen blüh’n! Walzer für Pianoforte von

Johann Strauss, Op. 364. Wien: Friedrich

Schreiber, [1874]. Score: 11 pp., folio,

engraved, plate number FS.23469. Folded as

issued. Decorative title-page. £45

Weinmann, p. 102.

71) WEBER, Carl Maria von (1786-1826): Grande Sonate pour le Piano-Forte

par Charles Marie de Weber, Oeuvre 49 [Jähns 206]. Vienne: Sauer & Leidesdorf,

[1823?]. Score: 27 pp., oblong folio, engraved, plate number S. et L. No.207. Sewn,

water-stained at outer halves of margins. With the ownership stamp and pencil

markings of Alfred Cortot. £90

72) WEBER, Carl Maria von (1786-1826): Pollacca Brillante per il Piano-Forte

composta da Carlo Maria di Weber, Op. 72 [Jähns 268]. Vienna: prosso [sic] A.

Diabelli et Comp., [1822?]. Score: 11 pp., oblong folio, engraved, plate number C. et

D. No.1026. Folded as issued, water-stained at outer halves of margins. With the

ownership stamp and pencil markings of Alfred Cortot. £90

73) WEBER, Carl Maria von (1786-1826): Ouverture aus dem romantischen

Schauspiel Preciosa von C.M. v. Weber. Clavierauszug [Jähns 279]. Hamburg: bey

Joh. Aug. Böhme, [ca. 1825]. Score: 8 pp., oblong folio, engraved. Disbound, sewn.

With the ownership stamp and pencil markings of Alfred Cortot. £55

74) WEBER, Carl Maria von (1786-1826): Aufforderung zum Tanze. Rondo

brilliant für das Piano-Forte componirt von Carl Maria von Weber, 65tes

Werk [Jähns

260]. Wien: bey A. Diabelli et Comp., [1822?]. Score: 11 pp., oblong folio,

engraved, plate number C. et D. No. 1025. Folded as issued, outer folds reinforced,

some light browning, more so to title-page. With the ownership stamp and pencil

markings of Alfred Cortot. £120

Jähns p. 283.

75) WEBER, Carl Maria von (1786-1826): Aufforderung zum Tanze. Rondo

brilliant für das Piano-Forte componirt, und seiner Caroline gewidment von Carl

Maria von Weber, Op. 65 [Jähns 260]. [S.l.: s.n., ca. 1825]. Score: 14 pp., oblong

folio, engraved. Disbound, sewn. With the ownership stamp and pencil markings of

Alfred Cortot. £140

Jähns p. 283.

76) WEBER, Carl Maria von (1786-1826): “Vien qua Dorina bella”, “Dorchen,

komm, sey die Meine”. Air italien de Bianchi, varié Pour le Piano-Forté par Charles

Marie de Weber, Op. 7 [Jähns 53]. Leipzig: chez H.A. Probst, [1826?]. Score: 1 f.

(title), 12 pp., oblong folio, engraved, plate number 363. Folded as issued, water-

stained at outer halves of margins, light foxing. With the ownership stamp and pencil

markings of Alfred Cortot. £120

77) WEBER, Carl Maria von (1786-1826): The Overture, and Select Airs, from

Weber’s Admired Opera Der Freischutz. Arranged for the Piano Forte. The

Overture Arranged by J.N. Hummel. London: T. Boosey & Co., [ca. 1830]. Score: 1

f. (title), 9, 8, 8 pp., folio, engraved. Disbound, sewn. £45

Not in BL.

78) WEBER, Carl Maria von (1786-1826): [Oberon]. [London: Cramer, Beale &

Co., [ca. 1845]. Vocal score: 197 pp. (lacking overall title-page), large quarto, oblong

folio, engraved, plate numbers variously between 2700-3127. Half calf, worn, hinges

weak. £75

79) [WEBER, Carl Maria von (1786-1826)] CALKIN, James (1786-1862):

Fantasia Brillante, introducing the Waltz and Jaeger Chorus Der Freischütz,

Composed for the Piano Forte, & Respectfully Inscribed to C. Kramer Esqre

. By

James Calkin. London: Published by T. Lindsay, [inter 1828-1833]. Score: 1 f.

(title), 13 pp., folio, engraved, plate number TL.70. Disbound, sewn. Fine engraved

title-page with gruesome supernatural monsters from the Wolf’s glen scene. £80

80) WEINGARTNER, Felix (1863-1942): Autograph musical quotation signed.

[Glasgow]: 1924. 91 x 127 mm. On a partly cut-down slip of notepaper of the G. &

S.W. Hotel Services, Glasgow. Two hand-drawn bars of one treble stave comprising

four notes, signed and dated. £95

List compiled by Colin Coleman, August, 2014