Wassily Kandinsky · 2020. 10. 23. · children's work to display on your IWB. Invite children to...

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Copyright © PlanBee Resources Ltd 2017 www.planbee.com Art Ye ar 5/6 Lesson 1 of 3 Learning Obje ective Resources To learn about the life and w work of Kandinsky. Slides Photo Ca Challenge Watercolo Abstract G ards e Cards 1A/1B/1C ours, brushes, water pots Grid 1 (FSD? activity only) Teachin ng Input The first few slides describe K work of Impressionists such a Kandinsky was influenced by Kandinsky developed ideas a from a book which influenced Soon after the end of the Firs Weimar. It was here that he c explain, describing how Kand images. Allow time for childre In 1933, the Nazi party came style, and showed strong, he Nazis disapproved of abstrac Kandinsky fled to France, wh Do you think you can sketch techniques children can use Kandinsky's early life in as Monet. Show a Mon y Matisse. Discuss and about the way music an d him. What do you thin st World War, Kandinsk continued to develop hi dinsky sought to conve en to study, discuss and e to power in Germany. ealthy, powerful German ct art such as Kandinsk here he lived the rest of or paint abstract art in while sketching or pain n Russia. net and an d compare nd paintin nk this pic ky went to is style. It ey meanin d respond . They app n people. ky's, and b f his life. a style sim nting durin As a young artist, he was inspired by the n early Kandinsky. Discuss and compare. e the two paintings shown on the slide. ng were related. The slide shows an image cture is showing? o Germany, where he taught in the city of t became much more abstract. The slides ng without painting realistic, representational d to the paintings shown. proved of art which was very traditional in The slide shows an example of this. The banned it. Why do you think they did this? milar to Kandinsky? Show some suggested ng either of the two learning activities below. Main A Activity Lower ability: Provide groups of children with the Photo Cards and Challenge Card 1A. In sketchbooks, they are to sketch, develop and label as instructed, creating abstract drawings by reducing elements shown on the photo cards to their simplest forms. Middle ability: Provide groups of child the Photo Cards and Challenge Card 1B. In sketchbooks, they are sketch, develop and la instructed, creating ab drawings by reducing elements shown on th cards to their simplest dren with n e to abel as bstract he photo t forms. Higher ability: Provide groups of children with the Photo Cards and Challenge Card 1C. In sketchbooks, they are to sketch, develop and label/annotate as instructed, creating abstract drawings by reducing elements shown on the photo cards to their simplest forms. Following this they are to use watercolour paint to roughly apply colour to areas of their sketches. Fancy somethin ng differ rent…? Provide groups of children wi translate a photo into an abst Explain that children are not must be filled with only one c ith the Abstract Grid 1 s tract work of art by sha allowed to add lines or colour. sheets an ading sect r additiona nd Photo Cards 1. Instruct children to tions of one of the grids appropriately. al detail, and that each section of the grid Plenary Assessment Questions Allow some time to share and di work. If you have one, use a visu good examples of abstract sketc class to see. iscuss children's ualiser to magnify ches for the whole Can c was in Can c abstra Can c by ske children identify ways in which Kandinsky nfluenced by the work of other artists? children describe techniques used to create act art? children develop their ideas and techniques etching? Wassily Kandinsky

Transcript of Wassily Kandinsky · 2020. 10. 23. · children's work to display on your IWB. Invite children to...

  • Copyright © PlanBee Resources Ltd 2017 www.planbee.com

    Art Year 5/6 Lesson 1 of 3

    Learning ObjectiveLearning Objective ResourcesResources

    To learn about the life and work of Kandinsky.To learn about the life and work of Kandinsky.

    SlidesPhoto Cards

    Challenge Cards 1A/1B/1CWatercolours, brushes, water pots

    Abstract Grid 1 (FSD…? activity only)

    SlidesPhoto Cards

    Challenge Cards 1A/1B/1CWatercolours, brushes, water pots

    Abstract Grid 1 (FSD…? activity only)Teaching InputTeaching InputTeaching InputTeaching Input

    • The first few slides describe Kandinsky's early life in Russia. As a young artist, he was inspired by the work of Impressionists such as Monet. Show a Monet and an early Kandinsky. Discuss and compare.

    • Kandinsky was influenced by Matisse. Discuss and compare the two paintings shown on the slide. • Kandinsky developed ideas about the way music and painting were related. The slide shows an image

    from a book which influenced him. What do you think this picture is showing?• Soon after the end of the First World War, Kandinsky went to Germany, where he taught in the city of

    Weimar. It was here that he continued to develop his style. It became much more abstract. The slides explain, describing how Kandinsky sought to convey meaning without painting realistic, representational images. Allow time for children to study, discuss and respond to the paintings shown.

    • In 1933, the Nazi party came to power in Germany. They approved of art which was very traditional in style, and showed strong, healthy, powerful German people. The slide shows an example of this. The Nazis disapproved of abstract art such as Kandinsky's, and banned it. Why do you think they did this?

    • Kandinsky fled to France, where he lived the rest of his life.• Do you think you can sketch or paint abstract art in a style similar to Kandinsky? Show some suggested

    techniques children can use while sketching or painting during either of the two learning activities below.

    • The first few slides describe Kandinsky's early life in Russia. As a young artist, he was inspired by the work of Impressionists such as Monet. Show a Monet and an early Kandinsky. Discuss and compare.

    • Kandinsky was influenced by Matisse. Discuss and compare the two paintings shown on the slide. • Kandinsky developed ideas about the way music and painting were related. The slide shows an image

    from a book which influenced him. What do you think this picture is showing?• Soon after the end of the First World War, Kandinsky went to Germany, where he taught in the city of

    Weimar. It was here that he continued to develop his style. It became much more abstract. The slides explain, describing how Kandinsky sought to convey meaning without painting realistic, representational images. Allow time for children to study, discuss and respond to the paintings shown.

    • In 1933, the Nazi party came to power in Germany. They approved of art which was very traditional in style, and showed strong, healthy, powerful German people. The slide shows an example of this. The Nazis disapproved of abstract art such as Kandinsky's, and banned it. Why do you think they did this?

    • Kandinsky fled to France, where he lived the rest of his life.• Do you think you can sketch or paint abstract art in a style similar to Kandinsky? Show some suggested

    techniques children can use while sketching or painting during either of the two learning activities below.

    • The first few slides describe Kandinsky's early life in Russia. As a young artist, he was inspired by the work of Impressionists such as Monet. Show a Monet and an early Kandinsky. Discuss and compare.

    • Kandinsky was influenced by Matisse. Discuss and compare the two paintings shown on the slide. • Kandinsky developed ideas about the way music and painting were related. The slide shows an image

    from a book which influenced him. What do you think this picture is showing?• Soon after the end of the First World War, Kandinsky went to Germany, where he taught in the city of

    Weimar. It was here that he continued to develop his style. It became much more abstract. The slides explain, describing how Kandinsky sought to convey meaning without painting realistic, representational images. Allow time for children to study, discuss and respond to the paintings shown.

    • In 1933, the Nazi party came to power in Germany. They approved of art which was very traditional in style, and showed strong, healthy, powerful German people. The slide shows an example of this. The Nazis disapproved of abstract art such as Kandinsky's, and banned it. Why do you think they did this?

    • Kandinsky fled to France, where he lived the rest of his life.• Do you think you can sketch or paint abstract art in a style similar to Kandinsky? Show some suggested

    techniques children can use while sketching or painting during either of the two learning activities below.

    • The first few slides describe Kandinsky's early life in Russia. As a young artist, he was inspired by the work of Impressionists such as Monet. Show a Monet and an early Kandinsky. Discuss and compare.

    • Kandinsky was influenced by Matisse. Discuss and compare the two paintings shown on the slide. • Kandinsky developed ideas about the way music and painting were related. The slide shows an image

    from a book which influenced him. What do you think this picture is showing?• Soon after the end of the First World War, Kandinsky went to Germany, where he taught in the city of

    Weimar. It was here that he continued to develop his style. It became much more abstract. The slides explain, describing how Kandinsky sought to convey meaning without painting realistic, representational images. Allow time for children to study, discuss and respond to the paintings shown.

    • In 1933, the Nazi party came to power in Germany. They approved of art which was very traditional in style, and showed strong, healthy, powerful German people. The slide shows an example of this. The Nazis disapproved of abstract art such as Kandinsky's, and banned it. Why do you think they did this?

    • Kandinsky fled to France, where he lived the rest of his life.• Do you think you can sketch or paint abstract art in a style similar to Kandinsky? Show some suggested

    techniques children can use while sketching or painting during either of the two learning activities below.

    Main ActivityMain ActivityMain ActivityMain ActivityLower ability:

    Provide groups of children with the Photo Cards and Challenge Card 1A. In sketchbooks, they are to sketch, develop and label as instructed, creating abstract drawings by reducing elements shown on the photo cards to their simplest forms.

    Middle ability:

    Provide groups of children with the Photo Cards and Challenge Card 1B. In sketchbooks, they are to sketch, develop and label as instructed, creating abstract drawings by reducing elements shown on the photo cards to their simplest forms.

    Middle ability:

    Provide groups of children with the Photo Cards and Challenge Card 1B. In sketchbooks, they are to sketch, develop and label as instructed, creating abstract drawings by reducing elements shown on the photo cards to their simplest forms.

    Higher ability:

    Provide groups of children with the Photo Cards and Challenge Card 1C. In sketchbooks, they are to sketch, develop and label/annotate as instructed, creating abstract drawings by reducing elements shown on the photo cards to their simplest forms. Following this they are to use watercolour paint to roughly apply colour to areas of their sketches.

    Fancy something different…?Fancy something different…?Fancy something different…?Fancy something different…?

    • Provide groups of children with the Abstract Grid 1 sheets and Photo Cards 1. Instruct children to translate a photo into an abstract work of art by shading sections of one of the grids appropriately. Explain that children are not allowed to add lines or additional detail, and that each section of the grid must be filled with only one colour.

    • Provide groups of children with the Abstract Grid 1 sheets and Photo Cards 1. Instruct children to translate a photo into an abstract work of art by shading sections of one of the grids appropriately. Explain that children are not allowed to add lines or additional detail, and that each section of the grid must be filled with only one colour.

    • Provide groups of children with the Abstract Grid 1 sheets and Photo Cards 1. Instruct children to translate a photo into an abstract work of art by shading sections of one of the grids appropriately. Explain that children are not allowed to add lines or additional detail, and that each section of the grid must be filled with only one colour.

    • Provide groups of children with the Abstract Grid 1 sheets and Photo Cards 1. Instruct children to translate a photo into an abstract work of art by shading sections of one of the grids appropriately. Explain that children are not allowed to add lines or additional detail, and that each section of the grid must be filled with only one colour.

    PlenaryPlenary Assessment QuestionsAssessment Questions

    Allow some time to share and discuss children's work. If you have one, use a visualiser to magnify good examples of abstract sketches for the whole class to see.

    Allow some time to share and discuss children's work. If you have one, use a visualiser to magnify good examples of abstract sketches for the whole class to see.

    • Can children identify ways in which Kandinsky was influenced by the work of other artists?

    • Can children describe techniques used to create abstract art?

    • Can children develop their ideas and techniques by sketching?

    • Can children identify ways in which Kandinsky was influenced by the work of other artists?

    • Can children describe techniques used to create abstract art?

    • Can children develop their ideas and techniques by sketching?

    Wassily Kandinsky

  • Copyright © PlanBee Resources Ltd 2017 www.planbee.com

    Art Year 5/6 Lesson 2 of 3

    Learning ObjectiveLearning Objective ResourcesResources

    To develop ideas for an abstract work of art inspired by Kandinsky.

    To develop ideas for an abstract work of art inspired by Kandinsky.

    SlidesSuggested Music sheet

    Challenge Card 2A/2B/2CInternet access or music streaming software

    SlidesSuggested Music sheet

    Challenge Card 2A/2B/2CInternet access or music streaming software

    Teaching InputTeaching InputTeaching InputTeaching Input

    • The first few slides show some of Kandinsky's later work (Bauhaus period). Kandinsky was trying to develop a 'language' for art: a way of conveying feelings and ideas through images. Questions are shown for children to discuss and respond to.

    • Show Composition VI, 1913. How does it make you feel? What effect do the shapes and colours have?• Listen to a part of Wagner's 'Lohengrin Overture' (roughly the last five minutes of any recording of the

    piece should be appropriate). Explain that Kandinsky was inspired by music, and used shapes and colours to express the sounds made by instruments of an orchestra. Show Composition VII, 1913, while children listen. What music, sounds or instruments do you think the painting might describe?

    • Compare On White II, 1923 and Several Circles, 1926. What sounds do you think these describe?• Lots of artists link colours, shapes and sounds. Show the slides sharing quotes from some well-known

    musical artists about their own associations between colour and music.

    • The first few slides show some of Kandinsky's later work (Bauhaus period). Kandinsky was trying to develop a 'language' for art: a way of conveying feelings and ideas through images. Questions are shown for children to discuss and respond to.

    • Show Composition VI, 1913. How does it make you feel? What effect do the shapes and colours have?• Listen to a part of Wagner's 'Lohengrin Overture' (roughly the last five minutes of any recording of the

    piece should be appropriate). Explain that Kandinsky was inspired by music, and used shapes and colours to express the sounds made by instruments of an orchestra. Show Composition VII, 1913, while children listen. What music, sounds or instruments do you think the painting might describe?

    • Compare On White II, 1923 and Several Circles, 1926. What sounds do you think these describe?• Lots of artists link colours, shapes and sounds. Show the slides sharing quotes from some well-known

    musical artists about their own associations between colour and music.

    • The first few slides show some of Kandinsky's later work (Bauhaus period). Kandinsky was trying to develop a 'language' for art: a way of conveying feelings and ideas through images. Questions are shown for children to discuss and respond to.

    • Show Composition VI, 1913. How does it make you feel? What effect do the shapes and colours have?• Listen to a part of Wagner's 'Lohengrin Overture' (roughly the last five minutes of any recording of the

    piece should be appropriate). Explain that Kandinsky was inspired by music, and used shapes and colours to express the sounds made by instruments of an orchestra. Show Composition VII, 1913, while children listen. What music, sounds or instruments do you think the painting might describe?

    • Compare On White II, 1923 and Several Circles, 1926. What sounds do you think these describe?• Lots of artists link colours, shapes and sounds. Show the slides sharing quotes from some well-known

    musical artists about their own associations between colour and music.

    • The first few slides show some of Kandinsky's later work (Bauhaus period). Kandinsky was trying to develop a 'language' for art: a way of conveying feelings and ideas through images. Questions are shown for children to discuss and respond to.

    • Show Composition VI, 1913. How does it make you feel? What effect do the shapes and colours have?• Listen to a part of Wagner's 'Lohengrin Overture' (roughly the last five minutes of any recording of the

    piece should be appropriate). Explain that Kandinsky was inspired by music, and used shapes and colours to express the sounds made by instruments of an orchestra. Show Composition VII, 1913, while children listen. What music, sounds or instruments do you think the painting might describe?

    • Compare On White II, 1923 and Several Circles, 1926. What sounds do you think these describe?• Lots of artists link colours, shapes and sounds. Show the slides sharing quotes from some well-known

    musical artists about their own associations between colour and music.

    Main ActivityMain ActivityMain ActivityMain ActivityThe Suggested Music sheet lists pieces of music with few or no lyrics. A number of genres are included. Use a music streaming service such as Spotify to access the tracks. Either: specify one of the tracks for children to listen to; allow them to choose; or invite them to select a favourite track with no/very few lyrics of their own (prior to the lesson). Children are to sketch and annotate ideas on plain paper or in a sketch book, for a work of art inspired by the sounds they hear, and the thoughts and feelings they experience while listening.

    The Suggested Music sheet lists pieces of music with few or no lyrics. A number of genres are included. Use a music streaming service such as Spotify to access the tracks. Either: specify one of the tracks for children to listen to; allow them to choose; or invite them to select a favourite track with no/very few lyrics of their own (prior to the lesson). Children are to sketch and annotate ideas on plain paper or in a sketch book, for a work of art inspired by the sounds they hear, and the thoughts and feelings they experience while listening.

    The Suggested Music sheet lists pieces of music with few or no lyrics. A number of genres are included. Use a music streaming service such as Spotify to access the tracks. Either: specify one of the tracks for children to listen to; allow them to choose; or invite them to select a favourite track with no/very few lyrics of their own (prior to the lesson). Children are to sketch and annotate ideas on plain paper or in a sketch book, for a work of art inspired by the sounds they hear, and the thoughts and feelings they experience while listening.

    The Suggested Music sheet lists pieces of music with few or no lyrics. A number of genres are included. Use a music streaming service such as Spotify to access the tracks. Either: specify one of the tracks for children to listen to; allow them to choose; or invite them to select a favourite track with no/very few lyrics of their own (prior to the lesson). Children are to sketch and annotate ideas on plain paper or in a sketch book, for a work of art inspired by the sounds they hear, and the thoughts and feelings they experience while listening.Lower ability:

    Adult support where possible. Select one piece of music to listen to as a group. Discuss with children, helping them articulate their ideas about sounds within the piece and the effects they create. Challenge Card 2A suggests ways in which they could sketch, paint and annotate their ideas.

    Middle ability:

    Challenge Card 2B suggests ways in which they could sketch, paint and annotate their ideas for a work of art inspired by the piece of music they have listened to. The card includes a 'frame', which children may copy/cut and stick in their Art sketchbook. Within this frame, children are instructed to begin arranging the elements for their final piece.

    Middle ability:

    Challenge Card 2B suggests ways in which they could sketch, paint and annotate their ideas for a work of art inspired by the piece of music they have listened to. The card includes a 'frame', which children may copy/cut and stick in their Art sketchbook. Within this frame, children are instructed to begin arranging the elements for their final piece.

    Higher ability:

    Challenge Card 2C suggests ways in which they could sketch, paint and annotate their ideas for a work of art inspired by the piece of music they have listened to. The card includes dimensions for their final piece. They are instructed to cut paper to these dimensions and begin planning the layout of their final piece.

    Fancy something different…?Fancy something different…?Fancy something different…?Fancy something different…?

    • Challenge Card 2D explains that Kandinsky used painting to express his sadness and frustration while living in Nazi Germany, where his style of art was criticised. Children are challenged to think of a situation in which they have felt frustrated, then plan and paint an abstract painting to describe it.

    • Challenge Card 2D explains that Kandinsky used painting to express his sadness and frustration while living in Nazi Germany, where his style of art was criticised. Children are challenged to think of a situation in which they have felt frustrated, then plan and paint an abstract painting to describe it.

    • Challenge Card 2D explains that Kandinsky used painting to express his sadness and frustration while living in Nazi Germany, where his style of art was criticised. Children are challenged to think of a situation in which they have felt frustrated, then plan and paint an abstract painting to describe it.

    • Challenge Card 2D explains that Kandinsky used painting to express his sadness and frustration while living in Nazi Germany, where his style of art was criticised. Children are challenged to think of a situation in which they have felt frustrated, then plan and paint an abstract painting to describe it.

    PlenaryPlenary Assessment QuestionsAssessment Questions

    Show the Plenary slide. It's not just sounds that people associate with colours and shapes! What about smells? What images do you think of when you remember these smells? The slide shows the names of a number of items with distinctive smells. Discuss.

    Show the Plenary slide. It's not just sounds that people associate with colours and shapes! What about smells? What images do you think of when you remember these smells? The slide shows the names of a number of items with distinctive smells. Discuss.

    • Can children respond to works of art, articulating how they feel about them?

    • Can children develop ideas for their own works of art inspired by pieces of music, and the works of Kandinsky?

    • Can children sketch, annotate and build upon ideas for their own works of art?

    • Can children respond to works of art, articulating how they feel about them?

    • Can children develop ideas for their own works of art inspired by pieces of music, and the works of Kandinsky?

    • Can children sketch, annotate and build upon ideas for their own works of art?

    Wassily Kandinsky

  • Copyright © PlanBee Resources Ltd 2017 www.planbee.com

    Art Year 5/6 Lesson 3 of 3

    Learning ObjectiveLearning Objective ResourcesResources

    To create an abstract work of art inspired by Kandinsky.

    To create an abstract work of art inspired by Kandinsky.

    SlidesChallenge Card 3A/3B/3C

    Poster paints or acrylic paints, brushes, water pots etc.Sand

    Challenge Card 3D (FSD…? activity only)Art software – see below (FSD…? activity only)

    Photo Cards (also included with Lesson 1)

    SlidesChallenge Card 3A/3B/3C

    Poster paints or acrylic paints, brushes, water pots etc.Sand

    Challenge Card 3D (FSD…? activity only)Art software – see below (FSD…? activity only)

    Photo Cards (also included with Lesson 1)Teaching InputTeaching InputTeaching InputTeaching Input

    • The first few slides show some of Kandinsky's later paintings alongside quotes explaining his theories about colour. Do you associate these colours with the same ideas, or different ones? Discuss, explaining that there is no right or wrong – children may make different associations, or none at all.

    • Show Composition X, 1939. Kandinsky sometimes mixed paint with sand to create textured effects in his later paintings.

    • Explain that today, children will be making their own Kandinsky-inspired, abstract paintings based on the ideas they have developed previously. Sketches containing the same elements, arranged differently, are shown. Encourage children to try changing the composition of their designs before starting painting, to see if they can find a composition they prefer.

    • The first few slides show some of Kandinsky's later paintings alongside quotes explaining his theories about colour. Do you associate these colours with the same ideas, or different ones? Discuss, explaining that there is no right or wrong – children may make different associations, or none at all.

    • Show Composition X, 1939. Kandinsky sometimes mixed paint with sand to create textured effects in his later paintings.

    • Explain that today, children will be making their own Kandinsky-inspired, abstract paintings based on the ideas they have developed previously. Sketches containing the same elements, arranged differently, are shown. Encourage children to try changing the composition of their designs before starting painting, to see if they can find a composition they prefer.

    • The first few slides show some of Kandinsky's later paintings alongside quotes explaining his theories about colour. Do you associate these colours with the same ideas, or different ones? Discuss, explaining that there is no right or wrong – children may make different associations, or none at all.

    • Show Composition X, 1939. Kandinsky sometimes mixed paint with sand to create textured effects in his later paintings.

    • Explain that today, children will be making their own Kandinsky-inspired, abstract paintings based on the ideas they have developed previously. Sketches containing the same elements, arranged differently, are shown. Encourage children to try changing the composition of their designs before starting painting, to see if they can find a composition they prefer.

    • The first few slides show some of Kandinsky's later paintings alongside quotes explaining his theories about colour. Do you associate these colours with the same ideas, or different ones? Discuss, explaining that there is no right or wrong – children may make different associations, or none at all.

    • Show Composition X, 1939. Kandinsky sometimes mixed paint with sand to create textured effects in his later paintings.

    • Explain that today, children will be making their own Kandinsky-inspired, abstract paintings based on the ideas they have developed previously. Sketches containing the same elements, arranged differently, are shown. Encourage children to try changing the composition of their designs before starting painting, to see if they can find a composition they prefer.

    Main ActivityMain ActivityMain ActivityMain ActivityLower ability:

    Using poster paints or acrylics, children are to paint an abstract picture, inspired by a piece of music, referring to their sketches and notes from the previous lesson. Challenge Card 3A provides some guidance, and instructs children to write about their piece once finished.

    Middle ability:

    Using poster paints or acrylics, children are to paint an abstract picture, inspired by a piece of music, referring to their sketches and notes from the previous lesson. Challenge Card 3B instructs them to transfer their design onto a larger canvas/card/paper before painting, and to write about their piece once finished.

    Middle ability:

    Using poster paints or acrylics, children are to paint an abstract picture, inspired by a piece of music, referring to their sketches and notes from the previous lesson. Challenge Card 3B instructs them to transfer their design onto a larger canvas/card/paper before painting, and to write about their piece once finished.

    Higher ability:

    Using poster paints or acrylics, children are to paint an abstract picture, inspired by a piece of music, referring to their sketches and notes from the previous lesson. Challenge Card 3C instructs them to transfer their design onto a larger canvas/card/paper before painting, and to write about their piece once finished. Provide sand, so they have the option to include textured paint in their piece.

    Fancy something different…?Fancy something different…?Fancy something different…?Fancy something different…?

    • Using art software with 'layers' such as Dazzle, GIMP, Photoshop, or even interactive whiteboard software, children are to create an abstract work of art inspired by one of the Photo Cards. Challenge Card 3D instructs them to use the software to draw each element in a separate layer, so they can be moved around. Once children have drawn all their elements and moved them around to find a pleasing composition, their pictures may be printed and bound in a class book. Optionally, print the included cover page to attach to the front of the book.

    • Using art software with 'layers' such as Dazzle, GIMP, Photoshop, or even interactive whiteboard software, children are to create an abstract work of art inspired by one of the Photo Cards. Challenge Card 3D instructs them to use the software to draw each element in a separate layer, so they can be moved around. Once children have drawn all their elements and moved them around to find a pleasing composition, their pictures may be printed and bound in a class book. Optionally, print the included cover page to attach to the front of the book.

    • Using art software with 'layers' such as Dazzle, GIMP, Photoshop, or even interactive whiteboard software, children are to create an abstract work of art inspired by one of the Photo Cards. Challenge Card 3D instructs them to use the software to draw each element in a separate layer, so they can be moved around. Once children have drawn all their elements and moved them around to find a pleasing composition, their pictures may be printed and bound in a class book. Optionally, print the included cover page to attach to the front of the book.

    • Using art software with 'layers' such as Dazzle, GIMP, Photoshop, or even interactive whiteboard software, children are to create an abstract work of art inspired by one of the Photo Cards. Challenge Card 3D instructs them to use the software to draw each element in a separate layer, so they can be moved around. Once children have drawn all their elements and moved them around to find a pleasing composition, their pictures may be printed and bound in a class book. Optionally, print the included cover page to attach to the front of the book.

    PlenaryPlenary Assessment QuestionsAssessment Questions

    Allow some time for children to share their work. If you have a visualiser, you could select some children's work to display on your IWB. Invite children to describe aspects of their process while their finished artwork is being shown.

    Allow some time for children to share their work. If you have a visualiser, you could select some children's work to display on your IWB. Invite children to describe aspects of their process while their finished artwork is being shown.

    • Can children describe ways in which they, or others, associate colours with feelings or ideas?

    • Can children refer to sketches and notes when producing a piece of art work?

    • Can children describe aspects of their process, or sources of inspiration for their art work?

    • Can children describe ways in which they, or others, associate colours with feelings or ideas?

    • Can children refer to sketches and notes when producing a piece of art work?

    • Can children describe aspects of their process, or sources of inspiration for their art work?

    Wassily Kandinsky

  • Wassily KandinskyLearning Objective:

    To learn about the life and work of Wassily Kandinsky.

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  • Wassily Kandinsky was born in

    Moscow, Russia on 4th December

    1866.

    The pictures above

    show Moscow today. What do you think it was

    like when Kandinsky was born?

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  • Kandinsky went to art school in Odessa, Ukraine (which was part of Russia at that time). As a young,

    aspiring artist, he was inspired by the work of Impressionist painters – Claude Monet, in particular.

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  • Claude MonetLe Port de Trouville, 1870.

    Wassily KandinskyRotterdam Sun,

    1906.

    What can you see? How would you

    describe the artists’ techniques? What

    similarities are there?

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  • PD-US, https://en.wikipedia.org/w/index.php?curid=26958491

    Henri MatisseLuxembourg

    Gardens, 1901.

    PD-US, https://en.wikipedia.org/w/index.php?curid=18685808Henri Matisse

    A Glimpse of Notre Dame in the Late Afternoon, 1902.

    Wassily KandinskyMurnau Train & Castle, 1909.

    Wassily KandinskyHouses in Munich, 1908.

    As he travelled through Europe

    during the early 1900s, Kandinsky’s style began

    to change. He was influenced by the French

    painter, Henri Matisse.

    What do you notice? How did Kandinsky’s style

    change?

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  • While travelling, studying and painting, Kandinsky began to

    develop ideas about the ways in which music and

    painting were related.

    He, and many other artists, thought that the colours and shapes they painted were a

    bit like a language. They could describe ideas and feelings, or tell a story.

    This image is from a book that influenced Kandinsky

    called Thought Forms (1901).

    What do you think

    this picture is showing?

    http://www.planbee.com/http://www.planbee.com/

  • This picture shows what the illustrator pictured while listening to music by a French composer called

    Charles Gounod.

    Did you think it showed something different?

    When you listen to music, does it have a similar effect on you? Does it

    ‘paint pictures’ in your mind?

    http://www.planbee.com/http://www.planbee.com/

  • Soon after the end of the First World War, Kandinsky went to Germany to study and teach art in the city of Weimar. Here, he continued to develop his

    style and techniques.

    What can you see? Do any of the shapes or patterns remind you of anything?

    Wassily KandinskySmall Worlds IV, 1922.

    Wassily KandinskySmall Worlds II, 1922.

    http://www.planbee.com/http://www.planbee.com/

  • Wassily KandinskyBlack and Violet, 1923.

    Kandinsky’s paintings were becoming increasingly abstract.

    Abstract art does not show places, people or objects realistically. Instead, simple forms, patterns and colours are used.

    They can remind us of ‘real’ things. Kandinsky often painted abstract boats,

    hills and mountains.

    People see different things when they look at abstract art. The person sitting next to you might think the patterns, shapes and

    colours in this picture show something completely different to what you see!

    http://www.planbee.com/http://www.planbee.com/

  • In 1933, the Nazi party came to

    power in Germany. They approved of art that was very

    traditional, and showed strong,

    healthy, powerful German people.

    https://commons.wikimedia.org/w/index.php?curid=469130

    These statues at the 1936 Berlin

    Olympics showed the ‘ideal’ bodies of men and women, in the opinion of Hitler and the Nazis.

    http://www.planbee.com/http://www.planbee.com/

  • Why do you think

    art like this was banned by the

    Nazis?

    Wassily KandinskyMerry Structure, 1926.

    The Nazis disapproved of

    abstract art such as Kandinsky’s, so they

    banned it.

    Only art works approved by Hitler and his ministers of culture were allowed to be

    created, sold or displayed in Nazi Germany.

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  • Wassily KandinskyGentle Accent, 1934.

    Kandinsky fled to Paris, France. He eventually became a French citizen, and lived the rest of his life there.

    Do you think you can sketch or paint abstract art in a style similar to

    Kandinsky?

    http://www.planbee.com/http://www.planbee.com/

  • Try using triangles and lines to draw

    abstract ‘people’.

    Use simple circles and lines to describe birds, clouds, planets, hills,

    mountains or buildings.

    How simple can you make your sketches? Can others still tell what they show?

    http://www.planbee.com/http://www.planbee.com/

  • Wassily KandinskyLearning Objective:

    To develop ideas for an abstract work of art inspired by Kandinsky.

    http://www.planbee.com/http://www.planbee.com/

  • Kandinsky was trying to develop a ‘language’ for

    art: a way of showing ideas and feelings

    using colours, shapes and patterns.

    What can you see?

    What do you think about these paintings?

    How do they make you feel?

    Do parts of them remind you of

    anything?Black-Red, 1928.

    http://www.planbee.com/http://www.planbee.com/

  • Kandinsky was trying to develop a ‘language’ for

    art: a way of showing ideas and feelings

    using colours, shapes and patterns.

    What can you see?

    What do you think about these paintings?

    How do they make you feel?

    Do parts of them remind you of

    anything?

    Mild Process, 1928.

    http://www.planbee.com/http://www.planbee.com/

  • Kandinsky was trying to develop a ‘language’ for

    art: a way of showing ideas and feelings

    using colours, shapes and patterns.

    What can you see?

    What do you think about these paintings?

    How do they make you feel?

    Do parts of them remind you of

    anything?

    On The Points, 1928.

    http://www.planbee.com/http://www.planbee.com/

  • Composition VI, 1913.

    Kandinsky said that he saw colours and

    shapes when he heard certain

    sounds, or music.

    What can you see? What effect do the

    shapes and colours have?

    http://www.planbee.com/http://www.planbee.com/

  • He was inspired by music, and used shapes

    and colours to express the

    sounds made by instruments

    of an orchestra.

    What music, sounds or

    instruments do you think this painting might

    describe?

    Composition VII, 1913.

    Lohengrin Overture, Wagner,

    1850.

    http://www.planbee.com/http://www.planbee.com/https://youtu.be/AcekLCkaP0A?t=5mhttps://youtu.be/AcekLCkaP0A?t=5mhttps://youtu.be/AcekLCkaP0A?t=5mhttps://youtu.be/AcekLCkaP0A?t=5mhttps://youtu.be/AcekLCkaP0A?t=5mhttps://youtu.be/AcekLCkaP0A?t=5mhttps://youtu.be/AcekLCkaP0A?t=5mhttps://youtu.be/AcekLCkaP0A?t=5mhttps://youtu.be/AcekLCkaP0A?t=5mhttps://youtu.be/AcekLCkaP0A?t=5mhttps://youtu.be/AcekLCkaP0A?t=5mhttps://youtu.be/AcekLCkaP0A?t=5mhttps://youtu.be/AcekLCkaP0A?t=5mhttps://youtu.be/AcekLCkaP0A?t=5mhttps://youtu.be/AcekLCkaP0A?t=5mhttps://youtu.be/AcekLCkaP0A?t=5mhttps://youtu.be/AcekLCkaP0A?t=5mhttps://youtu.be/AcekLCkaP0A?t=5m

  • On White II, 1923. Several Circles, 1926.

    What sounds do you think these

    describe?

    http://www.planbee.com/http://www.planbee.com/

  • Lots of artists link colours, shapes and sounds.

    By Source (WP:NFCC#4), Fair use, https://en.wikipedia.org/w/index.php?curid=47886370

    Artists Carol Steen and David Hockney

    have both made paintings which describe sounds.

    By Shawn Ahmed - Coachella Day 2 (2ndWeek)- Pharrell Williams, CC BY 2.0, https://commons.wikimedia.org/w/index.php?curid=38213776

    Singers/songwriters Pharrell Williams and Lady Gaga associate colours with sounds in their music videos.

    “On ‘The Lion King’, I had black-and-white

    drawings to work with, and I’m still kicking

    myself about one scene because I got the colour

    in the music wrong. I didn’t get the emotion

    right because the colours were clashing.”

    Hans Zimmer composes music inspired by the

    colours of the films he scores.

    http://www.planbee.com/http://www.planbee.com/

  • It’s not just sounds that people associate

    with colours and shapes! What about

    smells, words or numbers?

    PLENARY

    What images or colours

    do you think of when you remember these

    smells?

    clean laundry

    citrus fruits

    tarmac

    cut grasspetrol

    smelly feet

    sewage

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  • Wassily KandinskyLearning Objective:

    To create an abstract work of art inspired by Kandinsky.

    http://www.planbee.com/http://www.planbee.com/

  • Untitled, 1941.

    Kandinsky’s ideas about colour and shape:

    Yellow is associated with

    warmth, the land and the earth.

    Yellow surfaces appear to move

    towards us.

    Orange is warm, and associated with movement.

    What can you see?Do you associate these colours with the same

    ideas, or different ones?

    http://www.planbee.com/http://www.planbee.com/

  • Dark Freshness, 1927.

    Kandinsky’s ideas about colour and shape:

    Twilight, 1943.

    Blue is a celestial colour (associated with the sky, outer space and heaven).

    Red and purple are warm, lively, agitated

    and forceful.

    What can you see?Do you associate these colours with the same ideas, or different ones?

    http://www.planbee.com/http://www.planbee.com/

  • Kandinsky’s ideas about colour and shape:

    Dominant Curve, 1936.

    White Line, 1936.

    White shows clarity. It is deep, silent and full of possibility.

    Black shows nothingness. It has no possibility. It is silent,

    without hope and associated with death.

    What can you see?Do you associate these colours with the same

    ideas, or different ones?

    http://www.planbee.com/http://www.planbee.com/

  • Composition X, 1939.

    In his later paintings, Kandinsky

    sometimes mixed sand with paint to create

    textured areas on his paintings. In this painting, the brown section in the top left is textured

    with sand.

    http://www.planbee.com/http://www.planbee.com/

  • Today, you’ll make your own

    Kandinsky-inspired, abstract

    works of art based on your

    previous sketches and ideas.

    Try moving elements of your composition around. Can you find an arrangement that you like even

    better than your initial design?

    http://www.planbee.com/http://www.planbee.com/

  • Wassily Kandinsky Photo Cards (1 of 4)

    Copyright © PlanBee Resources Ltd 2017 www.planbee.com

  • Wassily Kandinsky Photo Cards (2 of 4)

    Copyright © PlanBee Resources Ltd 2017 www.planbee.com

  • Wassily Kandinsky Photo Cards (3 of 4)

    Copyright © PlanBee Resources Ltd 2017 www.planbee.com

  • Wassily Kandinsky Photo Cards (4 of 4)

    Copyright © PlanBee Resources Ltd 2017 www.planbee.com

  • Wassily Kandinsky Challenge Card 1A

    Copyright © PlanBee Resources Ltd 2017 www.planbee.com

    Let's draw abstract people, animals, places, and objects!

    Look at the photo cards, images in books or online, or people and objects around you. Can you sketch abstract versions of them?

    Kandinsky's abstract forms

    wef

    Kandinsky used simple lines and shapes to describe people, buildings, clouds, the ground, the moon, and other natural and man-made objects.

    Over 1-2 pages, using only pencils (and a ruler if you wish), sketch simple, abstract shapes to describe the things you see in the photos (or

    around you). Label them.

    Let's draw abstract people, animals, places, and objects!

    Look at the photo cards, images in books or online, or people and objects around you. Can you sketch abstract versions of them?

    Kandinsky's abstract forms

    wef

    Kandinsky used simple lines and shapes to describe people, buildings, clouds, the ground, the moon, and other natural and man-made objects.

    Over 1-2 pages, using only pencils (and a ruler if you wish), sketch simple, abstract shapes to describe the things you see in the photos (or

    around you). Label them.

  • Wassily Kandinsky Challenge Card 1B

    Copyright © PlanBee Resources Ltd 2017 www.planbee.com

    Let's draw abstract people, animals, places, and objects!

    Look at the photo cards, images in books or online, or people and objects around you. Can you sketch abstract versions of them?

    Kandinsky's abstract forms

    wef

    Kandinsky used simple lines and shapes to describe people, buildings, clouds, the ground, the moon, and other natural and man-made objects.

    Over 1-2 pages, using only pencils (and a ruler if you wish), sketch simple, abstract shapes to describe the things you see in the photos (or

    around you). Sketch a few different versions of each object, animal or person. Label them.

    Let's draw abstract people, animals, places, and objects!

    Look at the photo cards, images in books or online, or people and objects around you. Can you sketch abstract versions of them?

    Kandinsky's abstract forms

    wef

    Kandinsky used simple lines and shapes to describe people, buildings, clouds, the ground, the moon, and other natural and man-made objects.

    Over 1-2 pages, using only pencils (and a ruler if you wish), sketch simple, abstract shapes to describe the things you see in the photos (or

    around you). Sketch a few different versions of each object, animal or person. Label them.

  • Wassily Kandinsky Challenge Card 1C

    Copyright © PlanBee Resources Ltd 2017 www.planbee.com

    Let's draw abstract people, animals, places, and objects!

    Look at the photo cards, images in books or online, or people and objects around you. Can you sketch abstract versions of them?

    Kandinsky's abstract forms

    Kandinsky used simple lines and shapes to describe people, buildings, clouds, the ground, the moon, and other natural and man-made objects.

    Over 1-2 pages, using only pencils (and a ruler if you wish), sketch simple, abstract shapes to describe the things you see in the photos (or around you). Sketch a few different versions of each object, animal or person.

    Label and/or annotate them. Once you've finished sketching, use watercolour paints to add colour to

    some of your sketches.

    Let's draw abstract people, animals, places, and objects!

    Look at the photo cards, images in books or online, or people and objects around you. Can you sketch abstract versions of them?

    Kandinsky's abstract forms

    Kandinsky used simple lines and shapes to describe people, buildings, clouds, the ground, the moon, and other natural and man-made objects.

    Over 1-2 pages, using only pencils (and a ruler if you wish), sketch simple, abstract shapes to describe the things you see in the photos (or around you). Sketch a few different versions of each object, animal or person.

    Label and/or annotate them. Once you've finished sketching, use watercolour paints to add colour to

    some of your sketches.

  • Name: _____________________________ Date: ____________________

    Wassily Kandinsky Abstract Grid 1 (1 of 6)

    Copyright © PlanBee Resources Ltd 2017 www.planbee.com

  • Name: _____________________________ Date: ____________________

    Wassily Kandinsky Abstract Grid 1 (2 of 6)

    Copyright © PlanBee Resources Ltd 2017 www.planbee.com

  • Name: _____________________________ Date: ____________________

    Wassily Kandinsky Abstract Grid 1 (3 of 6)

    Copyright © PlanBee Resources Ltd 2017 www.planbee.com

  • Name: _____________________________ Date: ____________________

    Wassily Kandinsky Abstract Grid 1 (4 of 6)

    Copyright © PlanBee Resources Ltd 2017 www.planbee.com

  • Name: _____________________________ Date: ____________________

    Wassily Kandinsky Abstract Grid 1 (5 of 6)

    Copyright © PlanBee Resources Ltd 2017 www.planbee.com

  • Name: _____________________________ Date: ____________________

    Wassily Kandinsky Abstract Grid 1 (6 of 6)

    Copyright © PlanBee Resources Ltd 2017 www.planbee.com

  • Wassily Kandinsky Suggested Music

    Copyright © PlanBee Resources Ltd 2017 www.planbee.com

    Choose one of these pieces of music to inspire you as you sketch ideas for a Kandinsky-inspired abstract work of art!

    ClassicalRichard Wagner Lohengrin Overture Tannhaüser OvertureGiuseppe Verdi Requiem II: Dies iraeWolfgang Mozart Serenade in G Major (Night Music)

    SoundtrackVangelis Main Title: Blade RunnerTrent Reznor In Motion: The Social NetworkHans Zimmer Into The Red: Rush

    Rock/Afro-CubanThe Who Baba O'RileyMuse Knights of CydoniaSantana Samba Pa TiBuena Vista Social Club Pueblo NuevoAfro-Cuban All-Stars Habana Del Este

    Ambient/ElectronicAir Sonic ArmadaMassive Attack TeardropDaft Punk AerodynamicMorcheeba The SeaRöyksopp Happy Up HerePortishead Sour TimesMoby Porcelain

    DanceChemical Brothers Wide OpenFlux Pavilion Bass CannonKygo Firestone

    Instead of choosing one of the pieces above, you could choose a piece of music you already really like. Try to find music with very few words (or none

    at all), so that you can focus on the music.

    Kandinsky's

    favourite!

  • Wassily Kandinsky Challenge Card 2A

    Copyright © PlanBee Resources Ltd 2017 www.planbee.com

    Planning an abstract, music-inspired work of art

    Once you've listened to a piece of music to inspire you, try these ideas to help create a design for a Kandinsky-style painting of your own.

    How did it make you feel?

    Did listening to the music make you feel sad, overjoyed, nervous, energised, scared, excited, or something different?

    What colours do you associate with the way the music made you feel?

    Make a note of the colours you choose, explaining why you chose them.

    Pick out individual sounds

    Which instruments could you hear?

    Were there sounds NOT made by instruments? What made them?

    Were there strange, unrecognisable sounds?

    Think about these individual sounds within the piece of music. Were they: low or high pitched? Loud or

    quiet? Harsh or soft?

    Do you associate any shapes or colours with the sounds you identified? Try drawing straight, curved, jagged or squiggly lines to describe some sounds.

    Sketch your ideas and make notes about them.

    What did you imagine?

    What did the piece of music make you think about?

    A scene from a film or a book?

    A situation you have experienced?

    A fantastic adventure?

    A scary place?

    Can you sketch abstract shapes or patterns which describe what you imagined?

    TOP TIPS

    Keep it simple: What is the most basic shape you can use to

    represent the person, animal, place or thing you are sketching?

    Practise: Try sketching the same thing in several different ways.

    Arrange: Start to think about how you will arrange all of the

    elements you've sketched onto a canvas. What might your final

    piece look like?

  • Wassily Kandinsky Challenge Card 2B

    Copyright © PlanBee Resources Ltd 2017 www.planbee.com

    Planning an abstract, music-inspired work of art

    Once you've listened to a piece of music to inspire you, try these ideas to help create a design for a Kandinsky-style painting of your own.

    What colours do you associate with the way the music made you feel?

    Make a note of the colours you choose, explaining why you chose them.

    As you listen, pick out some of the individual sounds in the piece of

    music.

    Were they: low or high pitched? Loud or quiet? Harsh or soft?

    Do you associate any shapes or colours with the sounds you

    identified? Try drawing straight, curved, jagged or squiggly lines to

    describe some sounds.

    What did the piece of music make you think about?

    A scene from a film or a book?

    A situation you have experienced?

    A fantastic adventure?

    A scary place?

    Plan your final piece.

    Either sketch in this frame, or draw a square

    frame no bigger than 20×20 cm.

    You might need to sketch several

    designs if you make a mistake, or you don't like the way some

    elements of your design are arranged.

  • Wassily Kandinsky Challenge Card 2C

    Copyright © PlanBee Resources Ltd 2017 www.planbee.com

    Planning an abstract, music-inspired work of art

    Over 1-2 pages, sketch, label and/or annotate ideas for a Kandinsky-style abstract work of art inspired by a piece of music you've listened

    to. Sketch shapes or patterns which describe some of the sounds. Choose colours that describe sounds or feelings you experienced while

    you were listening.

    Did the piece of music 'tell a story'? What did you imagine as you listened to the piece?

    Cut or fold a large piece of paper so you have a 'canvas' that is square (between 30×30 cm and 40×40 cm). Sketch a design for your final

    piece.

    When you've finished sketching, use watercolour paint to add colour to some elements of your sketch. Try mixing your own colours.

    Planning an abstract, music-inspired work of art

    Over 1-2 pages, sketch, label and/or annotate ideas for a Kandinsky-style abstract work of art inspired by a piece of music you've listened

    to. Sketch shapes or patterns which describe some of the sounds. Choose colours that describe sounds or feelings you experienced while

    you were listening.

    Did the piece of music 'tell a story'? What did you imagine as you listened to the piece?

    Cut or fold a large piece of paper so you have a 'canvas' that is square (between 30×30 cm and 40×40 cm). Sketch a design for your final

    piece.

    When you've finished sketching, use watercolour paint to add colour to some elements of your sketch. Try mixing your own colours.

  • Wassily Kandinsky Challenge Card 2D

    Copyright © PlanBee Resources Ltd 2017 www.planbee.com

    Expressing feelings through art

    Before Kandinsky left Nazi Germany for Paris, France, he

    painted a number of dark, moody paintings. He was expressing how sad and

    frustrated he felt about living there at that time.

    Many artists find it helpful to express their feelings through art, even if those feelings are negative or unhelpful ones.

    Gloomy Situation, 1933.

    What do you think this picture shows? How do you think Kandinsky felt at the time?

    Use this space to sketch, label

    and/or annotate your ideas for

    an abstract work of art which

    expresses how you felt in a

    situation of your choosing.

    Use pencils or paints to create

    your finished design.

  • Wassily Kandinsky Challenge Card 3A

    Copyright © PlanBee Resources Ltd 2017 www.planbee.com

    Design and paint a Kandinsky-style, music-inspired work of art!

    • Look back at your sketches from the previous lesson.• On paper or in a sketchbook, draw two versions of a final design, with

    shapes, patterns and lines arranged differently.• Choose a canvas or piece of paper/card no larger than 30×30 cm.• Lightly draw your favourite design

    onto the canvas/paper/card.• Use acrylic paints or poster paints

    to create your final piece. You might need to use larger brushes for large areas of colour, and smaller brushes for lines and details.

    • When you have finished, write a few sentences to describe your piece, or your process of making it.

    Make sure

    you're

    happy with

    your penc

    il-

    sketch des

    ign before

    you start p

    ainting!

    Design and paint a Kandinsky-style, music-inspired work of art!

    • Look back at your sketches from the previous lesson.• On paper or in a sketchbook, draw two versions of a final design, with

    shapes, patterns and lines arranged differently.• Choose a canvas or piece of paper/card no larger than 30×30 cm.• Lightly draw your favourite design

    onto the canvas/paper/card.• Use acrylic paints or poster paints

    to create your final piece. You might need to use larger brushes for large areas of colour, and smaller brushes for lines and details.

    • When you have finished, write a few sentences to describe your piece, or your process of making it.

    Make sure

    you're

    happy with

    your penc

    il-

    sketch des

    ign before

    you start p

    ainting!

  • Wassily Kandinsky Challenge Card 3B

    Copyright © PlanBee Resources Ltd 2017 www.planbee.com

    Design and paint a Kandinsky-style, music-inspired work of art!

    • Look back at your sketches from the previous lesson.• On paper or in a sketchbook, draw an alternative version of your final

    design, with shapes, patterns and lines arranged differently.• Choose a canvas or piece of paper/card that is larger than your

    favourite design, up to 40×40 cm.• Lightly draw your favourite design

    onto the canvas/paper/card.• Use acrylics or poster paints to

    create your final piece. You might need to use larger brushes for large areas of colour, and smaller brushes for lines and details.

    • When you have finished, write a few sentences to describe your piece, or your process of making it.

    Make sure

    you're

    happy with

    your penc

    il-

    sketch des

    ign before

    you start p

    ainting!

    Design and paint a Kandinsky-style, music-inspired work of art!

    • Look back at your sketches from the previous lesson.• On paper or in a sketchbook, draw an alternative version of your final

    design, with shapes, patterns and lines arranged differently.• Choose a canvas or piece of paper/card that is larger than your

    favourite design, up to 40×40 cm.• Lightly draw your favourite design

    onto the canvas/paper/card.• Use acrylics or poster paints to

    create your final piece. You might need to use larger brushes for large areas of colour, and smaller brushes for lines and details.

    • When you have finished, write a few sentences to describe your piece, or your process of making it.

    Make sure

    you're

    happy with

    your penc

    il-

    sketch des

    ign before

    you start p

    ainting!

  • Wassily Kandinsky Challenge Card 3C

    Copyright © PlanBee Resources Ltd 2017 www.planbee.com

    Design and paint a Kandinsky-style, music-inspired work of art!

    • Look back at your sketches from the previous lesson.• On paper or in a sketchbook, draw an alternative version of your final

    design, with shapes, patterns and lines arranged differently.• Choose a canvas or piece of paper/card that is larger than your

    favourite design, up to 60×60 cm.• Lightly draw your favourite design

    onto the canvas/paper/card.• Use acrylics or poster paints to

    create your final piece. You might need to use larger brushes for large areas of colour, and smaller brushes for lines and details.

    • When you have finished, write a few sentences to describe your piece, or your process of making it.

    You could

    try mixing

    a

    little sand

    with som

    e of

    the paint y

    ou use, to

    add textur

    ed areas t

    o

    your final

    piece!

    Design and paint a Kandinsky-style, music-inspired work of art!

    • Look back at your sketches from the previous lesson.• On paper or in a sketchbook, draw an alternative version of your final

    design, with shapes, patterns and lines arranged differently.• Choose a canvas or piece of paper/card that is larger than your

    favourite design, up to 60×60 cm.• Lightly draw your favourite design

    onto the canvas/paper/card.• Use acrylics or poster paints to

    create your final piece. You might need to use larger brushes for large areas of colour, and smaller brushes for lines and details.

    • When you have finished, write a few sentences to describe your piece, or your process of making it.

    You could

    try mixing

    a

    little sand

    with som

    e of

    the paint y

    ou use, to

    add textur

    ed areas t

    o

    your final

    piece!

  • Wassily Kandinsky Challenge Card 3D

    Copyright © PlanBee Resources Ltd 2017 www.planbee.com

    Use art software with 'layers' to arrange elements for a Kandinsky-inspired work of art.

    Many art applications use 'layers'. Layers allow you to move objects in each layer around the canvas. You can resize or rotate them, overlap other layers,

    or change the order of the layers so that objects are arranged in front or behind others.

    • Choose a photograph on which to base your design.

    • Use the tools in the art software to draw simple, abstract shapes, lines and patterns to represent people, animals, places or things in the photograph.

    • If your software uses layers, draw each part in a different layer, so you can move them around on the canvas.

    • Try arranging the parts of your design in different ways, until you find an arrangement you are pleased with.

    • You could use the tools in the art software to rotate, resize, or change the order of the layers

    • Include a title for your piece, and your name. Type these in one corner.

    • Save it.

    • Print it!

  • Wassily Kandinsky Plan1Wassily Kandinsky Plan2Wassily Kandinsky Plan3Wassily Kandinsky Slide1Wassily Kandinsky Slide2Wassily Kandinsky Slide3Wassily Kandinsky Work1Wassily Kandinsky Work2Wassily Kandinsky Work3