Volunteering in your own country
Transcript of Volunteering in your own country
+
Management Module
Topic 5d
Volunteering in your Country
+Learning Outcomes
To understand the opportunities for undertaking voluntary work in the cultural heritage sector.
To identify the motivations and benefits of volunteering
To understand the role of volunteers within cultural heritage institutions
To understand the relevant policy and legislation cultural institutions must take into account when recruiting volunteers
+What is Volunteering?
Any activity that involves spending time, unpaid, doing something that aims to benefit the environment or
someone (individuals or groups) other than, or in addition to, close
relatives.
(Volunteering England)
+Volunteering Roles
There are a number of different volunteering roles within different organisations, including but not limited to:
Internships
Administrative support
Customer service
Mentoring and Befriending
Trustees and governance
Volunteer Driving
+Why Volunteer?
For Leisure
Free time
Social reasons
Academic path
Personal learning and enrichment
To pursue a career (e.g. interest in gaining access to museums, galleries and heritage sector)
+Volunteering Statistics
In 2008/09 41% of adults volunteered formally (giving unpaid help through a group, club or organisation) and 62% volunteered informally (giving unpaid help as an individual to someone who is not a relative)(2008/09 DCLG Citizenship Survey).
In 2007/08 formal volunteers contributed an estimated £22.7 billion to the UK economy (UK Civil Society Almanac).
The average number of hours spent volunteering per volunteer declined by 30% between 1997 and 2007 (Helping Out, 2007).
Evidence also suggests that there is a trend towards more episodic volunteering (The UK Civil Society Almanac 2009).
(Institute for Volunteering Research: http://www.ivr.org.uk/ivr-volunteering-stats)
+Who Volunteers?
Volunteers are involved in a range of sectors. In 2008/09 the most popular sectors for formal volunteers were: sport/exercise (53%), hobbies, recreation/arts/ social clubs (42%). religion (36%), children’s education/schools (34%), youth children’s activities (outside school) (32%), health, disability and social welfare (25%), local community or neighbourhood groups (24%), the environment, animals (20%) (2008/09 DCLG Citizenship Survey).
Volunteers carry out a range of activities in their roles. In 2008/09 the most popular activities for formal volunteers were: organising or helping to run an event (55%), raising or handling money/ taking part in sponsored events (52%), leading the group/ member of committee (37%), providing transport/ driving (26%), giving information/advice/counselling (24%), visiting people (24%), secretarial, clerical or admin work (23%), befriending or mentoring people (21%) (2008/09 DCLG Citizenship Survey).
(Institute for Volunteering Research: http://www.ivr.org.uk/ivr-volunteering-stats )
+Volunteering and Employment
87% of employers think that volunteering can have a generally positive effect on career progression for people aged 16-25. However, nearly 30% felt that volunteering was irrelevant when considering a particular job application. A further 30% felt that volunteering was only relevant if linked directly to the field of work (Youth Volunteering: Attitudes and Perceptions, 2008, v).
In 2007/08 over 2 million people in England volunteered through an employer supported volunteering scheme. A quarter (25%) of employees are offered a scheme by their employer, with 43% of those offered a scheme taking part at least once in the last year (2008/09 DCLG Citizenship Survey).
(Institute for Volunteering Research: http://www.ivr.org.uk/ivr-volunteering-stats )
+A Volunteer’s Perspective Have you volunteered in a museum/gallery/heritage site? (If
not, try to find someone who has and ask them the following questions):
1. Why did you do it?
2. What type of jobs did you do?
3. What did you get out of it?
4. Was the experience disappointing in any way?
5. Was too much or too little asked of you?
6. What contribution did you feel you gave?
7. Did you feel appreciated/valued, or unappreciated? How was this expressed?
8. Did you feel ‘managed’? In what ways?
+Benefits of Volunteering - Personal
Enhancing study
Contributing to a cause
Gaining new knowledge, skills and experience
Developing existing skills and knowledge
Enhancing a CV
Improving employability
Meeting new people
Using one's professional skills and knowledge to benefit others
+Task One (1 hour): Benefits of Volunteering - Institutional
Read Chapter 2 of the following publication:
Goodlad, S. and McIvor, S. (1998) Museum Volunteers: Good Practice in the Management of Volunteers. London: Routledge
Take a few moments to write down a few reasons why cultural institutions use volunteers. Things to consider:
What roles do volunteers carry out? How are these roles beneficial for cultural institutions? What problems may arise? How can volunteers be managed successfully to prevent these
problems from arising?
+The Role of Volunteers within Museums and Cultural Institutions
Assist museums in meeting their core aims and objectives
A significant and influential audience
To undertake specific, tailored projects such as documenting and researching collections
To act as ambassadors for the institution
To undertake work that institutions may not have the funding, staff or resources to dedicate to e.g. tackling backlogs.
To provide a direct link with the local community
+Volunteer Policies – Considerations
Why involve volunteers? Museums and heritage institutions must carefully consider their reasons for offering volunteer opportunities and how they will support volunteers in their roles. Many develop volunteer policies that outline key factors that must be considered before embarking on volunteering projects. These include:
Recruitment of Volunteers
Induction and training
Expenses
Supervision and Support
Health and Safety
Problem Solving and managing disputes‘Developing a Volunteer Policy’ Museum Practice, November 2010:
+Task Two (1 hour)
In order to develop a better understanding of current practice in volunteering in the cultural and heritage sector, search for relevant information about volunteering at museum and heritage sites in your own country and share your findings with fellow course mates through a wiki. Things to consider:
Available opportunities
Volunteering statistics
Relevant policies and legal frameworks
Challenges and opportunities for organisations
+Good Practice for Managing Volunteers
Devise mini-projects with a definite life-span
Prepare tailored job descriptions for recruitment of volunteers
Take into account the volunteer’s requirements as well as the institution
Evaluate the extent to which volunteers can be offered training and, in some cases, responsibility
Make sure relevant staff members are are available for shadowing and supervision
Log what volunteers do and the hours they commit (e.g. via a signing in book)
Evaluate volunteer performance through written reports and formal meetings
Outline any training needs and assess the contribution of volunteers
+What should institutions offer their volunteers? The opportunity to contribute
Induction and training sessions
A manageable workload and appropriate responsibility
A sense of belonging and appreciation
Confidentiality of personal information
Insurance within the workplace
Refund expenses incurred for transport and food (often dependent upon number of hours worked)
+Legal Obligations for Institutions
Reimbursement
Health and Safety
Insurance:
Data Protection
Copyright
Complaint’s Procedure
Risk Assessment
‘Volunteers: Your Legal Obligations’ Museum Practice, November 2010: http://www.museumsassociation.org/museum-practice/volunteers/15112010-volunteers-legal-obligations
+Working with Volunteers – adhering to UK Legislation
Institutions must consider the following UK legislation when recruiting and working with volunteers
Equal Opportunities Policy
Health and Safety at Work Act 1974
Children Act 1989
Disability Discrimination Act 1995
+Volunteering Online – Crowdsourcing Projects
What is crowdsourcing?
‘The act of taking a job traditionally performed by a designated agent (usually an employee) and outsourcing it to an undefined, generally large
group of people in the form of an open call’
Jeff Howe, Wired Magazine
+Types of Crowdsourcing Projects facilitated by Cultural Institutions Correction and Transcription: E.g. correcting and/or transcribing outputs of
digitisation
Contextualisation: E.g. adding contextual knowledge to objects
Complementing Collections: E.g. pursuing objects to be included in an exhibit or collection
Classification: E.g. gathering descriptive metadata related to the objects in a collection
Co-curation: E.g. collaborating with non -museum professionals to create exhibits
Crowdfunding: E.g. pooling money and other resources together to support efforts initiated by others
(Oomen, J. Aroyo, L. (2011) Crowdsourcing in the Cultural Heritage Domain: Opportunities and Challenges)
+Examples of Successful Online Volunteering Projects in Cultural Institutions
What different types of crowdsourcing are reflected in the following examples?
Old Weather (National Maritime Museum, National Archives etc.) http://www.oldweather.org
UK Soundmap (British Library) http://sounds.bl.uk/Sound-Maps/UK-Soundmap
What’s on the Menu? (New York Public Library) http://menus.nypl.org
Citizen Archivist (American National Archives) http://www.archives.gov/citizen-archivist/
+Task Three (I hour)
Drawing upon the key themes of this topic, research a successful volunteering project (onsite or online) within a cultural heritage institution from your own country and present your findings in a blog post (1000 words max). If volunteering is not a common activity in your country, select a project from another country to complete the task.
Things to consider:
What does the institution do? (Mission statement, vision etc.)
What did the volunteering project entail?
In what way did it involve volunteers?
What was the role of the volunteers and what was the role of the institution within the project? How did the project benefit both parties?
In what way was the project successful?
+Volunteering Resources
Institute for Volunteering Research: http://www.ivr.org.uk
Volunteering England: http://www.volunteering.org.uk
American Association for Museum Volunteers (AAMV): http://www.aamv.org/about-aamv/
Time Bank – Volunteering Stats: http://timebank.org.uk/key-facts
Museums Association: http://www.museumsassociation.org/careers/volunteering
Volunteering England ‘Good Practice Bank’: http://www.volunteering.org.uk/goodpractice/themes
+Bibliography British Association of Friends of Museums (1999) The Handbook for Heritage Volunteer
Managers and Administrators. BAFM/Carnegie Trust
Da Milano, C. Gibbs, K.and Sani, M. (eds.) (2009) Volunteers in museums and cultural heritage : a European handbook. Ljubljana : Slovenian Museum Association. [Onine] Available at: http://www.amitie.it/voch/VoCH_Final_Publication_EN.pdf
Giles H. and Wolfenden, I.(1996) For Love, not Money: the role and organisation of volunteers in art galleries and museums. University of Manchester
Goodland, S. and McIvor,S. (1998) Museum Volunteers: Good Practice in the Management of Volunteers. London: Routledge
Green, T. and Stuart, M. (1998) The Good Practice Guide for Everyone Who Works with Volunteers. The National Centre for Volunteering, London
Heaton, D. (1992) Museums Among Friends: the wider museum community. Museums and Galleries Commission. HMSO, London
Holmes, K. (1999) Changing Times: Volunteering in the Heritage Sector 1984-1999. Voluntary Action 1(2):21-35. Available at: http://www.ivr.org.uk/images/stories/Institute-of-Volunteering-Research/VA-Documents/VA1_2/article2_holmes.pdf
IVR (2006) Exhibiting Support... Developing Volunteering in Museums, Institute for Volunteering Research: London. Available at: http://www.ivr.org.uk/images/stories/Institute-of-Volunteering-Research/Migrated-Resources/Documents/E/Exhibiting_Support.pdf
+Bibliography
IVR (2005) Volunteering in Museums, Libraries and Archives, Institute for Volunteering Research: London
IVR (2008) Volunteers in Museums: Key Findings and Issues from the Literature. [Online] Available at: http://www.baringfoundation.org.uk/litreview.pdf
Millar, S (1991) Volunteers in Museums and Heritage Organisations: Policy, Planning and Management. London: HMSO
National Centre for Volunteering (2002) Getting it Right from the Start, Volunteer Policies – the Key to Diverse Volunteer Involvement, National Centre for Volunteering: London
Office of Arts and Libraries 1991 Volunteers in Museums and Heritage Organisations: policy, planning, management. HMSO, London
Oomen, J. Aroyo, L. (2011) Crowdsourcing in the Cultural Heritage Domain: Opportunities and Challenges.
Wasserman, C. (1990) Protecting Volunteers: guidelines for volunteer organisers in voluntary and statutory agencies. The Volunteer Centre, Berkhampstead