VisitEngland

352
The Houses of Parliament London Carousel on Brighton Beach Brighton ENGLAND FOR RUGBY WORLD CUP 2015 BROADCASTERS Gloucester Cathedral Gloucester Quayside Newcastle Rugby School Rugby

description

England For Rugby World Cup 2015 Broadcasters

Transcript of VisitEngland

Page 1: VisitEngland

The Houses of ParliamentLondon

Carousel on Brighton BeachBrighton

ENGLAND FOR RUGBY WORLD CUP 2015 BROADCASTERS

Gloucester CathedralGloucester

QuaysideNewcastle

Rugby SchoolRugby

Page 2: VisitEngland

Created by Jamm Design Ltd

85-87 Bayham Street, Camden, London NW1 0AG | [email protected] | www.jammdesign.co.uk

Page 3: VisitEngland

VisitEngland is the national tourist board responsible for marketing England to

the world. With eleven venues across England and Wales set to host the Rugby

World Cup 2015, this international sporting event will no doubt be intrinsic to

securing England’s place as one of the most dynamic and beautiful destinations

in the world, marking a truly exciting time for English tourism.

This guide, England for Rugby World Cup 2015 Broadcasters, has been designed

to showcase the best locations on offer for filming. The depth and diversity of

this destination is demonstrated in its cities, countryside and coastline, which

truly reflect what is quintessentially English.

There are 352 pages of fantastic locations for filming, and each chapter has been

simplified with an interactive index that will direct you to the corresponding content.

With each location the following has been provided:

• Description

• Address and contact details with hyperlinks for web and email

• Photography

• Best time of day to film

• Permit requirements

• Filming fees

• Public liability insurance

• Stand up position if available

• Maps – If you click on the image for each location, this will direct you to a

Google map page for that location

• Useful contacts and links to film offices around England

This practical guide provides plenty of information and inspiration for your filming

of England, but if you need any further information please don’t hesitate to get

in touch.

For further information, please contact:

VisitEngland Press Office

Sanctuary Buildings, 20 Great Smith Street, London, SW1P 3BT

T: +44 (0) 20 7578 1400

E: [email protected]

INTRODUCTION

Page 4: VisitEngland

With ancient Hadrian’s Wall straddling the wild north, and the world’s biggest

indoor tropical rainforest located in the far south, England really is the ultimate

mix of old and new. Within a relatively short distance are windswept beaches and

dramatic coastal cliffs, rolling hills and wild national parks, buzzing cities, historic

market towns and traditional villages.

Iconic EnglandEngland is home to some of the most iconic sites in the world, including

Stonehenge, the honey-hued Georgian terraces of Bath, the grandeur of London’s

Big Ben and the towering peaks and glistening lakes of the Lake District. From the

enormous biomes of the Eden Project in Cornwall to Gormley’s majestic Angel of

the North in Newcastle, the country is covered from top to bottom with world-

famous sites to captivate filmmakers and viewers alike.

Royal EnglandFrom the House of Tudor and the absolute power of Henry VIII to the more visitor–

friendly House of Windsor of today, England’s royal legacy is inextricably woven

into the nation’s fabric. Explore the world-famous maze at Hampton Court Palace,

stroll the gardens at Sandringham and marvel at the magnificent state

apartments furnished with treasures in Windsor Castle.

Historic EnglandThe historic sites of England are as visually captivating as they are fascinating.

The elegant treasure-laden state rooms in Chatsworth House and Blenheim

Palace are hard to beat, while the fortified Dover Castle is one of the country’s

greatest castles. Discover the country’s maritime history in Southampton,

Portsmouth and Liverpool; learn of its bloody battles in Ludlow, Hadrian’s Wall

and Hastings; or explore its literary heritage in Shakespeare’s Stratford-upon-

Avon, Dickens’ Rochester, Beatrix Potter’s Lake District and Enid Blyton’s Dorset.

Natural EnglandWith ten varied and expansive national parks, as well as forests, mountain ranges,

coasts and cliffs, England’s natural assets are some of its finest. This green and

pleasant land is not without drama either – just look at Dover’s welcoming White

Cliffs, the plunging Cheddar Gorge or the craggy topography of the Lake District.

For further information, please contact:

VisitEngland Press Office

Sanctuary Buildings, 20 Great Smith Street, London, SW1P 3BT

T: +44 (0)20 7578 1400

E: [email protected]

Historic yet contemporary, traditional yet cutting edge, metropolitan yet wild:England has it all.

FILMING IN ENGLAND

Page 5: VisitEngland

1. Broadcast Quality HD Footage There is high-definition / b-roll footage available of many parts of England,

including footage of Rugby World Cup 2015 host cities. Whatever you are looking

for – city, coast, countryside, heritage or culture – footage is available at

www.visitenglandimages.com for media to download free of charge.

2. Short Films A number of short films have been produced by VisitEngland which cover a

variety of Rugby World Cup 2015 host cities around the country and the history

of rugby in England. There are also films on other popular tourist destinations

available at www.visitenglandimages.com which media can download free of

charge.

3. Production Co-ordination VisitEngland can help broadcasters with filming permits, guides, translators,

transport and a whole range of other location services. Assistance for part of a

shoot or a comprehensive booking service for a whole shoot can be provided and

priority is given to official broadcast rights holders and accredited media.

4. Spokespeople & Characters If you are looking for specific links that may relate to your audience, the team

can also put you in touch with people who have a connection to a particular

country.

5. News & Destination Guides The latest news and destination guides are published on the online media centre

www.visitengland.org/media – a one-stop shop for destination information, as well

as corporate details and statistics.

For further information, please contact:

VisitEngland Press Office

Sanctuary Buildings, 20 Great Smith Street, London, SW1P 3BT

T: +44 (0)20 7578 1400

E: [email protected]

ENGLAND FOR BROADCAST MEDIAVisitEngland can help broadcast media in the following ways:

Page 6: VisitEngland

Creative England works to support and promote the creative industries in England. England offers some of the very best

locations, crew, facilities and studios in the world – Creative England offers a free service to help your production find and

access them, and can liaise with local authorities on your behalf to ensure your shoot goes smoothly.

Creative England’s experienced Locations and Production Support team, based across the country, provides a joined-up

service covering all the English regions outside London. Working with specialist regional knowledge and a network of

industry, Film Office, and local authority contacts, the team can fast–track you to a wealth of locations, crew, studios and

facility companies wherever you are looking to film in England.

For help finding and accessing locations across the country, contact [email protected] or ring

0844 824 6042 and ask for the Locations and Production Services Department.

For help with crewing and facilities please contact the Crew and Facilities Manager Nicky Ball at

[email protected] or on 07887 813 441

To discuss working with Creative England please contact Kaye Elliot, Head of Locations and Production Services, at

[email protected]

Location & ProductionSupport in theEnglish Regions

Page 7: VisitEngland

ContactContact the National Trust Film Unit to discuss your requirements.You can reach them on: [email protected]

Finding a suitable locationIf you need help in finding a suitable location, National Trust Film Unitcan advise. You may also find it useful to look at the National TrustImages first and browse the images for suitable places using thesearch facility. Go to: www.nationaltrustimages.org.uk

ReccyDepending on the scale and complexity of your project, you may needto arrange a recce to one or more locations, and the National TrustFilm Unit strongly advise you to factor that in to your pre-shootschedule. They can arrange the recce for you, putting you in touchwith key National Trust personnel on site. There is no charge for arecce.

InsuranceYou will need to provide the National Trust Film Unit with a copy ofyour current Public Liability Insurance certificate, with cover of at least£5million in place. If you do not have Public Liability Insurance, you willnot be permitted to film or take photographs for commercial purposesat any National Trust properties. Student filmmakers should ask theircourse tutors for copies of their college’s Public Liability Insurance.

FeesThe National Trust is a conservation charity and realistic locationfees are charged for filming and commercial photography at theirsites. The fees that you pay go in their entirety to the place whereyou filmed or took photographs, helping to conserve it for the future.

They will agree a fee with you based on what you want to do, thescale of the project and the level of disruption involved. Please notethat if a member of National Trust staff needs to accompany yourcrew, there is an extra charge of £30 per staff member, per hour. Insome instances, such as filming in fragile interiors, a conservationexpert needs to be in attendance, in which case there is an additionalcharge of £500 per day. All total fees are subject to VAT.

ContractsThe National Trust’s Film Unit issues all contracts for filming andcommercial photography, and you cannot proceed without acompleted and countersigned contract.

To draft a contract they need the following from you:

• A copy of your valid Public Liability Insurance certificate.

• The name of the producer or director of the crew, the full name ofthe company, and the billing address to which they will issue theinvoice.

• Full details on the project including the names of clients.

• Agreed dates and locations for your filming or photography,including start and finish times.

• Equipment details, including cameras, lighting, tracking, vehicles etc.• An agreed fee, including any extra staffing costs (see above).

The National Trust Film Unit will issue you with a contract to coveryour time and activities at the location. This will need to be signedand returned to them by scanning it and emailing it [email protected]. After the contract has been countersigned a copy returned to you, it would then be sent on to therelevant National Trust staff at the location(s) you have chosen. Oncea contract has been signed the National Trust may charge acancellation fee if you choose to cancel the shoot without notifyingthem in writing within 48 hours of the planned shoot date. In thecase of poor weather during external shoots they will endeavor torearrange the shoot with no additional charge.

InvoicingAfter the shoot at National Trust property has been completed, theiraccounts department will send you an invoice.

The National Trust’s Film Unit handles virtually all enquiries regarding filming and commercialphotography from its office in Central London.

Page 8: VisitEngland

CONTENTSRugby World Cup 2015 Host Cities

London . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10

Landmarks and Icons . . . . . . . . . . . . . . . . 16

Essential Information and Top Tips . . . 54

Filming in London’s Theatres . . . . . . . . . 72

Shopping and Local Markets. . . . . . . . . . 81

Locations with Views . . . . . . . . . . . . . . . 104

Hidden London and Villages. . . . . . . . . 109

Sporting Venues . . . . . . . . . . . . . . . . . . . . 121

Birmingham . . . . . . . . . . . . . . . . . . . . . . . . . . 126

Brighton . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 137

Cardiff . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 147

Exeter . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 156

Gloucester . . . . . . . . . . . . . . . . . . . . . . . . . . . . 161

Leeds. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 169

Leicester. . . . . . . . . . . . . . . . . . . . . . . . . . . . . 182

Manchester . . . . . . . . . . . . . . . . . . . . . . . . . . 190

Milton Keynes . . . . . . . . . . . . . . . . . . . . . . . . 197

Newcastle . . . . . . . . . . . . . . . . . . . . . . . . . . . 206

Beyond the Host Cities

Rugby . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 211

Bath . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 216

Blackpool & Lancashire. . . . . . . . . . . . . . . . 219

Bristol . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 222

Buckinghamshire . . . . . . . . . . . . . . . . . . . . . 225

Cambridgeshire . . . . . . . . . . . . . . . . . . . . . . 228

Cheshire. . . . . . . . . . . . . . . . . . . . . . . . . . . . . 234

Cornwall . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 237

Cotswolds . . . . . . . . . . . . . . . . . . . . . . . . . . . 245

Coventry & Warwickshire

& Shakespeare’s England . . . . . . . . . . . . . . 247

Cumbria . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 252

Devon. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 256

Durham . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 259

Hampshire. . . . . . . . . . . . . . . . . . . . . . . . . . . 263

Kent. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 267

Lee Valley . . . . . . . . . . . . . . . . . . . . . . . . . . . 273

Lincolnshire. . . . . . . . . . . . . . . . . . . . . . . . . . 274

Liverpool . . . . . . . . . . . . . . . . . . . . . . . . . . . . 276

Norfolk . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 282

Northumberland . . . . . . . . . . . . . . . . . . . . . 286

Nottinghamshire. . . . . . . . . . . . . . . . . . . . . . 291

Oxford & Oxfordshire . . . . . . . . . . . . . . . . . 297

Peak District (Derbyshire) . . . . . . . . . . . . . 305

Shropshire. . . . . . . . . . . . . . . . . . . . . . . . . . . 307

Somerset. . . . . . . . . . . . . . . . . . . . . . . . . . . . 308

Staffordshire . . . . . . . . . . . . . . . . . . . . . . . . . 312

Suffolk. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 314

Surrey . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 321

West Sussex . . . . . . . . . . . . . . . . . . . . . . . . . 325

Weymouth, Portland & Dorset . . . . . . . . . 327

Wiltshire. . . . . . . . . . . . . . . . . . . . . . . . . . . . . 334

Windsor & Eton Dorney . . . . . . . . . . . . . . . 338

Yorkshire . . . . . . . . . . . . . . . . . . . . . . . . . . . . 341

Page 9: VisitEngland

Rugby World Cup2015 Host Cities

Page 10: VisitEngland
Page 11: VisitEngland

Facing the challenges of filming in LondonIconic landmarks, a chat with a celebrity, a stroll across the famous Abbey Road zebra crossing; London has so

much to offer in the way of filming opportunities. Although there may be a few hurdles to jump along the way, with

a little advance planning, international film crews visiting the capital can ensure the filming process runs smoothly.

• Everyone likes an organised work diary and London’s landmarks and venues are no different. Many places would

like at least five working days’ notice to arrange a film permit – giving two weeks’ notice is even better

• Full public liability insurance (PLI) worth at least £5million is essential for filming in most of London so crews

should ensure it is in place before making a request

• Check with the location whether they are happy to have tripods, lighting etc. Many locations prefer small

crews using hand-held equipment

• Major events – for example, the Chelsea Flower Show in late May or Wimbledon Tennis Championships in

late June/early July – may have broadcasting rights, so check first. However, there are great alternative

filming options that capture the essence of a particular event

• Celebrities, politicians, the Royal Family…everyone would love to meet them! The best first point of contact is

through official offices, publicists or management. VisitEngland can help point you in the right direction

• London’s shops make great filming locations but check with them for permission first

• Filming on the streets of London? The good news is that, in theory, your crew doesn’t need a permit, but bear

in mind this is open to interpretation and any member of the public can claim the crew is causing an

obstruction. To be on the safe side, you can apply for a Notice of No Objection

• Check with a location if you would like to film the interior and exterior – there may be different arrangements

for both

• Some of London’s streets and bridges cut across two boroughs; ask VisitEngland if they do and to find out

where to obtain permission for filming in both

• And don’t forget…VisitEngland has plenty of broadcast-quality, B-roll footage available of many of London’s

top spots – so if time is tight or permission is hard to obtain, this is a useful alternative

Page 12: VisitEngland

Film London is the capital’s film and media agency. It aims to ensure London has a thriving film sectorthat enriches the city’s businesses and its people. The agency works across all the screen industriesto sustain, promote and develop London as a major international production and film cultural capital.

Film London works to attract productions to the capital, offering free professional advice to small andlarge projects, providing a dedicated locations service as well as an extensive database of experiencedcrew and over 6,000 locations.

If James Bond needs to run down Whitehall in central London to catch a menace to the country, theagency can ensure he doesn’t get stopped by traffic. Whether it’s Doctor Who switching centuries orBrad Pitt evading a horde of zombies, Film London’s extensive knowledge and network of partnerscan make the vision a reality.

Supporting over 1,000 film, television and advertising projects every year, Film London is the firstpoint of contact for filming in London.

To find out more about filming in London visit the website or contact:

[email protected]+44 (0)20 7613 7683

www.filmlondon.org.uk

Page 13: VisitEngland

BOROUGH FILM SERVICES (BFS) CONTACT LIST

BARKING ANDDAGENHAM

BARNET(Reel Film Locations)

BEXLEY

BRENT

BROMLEY

CAMDEN

CITY OF LONDON

CROYDON

EALING

(West LondonFilm Office)

ENFIELD(Reel Film Locations)

GREENWICH

HACKNEY

BOROUGH NAME PHONE FAX EMAIL WEB ADDRESS

Lisa DeeLorraine ShawGeoff Smith

+44 (0)20 8227 5725+44 (0)20 8227 5723+44 (0)20 8227 2623

+44 (0)7875 397 748 (LD)+44 (0)20 8227 2112

[email protected]@[email protected]

www.barking-dagenham.gov.ukMarketing and Communications

3rd Floor Crown House,6 Linton Road, Barking, IG11 8HG

Andrew PavordRhian SharpeKaren Everett

+44 (0)845 190 1970+44 (0)7919 002 115(Mobile

emergency 24hrs)[email protected] www.bexleyfilmoffice.co.uk

FilmFixer Ltd, Unit D, 11 Bell Yard Mews,Bermondsey Street, London, SE1 3TN

Andrew PavordRhian SharpeKaren Everett

+44 (0)845 190 1970+44 (0)7919 002 115

(Mobile emergency 24hrs)[email protected] www.bromleyfilmoffice.co.uk

FilmFixer Ltd, Unit D, 11 Bell Yard Mews,Bermondsey Street, London, SE1 3TN

Karen Everett+44 (0)845 190 1970+44 (0)20 7974 6053

+44 (0)7900 406 360 (M)+44 (0)20 7974 4428

[email protected]@camden.gov.uk

www.camdenfilmoffice.co.ukwww.camden.gov.uk/film

FilmFixer Ltd, Unit D, 11 Bell Yard Mews,Bermondsey Street, London, SE1 3TN

Andrew PavordRhian SharpeKaren Everett

+44 (0)845 190 1970+44 (0)7919 002 115

(Mobile emergency 24hrs)[email protected] www.croydonfilmoffice.co.uk

FilmFixer Ltd, Unit D, 11 Bell Yard Mews,Bermondsey Street, London, SE1 3TN

Mike LiddallEwan Willmott

+44 (0)20 8825 5975+44 (0)7956 321 862 (M)+44 (0)20 8825 6105

+44 (0)7736 248 312 (M)

+44 (0)20 8825 [email protected]@ealing.gov.uk

www.westlondonfilmoffice.co.ukFilm Office Manager c/o Marcoms 5th Floor,

Perceval House, 14-16 Uxbridge Rd,London, W5 2HL

Nicola HoganSuzanne Hutchinson

+44 (0)20 8921 6048+44 (0)7903 498 681 (M)+44 (0)20 8921 6146

+44 (0)7860 203 195 (M)

+44 (0)20 8921 [email protected]

[email protected]/film

Culture and Community Services, 2nd Floor CivicHouse, 20 Grand Depot Road, Woolwich, SE18 6SJPOSTAL: Greenwich Film Unit , Peggy Middleton

House 50 Woolwich New Road, Woolwich, SE18 6HQ

Dennis Firminger+44 (0)845 402 2998

+44 (0)7766 154 154 (M)+44 (0)845 402 2997 [email protected] www.reelfilmlocations.com

Reel Film Locations Ltd, Chiswick Town Hall, Heathfield Terrace, London, W4 4JN

Louise McKennaSaida Ladha

+44 (0)20 8937 1076+44 (0)20 8937 1097

+44 (0)20 8937 [email protected]@brent.gov.uk

http://www.brent.gov.uk/filmCommunications Room 6, Brent Town Hall,

Forty Lane, Wembley, HA9 9HX

Joanna Burnaby-AtkinsMick Bagnall

+44 (0)20 7332 3202+44 (0)20 7332 3182

+44 (0)20 7332 [email protected]

[email protected]@cityoflondon.gov.uk

www.cityoflondon.gov.uk/filmPublic Relations Office City of London

P.O. Box 270, Guildhall, London, EC2P 2EJ

Dennis Firminger+44 (0)845 402 2998

+44 (0)7766 154 154 (M)+44 (0)845 402 2997 [email protected] www.reelfilmlocations.com

Reel Film Locations Ltd, Chiswick Town Hall, Heathfield Terrace, London, W4 4JN

Rebecca Staffolani +44 (0)20 8356 3541 +44 (0)20 8356 3118 [email protected] www.hackney.gov.uk/filmFilm Officer Hackney Town Hall, Mare Street,

Hackney, London, E8 1EA

Page 14: VisitEngland

BOROUGH FILM SERVICES (BFS) CONTACT LIST

BOROUGH NAME PHONE FAX EMAIL WEB ADDRESS

HAMMERSMITH& FULHAM

HARINGEY

HARROW

HAVERING

HILLINGDON

HOUNSLOW(Reel Film Locations)

ISLINGTON(The Film Office)

KENSINGTON& CHELSEA

KINGSTONUPON THAMES

LAMBETH(The Film Office)

LEWISHAM

MERTON

Janet PotterBernadette Bernard

+44 (0)20 8753 2171+44 (0)7860 400 741 (M)+44 (0)20 8753 2351

+44 (0)7779 348 122 (M)

+44 (0)20 8753 2247+44 (0)20 8753 2107

[email protected] www.lbhf.gov.uk/filmingFilm Office, Room 9, Town Hall,

King Street, Hammersmith, W6 9JU

David Waterson+44 (0)20 8489 6903

+44 (0)7976 457 485 (M)+44 (0)20 8489 2689 [email protected] www.haringey.gov.uk/film

Film Liaison Officer, Economic Regeneration, 6th Floor,River Park House,High Road, London, N22 8HQ

Elizabeth AelberryJoanne Yeomans

+44 (0)1708 432 [email protected]@havering.gov.uk

www.havering.gov.ukHavering Council Press Office Town Hall,

Main Road, Romford, RM1 3BB

Mike LiddallEwan Willmott

+44 (0)20 8825 5975+44 (0)7956 321 862 (M)+44 (0)20 8825 6105

+44 (0)7736 248 312 (M)

+44 (0)20 8825 [email protected]@ealing.gov.uk

www.westlondonfilmoffice.co.ukFilm Office Manager c/o Marcoms 5th Floor, Perceval

House, 14-16 Uxbridge Rd, London, W5 2HL

Dennis Firminger+44 (0)845 402 2998

+44 (0)7766 154 154 (M)+44 (0)845 402 2997 [email protected] www.reelfilmlocations.com

Reel Film Locations Ltd, Chiswick Town Hall,Heathfield Terrace, London, W4 4JN

Dominic Reeve-Tucker +44 (0)20 8980 8771/3 +44 (0)20 8981 2272 [email protected] www.filmoffice.co.ukThe Film Office

221 Bow Road,London, E3 2SJ

Tara HobsonJessica Woodland

Alex Maher

+44 (0)20 7341 5119+44 (0)20 7341 5124

+44 (0)20 7368 0314 [email protected]

BusinessZoneFilmingFilming & Special Events Office Council Offices,

37 Pembroke Road, London, W8 6PW

Philip Levick +44 (0)20 8547 5015 +44 (0)20 8547 5012 [email protected] www.kingston.gov.ukPress Office, RB Kingston Upon Thames,The Guildhall, High St, Kingston, KT1 1EU

Michelle Myrie +44 (0)20 8980 8771/3 +44 (0)20 8981 2272 [email protected] www.filmoffice.co.ukThe Film Office

221 Bow Road,London, E3 2SJ

Andrew PavordRhian SharpeKaren Everett

+44 (0)845 190 1970+44 (0)7919 002 115

(Mobile emergency 24hrs)[email protected] www.lewishamfilmoffice.co.uk

FilmFixer Ltd, Unit D, 11 Bell Yard Mews,Bermondsey Street, London, SE1 3TN

Jonathan Vincent+44 (0)20 8545 3434

+44 (0)7985 556 333 (M)+44 (0)20 8545 3273 [email protected]

http://www.merton.gov.uk/leisure/arts/filming-in-merton.htm

Press OfficeMerton Civic Centre, London Road, Morden, SM4 5DX

Nadya Gilbey +44 (0)1895 250 674 +44 (0)1895 250 223 [email protected] www.hillingdon.gov.ukPlanning & Community Services, High Street,

Uxbridge, Middlesex, UB8 1UW

Page 15: VisitEngland

BOROUGH FILM SERVICES (BFS) CONTACT LIST

BOROUGH NAME PHONE FAX EMAIL WEB ADDRESS

NEWHAM

REDBRIDGE

RICHMONDUPON THAMES

SOUTHWARK

SUTTON

TOWER HAMLETS

WALTHAM FOREST

WANDSWORTH

CITY OFWESTMINSTER

David Fearn +44 (0)20 8430 226107967 302 364 (M)

+44 (0)20 8430 [email protected]@newham.gov.uk

www.newhamfilmoffice.co.ukNewham Film Office,

Old Town Hall,29 The Broadway, Stratford, E15 4BQ

Andrew PavordRhian SharpeKaren Everett

0845 190 197007919 002 115

(Mobile emergency 24hrs)[email protected] www.redbridgefilmoffice.co.uk

FilmFixer LtdUnit D, 11 Bell Yard Mews

Bermondsey Street, London, SE1 3TN

Sue Lewis (Mon-Wed)Sarah Hillman (Thurs-Fri)

+44 (0)20 8487 515707956391075 (Sue)07950565157 (Sarah)

+44 (0)20 8891 7718 [email protected]/

filmrichmond

Communications and Media,Civic Centre, 44 York Street, Twickenham,

Middlesex, TW1 3BZ

Andrew PavordRhian SharpeKaren Everett

+44 (0)845 190 1970+44 (0)7919 002 115

(Mobile emergency 24hrs)[email protected] www.southwarkfilmoffice.co.uk

FilmFixer Ltd,Unit D, 11 Bell Yard Mews,

Bermondsey Street, London, SE1 3TN

Tom McDaniel +44 (0)208 770 5311 +44 (0)208 770 5404 [email protected] www.sutton.org.ukSutton Film Office,

Civic Centre, St. Nicholas WaySutton, SM1 1EA

David Waterson +44 (0)20 8489 690307976 457 485 (M)

+44 (0)20 8489 2689 [email protected] www.walthamforest.gov.ukFilm Liaison Officer,

Economic Regeneration, 6th Floor, River ParkHouse,High Road, London, N22 8HQ

Maria HornRoxi Lewis

+44 (0)20 8871 711907776 464 189 (M)+44 (0)20 8871 7134

+44 (0)20 7223 [email protected]@wandsworth.gov.uk

www.wandsworth.gov.uk/filmFilming Manager

Film and Events Office, Battersea Park,London, SW11 4NJ

Events, Filmingand

Contingency Planning+44 (0)20 7641 2390 +44 (0)20 7641 2640 [email protected] www.westminster.gov.uk/filming

Events, Filming and Contingency Planning, Westminster City Hall, 64 Victoria Street,

London, SW1E 6QP

Dominic Reeve-Tucker +44 (0)20 8980 8771/3 +44 (0)20 8981 2272 [email protected] www.filmoffice.co.ukThe Film Office

221 Bow Road, London, E3 2SJ

Page 16: VisitEngland

Landmarks and Icons

Page 17: VisitEngland

CONTENTSAbbey Road Zebra Crossing

Canary Wharf

Churchill War Rooms

Covent Garden

Cutty Sark

EDF Energy London Eye

George Inn

Hampton Court Palace

HM Tower of London

Houses of Parliament & Big Ben

Kensington Palace

Madame Tussauds

National Maritime Museum

National Portrait Gallery

Old Royal Naval College

Piccadilly Circus

Queen Elizabeth Olympic Park

Royal Botanic Gardens

Royal Observatory Greenwich– Meridian Courtyard

Royal Opera House

Science Museum

Sea Life Aquarium

Shakespeare’s Globe

South Bank

St Paul’s Cathedral

State Rooms at Buckingham Palace

Tate Britain

Tate Modern

The British Museum

The National Gallery

The Natural History Museum

The View from The Shard

Trafalgar Square

Victoria and Albert Museum

Westminster Abbey

Whitechapel Gallery

Page 18: VisitEngland

< back to contents18

Abbey RoadZebra Crossing Abbey Road, St John’s Wood, London, NW8 9BS

The Abbey Road zebra crossing is famous worldwide as the spotcaptured on The Beatles Abbey Road album cover. In April 1969 thegroup came to Abbey Road recording studios to make their final album.The studio and famous zebra crossing are regarded as British musicindustry icons to this day.

It’s a fact:Every year, the site attracts thousands of Beatles’ fans from all over theworld who wish to imitate the iconic photo. Check out the Abbey RoadCrossing Webcam at www.abbeyroad.com/Crossing

Filming permit:If your filming is very simple (for example only using a handheldcamera and shooting pieces to camera or general views and comprisinga crew of no more than five people) you can proceed without informingthe film office, provided that your shoot is unlikely to cause a crowd, orany obstruction. However, there may still be a possibility that you maybe asked to move. If your film is simple and does not require parking,road closures, traffic disruption or any other equipment other than atripod, hand-held lights or microphones, you can apply directly usingthe Online Application Form and they can approve your film in threeworking days. You will need to complete the online application formwww.westminster.gov.uk/events-portal/login/

Public liability insurance:A minimum of £5million.

LONDON

Contact: Special Events Department, Westminster Film Office

Telephone: +44 (0) 20 7641 2390

Email: [email protected]

Website:www.westminster.gov.uk/events-portal/faq/filming/#q11

Page 19: VisitEngland

< back to contents 19

LONDONCanary WharfSpread across 97 acres in E14, inner London

Canary Wharf is one of the world’s premier business and shoppingdistricts. It has a working population of 100,000 across a diverse rangeof business sectors, and over 240 shops, bars, cafés and restaurants.

It’s a fact:25 years ago the area was a derelict wasteland.

Best time of day to film:Either at dawn or dusk.

Best vantage point:Reuters Plaza, Cabot Square.

Access restrictions:Yes. Please refer to the following weblink for further details:www.canarywharf.com/aboutus/Media/Filming-and-Photography2/

Filming permit:Yes, professional filming requires permission. Consult the following linkfor further information:www.canarywharf.com/aboutus/Media/Filming-and-Photography2/

Filming fee:100% of film fees are donated to charities and non-profitorganisations, including those that foster film-making and mediaamong young people in the local community. Please contact CanaryWharf directly for further details.

Public liability insurance:£10million of public liability cover is usually required.

Contact: Canary Wharf Press Office

Telephone: +44 (0) 20 7418 2000

Email: [email protected]

Website: www.canarywharf.com

Page 20: VisitEngland

< back to contents20

LONDONChurchill War RoomsChurchill War Rooms, Clive Steps, King Charles Street,London, SW1A 2AQ

The Cabinet War Rooms provided the secret underground headquartersfor the core of the British government throughout the Second WorldWar. From 1940-1945 hundreds of men and women would spendthousands of vital hours here and it soon became the inner sanctum ofthe British government. On becoming Prime Minister in May 1940,Winston Churchill visited the underground War Cabinet Room and said,“This is a room from which I will direct the war”. The Cabinet WarRooms sheltered the heart of British military and government commandthroughout the Second World War, before being sealed in August 1945.The Churchill War Rooms provide the ideal film location for capturingthe feeling of what life was like during the Second World War.

It’s a fact:All the clocks at Churchill War Rooms are stopped at 17.00 to mark thebeginning of the War Cabinet meeting on 15 October 1940, the dayafter bombs severely damaged Number 10 Downing Street, the eventthat persuaded Churchill to meet in the War Rooms on a regular basis.

Best time of day to film:The Churchill War Rooms offer filming out of public opening hours:08.00-10.00 or 18.00-21.00.

Best vantage point:Cabinet Room, Map Room and Chiefs of Staff Room.

Access restrictions:Crews can access the following historic rooms as well as the corridors:Cabinet Room, Map Room and Chiefs of Staff Room.

Filming permit:The Churchill War Rooms require at least one week’s notice for allfilming on site, a copy of the Terms & Conditions can be obtained fromthe Press Office in advance.

Filming fee:Commercial filming: £300+VAT per hour/part of the hour includingset-up. The Churchill War Rooms can negotiate this fee depending onthe publicity value of the piece.

Public liability insurance:£5million minimum.

Contact: Nina Dellow

Telephone: +44 (0) 20 7091 3069

Email: [email protected]

Website: www.iwm.org.uk

Page 21: VisitEngland

< back to contents 21

Covent GardenLondon, WC2E 8RF

Buzzing with the excitement of opera and theatre, Covent Garden hasbecome a destination for food lovers and fashionistas alike. Thecobbled Piazza was created by architect Inigo Jones in 1630 and theneo-classical Market Building was constructed at its centre twocenturies later. Today it is known as one of London’s most vibrantshopping and entertainment districts and attracts more than 45 millionvisitors a year.

Best time of day to film:Twilight.

Best vantage point:Have a look at Film London’s map of Covent Garden.http://core.filmlondon.org.uk/library/documents/Covent_Garden.pdf

Access restrictions:Reviewed on a case-by-case basis.

Filming permit:At least 48 hours’ notice must be given.

Filming fee:£150 per hour starting fee.

Public liability insurance:£10million.

LONDON

Contact: Sophie Kenyon

Telephone: +44 (0) 207 395 3760

Email: [email protected]

Website: www.coventgardenlondonuk.com/

Page 22: VisitEngland

< back to contents22

Cutty SarkKing William Walk, Greenwich, London, SE10 9HT

Cutty Sark is the last surviving tea clipper and the fastest and greatestof her time, newly re-opened in all her glory. Venture aboard andbeneath one of the world’s most famous ships, and marvel as youbalance a 963-tonne national treasure on just one hand.

It’s a fact:Cutty Sark’s name derives from the famous poem Tam O’ Shanter byRobert Burns. It is about a farmer called Tam who is chased by thescantily-clad witch ‘Nannie’, dressed only in a ‘cutty sark’ – an archaicScottish name for a short nightdress. The character of Nannie in thepoem is depicted as the figurehead, which adorns Cutty Sark’s bow.

Best time of day to film:Outside opening hours and on a weekday.

Best vantage point:The dry dock and the main deck.

Access restrictions:For safety reasons, wheelchair spaces for Cutty Sark are limited to threevisitors at any one time. The Master’s Saloon, cabins and anchor deckare not wheelchair accessible, but virtual access is provided to thesespaces. Lifts offer access to all other areas of the ship, including theMain Deck as well as the Sammy Ofer Gallery underneath the ship. Dueto the limitations of the original structure, mobility scooters or verylarge powered wheelchairs cannot be accommodated on Cutty Sark.Manual wheelchairs can be borrowed on the day of your visit, please aska member of staff on arrival. There are two accessible toilets on site.

Filming permit:Yes, and can be obtained through contacting the Press Office orcommercial filming team, depending on the nature of the film.

Filming fee:Contact the Press Office for more details.

LONDON

Contact: Sheryl Twigg, National Maritime Museum Press Office

Telephone: +44 (0) 20 8312 6790/6732, 07903 547 284

Email: [email protected]

Website: www.rmg.co.uk/cuttysark

Page 23: VisitEngland

< back to contents 23

EDF Energy London EyeRiverside Building, County Hall, London, SE1 7PB

The EDF Energy London Eye is located in the heart of the capital oppo-site the Houses of Parliament and Big Ben, gracefully rotating over theRiver Thames. At 135m, the London Eye is the world’s tallestcantilevered observation wheel; a feat of design and engineering, it hasbecome the modern symbol representing the capital and a global icon.The experience showcases breathtaking 360° views of the capital andhas been the number one visitor experience in the city for the pastdecade. The constant and graceful movement of the London Eye givesvisitors an ever-changing perspective, enhanced by interactiveSamsung Galaxy Tab guides to assist guests with information on land-marks in several languages. Included in all London Eye experiences isthe spectacular 4D cinema show, featuring the first-ever 3D aerialfootage of London and the famous London New Year’s Eve fireworks.

It’s a fact:Each rotation takes approximately 30 minutes, meaning that a capsuletravels at a stately 26cm per second, or 0.9km (0.6 miles) per hour –twice as fast as a tortoise sprinting; this slow rate of rotation allowsguests to step on and off without the wheel having to stop.

Best time of day to film:First rotation is at 10.00 and the morning light is perfect for filming andphotography; the sun rising from the east means beautiful light isthrown over the Houses of Parliament and Big Ben in the morning. It isalso less busy, from a guest point of view, at this time.

Best vantage point:It is best to film the views from inside a capsule and then GVs from theback of the landscape to capture the whole wheel.

Access restrictions:No filming is allowed in the ticket office or on the boarding platform.

Filming permit:Approval for filming can only granted from the London Eye Press Office.To apply go to www.londoneye.com/filming

Filming fee:All requests are judged on a case-by-case basis. All filming must takeplace in a private capsule. There are capsule fees as well as a locationfee and, depending on the promotional benefit to the attraction, feescan be negotiated and/or waived. For commercial projects there areadditional fees for image usage rights.

Public liability insurance:This is dependent on the project. £5million - £10million is generallyaccepted.

LONDON

Contact: London Eye Press Office

Telephone: +44 (0) 870 220 2777

Email: [email protected]

Website: : www.londoneye.com

Page 24: VisitEngland

< back to contents24

George InnThe George Inn Yard, 77 Borough High Street,Southwark, London, SE1 1NH

The George Inn is London’s only remaining galleried coaching inn andhas been serving thirsty Londoners for more than 300 years. Ownedby the National Trust the George was a haunt of Charles Dickens and ismentioned in Little Dorrit.

Filming permit:Permits are required and can be obtained through the National TrustFilm Unit.

Filming fee:Fees may apply. Contact the National Trust Film Unit.

LONDON

Contact: The George Inn

Telephone: +44 (0) 20 7407 2056

Email: [email protected]

Website: : http://www.nationaltrust.org.uk/george-inn/

Page 25: VisitEngland

< back to contents 25

Hampton Court PalaceHampton Court Palace, Surrey, KT8 9AU

A Palace of two halves: the first, Henry VIII’s majestic Tudor Palace,scene of many of the dramas of his reign including the birth of his son,Edward VI, and the fall of his fifth wife, Catherine Howard. The second, aBaroque Palace designed by Sir Christopher Wren and built for KingWilliam III and Queen Mary. The palace is surrounded by spectacularhistoric gardens designed by Capability Brown and lies on the bank ofthe River Thames.

It’s a fact:The Abraham Tapestries that adorn the walls of Henry VIII’s Great Hallwere worth more than a battleship when he bought them – spun withgold and silver thread, they are now some of the most pricelesstreasures of the Royal Collection.

Best time of day to film:Filming is only permitted out of visitor hours – between 07.00 and10.00. Filming in the evenings is rarely permitted. Summer visitinghours end at 18.00, in the winter at 17.00

Best vantage point:Henry VIII’s Great Hall and Great Watching chamber are stunningdisplays of the Tudor King’s power, and the King’s staircase, paintedby Verrio, in the Baroque Palace, is also a stunning location. Outside,the Tudor West Front and spectacular ornate Privy Gardens aregreat locations.

Access restrictions:Filming in the Chapel Royal is only permitted on rare occasions– an application requires at least two weeks to process.

Filming permit:Speak to HRP’s Press Office to arrange access for filming– two weeks’ notice is preferable.

Filming fee:Standard fees are £350 per hour for small-scale filming and £1,000for large-scale, feature filming. News filming is not usually charged.

Public liability insurance:£10million.

Existing footage:HD B-roll of the Palace is available on request from theHRP Press Office.

LONDON

Contact: Historic Royal Palaces Press Office

Telephone: +44 (0) 20 3166 6166

Email: [email protected]

Website: www.hrp.org.uk

Page 26: VisitEngland

< back to contents26

HM Tower of LondonHM Tower of London, London, EC3N 4AB

For more than 900 years the Tower of London has dominated the Cityof London and is still one of the capital’s most prominent landmarks anda world-famous visitor attraction. Throughout its long history, the Towerhas served as a royal palace and fortress, prison and place of execution,an arsenal, Royal Mint, menagerie and jewel house. Today, London’sgreat royal fortress is home to some of the most potent symbols ofBritish history: the Yeoman Warders, ravens and Crown Jewels.

It’s a fact:Today around 2.5 million visitors a year immerse themselves in 1,000years of British royal history and heritage at the Tower of London,making it the UK’s most visited historic attraction.

Best time of day to film:Monday to Friday before opening to the public (either 09.00 or 10.00,depending on the day).

Best vantage point:Depends on the story being told, however there are good exteriorviews on Tower wharf, Tower Green and by the White Tower.

Access restrictions:Yes, vehicle access is limited and filming during visitor hours isrestricted. Filming the Crown Jewels is not permitted and filming ofother loan objects requires advance permission. Further restrictionsmay apply and, therefore, all filming has to be agreed in advance.

Filming permit:Yes, advance permission is required from the Press Office.The website details the application procedure www.hrp.org.uk

Filming fee:Yes, small scale filming is £350+VAT per hour, news filming for acurrent topical news story is usually free of charge. Feature filmingrates are available upon request.

Public liability insurance:£10million.

Existing footage:HD B-roll is available. Previews can be seen at www.hrp.org.uk

LONDON

Contact: Historic Royal Palaces Press Office

Telephone: +44 (0) 20 3166 6166

Email: [email protected]

Website: www.hrp.org.uk

Page 27: VisitEngland

< back to contents 27

Houses of Parliamentand Big BenPalace of Westminster, London, SW1A 0AA

The Elizabeth Tower, fondly known as Big Ben, is one of London’s great-est landmarks, instantly recognisable throughout the world. The chimesof Big Ben and the four quarter bells are one of the most evocative andfamiliar sounds in the UK. Although Big Ben refers only to the 13.5 tonhour bell, most people think of Big Ben as the whole tower. It is atremendous feat of Victorian imagination, design and engineering, andhas been an accurate time keeper for London since 1859.

It’s a fact:The Elizabeth Tower is 96m high and 12m square, with 334 stone spiralsteps to the belfry. Each of the four clock dials are glazed with 312pieces of opal glass. The clock dials were originally lit by gas; today thedials are illuminated by 112 energy efficient lamps. The clock is woundthree times a week by a team of clock makers.

Best vantage point:Internal filming is possible at set locations within the tower - the Belfry,which houses Big Ben and the four quarter bells, the four dials, themechanism room and the spiral staircase. Interviews can also beoffered with clock mechanics, the Keeper of the Clock, clock guides,and the Palace of Westminster Archivist.

Access restrictions:All media requests for internal access to the Elizabeth Tower / Big Ben arerequired to make a formal application to the House of Commons. Applica-tions are then considered by the House authorities and their decision isfinal. All crews must provide a Risk Assessment, have an English speakingFirst Aider within the crew, and provide security details.

Filming permit:All media requests are pre booked via the Elizabeth Tower / Big Ben co-ordinator (Amanda Leck).http://bit.ly/1az4Eay

Filming fee:£400+VAT per hour.

Public liability insurance:Public liability of £15million is required.

To find the best location to film the Elizabeth Tower, please refer tohttp://core.filmlondon.org.uk/library/documents/Big_Ben_and_Houses_Parliament.pdf

LONDON

Contact: Amanda Leck

Telephone: +44 (0) 20 7219 3430

Email: [email protected]

Website: www.parliament.uk

Page 28: VisitEngland

< back to contents28

Kensington PalaceKensington Gardens, London, W8 4PX

The childhood residence of Queen Victoria and the home of PrincessDiana, Kensington Palace provides a fascinating insight into royal lifepast and present. Journey through newly landscaped gardens andrefurbished displays learning about some of the greatest stories andcharacters in Britain’s rich royal history.

It’s a fact:The staircase walls and ceiling are painted with William Kent’s vivid,life-sized portrayals of George I’s court and its various characters andservants – including the famous ‘Peter the Wild Boy’, who was found ina Hanoverian Forest.

Best time of day to film:All filming at Historical Royal Palaces takes place out of visitor hours– at Kensington Palace this is from 07:00 – 10:00.

Best vantage point:The Palace Gardens provide excellent vantage points for GVs and themajestic King’s State apartments and Victoria Revealed exhibition arealso excellent locations for filming.

Access restrictions:Please note that Historical Royal Palaces usually require two weeks’notice to arrange access for filming.

Filming permit:All filming requests at Historic Royal Palaces are dealt with by thePress Office, which is responsible for establishing every aspect of thefilming being proposed, from commissioning to assessing the appropri-ateness of productions. They also deal with contracts and location fees.

Filming fee:Current filming facility fees start at £350+VAT per hour, although thefinal figure depends on the individual request. Large-scale featurefilming and location work are charged at significantly higher rates,which are quoted on a case-by-case basis.See more at: http://bit.ly/10GRbJq

Public liability insurance:£10million.

Existing footage:Kensington Palace B-roll is available to view here http://bit.ly/14rep7qand can be provided in Mov4 format by the Press Office on request.This may incur a charge.

LONDON

Contact: Historic Royal Palaces Press Office

Telephone: +44 (0) 20 3166 6166

Email: [email protected]

Website: www.hrp.org.uk

Page 29: VisitEngland

< back to contents 29

Madame TussaudsMarylebone Road, London, NW1 5LR

Filled with 14 exciting, interactive zones and the amazing Marvel SuperHeroes 4D movie experience, Madame Tussauds London combines glitzand glamour with incredible history and more than 300 wax figures.Walk down the red carpet and strike a pose with Kate Winslet andJohnny Depp, before stepping into our interactive sports zone alongsideUsain Bolt and David Beckham. Start your royal experience with a once-in-a-lifetime audience with Her Majesty The Queen and The Duke andDuchess of Cambridge before stepping on stage with music icons! Forthe brave, get face-to-face with scary serial killers in the live fearexperience SCREAM. After a sneaky behind-the-scenes look at howWorld-renowned sculptors create the figures, relax on a taxi ride andrelive the rich history of London. Finally step up to your favourite MarvelSuper Heroes before getting ready to experience the spectacular andexclusive Marvel Super Heroes 4D movie, where Marvel Super Heroesbattle it out to save London from impending doom.

It’s a fact:From initial sitting to launch, a Madame Tussauds figure takesapproximately four months to make, using a team of 20 skilled artiststo create each draw-droppingly life-like figure.

Best time of day to film:It’s best to film at Madame Tussauds London either before openingor after closing. Opening and closing times vary throughout the year,therefore please consult the Press Office for specific timings. Filming ispossible at Madame Tussauds London when open, however againplease consult the Press Office who can advise on how best to avoidbusier times at the attraction.

Best vantage point:With a number of interactive zones, Madame Tussauds London hasnumerous different areas in which to film featuring wax figures ofA-list celebrities, icons of film history, sports stars, the Royal Family,music megastars, some of the world’s most revered leaders andMarvel Super Heroes.

Access restrictions:In advance of any filming at Madame Tussauds London, please consultthe Press Office with regards to access to the attraction.

Filming permit:A filming permit is not required, however, all crews are asked to submitall filming requests to the Press Office at least one week in advance ofthe date on which filming is requested to take place in the attraction.

Filming fee:In advance of any filming at Madame Tussauds London, please consult thePress Office with regards to filming fees.

Public liability insurance:Madame Tussauds London does not require public liability insuranceto film at the attraction.

LONDON

Contact: Freerange Communications

Telephone: +44 (0) 20 7402 9966

Email: [email protected] / [email protected]

Website: www.madametussauds.com

Page 30: VisitEngland

< back to contents30

National MaritimeMuseumRomney Rd, Royal Borough of Greenwich, SE10 9NF

The largest maritime museum in the world, the National MaritimeMuseum is filled with inspirational stories of discovery and adventuresat sea.

It’s a fact:The Museum buildings opened in 1807 originally as a school forthe children of seafarers.

Best time of day to film:Outside opening hours and on a weekday.

Best vantage point:Outside the group entrance, outside the Sammy Ofer wing, and byNelson’s jacket in the Nelson, Navy, Nation gallery.

Access restrictions:All floors of the National Maritime Museum are accessible via lifts. Thelifts are clearly marked on the visitor map which is available on site orto download from: www.rmg.co.uk/visit/floor-plans-and-trails/

Wheelchairs can be borrowed from the National Maritime Museuminformation desk on the day of your visit.

Filming permit:Yes, and can be obtained through contacting the Press Office orcommercial filming team, depending on the nature of the film.

Filming fee:Contact the Press Office for more details.

LONDON

Contact: Rhianon Davies, Sheryl Twigg

Telephone: +44 (0) 208 312 6545 (Rhianon Davies) +44 (0) 208 312 6790 (Sheryl Twigg)

Email: [email protected]

Website: www.rmg.co.uk/national-maritime-museum

Page 31: VisitEngland

< back to contents 31

National PortraitGallerySt Martins Place, London, WC2H 0HE

Founded in 1856, the National Portrait Gallery in London holds the mostextensive collection of portraits in the world. With more than 1,000portraits on display across three floors, subjects range from Elizabeth Ito David Beckham and featured artists include Hans Holbein and DavidHockney. The Collection includes work across all media, from paintingand sculpture to photography and video. As well as the permanentdisplays, the Gallery has a diverse and ever-changing programme ofexhibitions and events promoting an understanding and appreciation ofportraiture in all forms.

The Collection is displayed in London and in a number of locationsaround Britain, including several houses managed by the NationalTrust. The Gallery is increasingly keen to find new ways to share theCollection through the National Programmes, as well as through itswebsite. It aims to bring history to life through its extensive displays,exhibitions, research, learning, outreach, publishing and digitalprogrammes as well as be the foremost centre for the study of andresearch into portraiture, making its work and activities of interest toas wide a range of visitors as possible.

Best time of day to film:Outside of public opening hours; before 10.00, after 18.00 or after 21.00on Thursdays and Fridays.

Best vantage point:Gallery rooms; please see the website for views.

Access restrictions:Public areas accessible only

Filming fee:For promotional filming (i.e. collection, exhibition, news) there is no fee.For films, commercial or documentaries that scene set but don’t havedirect promotional value (i.e. no name check on screen or verbalmention while filming in the Gallery, just tiny end credits) there will bea fee.

Public liability insurance:Apply to the Press Office.

LONDON

Contact: Neil Evans

Telephone: +44 (0) 20 7312 2452

Email: [email protected]

Website: www.npg.org.uk

Page 32: VisitEngland

< back to contents32

Old Royal Naval College,(ORNC) GreenwichKing William Walk, Greenwich, London, SE10 9NN

A unique collection of Baroque buildings, the Old Royal Naval College wasdesigned by Wren as a home for retired seamen and sits on the site ofHenry VIII’s Greenwich Palace. Since the late 1990s, when the NavalOfficers college left the site, the ORNC has been open to the public free ofcharge welcoming over 1.7million visitors annually. As a film location theORNC offers spaces for a variety of different needs. External: traffic-freestreet (ideal for an escaping Jack Sparrow); open spaces (large enoughfor revolutionary barricades/intergalactic battles) and colonnades (periodbackdrop – fit for a Duchess). Internal: astonishing Painted Hall (banquetsin Pirates of the Caribbean 4 /The Iron lady and BBC’s Great British Menu)and the chapel (Four Weddings and A Funeral – Bernard and Lydia), aVictorian Skittle Alley and more. The ORNC also has a number of vanpositions with direct lines to the main international news satellites.

It’s a fact:When approached to design a Royal Hospital for Seamen SirChristopher Wren initially proposed a single domed building (like theRoyal Hospital, Chelsea and his own St Paul’s Cathedral) which wouldhave been situated directly in front of Inigo Jones’s Queen’s House (nowpart of the Royal Museums of Greenwich). It was “suggested” to Wrenthat his new building should not block the royal view and consequentlythe Royal Hospital for Seamen acquired the now iconic twin domeswhich frame the vista from the Queen’s House to The Thames.

Best time of day to film:Any time of day.

Best vantage point:Lower and Upper Grand Square, King William and King Charles Lawns,the colonnades, The Painted Hall, The Chapel, Admiral’s House and theVictorian Skittle Alley.

There is a direct line on to satellites for live broadcasts from LowerGrand Square; from beside the King Charles Lawn (by the Thamespathway) and beside the King William Lawn (outside the Painted Hall).

Access restrictions:All access is by negotiation with site partners. The ORNC is open to thepublic, so restrictions to public access during filming need to be minimised.

Filming permit:By contacting Ian Allchin or Lesley Booth.’ to ‘Please contact IanAllchin or Lesley Booth.

Filming fee:A fee is charged for commercial filming, however the ORNCdoes offer free access for news and some TV arts/featurecoverage subject to the site being fully credited on screen.

Public liability insurance:Yes.

LONDON

Contact: Ian Allchin, Estate Operations Manager (commercial filming); Lesley Booth (press and media) for news access and TV arts and features

Telephone: Ian Allchin +44 (0)20 8269 4795 Lesley Booth +44 (0)779 941 4474

Email: [email protected] / [email protected] or [email protected]

Website: www.ornc.org

Page 33: VisitEngland

< back to contents 33

Piccadilly CircusSt James, London, W1D 7DH

For many years, Piccadilly Circus - at the junction of five busy streets -has been a famous landmark of London. Regency facades sit alongsideadvertising video displays and neon signs, a particularly impressivesight at night, while the fountain and its statue at the centre of thecircle have become an iconic emblem. The statue is popularly namedafter the Greek god Eros, but it was actually intended to depict hisbrother Anteros, the God of Requited Love.

It’s a fact:The name ‘Piccadilly’ originates from a 17th Century frilled collarnamed piccadil, Roger Baker, the tailor who became rich makingpiccadils lived in the area. The word ‘Circus’ refers to the roundaboutaround which the traffic circulates.

Best time of day to film:Both during the day and the evening are good times to film.

Best vantage point:Please see map on Film London’s websitehttp://core.filmlondon.org.uk/library/documents/Piccadilly_Circus.pdf

Filming permit:If your filming is very simple (for example only using a handheld cameraand shooting pieces to camera or general views and comprising a crewof no more than five people) you can proceed without informing thefilm office, provided that your shoot is unlikely to cause a crowd, or anyobstruction. However, it is still possible that you may be asked to move.If your film is simple and does not require parking, road closures, trafficdisruption or any other equipment other than a tripod, hand-held lightsor microphones, you can apply directly using the Online ApplicationForm and they can approve your film in three working days. You willneed to complete the online application formhttp://www.westminster.gov.uk/events-portal/login/

Public liability insurance:A minimum of £5million.

LONDON

Contact: Special Events Department, Westminster Film Office

Telephone: +44 (0) 20 7641 2390

Email: [email protected]

Website: www.westminster.gov.uk/events-portal/faq/filming/#q11

Page 34: VisitEngland

< back to contents34

Olympic StadiumLondon, E20 2ST

The Queen Elizabeth Olympic Park is essentially a whole new locationarea for the capital and, as such, offers a unique diversity of locationopportunities to all manner of stills; commercial, TV and feature filmproduction both at home and abroad. With the right managementsystem in place the value of this can be fully realised and, with a slidingscale of charges, be open to every budget of film-maker. The Park’spotential as a filming location is endless. From its vast landscapes andestablished canal through to its unique modern architecture, the sitecan double for all manner of locations, whether world-wide or futuris-tic. Buildings could stand in for both a modern European HQ andsomething more sci fi. The site also offers the potential of studiospace, production office space and hard standing that could eitherhave sets built on or be used to accommodate parking for film vehicles.

It’s a fact:Four skeletons were removed from a prehistoric settlement foundduring excavations work on the site of the Aquatics Centre.

Best time of day to film:Any time of day is suitable – depending on the needs of the production.

Best vantage point:Velodrome, Copperbox, ArcelorMittal Orbit and Aquatics Centre.

Access restrictions:If you wish to film at the Park, or any of the structures / buildingswithin it, please contact Film London.

Filming permit:Yes, please contact Film London to discuss.

Public Liability Insurance:This will be between £5-10million depending on size of crew and level of production.

LONDON

Contact: Susie Williams, Film London

Telephone: +44 (0) 20 7613 7683

Email: [email protected]

Website: www.noordinarypark.co.uk

Page 35: VisitEngland

< back to contents 35

Royal Botanic GardensKew Gardens, Richmond, Surrey, TW9 3AB

The Royal Botanic Gardens, Kew, is a world-famous scientificorganisation, internationally respected for its outstanding livingcollection of plants and world-class Herbarium, as well as its scientificexpertise in plant diversity, conservation and sustainable development inthe UK and around the world. Kew Gardens is also a major internationalvisitor attraction. Its landscaped 132 hectares and RBG Kew’s countryestate, Wakehurst Place, attract over 1.5 million visits every year. Kewwas made a UNESCO World Heritage Site in July 2003 and celebrated its250th anniversary in 2009. Wakehurst Place is home to Kew’sMillennium Seed Bank, the largest wild plant seed bank in the world.

It’s a fact:Kew’s Temperate House is the world’s largest surviving Victorian glassstructure.

Best time of day to film:Filming outdoors at Kew is largely weather dependent. Crews areencouraged to arrive as early as possible, but generally filming can beaccommodated between 09.30 - 17.30, Monday to Friday (exceptions tothis rule are decided at the staff’s discretion).

Best vantage point:The iconic Palm House with its tropical rainforest interior is alwayspopular, as well as the Xstrata Treetop Walkway which offers aerialviews of the arboretum.

Access restrictions:Access to the different areas and buildings in the Garden is largelydependent on staff availability as all crews must be supervised.

Filming permit:A filming permit is not required, but a risk assessment,detailed schedule and public liability insurance are required.

Filming fee:Non-commercial filming that is deemed by the Press Office to bebeneficial to Kew is handled free of charge or part charged, dependingon the nature of filming and how long the filming will take. All otherfilming is handled by the commercial team who charge by the hour.

Public liability insurance:Yes, judged on a case-by-case basis.

Existing footage:Stock footage is available in .avi format.

Inspiring photography:http://www.kew.org/press/images/index_kew.html(username: press, password: kewpress).

LONDON

Contact: Press Office at Royal Botanic Gardens

Telephone: +44 (0) 20 8332 3676

Email: [email protected]

Website: www.kew.org

Page 36: VisitEngland

< back to contents36

Royal Opera HouseBow Street, Covent Garden, London, WC2E 9DD

The Royal Opera House is home to two of the world’s most prestigiouscompanies, The Royal Opera and The Royal Ballet. Each year, thecompanies give almost 400 performances in the iconic Covent Gardentheatre, a stunning, plush, red and gold Victorian auditorium withstate-of-the-art backstage technology, also used for the annual Baftaand Olivier Award ceremonies. Equally impressive is the imposingglass and ironwork Floral Hall, renamed the Paul Hamlyn Hall, origi-nally one of the flower markets from the old Covent Garden market.Some of the most famous names in opera and ballet have, over theyears, starred on the Covent Garden stage; Dame Joan Sutherland,Luciano Pavarotti, Placidó Domingo, Renée Fleming, Margot Fonteynand Rudolf Nureyev, Carlos Acosta and Darcey Bussell. Behind thescenes is a hive of industry with artists at work in rehearsal, highlyskilled craftspeople making costumes or props and hats and jewellery.The Amphitheatre Terrace overlooks the famous Covent GardenPiazza and the superb London skyline.

Best time of day to film:The exterior is best shot during daylight but the interior can be shot atany time.

Best vantage point:In the auditorium, Paul Hamlyn Hall or Crush Room. The terrace givesviews over Covent Garden Piazza and the London skyline.

Access restrictions:Access to all internal spaces is subject to availability and agreement viaChristopher Millard. Availability is largely dictated by the performancecalendar and audience needs.

Filming permit:Please contact Christopher Millard.

Filming fee:A filming fee is usually payable and depends on which areas are to beused, for what purpose and for how long.

Public liability insurance:£5million.

LONDON

Contact:Christopher Millard, Director of Press and Communications

Telephone: +44 (0) 20 7212 9458

Email: [email protected]

Website: www.roh.org.uk

Page 37: VisitEngland

< back to contents 37

Royal ObservatoryGreenwich– Meridian CourtyardRoyal Observatory Blackheath Avenue Greenwich, SE10 8XJ

The Royal Observatory Greenwich is the home of GreenwichMean Time and the Prime Meridian of the World.

It’s a fact:The Greenwich Meridian was chosen as the Prime Meridian of the Worldin 1884 after 41 delegates from 25 nations met in Washington DC forthe International Meridian Conference. By the end of the conference,Greenwich had won the prize of Longitude 0º by a vote of 22 to oneagainst (San Domingo), with two abstentions (France and Brazil).

Best time of day to film:Outside opening hours and on a weekday.

Best vantage point:In the courtyard.

Access restrictions:The Royal Observatory (ROG) is set on a hill in Greenwich Park.There are two paths to the ROG from the National Maritime Museumthrough Greenwich Park. If you take the left fork you’ll head up a verysteep hill to the entrance of the Observatory. At the top of the hill onthe right are ornate wrought-iron gates that are usually closed. Theentrance to the site is a short distance to the left through the centralarch. If you take the right fork the path is slightly longer but less steep,taking you along ‘The Avenue’, a road that runs through the park andround the south side of the Observatory site. Follow this path aroundfor 150 metres to the entrance on the north side. Having passedthrough the entrance you enter the Meridian Garden. If you take thepath to the right, a ramp provides access to the Meridian visitor recep-tion area, which leads into the Astronomers’ Garden, Flamsteed House,the Meridian Courtyard and the Meridian Line. The left-hand path leadsto the Astronomy Centre and the Planetarium. Both routes are fullyaccessible.

Filming permit:Contact the Press Office for more details.

Public liability insurance:Yes.

LONDON

Contact: Sheryl Twigg or Rhianon Davies

Telephone: +44 (0) 20 8312 6790 (Sheryl Twigg) or +44 (0) 20 8312 6545 (Rhianon Davies)

Email: [email protected]

Website: www.rmg.co.uk/royal-observatory/

Page 38: VisitEngland

< back to contents38

Sea Life AquariumCounty Hall, Westminster Bridge Road, London, SE1 7PB

The SEA LIFE London Aquarium is home to one of Europe’s largestcollections of global marine life and is the jewel in the crown of the 28SEA LIFE attractions in the UK and Europe. ‘Fun’ learning is a keyelement of the attraction for children and adults alike, includingopportunities to interact with the creatures, schools programmes andvisits. The staff works closely with schools and individual teachers todevelop information that engages and inspires young people.

It’s a fact:The SEA LIFE London Aquarium offers many exciting guest experiences,including a Behind the Scenes Tour, feeding the giant green turtles byhand and even a ‘Snorkeling with Sharks’ experience where guests canget into the shark tank and see for themselves how passive and peacefulthese animals are.

Best time of day to film:Due to the large number of visitors, it is preferable for filming to takeplace before and after standard opening times (before 10.00 and after18.00 during school term times).

Best vantage point:There are many colourful and interesting displays to use as filmingbackdrops, including the shark tank and Ocean Reef display as well as therainforest and Antarctic sections. There is also a Perspex underwatertunnel running through the Ocean Reef display where visitors can viewrays, the smaller sharks and the pair of giant green sea turtles.

Access restrictions:No access restrictions inside if filming is taking place outside normalopening times as long as animal safety is not compromised. A 20-minutedrop off and pick up is possible for vehicles. However, there is no parkingand no vehicle access after midnight.

Filming permit:Approval for filming can only be granted from the London AquariumPress Office. To apply, email [email protected] for afilming request form.

Filming fee:All requests are judged on a case-by-case basis. Depending on thepromotional benefit to the attraction, location and usage fees can benegotiated and/or waived. For commercial projects there are additionalfees for image usage rights.

Public liability insurance:This is dependent on the project but £5-£10million is generally accepted.

LONDON

Contact: Sea Life Aquarium Press Office

Telephone: +44 (0) 870 220 2777

Email: [email protected]

Website: www.visitsealife.com/London

Page 39: VisitEngland

< back to contents 39

Science MuseumExhibition Road, London, SW7 2DD

As the home of human ingenuity, the Science Museum’s world-class

collection forms an enduring record of scientific, technological and

medical achievements from across the globe. Welcoming over three

million visitors a year, the Museum aims to make sense of the science

that shapes our lives, inspiring visitors with iconic objects, award-

winning exhibitions and incredible stories of scientific achievement. The

Science Museum is open 10.00-18.00 (last entry 17.15) every day except

24-26 December. Entry is free, but charges apply for the IMAX cinema,

flight simulators and some special exhibitions.

It’s a fact:

The Science Museum was founded in 1857 as part of the South

Kensington Museum, but gained independence in 1909.

Best time of day to film:

We discourage filming during peak holiday periods such as Easter

holidays or half term when the museum is very crowded.’ to ‘Filming

during peak holiday periods such as Easter holidays or half term when

the museum is very crowded is discouraged.

Best vantage point:

For generic background shots the following galleries are generally

recommended (depending on subject matter): Making the Modern

World gallery, Wellcome Wing (ground floor), Who Am I? gallery, Energy

Hall, and the first floor balcony overlooking the Energy Hall.

Access restrictions:

Filming is generally limited to a two-hour time period and supervised

by members of the Press Office. All film crews are asked to use battery

operated equipment and to keep equipment to a minimum. Requests to

switch off sound exhibits, interview curators or remove objects from

glass cases can only be arranged with prior notice. Filming of children

requires written consent by a guardian or parent NOT a teacher.

Filming permit:

A filming permit is not required but a minimum of two-three days’

notice for filming is requested. Filming that requires special access to

objects and curators requires a minimum of one week’s notice.

Filming fee:

Up to two hours of filming free of charge is allowed on the condition that

the Science Museum is credited in the programme. For generic

background or commercial filming then filming fees apply – starting at

£350+VAT per hour. Each request is assessed on a case-by-case basis by

the Press Office.

Public liability insurance:

Public liability insurance is required.

Existing footage:

Footage is available to view on the official YouTube channel. However, this

is not suitable for mainstream broadcast.

LONDON

Contact: Laura Singleton, William Stanley

Telephone: +44 (0) 20 7942 4364 / 4429

Email: [email protected] or [email protected]

Website: www.sciencemuseum.org.uk

Page 40: VisitEngland

< back to contents40

Shakespeare’s Globe21 New Globe Walk, Bankside, London, SE1 9DT

The Globe is a faithful reconstruction of Shakespeare’s iconic theatre.Situated on the South Bank of the River Thames, a few hundred yardsfrom its original site, Shakespeare’s Globe is one of the most popularvisitor destinations in the UK – globally recognised for its beautifularchitecture, the quality of its theatre productions and its far-reachingeducational work. Theatre productions play in repertory from April toOctober and have gained a reputation for performance excellence inarchitectural conditions that are as close as possible to those ofShakespeare’s time. The Globe operates year-round with an inspiringexhibition and theatre tour, as well as providing education courses,programmes, bespoke workshops, tours and events for students frompre-school to postgraduate level. The intimate indoor theatre – the SamWanamaker Playhouse, named after American actor and director SamWanamaker, the Globe’s visionary founder – allows Shakespeare’s Globeto offer performances year-round.

It’s a fact:The Globe is an open-air theatre, often referred to as the ‘wooden O’.The productions play in natural light during the day and with house-lights after sun-down, so that audiences and actors can see each otherat all times. Audiences to the theatre can choose to stand and watchfrom the yard, offering a dynamic and unique experience.

Best time of day to film:Shakespeare’s Globe is a working venue – in addition to its theatreproductions during the summer (matinée and evening performances),it runs year-round theatre tours and education visits. Out of hours isthe only time in which to film the empty space. As an open-air venuethe Globe benefits from natural sunlight during daylight hours. Whenthe sun is down, the Globe is lit by house lights throughout.

Best vantage point:There are many photogenic angles within the theatre – the shape andcraftsmanship of the wooden audience bays, stage and pillars providenumerous vantage points. The exterior of the theatre can be filmedfrom the piazza surrounding it, from select raised positions on site andfrom the pedestrian area on Bankside.

Access restrictions:Parking is extremely limited and cannot be guaranteed. As ahistorically faithful venue, there are no power-points within the theatreitself. Filming and photography must not interrupt the general runningof the site.

Filming permit:Yes. A filming application form along with full terms and conditions isavailable from the Press Office – details above. A minimum of sevenworking days is required from receipt of the completed application formto the proposed date of filming/photography.

Filming fee:Filming fees apply. The final fee will depend on the scale, treatment andsubject of your filming/photography project. Larger projects will becharged at a considerably higher rate.

Public liability insurance:A location agreement must be signed in advance of access and a copy of apublic liability insurance certificate must be provided.

Existing footage:Shakespeare’s Globe has B-roll footage of the site from various locations,angles and times of day. This is available to download in various formatsfrom the Online Press Image and Film Library. Fees may apply forcommercial use and will be judged on an individual request basis.

LONDON

Contact: Emma Draper

Telephone: +44 (0) 20 7902 1492

Email: [email protected]

Website: www.shakespearesglobe.com

Page 41: VisitEngland

< back to contents 41

South BankLambeth Bridge to Blackfriars Bridge,and south to St Georges Circus

South Bank offers filmmakers a fascinating selection of locations, fromthe famous Riverside Walkway and London Eye through to gritty carparks, beautiful gardens, outdoor cafés and iconic buildings includingthe Southbank Centre, National Theatre and Oxo Tower. Located in theheart of London and next to the River Thames, South Bank offersbreathtaking views towards Westminster, St Pauls and The City. Thereis always something new to see on South Bank, such as new pop-upbars, street entertainers and art installations, and the area is buzzingwith over 20 million visitors per year.

The area runs from Lambeth Bridge to Blackfriars Bridge and sitswithin the boroughs of Lambeth and Southwark, as well as privateorganisations that own and manage the land. If you are filming in thearea, you may need to seek permission from multiple land owners foryour shoot. For free advice, please contacts South Bank Venues on+44 (0) 20 7202 6900 or email [email protected]

It’s a fact:Waterloo - the nearest station to South Bank - is the busiest station inthe country with 130 million visitors every year.

Best vantage point:For Westminster: Riverside Walkway in front of Jubilee Gardens orCounty Hall

For St Pauls: The Jetty near the Oxo Tower

For The City: The Observation Point near the Oxo Tower

For the London Eye: Jubilee Gardens

Public liability insurance:The South Bank area is owned by several different groups.Coin Street Community Builders own and manage 13 acres on theSouth Bank including the Riverside Walkway from the National Theatreto Oxo Tower Wharf as well as Gabriel’s Wharf, Bernie Spain Gardensand Oxo Tower Wharf. You must complete a filming request form thatcan be found via the Site Hire tab on www.coinstreet.org; you will needto present your PLI certificate.

Contact: Louise KingEmail: [email protected] Tel: +44 (0) 20 7021 1681

For filming along the South bank, please take a look at:http://bit.ly/134qgLU

LONDON

Contact: Rebecca Lott

Telephone: +44 (0) 20 7292 6918

Email: [email protected]

Website: www.southbanklondon.com

Page 42: VisitEngland

< back to contents42

The State RoomsBuckingham PalaceLondon, SW1A 1AA

Buckingham Palace is the working headquarters of the Monarchyand an official residence of Her Majesty The Queen. It is one of thefew remaining working palaces in the world today. The 19 StateRooms are used extensively by The Queen and members of the RoyalFamily to receive and entertain their guests on State, ceremonial andofficial occasions. They are furnished with many of the greatesttreasures from the Royal Collection, including paintings by Van Dyckand Canaletto, sculpture by Canova, exquisite pieces of Sèvresporcelain, and some of the finest English and French furniture in theworld. In July and August visitors can see the State Rooms and aspecial exhibition as part of the annual Summer Opening ofBuckingham Palace.

It’s a fact:The Queen and The Duke of Edinburgh moved into Buckingham Palacein 1952 and are the Palace’s longest residents.

Access restrictions:Royal Collection Trust cannot provide permission for filming thePalace’s façade – this is managed by The Royal Parks.

Filming permit:Permission to film in the State Rooms is rarely granted, however detailsabout how to make an application can be found atwww.royalcollection.org.uk/about/press/filming-and-imagesIt is suggested that broadcasters apply to make use of existing B-Rollfootage as an alternative. This can be supplied in connection with theSummer Opening of Buckingham Palace.

Filming fee:The filming and recording facility fee is £300+VAT per hour, plus asupervision fee. This excludes transmission fees.

Public liability insurance:A minimum of £5million.

Existing footage:Broadcasters can apply to use B Roll of three of Buckingham Palace’sState Rooms – the Green Drawing Room, Throne Room and WhiteDrawing Room – in connection with the Summer Opening of the Palace.The application form is available to download fromwww.royalcollection.org.uk/about/press/filming-and-images

Credit: Royal Collection Trust/ © Her Majesty Queen Elizabeth II 2013

LONDON

Contact: Royal Collection Trust Press Office

Telephone: +44 (0) 20 7839 1377

Email: [email protected]

Website: www.royalcollection.org.uk

Page 43: VisitEngland

< back to contents 43

St Paul’s CathedralSt Paul’s Churchyard, London, EC4M 8AD

A cathedral dedicated to St Paul has overlooked the City of Londonsince 604AD, a constant reminder to this great commercial centre ofthe importance of the spiritual side of life. The current cathedral wasdesigned by Sir Christopher Wren and built between 1675 and 1710after its predecessor was destroyed in the Great Fire of London of1666. As the cathedral of England’s capital city, St Paul’s is thespiritual focus for the nation. This is where people and events ofoverwhelming importance to the country have been celebrated,mourned and commemorated since the first service took place in1697. Important services have included the funerals of Lord Nelson,the Duke of Wellington, Sir Winston Churchill and, most recently,Margaret Thatcher; Jubilee celebrations; peace services marking theend of the First and Second World Wars; the 80th and 100th birthdaysof the Queen Mother; and the wedding of Prince Charles to LadyDiana Spencer.

It’s a fact:St Paul’s actually has three domes: an inner dome, a brick cone thatsupports the lantern, and the outer dome ‘skin’. The inner dome is 225 feet high with a diameter of 102 feet. The whole structure weighs64,000 tonnes.

Best time of day to film:Any time.

Access restrictions:Some areas are inaccessible at different points of the day. No filmingwork can take place during services.

Filming permit:Email Ed Holmes with all enquiries.

Public liability insurance:£10million.

LONDON

Contact: Ed Holmes

Email: [email protected]

Website: www.stpauls.co.uk

Page 44: VisitEngland

< back to contents44

Tate BritainMillbank, London, SW1P 4RG

Tate Britain is the home of British art from 1500 to the present day.The building offers an altogether different filming environment to TateModern, with its classical architectural spaces and grand galleries builtto showcase 19th century paintings. It has been used as a location forEnduring Love, Armadillo and Van Wilder II.

It’s a fact:In 1892 the site of a former prison, the Millbank Penitentiary, waschosen for the new National Gallery of British Art, which would beunder the Directorship of the National Gallery at Trafalgar Square. Theprison, used as the departure point for sending convicts to Australia,had been demolished in 1890.

Best time of day to film:Tate Britain is normally available to film crews before 10.00 and after18.00, when the galleries are closed, but some areas are available atall times of the day or night.

Best vantage point:Tate Britain offers film crews classical architectural spaces and grandgalleries built to showcase 19th century paintings.

Filming permit:All filming must be organised as far in advance as possible through thePress Office.

Filming fee:Location fees start from £200 per hour and rates for long filmingperiods are negotiable. Non-commercial filming should be organisedthrough the Press Office [email protected]

Public liability insurance:Contact for more information.

Existing footage:Existing footage can be licensed from Tate Media. Contact the PressOffice for more information [email protected]

LONDON

Contact: Kate Moores

Telephone: +44 (0) 20 7887 4906

Email: [email protected]

Website: www.tate.org.uk

Page 45: VisitEngland

< back to contents 45

© Tate Photography

Tate ModernBankside, London, SE1 9TG

Housed in the iconic Bankside Power Station building, Tate Modernpresents international modern and contemporary art from 1900 to thepresent day. It opened in 2000 and last year attracted 5.3 million visi-tors, the highest ever figure in its history. It offers film crews contempo-rary architectural spaces and spectacular views of the London skyline.

Best time of day to film:Tate Modern is normally available to film crews before 10.00 and after18.00, when the galleries are closed, but some areas are available at alltimes of the day or night.

Best vantage point:Tate Modern offers film crews contemporary architectural spacesand spectacular views of the London skyline.

Filming permit:All filming must be organised as far in advance as possible through thePress Office.

Filming fee:Location fees start from £200 per hour and rates for long filmingperiods are negotiable. Non-commercial filming should be organisedthrough the Press Office [email protected]

Public liability insurance:Contact for more information

Existing footage:Existing footage can be licensed from Tate Media. Contact the PressOffice for more information [email protected]

LONDON

Contact: Duncan Holden

Telephone: +44 (0) 20 7887 4939

Email: [email protected]

Website: www.tate.org.uk

Page 46: VisitEngland

< back to contents46

© Tate Photography

The British MuseumGreat Russell Street, London, WC1B 3DG

Built in 1753 the British Museum is the oldest public museum in theworld, housing a collection of more than eight million objects fromacross the globe, dating back from 40,000 years ago to the presentday. Its beautiful galleries, libraries, scientific labs, underground tunnelsand storage areas, plus the soaring glass atrium of the Great Court atthe very heart of the museum, make it an ideal filming location.

It’s a fact:The British Museum has the UK’s largest museum collectionof pin badges.

Best time of day to film:Early morning in the Great Court has fantastic light, especially insummer.

Best vantage point:The most popular front-of-house spaces are the Great Court, theColonnade and Egyptian Sculpture Gallery – each of these spaces offerdramatic visuals. Behind the scenes there are wonderful atmosphericstorage basements and corridors. Under special circumstances themuseum allows filming from its roof, which provides spectacular viewsof Senate House, the BT Tower and Centrepoint, along with themuseum’s own iconic frontage and forecourt.

Access restrictions:The museum does not allow large-scale filming during public openinghours (between 10.00 and 17.30 in most of its areas).

Filming permit:Yes; to apply for permission please complete a proposal form on theBritish Museum website and send through to the broadcast unit forprocessing, preferably with at least 10 days’ notice although a tighterturn-around can occasionally be facilitated. You can also findinformation on the museum’s filming locations and collections usingthe search facilities on its website.

Filming fee:Almost all filming is charged, however some filming is permitted free ofcharge through the Press Office; this tends to be limited to filmingaround the museum’s temporary exhibitions.

Public liability insurance:Public liability of at least £5million is required; this may rise dependingon the scale of the filming project.

Existing footage:The museum licenses footage of the building and the collection for a chargeand its sister company BMImages licenses stills for broadcast purposes.

LONDON

Contact: Annabel Troost

Telephone: +44 (0) 20 7323 8380

Email: [email protected]

Website: www.britishmuseum.org

Page 47: VisitEngland

< back to contents 47

The National GalleryTrafalgar Square, London, WC2N 5DN

The National Gallery houses the national collection of westernEuropean paintings, with its collections comprising more than 2,300paintings ranging from the Middle Ages to the early 20th century. Thegallery is open 361 days a year, free of charge. All major traditions ofwestern European painting are represented, from the painters of latemedieval and Renaissance Italy to the French Impressionists, withartists including Titian, Monet, Velázquez, Rembrandt and Van Gogh.

Best time of day to film:Filming is only permitted within the National Gallery building outsideof opening hours on weekdays; therefore before 10.00 or after18.00, except on a Friday when there is late opening until 21.00.

Filming permit:Please fill in the Q&A form that can be downloaded from theNational Gallery website.

Filming fee:Each filming request is assessed on a case-by-case basis.

Public liability insurance:Yes: £10million.

Existing footage:The Press Office has produced a selection of broadcast-quality pre-recorded video material of the National Gallery Collection. The B-rollincludes a series of interviews with the Deputy Director and Directorof Collections, plus four different curators.

It also includes a large selection of videos and stills of 12 highlightpaintings, as well as general exterior and interior shots of the gallery.

LONDON

Contact: Press Office

Telephone: +44 (0) 20 7747 2865

Email: [email protected]

Website: http://bit.ly/11uXa90

Page 48: VisitEngland

< back to contents48

The Natural HistoryMuseumCromwell Road, London, SW7 5BD

The Natural History Museum is home to the nation’s finest collection ofnatural history specimens. It is one of the UK’s top visitor attractions,with over five million people every year enjoying its exhibitions, eventsand educational programmes. The Museum has been gatheringknowledge about the natural world for more than 250 years and isknown worldwide as a leader in scientific research. The Museum’scollections originated in the Sloane collections of the 17th and 18thcenturies, and today have grown to over 70 million plants, animals,fossils, rocks and minerals from around the world. Behind the scenes,more than 300 scientists and students use the collections for researchinto problems such as disease, climate change and threats to theEarth’s biodiversity.

It’s a fact:Discovered off the coast of the Falkland Islands, the Museum’s giantsquid ‘Archie’ measures 8.46m and can be found in the SpiritCollection. The 26-metre Diplodocus, affectionately named ‘Dippy’,welcomes over five million visitors a year into the Museum’s CentralHall. It has 292 bones, including over 70 tail vertebrae and 60 fingerand toe bones in each of the hands and feet.

Best time of day to film:Filming in the public galleries must take place outside of opening hours(10.00 – 18.00), however filming in a back-of-house area can take placethroughout the day.

Best vantage point:Dependent on the subject and focus of the content, but shooting fromthe bridge in Central Hall gives an impressive wide shot of the grandstaircase in the historic terracotta building designed by Waterhouse.

Access restrictions:Filming in the public galleries must take place outside of opening hours(10.00 – 18.00), however filming in a back of house area can take placethroughout the day. All back-of-house locations have their own specificrestrictions depending on what specimens are housed there.

Filming fee:A filming fee is to be charged and science consultancy fees are chargedwhere applicable. Each filming request is assessed individually andsome are applicable for fee reductions depending on the content.

Public liability insurance:Yes, the standard requirement is Public Liability Insurance of at least£5million.

LONDON

Contact: Press Office

Telephone: +44 (0) 20 7942 5654

Email: [email protected] / [email protected]

Website: www.nhm.ac.uk

Page 49: VisitEngland

< back to contents 49

The View from The ShardJoiner Street, London, SE1 9SG

The View from The Shard is the visitor attraction at the top of London’snewest landmark and western Europe’s tallest building, The Shard. Theattraction is almost twice the height of any other vantage point inLondon and offers spectacular 360° views for up to 40 miles. Theattraction offers access to the highest habitable point of The Shard –Level 72 – which is 244 metres/800 feet high, open-air and exposed tothe elements. The main viewing gallery on Level 69 features 12 hightech Tell:scopes – digital interactive telescopes enabling guests to viewthe city by day or night, identify places of interest, and discoverinformation about 200 London landmarks in a choice of 10 languages.Since opening in February 2013, The View from The Shard has becomea popular first-stop destination for visitors to the UK’s capital, enablingthem to experience the city like never before.

It’s a fact:The View from The Shard has become a popular location for marriageproposals, with two taking place within the first 10 minutes of opening!

Best time of day to film:Filming can usually only take place outside normal opening hours(currently 09.00–22.00), unless it can be completed using a handheldcamera only (no tripod or other equipment). Daylight views reveal thefull architectural detail and daily hustle and bustle of the city, whereasviews at night are thought to be romantic and very atmospheric.

Best vantage point:You can gain access to the viewing galleries on Level 69 (triple-height),and Level 72 (the open-air viewing gallery), where the shards of glassthat form the spire of the building are also visible. Both floors offerunrivalled 360° views over London and its iconic landmarks including,to the north: Wembley Stadium and Alexandra Palace; to the east: theOlympic Stadium, the Tower of London, Tower Bridge, Canary Wharfand the Thames Barrier; to the south: Battersea Power Station and TheOval cricket ground; to the west: St Paul’s Cathedral, Big Ben and theHouses of Parliament and Buckingham Palace. Please note that allviews are through glass.

Filming permit:Due to the nature of the attraction, all film crews must be accredited inadvance. A filming application form can be downloaded from the onlinemedia centre at http://mediacentre.kallaway.co.uk/View-from-shard-press-tours.asp It is recommended to get in touch with as much noticeas possible to ensure that filming can be accommodated at thepreferred date and time. Usually a minimum of five working days’ noticewill apply.

Filming fee:Filming fees may apply depending on the nature of the shoot and amountof access required.

Public liability insurance:Yes - £5million cover is required.

Existing footage:Yes, B-roll footage is available free of charge (for use only in connectionwith The View from The Shard visitor attraction).

LONDON

Contact: Kallaway

Telephone: +44 (0) 20 3102 3973

Email: [email protected]

Website: www.theviewfromtheshard.com

Page 50: VisitEngland

< back to contents50

Trafalgar SquareTrafalgar Square, WC2N 5DS

Trafalgar Square is a site of significant historic value and its monumentsand statues also have individual heritage classifications. Moreinformation can be found on the website.

It’s a fact:In the early 18th century, the mews area was cleared. In 1812 thearchitect John Nash set about developing a new street from CharingCross to Portland Place, forming an open square in the Kings Mewsopposite Charing Cross. He wanted the square to be a cultural spaceopen to the public, and in 1830 it was officially named Trafalgar Square.

Best time of day to film:Weekdays are best to film as the square accommodates events andrallies on many weekends.

Best vantage point:The square has several vantage points for filming.

Access restrictions:Trafalgar Square has an application process and accommodates manyactivities throughout the year, so the main issue can be availability. Inorder to process requests the team normally requires seven days’ noticeas permissions and assessment are usually needed. It is always best toemail the team with a description and contact details and requestsusually receive a response within 24 hours.

Filming permit:For news stories there is a press pass protocol for crews with pressidentification. If the request is for commercial or documentary purposesthen filming fees apply and details can be found on the website.

Filming fee:There is an application process for commercial filming (includingdocumentaries) on Trafalgar Square and press pass protocol for newsstories. There are many definitions of ‘non-commercial’ filming so it isbest to email [email protected] for further advice.

Public liability insurance:£5million public liability insurance cover required for all activities.

LONDON

Contact: Trafalgar Square Team

Telephone: +44 (0) 20 7983 4750

Email: [email protected]

Website:www.london.gov.uk/priorities/arts-culture/trafalgar-square

Page 51: VisitEngland

< back to contents 51

Victoria and AlbertMuseumCromwell Road, London, SW7 2RL

The Victoria and Albert Museum (V&A) is the world’s greatest museumof art and design, representing more than 3,000 years of humancreativity, with collections unrivalled in their scope and diversity.

In recent years the V&A has undergone a dramatic programme ofrenewal and restoration. Highlights include the Medieval Renaissancegalleries containing some of the greatest surviving treasures from theperiod; the breathtaking Jewellery gallery; and the stunning BritishGalleries, illustrating the history of Britain through the nation’s art anddesign. In addition to its outstanding free permanent collection, theV&A offers a programme of temporary exhibitions and an extensiveevents programme.

Existing footage:There is B-roll footage that can be downloaded. Professionally made,the footage highlights the various galleries and temporary exhibitionsand is free to use.

The footage available for press can be viewed here by typing in thedetails below: http://panther3.dmsukltd.com/signin

USER: [email protected]: letmein

LONDON

Contact: Press Office

Telephone: +44 (0) 207 942 2502

Email: [email protected]

Website: www.vam.ac.uk

Page 52: VisitEngland

< back to contents52

Westminster AbbeyThe Chapter Office, 20 Dean’s Yard, London, SW1P 3PA

Westminster Abbey is a world-famous church, and former Benedictinemonastery, in which every king or queen of Britain has been crowned.It also played host to the wedding of HRH the Duke and Duchess ofCambridge in April 2011.

Best time of day to film:Mornings, between 07.00-09.30.

Best vantage point:Nave, Lantern and Lady Chapel.

Access restrictions:There is no general access to roofs and towers.

Filming permit:An Abbey contract must be agreed and signed.

Filming fee:£500 per hour, no waivers.

Public liability insurance:£1million.

Existing footage:B-roll shot by BBC and offered by the Abbey on licence.

LONDON

Contact: Press Office

Telephone: +44 (0) 20 7654 4923

Email: [email protected]

Website: www.westminster-abbey.org

Page 53: VisitEngland

< back to contents 53

Whitechapel Gallery77-82 Whitechapel High Street, London, E1 7QX

For over a century the Whitechapel Gallery has premiered world-classartists from modern masters such as Pablo Picasso, Jackson Pollock,Mark Rothko and Frida Kahlo to contemporaries such as Sophie Calle,Lucian Freud, Gilbert & George and Mark Wallinger. With beautifulgalleries, exhibitions, artist commissions, collection displays, historicarchives, education resources, inspiring art courses, dining room andbookshop, the Gallery is open all year round, so there is alwayssomething free to see. The Gallery is a touchstone for contemporary artinternationally, plays a central role in London’s cultural landscape and ispivotal to the continued growth of the world’s most vibrantcontemporary art quarter.

It’s a fact:In 2012 the Gallery commissioned leading British artist RachelWhiteread to a new work of art for the building’s façade. Titled The Treeof Life the work is her first permanent public commission in the UK.

Best time of day to film:Filming is best scheduled during the morning before 11.00.

Best vantage point:Wide angle or installation shots are most suitable as there may berestrictions on filming certain artworks.

Access restrictions:There is lift access to all levels of the Gallery.

Filming permit:Please contact the Press Office at least a week in advance with filmingrequests and even further in advance if an interview would be required.

Filming fee:Filming requests are dealt with on a case-by-case basis. Filmingrequests taking place outside gallery hours may incur a charge.For all enquiries relating to commercial filming contact:[email protected]

Public liability insurance:Public liability insurance to the value of £10million.

LONDON

Contact: Alex O'Neill

Telephone: +44 (0) 20 7539 3360

Email: [email protected]

Website: www.whitechapelgallery.org

Page 54: VisitEngland

Essential Informationand Top Tips

Page 55: VisitEngland

CONTENTSCycling in London

Docklands Light Railway

Filming on London’s Bridges

Filming on London’s Buses

Filming in London’s Hotels, Pubs &Restaurants

Filming in London’s Royal Parks

Filming on London’s Streets

Kings Cross Station

London from the Air

London in a Black Taxi

London RIB Voyages Ltd

London Underground

St Pancras International Station

Thames Clippers

The Emirates Air Line

The Original London Sightseeing Tour

Page 56: VisitEngland

< back to contents56

Cycling in LondonLondon’s Barclays Cycle Hire is a public bike-sharing scheme for shorterjourneys around the capital. There are more than 8,000 bikes at 570locations across London. More than 17 million journeys have been madeon the bikes since the scheme’s launch in 2010.

The “Boris bikes” (named after London’s Mayor Boris Johnson) areavailable to casual users - including non-UK residents - as well asmembers.

The bikes are easy to hire – simply swipe your membership key, credit ordebit card, grab a bike and go. After you’ve paid your daily, weekly oryearly access fee, your first half-hour is free, with no additional chargeprovided the bicycle is returned within 30 minutes.

When you’ve finished your journey, just drop the bike back to one of themany docking stations across London. Cycle Hire docking stations arelocated across nine London boroughs and in several Royal Parks incentral London.

It’s a fact:Waterloo Station is the most popular place to hire and dock cycles.

The scheme is managed by Transport for London and more details canbe found on the website www.tfl.gov.uk/roadusers/cycling/14808.aspx

Barclays Cycle Hire is happy for crews to film using a bike, but they willneed to pay the hire fee. There is no need to let them know, but youmight need to let the relevant Borough Film Office know if you areplanning to film on public highways.

Did you know? The London Cycle Guides are a set of cycle route maps,originally developed by the London Cycling Campaign in 2002, and nowpublished and given away free by Transport for London.

They cover all of Greater London, and show routes advantageous tocyclists, including parts of the London Cycling Network and the CycleSuperhighways.

They also show traffic-free routes in canals and parks, and some areasblocked to cyclists.

A total of 14 maps are required to cover the whole of Greater London,so you’ll probably want several to cover areas where you plan to ride. For more details and to order copies of the guides visit:www.tfl.gov.uk/roadusers/cycling/11682.aspx

LONDON

Page 57: VisitEngland

< back to contents 57

• Woolwich Arsenal station is a new busy station with very clean lines,staff on hand to assist and terminal status so trains can be used forinterior shots and positioning crews in their required location on thetrain. It also has a tunnel for effect when leaving.

Access restrictions:You can only conduct commercial filming or photography with priorpermission from the operator Serco Docklands. This is regardless ofsubject matter, equipment to be used or size of crew. Some busierstations may not be available during peak periods. Weekends are moreflexible and you can usually film at any time of day. DLR is an openrailway network so for safety reasons you will need to be supervised.

Filming permit:A minimum of four weeks’ notice is required to agree and set up anaverage-sized filming or photography shoot, but it is possible to makearrangements more quickly if necessary. Serco Docklands will usuallyneed to supervise filming and can provide additional crowd control staff.

All members of your party will need to receive a safety briefing beforestarting work on DLR.

All bookings must be supported by a copy of your:• Public Liability Insurance up to £5million • Method Statement• Risk Assessment

Bookings are not confirmed until a contract has been agreed and signedby all parties.

Filming fee:The filming/photography location fee is £250+VAT per hour. You mustpay in full before you start filming. There’s a minimum bookingrequirement of two hours for each session. After that charges are on asliding scale, depending on the number of crew and cast involved.

Public liability insurance:Public Liability Insurance up to £5million.

Docklands Light RailwaySerco Docklands, Castor Lane, Poplar, London, E14 0DS

The Docklands Light Railway (DLR) provides a popular location forfilming and photography thanks to stunning modern architecture,dockside settings, elevated track and modern trains. The DLR is one ofthe first light rail systems in Britain, with one of the world’s mostadvanced automatic train control systems, and has expanded fasterthan any other UK railway. No other rail service in London offers atravelling experience quite like DLR. The fully automated system onelevated tracks offers great views of East London and the Docklands.East London blends the glamour of modern culture and architecturewith its rich maritime heritage and historic buildings. Several DLRstations have iconic backdrops such as the Queen Elizabeth OlympicPark and the gleaming metropolis of Canary Wharf as well as thepicturesque areas of Limehouse Basin and West India Quay.

It’s a fact:The Docklands Light Railway is a driverless railway, which means manypassengers like to sit at the front of the train and pretend to drive it.

Best time of day to film:Off-peak hours, after 09.30 and before 16.00 as it is less busy.

Best vantage point:• Poplar Station has four busy platforms, a good backdrop of CanaryWharf, and Poplar walk way bridge.

• Pontoon Dock Station offers good views, long empty platforms, afree car park, a café, toilets, and Thames Barrier Park.

• Canary Wharf Station is an impressive looking station with fourbusy platforms, space for equipment, good crowd movement, cafésand toilets.

• Heron Quays Station offers good views towards Canary Wharf andopportunities for good train shots.

• South Quay Station is a new station with long platforms andimpressive buildings as a backdrop.

• Canning Town Station is a busy site with good views and connectionswith the Jubilee line. You must sign in with LUL staff here.

• Pudding Mill Lane Station offers an impressive view of the Olympicsite as a backdrop.

• Tower Gateway Station is ideal for obtaining a front-of-train view orallowing a film crew space to work in the train without interruption.

• Stratford Station is another busy site offering room for equipmentand connections with Central/Jubilee/BR Trains. Again, you mustsign in with LUL staff here.

LONDON

Contact: Paul Curtain / Debra Cox

Telephone: +44 (0) 20 7363 9503

Email: [email protected] [email protected]

Website: www.tfl.gov.uk/dlr

Page 58: VisitEngland

< back to contents58

Filming on London’sBridgesLondon Bridge was the first bridge built across The River Thames andthere has been a crossing at or near its present site for nearly 2,000years. The most recent bridge to be built is the Millennium Bridge,completed in 2002.

Adjacent to the Tower of London, Tower Bridge is one of London’s mostfamous and distinctive landmarks and probably the best known of allLondon’s bridges. Considered as a masterpiece of Victorianengineering, the bridge crosses The Thames between Tower Hamlets tothe north and Southwark to the south. However, filming on the bridgeitself is controlled by the City of London.

The boundary line for boroughs on either side of The Thames runsthrough the middle of the river - splitting authority over London’sbridges in two. However, for filming purposes the majority of boroughshave agreed that one will take responsibility for an entire bridge.

For more details, take a look at Film London’s guide to filming onbridges and who you need to contact:http://core.filmlondon.org.uk/library/documents/Bridges_of_London.pdf

For more details on camera positions for the Tower of London,information can be found on Film London’s website:http://core.filmlondon.org.uk/library/documents/Tower_Bridge.pdf.

LONDON

Page 59: VisitEngland

< back to contents 59

Email: [email protected]

Website: www.tfl.gov.uk/corporate/media/4933.aspx

Filming on London’sBusesLondon Buses manage one of the largest bus networks in the world.Approximately 7,500 iconic red buses carry more than six millionpassengers each weekday on a network serving all parts of GreaterLondon. In February 2012, the New Bus for London was introduced andwas the first bus in more than 50 years to be designed specifically forthe capital’s streets. It now runs on 11 of London’s bus routes. Theinterior and external styling of the bus was developed with help fromTransport for London’s design partner, Heatherwick Studio. It wasinspired by the old Routemaster, but is modern, fully accessible anduses the latest green technology.

It’s a fact:More than 90 per cent of Londoners live within 400 metres of oneof the 19,500 bus stops in the capital.

Best time of day to film:Transport for London doesn’t usually allow filming on buses that are inservice. However, outside peak commuter hours you can hire a bus thatwill look like the bus on the route you wish to film, complete with driver.

Access restrictions:You can’t film in most working bus stations and depots. Some operatorswill allow limited filming as long as you meet the costs of providingfilming supervision. You will also need to provide them with adescription of what you will be filming and what the film will be usedfor, plus the number of people involved in filming, times you would liketo film and how long you expect to film for.

Filming permit:In most cases you will need to give at least seven days’ notice.

Filming fee:Yes.

Public liability insurance:Yes.

LONDON

Page 60: VisitEngland

< back to contents60

Filming in London’sHotels, Pubs andRestaurantsLondon has a wide range of wonderful hotels, restaurants and pubswhere some of the greatest chefs in the world work.

Many overseas broadcasters want to film and sample the legendaryBritish afternoon tea – more details on where you can try the bestafternoon tea can be found on the UK Tea Council’s websitewww.tea.co.uk/teaguild

Although many do allow filming, they usually request that afternoontea is filmed outside normal customer hours, therefore in the morning,and restaurants generally request that filming takes place when thereare no customers dining. The Wolseley, by the Ritz Hotel on Piccadilly,for example, only allows filming after midnight and before 07.00.

Pubs are more accommodating, but still require permission in advance.

LONDON

Page 61: VisitEngland

< back to contents 61

Filming in London’sRoyal Parks(including Changing of the Guard) The Royal Parks are unique. Situated in and around central London, the5,000 acres that form them contain everything from palaces andmemorials to a pet cemetery; open meadow, lakes and grassland todense woodland; historic vistas and tree-lined avenues to views overtoday’s London. The Royal Parks comprise Hyde Park, the Green Park,St James’s Park, the Regent’s Park, Greenwich Park, Bushy Park,Richmond Park and Kensington Gardens. In addition, the Royal Parkscare for Brompton Cemetery, Victoria Tower Gardens and GrosvenorSquare Gardens.�Other key locations that are in the Royal Parks includeThe Albert Memorial, The Serpentine (lake) in Hyde Park and Diana,Princess of Wales memorial.

It’s a fact:There are 130,000 trees made up of more than 250 different species,which play a huge part in the health of the capital city by reflecting UVlight, absorbing carbon and filtering the air.

Best time of day to film:If crews would like to film Changing of the Guard they must refer towww.changing-the-guard.com/dates-times.html for times and dates, asat certain times of the year the ceremony doesn’t take place every day. http://bit.ly/A6Z8ka

Best vantage point:The Film Office can advise and this should be detailed on theapplication form that is found on the website.

Access restrictions:The Royal Parks actively support and encourage filming. The type offilming is generally unrestricted, with the exception being projects thatmight be deemed socially irresponsible or disrespectful.��

Filming permit:A permit is required and requests that do not provide a minimum of fiveworking days’ notice will not be considered.

Filming fee:Fees are flexible and are based on the size of the production, thenumber of cast and crew, the number and size of vehicles, the amountof time required, the level of disruption to the public and wildlife andthe PR or profile benefit to the Royal Parks. Payment must be made inadvance of filming by cheque, credit card or BACS.

Public liability insurance:The recommended minimum is £5million.

Existing footage:

http://bit.ly/18dk6h4.

LONDON

Telephone: +44 (0) 300 061 2110 or +44 (0) 300 061 2111.

Email: [email protected]

Website: www.royalparks.org.uk/business/filming

Page 62: VisitEngland

< back to contents62

Credit: London RIB Voyages Ltd

Filming on London’sStreetsTo film on the streets of London, where you can capture some of themost popular locations in the capital, you may need to gain permissionfrom the relevant Borough Film Service. It is free to film on the publicstreet, however you may be charged an administration fee by the BFSand you will be charged for any additional Council service.

London is divided into 33 separate boroughs and each has its ownBorough Film Service (BFS) that deals with filming requests for allLocal Authority managed locations (e.g. streets, estates, commons,town halls, some schools, shopping and leisure centres etc.)

Here is a link to the Borough Film Offices:http://filmlondon.org.uk/networks/filming/boroughs/bfs

LONDON

Page 63: VisitEngland

< back to contents 63

King’s Cross StationKing’s Cross Station, Euston Road, London, N1 9AL

King’s Cross Station first opened in 1852, with the Great Northern Hotelopening just a few years later. Since then, the station has seen manyrefurbishments, with the canopy covered concourse, which has sincebeen demolished, opening on 3 June 1973. In March 2012, a newconcourse covered by a 1,700 tonne steel and glass dome opened asphase one of a new redevelopment of the station, while the secondphase of the construction project, King’s Cross Square, opened inSeptember 2013, with a 7,000 square metre plaza. This project includedrenovating the Grade I-listed building to the highest possible standardand connecting the station to the Great Northern Hotel.

The current station boasts a wonderful mix of renovated, industrialVictorian architecture, with modern and contemporary styles.Features include platforms, concourses, departure boards, retail,high-level walkways and balconies.

It’s a fact:It was one of the famous locations in the Harry Potter films.

Best time of day to film:Weekdays: Off peak filming only – 10.00 – 16.00.Weekends: Any time, while station is open.Overnight: On application.

Best vantage point:The mezzanine level.

Access restrictions:To film trains, permission also needs to be obtained from the TrainOperating Company.

Filming permit:Yes, permission is required and applications need to be made throughthe website where notice periods are also explained.

Filming fee:The fees are on the website - www.networkrail.co.uk/filming - and newscrews will need to obtain permission from the Press Team.

Public liability insurance:Between £5 to £10million – always in pounds sterling.

Existing footage:For news footage, the Press Team can advise.

LONDON

Contact: Felicity Jump

Telephone: +44 (0) 20 7904 7375

Email: [email protected]

Website: www.networkrail.co.uk/filming

Page 64: VisitEngland

< back to contents64

London from the AirHelicopter Film Services can organise aerial filming anywhere inEngland.

Access restrictions:Contact Helicopter Film Services for specific location information.

Filming permit:Central London has restrictions; however Helicopter Film Services hasstanding exemptions to film over Central London.

Public liability insurance:£15million.

Alternative Helicopter companies:Flight LogisticsTim Desbois Tel: +44 (0) 870 620 8046 Mobile: +44 (0)7831 [email protected]

Weston AviationTel: + 44 (0) 208 742 [email protected] www.weston-private-jet-charter.com/film-tv-production

HelimanxTel: +44 (0) 1624 877770Mobile: +44 (0) 7836 [email protected]

LONDON

Contact: Jeremy Braben

Telephone: +44 (0) 1895 833365

Email: [email protected]

Website: www.helicopterfilm.tv

Page 65: VisitEngland

< back to contents 65

London in a Black Taxi431 Caledonian Road, Islington, London, N7 9BG

The London Black Taxis are as much an iconic part of the capital as thefamous landmarks that have stood here for centuries.

It’s a fact:London Taxi Drivers study the ‘knowledge’ of London for an average ofthree to four years.

Best time of day to film:Available 24 hours.

Best vantage point:Where required within London.

Access restrictions:Limited to four persons in each taxi.

Filming permit:Not within the vehicle but may be required for outside venues.

Filming fee:Normally £100 per hour to include use of Taxi and experiencedand qualified driver.

Public liability insurance:Insurance is included in the fee.

LONDON

Contact: Derek O’Reilly & Pat Linskey

Telephone: +44 (0) 20 7700 5681

Email: [email protected]

Website: www.taxitradepromotions.co.uk

Page 66: VisitEngland

< back to contents66

London RIB Voyages LtdCompany: 7th Floor Elizabeth House, 39 York Road,London, SE1 7NJPier: Boarding Gate 1 (One)The London Eye Millennium Pier, SE1 7PB

Speeding down the River Thames on an RIB (speedboat) offersamazing views of London’s iconic skyline and famous architecturalsights, as the RIBs can get up close and personal to all major Londonlandmarks situated along the river bank (including the renownedbridges). London RIB Voyages has the largest and fastest fleet of RIBson the River Thames today, and for this reason it has plenty ofexperience in filming works and offering first-class assistance to ensurecrews capture their desired moments and footage. The company hassuccessfully assisted in photoshoots and both large and small filmingjobs, having taken out TV presenters, journalists and producers from allaround the world. It also provided the actual vessels that took part in anumber of the River Thames scenes in the Harry Potter film ‘TheGoblet of Fire’.

It’s a fact:You might recognise the RIBs from the Queen’s Diamond Jubilee RiverPageant; the entire fleet participated in what was the largest-everparade of boats.

Best time of day to film:Six open RIBs are available during daylight hours. Closed RIB TheChelsea Flyer is available 24/7, perfect for night filming.

Best vantage point:From the front of the boat.

Access restrictions:Ramps are in place on to the pier and up to the Boarding Gate, andthere is stair access to board the RIB from the edge of the pier.

Filming fee:Yes variable, however non-commercial filming does not require alicence from the PLA. This is an external authority and thereforecharges are decided and administered by it.

Public liability insurance:Each vessel has its own public liability insurance, of which the liabilityindemnity is £10million.

LONDON

Contact: Jane Kirby

Telephone: +44 (0) 20 7928 8933

Email: [email protected]

Website: www.londonribvoyages.com

Page 67: VisitEngland

< back to contents 67

London Underground55 Broadway, London, SW1H 0BD

London Underground was formed in 1985, but its history dates back to1863 when the world’s first underground railway opened in London.Today, London Underground is a major business with three millionpassenger journeys made every day, serving 275 stations over 408 km(253 miles) of railway. London Underground is an iconic feature of thecapital and the brand alone immediately identifies the city and itspeople that live and work in it. The Tube has made a significant impacton the development of London more than any other industry over thelast century and has always played a supporting role in film andtelevision.

It’s a fact:Each station is different in style, ranging from Art Deco to modern,urban to countryside.

Best time of day to film:10.00-15.30 or 20.00-23.00

Access restrictions:No lights or flash on any operational platform – all equipment must beat least two metres from the platform edge.

Filming permit:Interested parties can apply online. Two weeks notice is required,sometimes longer depending on diary commitments.

Filming fee:Normal rates start from £500 per hour, but a ‘2-for-1’ rate (two hoursfor the price of one) is available for small crews of five or under.

Public liability insurance:At least £5million.

LONDON

Contact: Film Office

Telephone: +44 (0) 207 918 0003

Email: [email protected]

Website: www.tfl.gov.uk/filming

Page 68: VisitEngland

< back to contents68

St PancrasInternational StationEuston Road, London, N1C 4QP

St Pancras Station was designed by William Barlow in 1863, withconstruction commencing in 1866. The red-brick, Grade 1-listed Gothicfront façade, created as part of a competition in 1865, is one of themost recognisable features of St Pancras International today. Thisbecame the Midland Grand Hotel - designed by Sir George GilbertScott, and now houses the St Pancras Renaissance Hotel. Today, thestation (owned by HS1 Limited) and hotel have been restored andrenovated, with high-quality, modern retail sensitively fused with theoriginal, Victorian architecture. Features include the Barlow Shed androof, the Betjeman and Meeting Place statues, the famous Dent StPancras clock, the Eastern Arch leading to the hotel forecourt, and aground floor level full of high spec, retail spaces. St PancrasInternational Station – as it is now named - offers a wealth ofcontrasting locations, all under one fabulous roof!

It’s a fact:It is home to the longest Champagne Bar in Europe.

Best time of day to film:Weekdays: Off-peak filming only – 10.00 – 16.00.Weekends: Any time.Overnight: 01.00 – 05.00.

Best vantage point:The Grand Terrace (Upper Level).The Arcade (Lower Level).

Access restrictions:Platform filming also requires sign off from Train Operating Company.Filming in Eurostar areas is managed independently by Eurostar.

Public liability insurance:Between £5 to £10million – always in pounds sterling.

LONDON

Contact: Felicity Jump

Telephone: +44 (0) 20 7904 7375

Email: [email protected]

Website: www.networkrail.co.uk/filming

Page 69: VisitEngland

< back to contents 69

Thames ClippersKPMG Thames Clippers, Unit 12, The Riverside Building,

Trinity Buoy Wharf, 64 Orchard Place, London, E14 0FP

The fastest and most frequent fleet on the river, Thames Clippersprovides commuters and sightseers with a unique way to travel aroundthe capital. The high-speed catamarans allow Londoners and visitorsalike to travel in comfort between the city’s iconic riverside attractions,enjoying on board refreshment and fabulous views. While the daily hop-on hop-off River Roamer tickets offer an unrivalled way of exploring theheart of London, Thames Clippers also has a deluxe and versatilecorporate and private hire service.

It’s a fact:Michael Palin, Bon Jovi, Kings of Leon, Eddie Izzard, French PresidentNicolas Sarkozy and his wife Carla Bruni, Tony Blair, Ken Livingston,Boris Johnson, and former Australian Prime Minister John Howardhave all travelled on Thames Clippers.

Best time of day to film:Anytime, but between 10.00-16.00 is preferred.

Best vantage point:On the rear of the boats.

Access restrictions:None, as long as passenger services are not disrupted.

Filming permit:A permit is required, please note a license from the PLA is alsorequired. Thames Clippers can assist with these and a minimum of twoworking days is required.

Filming fee:Fees start from £100 and vary according to requirements. ThamesClippers will consider waiving fees within a variety of circumstances.

LONDON

Contact: Gemma Remon

Telephone: T+44 (0) 207 001 2213 or +44 (0) 207 001 2200

Email: [email protected]

Website: www.thamesclippers.com

Page 70: VisitEngland

< back to contents70

The Emirates Air LineEmirates Royal Docks (close to Royal Victoria DLREmirates Greenwich Peninsula close to the O2,by North Greenwich station)

The Emirates Air Line is the first urban cable car in the UK. It crosses theRiver Thames at heights of up to 90 metres above the river and directlylinks The O2 (the most popular music arena in the World) with the ExCel(Europe’s biggest conferencing venue). Passengers can enjoy spectacularviews across the city including Canary Wharf, the Shard, the Gherkin,Thames Barrier, and the Olympic Park. The Emirates Air Line takesaround 10 minutes to cross the river, and a round trip takes around 20minutes.

Best time of day to film:Views are great at all times of the day, as lighting is not an issue. A dayshoot is ideal for taking shots across the city while the evening is a goodtime to capture a more urban feel.

Best vantage point:As the Emirates Air Line reaches heights of up to 90 metres, the viewsare consistent throughout the ride.

Access restrictions:There are 34 cabins operating on the Emirates Air Line. Each cabin hasthe capacity to accommodate 10 seated passengers, but it isrecommended that there no more than six passengers for filming. TheEmirates Air Line is fully accessible and each cabin can accommodate upto two wheelchairs or up to two bicycles.

Filming permit:A filming permit is required. To request a permit, please [email protected]. Around a week’s notice is ideal, although at timesshorter notice can be accommodated.

Filming fee:The commercial filming charge is £250 per hour for access to a cabinalthough additional charges may apply.

Public liability insurance:The Emirates Air Line is covered by Public Liability Insurance.The Policy is with brokers Aon UK Limited for the amount of up to £50million (Policy No WS1200154) for the amount in excess of £50million (Policy No WS1200178)

A current policy of insurance, providing cover for death and/or personalinjury to any person and loss of, or damage to, any property is required.

LONDON

Contact: Linda Egan / Jasmit Jabbal / Vicky Morley

Telephone: +44 (0) 845 604 4141

Email: [email protected]

Website: www.tfl.gov.uk

Page 71: VisitEngland

< back to contents 71

The Original LondonSightseeing TourJews Row, London, SW18 1TB

Experience the best of London aboard The Original Tour’s famous redopen-top buses. The popular sightseeing tour offers its guests theultimate introduction to the capital and includes entertaining English-speaking guides, an unrivalled fleet of superb modern buses, threemain tour routes – two of which offer full multi-lingual commentary –three free walking tours, a free Thames Hop-on Hop-off river cruisepass, and an exclusive Kids’ Club.

It’s a fact:The Original London Sightseeing Tour is a fun, safe and comfortableway to see London’s famous sights and attractions.

Best time of day to film:An open-top bus gives great light throughout the day (weatherpermitting) but contact The Original Tour to find out the best timeson certain days or times of the year.

Best vantage point:The top deck, naturally!

Access restrictions:Steep steps to the top deck (but these usually are not a problem forfilm crews). Safety considerations regarding standing up and movingaround when the bus is in motion.

Filming permit:Filming requests must be agreed in advance, ideally giving at leastseven days’ notice, by contacting The Original Tour directly.

Filming fee:Depends on nature of the filming and the requirements and durationof the shoot.

Public liability insurance:Recommended, but depends on circumstances.Contact The Original Tour for more information.

Existing footage:Available upon request.

LONDON

Contact: Louise Dolan

Telephone: +44 (0) 20 8877 2107

Email: [email protected]

Website: www.theoriginaltour.com

Page 72: VisitEngland

Filming inLondon’s Theatres

Page 73: VisitEngland

CONTENTSLondon’s Theatreland

Adelphi Theatre

Cambridge Theatre

Her Majesty’s Theatre

London Palladium

New London Theatre

Theatre Royal, Drury Lane

Page 74: VisitEngland

< back to contents74

London’s TheatrelandThis internationally renowned area is home to more than 45

playhouses that stage classic revivals, new plays, musicals, comedy,

opera and ballet. Prominent theatre locations include Shaftesbury

Avenue, St Martin’s Lane, Covent Garden and The Strand and historic

venues include Theatre Royal Drury Lane, Theatre Royal Haymarket,

London Palladium, London Coliseum and Royal Opera House. Most of

the theatres were built in the 18th or 19th centuries and are some of

the capital’s most impressive and iconic buildings. The legendary tkts

ticket booth in Leicester Square, run by the Society of London Theatre,

is the one-stop shop for discount tickets.

Filming locations, including external theatre shots and theatre foyers,

is by arrangement with the Society of London Theatre and EPKs of

most productions can be supplied. Owing to current copyright laws it is

not possible to film shows in their entirety.

For further information please contact Anthony McNeill, Press &

Communications Manager at the Society of London Theatre.

LONDON

Contact: Anthony McNeill

Telephone: +44 (0) 207 557 6727

Email: [email protected]

Page 75: VisitEngland

< back to contents 75

Adelphi TheatreStrand, London, WC2E 7NN

The Adelphi is a Grade II-listed building. It was last reconstructed in1930 when the art deco features still seen today were all introduced bythe architect Ernest Schaufelberg. The last major refurbishment of theauditorium and front-of-house areas was in 1993 when these originalfeatures, some of which had been covered for many years, wererestored to their original splendour.

It’s a fact:The ghost of famous melodramatic actor William Terris is reputed tohave been sighted both in the theatre and at nearby Covent Gardentube station. He was fatally stabbed by fellow actor and colleagueRichard Prince on entering the theatre via the stage door one eveningin 1897. His last words were reportedly “I’ll be back”.

Best time of day to film:The theatre has stage and auditorium lighting, so filming can happen atall times of the day.

Best vantage point:Stage and auditorium and the Art Deco front-of-house bars.

Access restrictions:No, as long as the running of a working theatre is not interrupted.

Filming permit:A location agreement is required and as much notice as possible.Last-minute film shoots are welcome.

Filming fee:The filming fee depends on the scale of the film shoot and the lengthof the day.

Public liability insurance:The theatre has public liability insurance but film companies areadvised to insure against damage and/or injury to the building and/orits employees – up to a ceiling of £5million.

LONDON

Contact: Michael Townsend

Telephone: +44 (0) 207 557 7317

Email: [email protected]

Website: www.reallyuseful.co.uk

Page 76: VisitEngland

< back to contents76

Cambridge TheatreEarlham Street, London, WC2 9HU

The Cambridge Theatre is one of the youngest theatres in the WestEnd, having opened in 1930. The theatre is situated opposite SevenDials in Covent Garden and its recent front-of-house redecoration is inkeeping with the Art-Deco style of the building.

It’s a fact:The interior decoration was by Serge Ivan Chermayeff from Waringand Gillow – he later went on to design the De La Warr Pavilion atBexhill on Sea.

Best time of day to film:The theatre has stage and auditorium lighting, so filming can happen atall times of the day.

Best vantage point:Stage, auditorium and from the roof.

Access restrictions:No, as long as the running of a working theatre is not interrupted.

Filming permit:A location agreement is required and as much notice as possible.Last-minute film shoots are welcome.

Filming fee:The filming fee depends on the scale of the film shoot and the lengthof the day.

Public liability insurance:The theatre has public liability insurance but film companies areadvised to insure against damage and/or injury to the building and/orits employees – up to a ceiling of £5million.

LONDON

Contact: Michael Townsend

Telephone: +44 (0) 207 557 7317

Email: [email protected]

Website: www.reallyuseful.co.uk

Page 77: VisitEngland

< back to contents 77

Her Majesty’s TheatreHaymarket, London, SW1Y 4QL

Her Majesty’s Theatre, designed by C J Phipps, opened in 1897. Thetheatre is situated in London’s Haymarket, close to such familiarLondon landmarks as The Mall, Piccadilly Circus and Trafalgar Square.Since 1705 there have been four theatres on the site of Her Majesty’s.The current building was erected by the famous actor-manager SirHerbert Beerbohm Tree to house his spectacular Shakespeareproductions and literary adaptations. Its early history as an operahouse makes it a fitting home for the long-running success of ThePhantom of the Opera.

It’s a fact:When the theatre opened in 1897 it set a new theatrical precedent – thestage was flat. While this may seem relatively unimportant to the casualspectator, the change from a raked or sloping stage to a level one brokewith a tradition of centuries.

Best time of day to film:It has stage and auditorium lighting, so filming can happen at all timesof the day.

Best vantage point:Auditorium and stage. The stage can be converted into a clear“black box” for film shoots.

Access restrictions:No, as long as the running of a working theatre is not interrupted.

Filming permit:A location agreement is required and as much notice as possible.Last-minute film shoots are welcome.

Filming fee:The filming fee depends on the scale of the film shoot and the lengthof the day.

Public liability insurance:The theatre has public liability insurance but film companies areadvised to insure against damage and/or injury to the building and/orits employees – up to a ceiling of £5million.

LONDON

Contact: Michael Townsend

Telephone: +44 (0) 207 557 7317

Email: [email protected]

Website: www.reallyuseful.co.uk

Page 78: VisitEngland

< back to contents78

London PalladiumArgyll Street, London, W1F 7TF

This legendary Edwardian theatre, built by Frank Matcham, opened on

Boxing Day 1910 as a lavish music hall. The theatre occupies a site in

the heart of the bustling West End that had previously been home to a

Corinthian Bazaar, Henglers Grand Cirque and the National Skating

Palace. It is the venue to which all performers aspire.

It’s a fact:

The London Palladium has hosted more annual Royal Variety

Performances than any other theatre, the first taking place in 1930.

Sunday Night at the London Palladium was first broadcast in 1955 and

made stars of its hosts Bruce Forsyth, Norman Vaughan and Jimmy

Tarbuck, whose pictures, among many others, hang in the theatre’s

“Hall of Fame”.

Best time of day to film:

The theatre has stage and auditorium lighting, so filming can happen at

all times of the day. The front-of-house areas have recently been

refurbished. An elegant spiral staircase now leads down from the Val

Parnell Bar to the Variety Bar with natural day-light from above.

Best vantage point:

Stage, auditorium, Grand Foyer staircase, Val Parnell Bar, Cinderella Bar

Access restrictions:

No, as long as the running of a working theatre is not interrupted.

Filming permit:

A location agreement is required and as much notice as possible.

Last-minute film shoots are welcome.

Filming fee:

The filming fee depends on the scale of the film shoot and the length

of the day.

Public liability insurance:

The theatre has public liability insurance but film companies are

advised to insure against damage and/or injury to the building and/orits employees – up to a ceiling of £5million.

LONDON

Contact: Michael Townsend

Telephone: +44 (0) 207 557 7317

Email: [email protected]

Website: www.reallyuseful.co.uk

Page 79: VisitEngland

< back to contents 79

New London TheatreDrury Lane, London, WC2B 5PF

The New London Theatre, as it is today, opened in 1973. Between 1977and 1980 the auditorium was used as a television studio and the wholebuilding was occasionally put to use as a conference centre as had beenintended in the building’s revolutionary design. The musical Catsopened here in 1981 and ran for a record-breaking 21 years.

It’s a fact:Although the New London is a modern building, there has beenentertainment on the site since Elizabethan times. Nell Gwynne,mistress of Charles II, was associated with the tavern here that, by theend of the 17th century, was called the Great Mogul. In the early 18thcentury it was a meeting place for Glee Clubs and “sing-songs” wereheld in the adjoining hall.

Best time of day to film:The theatre has stage and auditorium lighting, so filming can happenat all times of the day.

Best vantage point:Stage, auditorium and front-of-house bars.

Access restrictions:No, as long as the running of a working theatre is not interrupted.

Filming permit:A location agreement is required and as much notice as possible.Last-minute film shoots are welcome.

Filming fee:The filming fee depends on the scale of the film shoot and the lengthof the day.

Public liability insurance:The theatre has public liability insurance but film companies areadvised to insure against damage and/or injury to the building and/orits employees – up to a ceiling of £5million.

LONDON

Contact: Michael Townsend

Telephone: +44 (0) 207 557 7317

Email: [email protected]

Website: www.reallyuseful.co.uk

Page 80: VisitEngland

< back to contents80

Theatre RoyalDrury LaneCatherine Street, London, WC2B 5JF

The Theatre Royal Drury Lane is the oldest theatre in the world stillin continuous use as a playhouse. Steeped in history, it has providedLondon with a variety of spectacular theatrical entertainments andhas, in modern times, been a home for long-running musicalsincluding My Fair Lady, Miss Saigon and Oliver!

It’s a fact:An unknown man who was murdered and walled up in the Upper Circleis said to visit the theatre as a ghost – the Man in Grey – and the ghostof the famous clown, Grimaldi, is said to give actors a kick up thebackside if they don’t give their all!

Best time of day to film:The theatre has stage and auditorium lighting so filming can happen atall times of the day. The front-of-house areas have recently beenrefurbished and daylight shows its Regency grandeur in all its glory.

Best vantage point:Stage, Auditorium, Upper and Lower Rotundas, Grand Staircase,Grand Saloon, Royal Retiring Room.

Access restrictions:No, as long as the running of a working theatre is not interrupted.

Filming permit:A location agreement is required and as much notice as possible.Last-minute film shoots are welcome.

Filming fee:The filming fee depends on the scale of the film shoot and the length ofday.

Public liability insurance:The theatre has public liability insurance but film companies areadvised to insure against damage and/or injury to the building and/orits employees – up to a ceiling of £5million.

LONDON

Contact: Michael Townsend

Telephone: +44 (0) 20 7557 7317

Email: [email protected]

Website: www.reallyusefultheatres.co.uk

Page 81: VisitEngland

Shoppingand Local Markets

Page 82: VisitEngland

CONTENTSBond Street

Borough Market

Brick Lane

Burlington Arcade

Camden Lock Market

Carnaby

Columbia Road Flower Market

Fortnum & Mason

Greenwich Market

Hamleys of London

Jermyn Street

John Lewis

Oxford Street

Regent Street

Royal Exchange

Selfridges London

Seven Dials, a shopping villagein Covent Garden

Spitalfields Estate

St Christopher’s Place

Westfield, London

Westfield, Stratford City

Page 83: VisitEngland

< back to contents 83

Bond StreetMayfair, London

London’s famous Bond Street is revered throughout the world for itswealth of elegant stores, exclusive brands, designer fashion, luxurygoods, fine jewels, art and antiques. Set in the heart of Mayfair, inLondon’s popular West End and encompassed by many of the world’smost outstanding hotels and restaurants, Bond Street is a landmark forall things sophisticated. Since its foundation in 1700, Bond Street hasbeen the playground of society’s wealthiest, most stylish andinfluential people. Bond Street is home to some of the world’s mostprestigious retailers and offers an unrivalled mix of traditionalelegance and modern luxury.

It’s a fact:Past residents of the street include Admiral Horatio Nelson and LadyEmma Hamilton as well as a number of renowned authors and poets.Today, over 300 years on, Bond Street remains a much-loveddestination for celebrities, socialites and the international jet set.

Best time of day to film:Bond Street is not an overly busy street so timing is not restricted.

Best vantage point:A good vantage point is on New Bond Street, past Clifford Street andjust as you come to Grafton Street. Here, there is a smallpedestrianised area with a flower stall and the famous ‘Allies’ bronzeby Lawrence Holofcener, featuring Franklin D Roosevelt and WinstonChurchill sitting talking together on a bench. The statue was a giftfrom The Bond Street Association to the City of Westminster tocommemorate 50 years of peace.

Access restrictions:Some areas of the street have narrow pavements, which are not idealfor a film crew to stop.

Filming permit:It depends on the size of crew and whether any street closure would berequired.

Public liability insurance:This is usually covered by the crews’ own usual liability.

LONDON

Contact: Katie Thomas

Telephone: +44 (0) 207 708 4181

Email: [email protected]

Website: www.bondstreet.co.uk

Page 84: VisitEngland

< back to contents84

Borough MarketBorough High Street, Borough, London, SE1 9DE

Borough Market is London’s most renowned food market; a source ofexceptional British and international produce. It is a haven foranybody who cares about the quality and provenance of the food theyeat - chefs, restaurateurs, passionate amateur cooks and people whojust happen to love eating and drinking. But it’s not just the sheerquality of the food on offer that makes Borough Market special – it isalso about the people and the place. The market is populated by acommunity of remarkable individuals from all over the UK, Europe andthe rest of the world, all of whom care deeply about the food and drinkon offer. Many of the stallholders are themselves producers – peoplewho grow, rear or bake the food that they sell. Others are importerswith intimate knowledge of whichever corner of the globe they sourcetheir products from.

Best time of day to film:The market is open Thursday, 11.00-17.00, Fridays 12.00-18.00and Saturdays 08.00-17.00.

Best vantage point:Please email the filming contact for further details.

Access restrictions:Please email the filming contact for further details.

Filming permit:Please email the filming contact for further details.

Filming fee:Please email the filming contact for further details.

Public liability insurance:Please email the filming contact for further details.

LONDON

Contact: For an application form please go to:www.boroughmarket.org.uk/filming-and-photography

Email: [email protected]

Website: www.boroughmarket.org.uk

Page 85: VisitEngland

< back to contents 85

Brick LaneBrick Lane, Shoreditch, London, E1 6PU

Brick Lane as a film location is a microcosm of London’s shifting ethnicpatterns. What used to be poor slums and an area riddled with crimefrom the Jack the Ripper murders, is now the funky, vibrant, trend-setting heart of East London, leading the way in vintage goods andunderground cool. It is also naturally associated with London’sBangladeshi community and a great deal of filming takes place on thestreet to capture the atmosphere of neon lights, the seeminglyhundreds of curry houses, hidden alleyways and Asian supermarkets.Many stars of the film world have trodden the pavements around BrickLane, so why not get in touch to be the next. Brick Lane market runsevery Sunday.

It’s a fact:Brick Lane is world famous for its graffiti, which features artists such asBanksy, D*Face and Ben Eine. The lane has been used in many musicvideos such as “Glory Days” by Just Jack and “All These Things ThatI’ve Done” by The Killers.

Best time of day to film:Anytime of day is good, although certain steps need to be takenregarding filming past 22.00, including a letter drop to local residentsand businesses in the area. It is a busy and lively area 24/7.

Best vantage point:Anywhere is good as it is a long road with lots of interest.

Access restrictions:There is a one-way driving route on Brick Lane and there is novehicle access on Sundays.

Filming permit:If you need to film in the market on Sundays you will be issued with afilming and photography licence that starts at £100 per hour.

Filming fee:If the production is using handheld equipment and a tripod there is nocharge. For anything bigger, equipment-on-highway fees may beapplicable as would a location fee, as discussed previously for markets.

Public liability insurance:Public liability is required for every shoot no matter how big or small,and the minimum required is £5million.

LONDON

Contact: Olwyn Hinds / Dominic Reeve-Tucker

Telephone: +44 (0) 208 9808771

Email: [email protected] / [email protected]

Website: www.filmoffice.co.uk

Page 86: VisitEngland

< back to contents86

Burlington Arcade, opened in 1819, is England’s oldest and longestshopping arcade, and has long been favoured by Royalty, celebritiesand the cream of British society. The Arcade houses more than 40specialist shops – shoppers will find rare gemstones, vintage watches,bespoke footwear and the finest leather and cashmere accessories.

It’s a fact:BURLINGTON BEADLES & THE RULES: The Burlington Beadles havebeen the knowledgeable uniformed guards of the Arcade since 1819.They are the smallest private police force in existence today, and pre-date the Metropolitan Police force by 10 years. The Beadles wereoriginally recruited to enforce a strict set of behavioural rules in theArcade, many of which still apply today. These include the prohibitingof open umbrellas, bicycles and whistling; Sir Paul McCartney is theonly person who has been given permission to whistle in the Arcade.

CELEBRITY SHOE SHINER: Expert Romi Topi, whose celebrity clienteleincludes model David Gandy and actor Bill Nighy, offers a daily shoeshine service at the Arcade. On average he shines shoesfor around 45 customers per day. Press Filming is available with Romi.

STORE FACTS: Penhaligons and Crockett and Jones stores both haveRoyal Warrants. These are a mark of recognition of those who havesupplied goods or services for at least five years to the Households ofHM The Queen, HRH The Duke of Edinburgh or HRH The Prince ofWales. Richard Odgens supplies jewellery and tiaras for BBC’sDowntown Abbey and was the first jewellers to create the ‘Ring Room’– a private room dedicated to engagement and wedding rings.

Watch enthusiasts will find the world’s largest collection of vintageOmega, Patek Philippe pocket watches at Somlo Antiques andVintage Rolex watches at The Vintage Watch Company - you can evenhave a vintage Rolex watch from your year of birth. It’s also home tothe UK’s only in-house Patek Philippe trained technician at industryveteran’s store, David Duggan.

David Duggan also provides a service teaching butlers how to care fortheir employer’s watches.

Ladurée store is one of the most eye-catching and most photographedaspects of the Arcade due to its gold leaf interior. Interior designerscame from Paris to apply the gold leaf layer by layer which tookweeks. At the time, £130,000 worth of gold leaf was applied.

Hancocks are known for creating the Victoria Cross, which is madefrom the metal of a bronze canon captured from Russians in the war.Only a limited amount of crosses can be made from the remainingcanon as there isn’t much left of it. Due to the rarity the medals nowsell for thousands. The last medal reached £276,000 at auctionin 2012.

Best time of day to film:10.00 – 17.00 and ask that crews keep to maximum of five persons. It is also possible to film out of hours when stores are closed.

Best vantage point:It’s a 180 metre covered arcade so positions can be chosen by thecrews.

Access restrictions:Access for loading etc is Burlington Gardens entrance.

Filming fee:There is no charge for filming that will help to promote BurlingtonArcade and its stores. There may be a charge of filming is forcommercial usage however, and this is reviewed on a case-by-casebasis.

Public liability insurance:£5million is standard and filming companies would be expected tohave this in place.

Burlington Arcade51 Piccadilly, London, W1J 0QJ

LONDON

Contact: Ellen Lewis or Mark Lord

Telephone: +44 (0) 20 7493 1764 or +44 (0) 7866 254999

Email: [email protected] [email protected]

Website: www.burlington-arcade.co.uk

Page 87: VisitEngland

< back to contents 87

Camden Lock MarketCamden Lock, London, NW1 8AF

Camden Lock Market is a multi-use site incorporating the world famousmarket, numerous shops, a global food market, entertainments venues,workshops and offices. The London Waterbus company also operates acanal boat service along the canal to ZSL London Zoo and Little Venice.

Best time of day to film:Midweek – weekend is too busy as the site is taken over with stalls.

Access restrictions:There is limited access and very little parking.

Filming permit:Yes – at least 14 days’ notice.

Filming fee:£400 per half day.

Public liability insurance:£5million.

LONDON

Contact: Jackie Clode-Dickens

Telephone: +44 (0) 207 485 7963

Email: [email protected]

Website: www.camdenlockmarket.com

Page 88: VisitEngland

< back to contents88

CarnabyCarnaby, London, W1F 9PS

Discover the 13 streets of Carnaby – including the iconic Carnaby Street– 52 unique independent boutiques, 40 global fashion brands, 15concept shops and 61 independent restaurants, cafés and bars, makingit one of London’s most popular and distinctive shopping and lifestyledestinations.

It’s a fact:More than 60 per cent of stores in the area are independent.

Best time of day to film:Between 11.00 – 17.00.

Best vantage point:Ground level on Carnaby Street looking at the street arch and Libertydepartment store.

Access restrictions:Filming is not permitted between 07.00 – 11.00 due to the street beingopen to delivery vehicles.

Filming permit:Only permission from communications agency Sister is required if notusing tripod. If tripod and other static props are used, a permit needsto be applied for at Westminster City Council.

Filming fee:Not from Sister.

Public liability insurance:Yes. To be confirmed by Westminster City Council.

Existing footage:Yes, from Sister. HD is available.

Image credit: Carnaby, London

LONDON

Contact: Sarah Mole

Telephone: +44 (0) 207 287 9601

Email: [email protected]

Website: www.carnaby.co.uk

Page 89: VisitEngland

< back to contents 89

Columbia Road FlowerMarketColumbia Road, London, E2 7RG

As a film and photography location, Columbia Road is a beautiful,naturally vibrant spot, thanks to the abundance of flower stalls andenergetic stall traders. On Sunday the street is transformed into anoasis of foliage and flowers. Everything from bedding plants to 10-footbanana trees are up for grabs. The air is intense with the scent offlowers and the chant of the barrow boys “Everythin’ a fiver”. A lot ofthe flower sellers grow their own plants.

It’s a fact:It was the crime scene of Jack the Ripper’s second victim. But it’s alsoworth going just to see the traders in action.

Best time of day to film:The market runs from 08.00-14.00 and gets very busy. During thesummer months 10.00 is usually a good time to go.

Best vantage point:Western end of the market.

Access restrictions:No tripods are permitted, a reduced crew is preferred due to the crowdsand there is no vehicle access into the market.

Filming permit:A location license is required.

Filming fee:The fee for filming in the markets starts at £100 per hour.

Public liability insurance:All locations require public liability insurance of at least £5million.

LONDON

Contact: Olwyn Hinds, Dominic Reeve-Tucker

Telephone: +44 (0) 208 980 8771

Email: [email protected], [email protected]

Website: www.filmoffice.co.uk

Page 90: VisitEngland

< back to contents90

Fortnum & Mason181 Piccadilly, London, W1A 1ER

Fortnum & Mason, established in 1707 in Piccadilly London, is one ofthe world’s finest stores, renowned for wonderful hampers and alegendary Food Hall. Fortnum’s is synonymous with food, drink andcelebration. While food and drink remain the soul of the business,Fortnum’s history and reputation are also deeply rooted in providingthe finest array of gifts, from the most exclusive and delicate to themost unusual.

It’s a fact:Legend has it that William Fortnum, footman at the Court of QueenAnne, enjoyed the ‘perk’ of replacing the used beeswax candles eachnight. Being a Fortnum, he saw this as an opportunity for expansion,and set up a lucrative sideline in selling the candle ends to the ladies ofthe Court. With his landlord, Hugh Mason, the business opened – in asmall way – in Duke Street.

Best time of day to film:Pre-opening time, Monday to Friday before 10.00 shop floor. Before11.30 in the Tea Salon.

Best vantage point:Depending on filming request, in store Food Halls, bottom/top ofatrium, Gallery Restaurant.

Access restrictions:No filming during trade.

LONDON

Contact: Seven Dials PR

Telephone: +44 (0) 20 3740 7476

Email: [email protected]

Website: www.fortnumandmason.com

Page 91: VisitEngland

< back to contents 91

Greenwich Market5b Greenwich Church Street, London, SE10 9HZ

Greenwich is a historic part of London set on the banks of the RiverThames in a World Heritage site, just 10 minutes by train from LondonBridge. For shoppers, Greenwich is an inspiring place to shop, thanksto the eclectic mix of designer-maker independent shops andboutiques that line streets in and around the town centre and the stallsthat make up the famous Greenwich Market, which is fondly regardedas one of London’s best covered markets. Home to a diverting mix ofstalls, up to 120 at the weekends, the market is open daily Tuesdays toSundays. On Thursdays and Fridays the focus is on vintage andcollectables, Wednesdays, Saturdays and Sundays is craft and designwith the welcome addition of a great selection of street food to go.

It’s a fact:The market has a cobbled stone floor and statuesque portico at oneend and the lanes leading into the market are very quaint. It is a RoyalCharter market, which was originally assigned to the Commissioners ofGreenwich Hospital on the 19th December 1700 for 1,000 years and theoriginal site lay in what is now the Old Royal Naval College. It moved tothe current site in the early 1800s. The market originally sold freshproduce and today it is known for its creative designer maker stalls.The market is owned by Greenwich Hospital – the Royal Navy’s oldestcharity. This ancient Crown charity provides charitable supportincluding annuities, sheltered housing and education, to serving andretired personnel of the Royal Navy and Royal Marines and theirdependants. The rents from the stall holders contribute to the charity.

Best time of day to film:The market is covered with a glass roof so you can film at any time.There is no market on a Monday (except in the high summer) so it isempty then; other days stalls are laid out and it is very busy on Friday,Saturday and Sunday.

Access restrictions:The weekends are very busy with visitors and it is difficult for filmcrews to walk through on these days.

Filming permit:Filming requests should be made to Jennifer Hall-Thompson at:[email protected] by email, preferably two weeks in advance.

Filming fee:Filming fee depends on the use, time of week, time of year etc. Maximum£1,500 per day. Fees can be waived/reduced for non-commercial filming.

Public liability insurance:Yes, valid public liability insurance is essential, minimum £5million.

LONDON

Contact: Jennifer Hall-Thompson

Telephone: +44 (0) 7932 690 678 / +44 (0) 208 683 9595

Email: [email protected]

Website: www.greenwichmarketlondon.com

Page 92: VisitEngland

< back to contents92

Hamleys of London 188-196 Regent Street, London, W1B 5BT

Hamleys of London is one of the finest toy shops in the world.

Best time of day to film:Depends on the time of year – if it is school holidays or Christmas itgets very busy and filming is often refused.

Best vantage point:For demonstrations, see the entertainment teams. The front of thestore also offers a good vantage point and there are seven floors intotal with thousands of toys.

Access restrictions:It depends on time of year and what the film is going to be used for.

Filming permit:Over one week’s notice, as a chaperone needs to be organised.

Filming fee:There is a charge, but it may be waived.

LONDON

Contact: Jeneen Hippolyte

Telephone: +44 (0) 207 479 7368

Email: [email protected]

Website: www.hamleys.com

Page 93: VisitEngland

< back to contents 93

Jermyn StreetSt James’s, London

There are few destinations in the world that match the quality,craftsmanship and quintessential British individuality of Jermyn Street.Famed the world over for its shirt makers, Jermyn Street is theultimate destination for the true gentlemen’s wardrobe.

It’s a fact:For more than 300 years distinguished gentlemen have shopped alongJermyn Street. Whether it be for shirts, ties, top hats, fragrance, finewines or cigars, Jermyn Street has played host to kings, PrimeMinisters, actors and style icons from Winston Churchill and FredAstaire to current James Bond, Daniel Craig.

Best time of day to film:Jermyn Street is not an overly busy street so timing is not restricted.

Best vantage point:A good vantage point is just outside the entrance to Piccadilly Arcade,which runs from Jermyn Street up to Piccadilly. At this point there is asplendid statue of Beau Brummell, a Regency dandy, widelyacknowledged as the originator of the modern day neck tie.

Access restrictions:Some areas of the street have narrow pavements, which are not idealfor a film crew to stop.

Filming permit:It depends on the size of the film crew and whether any street closureswould be required.

Public liability insurance:Yes – usually covered by the crews’ own usual liability.

LONDON

Contact: Katie Thomas

Telephone: +44 (0) 207 708 4181

Email: [email protected]

Website: www.jermynstreet.net

Page 94: VisitEngland

< back to contents94

John Lewis300 Oxford Street, London, W1A 1EX

John Lewis Oxford Street is an unmissable shopping destination forvisitors to the capital. The shop offers one of the best collections ofBritish brands and is famed for its rich heritage and Royal Warrantstatus and is the perfect place to buy gifts in London. The flagship shoprecently received a multi-million pound makeover and launched themuch-anticipated exclusive fashion label Somerset by Alice Temperley;famous for dressing the Middleton sisters, the collection includesdaywear, eveningwear and accessories. You can pamper yourself in oneof London’s best beauty halls or relax in one of four invitingrestaurants. John Lewis Oxford Street also boosts a foodhall that offers17,000 square-foot of gastronomic heaven, with everything from adedicated cheese room to an extensive wine and spirits departmentstaffed by Masters of Wine.

It’s a fact:The flagship shop on Oxford Street was awarded the Royal Warrant byHer Majesty the Queen in 2008 as a ‘Supplier of Haberdashery andHousehold Goods’. Lord Byron, a leading figure in the Romanticmovement, was born on the site of John Lewis Oxford Street over 200years ago. He’s best-known works include She Walks in Beauty, FirstKiss of Love and Don Juan. Lord Byron travelled to fight against theOttoman Empire in the Greek War of Independence, for which Greeksrevere him as a national hero. He was celebrated in life for aristocraticexcesses including huge debts and numerous love affairs.

John Lewis Oxford Street is home to the artwork of the Winged Figure,a figure designed by the sculptor Barbara Hepworth. It’s remained onthe side of the building since it was commissioned in 1963.

Best time of day to film:Filming is available between Mondays and Fridays.

Best vantage point:In the beauty hall on the ground floor or from the canopy.

Access restrictions:Filming is usually best arranged during the store’s opening hours andJohn Lewis requests that there is no more than three crew members.

Filming permit:A minimum of 48 hours’ notice is required (in exceptionalcircumstances 24 hours’ notice can be arranged).

Filming fee:A filming fee is required for filming outside of store opening hoursfor which a rate card is available.

Public liability insurance:Yes, your own is required.

Existing footage:It can be sought on request.

LONDON

Contact: Beth Nicholson

Telephone: +44 (0) 207 828 0118

Email: [email protected] or [email protected]

Website: www.johnlewis.com/our-shops/oxford-street

Page 95: VisitEngland

< back to contents 95

Oxford StreetOxford Street, London, W1

Oxford Street is the UK’s retail mecca, with a 1.5 mile stretch of flagshipdesigner and high street brands, putting it on the map as the must-visitshopping destination for thousands of shoppers across the world. Theretail outlets Oxford Street offers is completely unrivalled, with storesincluding Europe’s largest Topshop store plus flagship stores includingSelfridges, John Lewis and House of Fraser.

It’s a fact:Oxford Street is the longest high street in Europe.

Best time of day to film:The area is serviced by some of London’s busiest tube stations (OxfordCircus, Bond Street and Tottenham Court Road), so rush hour meansthe area can be very busy (depending on your filming request this canbe a good or bad thing). As an outdoor street, there is natural light, andsummer months mean longer hours of daylight.

Best vantage point:There is access to a variety of retailer’s rooftops to film from, as well ason the street.

Access restrictions:Filming inside stores needs prior consent from the retailers themselves.

Filming permit:Generally no. If parking is required, for an OB truck for an example,then a parking permit, to park on the street will need to be obtained viathe Council prior to filming.

Filming fee:Generally no.

LONDON

Contact: Lizzie Costelloe

Telephone: : +44 (0) 20 7828 0110

Email: [email protected]

Website: www.oxfordstreet.co.uk

Page 96: VisitEngland

< back to contents96

Regent StreetRegent Street, London, W1

Regent Street offers a stunning shopping and dining experiencesurrounded by beautiful listed architecture. There are more than 100global brands such as Liberty, Apple, Hamleys and Anthropologielocated here.

It’s a fact:Home to the world’s largest Burberry store.

Best time of day to film:From 11.00-17.00.

Best vantage point:There is access to rooftop vantage points.

Filming permit:Only permission from Sister Communications required if not usingtripod. If tripod and other static props are used, a permit needs to beapplied for at Westminster City Council.

Public liability insurance:Yes. To be confirmed by Westminster City Council.

Existing footage:Yes, from Sister. HD is available.

LONDON

Contact: Lucia Ruz

Telephone: +44 (0) 20 7287 9601

Email: [email protected]

Website: www.regentstreetonline.com

Page 97: VisitEngland

< back to contents 97

Royal ExchangeBank, City of London, EC3V 3LR

Luxury shopping and fine dining destination in the heart of The City, atBank Junction; The City’s busiest commuter intersection, it taps directlyinto 600,000 of London’s highest-paid workers. The Royal Exchangeoffers a premium shopping experience with its unique collection of theworld’s leading luxury brands, including fine jewellery, leather goods,watches and shoes. At the centre of the Royal Exchange is a dramaticcourtyard with bars and restaurant at ground and mezzanine level. It ishere where people gravitate by day for a brisk business lunch or catch-up coffee. In the evenings, the Royal Exchange courtyard is buzzingwith city workers, relaxing over a glass of champagne or enjoying thefine dining experience. For culture, guests make tracks for the gallerynestled in the Royal Court Entrance, which hosts exhibitions, events andartist appearances.

It’s a fact:Flanked by the Lord Mayor’s Mansion House and the Bank of England,the Royal Exchange has taken pride of place in The City since 1565.The current building is the third to stand on the site – the first, foundedas London’s centre of commerce by Thomas Gresham, was destroyed inthe Great Fire of London. The second, also destroyed by fire, was thenrebuilt to the same design and reopened in 1844 by the young QueenVictoria. After a century of additions honouring the original style, 2004saw the launch of the Grand Café and Bar to complete the building as adestination for luxury retail and sophisticated dining in the heart ofThe City.

Best time of day to film:Weekends are the best time to film and lunchtime must be avoided.

Best vantage point:Mezzanine level and below the steps of the Royal Exchange.

Access restrictions:Yes, all access needs advanced permissions and there’s no access to theupper office floors.

Filming permit:Two weeks + and needs to be provided in written permission by IDPR.

Filming fee:£500 licence fee unless specifically waived for substantial coverage.

Public liability insurance:No.

LONDON

Contact: Eleanor Luther

Telephone: +44 (0) 207 708 4181

Email: [email protected] / [email protected]

Website: www.theroyalexchange.co.uk

Page 98: VisitEngland

< back to contents98

Selfridges, London400 Oxford Street, London, W1A 1AB

The business was founded by American entrepreneur Harry GordonSelfridge in 1909 and was widely regarded as the first and bestexample of a modern department store. Gordon Selfridge ran thestore himself until he retired in 1940. After several ownerships thecompany was de-merged from the Sears Group in 1998 and floated onthe London Stock Exchange. In 2003 W. Galen Weston purchasedSelfridges and under his ownership Selfridges has become a uniqueUK destination for fashion, luxury and retail theatre known for itsworld-class yet egalitarian customer approach. In June 2010Selfridges was named Best Department Store in the World by theIGDS (Intercontinental Group of Department Stores). The title, whichSelfridges held until June 2012, is the industry’s highest accolade.Selfridges won the title again in June 2012, for an unprecedented twotimes consecutively. The title applies until June 2014. Selfridges hasfour stores in London, Birmingham and Manchester (Trafford Centre,Exchange Square) and an online store delivering within the UK. Otherthan fashion, accessories and beauty, Selfridges is famous for itsFood Hall, which offers a huge range of produce and labels sourcedspecifically from small, and often local, suppliers.

It’s a fact:A global hit television series, Mr Selfridge, portrays the store’s founder.It currently houses the largest denim department in the world, thelargest men’s shoe department in the world and, in 2010, launched thelargest women’s shoe department in the world. It is also the onlyheritage store in the world to have its own psychic service.

Best time of day to film:Depends on subject, location within the store, time of year. It is bestto ask and each request will be considered on merit.

Access restrictions:Some, but minimal – dependent on request.

Filming permit:Filming needs to be fully signed off by the Selfridges Press Officeand pre-arranged.

Public liability insurance:Any company wishing to film within Selfridges needs both employeeliability insurance for a minimum of £10million and a public liabilityinsurance for a minimum of £5million.

LONDON

Contact: Bruno Barba, Senior Brand Manager, PR Manager

Telephone: +44 (0) 207 318 3204

Email: [email protected]

Website: www.selfridges.com

Page 99: VisitEngland

< back to contents 99

Seven Dials, a shoppingvillage in CoventGarden, LondonSeven Dials, Covent Garden, London, WC2

Seven Dials is a stylish shopping village in Covent Garden filled withmore than 120 independent and British heritage retailers, as well as ahost of bustling restaurants, bars and cafés from across the globe.Boasting a rich heritage from Dickensian times through to MontyPython’s Flying Circus, Seven Dials is also the birthplace of well-knownbrands including Neal’s Yard Remedies, Neal’s Yard Dairies andMonmouth Coffee – all of which still reside in the area. Seven Dials’cobbled streets, personal service and easy to navigate layout embodythe community feel of the area, while the upmarket, modern retail andrestaurant spaces nod to the area’s reputation for independent style.The Dial monument is the focal point of the area and helps to adjoinSeven Dials’ streets, while nearby hidden Neal’s Yard is a colourfuldestination for locals in the know, home to a plethora of deliciouseateries and drinking holes.

It’s a fact:Seven Dials’ Neal’s Yard is home to Monty Python’s original animation,editing and recording studio, plus former Beatles’ manager BrianEpstein ran his successful management company NEMS in the offices of13 Monmouth Street. The area’s rich heritage also sees it immortalisedin Charles Dickens’ Sketches by Boz where he writes “The stranger whofinds himself in the Dials for the first time... At the entrance of Sevenobscure passages, uncertain which to take, will see enough around himto keep his curiosity awake for no inconsiderable time...”

Best time of day to film:Area/on the street – any time suitable to you.In-store – subject to retailer co-operation. The recommendation is tofilm inside stores and restaurants between the hours of 09.00-12.00and 14.00-17.00, on weekdays only.

Best vantage point:From the top of Monmouth Street (adjoining Neal Street) looking downthe cobbled streets towards the Dial monument, or from the middle ofEarlham Street looking towards the Dial monument for a wider areashot at the centre point of the shopping village. Neal’s Yard is also anidyllic film location with its colourful buildings and rich heritage.

Filming permit:Permission is required from the Camden Film Office and charges may apply.Productions applying to film in residential areas, large-scale activities orsensitive material should make their initial enquiries at least three to fourweeks in advance. Please call +44 (0) 207 974 4444 for more details.

Filming fee:Administrative charges will apply and additional fees are dependent on thescale of the production. If it is handheld filming with no tripod, an officialnotification or ‘notice of non-objection’ will be issued, which costs £25+VAT.There are no grants available for filmmaking, but Camden Film Office do workin conjunction with Haringey and Enfield Councils to bring you the NorthLondon Film Fund (NLFF) who provide support, bursaries and training forshort films. Please call +44 (0) 207 974 4444 for more details.

Public liability insurance:Required as standard. All production companies working on location in publicplaces must have public liability insurance with a limit of indemnity of not lessthan £5million in respect of any one accident or series of accidents arising out ofany filming activities; such policies must be produced before filming commencestogether with evidence of payment and that the insurance cover is current.

Existing footage:Videos taken from bi-annual shopping parties are available, pleaseview YouTube page – 7DialsWC2. Various formats can be madeavailable on request.

LONDON

Contact: Seven Dials team at Sister

Telephone: +44 (0) 207 287 9601

Email: [email protected]

Website: www.sevendials.co.uk

Page 100: VisitEngland

< back to contents100

Spitalfields EstateSpitalfields Estate, Brushfield Street, London, E1 6AA

Famous for its markets, Spitalfields is now a seven-days-a-weekdestination. Resplendent under a Fosters & Partners-designed glasscanopy, Spitalfields Traders Market, Spitalfields Arts Market and theMarket Street shops offer cutting-edge fashion and interiors, originalartworks as well as food. The Spitalfields Market is surrounded byindependent shops, cafés, bars and award-winning restaurantsincluding Canteen, Leon and Galvin La Chapelle.

It’s a fact:The archaeological remains of a Charnel House built in the early 1300sas a crypt within the cemetery of St Mary Spital priory can be seen onBishops Square. For more than 200 years it was the repository forbones to be relocated in consecrated ground to allow further burials inthe hospital graveyard. Its discovery by the Museum of LondonArchaeological Service has provided Bishops Square with a wonderfulwindow into its historical legacy. Twelve illuminated artefacts createdby Free Form are located throughout Bishops Square, ranging from acast of a scallop shell taken from the Roman sarcophagus found onsite, to a 20th century porter’s badge.

Access restrictions:There are designated NO FILMING ZONES; please refer toaccompanying map (overleaf). In addition filming is not permitted onbusy market days or when specialist events are taking place.

Filming permit:Filming permits are required and can be obtained from the SpitalfieldsEstate Management Office. A minimum of seven days’ notice isrequired to produce permits and a site visit may be required. Filmingpermits will be issued subject to the receipt of the followingdocumentation:

• Production schedule including equipment, timings and a nominated point of contact for the shoot

• Proof of Public Liability Insurance

• Site specific risk assessment and method statement

• Location fee paid in full prior to the shoot taking place

Filming fee:The Spitalfields Estate is a privately owned property and location fees areapplicable for filming. Location fees are costed on a price-of-application basis,taking into account the nature of the filming, crew size, timings etc.

Public liability insurance:£10million.

LONDON

Contact: Georgina Godart-Brown

Telephone: +44 (0) 207 492 4868 / +44 (0) 7958 013 412

Email: [email protected]

Website: www.Spitalfields.co.uk

Page 101: VisitEngland

< back to contents 101

St Christopher’s PlaceSt Christopher’s Place, London, W1U 1LT

Look out for the landmark purple clock as you head down Oxford Streetand you’ll suddenly discover the entrance to St Christopher’s Place – aquaint London village in the heart of the West End. As the host to aneclectic mix of shops, boutiques, restaurants and bars, as well as someof the best fashion boutiques in London, St Christopher’s Placeepitomises the very essence of the fun, West-End lifestyle.

It’s a fact:Framed by pedestrianised streets, this unique shopping destinationcontains some of Britain’s best brands including the Whistles flagshipstore and Mulberry’s oldest boutique.

Best time of day to film:The area is serviced by some of London’s busiest tube stations [OxfordCircus and Bond Street], so rush hour means the area can be very busy(depending on your filming request this can be a good or bad thing).There are also sometimes delivery vans and lorries unloading earlymorning and evening. As an outdoor street, there is natural light, andsummer months mean longer hours of daylight.

Best vantage point:By the right hand side entrance [St James Street], where one ofthe brick walls is painted with decorative branding.

Access restrictions:Filming inside stores needs prior consent from the tenants.

Filming permit:There is normally a filming fee of £300, to be obtained fromMargaret Newman, General Manager.

Filming fee:Generally no.

LONDON

Contact: Margaret Newman, General Manager at St Christopher’s Place

Telephone: +44 (0) 207 493 3294

Email: [email protected]

Website: www.stchristophersplace.com

Page 102: VisitEngland

< back to contents102

Westfield, LondonAriel Way, London, W12 7GF

Westfield London is the capital’s pioneering shopping and leisuredestination, an innovative and dynamic place for a new generation ofconsumer to shop, eat and meet. The centre is an architecturallystunning showcase anchored by: House of Fraser, Waitrose, Debenhams,M&S and Next plus over 310 luxury, premium and high street retailersshowcasing more than 750 brands. 80 per cent are fashion-focused andthere are 40 luxury brands housed within the beautiful, visually-stunning environment, The Village. The Village is an ever-evolvingluxury space, with events, fashion installations and exhibitions withmany brands making their UK standalone debut, such as Dior Hommeand DKNY Men’s. More than 60 exciting eating concepts offer some 25styles and nationalities of cooking. A bustling cluster of 15 restaurantsrun the length of Southern Terrace, the pedestrian street of dining, andopen cooking brings drama to the collection of 17 counters on TheBalcony and Loft where fresh food is prepared fast and to order.

It’s a fact:Westfield London is a 43 acre site spanning nine postcodes:approximately the area of Buckingham Palace and gardens.The undulating glass roof is one of the most striking and iconicarchitectural features along with the luxury area called The Village,designed by acclaimed New York architect Michael Gabellini.

Best time of day to film:Early afternoon approximately 13:00-14:00.

Best vantage point:Level One between Zara and Topshop where the undulating glass roofcreates a stunning backdrop.

Access restrictions:Filming inside any store must be permitted by the store itself. Accessrequirements will depend on nature of filming (OB, tripod, largeequipment/delivery trucks etc.), time on site (out of hours) and suchlike. Each filming request will be reviewed on a case-by-case basis.

Filming permit:48 hours’ notice is required and can be subject to refusal.A press pass must be issued prior to filming and worn at all timesthroughout filming.

Filming fee:A filming fee will be applied if the nature of the filming is commercial.

Public liability insurance:A minimum of £10million cover.

LONDON

Contact: Yellow Door

Telephone: +44 (0) 20 7580 0707

Email:[email protected]

Website: uk.westfield.com/london

Page 103: VisitEngland

< back to contents 103

Westfield, Stratford CityWestfield Stratford City, 2 Stratford Place, MontifichetRoad, Olympic Park, London, E20 1EJ (or E15 2JU)

Westfield Stratford City is a metropolitan capital for East London, a citywithin a city, an innovative and dynamic place for a new generation ofconsumer to shop, eat, meet and be entertained. Located at thegateway to the Queen Elizabeth Park, with spectacular views overLondon, Westfield Stratford City is anchored by leading UK retailersJohn Lewis, Waitrose and Marks & Spencer, and caters for animpressive catchment of more than four million people with over 250stores, more than 70 dining options and a unique food market - theGreat Eastern Market. A key leisure destination for London, WestfieldStratford City is home to three hotels, the UK’s largest All Star Lanesbowling alley, a 17 screen all-digital Vue cinema and London’s largestCasino by Aspers completing the round-the-clock lifestyle offer.

It’s a fact:Westfield Stratford City’s best kept food secret is the Great EasternMarket on the lower-ground floor, with a completely unique look anddifferent feel to the rest of the centre. The Great Eastern Market is acollection of delicatessens, bakeries and chocolatiers that pays homageto the original Great Eastern Market that operated in the area over100 years ago. It is a modern interpretation of the market and inspiredby some of the best global markets, celebrating local culture and cuisine.

Best time of day to film:Mid afternoon.

Best vantage point:The Viewing Platform on Level Two.

The Bridge that connects the Stratford to the Westfield Stratford City(outside).

Access restrictions:Filming inside any store must be permitted by the store itself. Accessrequirements will depend on nature of filming (OB, tripod, largeequipment/delivery trucks etc.), time on site (out of hours) and suchlike. Each filming request will be reviewed on a case-by-case basis.

Filming permit:48 hours’ notice is required and can be subject to refusal.A press pass must be issued prior to filming and worn at all timesthroughout filming.

Filming fee:A filming fee will be applied if the nature of the filming is commercial

Public liability insurance:A minimum of £10million cover.

LONDON

Contact: Portas

Telephone: +44 (0) 20 7580 0707

Email:[email protected]

Website: uk.westfield.com/stratfordcity

Page 104: VisitEngland

Locations with Views

Page 105: VisitEngland

CONTENTSA view from City Hall

A view from Tower Bridge

Waterloo Bridge

Page 106: VisitEngland

< back to contents106

A View from City HallCity Hall, More London, London, SE1 2AA

London Living Room is situated on the top floor of City Hall andoffers stunning panoramic views of the South Bank and the Londonskyline. The balcony is an ideal location to get shots with TowerBridge, the Shard, the Gherkin and Canary Wharf in the backgroundand the internal space can be used for all kinds of sets requiring adramatic backdrop.

It’s a fact:The building was designed by Foster & Partners, one of Britain’sleading architects, whose design brief was to create a building for theGreater London Authority that would become a new landmark for thecapital. This striking, rounded glass building also has many featuresthat make it environmentally friendly, including photo-voltaic (solar)panels on the roof.

Best time of day to film:Evenings and weekends.

Best vantage point:East balcony looking towards Tower Bridge and Canary Wharf.

Access restrictions:The loading bay can only accommodate two Luton vans.

Filming permit:A filming permit is required and this takes five working days to arrange.

Filming fee:Filming fee is £309 per hour however, on occasion, fees can be reducedfor non-commercial filming.

LONDON

Contact: Jon Tighe

Telephone: +44 (0) 20 7983 4000

Email: [email protected]

Website: www.londonslivingroom.co.uk

Page 107: VisitEngland

< back to contents 107

A View from Tower BridgeTower Bridge Offices, Tower Bridge Road, London, SE1 2UP

Tower Bridge is recognised across the world for its Gothic grandeur.On approaching and entering one of the most famous bridges in theworld, you will discover how and why the Victorians called it the“Wonder Bridge”. The high-level walkways and open-air balconies 50metres above the River Thames provide views of the magnificent andever-changing skyline of the City of London and Docklands. TheVictorian Engine Rooms showcase the beautifully maintained boilersand steam engines that were once used to power the bridge lifts, whichdrove the bascules up and down. Behind the scenes are the enormousand atmospheric bascule chambers hidden deep below river level.

It’s a fact:Tower Bridge is widely regarded as the “Most Famous Bridge in theWorld” and is one of the most recognisable icons of London!

Best time of day to film:Early morning between 06.00-10.00 or between 20.00-22.00.(Best daylight months: April to September.)

Best vantage point:East and West pavement (road level) as well as the open-air level fiveturrets at the very top of the North and South Towers.

Access restrictions:Access is generally unrestricted, once accompanied by a member ofstaff. However, TFL should be contacted regarding any requirementsfor pavement/road closures.

Filming permit:A filming permit is required from the City of London filming office.Contact number: +44 (0) 207 332 3182. Notice period for filming isflexible, however, it is subject to availability due to venue facilitiesand staffing.

Filming fee:Filming fees are available upon request. Consideration may be givento waiver fees if final cuts promote the Tower Bridge Exhibition.

Public liability insurance:£10million.

LONDON

Contact: Ursula Yeboah-Afari

Telephone: +44 (0) 207 940 3968

Email: [email protected]

Website: www.towerbridge.org.uk

Page 108: VisitEngland

< back to contents108

Waterloo BridgeLondon, WC2R 2PP

One of the best views in London, Waterloo Bridge – situated betweenBlackfriars Bridge and Hungerford Bridge – occupies a great positionfor some free sightseeing with views over Westminster, the Houses ofParliament and Big Ben one way; the London Eye, County Hall and theSouth Bank the other; and St Paul’s dome, the Gherkin and The City inyet another. The South Bank’s British Film Institute is directly underthe bridge.

Transporting both cars and foot passengers into Waterloo Station, boththe bridge and the railway hub are named after the British victory atthe Battle of Waterloo in 1815. Prior to the present structure there wasa granite toll bridge, which opened in 1817. The current Portland stonebridge, operational since 1945, was designed by Sir Giles Gilbert Scott,the architect responsible for designing the iconic red telephone boxesand the remodelling of Battersea Power Station (taken fromLondontown.com)

LONDON

Contact: Westminster

Telephone: +44 (0) 20 7641 2390

Email: [email protected]

Page 109: VisitEngland

Hidden Londonand Villages

Page 110: VisitEngland

CONTENTSCharlton House

Chelsea Physic Garden

Cutty Sark Gardens

Hampstead Heath - Parliament Hill

Highgate Wood

London Borough of Richmond upon Thames

Queen’s Park

The Household Cavalry Museum

The London Dungeon

Warner Bros. Studio Tour London - The Making of Harry Potter

Page 111: VisitEngland

< back to contents 111

Charlton HouseCharlton Rd, London, SE7 8RE

A former Jacobean mansion, built between 1607-1612, of red brick withstone dressing. The interior features three large spaces – an OldLibrary, Long Gallery, Grand Salon – as well as many smaller rooms.Most rooms are rich in period detail, featuring original fireplaces, woodpanelling and intricate strapwork ceilings. There are large gardens tothe side and rear of the property and Charlton Park is also located atthe rear of the house. There is sufficient parking on site for a small- tomedium-sized unit.

It’s a fact:It’s reputably haunted!

Best time of day to film:The location lends itself to lighting through windows from the outside,blacking out of windows etc.

Access restrictions:The house is a working community centre, however filming requestswill always be accommodated where possible.

Filming permit:A filming permit is required. Filming can be turned around atshort notice.

Filming fee:Guideline rates for filming in Royal Greenwich

• Feature films: £1,000 - £2,000

• Commercials or promotional: £1,000 - £2,000

• TV dramas: £1,000 - £1,500

• Documentaries or reality TV: £450 - £1,000

• Stills photography: £350 - £900

• Night shoots cost extra

Filming fees are negotiated on a case-by-case basis, depending on thebudget of the production and the type of filming taking place. Chargesare based on the following criteria:

• type of facility

• size of area

• amount of potential disruption

• time of day and length of time required for filming

• loss of income from public facility where appropriate

• preparation and restoration time

• historic age of building• access requirements and parking

The stature and category of the filming - documentary, TV drama,feature film and so on - is always considered in setting fees.

Public liability insurance:£5million.

Photography: Charlie Hopkinson.

LONDON

Contact: Greenwich Film Unit

Telephone: +44 (0) 208 921 6146/6048

Email: [email protected]

Website: www.filmgreenwich.com

Page 112: VisitEngland

< back to contents112

Chelsea Physic Garden66 Royal Hospital Road, Chelsea, London, SW3 4HS

Chelsea Physic Garden is a beautiful site in the middle of London, withan extraordinary array of plants from around the world.

It’s a fact:Established in 1673 it is the oldest botanical garden in London, and is atranquil and fascinating venue where it is easy to forget that Londoncontinues to bustle on the other side of the walls. The Pond rockery isGrade II listed and contains stones salvaged from the Tower of London.There are more than 5,000 different plants, many of which unusuallyflourish here due to the sheltered microclimate.

Best time of day to film:From 08.00 is best time with the morning light.

Best vantage point:The main lawn is surrounded by an array of beds, specialist plantfeatures and hidden corners, making it an ideal location for manyprojects looking for a natural backdrop. We also have a number of(small) glasshouses for atmospheric undercover filming.

Access restrictions:All are subject to negotiation but weight/size restrictions apply tosome vehicles.

Filming permit:Permission has to be agreed with the Marketing Manager who willprovide a filming/photography contract. A minimum of one week’snotice is required, subject to agreement.

Filming fee:Fees range from £100-£200 per hour plus additional supervision feesmay be charged, depending on time/date required. All are subject tonegotiation and especially for non-commercial purposes.

Public liability insurance:Yes, £5million for any one occurrence.

LONDON

Contact: Lynn Scrivener

Telephone: +44 (0) 207 349 6472

Email: [email protected] or [email protected]

Website: www.chelseaphysicgarden.co.uk

Page 113: VisitEngland

< back to contents 113

Cutty Sark GardensCutty Sark Gardens, London, SE10 9LW

Cutty Sark Gardens is a large, open-landscaped space that surroundsthe Cutty Sark ship and is located adjacent to the Old Royal NavalCollege, the River Thames and Greenwich Town Centre. Within the siteGreenwich Pier and the southern entrance to Greenwich Foot Tunnelcan also be found. The area is mostly paved with numerous flower bedsand a water feature.

It’s a fact:Cutty Sark Gardens forms a key part of the London Marathon wherebyparticipants run one full circuit of the ship at mile six.

Best time of day to film:Early morning in summer ensures minimal footfall and great light tocapture the area at its best.

Best vantage point:The west side of the ship provides amazing river and city views.The east side of the ship provides spectacular views of the Old RoyalNaval College. From the Thames river path looking south there arestunning views of the bow of the Cutty Sark ship.

Access restrictions:The location is a public space therefore requests for restricting publicaccess need to be agreed on a case-by-case basis.

Filming permit:Filming can be turned around at short notice.

Filming fee:Guideline rates for filming in Royal Greenwich

• Feature films: £1,000 - £2,000

• Commercials or promotional: £1,000 - £2,000

• TV dramas: £1,000 - £1,500

• Documentaries or reality TV: £450 - £1,000

• Stills photography: £350 - £900

• Night shoots cost extra

Filming fees are negotiated on a case-by-case basis, depending on thebudget of the production and the type of filming taking place. Chargesare based on the following criteria:

• type of facility

• size of area

• amount of potential disruption

• time of day and length of time required for filming

• loss of income from public facility where appropriate

• preparation and restoration time

• historic age of building• access requirements and parking

The stature and category of the filming - documentary, TV drama, featurefilm and so on - is always considered in setting fees.

Public liability insurance:£5million.

LONDON

Contact: Greenwich Film Unit

Telephone: +44 (0) 208 921 6146/6048

Email: [email protected]

Website: www.filmgreenwich.com

Page 114: VisitEngland

< back to contents114

Email: [email protected]

Website: www.cityoflondon.gov.uk/hampsteadheath

Hampstead Heath– Parliament HillHighgate Road, London, NW5 1QR

The site is a mosaic of countryside in London, just six kilometres fromTrafalgar Square. The magic of Hampstead Heath is in its rich mixtureof wildlife, sports facilities and wonderful views over The City.

Best time of day to film:The variety of “locations” within the site provide a wide range ofoptions for all requirements, from shady wooded areas, to open spacesand buildings.

Best vantage point:It depends on what is required – there are amazing views of The City,woods, an Art Deco Lido, an athletics track, along with trees, grasslandand all that you would expect from open spaces.

Access restrictions:Vehicles are not permitted on site, but arrangements can be madeto transport equipment, if required.

Filming permit:A permit is required, it can be requested by email at:[email protected] and a minimum of 48 hours’notice is required. You will then be contacted and provided with thenecessary documentation in order to make your application.

Filming fee:Fees depend upon requirements and these will need to be discussedon an individual basis.

Public liability insurance:Minimum £2million.

LONDON

Page 115: VisitEngland

< back to contents 115

Email: [email protected]

Website: http://bit.ly/11QsMaj

Highgate Wood Muswell Hill Road, London, N6 3JN

Highgate Wood is 28 hectares of ancient woodland. It is a haven forwildlife and provides numerous easily accessible and scenic woodlandtrails. The Sports Ground, located in an opening in the wood, provides apicturesque and rural backdrop, as well as top quality turf. There is anexcellent playground, a renowned café, an information hut withbooklets, newsletters and trail guides, and well-maintained toiletfacilities. The knowledgeable and friendly wood keepers are on siteevery day of the year to help make a visit more enjoyable.

It’s a fact:Highgate Wood has received the Green Flag Award for more than 10consecutive years. Highgate Wood has also received the Green HeritageAward in recognition of achieving the required standard in managingsites with historic importance.

Best time of day to film:The site is an ancient woodland that was part of the old MiddlesexForest. It includes a large, open field at its heart, on which sports areplayed. The location offers a range of opportunities.

Best vantage point:It depends on what is required – the site has wonderful trees, opengrassed areas and woodland walks, all of which provide a variety ofoptions for filming.

Access restrictions:Vehicles are not permitted on site, but arrangements can be made totransport equipment, if required.

Filming permit:A permit is required, it can be requested by email [email protected] and a minimum of 48 hours’ noticeis required. You will then be contacted and provided with the necessarydocumentation in order to make your application.

Filming fee:Fees depend upon requirements and these will need to be discussedon an individual basis.

Public liability insurance:Minimum £2million.

LONDON

Page 116: VisitEngland

< back to contents116

London Borough of Richmond upon ThamesThe London borough of Richmond has so much to offer filmmakers.With 21 miles of River Thames running through the borough it offersscenic river locations, peaceful towpaths, gorgeous formal gardens andparks, royal palaces, wonderful historic houses and stylish town centres.Richmond is home to Hampton Court Palace, Kew Gardens, Ham House,Marble Hill House, Richmond Theatre, Richmond and Bushy Parks, YorkHouse, Orleans House and Gallery, Twickenham Rugby Ground, HamPolo Club, London Wetland Centre and much more. The film office atRichmond Council has been established for over 15 years and can helpfilmmakers find the locations they are looking for.

It’s a fact:Richmond is 30 minutes’ drive from London Heathrow airport, offeringeasy access to and from central London. The area also offers morethan 100 parks, open spaces, commons and woodlands, as well asbeing home to Twickenham and Teddington Studios, and being close toPinewood and Shepperton Studios.

Best time of day to film:Any time.

Best vantage point:Terrace Field in Richmond has the famous ‘Turner’ view looking outover the River Thames towards Twickenham/Ham and this isparticularly beautiful at sunset. Richmond Green is a beautiful towncentre green surrounded by many fine old houses. The remnants ofRichmond Palace can be seen on one side. In addition to being availableto filmmakers, the Green also hosts various festivities throughout theyear including the May Fair and the Victorian Evening at Christmas.

Access restrictions:Depends on location.

Filming permit:Yes, apply to the Richmond Film office – contact details above and lotsof information on the website.

Filming fee:A fee is normally charged (no charge for ‘on-street’ filming). Filmingfees are published on the website. Happy to discuss charges for non-commercial filming.

Public liability insurance:Yes, generally a minimum of £5million but depending on nature offilming this can, on occasion, be reduced to £2million.

LONDON

Contact: Sue Lewis and Sarah Hillman, Film officers

Telephone: +44 (0) 208 487 5157

Email: [email protected]

Website: www.richmond.gov.uk/filmrichmond

Page 117: VisitEngland

< back to contents 117

Email: [email protected]

Website: http://bit.ly/11QsMaj

Queen’s Park Kingswood Avenue, London, NW6 6SG

Queen’s Park provides a welcome splash of green in one of the mostdensely populated parts of London, serving the residents of the LondonBorough of Brent in which it is located, as well as residents from severalneighbouring boroughs. Facilities include six all-weather tennis courts,a pitch-and-putt course, a pétanque pitch, an ornamental garden, achildren’s playground with paddling pool, and a café. It has been nameda Green Flag Park for more than 10 years running, in recognition of thequality of its services and environment.

It’s a fact:Queen’s Park was the site of the 1879 Royal Agricultural Exhibitionand has been owned and managed by the City of London since 1886.

Best time of day to film:The site is a Victorian Park so provides a wide range of options fora range of filming.

Best vantage point:It depends on what is required – the park has a wonderful VictorianBandstand, which is used for concerts during the summer. It has aplayground, paddling pool, beautiful gardens, tennis courts, along withtrees and grassed open space.

Access restrictions:Vehicles are not permitted on site, but arrangements can be madeto transport equipment, if required.

Filming permit:A permit is required, it can be requested by email [email protected] and a minimum of 48 hours’ notice isrequired. You will then be contacted and provided with the necessarydocumentation in order to make your application.

Filming fee:Fees depend upon requirements and these will need to be discussedon an individual basis.

Public liability insurance:Minimum £2million.

LONDON

Page 118: VisitEngland

< back to contents118

The Household CavalryMuseumHorse Guards, Whitehall, London, SW1A 2AX

Situated at Horse Guards Whitehall between Trafalgar Square andDowning Street the museum lies at the very heart of historic London inmagnificent mid-18th century vaulted stables. Dazzling displays ofuniforms, weaponry and prized exhibits present a celebration andhistory of the British Army’s Senior regiments, the Life Guards and theBlues and Royals, who also perform the unique role of mountedbodyguard to Her Majesty The Queen on all State and Ceremonialoccasions. Multimedia and touchscreen presentations providefascinating information about all aspects of the daily duties of thetroopers and their horses. Visitors can see troopers at work in thestables (through a large, glazed partition) preparing for sentry duty andcan even try on parts of the uniform. An experience with something foreveryone to enjoy along with the hourly sentry changes outsidepresenting colourful, traditional and uniquely British pageantry.

Best time of day to film:Any time.

Best vantage point:None in particular – it’s all high quality.

Access restrictions:The museum is within the Horse Guards building. Access to thebuilding and the courtyard off Whitehall is controlled by the Ministry ofDefence (MoD). Horse Guards Parade is administered by The RoyalParks and access by vehicle needs permission from the Ministry.

Filming permit:A filming permit for filming within the museum is not required. Permitsare required for filming on MoD Property (+44 (0) 207 414 2396) andRoyal Parks Property (+44 (0) 300 061 2350).

Filming fee:All the three agencies – The Household Cavalry Museum, The Ministryof Defence (London District) and The Royal Parks will make a chargefor commercial filming. The Household Cavalry Museum makes nocharge for non-commercial filming. The Ministry of Defence (LondonDistrict) and The Royal Parks may waive or reduce charges onapplication.

Public liability insurance:The Household Cavalry Museum has £5million Public LiabilityInsurance. The other two agencies will be greater.

LONDON

Contact: Martin Westwood

Telephone: +44 (0) 207 930 3090

Email: [email protected]

Website: www.householdcavalrymuseum.co.uk

Page 119: VisitEngland

< back to contents 119

The London Dungeon County Hall Riverside Building,

Westminster Bridge Road, London, SE1 7PB

Immersive rich sets depicting Dungeon jailor cells, torture chambers,Victorian pie shops and the Ten Bells pub.

It’s a fact:The attraction contains a boat ride, recreating the voyage down theRiver Thames.

Best time of day to film:Out of hours. Pre-opening at 09.00 or after 18.00.

Access restrictions:Equipment needs to be delivered via County Hall security control andbooked in.

Filming permit:Not for interior filming. Additional permits are required for exteriorfilming, issued by County Hall.

Filming fee:£500 per hour. Fee will be waived if filming produces significant PRvalue.

Public liability insurance:Risk assessment and method statements must be provided.

LONDON

Contact: Matthew Clarkson

Telephone: +44 (0) 20 7654 0804

Email: [email protected]

Website: www.thedungeons.com/london

Page 120: VisitEngland

< back to contents120

Access restrictions:Maintaining a fantastic visitor experience remains the Studio Tour’sfirst priority and filming requests may be declined on the basis thatthey would impact on this.

Filming permit:Permission to film must be gained from the Studio Tour’s Press Officeand requests must be placed with as much advance notice as possiblebefore date of intended shoot.

Filming fee:Filming can take place at the Studio Tour free of charge; availabilitypermitting.

Public liability insurance:Those filming at the attraction must provide their own public liabilityinsurance.

Existing footage can be supplied free of charge in standard definition.

Warner Bros. StudioTour London - TheMaking of Harry PotterWarner Bros. Studio Tour London, Studio Tour Drive,

Leavesden, Hertfordshire, WD25 7LS

Warner Bros. Studio Tour London – The Making of Harry Potter offersthe ultimate opportunity for visitors to step on to authentic sets,discover the magic behind spellbinding special effects and explore thebehind-the-scenes secrets of the Harry Potter film series. Tread theoriginal stone floor of the iconic Hogwarts Great Hall, encounteranimatronic creatures and wander down Diagon Alley. Located at thestudios where all eight films were produced, the Studio Tour showcasesthe incredible British talent, imagination and artistry that went intomaking the impossible a reality on screen. Visitors will relive the magicthrough the eyes of the filmmakers who brought the Harry Potter filmseries to life.

It’s a fact:Many of the sets from the Harry Potter film series, which areshowcased within the attraction, are filled with behind-the-scenessecrets such as the Potions classroom, which was also used asProfessor Snape’s office, and the room with the trapdoor, which wasguarded by Fluffy the three-headed dog. Professor Dumbledore’s officeis lined with astronomical devices and shelves of leather-bound booksthat are actually wrapped telephone directories.

Best time of day to film:The majority of the Studio Tour is housed within two sound stages –labelled J and K – and there is also a backlot that holds some of theexterior sets, including 4 Privet Drive, Godric’s Hollow and The KnightBus. Tours take place from 10.00-16.30 on weekdays and from 09.00-18.30 during weekends and peak periods. In some circumstancesadvance filming access can be arranged before the first visitors of theday enter the Tour or after the last visitors have left.

Best vantage point:Filming can take place on iconic sets such as the Great Hall, DiagonAlley and beside the 1:24 scale Hogwarts castle model (which wouldhave taken one man 74 years to build)!

LONDON

Contact: Sarah Mitchell – PR and Communications

Telephone: +44 (0) 203 427 7549

Email: [email protected]

Website: www.wbstudiotour.co.uk

Page 121: VisitEngland

Sporting Venues

Page 122: VisitEngland

CONTENTSTwickenham Stadium and World Rugby Museum

Wembley Stadium

Wimbledon Lawn Tennis Museum and Tour

Page 123: VisitEngland

< back to contents 123

Twickenham Stadium and World Rugby MuseumWorld Rugby Museum, East Stand, Twickenham Stadium,

200 Whitton Road, Twickenham, TW2 7BA

Twickenham Stadium is the home of England Rugby. A visit to the WorldRugby Museum and a Twickenham Stadium Tour is the ultimate rugbyexperience. Follow the game’s history from its origins in Rugby Schoolto the present day, and get the stories behind some of the greatestplayers, matches and tries. Highlights include:

• Play Rugby Zone – test your speed, strength and kicking prowess on the interactive skills games

• A glittering array of trophies including the Calcutta Cup, the intricately engraved trophy made of 270 silver rupees that England and Scotland have been competing for since 1879

• Film and video footage

• Over 25,000 iconic objects dating back to the beginning of the game

The guided tour visits the stadium’s most exclusive areas. Sit in theroyal box, view the England dressing room and imagine the crowdroaring as you run out of the players’ tunnel.

It’s a fact:• Seating an impressive 82,000 spectators, Twickenham is the largest dedicated rugby union venue in the world

• It’s hard to believe that this historic venue began life as a market garden, but that’s exactly what it was before the RFU purchased the land for just over £5,500 in 1907 – hence the nickname ‘The Cabbage Patch’

• The first game was played in 1909 - a battle between local sides Harlequins and Richmond

• Twickenham will host 10 Rugby World Cup matches in 2015 including the final

Access restrictions:Parking available but can be limited at certain periods during the year.Please contact the stadium directly to discuss.

Filming permit:Permission is required to film. Please contact the stadium directly inorder to discuss requirements – the more notice you are able to givethe better to ensure filming is possible.

Filming fee:The Stadium doesn’t normally charge for non-commercial filming. Please contact them directly to discuss.

Public liability insurance:Please contact them to discuss requirements.

LONDON

Contact: [email protected]

Telephone: +44 (0) 208 831 6500

Email: [email protected]

Website: www.rfu.com/twickenhamstadium/worldrugbymuseum www.rfu.com/twickenhamstadium

Page 124: VisitEngland

< back to contents124

Wembley StadiumWembley, London, HA9 0WS

Wembley Stadium is the 90,000-seat national stadium for the Englandfootball team. In its 92nd year – the original stadium was built in 1923– Wembley is the home of a variety of world-class sport and musicevents. The year 2013 also coincided with The FA’s 150th anniversary,which saw some first-class internationals with Brazil, Scotland and theRepublic of Ireland. The stadium prides itself on the variety of eventsit hosts; in 2013 two NFL matches were played at the stadium as wellas the annual RL Challenge Cup Final. Not to be outdone the musiccalendar provided an awesome line-up, with the Capital SummertimeBall kicking things off before Bruce Springsteen, The Killers andRobbie Williams all wowed the crowds at a packed Wembley Stadium.Wembley is one of the world’s premier multi-purpose venues, proud ofits sporting and music tradition, and takes pride in the events it canoffer fans. As a confirmed Rugby World Cup 2015 venue, WembleyStadium will host fixtures for teams including New Zealand, Argentina,Ireland and Romania.

It’s a fact:The rows of seating, if placed end-to-end, would stretch 54 kilometres.

Best time of day to film:Areas of the stadium are available for day or night-time shoots.

Best vantage point:There is a huge wealth of facilities to cater for the many enquiries thestadium receives including:Changing rooms • Tunnel • Stadium bowl/seating • Large concourses -internal and external • Reception areas • Grand restaurants andhospitality facilities • Corporate boxes • Internal service road •Occupational health medical ward • Kitchens • Large-scaleescalators/stairwells

Access restrictions:Commercial Advertising – please note they cannot accept any filmingrequests relating to commercial advertising where direct association isimplied with Wembley Stadium, however they can consider enquiriesrelating to use of specific facilities.

Filming permit:They aim to be flexible on shoots, however please note they require aminimum of five days’ notice from enquiry to actual shoot and onlarger productions they would need a minimum of ten days from initialenquiry. If you would like to apply to film at Wembley Stadium pleaseemail: [email protected] with details.

Filming fee:Filming fees are quoted on a case-by-case basis, however a premium rate ischarged on large-scale movies and commercial advertising requests.

Public liability insurance:For filming, the public liability insurance cover required is £10million.

LONDON

Contact: Charlie McCracken

Telephone: +44 (0) 844 980 8200

Email: [email protected]

Website: www.wembleystadium.com

Page 125: VisitEngland

< back to contents 125

Wimbledon Lawn TennisMuseum and TourAELTC (Championships) Ltd, Church Road,

London, SW19 5AE

A state-of-the art museum celebrating the story of tennis and TheWimbledon Championships, including social history as well as the sportitself. The museum is highly interactive with original films and audio-guides in 10 languages. The museum also runs a behind-the-scenes tourof the grounds including the main Show Courts and some of theplayers’ facilities.

It’s a fact:The first tournament was held to raise money to fix a garden roller,which is now part of the museum’s collection and a key stop on the tourof the grounds.

Best time of day to film:Filming in the museum must take place before opening at 10.00 iftripods and/or cabling are to be used. Filming in the grounds can takeplace at any time of day.

Best vantage point:The entire museum is camera friendly. In the grounds the bestlocations are Centre Court and the top of the hill by the Water Gardens,which have a great view of the grounds and central London.

Access restrictions:No filming may take place during The Championships unless it is by anaccredited broadcaster.

Filming permit:No permit is required but all filming requests with a description of thenature of the programme must be submitted in advance.

Filming fee:There is no fee payable to film the museum or on the route of the tour.

Public liability insurance:£2million and above.

HD footage is available.

LONDON

Contact: Johnny Perkins

Telephone: +44 (0 )20 8971 2529/2443

Email: [email protected]

Website: www.wimbledon.com

Page 126: VisitEngland

Birmingham

Page 127: VisitEngland

< back to contents 127

BIRMINGHAMVilla ParkVilla Park, B6 6HE

Football stadium. As a confirmed Rugby World Cup 2015 venue, VillaPark will host fixtures for teams including South Africa, Samoa andAustralia.

Connection to the 2015 Rugby World Cup:Hosting South Africa v Samoa and Australia v play-off winners.

Best time of day to film:Any time of day.

Best vantage point:Holte End.

Access restrictions:Will notify you of any restrictions as and when.

Filming permit:Email [email protected] to put in a filming request with as much noticeas possible.

Filming fee:No fee.

Public liability insurance:The club holds public liability insurance - £500million any oneoccurrence/unlimited in the period.

Existing footage:Yes in HD format.

Contact: Gemma Duah

Telephone: +44 (0) 121 327 2299

Email: [email protected]

Website: www.avfc.co.uk

Page 128: VisitEngland

< back to contents128

BIRMINGHAMBirmingham HippodromeHurst Street, Southside, Birmingham, B5 4TB

Birmingham Hippodrome is an independent, not-for-profit, registeredcharity. The unsubsidised Hurst Street based venue averages over500,000 visits annually making it the most popular single auditoriumin the UK. With no public revenue funding, it is home to BirminghamRoyal Ballet and DanceXchange, presents all of Welsh National Opera’srepertoire, welcomes the best in international dance, West End andBroadway musicals and is home to the world’s biggest Pantomime.

Birmingham Hippodrome is currently expanding its CreativeProgramme ‘Hippodrome Plus’ building on its successful work inschools and in the community, and with free outdoor performances.With partners including Arts Council England, Birmingham City Counciland private funders, the Hippodrome has recently enjoyed co-producing and producing new events including Six Summer Saturdays,International Dance Festival Birmingham, The Voyage (for the London2012 Festival), Summer in Southside and 4 Squares Weekender, aweekend of outdoor arts performances in celebration of the opening ofthe Library of Birmingham on behalf of Birmingham Arts Partnership.

Best time of day to film:Light and conditions are extremely good within the building but accesswould have to be discussed due to heavy use of the building.

Best vantage point:Auditorium, foyer but access would have to be discussed due to use ofthe stage by production companies.

Access restrictions:Birmingham Hippodrome has excellent access facilities.

Filming permit:Risk Assessments and Method Statements will be required a week inadvance.

Filming fee:This would have to be discussed at initial point of enquiry depending onnature of filming.

Public liability insurance:Minimum £10million.

Contact: Mandy Rose

Telephone: +44 (0) 121 689 3069

Email: [email protected]

Website: www.birminghamhippodrome.com

Page 129: VisitEngland

< back to contents 129

BIRMINGHAMBullringBullring, Birmingham, B5 4BU

The Midland’s ultimate shopping destination which houses the Bull andiconic Selfridges building.

Best time of day to film:All day.

Best vantage point:The Bull, Selfridges building.

Filming permit:Advance notice of two days, pass needed.

Filming fee:Filming normally paid for but can waiver.

Public liability insurance:£5million for use of tripod, lighting equipment etc.

Contact: Emma Roberts

Telephone: +44 (0) 121 632 1545

Email: [email protected]

Website: www.bullring.co.uk

Page 130: VisitEngland

< back to contents130

BIRMINGHAMCadbury WorldCadbury World, Linden Road, Bournville, Birmingham, B30 1JR

Uncover a world of chocolate delights and enjoy a fascinating, fun-packed day out at Cadbury World!

There’s so much to see and do for the whole family. From learning howyour favourite confectionery is made and uncovering the fascinatingstory of Cadbury chocolate, to playing in chocolate rain and adding yourfavourite treat to a delicious pot of warm liquid Cadbury Dairy Milk.

You’ll discover the origins of the cocoa bean amidst trees andwaterfalls in the Aztec Jungle, before jumping on board the magicalCadabra ride and meeting the infamous Cadbury drumming gorilla!

You’ll discover the history, the making and the magic of Cadburyconfectionery and experience the sights, smells and tastes of theplace where chocolate really comes to life.

NEW for 2014: Join Freddo and a whole host of Cadbury characters asthey whisk you away on an adventurous journey in our brand new 4Dcinema experience, complete with motion seats.

Best time of day to film:Open every day, so weekdays before 11.00 and after 15.00 are lessbusy.

Cadbury World is a one way tour through 14 zones and is quite dark andnarrow in places – this makes it difficult to film when visitors are there.

Opening times Monday to Friday is 10.30 to 15.00 (with the buildingclosing at 17.00). Ideally, filming is preferred when it is quieter which iseither first thing in the morning or late afternoon – last visitors comein at 15.00 so areas become empty from then.

Best vantage point:• Chocolate Making, where they do traditional chocolate makingdemonstrations.

• Bull St, where there is a replica of John Cadbury’s first shop inBirmingham.

• Outside, where you can look onto the factory building through theAfrican Adventure play area.

• Advertising Avenue, where you can see some of the iconic Cadburyadverts.

Access restrictions:No filming in the Packaging Plant.

Filming permit:Supply a full risk assessment of equipment in advance and prior advancenotice to Diane Mitchell to book a day and time.

If any member of the public is captured on film, you would need to get asignature from them to say they are happy to be featured.

Filming fee:No charge.

Public liability insurance:Please supply a risk assessment prior to visiting.

Contact: Diane Mitchell

Telephone: +44 (0) 121 451 4188

Email: [email protected]

Website: www.cadburyworld.co.uk

Page 131: VisitEngland

< back to contents 131

BIRMINGHAMThe Custard FactoryThe Custard Factory, Gibb Street, Birmingham, B9 4AA

The Custard Factory is the UK's leading destination for creative and digitalbusinesses, independent shops and alternative culture outside London.

Set in 15 acres of beautifully restored Victorian Factories, just fiveminutes’ walk from the Bullring, it is the heart of Birmingham’s buzzingcreative and digital district.

From the dessert revolution to the digital revolution, the CustardFactory has been at the centre of Birmingham’s history as aninnovative, globally competitive city where great ideas take shape andwhere things are made that change the world.

Best time of day to film:Tuesday to Saturday 09.00 – 17.00.

Best vantage point:Gibb Street and Scott House roof.

Access restrictions:Yes, fob access only to rooftop terrace.

Filming permit:No.

Filming fee:No.

Public liability insurance:No.

Contact: Eddy Fogg

Telephone: +44 (0) 7833 464537

Email: [email protected]

Website: www.custardfactory.co.uk

Page 132: VisitEngland

< back to contents132

BIRMINGHAMLibrary of BirminghamCentenary Square, Broad Street, Birmingham, B1 2ND

Landmark building and visitor destination on Birmingham’s largest andmost important public square. The Library of Birmingham is the city’sbusiest public building offering a range of library and archive services,plus a varied events and exhibitions programme. Spaces include twooutdoor garden terraces, Amphitheatre and stunning Book Rotunda.

Best time of day to film:Depends on requirements. Please note that filming may not bepermissible on a particular day, depending on events and otheractivities that may already be programmed on that day.

Best vantage point:Iconic features of the building such as the garden terraces or BookRotunda.

Access restrictions:The Library of Birmingham is a busy public building and its use as afilm location or vantage point is carefully managed. Permission mustbe sought and obtained well in advance.

Filming permit:Yes. They normally require at least two weeks’ notice for al. Please goto libraryofbirmingham.com and see under Visiting – Media – Filmingand Photography. Please complete and return the form toengagementteam.com

Filming fee:Day rate £1,000; half day £500. As a busy public library with limitedresources to accommodate filming and photography where the Libraryis to be used purely as a location (ie the subject of the filming/photography is not the Library itself), fees are unable to be waived.

Photographer Christian Richters.

Contact: Engagement Team

Telephone: Please contact them by email on the address below

Email: [email protected]

Website: www.libraryofbirmingham.com

Page 133: VisitEngland

< back to contents 133

Centenary SquareBirmingham, B1 2ND

Named in celebration of the centenary ofBirmingham’s city status (1989), Centenary Squareis one of the city’s newest public open spaces.The square is a work of art in itself, with paving,railings and lamps designed by artist Tess Jaray.A variety of live events are held in Centenary Square.

Best Vantage Points:Baskerville HouseHall of MemorySpirit and Enterprise sculptureIndustry and Genius sculptureBirmingham REPInternational Convention centreSymphony HallBoulton, Watt and Murdoch sculptureBroad Street

Public Liability Insurance:Yes, £5million, please contact Sindy Campbell.

Brindleyplace comprises an architectural delight oflandmark mixed–use buildings built around threeattractive public squares – Brunswick, Central andOozells. Alongside this, the estate includes The Water’sEdge, The Crescent Theatre, National SEA LIFE Centreand is positioned adjacent to Birmingham’s first citycentre residential development, Symphony Court.

The area now occupied by Brindleyplace was, at theheight of Birmingham’s industrial past, the site offactories. By the 1970s, however, as Britain’smanufacturing went into decline, the factories closeddown and the buildings lay derelict for many years. Today, over 8,500 people work in Brindleyplace forsome of the UK’s leading businesses, and it is athriving and vibrant location both throughout thedaytime and evening. The estate has been describedas one of the most impressive and successful innercity mixed-use developments in the country.

Best Vantage Points:Oozels SquareIkon GalleryFountains

Permits:Yes - through Film Birmingham.

Public Liability Insurance: Yes, £5million, pleasecontact Sindy Campbell.

Brindleyplace and Birmingham canalsBirmingham, B1 2JB

BIRMINGHAM

Contact: Sindy Campbell

Telephone: 0121 464 9305

Email: [email protected]

Website: www.filmbirmingham.co.uk/

Contact: Sindy Campbell

Telephone: +44 (0) 121 464 9305

Email: [email protected]

Website: www.filmbirmingham.co.uk/

Page 134: VisitEngland

< back to contents134

Jewellery QuarterBirmingham, B18

The Jewellery Quarter dates back over 250 years and is still home toover 400 jewellery businesses. A designated conservation area withmore than 200 listed buildings, it is a proposed World Heritage Site. Ithas been described by English Heritage as a unique historicenvironment in England, which has few, if any, parallels in Europe.The Quarter also contains Birmingham’s last remaining GeorgianSquare in the tranquil surroundings of St Paul’s, with its finerestaurants, bars and galleries, It has over 100 specialist jewelleryretailers for classic pieces and beautiful handcrafted jewellery, wherevisitors can even commission their own design. Gems of the quarterare the Museum of the Jewellery Quarter, the Royal BirminghamSociety of Artists, The Pen Room Museum, St Paul’s Gallery plus theBirmingham Assay Office where you can learn about the history ofHallmarking and find out their role in the 21st century.

Permits:Yes - through Film Birmingham.

Public Liability Insurance:Yes, £5million, please contact Sindy Campbell.

BIRMINGHAM

Contact: Sindy Campbell

Telephone: +44 (0) 121 464 9305

Email: [email protected]

Website: www.filmbirmingham.co.uk

Page 135: VisitEngland

< back to contents 135

Victoria Square is a pedestrianised public squarein Birmingham, England. It is home to both the TownHall and the Council House, and directly adjacent toChamberlain Square. The square is often consideredto be the centre of Birmingham, and is the point fromwhere local road sign distances are measured. It is ashort walk from St. Philip’s Cathedral on ColmoreRow and is on the main pedestrian route betweenthe Bull Ring and Brindleyplace areas. Three majorroads, Colmore Row, New Street and Paradise Streetmeet there.

Best Vantage Points:In front of the The River fountain.Council House façade.Town Hall façade.Library steps / fountain.Birmingham Museum and Art Gallery façade.Iron Man.

Permits:Yes - through Film Birmingham.

Public Liability Insurance:Yes, £5million, please contact Sindy Campbell.

Council House / Victoria SquareVictoria Square, Birmingham, B3 3BD

St Paul’s Square is a Georgian square in the JewelleryQuarter, Birmingham, named after the church in itscentre. It is the last remaining Georgian Square in thecity, built 1777-79 on the Newhall estate of the Colmorefamily. It was an elegant and desirable location in themid 19th century. At the end of the 19th century thesquare was swallowed up by workshops and factories,with the fronts of some buildings being pulled down tomake shop fronts or factory entrances. Muchrestoration was done in the 1970s and many of thebuildings are now Grade–II listed.

Best Vantage Points:St Paul’s Church.

Permits:Yes - through Film Birmingham.

Public Liability Insurance:Yes, £5million, please contact Sindy Campbell.

St Paul’s SquareBirmingham, B3 1QZ

BIRMINGHAM

Contact: Sindy Campbell

Telephone: +44 (0) 121 464 9305

Email: [email protected]

Website: www.filmbirmingham.co.uk

Contact: Sindy Campbell

Telephone: +44 (0) 121 464 9305

Email: [email protected]

Website: www.filmbirmingham.co.uk

Page 136: VisitEngland

< back to contents136

University ofBirmingham (UoB) and University ofBirmingham Sport(UBSport)University of Birmingham, Edgbaston, Birmingham, B15 2TT

The University of Birmingham was founded over a century ago, andwas England’s first truly ‘civic’ university. It is located on a gloriousleafy campus close to the centre of the country’s second city. Todaythe Redbrick University, which is part of the Russell Group, is one ofBritain’s leading universities, internationally acclaimed and globallyrecognised. It was also one of the first universities to offer a sportingoption for all students. University of The Birmingham is currently a topthree sporting university in the British Universities & Colleges Sport(BUCS) Championship. This is one of the many reasons studentathletes from across the country and around the world choose tostudy, train and compete at the University of Birmingham.

Best Vantage Points:The Munrow Sports Centre and its adjacent running track.

Best Time of Day:For the suggested areas of filming, daylight hours would be best due tolack of floodlights on the running track.

Permits:No permit for filming is required. They would need as much notice asreasonably possible.

Public Liability Insurance:Yes, £5million. UoB and UBSport have public liability insurance fortheir own employees. Any companies visiting campus would need toprovide their own public liability insurance.

BIRMINGHAM

Contact: Jenna Hadley, UBSport PR, Media and PromotionsOfficer. Ben Hill, UoB PR Manager

Telephone: Jenna Hadley +44 (0) 121 414 2262 or +44 (0) 7786 336634Ben Hill – +44 (0) 121 414 5154 or +44 (0) 7789 921163

Email: Jenna Hadley – [email protected] Ben Hill – [email protected]

Website: www.birmingham.ac.uk and www.sport.bham.ac.uk

Page 137: VisitEngland

Brighton

Page 138: VisitEngland

< back to contents138

BRIGHTONBrighton CommunityStadiumVillage Way, Brighton, BN1 9BL

Brighton Community Stadium is the home of Brighton & Hove AlbionFootball Club. As a confirmed Rugby World Cup 2015 venue, thestadium will host fixtures for teams including South Africa, Japan,Samoa and USA.

Connection to the 2015 Rugby World Cup:Host venue.

Best time of day to film:Dusk.

Best vantage point:Bridge over A27.

Access restrictions:All access must be requested in advance with the club’s Media Office(via details below).

Filming permit:No.

Filming fee:For a broadcaster with relevant rights, it’s unlikely a fee would berequested. For companies without broadcast rights, a fee would beexpected.

Contact: Paul Camillin or Tim Dudding

Telephone: Paul Camillin +44 (0) 7747773692 / Tim Dudding +44 (0) 7967300736

Email: [email protected] / [email protected]

Website: www.seagulls.co.uk

Page 139: VisitEngland

< back to contents 139

BRIGHTONThe Brighton WheelDaltons Bastion, Maderia Drive, Brighton, BN2 1EN

The much anticipated observation wheel stands 45 metres in diameterand provides breath-taking, panoramic views of the coastline,surrounding architecture and landmarks. The £6million venture has 36enclosed glass pods, including an exclusive VIP pod. Each pod takes sixadults and two children and provides a commentary guided tour of theheritage of Brighton & Hove whilst you take a voyage.

Tickets include three complete turns on the wheel and a voyage takesapproximately 12 minutes.

Best time of day to film:10.00 or 15.00.

Best vantage point:From the pier, the wheel or along the promenade, shooting east to west.

Filming permit:Not needed.

Filming fee:£500 per hour straight up fee (request to speak to Jeff, Graham orDelso regarding prices).

Public liability insurance:£2million.

Contact: Jeffrey Sanders and Graham Cleveley

Telephone: + 44 (0) 1273 722 822

Email: [email protected]

Website: www.brightonwheel.com

Page 140: VisitEngland

< back to contents140

BRIGHTONBrighton Beach -Brighton Pier, YellowaveBeach Volleyball Centreand Brighton BandstandMarine Parade, Brighton, East Sussex, BN2 1TB

One of England’s biggest and best seaside holiday destinations,Brighton is often referred to as “London by the sea” due to its locationon England’s south coast just 70 kilometres due south of London.Brighton is hugely popular among Londoners, who come in theirmillions to enjoy all that Brighton beach has to offer, includingtraditional activities such as a swim in the sea or a “promenade” (aleisurely walk) and also more modern activities such as beachvolleyball. Brighton is the home of the Brighton Swimming Club,England’s oldest swimming club, whose members go for daily earlymorning swims in the sea.

Brighton Pier is a truly iconic British structure that stretches outover the sea and combines traditional amusements and games withhair-raising fairground rides.

Best Vantage Points:Filming is possible along all of Brighton seafront, however threeoptimum filming positions are available:

• Daltons Bastion, Madeira Drive – this position is just to the east ofBrighton Pier on the lower level of Brighton seafront. The locationoffers close direct views of Brighton Pier alongside views of Brightonbeach both to the east and west.

• Marine Parade, Yellowave Beach Sports Venue – this position is onthe upper level of Brighton seafront, approximately 750 metres fromBrighton Pier. The location offers direct elevated views overlookingYellowave Beach Sports Venue (an Olympic Training Camp for beachvolleyball) combined with sweeping views of Brighton beach.

• Brighton Bandstand, Kings Road – this position is locatedapproximately 1 kilometre west of Brighton Pier. The location offersviews of Brighton Pier and the former West Pier (now skeletalremains after a fire in the mid 90s) along with sweeping views out tosea. This location also offers views to the west, showing some ofBrighton & Hove’s finest Regency architecture.

Restrictions:There are no restrictions to the first two filming positions listed butthere is restricted vehicle access to Brighton Bandstand’s lowerpromenade from 11.00 each day.

Best Time of Day:Early morning filming offers the perfect opportunity to see the sunrising in the east when locals take to the water for an early morningswim or exercise. Daytime filming would, on a sunny day, offer shots ofa busy beach with thousands of visitors sunbathing and enjoying theactivities. Evening filming would offer spectacular shots of a settingsun in the west.

Fees:A filming fee of £250 per 24 hours is normally charged. This fee will bereduced / waived on a case-by-case basis.

Public Liability Insurance:Yes – minimum £5million.

Contact: Jo Osborne, Events Officer, Brighton & Hove City Council

Telephone: +44 (0) 1273 293001

Email: [email protected]

Website:www.brighton-hove.gov.uk/index.cfm?request=b1149008www.visitbrighton.com

Page 141: VisitEngland

< back to contents 141

Royal Pavilion4/5 Pavilion Buildings, Brighton, BN1 1EE

Built for the Prince Regent, later King George IV, in stages between1787 and 1823, the Royal Pavilion is remarkable for its exoticappearance both inside and out, with dramatic Indian-inspiredarchitecture and lavishly decadent interiors inspired by China. Thismagnificent royal pleasure palace was revered by fashionable regencysociety and today is the iconic landmark for vibrant Brighton & Hove.The Pavillion sits within the beautiful Royal Pavilion Gardens in the verycentre of the city, which have been lovingly reworked back to theirregency period design with fantastic vistas over floral displays.

Best Vantage Points:East Lawns. Royal Pavilion Gardens in front of Brighton Museumand Art Gallery entrance.

Restrictions:No vehicles on site.

Best Time of Day:Early mornings when the sun hits the eastern façade of the palace onthe East Lawns and late afternoons. Traffic noise during the middle ofthe day can be quite high on the East Lawns and the gardens can getbusy during hot summer days.

Public Liability Insurance:Yes, £10million.

BRIGHTON

Contact: Cara Bowen / Jemma Treweek

Telephone: +44 (0) 3000 290906

Email: [email protected]

Website: www.brighton-hove-pavilion.org.uk

Page 142: VisitEngland

< back to contents142

The Lanes and NorthLaineBrighton, East Sussex, BN1 1EE

Brighton is famous for its cosmopolitan atmosphere and ‘anythinggoes’ spirit. The centre of Brighton is made up of The Lanes, which is aconcentration of narrow alleyways filled with boutique shops andjewellers and the North Laine (spelt with an ‘i’ as it is an old Englishword meaning “strip of land”) which is a bohemian area containinghundreds of independent shops, cafés and street life.

Best Vantage Points:• The Lanes - Meeting House Lane / Union Street. This location offersthe opportunity to film right in the ‘heart’ of The Lanes, toexperience the old narrow alleyways and village atmosphere.

• North Laine – Gardner Street / Kensington Gardens / Sydney Street.This location offers the opportunity to get a good feeling of theatmosphere in the North Laine. These streets showcase thebohemian atmosphere of this area.

Restrictions:The majority of the Lanes area is pedestrianised and the Lanes arenarrow so offer no vehicle access. The North Laine offers greatervehicle access, but still has restricted vehicle access, particularly at theweekends when roads are closed off to allow alfresco dining.

Best Time of Day:Early morning offers the opportunity to film the city ‘waking up’ –shops and businesses in The Lanes and North Laine tend to open up at10.00 each day. Early morning filming in sunshine gives the greatestcontrast of light and shade. Daytime is when The Lanes and NorthLaine are at their busiest (particularly at weekends). Daytime filming inthe sunshine offers bright condition with plenty of colour to be seen.

Permits:Yes; 72 hours’ advance notice is required. Filming applications can bedownloaded here: www.brighton-hove.gov.uk/index.cfm?request=b1149008 and sent to JoOsbourne.

BRIGHTON

Fees:A filming fee of £250 per 24 hours is normally charged.This fee will be reduced / waived on a case–by–case basis.

Public Liability Insurance:Yes – Minimum £5million (depending on type of filming).

Contact: Jo Osborne, Events Officer,Brighton & Hove City Council

Telephone: +44 (0) 1273 293001

Email: [email protected]

Website: www.visitbrighton.com

Page 143: VisitEngland

< back to contents 143

BRIGHTONSea Life CentreMarine Parade, Brighton, East Sussex, BN2 1TB

Sea Life Brighton is the world’s oldest operating aquarium, with over1,500 creatures in over 50 displays. Catering for all markets, it providesfun and educational days out exploring the underwater world withoutgetting wet! The UK’s first ever glass-bottom boat floats atop thecentre’s huge ocean tank where guests can marvel at aerial views ofsome of their biggest residents, including Lulu, a giant sea turtle.

Best Vantage Points:A popular place to film would be in the underwater tunnel or in theVictorian arcade with its original architecture.

Best Time of Day:Before 10.00 when it opens to public would be the ideal time, orapproximately 17.00 (closing times vary throughout the year).

Fees:No charge for non-commercial filming, as it is in exchange for publicity.

Contact: Laura Sackett

Telephone: +44 (0) 1273 647794

Email: [email protected]

Website: www.sealife.co.uk

Page 144: VisitEngland

< back to contents144

From Harry Potter’s Quidditch match in The Goblet OfFire to Pearl Harbour’s spectacular dogfights,Eastbourne and Beachy Head played a huge part indozens of film and television productions. Now part ofthe new South Downs National Park, the white chalkcliffs of Beachy Head are an iconic feature on thesouth east coastline. Enjoy filming in acres ofbeautiful, green, downland without a vehicle or pylonin sight, look out east and enjoy spectacular viewsover Eastbourne, or capture the red and white stripedBeachy Head Lighthouse.

Best Vantage Points:On the downland near the S bends looking out acrossEastbourne or out to sea.

Restrictions:Depending on the nature of the filming, permissionmay have to be sought from Natural England. Certainterms and conditions apply to any filming here, e.g.crews must stay a certain distance from the cliff edge,otherwise a safety rigging company must be employed.

Permits:Yes – please contact Laura Fear. Simple shoots requirejust a few days’ notice but bigger shoots will needweeks as permission will have to be sought fromNatural England.

Fees:Filming fee applies for commercial filming only.

Public Liability Insurance:Yes – up to £10million.

Beachy Head, EastbourneBeachy Head Road, Eastbourne, East Sussex, BN20 7AY

Events programme includes the annual Battle ofHastings re-enactment, 13 & 14 October 2012. On-sitecafé and themed shop.’ to ‘The events programmeincludes the annual Battle of Hastings re-enactment inthe middle of October, and there is also an on site caféand themed shop.

Best Vantage Points:Depends on individual requirements.

Permits:To be arranged with Sarah Eastel if a commercialenquiry, or Dawn Postlethwaite if non-commercial.

Fees:Normally £150 for up to an hour or around£100 an hour for a longer schedule.

Public Liability Insurance:Yes, minumum £2million.

Battle AbbeyHigh Street, Battle, East Sussex, TN33 0AD

BRIGHTON & EAST SUSSEX

Contact: Dawn Postlethwaite(may be passed to Sarah Eastel Locationsfor commercial enquiries: +44 (0) 1225 858100)

Telephone: +44 (0) 1424 775 705

Email: [email protected]

Website: www.english-heritage.org.uk/1066

Contact: Laura Fear

Telephone: +44 (0) 1323 415438

Email: [email protected]

Website: www.visiteastbourne.com

Page 145: VisitEngland

< back to contents 145

Eastbourne Seafront &Eastbourne BandstandGrand Parade, Eastbourne, East Sussex, BN21 3AD

Eastbourne offers a glorious stretch of unspoilt promenade and award-winning beaches, perfect for transforming your film shoot. Head for thequieter beaches at Holywell, sheltered by the white chalk cliffs ofBeachy Head with the secluded Italian Gardens, or opt for the mainresort beach between the Wish Tower and beach attracting hundreds ofthousands of visitors each summer. In the summer season, enjoy analfresco concert at Eastbourne Bandstand, the UK’s only fullyoperational Bandstand, hosting performances every day of the week.The unique venue with its iconic blue domed roof and silver finial hasrecently become licensed for wedding ceremonies too. You mayrecognise Eastbourne seafront from feature films and popular TVseries including Brighton Rock, Angus, Thongs & Perfect Snogging,Little Britain, Foyles War and more. Eastbourne also offers moresunshine hours than anywhere else in the country, so you can almostbe guaranteed sunshine too.

Best Vantage Points:From the Wish Tower Slopes looking east along the seafront to captureiconic Eastbourne landmarks, the Pier and Bandstand. From the middlebalcony of the Bandstand to capture the Pier. At Holywell to captureFalling Sands secluded beaches. Take a powerboat from Sussex Voyages(operating out of Sovereign Harbour) and film the seafront from the sea.

Restrictions:Check tide times and certain events bringing extra footfall during thesummer.

Best Time of Day:Sunrise and sunset above the sea, during the day for sunshine or atnight for a lit seafront.

Permits:Yes, required.

Fees:Filming fee applies to commercial filming only.

Public Liability Insurance:Yes – up to £10million but can be negotiated depending on the filmingsubject.

BRIGHTON & EAST SUSSEX

Contact: Laura Fear

Telephone: +44 (0) 1323 415438

Email: [email protected]

Website: www.visiteastbourne.com

Page 146: VisitEngland

< back to contents146

Europe’s biggest beach launched fishing fleet,Hastings Fishing Fleet is a Marine Stewardship Councilaccredited fleet and fishery. The fleet is verypicturesque against the backdrop of the East Hill,Country Park and Old Town.

Restrictions:On road parking.

Permits:Please see website for details.

Fees:No fee for tourism related filming.

Public Liability Insurance:£5million.

Rye is the most perfectly preserved medieval town inthe UK and its iconic Mermaid Street is a favourite filmand photographic location.

Restrictions:Not in the medieval town centre but there arerestrictions in the car park near the station a fewminutes’ walk away.

Permits:Please see website for details.

Public Liability Insurance:Yes, please contact Debbie Clifford.

BRIGHTON & EAST SUSSEX

Hastings Fishing FleetThe Stade, Hastings Old Town, East Sussex, TN34 3AL

Mermaid Street, RyeEast Sussex, TN31 7EY

Contact: Debbie Clifford

Telephone: +44 (0) 1424 451101

Email: [email protected]

Website: www.visit1066country.com/filming

Contact: Debbie Clifford

Telephone: +44 (0) 1424 451101

Email: [email protected]

Website: www.visit1066country.com/filming

Page 147: VisitEngland

CARDIFF

Page 148: VisitEngland

< back to contents148

Millennium StadiumGate 4, Westgate Street, Cardiff, CF10 1NS

The Millennium Stadium dominates the capital city skyline, drawinghuge crowds to the very heart of Cardiff and attracting attention fromaround the world. The stadium has established itself on the globalstage as a multi event venue enhanced by its city centre location, aremovable pitch and that all-important closing roof. It has become arecognised landmark which is truly representative of a modern Walesenjoying a status and a resonance far beyond many other countries ofits diminutive size. Anyone arriving in the city by road, rail or even fromthe sea will notice its four 296-feet-tall steel masts towering above theRiver Taff. There are seats for some 74,500 supporters, a roof thattakes just 20 minutes to close and a palletised pitch system that can beremoved in a day to turn the building from a sporting venue into amulti-purpose indoor arena.

Connection to the 2015 Rugby World Cup:As a confirmed Rugby World Cup 2015 venue, Millennium Stadium willhost fixtures for teams including Ireland, Canada, Wales, Australia, Fiji,New Zealand, Georgia and France.

Permits:Risk assessment and method statement required. Permit issued by MS plc.

Fees:Negotiable per request.

Public Liability Insurance:£10million.

CARDIFF

Contact: Gemma James

Telephone: +44 (0) 29 20822368

Email: [email protected]

Website: www.millenniumstadium.com

Page 149: VisitEngland

< back to contents 149

CARDIFFCardiff CastleCastle Street, Cardiff, CF10 3RB

Cardiff Castle is located in the heart of Wales’s capital city and enjoysa history spanning 2,000 years. A 12th century Norman Keepdominates the grounds and provides an iconic backdrop for interviewsand photography arranged in the castle grounds. The mansion housedates from medieval times but is best known for its spectacularVictorian fairytale interiors, created for the 3rd Marquess of Bute byeccentric architect William Burges. The site also offers original Romanwalls, wartime tunnels last used as air-raid shelters in World War II andbattlements offering panoramic views across the site.

Restrictions:Cardiff Castle is primarily a visitor attraction, so the site cannot beclosed or have visitor access restricted to accommodate filming.

In addition, the amount and type of equipment is limited by conservationof the site, especially within the castle apartments. Physical restrictionsalso apply such as the size of the entrance (3.37 metres high, 2.64metres wide and a weight limit of 30 tons). Limited parking is availablealongside the castle for small vehicles but large vehicles cannot beaccommodated either within the castle grounds or outside. CardiffCastle will not host any film crew of a controversial and/or politicalnature.

Permits:An Indemnity Form must be completed by all film crews andprofessional photographers on site. A form is available in advance or onarrival. No camera cranes, jibs or cherry pickers permitted.

Fees:Location fees vary depending on which areas of the castle are beingused, the time of day and the level of castle staff supervision required.However, general views or a short ‘piece to camera’ taken in thegrounds with minimal equipment and crew are usually free of charge ifused for news, travel and lifestyle broadcasts.

Public Liability Insurance:Yes, of at least £5million. Copies of insurance certificates should besent to the castle is advance of any filming taking place.

Contact: Claire Hamer or Helen Jones

Telephone: +44 (0) 29 2087 8118 or +44 (0) 29 2087 3004

Email: [email protected], [email protected],[email protected]

Website: www.cardiffcastle.com

Page 150: VisitEngland

< back to contents150

CARDIFFCity HallCathays Park, Cardiff, CF10 3ND

Built in the English Renaissance style, City Hall was opened in 1906.The magnificent exterior is carved from Portland stone. Within areelegant rooms of varying size. There are 16 rooms available and canaccommodate between two and 600 people. The Assembly room has arichly decorated 11 metre-high ceiling with a floor space of 539 squaremetres. The Marble Hall is lined by columns of Sienna Marble anddecorated with ornate stained glass windows. This room also displaysmany items from the City Hall’s extensive art collection. The CouncilChamber is situated directly below the grand dome of City Hall withstained glass windows, carved oak panelling and marble pillars. Thisroom has fixed ‘in the round’ arena seating. The entrance Hall has twosweeping staircases leading to the Marble Hall. There are 12 additionalsmaller rooms decorated to a high standard.

Best Vantage Points: This is dependent on filming requirements. Access can be gained tothe roof area.

Restrictions:There are steps leading into the goods entrance of City Hall, however,there is a ramp that can be linked to a truck with a tail lift.

Best Time of Day:This is dependent on which room is required.

Fees:This is dependent on which room/area is to be used.

Public Liability Insurance:City Hall has full public liability insurance, however, productioncompanies are required to have their own.

Contact: Alexandra McIlquham-Jones

Telephone: +44 (0) 29 20871727

Email: [email protected]

Website: www.cardiffcityhall.com

Page 151: VisitEngland

< back to contents 151

CARDIFFRoath ParkLake Road West, Roath, Cardiff, CF23 5PG

Roath Park is Cardiff’s most popular public park and it still retains itsclassic Victorian atmosphere and layout. At its heart is Roath ParkLake, site of the Scott Memorial Lighthouse. North of the lake are theWild Garden with its winding paths and wildflowers, and LlandennisOval, its ancient pond supposedly the site of St Isan’s 12th centurysettlement. Further south, the Pleasure Garden and Recreation Groundprovide bowls, tennis and basketball, football and rugby pitches,another children’s playground and trim trail.

Best Vantage Points: From the promenade, also the conservatory.

Restrictions:Height restriction for vehicle access, weight restriction on promenade.

Best Time of Day:Daylight probably would be the best.

Permits:Please apply to the Park Events Officer.

Fees:Costs apply for filming.

Public Liability Insurance:£5million.

Contact: Carolyn Chappell – Park Events Officer

Telephone: +44 (0) 29 20684000

Email: [email protected]

Website: www.cardiff.gov.uk/parks

Page 152: VisitEngland

< back to contents152

CARDIFFNational MuseumCathays Park, Cardiff, CF10 3NP

National Museum Cardiff is one of Wales’s seven national museums.The museum, which celebrated its centenary in 2007, hosts thecountry’s archaeology, natural history and art collections. In July 2011,Wales’s first National Museum of Art was opened on the first floor ofthe building, which features art from the Tudors and Stuarts plus oneof the best Impressionist collections outside Paris and works producedby those living and working in Wales today. The archaeology collectionis displayed in the Origins: In Search of Early Wales gallery. Objectsdate back to the Neanderthals. The woolly mammoth and dinosaursare some of the most popular objects for children in the Evolutionof Wales gallery.

Best Vantage Points: There are several art, archaeology and natural history galleries whichprovide good backdrops. The front steps of the museum are alsostriking as well as from the balcony in the main hall.

Restrictions:There are some restrictions behind the scenes. In the galleries, thecommunications officer can advise on copyright implications, whichoccur occasionally in the art galleries.

Best Time of Day:Before 10.00 or after 17.00 if you want quiet. If you don’t mind the publicbeing present, the museum is open from 10.00 – 17.00 everyday exceptMondays. On Mondays the staff could accommodate a crew all day.

Fees:Educational/news/current affairs: No fee. PR rate (decided bycommunications officer): £150 an hour. Full commercial rate: £250an hour.

Public Liability Insurance:Yes.

Contact: Catrin Mears & Lleucu Cooke

Telephone: +44 (0) 29 2057 3185 / +44 (0) 29 2057 3175

Email: [email protected]@museumwales.ac.uk

Website: www.museumwales.ac.uk

Page 153: VisitEngland

< back to contents 153

CARDIFFSt Fagans: NationalHistory MuseumSt Fagans, Cardiff, CF5 6XB

Voted ‘The UK’s Favourite Tourist Attraction’ by readers of Which! in2011, St Fagans: National History Museum is an open-air museum on theoutskirts of Cardiff. St Fagans has re-erected over 40 original buildingsthat include Iron Age roundhouses, farms and a medieval church toshow how the people of Wales have lived, worked and spent theirleisure time. St. Fagans is very much a living museum with traditionalcraftsmen demonstrating in workshops and mills in a packedprogramme of events.

Best Vantage Points: St Fagans is a 100-acre site and has many vantage points.

Restrictions:The 40+ historic interiors each have their own restrictions and rulesabout lighting conditions etc.

Best Time of Day:Daylight for external shots– historic interiors need to be lit.

Permits:Please apply through Iwan Llwyd, Press and Marketing Officer.

Fees:£200 per hour/negotiable.

Public Liability Insurance:£1million.

Contact: Iwan Llwyd, Press and Marketing Officer

Telephone: +44 (0) 2920 573486 / +44 (0) 7920 027054

Email: [email protected]

Website: www.museumwales.ac.uk/stfagans

Page 154: VisitEngland

< back to contents154

CARDIFFCardiff InternationalWhite WaterCardiff International Sports Village, Watkiss Way,

Cardiff, CF11 0SY

Cardiff International White Water (CIWW) is an on demand, Olympicstandard, white water facility. The course has variable river flows soadventurers at all levels can enjoy the thrill of white water rafting.Other sports taught on the flat water area include canoeing, kayakingand stand up paddle boarding. The balcony looking over the water is agreat vantage point for watching the people on the water andexperiencing views of the river and marina. There is also an on sitemeeting room with state-of-the-art facilities, watersports shop andcatering team based in the Rafters Café.

Best Vantage Points:From the top of the course or on the first floor balcony.

Restrictions:PPE to be worn in high risk areas near the water.

Best Time of Day:The water is only on at certain times of the day – pump times availableat www.ciww.com However, in some circumstances, the water can beswitched on on request. The Floodlights also allow night time filming.

Permits:An Indemnity Form will need to be signed, and given back with a copyof your public liability form.

Fees:• Yes – minimum half day (four hours) at £365 for non-commercial use. • A rate card is available for commercial requests. • In most circumstances, no charge will be made for news broadcasts. • Additional staffing costs, such as safety stewards, will also need tobe taken into consideration.

• Additional charges are made for on the water activities

Public Liability Insurance: Yes – Standard Council Request.

Contact: Julie Holmes / Gemma Simons

Telephone: Office: +44 (0) 29 2087 7903 CIWW: +44 (0) 29 8082 9970

Email: [email protected] or [email protected]

Website: www.ciww.com

Page 155: VisitEngland

< back to contents 155

CARDIFFCaernarfon CastleCaernarfon, Gwynedd, LL55 2AY

Caernarfon is possibly the most famous of Wales’s castles. Its sheerscale and commanding presence easily set it apart from the rest, and tothis day, still trumpet in no uncertain terms the intention of its builderEdward I. Begun in 1283 as the definitive chapter in his conquest ofWales, Caernarfon was constructed not only as a military strongholdbut also as a seat of government and royal palace. The castle’s majesticpersona is no architectural accident: it was designed to echo the wallsof Constantinople. Standing at the mouth of the Seiont river, thefortress with its unique polygonal towers, intimidating battlementsand colour banded masonry dominates the walled town.

Best Vantage Points: On site and from opposite side of harbour.

Restrictions:No access restrictions but will be busy during the summer months.

Best Time of Day:Morning and afternoon in summer.

Permits:A filming permit is required for commercial filming.

Fees:Yes for commercial filming; please contact Shuna Williams.

Public Liability Insurance:Shuna Williams can provide information.

Contact: Shuna Williams

Telephone: +44 (0) 1443 336 103

Email: [email protected]

Website: www.cadw.wales.gov.uk

Page 156: VisitEngland

Exeter

Page 157: VisitEngland

< back to contents 157

EXETERSandy ParkSandy Park Way, Exeter, EX2 7NN

In 2006, the Exeter Rugby Club moved to its new state-of-the-artstadium at Sandy Park. Matches here regularly see capacity crowds ofalmost 11,000 spectators.

Within the ground currently there are 12 executive boxes: 12-seaterprivate hospitality suites that give uninterrupted views of the ground.There are also dining rooms, two giant screens inside the stadium, andample bars and food outlets during matches.

The Exeter Chiefs offer Super Saturday Experiences which are two hourrugby coaching sessions by some of the squad members. This is achance for youngsters in particular to learn from professional playersand this may provide a good film opportunity for you.

See the Access Restrictions section below: huge redevelopment workshave started on this ground which will improve the current facilities andincrease the stadium capacity.

Should you wish to film the Chiefs whilst work is happening at theground, they do train elsewhere.

Connection to the 2015 Rugby World Cup:Exeter has been named a Host City and Sandy Park is hosting threeRugby World Cup games:Tuesday 29 September: Tonga v Africa 1Wednesday 7 October: Africa 1 – v Europe 1Sunday 11 October: Italy v Europe 2

Best time of day to film:Daytime is best.

Best vantage point:Any part of the grounds is available subject to availability and access.See below.

Filming permit:Yes. Please contact Mark Stevens for all permissions. Please give twoweeks’ advance notice of filming at this location.

Filming fee:No. Sandy Park will not charge any fee for filming on its grounds.

Public liability insurance:Once you are within the Sandy Park grounds you will be covered by itsown Public Liability insurance. If you film the grounds from any publicarea, you will need your own Public Liability cover – recommendedminimum £5million.

Existing footage:Sandy Park does have existing footage that can be offered to broadcasters.This is available in HD. Please send requests to Mark Stevens.

Contact: Mark Stevens - Media and Communications Manager

Telephone: +44 (0)1392 890915 / +44 (0) 7771 654730

Email: [email protected]

Website: www.exeterchiefs.co.uk

Page 158: VisitEngland

< back to contents158

EXETERABode ExeterCathedral Yard, Exeter, EX1 1HD

As the first ABode Hotel, as well as the hometown of Michael Caines,this is where the ABode vision began.

Centrally located in the heart of Exeter's beautiful Cathedral Yard, thehotel has a rich history. Formerly the historic Royal Clarence Hotel, theestablishment is reported to be the first hotel in England.

ABode Exeter has continued to build upon a tradition of excellence andquality to create the city's most exciting venue.

Connection to the 2015 Rugby World Cup:Centrally located in one of the cities hosting a game.

Best time of day to film:During the day/evening.

Best vantage point:Cathedral Room.

Filming permit:Not needed.

Filming fee:Dependant on how long filming is required for and subject toavailability.

Public liability insurance:No.

Contact: Matt Collins

Telephone: +44 (0) 1392 319955

Email: [email protected]

Website: www.abodeexeter.co.uk

Page 159: VisitEngland

< back to contents 159

EXETERExeter Cathedral 1a The Cloisters, Exeter, EX1 1HS

Exeter Cathedral is a beautiful location, a historic building that hasdominated the skyline for over 900 years. Its style is Decorated Gothicand boasts the longest unbroken stretch of vaulting in the world alongwith two Norman Towers and a magnificent 18 metre Bishop’s Throne.The cathedral is situated in the centre of Exeter surrounded by theCathedral Green and Close making it an excellent location.

Best Vantage Points:Externally, internally and from the roof of the North Tower.

Restrictions:As a religious building some areas are more sensitive than others andtherefore need to be treated with consideration – the staff are happy toadvise so please ask.

Best Time of Day:Subject to availability the location is available anytime.

Permits:A permit is not issued however permission needs to be sought inwriting from the contact [email protected]

Fees:Each enquiry is considered on its merits. Fees vary according to theamount of disruption to the cathedral.

Public Liability Insurance:£10million.

Contact: Catherine Escott

Telephone: +44 (0) 1392 285983

Email: [email protected]

Website: www.exeter-cathedral.org.uk

Page 160: VisitEngland

< back to contents160

EXETERRoyal Albert MemorialMuseum & Art GalleryQueen Street, Exeter, EX4 3RX

Museum of the Year 2012, Exeter’s world-class museum has stunningnew displays and galleries, fabulous exhibitions and modern amenities.Its spectacular Victorian building links the modern commercial citycentre bustle on Queen Street with the city’s historic past. The displaysreveal Devon and Exeter’s rich history and global connections. Exoticanimals, birds and insects delight children and the world culturesgalleries display stunning items from all over the world. The busyprogramme of exhibitions and events means there is likely to besomething different to see on every visit. Free entry gives everyone thefreedom to visit many times and to stay for any length of time.

Open Tuesday to Sunday, 10.00 to 17.00. Closed Mondays and bankholidays. Admission free.

Connection to the 2015 Rugby World Cup:Special displays planned. Collections show Exeter’s historic links withthe countries playing.

Best time of day to film:Major disruption to visitors should be avoided. Generally busy duringschool holidays except sunny summer days. Quietest during weekdaymornings. Closed to the public Mondays and quiet between 08.00 and09.00 before opening.

Best vantage point:16 atmospheric galleries. Stunning pink Victorian entrance foyer.Modern Garden entrance. Panoramic views of the city from the Romanwall and views of the oldest civic garden in the country.

Access restrictions:Access is good throughout the public areas of the museum, morelimited behind the scenes.

Filming permit:A permit is required. Notice depends upon of size of request. Minimumof a fortnight is preferred for smaller requests.

Filming fee:Television/Video/Film - 2014• Facilities fee, minimum per half day: £385

• Still photographs reproduced/broadcast within a single TVprogramme, video, film etc. Unlimited transmission for up to five years: £65

Costs above the facilitation fee depend upon museum resources needed.Reduction or waiver possible if justifiable.

Public liability insurance:RAMM requires and has public liability insurance up to £5million – ZurichInsurance.

Contact: Claire Bailey, Robert Mackenzie

Telephone: +44 (0)1392 265858 / 265311 / 265317

Email: [email protected] / [email protected]

Website: www.exeter.gov.uk/RAMM

Page 161: VisitEngland

Gloucester

Page 162: VisitEngland

< back to contents162

GLOUCESTERKingsholmKingsholm Road, Kingsholm, Gloucester, GL1 3AX

The home of Gloucester, one the world’s oldest and best known rugbyclubs. As a confirmed Rugby World Cup 2015 venue, Kingsholm willhost fixtures for teams including Tonga, Georgia, Scotland, Japan,Argentina and USA.

Connection to the 2015 Rugby World Cup:Kingsholm will be staging four fixtures during RWC 2015.

Best time of day to film:From midday onwards, more of the stadium is bathed in sunlight.

Best vantage point:From the Shed towards the main stand, from the gantry.

Access restrictions:Yes. The stadium is locked up out of hours. Permission needs to begranted by the Stadium Manager.

Filming permit:No.

Filming fee:No.

Public liability insurance:Covered by the stadium’s public liability insurance.

Contact: Duncan Wood

Telephone: +44 (0) 1452 872266 / +44 (0) 7833 795745

Email: [email protected]

Website: www.gloucesterrugby.co.uk

Page 163: VisitEngland

< back to contents 163

GLOUCESTERGloucester Cathedral12 College Green, Gloucester, GL1 2LX

One of the finest medieval buildings in the country, 1,000 years ofhistory and architecture is waiting to be explored in this glorious sacredspace. The extraordinary fan-vaulted medieval cloisters and Great EastWindow are national treasures and the Lady Chapel houses some of thefinest Arts & Crafts glass in the country. The tomb of Edward II becamea place of pilgrimage in the 14th century and inspired the innovativecathedral building treasured today. It is the only monarch’s tomb in theSouth West, one of only a few outside London and as such is of bothhistorical and architectural significance.

Family activities include the Whispering Gallery, Children’s Trails andthe chance to see where ‘Harry Potter’, ‘Dr. Who’, Tudor Monastry Farmand Henry V were filmed.

Open daily 08.00 until Evensong. Admission Free (donation requested).Daily worship, superb musical heritage, gift shop, coffee shop,wheelchair access.

Connection to the 2015 Rugby World Cup:Possible events within the grounds and possible screening of matches.

Best time of day to film:Afternoon.

Best vantage point:Everywhere.

Access restrictions:The cathedral is a working church, therefore, filming has to fit in withservices; limited parking.

Filming permit:Permission is required from the Chapter of the Cathedral, please contactDee Paoletti; minimum of one week’s notice would be helpful.

Filming fee:The fee will be waivered for non-commercial filming, provided thecathedral can remain open to the public. Should any parts need to beclosed, this might attract a fee.

Public liability insurance:£5million public liability insurance.

Contact: Dee Paoletti

Telephone: +44 (0)1452 508211 / +44 (0) 7735 065588

Email: [email protected]

Website: www.gloucestercathedral.org.uk

Page 164: VisitEngland

< back to contents164

GLOUCESTERGloucester DocksGloucester Docks, Gloucester, GL1. Council offices, GL1 2EQ

The most inland port in the country, Gloucester Docks is a workingdock and tourist attraction, with museums, restaurants, bars and caféssurrounding the site.

Connection to the 2015 Rugby World Cup:The Fanzone location.

Best time of day to film:Any time is good – sunset seems to be popular with filming companies.

Best vantage point:There are many across the site.

Access restrictions:The area is residential so although open access to the site – permissionis needed in the form of licences and there may be curfews dependingon times and level of activity.

Filming permit:Notice is negotiable, a licence is required from the city council. Contactcan be made via Marcus Grodentz – contact details above.

Filming fee:This is negotiable depending on what is being filmed and the durationof the filming.

Public liability insurance:Yes, it varies between £5million and £10million depending on what istaking place.

Contact: Marcus Grodentz

Telephone: +44 (0) 1452 396133

Email: [email protected]

Website: www.gloucester.gov.uk /www.thecityofgloucester.co.uk

Page 165: VisitEngland

< back to contents 165

GLOUCESTERPurton HulksGloucester, GL13 9HU

The strip of land forming the foreshore between the Gloucester andSharpness canal and the River Severn between Sharpness Old Arm andPurton is exposed to high fluctuating tides and has always beensusceptible to bank erosion. In the early part of the 20th century, oldbarges were dumped on the foreshore to prevent further bank erosionand protect the adjacent canal embankment. www.friendsofpurton.org.uk

The first barges were dumped there in 1909 and further craft wereadded up to the early 1970s. Each vessel was taken out of SharpnessDock on a high spring tide, towed by a tug towards the shore andreleased so that it charged up the bank as far as possible. Then holeswere knocked in the hull to allow subsequent tides to deposit silt inside.These barges were made from timber, steel and concrete. Also presenton the foreshore are seven formerly-ocean-going schooners.

Today the site is the largest ships’ graveyard in Britain, with 81 hulkscatalogued on the bank, of which 77 have been identified.

Best time of day to film:Daylight hours.

Best vantage point:Variety of filming points, recce advised.

Filming permit:A filming license can be obtained by email or downloading applicationforms from the website. At least one week is needed to turn around afilming application.

Filming fee:Normal fee is £130+VAT per hour.

Public liability insurance:Public Liability Insurance should cover up to £5million – a certificatewill be required as proof.

Contact: Cassie Clarke or Claire Risino

Telephone: +44 (0) 203 204 4441

Email: [email protected]

Website: www.canalrivertrust.org.uk

Page 166: VisitEngland

< back to contents166

GLOUCESTERSaul JunctionSaul Junction, Church Lane, Saul, Gloucester, GL2 7LA

Saul Junction has been an unusual and attractive waterway crossroadssince 1827. Here the Gloucester and Sharpness Canal meets both theCotswold Canal and the Stroudwater Navigation - currently undergoingrestoration. Peaceful, pleasant and secluded, the junction is typical ofits Gloucestershire surroundings.

Best time of day to film:Daylight hours.

Best vantage point:Variety of filming points, recce advised.

Filming permit:A filming license can be obtained by email or downloading applicationforms from the website. At least one week is needed to turn around afilming application.

Filming fee:Normal fee is £130+VAT per hour.

Public liability insurance:Public Liability Insurance should cover up to £5million – a certificatewill be required as proof.

Contact: Cassie Clarke or Claire Risino

Telephone: +44 (0) 203 204 4441

Email: [email protected]

Website: www.canalrivertrust.org.uk

Page 167: VisitEngland

< back to contents 167

GLOUCESTERSharpness PortThe Docks, Sharpness, Berkeley, Gloucestershire, GL13 9UD

The dock at Sharpness was opened in 1874 and is one of the mostinland ports in Britain, and the eighth largest in the South West. Itserves as the gateway from the River Severn to the Gloucester andSharpness Canal. http://canalrivertrust.org.uk/sharpness-port

Best time of day to film:Early morning, sunlight hours, dusk and night.

Best vantage point:Variety of filming points.

Access restrictions:Some areas have restricted access but can be opened up to film crewson request.

Filming permit:A filming license can be obtained by email or downloading applicationforms from the website. At least one week is needed to turn around afilming application.

Filming fee:Normal fee is £130+VAT per hour.

Public liability insurance:Public Liability Insurance should cover up to £5million – a certificatewill be required as proof.

Contact: Cassie Clarke or Claire Risino

Telephone: +44 (0) 203 204 4441

Email: [email protected]

Website: www.canalrivertrust.org.uk

Page 168: VisitEngland

< back to contents168

GLOUCESTERThe New Inn Hotel16 Northgate Street, Gloucester, GL1 1SF

The New Inn Hotel is a 15th century galleried inn with historical links toLady Jane Grey and William Shakespeare.

Best time of day to film:Any time.

Best vantage point:Courtyard, second floor windows, first floor gallery.

Access restrictions:No parking after 10.00.

Filming permit:Not required.

Filming fee:T.B.C.

Public liability insurance:Required, suggest £5million.

Contact: Michael Sage

Telephone: +44 (0) 1452 522177

Email: [email protected]

Website: www.relaxinnz.co.uk

Page 169: VisitEngland

Leeds

Page 170: VisitEngland

< back to contents170

LEEDSElland RoadElland Road, Leeds, LS11 0ES

Elland Road is the football stadium in the city of Leeds, home to LeedsUnited FC with a capacity of 39,460. As a confirmed Rugby World Cup2015 venue, Elland Road will host fixtures for teams including Italy,Canada, Scotland and USA.

Connection to the 2015 Rugby World Cup:Elland Road is the host stadium in the city of Leeds.

Best time of day to film:Filming is possible both day and night in the location owing to adequatelighting. Owing to the climate in Leeds, filming would be best in thespring/summer leading up to the 2015 Rugby World Cup, rather than inthe winter to reduce the chance of rain or other inclement weather.

Best vantage point:There are a number of great positions for filming, both offering viewsof the stadium itself, the external views and additional areas within thestadium. Your guide during filming will be able to showcase thesespecific locations.

Access restrictions:Depending on training and the club’s access there may be restrictionsto filming in certain areas, such as training areas, changing rooms andoffices.

Filming permit:Confirming filming access is essential ahead of arrival, please contactCharlotte Rutherford (contact details below) to arrange access anddetermine any specific requirements. Please provide a minimum of oneweek’s notice ahead of filming.

Filming fee:No fee.

Public liability insurance:None required.

Contact: Charlotte Rutherford

Telephone: +44 (0) 113 378 1149 / +44 (0) 7891 275 605

Email: [email protected]

Website: www.leedsunited.com

Page 171: VisitEngland

< back to contents 171

LEEDSArmley MillsArmely Mills, Canal Road, Leeds, LS12 2QF

Housed in what was once the world's largest woollen mill, LeedsIndustrial Museum houses a wealth of gems located in a beautifulriverside setting. Armley Mills is a place to learn about the industrialhistory of Leeds from manufacturing textiles and clothing to printing,engineering and locomotives, which the city was world famous for.

Connection to the 2015 Rugby World Cup:Armley Mills is located in Leeds, one of the host cities of the 2015Rugby World Cup.

Best time of day to film:During the day is the best time for filming in Armely Mills – time of yearmatters less, as the museum is all inside.

Best vantage point:There are a number of vantage points which offer great filmingopportunities. These can be pointed out during filming by the guide.

Filming permit:No, however filming will need to be pre-arranged to ensure it can beaccommodated. Liaise with Charlotte Rutherford (contact detailsbelow) to arrange filming access. As much notice as possible would bepreferred, but there is a minimum of one week’s notice.

Filming fee:No fee.

Public liability insurance:None required.

Contact: Charlotte Rutherford

Telephone: +44 (0) 113 378 1149 / +44 (0) 7891 275 605

Email: [email protected]

Website: www.leeds.gov.uk/armleymills

Page 172: VisitEngland

< back to contents172

LEEDSHarewood HouseHarewood House, Harewood, Leeds, LS17 9LG

Harewood House is one of the Treasure Houses of England, built in the18th century and housing one of the finest art collections in England.Harewood House is also home to a bird garden, educational centre andfantastic landscaped gardens designed by Capability Brown.

Connection to the 2015 Rugby World Cup:Harewood House is located in Leeds, one of the host cities of the 2015Rugby World Cup.

Best time of day to film:When wishing to film externally and shots of the gardens, it is best tofilm during the day. Owing to the climate in Leeds, it is best to film duringthe spring/summer where possible to reduce the likelihood of rain.

Best vantage point:Harewood House can be viewed from a number of different anglesexternally, each with their own different perspective of the house.Filming from a height to see the scope and design of the gardens is aninteresting position to film, as well as a number of the rooms andgalleries inside the house, which showcase its heritage.

Access restrictions:Some of the house is still used by the family and will not be availablefor filming.

Filming fee:No fee.

Public liability insurance:None required.

Contact: Charlotte Rutherford

Telephone: +44 (0) 113 378 1149 / +44 (0) 7891 275 605

Email: [email protected]

Website: www.harewood.org

Page 173: VisitEngland

< back to contents 173

LEEDSKirkgate MarketKirkgate Market, 28-34 George Street, Leeds, LS2 7HY

Kirkgate Market, housed in a Grade I listed building, is one of thelargest covered markets in Europe and hosts over 200 stalls, sellingeverything from fresh fruit and flowers to clothing and electronics. Themarket is the start of the M&S Heritage Trail, as Michael Marks set uphis first Penny Bazaar in Kirkgate Market.

Connection to the 2015 Rugby World Cup:Kirkgate Market is located in the city of Leeds, one of the host cities ofthe 2015 Rugby World Cup.

Best time of day to film:The majority of Kirkgate Market is undercover, so filming can be doneno matter what the weather. Filming during the day is preferable.

Best vantage point:Throughout the covered market there are a number of points to film totake in the scale and scope of this amazing market.

Filming permit:Filming will need to be pre-arranged to ensure it can beaccommodated. Liaise with Charlotte Rutherford (contact detailsbelow) to arrange filming access. As much notice as possible would bepreferred, but there is a minimum of one week’s notice.

Filming fee:No fee.

Public liability insurance:None required.

Contact: Charlotte Rutherford

Telephone: +44 (0) 113 378 1149 / +44 (0) 7891 275 605

Email: [email protected]

Website: www.leedsunited.com

Page 174: VisitEngland

< back to contents174

LEEDSKirkstall AbbeyKirkstall Abbey, Abbey Road, Leeds, LS5 3EH

Kirkstall Abbey is located just five minutes from the heart of the citycentre and is one of the most complete Cistercian Abbeys in the UK.Steeped in history this incredible abbey is surrounded by beautifulparkland and sits next to the River Aire.

Connection to the 2015 Rugby World Cup:Kirkstall Abbey is located in Leeds, one of the host cities of the 2015Rugby World Cup.

Best time of day to film:As Kirkstall Abbey is mainly open to the elements filming during thespring/summer would be preferable for filming. Additionally, there isnot fantastic lighting at night, so filming at night is possible, howeveradditional lighting might be required.

Best vantage point:There are a number of vantage points which offer great filmingopportunities. These can be pointed out during filming.

Filming permit:Filming will need to be pre-arranged to ensure it can beaccommodated. Liaise with Charlotte Rutherford (contact detailsbelow) to arrange filming access. As much notice as possible would bepreferred, but there is a minimum of one week’s notice.

Filming fee:No fee.

Public liability insurance:None required.

Contact: Charlotte Rutherford

Telephone: +44 (0) 113 378 1149 / +44 (0) 7891 275 605

Email: [email protected]

Website: www.harewood.org

Page 175: VisitEngland

< back to contents 175

LEEDSLeeds Art GalleryLeeds Art Gallery, The Headrow, Leeds, LS1 3AA

Leeds Art Gallery is located in the heart of the city centre, part of theCultural Quarter which consists of a whole host of museums andgalleries. Leeds Art Gallery is a lively gallery offering displays of Leeds'stunning collections as well as a dynamic programme of changingexhibitions; the Gallery is an innovative and exciting place to visit forpeople of all ages and tastes. See nationally acclaimed prints,watercolours, paintings, sculptures, photography, and contemporary art.

Connection to the 2015 Rugby World Cup:Leeds City Gallery is located in Leeds, one of the host cities of the 2015Rugby World Cup.

Best time of day to film:It is best to film during the day when the gallery is open.

Best vantage point:There are number of vantage points which offer great filmingopportunities. These can be pointed out during filming by the guide.

Filming permit:Filming will need to be pre-arranged to ensure it can beaccommodated. Liaise with Charlotte Rutherford (contact detailsbelow) to arrange filming access. As much notice as possible would bepreferred, but there is a minimum of one week’s notice.

Filming fee:No fee.

Public liability insurance:None required.

Contact: Charlotte Rutherford

Telephone: +44 (0) 113 378 1149 / +44 (0) 7891 275 605

Email: [email protected]

Website: www.leedstownhall.co.uk

Page 176: VisitEngland

< back to contents176

LEEDSLeeds Corn ExchangeLeeds Corn Exchange, Call Lane, Leeds, LS1 7RB

Leeds Corn Exchange is a Grade I listed building, previously used fortrading corn. Under the cover of the domed roof of this architecturalgem is now an abundance of independent shops and eateries. Filledwith funky boutiques, Leeds Corn Exchange is home to a wide range ofretail offerings, from vintage clothing and vintage jewellery to anindependent bookstore and publisher, as well as plenty on offer to eatand drink. Leeds Corn Exchange also regularly hosts vintage fairs andrecord sales.

Connection to the 2015 Rugby World Cup:The Corn Exchange is located in the centre of Leeds and Leeds is ahost city for the 2015 Rugby World Cup.

Best time of day to film:Filming is best during the day, when the light is at its best internally, socan show off the intricate detailing in the architecture.

Best vantage point:There are a number of external and internal positions which offerfantastic filming opportunities to showcase the domed roof andintricate architecture.

Filming permit:Liaise with Charlotte Rutherford (contact details below) is necessarywhen wishing to film in this location, to ensure access is provided andany specific requests are accommodated. Please ensure contact ismade at least a minimum of a week ahead of filming.

Filming fee:No fee.

Public liability insurance:None required.

Contact: Charlotte Rutherford

Telephone: +44 (0) 113 378 1149 / +44 (0) 7891 275 605

Email: [email protected]

Website: www.leedscornexchange.co.uk

Page 177: VisitEngland

< back to contents 177

LEEDSLeeds Town HallLeeds Town Hall, The Headrow, Leeds, LS1 3AD

Leeds Town Hall is located in the heart of the city centre, originallybuilt to host dances and home to an impressive three-manual organ,the largest of its kind in Europe. Today, the Town Hall is used to hostcivic ceremonies and concerts, as well as screening a number of filmsduring the Leeds Film Festival.

Connection to the 2015 Rugby World Cup:Leeds Town Hall is located in Leeds, one of the host cities of the 2015Rugby World Cup.

Best time of day to film:Filming is possible both during the day and at night and these can bearranged depending on requirements.

Best vantage point:There are number of vantage points which offer great filmingopportunities. These can be pointed out during filming by the guide.

Filming permit:Filming will need to be pre-arranged to ensure it can beaccommodated. Liaise with Charlotte Rutherford (contact detailsbelow) to arrange filming access. As much notice as possible would bepreferred, but there is a minimum of one week’s notice.

Filming fee:No fee.

Public liability insurance:None required.

Contact: Charlotte Rutherford

Telephone: +44 (0) 113 378 1149 / +44 (0) 7891 275 605

Email: [email protected]

Website: www.leedstownhall.co.uk

Page 178: VisitEngland

< back to contents178

LEEDSMillennium SquareMillennium Square, Leeds, LS2 3AD

Millennium Square is the largest square in the city, a flagship project tomark the Millennium. Millennium Square is bordered by a great numberof the city’s most prominent buildings including the Civic Hall, LeedsTown Hall, Leeds City Museum and Leeds College of Art and is a focalpoint for events taking place in the city.

Connection to the 2015 Rugby World Cup:Millennium Square will be the location of the Leeds Fan Park, part ofthe activities taking place in Leeds as one of the host cities of the 2015Rugby World Cup.

Best time of day to film:Filming is possible both throughout the day and through the evening/night. Owing to the outdoor nature of Millennium Square, filming isrecommended in spring/summer if at all possible to try and reduce thechance of rain.

Best vantage point:There are a number of vantage points which offer great filmingopportunities. These can be pointed out during filming by your guide.

Filming permit:Filming will need to be pre-arranged to ensure it can beaccommodated. Liaise with Charlotte Rutherford (contact detailsbelow) to arrange filming access. As much notice as possible would bepreferred, but there is a minimum of one week’s notice.

Filming fee:No fee.

Public liability insurance:None required.

Contact: Charlotte Rutherford

Telephone: +44 (0) 113 378 1149 / +44 (0) 7891 275 605

Email: [email protected]

Website: www.leeds.gov.uk

Page 179: VisitEngland

< back to contents 179

LEEDSRoyal ArmouriesRoyal Armouries, Armouries Drive, Leeds, LS10 1LT

The Royal Armouries is the UK’s National Museum of British Arms andArmour, including artillery. The Armouries is home to treasures fromaround the globe, including the Ottoman Empire, the Wild West,Europe, Japan and India. Wonder at the fabulous arms and armour ofthe Japanese shoguns, the royal houses of Europe and the Kings ofEngland including Henry VIII who reigns supreme in the newlyrefurbished Tournament Gallery.

Connection to the 2015 Rugby World Cup:The Royal Armouries is located in the city of Leeds, one of the hostcities of the 2015 Rugby World Cup.

Best time of day to film:It is best to film during the day.

Best vantage point:Around the museum there are a number of key vantage points forfilming, especially surrounding the war gallery and elephant armour.The Hall of Steel showcases over 2,500 pieces of armour dating backfrom the 17th century, housed in an elegant steel and glass tower.

Filming permit:Filming will need to be pre-arranged to ensure it can beaccommodated. Liaise with Charlotte Rutherford (contact detailsbelow) to arrange filming access. As much notice as possible would bepreferred, but there is a minimum of one week’s notice.

Filming fee:No fee.

Public liability insurance:None required.

Contact: Charlotte Rutherford

Telephone: +44 (0) 113 378 1149 / +44 (0) 7891 275 605

Email: [email protected]

Website: www.royalarmouries.org

Page 180: VisitEngland

< back to contents180

LEEDSTrinity LeedsTrinity Leeds, Albion Street, Leeds, LS1 5AT

Trinity Leeds is the city’s newest and largest leisure and retaildestination, home to over 120 of the biggest brand names under aninnovatively designed glass floating roof. Trinity Leeds is home to TrinityKitchen, the city’s street food concept, where five of the country’s beststreet food retailers are lifted into the building each month forcustomers to enjoy. There are also a number of elegant rooftop barsand restaurants to enjoy including Angelica, Crafthouse and theAlchemist, as well as the largest Everyman Cinema outside London.

Connection to the 2015 Rugby World Cup:Trinity Leeds is located in the city of Leeds, one of the host cities of the2015 Rugby World Cup.

Best time of day to film:Trinity Leeds is open until late every night and is under cover, sofilming would be possible all year round and throughout the day andevening. If filming of the panoramic city views would be preferred, it isrecommended to try and film in spring/summer when weather shouldbe at its best.

Best vantage point:The main central area of Trinity Leeds is one of the best filminglocations, showcasing the scope of the space and the innovative roof. Inaddition, Trinity Kitchen is an interesting position to film, as well as anumber of the rooftop bars and restaurants.

Filming permit:Filming will need to be pre-arranged to ensure it can beaccommodated. Liaise with Charlotte Rutherford (contact detailsbelow) to arrange filming access. As much notice as possible would bepreferred, but there is a minimum of one week’s notice.

Filming fee:No fee.

Public liability insurance:None required.

Contact: Charlotte Rutherford

Telephone: +44 (0) 113 378 1149 / +44 (0) 7891 275 605

Email: [email protected]

Website: www.trinityleeds.com

Page 181: VisitEngland

< back to contents 181

LEEDSVictoria QuarterVictoria Quarter, 4 Cross Arcade, Leeds, LS1 6AZ

Victoria Quarter is a designer destination in the heart of Leeds CityCentre. This exceptional area comprises of a number of arcades, filledwith designer shops including Louis Vuitton, Mulberry, Paul Smith and ishome to the designer mothership, Harvey Nichols, as well as a number ofbeauty houses including Jo Malone and Space NK. The setting of thearcade itself is bathed in Victorian splendour and home to the largeststained glass window in the UK and will soon be linked with Victoria Gate,currently under construction, to become the city’s premier designerdestination and home to the North’s flagship John Lewis store.

Connection to the 2015 Rugby World Cup:Victoria Quarter is located in the centre of Leeds and Leeds is a hostcity for the 2015 Rugby World Cup.

Best time of day to film:Filming can be done either day or night, however, for the bestrepresentation of the Victoria Quarter, filming during the day when theshops are open and visitors are in the restaurants/cafés is recommended.

Best vantage point:External view of Victoria Quarter, from various entrances to the VictoriaQuarter, centrally by the fountains and from various points within theVictoria Quarter.

Filming permit:An insurance form needs to be signed before filming can commence.Liaise with Charlotte Rutherford (contact details below) to arrangefilming access. As much notice as possible would be preferred, but thereis a minimum of one week’s notice.

Filming fee:No fee.

Public liability insurance:The insurance form covers any necessary insurance and so there is noadditional cost.

Contact: Charlotte Rutherford

Telephone: +44 (0) 113 378 1149 / +44 (0) 7891 275 605

Email: [email protected]

Website: www.v-q.co.uk

Page 182: VisitEngland

Leicester

Page 183: VisitEngland

< back to contents 183

LEICESTERLeicester City StadiumFilbert Way, Leicester, LE2 7FL

Leicester City Stadium is a 30,000-seater, multi-purpose stadium formajor sports and events. As a confirmed Rugby World Cup 2015 venue,the stadium will host fixtures for teams including Argentina, Tonga,Canada, Romania and Namibia.

Connection to the 2015 Rugby World Cup:Host venue.

Best time of day to film:Afternoon.

Best vantage point:Back of the north west corner; external across the canal behind theWest Stand.

Filming permit:Contact [email protected].

Filming fee:No fee.

Public liability insurance:LCFC has FA Premier League public liability insurance cover for£500million pounds.

Contact: Anthony Herlihy

Telephone: +44 (0) 116 229 4944

Email: [email protected]

Website: www.lcfc.com

Page 184: VisitEngland

< back to contents184

LEICESTERBosworth BattlefieldHeritage CentreSutton Cheney, Nuneaton, CV13 0AD

Bosworth Battlefield Heritage Centre tells the dramatic story of theBattle of Bosworth on 22nd August 1485, which marked a majorturning point in English history. Discover more about the Battle of 1485where Richard III fought for his crown and lost his life, and Henry Tudorbecame king.

With interactive, hands-on displays you can find out more aboutmedieval warfare, how the battle unfolded and the impact of the newand powerful Tudor dynasty. Find out how archaeologists discoveredthe true location of the Battle and see some of the unique objects thatwere unearthed. You can see it brought to life with the resident re-enactment group, Falconry events or explore the landscape withknowledgeable Battlefield Guides.

Best time of day to film:Daytime.

Best vantage point:Sundial, Exhibition, Bosworth Field.

Filming permit:Permission needed from the County Council.

Filming fee:Approximately £250.

Public liability insurance:£10million.

Existing footage:Short extract of Bosworth Re-enactment Weekend (Augst) c.1.45sec.

Contact: Steve Pumfrey

Telephone: +44 (0) 116 3053984

Email: [email protected]

Website: www.bosworthbattlefield.com

Page 185: VisitEngland

< back to contents 185

LEICESTERCurve TheatreRutland Street, Leicester, LE1 1SB

Curve is a spectacular state-of-the-art theatre based in the heart ofLeicester’s vibrant Cultural Quarter. Opened in 2008 by Her MajestyThe Queen, the award-winning building, designed by acclaimedarchitect Rafael Viñoly, offers a completely unique visitor experience.

Curve’s curved façade is made from 1,192 tonnes of steel and 46,000square metres of glass and, unlike any other theatre in the UK, there isno traditional backstage area. Audiences can enjoy the full theatremaking process, peek behind the scenes and maybe even spot an actoror two dashing from the stage to their dressing room or enjoying acoffee in our café.

Curve’s cutting edge facilities and technical expertise mean that theworld’s best producers also choose to premiere new shows and openmajor national tours there. Curve’s reputation for attracting high profilenational conferences and exhibitions to Leicester also continues to growthanks to its flexible, dynamic spaces and specialist in-house team.

Best time of day to film and best vantage point:The Mezzanine level is a great filming location for both daytime andevening as the floor to ceiling glass façade offers a fantastic backdrop - outside on Orton Square if weather permits and also within theauditorium.

Access restrictions:Not all areas are public access and therefore prior notice to film inspecific areas would need to be granted. As well as accompanied by aCurve member of staff.

Filming permit:Advanced notice required via Press Office - 48 hours.

Filming fee:No charge for filming but may ask for access rights to the footage touse for its own promotion. Spaces would need to be booked in advanceto ensure availability.

Public liability insurance:£25million each and every claim. Contact: Clair Horwood – Media and PR Officer

Telephone: +44 (0) 116 242 3560

Email: [email protected]

Website: www.curveonline.co.uk

Page 186: VisitEngland

< back to contents186

LEICESTERKing Richard III Visitor Centre 4A St Martin's, Leicester, LE1 5DB

King Richard III: Dynasty, Death and Discovery is Leicester’s brand newvisitor centre, created around the poignant spot where King RichardIII’s remains were buried for over 500 years - one of the mostfascinating and intriguing historic sites in England. Using greatstorytelling, beautiful design and 21st century technology, visitors willbe able to learn more about the King’s life and death – and tounderstand the huge events that led to his hasty burial and eventualrediscovery. Exhibits include a remarkably detailed facialreconstruction, and a replica of Richard’s skeleton that clearly showshis curved spine, as well as his battle injuries, including the fatal blow.Visitors will also be able to see the exact place where Richard’s remainswere buried for over 500 years and this poignant spot has now beentransformed into a glass–floored contemplative space for visitors.

Best time of day to film:Outside of visiting hours is preferred however, light is best in theafternoon. The Visitor Centre is air conditioned throughout.

Best vantage point:The grave site provides the most space within the attraction. There isalso a glass viewing platform, which shows an aerial view of the visitorcentre and with space for an interview between two people.

Access restrictions:Visiting hours are 10.00-16.00 Monday to Friday and 10.00-17.00weekends and Bank holidays. Preference is to film outside of thesehours however they will accommodate requests within opening hours.

Filming permit:No permit is required and they will need to inform visitors if filming istaking place during visiting hours so by 09.00 on the day of filming.

Filming fee:Staffing costs are required to cover filming out of hours however,where PR value exceeds costs, fees will be waivered.

Public liability insurance:The visitor centre has its own public liability insurance.

Contact: Emma Lay

Telephone: +44 (0) 7879 493249

Email: [email protected]

Website: www.kriii.com

Page 187: VisitEngland

< back to contents 187

LEICESTERLeicester Cathedral and Cathedral GardensPeacock Lane, Leicester

The cathedral is in the heart of the city, and in early 2015 becomes thefinal resting place for King Richard lll found 100 footsteps away. Peopleof all faiths and none join together here with the worshipping ChristianCommunity for special times of celebration and sadness.

Best time of day to film:Late morning.

Best vantage point:From Peacock Lane. Access points available.

Access restrictions:No parking at the moment.

Filming permit:No permit, just permission from the below for interiors.

Filming fee:Donations would be appreciated.

Public liability insurance:Yes.

Contact: Liz Hudson, Claire Recordon

Telephone: +44 (0) 116 261 5200

Email: [email protected], [email protected]

Website: www.leicestercathedral.org

Page 188: VisitEngland

< back to contents188

LEICESTERNational Space CentreExploration Drive, Leicester, LE4 5NS

The award-winning National Space Centre is an out-of-this-worldexperience for the whole family. With six interactive galleries, the UK’slargest planetarium, world unique 3D SIM ride and iconic 42 metre highRocket Tower, there really is something for everybody to enjoy.

Add to this on site parking, café, shop and all the facilities you wouldexpect from a world-class attraction. An all-weather day out in theheart of the UK, just follow the rocket signs from the M1 and M69.

The centre hosts many special weekends including celebrations of StarWars, LEGO and Daleks (see www.spacecentre.co.uk for full details).

School holiday periods are always exciting, as the centre adds lots ofworkshops and talks into the mix, so advanced booking is advised.

Connection to the 2015 Rugby World Cup:Venue based in Leicester – host for three matches.

Best time of day to film:During opening hours the centre can be a busy and noisy place. On anaverage weekday during school term time there will be between 150and 800 children on site. Filming with children and other visitorsbetween 10.00-17.00 would require appropriate consent forms. On abright day the Rocket Tower can look stunning during sunrise andearly morning.

Best vantage point:Under the giant rockets, in the Vostock capsule or with the RocketTower in the background are just some of the great backdrops.

Access restrictions:Filming of Blue Streak and the Moon Rock have to be agreed by loanbodies in advance.

Filming permit:No filming permit, but they would need to work with any film crew inadvance to ensure the activity was not to the detriment of visitors andthat what was needed could be achieved.

Filming fee:Fees are only charged if the filming is of a commercial nature or thefilming is to happen outside of standard opening hours.

Public liability insurance:Public liability of £20million is held by the organisation for all riskassessed activities.

Contact: Josh Barker, Zoe Bailey or Malika Andress (Josh and Zoe for Space Communications)

Telephone: +44 (0) 116 258 2104 / 258 2103 / 261 0261

Email: [email protected]@spacecentre.co.uk

Website: www.spacecentre.co.uk

Page 189: VisitEngland

< back to contents 189

LEICESTERParks and Open SpacesAll parks and open spaces in Leicester (incl. city centreand public space)

Connection to the 2015 Rugby World Cup:Victoria Park will host a 10-day FanZone where people can watch thematches and enjoy entertainment and sporting activities.

Best time of day to film:All times are good.

Best vantage point:Various – depending on what is being filmed.

Access restrictions:During the FanZone dates Rugby World Cup 2015 protocol will need tobe followed.

Filming permit:Yes – via the contacts below. These can usually be processed fairlyquickly. An application form will need to be submitted with a riskassessment and copy of public liability insurance.

Filming fee:Charges can apply; depending on the purpose of filming they wouldlook at waivers on a case-by-case basis.

Public liability insurance:£5million cover.

Contact: Leicester Festivals & Events

Telephone: +44 (0) 116 4543600

Email: [email protected]

Website: www.leicester.gov.uk/festivals

Page 190: VisitEngland

Manchester

Page 191: VisitEngland

< back to contents 191< back to contents 191

Situated within the lower 23 floors of the stunning47-storey Beetham Tower, the Hilton ManchesterDeansgate hotel offers spectacular views across thecity. Savour modern contemporary cuisine in thehotel’s chic Podium restaurant or take the expresslift to Cloud 23 for tea or a cocktail in the sky. Just afew minutes from Piccadilly and Victoria stationsand 25 minutes from Manchester InternationalAirport, the Hilton Manchester Deansgate is ideallylocated for both leisure and business guests. It is theperfect venue to hold any inspirational event, for upto 600 people.

Best Vantage Points: From its 360 degree views onthe 23rd floor.

Restrictions: Only accessible via a standard size lift.

Best Time of Day: Anytime is fine however the filmingneeds to work around the operation of the hotel andany guests using the facilities.

Permits: Yes a location agreement is required – asmuch notice as possible although they can be flexible.

Fees: £150 per hour is the standard fee.

Public Liability Insurance: Yes – as standard.

Hilton Manchester, Deansgate303 Deansgate, Manchester, M3 4LQ

The Etihad Stadium is an award winning venue bothfor match day experience to fans and offering five-star hospitality to visitors alike. Hosting more than50 concerts and events a year, the Etihad Stadium ishome to 2014 Premier League ChampionsManchester City Football Club and welcomes over2.5m visitors a year.

Best Vantage Points: The best vantage point for theexterior is West Reception or Joe Mercer Way.The best vantage point for the interior is pitch-side orthe South Stand corner, second tier.

Best Time of Day: Anytime.

Permits: Exterior filming does not require permission,however all interior filming in the stadium and clubstore must be requested. Please contact PaulMulholland.

Fees: A fee is dependent on the nature of the filming.MCFC editorial and news filming is usually free.Should the stadium be used as a location to film a TVadvert, for example, a charge will apply.

Public Liability Insurance:Please check with [email protected]

Existing match, fan or event footage Footage can be requested from CityTV. Pleasecontact [email protected]

Etihad StadiumSir Matt Busby Way, Old Trafford, Manchester, M16 0RA

MANCHESTER

Contact: Nikki Corcoran, Director of Sales

Telephone: +44 (0) 161 870 1639

Email: [email protected]

Website: www.hilton.co.uk/manchesterdeansgate

Contact: Paul Mulholland, Marketing Communications Manager

Telephone: +44 (0) 161 438 7623

Email: [email protected]

Website: www.mcfc.co.uk

Page 192: VisitEngland

< back to contents192

MANCHESTERMOSI (Museum of Science &Industry, Manchester)Liverpool Road, Castlefield, Manchester, M3 4FP

MOSI is housed in the buildings of the world’s oldest passenger railwaystation, which opened in 1830. The museum tells the fascinating storyof the birth of the industrial revolution in Manchester, and the greatinnovations and achievements of the North West. See your faceamongst world-class inventors on the fantastic Digital Chandelier in thenew, hi-tech Revolution Manchester gallery, feel the awe-inspiring heatand power of a steam engine in action, and marvel at the short andincredible history of flight.

Best Vantage Points:The exterior of the site, particularly 1830 warehouse and the StationBuilding. Lots of original brickwork and unusual buildings.

Restrictions:There are access points on both sides of the site.

Best Time of Day:Before 10.00 there are no members of the public on site. Light is often goodmid afternoon.

Permits:Permission is granted via the contact stated.

Fees:A fee is normally charged but will be reduced or waived for this filming.

Public Liability Insurance:Yes required as standard.

Contact: Sarah Roe/Julie Earith

Telephone: +44 (0) 161 606 0176

Email: [email protected]

Website: www.mosi.org.uk

Page 193: VisitEngland

< back to contents 193

MANCHESTERThe LowryThe Lowry, Pier 8, Salford Quays, Salford, M50 3AZ

The Lowry is an internationally acclaimed cultural landmark situated atthe heart of MediaCityUK, one of the world’s most exciting culture andmedia destinations. It is the most visited attraction in GreaterManchester and the largest cultural attraction in the North West,visited by 800,000 people each year. The Lowry hosts one of thecountry’s most diverse cross-arts cultural programs, featuring world-class performance, visual arts and participation projects.

Best time of day to film:Any time.

Best vantage point:On the plaza/waterfront/bridges looking across to/from MediaCityUKand The Imperial War Museum North.

Filming permit:Filming within the building must be approved by The Lowry, outside onthe plaza permissions must come from Salford City Council, otherareas around the Quays are owned by Peel Group.Leila Hogarth – Salford City Council – [email protected] Wood – Peel Holdings – [email protected]

Filming fee:Please ask appropriate authority. They do not usually charge forfilming that positively profiles The Lowry as an organisation. Decisionsare on a case-by-case basis.

Public liability insurance:Please check with appropriate authority.

Existing footage:Lisa Wood has access to broadcast quality footage of The Lowry –please contact for details.

Contact: Lisa Hill, Communications Manager

Telephone: +44 (0) 161 886 5308 / 07917 338 153

Email: [email protected]

Website: www.mediacityuk.co.uk/

Page 194: VisitEngland

< back to contents194

MANCHESTER IWM North ‘part ofImperial War Museums’Trafford Wharf Road, The Quays, Manchester, M17 1TZ

The multi award-winning IWM North, part of Imperial War Museums,was designed by world-renowned architect Daniel Libeskind torepresent a globe shattered by conflict, it reveals how war shapes livesthrough powerful exhibitions. There is also a learning studio, shop andcafe. Take the lift to the 29 metre high viewing platform forspectacular views over The Quays and Manchester.

Best Vantage Points:Outside IWM North, all angles give a unique view of Daniel Libeskind’sunique building. Inside IWM North’s Main Exhibition Space, large,important objects include the field gun that fired the first British shellof the First World War, a Second World War tank, and a section of steelfrom the World Trade Center New York, which was destroyed on 9/11. Allprovide a striking backdrop for filming.

Restrictions:No trailing cables or wires while IWM North is open to the public.Equipment must not remain unattended at any time and must not takeup a large amount of space in public areas of the museum. No publicroutes through the museum should be blocked. IWM North’s exhibitionspaces can be dark – a small, handheld, battery operated light isrecommended.

Permits:Crews must approach the IWM Press Office to seek permission forfilming. The more notice the better to ensure filming is possible.

Fees:The commercial filming hire rate is £200 per hour, but this can bewaived for non-commercial filming or in exchange for promotionalbenefits.

Public Liability Insurance:Public Liability Insurance: Standard public liability insurance of£5million should be in place.

Contact: Alex Knight, Press and PR Manager Sam Howard, Marketing and PR Co-ordinator Gemma Gibb, Head of Marketing and PR

Telephone: Alex Knight: +44 (0) 161 836 4040 Sam Howard: +44 (0) 161 836 4043 Switchboard: +44 (0) 161 836 4000

Email: [email protected] OR [email protected]

Website: www.iwm.org.uk/north

Page 195: VisitEngland

< back to contents 195

MANCHESTER National Football MuseumUrbis Building, Cathedral Gardens, Manchester, M4 3BG

The National Football Museum houses the biggest and best footballcollection in the world. It comprises a spacious atrium, two floors ofobjects, memorabilia and interactives, a temporary exhibitions space,an education zone and bar and restaurant with amazing views overthe city.

Best Vantage Points:Exterior of building / atrium has most space.

Permits:Amenable to filming requests; please contact the museum beforehandto discuss your requirments.

Fees:As a registered charity, donations are requested for non-commercialfilming. Commercial and all other filming from £500 per day,depending on requirements.

Public Liability Insurance:Required as standard.

Contact: Philippa Duxbury, Marketing Manager

Telephone: +44 (0) 161 605 8200

Email: [email protected]

Website: www.nationalfootballmuseum.com

Page 196: VisitEngland

< back to contents196

Manchester Town Hall Manchester City Council, Town Hall, Albert Square,Manchester, M60 2LA

This magnificent building was designed in Victorian Gothic style byAlfred Waterhouse and opened in 1877. Amongst its many treasuresare the Ford Maddox Brown murals which are monument to the ideasof Victorian Manchester, portraying science, invention, education, tradeand textile industry. Among the impressive rooms within the Town Hallare the Sculpture Hall, containing statues of notable Manchesterfigures from the past, and the Great Hall, featuring a glazed skylightinscribed with the names of every mayor, lord mayor and chair of thecouncil since 1838.

Restrictions:Filming interior generally needs to be restricted to opening hours –however in certain circumstances filming can be undertaken out ofhours. Please note that the Town Hall is used by public so this mayaffect filming.

Permits:Please contact Bobby Cochrane or Nick Beech who will facilitate theenquiry and circulate the request to key personnel within the council,tourism agency and police.

Fees:A fee will be looked at based on the size of the activity and whatfacilitation is needed from the local authorities and/or private landowners. If impact is minimal then a reduced fee or waiver could belooked at but again this depends on the individual enquiries that comein and the owners/representatives decision.

Public Liability Insurance:The Production will be required to carry Public Liability Insurance in allpublic areas to the value of no less than £2million.

MANCHESTER

Contact: Bobby Cochrane / Nick Beech

Telephone: +44 (0) 161 281 4353 or +44 (0) 161 281 4328

Email: [email protected] [email protected]

Website: www.manchester.gov.uk

Page 197: VisitEngland

Milton Keynes

Page 198: VisitEngland

< back to contents198

MILTON KEYNESStadiummkStadium Way, Grafton St, Bletchley, Milton Keynes, MK1 1ST2

Stadiummk is home to Milton Keynes Dons Football Club. It is a 30,000capacity all-seater stadium. The complex also comprises a hotel and a5,000 capacity arena. As a confirmed Rugby World Cup 2015 venue,Stadiummk will host fixtures for teams including France, Canada,Samoa, Japan and Fiji.

Connection to the 2015 Rugby World Cup:Venue for three Rugby World Cup matches.

Best time of day to film:Any time of day.

Best vantage point:View from outside looking down on the stadium; wide angle view ofstadium from inside.

Filming permit:Contact below for details.

Filming fee:Not applicable.

Public liability insurance:Contact below for details.

Existing footage:HD footage is available, contact below for details.

Contact: Ben Campbell

Telephone: +44 (0) 1908 622922

Email: [email protected]

Website: www.mkdons.com

Page 199: VisitEngland

< back to contents 199

MILTON KEYNESBletchley ParkSherwood Dr, Bletchley, Milton Keynes, MK3 6EB

Bletchley Park was the central site of the United Kingdom's GovernmentCode and Cypher School (GC&CS), which during the Second World Warregularly penetrated the secret communications of the Axis Powers –most importantly the German Enigma and Lorenz ciphers. The officialhistorian of World War II British Intelligence has written that the "Ultra"intelligence produced at Bletchley shortened the war by two to fouryears, and that without it the outcome of the war would have beenuncertain. The site is now an educational and historical attractionmemorialising and celebrating those accomplishments.

Best time of day to film:Any time of day.

Best vantage point:In front of Bletchley Park Mansion House for views across the lake.

Access restrictions:Some restrictions apply, contact below for details.

Filming permit:Contact below for details.

Filming fee:Filming fees may apply but are often waivered for non-commercialfilming.

Public liability insurance:Contact below for details.

Existing footage:HD footage is available, contact below for details.

Contact: Katherine Lynch

Telephone: +44 (0) 1908 272661 or +44 (0) 7903 138806

Email: [email protected]

Website: www.bletchleypark.org.uk

Page 200: VisitEngland

< back to contents200

MILTON KEYNESMilton Keynes Theatre500 Marlborough Gate, Buckinghamshire, MK9 3NZ

MK Theatre is the most successful theatre outside the London’s WestEnd, playing host to a wide-range of high profile touring from musicalsto drama.

Best time of day to film:Any time of day.

Best vantage point:Outside view of the building, inside the foyer or inside the auditorium.

Access restrictions:Some restrictions apply on performance days.

Filming permit:Contact below for details.

Filming fee:To be discussed with MK Theatre directly.

Public liability insurance:Contact below for details.

Contact: Becky Martin

Telephone: +44 (0) 1908 547603

Email: [email protected]

Website: www.atgtickets.com/miltonkeynes

Page 201: VisitEngland

< back to contents 201

MILTON KEYNESParks TrustConcrete Cows – Bancroft, Milton Keynes

Campbell Park – Central Milton Keynes, MK9

Willen Lake – V10 Brickhill Street, Milton Keynes, MK15 0DS

Redways (cycle routes)

Concrete Cows – Milton Keynes’ most famous residents. A sculpturecreated in the 1970s by Liz Leyh.

Campbell Park – Milton Keynes’ Central Park is a vast park green spacelocated a short walk from the city centre, comprising meadows,woodland, water features and sculpture.

Willen Lake - Milton Keynes’ most popular park. Over one millionvisitors a year take part in activities including water sports, cycling andmini-golf.

Redways – a network of dedicated walking and cycling routes across thecity. The routes cover over 300 kilometres and provide a safe and easyway to navigate Milton Keynes without using roads.

Best time of day to film:Any time of day.

Best vantage point:The top of the Belvedere in Campbell Park provides beautiful viewsacross Milton Keynes.

Filming permit:Contact below for details.

Filming fee:Filming fees may apply but are often waivered for non-commercialfilming.

Public liability insurance:Contact below for details.

Contact: Parks Trust – Liz Woznicki

Telephone: +44 (0) 1908 255370 or +44 (0) 7768 146225

Email: [email protected]

Website: www.theparkstrust.com

Page 202: VisitEngland

< back to contents202

MILTON KEYNESSilverstone Race CircuitTowcester, Northamptonshire, NN12 8TN

Silverstone Circuit is the premier motor racing circuit in England,located next to the Northamptonshire villages of Silverstone andWhittlebury. The circuit straddles the Northamptonshire andBuckinghamshire border, with the current main circuit entry on theBuckinghamshire side. Silverstone is the current home of the BritishGrand Prix, which it first hosted in 1948.

Best time of day to film:Any time of day.

Best vantage point:Trackside.

Access restrictions:Some restrictions apply on race days, contact below for details.

Filming permit:Contact below for details.

Filming fee:To be discussed with Silverstone directly.

Public liability insurance:Contact below for details.

Contact: Carol Watts

Telephone: +44 (0) 1327 320280

Email: [email protected]

Website: www.silverstone.co.uk

Page 203: VisitEngland

< back to contents 203

MILTON KEYNESthecentre:mkCentral Milton Keynes, MK9 3ES

thecentre:mk is a regional shopping centre situated in the heart ofMilton Keynes. With over 170 stores, cafés, bars and restaurants, it’sanchored by John Lewis, House of Fraser, Marks & Spencer and Next.

Best time of day to film:Any time of day but footfall peaks during weekends.

Filming permit:Contact below for details.

Filming fee:To be discussed with thecentre:mk directly.

Public liability insurance:Contact below for details.

Contact: Laura Chapman

Telephone: +44 (0) 1908 398 143

Email: [email protected]

Website: www.thecentremk.com

Page 204: VisitEngland

< back to contents204

MILTON KEYNESWoburn Abbey andWoburn Safari ParkWoburn Abbey - Woburn Park, Bedfordshire, MK17 9WA

Woburn Safari Park - Milton Keynes, Bedfordshire, MK17 9QN

Woburn Abbey has been the home of the Earls and Dukes of Bedford,one of England's most powerful families, since the 1620s. It is currentlythe home of the 15th Duke and Duchess of Bedford. Set in a majestic3,000 acre deer park, the abbey houses one of the most impressivecollections of art, furniture and porcelain on public view.

Woburn Safari Park is Britain’s largest drive through safari park. Visitorscan see animals up-close by driving through special reserves featuringfree-roaming lions, tigers, wolves, a white rhino, bears and primates.

Best time of day to film:Any time of day.

Best vantage point:In front Woburn Abbey, plus the inside rooms. Animals with the Safari Park – including lions, tigers and elephants.

Filming permit:Contact below for details.

Filming fee:To be discussed with Woburn directly.

Public liability insurance:Contact below for details.

Contact: Marketing Department

Telephone: +44 (0) 1525 290333

Email: [email protected]

Website: www.woburnabbey.co.uk / www.woburnsafari.co.uk

Page 205: VisitEngland

< back to contents 205

MILTON KEYNESXscapeAvebury Blvd, Central Milton Keynes, MK9 3XS

Xscape is Milton Keynes’ ultimate entertainment destination, offering aunique combination of extreme sports and leisure activities, includingthe country’s biggest indoor snow slope and Europe’s first purpose-built body flying tunnel.

Best time of day to film:Any time of day but footfall peaks during weekends.

Filming permit:Contact below for details.

Filming fee:To be discussed with Xscape directly.

Public liability insurance:Contact below for details.

Contact: LS Leisure Marketing

Telephone: +44 (0) 207 747 2300

Email: [email protected]

Website: www.xscape.co.uk/milton-keynes

Page 206: VisitEngland

Newcastle-Gateshead

Page 207: VisitEngland

< back to contents 207

NEWCASTLE-GATESHEADSt James’ ParkNewcastle United Football Club, St James’ Park, BarrackRoad, Newcastle, NE1 4ST

As a confirmed Rugby World Cup 2015 venue, St James’ Park will hostfixtures for teams including South Africa, Scotland, New Zealand, Tongaand Samoa. The stadium itself is in the heart of the city, so is easilyaccessible.

This area is seeing a lot of development with a new hotel (SandmanSignature Hotel Newcastle) and Science Central. This new urbanquarter in the centre of Newcastle will be an exemplar in sustainability,attracting leading scientific organisations to a mixed new communityencompassing a variety of educational, business and residential uses.

Best time of day to film:You can film inside or outside of St James’ Park any time of the day. Itcan be flood-lit inside and the area outside the venue has adequatestreet lighting if filming in the evening.

Best vantage point:There are various points inside the stadium that provide stunningviews. Wendy Taylor, Head of Media at Newcastle United Football Club,can advise.

Outside the stadium, the area in front of the Sandman Signature Hotel(Barrack Road) provides excellent views of the stadium. Alternatively,Strawberry Place, the road running alongside St James’ Park, alsoprovides an excellent broadcast position.

Filming permit:Permission to film within the football club grounds should be obtainedin advance via Wendy Taylor. Newcastle City Council needs to beinformed of health and safety issues, and the correct level of publicliability insurance, needs to be considered.

Filming fee:Advised on a case–by–case basis. Filming on the streets of Newcastle isfree of charge.

Public liability insurance:Standard public liability insurance of £5million should be in place.

Existing footage:High Definition, broadcast quality footage is available fromNewcastleGateshead Initiative. For more information, [email protected] or [email protected].

Contact: Inside St James’ Park - Wendy Taylor, Head ofMedia, Newcastle United Football Club.Outside St James’ Park - Andrew McKegney, PressOffice Manager, Newcastle City Council

Telephone: Wendy Taylor: +44 (0) 844 372 1892 x8420, Mobile: +44 (0) 7717 511900Andrew McKegney - +44 (0) 0191 211 5099

Email: [email protected]@newcastle.gov.uk

Website: www.nufc.co.uk / www.newcastle.gov.uk

Page 208: VisitEngland

< back to contents208

NEWCASTLE-GATESHEADThe Angel of the NorthGateshead, NE9 7TY

The Angel of the North’s location on a panoramic hilltop, enables thisdramatic structure to be seen both from miles around and from avariety of angles at the site itself. Believed to be one of the largest angelsculptures in the world, it is the work of internationally renowned artist,Antony Gormley. Standing 20 metre high and weighing 200 tonnes, it isas tall as four double decker buses, and has a wingspan which is almostas big as a Jumbo Jet. It is one of the most popular visitor attractions inNorth East England, attracting more than 150,000 visitors a year. Forinformation on how to get to The Angel of the North click here:www.gateshead.gov.uk/Leisure%20and%20Culture/attractions/Angel/Map.aspx

Best Vantage Points:The Angel stands 20 metre high so better shots are obtained fromlocations at the bottom of the hill it stands on.

Restrictions:The Angel has only a small car park so large productions should beaware of limited parking facilities. The Angel is situated on a grassy hillwhich could restrict some physical activities.

Permits:Filming permits are required. No filming activity should take place untilpermissions have been granted by Gateshead Council. For more information, visit:www.gateshead.gov.uk/Council%20and%20Democracy/news/FilminginGateshead.aspx

Wherever possible, notice of intent to film should be given after initiallocation recce, or for productions with a short lead-in time, notice of atleast one week should be given.

Public Liability Insurance:Health and safety assessments are required as well as proof of publicliability insurance of £5million or above.

Location Footage: NewcastleGateshead Initiative has stock footage available for a widerange of uses. To request a copy of the footage in DVD, Digi-Beta, orDVCAM format complete the request form found at:www.newcastlegateshead.com/site/media/media-visits/filming

For help with filming or sourcing further footage, the following localcompanies can help:North News & Pictures: www.northnews.co.uk Northern Film & Media: www.northernmedia.org Ten Alps: www.tenalpsvision.com

Contact: Elaine Barclay

Telephone: +44 (0) 191 433 3544

Email: [email protected]

Website: www.gateshead.gov.uk

Page 209: VisitEngland

< back to contents 209

NEWCASTLE-GATESHEADBALTIC Centre forContemporary ArtGateshead Quays, South Shore Road, Gateshead, NE8 3BA

Housed in a landmark industrial building on the south bank of the RiverTyne in Gateshead, BALTIC is a major international centre forcontemporary art. BALTIC has no permanent collection, providinginstead an ever-changing calendar of exhibitions and events that give aunique and compelling insight into contemporary artistic practice.BALTIC’s dynamic, diverse and international programme ranges fromblockbuster exhibitions to innovative new work and projects created byartists working within the local community.

BALTIC is a place where visitors can experience innovative andprovocative new art, relax, have fun, learn and discover fresh ideas.BALTIC is an international leader in the ambitious and distinctivepresentation, commissioning, development and communication ofcontemporary visual art.

Best vantage point:There is an internal viewing box on Level Five with views over the RiverTyne and its bridges.

Panoramic views can be obtained from the Level Four external viewingbox (weather permitting).

Access restrictions:Access requirements must be discussed in advance with Chloe Barkerat BALTIC.

Filming permit:Filming permission is required and this can be obtained by contactingChloe Barker at BALTIC.

Filming fee:There is normally no fee required to film at BALTIC.

Public liability insurance:Standard public liability insurance of £5million should be in place.

Existing footage:High Definition, broadcast quality footage is available fromNewcastleGateshead Initiative. For more information, [email protected] or [email protected].

Contact: Chloe Barker

Telephone: +44 (0) 191 440 4915

Email: [email protected]

Website: www.balticmill.com

Page 210: VisitEngland

< back to contents210

NEWCASTLE-GATESHEADTyneside Cinema10 Pilgrim Street, Newcastle upon Tyne, NE1 6QG

Showing the best films in stylish and beautiful surroundings, TynesideCinema's varied programme showcases brilliant films from all over theworld. As the UK’s last surviving Newsreel theatre still operating as acinema, this Grade II-listed building is an important, must-see piece ofheritage. It is currently undergoing a £1.3million refurbishment that willintroduce a new cinema screen, video art gallery and café.

Best vantage point:Exterior shots will capture the iconic exterior signage and colourfullighting.

Access restrictions:Tyneside Cinema provides excellent accessibility. Full details can befound here: www.tynesidecinema.co.uk/about-us/accessibility

Filming permit:All filming request must be sent [email protected], where possible, seven days inadvance of the desired filming date.

Filming fee:Any non-commercial filming request will be supported without a filmingfee.

Public liability insurance:Standard public liability insurance of £5million should be in place.

Contact: Anna Cornelius

Telephone: +44 (0) 191 227 5528

Email: [email protected]

Website: www.tynesidecinema.co.uk

Page 211: VisitEngland

Rugby

Take the opportunity to discover where and how it all began in the

Warwickshire market town of Rugby.

Rugby is known throughout the world as the birthplace of the game. It

was here, in 1823, while playing football at his school, that the young

William Webb Ellis picked up the ball and ran. This moment, which took

place on The Close at Rugby School, is the origins of today’s games of

Rugby Union, Rugby League, and American Football and today, you can

visit the momentous spot and a dedicated museum.

Page 212: VisitEngland

< back to contents212

RUGBYPathway of FameStarting point: Rugby Art Gallery & Museum, LittleElborow Street, Rugby, CV21 3BZ

The Pathway of Fame is a unique guide around the town of Rugby,which celebrates the history of the game of rugby and commemoratessome of its most notable players and events.

As part of the celebrations for the 1999 Rugby World Cup, the RugbyPathway of Fame was set into the pavements of Rugby to take visitorson a tour of the town. Each bronze plaque within the Pathway isdedicated to a legend of the sport or an historic moment in itsdevelopment.

Filming permit:No.

Filming fee:No fee.

Public liability insurance:No.

Contact: Rugby Borough Council Press Office

Telephone: +44 (0) 1788 533562

Email: [email protected]

Website: http://www.rugby.gov.uk/enjoyrugby/site/custom_scripts/attractions/attract_details.php?AttractID=6

Page 213: VisitEngland

< back to contents 213

RUGBYRugby Art Gallery and MuseumRugby Art Gallery & Museum, Little Elborow Street,Rugby, CV21 3BZ

Rugby Art Gallery and Museum is located in the centre of Rugby, asmall and picturesque town in the West Midlands. The museum aims toinspire and engage with its visitors through an ever-changingprogramme of exhibitions and vibrant displays. The museum houses apermanent collection of Roman objects.

Access restrictions:Filming is only permitted when the museum is open to the public: Tuesday – Friday: 10.00 - 17.00Saturday: 10.00 - 16.00Sun & Monday: ClosedBank Holidays: 12.00 - 16.00

Filming permit:No.

Filming fee:No fee.

Public liability insurance:No.

Contact: Rugby Borough Council Press Office

Telephone: +44 (0) 1788 533599

Email: [email protected]

Website: www.ragm.co.uk

Page 214: VisitEngland

< back to contents214

Rugby School, Birthplaceof Rugby FootballRugby, Warwickshire, CV22 5EH

Rugby School is a leading co-educational independent boarding school.It was founded in 1567 by Lawrence Sheriff, who was a spice merchantto Queen Elizabeth I. At least two centuries of Rugby’s history arewritten in the stones and other monuments that stand around theSchool Close. It was here in 1823 that a local boy names William WebbEllis first ran with the ball and invented the game of rugby football. Inthe lead up to 2015, when England will host the Rugby World Cup, theschool takes on a special significance.

Best Vantage Points:The Close and Doctors Wall, New and Old Quad, the School Chapel,Temple Speech Room, Upper Bench.

Best Time of Day:Daylight hours, and dependent on term calendar.

Permits:No filming permit is required but all visitors must be accompaniedat all times by a member of school staff. All visitors must makearrangements prior to visit.

Fees:Commercial rates vary according to final requirements and length of visit.Communication and PR visits may be asked to make a donation to theArnold Foundation.

Public Liability Insurance:£5million should be in place.

RUGBY

Contact: Richard Poole, Commercial Manager

Telephone: +44 (0) 1788 556 355

Email: [email protected]

Website: www.rugbyschool.net /www.rugbyschool.net/commercial

Page 215: VisitEngland

< back to contents 215

Beyond The Host Cities

Page 216: VisitEngland

< back to contents216 < back to contents

Around Britain’s only hot spring, the Romans built amagnificent temple and bathing complex that still flowswith natural hot water, and today comprises a numberof original baths, drainage and ancient pavements plusartefacts discovered on the site. The Roman Baths hassome of the most extensive and best preserved Romanremains in the country, and is a leading UK attraction.

Best Vantage Points:Around the Great Bath and on the terrace with BathAbbey in the background.

Restrictions:Access is generally only arranged during openingtimes (seven days a week, generally 09.00 to 17.00),however, private access can be arranged in advance.

Best Time of Day:Any time of day. If filming takes place in July andAugust, evening is a great time as the museum is openuntil late and the Great Bath is lit by torchlight.

Permits:Not required but filming needs to be arranged inadvance.

Fees:Generally not if the filming is for promotional use.

Public Liability Insurance:Standard public liability insurance of £5million shouldbe in place.

Roman BathsRoman Baths, Bath, BA1 1LZ

Pulteney Bridge, together with the Ponte Vecchio inFlorence, is one of the world’s most beautiful bridges.Like the Ponte Vecchio it is one of a handful of historicbridges in the world with shops built into it. It was builtfor William Pulteney by Robert Adams.

Best Vantage Points:From Grand Parade (left side of the bridge) orRiverside Walk (right side of the bridge).

Permits:From Bath Film Office.

Fees:Not for promotional purposes.

Public Liability Insurance:Standard public liability insurance of £5million shouldbe in place.

Pulteney BridgeBridge Street, Bath, BA2 4AT

BATH

Contact: Jenni Wagstaffe or Rachel Bowers

Telephone: +44 (0) 1225 477711

Email: [email protected]

Website: www.visitbath.co.uk/bath-film-office/

Contact: Gladys Powney

Telephone: +44 (0) 1225 477773

Email: [email protected]

Website: www.romanbaths.co.uk

Page 217: VisitEngland

< back to contents 217

Royal CrescentRoyal Crescent, Bath, BA1 2LS

One of Bath’s, and the UK’s, iconic architectural landmarks, thissweeping crescent of 30 houses were all constructed in Bath stone, inthe 1700s.

Best Vantage Points:From the Royal Crescent or Royal Victoria Park.

Permits:Permission to film needs to be arranged with Bath Film Office withadvanced notice of 48 hours or more.

Fees:If the filming is for promotional purposes there is not usually a fee.

Public Liability Insurance:Standard public liability insurance of £5million should be in place.

BATH

Contact: Rachel Bowers or Jenni Wagstaffe

Telephone: +44 (0) 1225 477711

Email: [email protected]

Website: www.visitbath.co.uk

Page 218: VisitEngland

< back to contents218

Thermae Bath SpaHetling Pump Room, Hot Bath Street, Bath, BA1 1SJ

Thermae Bath Spa is Britain’s original and only natural thermal spa. Itis a remarkable combination of old and new, where historic spabuildings blend with the contemporary design of the New Royal Bath.In the heart of the World Heritage Site of Bath, Thermae is the onlyplace in the country where you can bathe in natural thermal waters –just as the Celts and Romans did nearly 2,000 years ago. Relax in thenaturally warm, mineral-rich waters in the Minerva Bath and the open-air rooftop pool, refresh your senses in the aroma steam rooms andchoose from over 50 spa treatments and packages.

Best Vantage Points:The rooftop pool at Thermae is very photogenic, particularly in theearly morning when the air is cool and the steam can be seen driftingacross the warm water. The rooftop views of the Abbey, the Georgiancity and the surrounding hills are beautiful. The historic 18th centuryCross Bath is a separate building. It is the home to one of the city’sthree hot springs and is regarded as a sacred site.

Restrictions:There is no permitted parking outside Thermae, however it ispossible to drop off equipment. Parking permits can be obtained viaBath Film Office.

Best Time of Day:It is recommended to film before opening in the morning (i.e. before09.00). This allows greater flexibility and does not impinge on theprivacy of customers. There is greater flexibility in the Cross Bathwhich can be booked exclusively for filming.

Permits:Permission to film is required. Every effort is made to be asaccommodating as possible; however 24 hours’ notice is required. Forthose planning to film at a weekend, several days’ notice is required.

Fees:Location fees may apply but are kept to a minimum.

BATH

Contact: Charlotte Hanna

Telephone: +44 (0) 1225 328465

Email: [email protected]

Website: www.thermaebathspa.com

Page 219: VisitEngland

< back to contents 219

The Blackpool TowerPromenade, Blackpool, Lancashire, FY1 4BJ

Visitors to Blackpool can once again go to the ‘Top of the Tower’ at theworld famous Blackpool Tower. The 118 year old, iconic structure and anational symbol of the great British seaside, shines once more,following a major 10 month, multi million pound restoration programme.

Working in partnership, Blackpool Council and Merlin Entertainmentshave restored and transformed the iconic Tower and buildings into amust-see family tourist experience reminiscent of its glory days,retaining the grandeur and heritage of the building itself - the famousTower Ballroom and Tower Circus.

New to the tower is the gruesome Blackpool Tower Dungeon; a funlook at some of the North West’s most horrible history; and theBlackpool Tower Eye with a sensational new 4-D cinema experienceand observation deck at the very top of the steel structure.

Restrictions:Filming preferred out of hours.

Best Time of Day:Before 10.00 or after 17.00.

Permits:Permits are required. Contact below for more details.

Fees:A filming fee is usually charged for commercial projects that do notbenefit the attraction directly or if filming causes a high level ofdisturbance to visitors.

Public Liability Insurance:Yes, please contact Sara Hemissi.

BLACKPOOL & LANCASHIRE

Contact: Louise Forder or Paula RenshawMarketing Communications Executives

Telephone: +44 (0) 1253 629 239 or +44 (0) 1253 629 217

Email: [email protected] or [email protected]

Website: www.theblackpooltower.com

Page 220: VisitEngland

< back to contents220

Pendle Hill Barley, Lancashire, BB12

Pendle Hill is inspirational and dramatic. George Fox in 1652 foundedthe Quaker Movement after his vision on the summit. The areaaround the hill and its pretty villages are closely associated with thehistory of the Pendle Witches and the biggest witchcraft trial inBritish history (1612).

Best Vantage Points:Pendleside Farm, close to Pendle Hill, offers stunning views overLancashire’s countryside.

Restrictions:No.

Best Time of Day:Dawn for sunrise or dusk for sunset.

Public Liability Insurance:Public liability insurance of £2million should be in place.

BLACKPOOL & LANCASHIRE

Contact: Mike Williams

Telephone: +44 (0) 1282 661963 (wrk) +44 (0) 7849 583481 (mob)

Email: [email protected]

Website: www.Visitpendle.com

Page 221: VisitEngland

< back to contents 221

Blackpool PleasureBeachOcean Boulevard, Blackpool, FY4 1EZ

Blackpool Pleasure Beach is arguably the UK’s favourite amusementpark, with over 100 rides, attractions and spectacular shows. PleasureBeach is home to the steel mega-coaster that is the Big One, the UK’sonly Nickelodeon Land and the world’s first Wallace & Gromit ride,Thrill-O-Matic. Nickelodeon Land is home to 12 amazing rides and awhole host of Nickelodeon characters themed around the world’snumber one children’s entertainment channel.

Best Vantage Points:The Sculpture Grade, a grassed area with modern sculptures, offers afantastic vantage point to view the Pleasure Beach’s mix of classic andcontemporary amusement park rides. Many of the rides can bemounted with a camera, allowing presenters to do pieces to camera.

Best Time of Day:Any time of day.

Restrictions:Any on ride filming needs to be planned in advance. Filming is onlyallowed to take place in public access areas, unless requestedotherwise. If the weather is poor, covered areas are available for crewsto use.

Permits:All filming to be pre-planned through Pleasure Beach contact. This cangenerally be done at short notice.

Fees:No fee is required for non-commercial filming.

Public Liability Insurance:Public liability insurance of £5million should be in place.

Existing Footage:Footage, including High Def Point of View can be obtained from DanielThompson.

BLACKPOOL & LANCASHIRE

Contact: Daniel Thompson

Telephone: +44 (0) 1253 336329

Email: [email protected]

Website: www.blackpoolpleasurebeach.com

Page 222: VisitEngland

< back to contents222

Brunel’s ss Great Britain Great Western Dockyard, Bristol, BS1 6TY

Designed by Brunel, the ss Great Britain is the world’s first great oceanliner. Admired by Queen Victoria, the ship’s story is unique andfascinating. In 1843 her revolutionary design, combining steam powerwith a propeller and iron hull, changed the world. For the first timepassengers travelled in comfort, at speed and to a timetable. Built tocarry the rich and famous between New York and England, she ranaground a year into service with no casualties. Following the discoveryof gold she took 15,000 people to Australia, including Supt JohnSadleir (who helped capture the Ned Kelly Gang). She was salvagedfrom the Falkland Islands in 1970. She has Russian, Indian and SouthAfrican links, and circumnavigated the globe 30 times.

Best Vantage Points:In front of the historic ship’s bow (front), the stern (back), below thehull under the glass ‘sea’, and on the ship’s Top Deck.

Restrictions:Fully accessible to all public areas of the ship, dockyard museum andBrunel Institute (National Brunel Archive and specialist library). Otherareas e.g. inside the engine room, can be accessed with prior planning.

Best Time of Day:The ship has been used for filming during the day, for live internationalbreakfast shows, and at night when the ship is illuminated from belowthe glass ‘sea’. Popular times for film crews are before opening (07.00– 10.00) and before 11.00. The ship can and has also accommodatedfilming during school holidays.

Permits:A brief filming permission form needs to be completed before filming.This enables the ship attraction to prepare for the film crew.

Fees:No fee is generally charged for news; token payment required to coverstaff costs for other non-commercial filming (between £50 and £150 –dependent upon requirements in time and staffing support); theDirector can waive a fee if benefits from filming are considerable; theship is a charity so donations are always welcome.

Public Liability Insurance:Contact right for details.

BRISTOL

Contact: Dagmar Smeed, Head of Marketing &Communications, or Sally Cordwell, Director of Marketing

Telephone: +44 (0) 117 926 0680 ext 219 or ext 427

Email: [email protected] [email protected]

Website: www.ssgreatbritain.org

Page 223: VisitEngland

< back to contents 223< back to contents 223

Designed by the great Victorian Engineer IsambardKingdom Brunel in the 1830s, and completed in 1864after his death as a memorial to him, the Bridge stillmeets the demands of 21st century traffic, with 3.5million vehicles crossing each year. The spectacularsetting in the Avon Gorge surrounded by countrysideand the grand architecture of Bristol’s finest suburb,Clifton, it has become the icon of the city and the oneplace all visitors go to.

Permits:If filming takes place on the Bridge (between the tollbooths at either end) a standard ‘disclaimer’ is required.

Fees:For non-commercial filming, no.For commercial filming, fee negotiable.

Public Liability Insurance:Yes, please contact Mike Rowland.

Public open space in Bristol city centre, overlooked bythe Council House on one side and Bristol Cathedralon the other.

Restrictions:Members of the press simply need to liaise with BristolCity Council’s Press Office. Bristol Film Office issuespermits for all other types of filming on Bristol CityCouncil property. A minimum of two working days’notice is required to process permit applications. Thepermit application form can be downloaded fromwww.filmbristol.co.uk.

Fees:Location fees for non-press filming isnegotiated by Bristol Film Office.

Public Liability Insurance:Public liability insurance of £5million should be inplace.

Clifton Suspension BridgeClifton Suspension Bridge, Clifton, Bristol, BS8 3PA

College Green College Green, Bristol, BS1

BRISTOL

Contact: David Anderson, Bridge Master

Telephone: +44 (0) 117 973 1579

Email: [email protected]

Website: www.cliftonbridge.org.uk

Press enquiries: Bristol City Council’s PressOffice on 0117 922 2650

All non-press filming enquiries: Bristol FilmOffice, 0117 922 3958 or [email protected]

Website: www.filmbristol.co.uk

Page 224: VisitEngland

< back to contents224

BRISTOLM Shed Princes Wharf, Wapping Road, Bristol, BS1 4RN

Bristol’s flagship museum, located on the historic dockside. Thebuilding has been designed to retain the unique character of theformer 1950s transit shed.

Permits:Members of the press simply need to liaise with Bristol City Council’sPress Office.

Bristol Film Office issues permits for all other types of filming onBristol City Council property. A minimum of two working days’ notice isrequired to process permit applications. The permit application formcan be downloaded from www.filmbristol.co.uk.

Fees:Location fees for non-press filming is negotiated by Bristol Film Office.

Public Liability Insurance:Yes, £5million.

Press enquiries: Bristol City Council’s Press Office on 0117 922 2650

All non-press filming enquiries: Bristol Film Office, 0117 922 3958 or [email protected]

Website: www.filmbristol.co.uk

Page 225: VisitEngland

< back to contents 225< back to contents 225

Stoke Mandeville Stadium, The National Centre forDisability Sport and the Birthplace of the Paralympics,boasts the highest grade of facilities for leadingsportsmen and women. Sports facilities are open tothe local community and play host to sports camps,training academies, conferences and celebrations.

Restrictions:No access restrictions, parking available.

Permits:Filming permits are required and applications must bemade seven days in advance. Additional permits arerequired for camera cranes, jibs and cherry pickers.

Public Liability Insurance:Public liability insurance of £2million should be inplace.

New theatre in the centre of Aylesbury opened inOctober 2012. Designed by RHWL Arts Team, led byNorman Bragg, inspiration was taken from theChiltern Hills with a backdrop of the Aylesbury canaland expanding regeneration area. AylesburyWaterside Theatre is managed by the AmbassadorTheatre Group.

Restrictions:On request, a service yard is available for parking.

Permits:Considered on a case–by–case basis.

Fees:A fee is charged for commercial filming.

Public Liability Insurance:Public liability insurance of £5million should be inplace.

Stoke Mandeville Stadium& Olympic LodgeGuttmann Road, Aylesbury, Buckinghamshire, HP21 9PP

Aylesbury Waterside TheatreExchange Street, Aylesbury, HP20 1UG

BUCKINGHAMSHIRE

Contact: Sarah Lloyd

Telephone: +44 (0) 1296 745 100

Email: [email protected]

Website: www.atgtickets.com/aylesbury

Contact: Ian Seabrook

Telephone: +44 (0) 1296 484848

Email: [email protected]

Website: www.stokemandevillestadium.co.uk

Page 226: VisitEngland

< back to contents226

BUCKINGHAMSHIREStowe Landscape GardensBuckingham, MK18 5DQ

Stowe Landscape Gardens is a stunning 18th century landscapecovering over 1,000 acres, including lakes and follies with many woodedareas and paths to explore.

Best Vantage Points:Venus, Concord & Victory, Ancient Virtue, Lake Pavillions and PalladianBridge.

Restrictions:Open to the public five days per week, Wednesday to Sunday.

Permits:Permits are required and can be obtained through the National TrustFilm Unit.

Fees:Fees are negotiated on a case–by–case basis. However, there is areduction for non-commercial filming.

Public Liability Insurance:Public liability insurance of £10million should be in place.

Contact: Tracie Tungate or Melanie Whitrow

Telephone: +44 (0) 1280 822850

Email: [email protected]@[email protected]

Website: www.nationaltrust.org.uk/stowegardens

Page 227: VisitEngland

< back to contents 227

BUCKINGHAMSHIREWaddesdon ManorWaddesdon, Bucks, HP18 0JH

Waddesdon is one of the most visited houses of England’s NationalTrust properties. It was built in the 1870s by Baron Ferdinand deRothschild to display his outstanding collection of art treasures and toentertain the fashionable world. It combines the highest quality 18thcentury French decorative arts with magnificent English portraits andDutch Old Master paintings, with one of the finest Victorian gardens inBritain, famous for its Parterre and ornate working Aviary. It wasbequeathed to the National Trust in 1957 and is now managed by afamily charitable trust under the chairmanship of Lord Rothschild.Today, the Manor continues its great tradition of entertainment andhospitality with a range of events celebrating food and wine, andopportunities to explore its history, collections and gardens throughchanging exhibitions and special interest days.

Best Vantage Points:The North Front: Very impressive French style chateau/house withfountains and statuary. The South Front terrace/Parterre in front ofthe house has a spectacular floral display. The interiors are rich andornate and there are light restrictions which have to be checked butquite workable with planning.

Best Time of Day:Monday or Tuesday (closed to the public) from 10.00 to 17.00.

Permits:Permits are required and can be obtained through the National TrustFilm Unit.

Public Liability Insurance:Public liability insurance of £10million should be in place.

Contact: Suzy Barron

Telephone: +44 (0) 1296-653233

Email: [email protected]

Website: www.waddesdon.org.uk

Page 228: VisitEngland

< back to contents228

CAMBRIDGESHIRESt John’s College,Bridge of SighsSt John’s College, Cambridge, CB2 1TP

The Bridge of Sighs in Cambridge is a covered bridge belonging toSt John’s College of Cambridge University. It was built in 1831 andcrosses the River Cam between the college’s Third Court and NewCourt. It is named after the Bridge of Sighs in Venice, although theyhave little architecturally in common beyond the fact that they areboth covered. The bridge is one of Cambridge’s main touristattractions and Queen Victoria is said to have loved it more than anyother spot in the city.

Best Vantage Points:From the river or New Court, St John’s College.

Restrictions:River shot would be from on board a punt.

Best Time of Day:Mid afternoon.

Permits:External filming on public highway that does not require road closuresdoes not need a permit, however Graham Lowe at Cambridge CityCouncil should be informed at least two working days in advance.Seven weeks’ notice is required for filming that requires road closures.A permit is required for filming on the river, Rod Ingersent atScudamore’s Punting Company (01223 359750) would arrange this.

Fees:Contact below for details.

Contact: Graham Lowe

Telephone: +44 (0) 1223 336000

Email: [email protected]

Website: www.joh.cam.ac.uk

Page 229: VisitEngland

< back to contents 229

CAMBRIDGESHIRECathedral SquareGuild HallSt John’s SquareCathedral Square, Peterborough, PE1 1JH

Cathedral Square in the centre of Peterborough is very much a focalpoint for the city. Its stunning fountains, the ancient cathedral gatesand the beautiful Guild Hall provide a striking backdrop for filming, andis often the chosen sight for local markets. The square is surroundedby outdoor cafés, restaurant and bustling retail spaces.

Best Vantage Points:Facing Guild Hall, the Cathedral gates or St John’s Square.

Restrictions:Pedestrian areas have access restricted after 10.30 and before 16.30.

Best Time of Day:Any time. The fountains in the square are lit up at night and make for astriking centrepiece.

Permits:Permissions from Peterborough City Council required. Contact belowfor details.

Fees:Commercial filming is charged but can be negotiated. Contact belowfor details.

Public Liability Insurance:Public liability insurance of £2million should be in place.

Contact: Justin Beaumont

Telephone: +44 (0) 1733 452217

Email: [email protected]

Website: www.peterborough.gov.uk

Page 230: VisitEngland

< back to contents230

CAMBRIDGESHIRECorpus Christi and theGrasshopper ClockCorpus Christi College, Cambridge, CB2 1RH

The Corpus Clock is one of the newest and most distinctive publicmonuments in Cambridge. It is a unique and strange device for themeasurement of time, and is both hypnotically beautiful and deeplydisturbing. It was invented, designed and given to Corpus ChristiCollege, Cambridge, by Dr John C Taylor. The beast above the clock iscalled a Chronophage (literally “time eater”), moving its mouth,appearing to “eat up” the seconds as they pass. The clock is areminder to all that time on earth is limited.

Best Vantage Points:Benet Street or King’s Parade.

Restrictions:On corner of two roads.

Permits:External filming on public highway that does not require road closuresdoes not need a permit, however Graham Lowe at Cambridge CityCouncil should be informed at least two working days in advance.Seven weeks’ notice is required for filming that requires road closures.Contact below for details.

Fees:Contact the Bursar (Paul Warren).

Contact: Mr Paul Warren - Bursar

Telephone: +44 (0) 1223 338000

Email: [email protected]@cambridge.gov.uk

Website: www.corpus.cam.ac.uk

Page 231: VisitEngland

< back to contents 231

King’s College ChapelKing’s Parade, Cambridge, CB2 1ST

King’s College Chapel is one of the most iconic buildings in the world,and is a splendid example of late Gothic (Perpendicular) architecture. Itwas started in 1446 by Henry VI and took over a century to build. It hasthe largest fan vault ceiling in the world, and some of the finestmedieval stained glass. The chapel is also the venue for the ChristmasEve service, A Festival of Nine Lessons, which is broadcast to millionsaround the world.

Best Vantage Points:West from Queen’s Road, internally from west end or east end.

Best Time of Day:The preferred external view of the chapel is from the west, thereforeafternoon would be preferable.

Permits:Permission for internal filming required from the Dean, with as muchnotice as is possible. External filming on public highway that does notrequire road closures does not need a permit, however Graham Loweat Cambridge City Council should be informed at least two workingdays in advance. Seven weeks’ notice is required for filming thatrequires road closures. Contact below for details.

Fees:Fees on request.

Public Liability Insurance:Contact below for details.

CAMBRIDGESHIRE

Contact: Graham Lowe

Telephone: +44 (0) 1223 336000

Email: [email protected]

Website: www.kings.cam.ac.uk

Page 232: VisitEngland

< back to contents232

CAMBRIDGESHIREMarket SquareMarket Street, Cambridge, CB2 3PA

Stalls have been trading on the Market Square since Saxon times. Duringthe week you will find books, clothes and bric-a-brac. On Sundays, thereis a flourishing Farmers Market selling local organic produce.

Best Vantage Points:Market Hill, Market Street or the tower of Great St Mary’s Church.

Restrictions:The tower of Great St Mary’s Church can only be reached by verynarrow staircase.

Best Time of Day:Between 10.00 and 16.00.

Permits:External filming on public highway that does not require road closuresdoes not need a permit, however Graham Lowe at Cambridge CityCouncil should be informed at least two working days in advance.Seven weeks’ notice is required for filming that requires road closures.Andy White also needs to be informed of any filming taking place atMarket Square. Permission needs to be sought to film at Great StMary’s. Contact below for details.

Fees:Filming at Great St Mary’s is changeable. Contact below for details.

Contact: Andy White, Markets Manager

Telephone: Andy White – +44 (0) 1223 757466Great St Mary’s – +44 (0) 1223 462914

Email: [email protected]@cambridge.gov.uk

Page 233: VisitEngland

< back to contents 233

CAMBRIDGESHIREPunting on the RiverCamScudamore’s Punt Company Mill Lane, Cambridge, CB2 1RS

Fantastic views of the world famous Cambridge College ‘Backs’ are onoffer from one of the traditional Cambridge punts. King’s CollegeChapel, The Wren Library at Trinity College and Mathematical Bridgeare just some of the iconic Cambridge landmarks that can be filmedon board.

Restrictions:Crew and camera equipment would be on board a punt.

Best Time of Day:If filming in the summer, best to film early morning or late afternoon toavoid the crowds.

Permits:External filming on public highway that does not require road closuresdoes not need a permit, however Graham Lowe at Cambridge CityCouncil should be informed at least two working days in advance.Seven weeks’ notice is required for filming that requires road closures.

Fees:A fee of £100 applies to all non-charitable organisations. A fee of £50applies to charitable organisations.

Public Liability Insurance:Contact below for details.

Contact: Graham Lowe

Telephone: +44 (0) 1223 336000

Email: [email protected]

Website: www.scudamores.com

Page 234: VisitEngland

< back to contents234

Reputedly one of the most photographed clocks in theworld, the stunning Eastgate Clock, created tocommemorate the diamond jubilee of Queen Victoria,is one of Chester’s most famous landmarks. Accessedvia the City Walls, the Eastgate Clock offers a superbvantage point across the city, towards the Welsh Hills.

Best Vantage Points:Street below the clock.

Restrictions:The area around the clock is pedestrianized between10.30 and 16.30, restricting the movement of vehicles.

Best Time of Day:Mornings and evenings.

Permits:Contact below for details.

Fees:Contact below for details.

Public Liability Insurance:Contact right for details.

Chester Zoo is home to thousands of rare and exoticspecies from all over the world, ranging from amagnificent herd of elephants, two types of rhino‘crashes’, lions and tigers, a mixture of monkeys bothlarge and small including chimps, and the excitingRealm of the Red Ape exhibit, where gibbons andorang-utans live and play side by side in the largestenclosure of its kind in Europe.

Best Vantage Points:Throughout.

Restrictions:Contact below for details.

Permits:Contact below for details.

Fees:Contact below for details.

Public Liability Insurance:Yes, please contact Rachael Wheatly.

CHESHIRE

Chester ZooUpton by Chester, Chester, CH2 1LH

Chester City Centre – Eastgate ClockEastgate Street, Chester, CH1 1LG

Contact: Rachael Wheatley

Telephone: +44 (0) 1244 389460

Email: [email protected]

Website: www.chesterzoo.org

Contact: Place Marketing Teamat Cheshire West and Chester Council

Telephone: +44 (0) 151 356 6638

Email:[email protected]

Website: www.cheshirewestandchester.gov.uk

Page 235: VisitEngland

< back to contents 235

CHESHIRELyme ParkLyme Park, Disley, Stockport, SK12 2NX

Nestling on the edge of the Peak District, with stunning views towardthe Welsh Hills and over Derbshire sits Lyme Park. This magnificenthouse sits proudly within a 1,300–acre medieval deer park, home to redand fallow deer. Once home to the Legh family, in its heyday it was oneof the great sporting estates. Lavish furnished interiors take you backto the Edwardian era when Lyme was at its best. This is a huge housethat was originally Elizabethan, and there is lots to discover, the bestclock collection in the National Trust, amazing tapestries, and the mostimportant printed book, printed by Caxton, in all of the National Trustlibraries. This glorious garden has as its backdrop the sweeping moors.One of the highest formal gardens in the National Trust, it has much toexplore. An Edwardian rose garden, ravine garden, exuberant Victorianstyle bedding, thousands of spring bulbs, luxurious herbaceous bordersand tranquil walks next to the reflecting lake where a certain Mr Darcymet Miss Bennett in the BBC production of ‘Pride and Prejudice’.

Best Vantage Points:House, park and garden.

Restrictions:Depends on the specific location. It is not usually possible to film onweekends and bank holidays. Wednesdays and Thursdays are best.

Best Time of Day:Any, depends on weather as Lyme can have quite a changeableclimate.

Permits:Permits are required and can be obtained through the National TrustFilm Unit.

Fees:Negotiable through the National Trust Film Unit.

Public Liability Insurance:Yes, please contact the National Trust. Contact: Georgina Ferguson

Telephone: +44 (0) 1663 761418, +44 (0) 207 799 4547

Email: [email protected]

Website: www.nationaltrust.org.uk

Page 236: VisitEngland

< back to contents236

Tatton Park is one of the UK’s most complete historicestates. It is home to a Tudor Old Hall, neo-classicalmansion, 50 acres of landscaped gardens, a rare-breed farm and 1,000 acres of deer park. Theirspeciality shops, restaurant, adventure playground,events and educational programmes combine to makeTatton one of the most popular family days out in theNorth West.

Best Vantage Points:In front of the Mansion.

Permits:Contact below for details.

Fees:Contact below for details.

Public Liability Insurance:Contact below for details.

Roman Amphitheatre is the largest example of its kindin Britain and was used as a base for entertainmentand military training by the 20th Legion, based atfortress ‘Deva’ (Chester). A shadow of its former glorybut still an impressive landmark, the amphitheatre isan important landmark in Chester’s history. During thesummer the amphitheatre is used as an events venuehosting plays, BMX displays and outdoor cinema.

Best Vantage Points:In the centre of the Amphitheatre.

Permits:Contact below for details.

Fees:Contact below for details.

Public Liability Insurance:Contact below for details.

CHESHIRE

Roman AmphitheatreVicar’s Lane, Chester, CH1 2HS

Tatton ParkKnutsford, Cheshire, WA16 6QN

Contact: Eleanor Gorsuch

Telephone: +44 (0) 1625 374447

Email: [email protected]

Website: www.tattonpark.org.uk

Contact: Place Marketing Teamat Cheshire West and Chester Council

Telephone: +44 (0) 151 356 6638

Email:[email protected]

Website: www.cheshirewestandchester.gov.uk

Page 237: VisitEngland

< back to contents 237

CORNWALLBarbara HepworthMuseum and SculptureGardenBarnoon Hill, St Ives, Cornwall, TR26 1AD

The Barbara Hepworth Museum and Sculpture Garden gives a remarkableinsight into one of the 20th century’s most important sculptors.Sculptures in bronze, stone and wood are on display, with paintings,drawings and archive material. The subtropical garden was an essentialpart of Hepworth’s creative process and she made many of her mostfamous works there. On her death in 1975 it became a permanent settingto exhibit her works. Hepworth lived and worked in Trewyn studios, nowthe Hepworth Museum, from 1949 until 1975. Beginning with an archivedisplay of her life, upstairs there is something of a 1950s feeling withsculptures, paintings and furniture. The lush garden, with plants, treesand small paths, has three large stone carvings and 18 bronzes. The yardand workshops where the artist did her carving contain works unfinishedat her death. Tate has managed the Museum since 1980.

Best Vantage Points:In the garden looking over to the church tower and sea glimpses.

Restrictions:The building is not fully wheelchair accessible, with split levels andsteps. No filming or photography can be taken in the Summer House.There will be copyright agreements needed from the Hepworth Estate.No filming during group visits. All filming and photography isencouraged to take place outside of opening hours.

Best Time of Day:The garden at the start and end of day is particularly appreciated withthe shadows thrown by sculptures and plants.

Permits:Indemnity agreement to be signed.

Fees:Filming fees are charged on a case–by–case basis. For press andpublicity purposes there is generally no fee. Contact right for details.

Public Liability Insurance:Public Liability Insurance of £5million should be in place.

Contact: Arwen Fitch

Telephone: +44 (0) 1736 792185

Email: [email protected]

Website: www.tate.org.uk/visit/tate-st-ives

Page 238: VisitEngland

< back to contents238

CORNWALLEden ProjectBodelva, Par, Cornwall, PL24 2SG

The Eden Project features two giant geodesic domes – the RainforestBiome and the Mediterranean Biome – plus a vast outdoor landscape,all situated in a former china clay pit. In total, the project boasts morethan a million plants from around the world. It also features thespectacular Core building, which has a roof shaped around Fibonaccispirals, and a multi-purpose arena and stage which hosts the EdenSessions, a series of outdoor gigs, in the summer and a sparkling icerink in the winter.

Restrictions:Under normal circumstances, no vehicles are allowed within the Edensite during opening hours but exceptions are made for media vehicles.Parking is plentiful, including for large vehicles. Even from within thepit, there are no problems with satellite signal for broadcast vehicles.

Permits:Permission is required for filming. Specialist equipment such a jibs andcherry pickers can be accommodated, although need to be discussedon a case-by-case basis.

Fees:Eden doesn’t charge location fees to news crews but, as a charity,generally asks for a donation from documentary or dramaproductions.

Public Liability Insurance:Public Liability Insurance of £5million should be in place.

Contact: Ben Foster

Telephone: +44 (0) 1726 818766

Email: [email protected]

Website: www.edenproject.com

Page 239: VisitEngland

< back to contents 239

CORNWALLThe Lost Gardenof HeliganPentewan, St Austell, Cornwall, PL25 3TF

The Lost Garden of Heligan, seat of the Tremayne family for more than400 years, is one of the most mysterious estates in England. At the endof the 19th century its thousand acres were at their zenith, but only afew years after the Great War of 1914 bramble and ivy were alreadydrawing a green veil over this sleeping beauty. After decades of neglect,the devastating hurricane of 1990 should have consigned The LostGardens of Heligan to a footnote in history. Instead, fired by amagnificent obsession to bring these once glorious gardens back to life,a small band of enthusiasts has grown into a large working team withits own vision for Heligan’s future. Today, ‘Britain’s Finest Garden’ offers200 acres for exploration, which include the finest productive gardensin Britain, as well as atmospheric pleasure grounds, sustainably-managed farmland, ancient woodlands and a Wildlife Project.

Best Vantage Points:The most popular area for filming is the sub-tropical jungle. However,the Victorian Productive Gardens also prove popular with crews.

Restrictions:The Lost Valley is far away from the main car park, however there areoff–road vehicles available to aid film crews.

Best Time of Day:Due to the site being 200 acres, lighting varies throughout the day invarious places. Contact below for details.

Fees:If the film would be promoting The Lost Gardens there is no charge.There are no set fees for filming, it will all depend on the individualcase. Please call for a quotation.

Public Liability Insurance:Contact below for details. Contact: Lorna Tremayne

Telephone: +44 (0) 1726 843740

Email: [email protected]

Website: www.heligan.com

Page 240: VisitEngland

< back to contents240

CORNWALLThe Minack TheatrePorthcurno, Penzance, Cornwall, TR19 6JU

Cornwall’s ‘Theatre Under The Stars’, The Minack Theatre is aninternationally famous open–air theatre carved into the granite cliffoverlooking the spectacular panorama of Porthcurno bay. It hosts asummer season of plays and musicals from May to September.

Best Vantage Points:Designated positions will be advised by contact.

Restrictions:Access is limited when rehearsals and performances are in progress.

Best Time of Day:Early afternoon.

Permits:A week’s notice is usually required but not always necessary. Filmingpermission is at the discretion of the Management and Trustees.

Fees:A fee will be charged for commercial filming. Non-commercial feewaiver is at the discretion of the Management and Trustees.

Public Liability Insurance:Public Liability Insurance of £2million should be in place.

Contact: Phil Jackson

Telephone: +44 (0) 1736 810694

Email: [email protected]

Website: www.minack.com

Page 241: VisitEngland

< back to contents 241

CORNWALLPendennis CastleCastle Drive, Falmouth, TR11 4LP

Pendennis Castle, Falmouth is one of the finest fortresses built byHenry VIII to defend the country against invasion. The castle has seenaction in many conflicts and was one of the last royalist strongholds tofall during the English Civil War. The main focus of interest is the TudorKeep (Sister Castle at St Mawes) which is housed in a much largerfortification of Elizabethan ramparts and bastions. The Half-MoonBattery is home to a World War II gun emplacement and undergroundmagazine/shell store. At the entrance there is a Guardhouse datingfrom 1800 which now houses World War I detention cells.Pendennis also boasts the largest display of historical guns in thecountry which are in fireable condition. It is currently home tomany coastal defence guns which range from Tudor, throughNapoleonic up to our World War II heavy artillery pieces and home tothe World War II George Butterworth Political Cartoon Collection.

Best Vantage Points:The castle looks great from land, sea or air.

Restrictions:To get onto the site there is a narrow arched entrance (Gatehouse)that will allow access for most vehicles (cars/vans) but not largervehicles. Weight limit on the entrance bridge is 8 tonnes, and a “lowloader” weight dissipating trailer is recommended for haulage ofequipment on and off the site.Width of entrance bridge 2.68 metresWidth of gateway 2.35 metresHeight of gateway to bottom of arch 2.27 metres

Permits:Contact right for details.

Fees:Contact right for details.

Public Liability Insurance:Public Liability Insurance of £5million should be in place.

Contact:For film/tv Sarah Eastell Locations www.film-locations.co.uk For tourism projects the Property Manager is Wendy Amer

Telephone: Sarah +44 (0) 1255 858100, Wendy +44 (0) 1326 310101

Email: [email protected]

Website: www.english-heritage.org.uk/pendennis

Page 242: VisitEngland

< back to contents242

CORNWALLTate St IvesPorthmeor Beach, St Ives, Cornwall, TR26 1TG

Tate St Ives opened in 1993, on a spectacular site overlookingPorthmeor Beach, and presents temporary exhibitions of internationalmodern and contemporary art. The gallery was built to celebrate thetown’s unique place in the history of British art and Modernism.The gallery is a three storey building backing directly into the cliff face.The site is dramatic – it drops 50 feet from cliff-top to beach. Thebuilding’s iconic circular spaces echoe the gas-holder which formerlyoccupied the site. Entering the building the large north-facing Heronwindow acts as a light box. At 4.6 by four metres it is one of the largestunleaded coloured glass windows in the world, its design by artistPatrick Heron. On the roof is the café and rooftop terrace, with viewsextending over the rooftops of the town and harbour, along the horizonfrom Clodgy Point over St Ives Bay to the Godrevy Lighthouse.

Best Vantage Points:The views from the café and rooftop terrace. The view through the windowof Lower Gallery 2, through the Loggia and out to Porthmeor Beach.

Restrictions:The building is fully wheelchair accessible. Depending on what iswanted and which exhibition is on, filming within the gallery spaces canbe restricted or forbidden. There will be copyright agreements neededfrom the relevant artist estate and/or Design and Artists copyrightSociety (DACS). No filming during group visits. All filming andphotography is encouraged to take place outside of opening hours.Contact right for details.

Best Time of Day:Before 10.00 and after 16.30 or 17.30 (depending on winter or summeropening hours).

Permits:Tate has a Filming/Photography Indemnity agreement which isundertaken when a filmmaker/photographer wishes to film/takephotographs at any Tate premises at any part of Tate’s Collection,temporary exhibition or performance for press or publicity purposes.

Fees:Filming fees are charged on a case–by–case basis. For press andpublicity purposes generally there is no fee. There is a sliding scale ofcosts for commercial ventures, depending on duration of filming anduse of work. Contact right for details.

Public Liability Insurance:Public Liability Insurance of £1million should be in place.

Contact: Arwen Fitch

Telephone: +44 (0) 1736 792185

Email: [email protected]

Website: www.tate.org.uk/stives

Page 243: VisitEngland

< back to contents 243

CORNWALLTintagel CastleTintagel Castle, Tintagel, Cornwall, PL34 0HE

The dramatic seascape of this jagged North Cornwall coastline hasinspired many legends, and the most enduring is that of King Arthur. In1135, Geoffrey of Monmouth wrote his History Of The Kings Of Britain;(Top of the Medieval Best Seller List) and it was he who first wrote ofArthur’s conception and birth at Tintagel. The medieval castle built in1236 by Richard, Earl of Cornwall, was built in an ‘antique’ style, (howhe thought King Arthur’s castle may have looked 600 or so yearsearlier) to link himself forever with this iconic figure.

Best Vantage Points:Mainland courtyard and the many and varied locations on the Island.

Restrictions:There are steep steps to and from the Island.

Best Time of Day:Anytime during daylight hours.

Permits:Contact below for details.

Fees:Contact below for details.

Public Liability Insurance:Yes, £5million (for any one occurrence).

Contact: Matt Ward or Lisa Knight

Telephone: +44 (0) 1840 770328

Email: [email protected]

Page 244: VisitEngland

< back to contents244

CORNWALLTrebah GardenMawnan Smith, Nr Falmouth, Cornwall, TR11 5JZ

Trebah Garden is a sub-tropical paradise with a stunning coastalbackdrop, the result of 160 years of inspired and dedicated creation.

Best Vantage Points:At the top of the valley next to the house, looking down towards theHelford River.

Restrictions:Access to the lower garden and beach is limited by a narrow lane, sosmaller vans would only be possible.

Best Time of Day:Early morning.

Permits:No filming permit required, but notification and negotiation to be madeon an individual basis with the Trust, via Nigel Burnett, Director.

Fees:To be negotiated on an individual basis with the Trust, via NigelBurnett, Director. No fee for non-commercial filming.

Public Liability Insurance:Trebah Garden is covered up to £10million with Public LiabilityInsurance.

Contact: Nigel Burnett, Director

Telephone: +44 (0) 1326 252200

Email: [email protected]

Website: www.trebah-garden.co.uk

Page 245: VisitEngland

< back to contents 245

COTSWOLDSCheltenham RacecoursePrestbury Park, Cheltenham, GL50 4SH

A wonderful natural sporting amphitheatre, Cheltenham Racecourse isone of the most famous racecourses in the world.

Permits:Contact below for details.

Fees:No fee for news stand ups.

Public Liability Insurance:Contact below for details.

Contact: Sophia Brudenell

Telephone: +44 (0) 7876 330090

Email: [email protected]

Website: www.cheltenham.co.uk

Page 246: VisitEngland

< back to contents246

COTSWOLDSSudeley CastleSudeley Castle, Winchcombe, Gloucestershire, GL54 5JD

Set against the backdrop of the beautiful Cotswold Hills, Sudeley Castleis steeped in history. With royal connections spanning 1,000 years, ithas played an important role in the turbulent and changing times ofEngland’s past.

Best Vantage Points:Most views within the grounds are spectacular. The descent from BelasKnap long barrow towards Winchcombe (on The Winchcombe Waywalk) offers good views of the castle.

Permits:Advance notice/permission only.

Public Liability Insurance:Not necessary.

Contact: [email protected]

Telephone: +44 (0) 1782 680963

Email: [email protected]

Website: www.sudeleycastle.co.uk

Page 247: VisitEngland

< back to contents 247< back to contents 247

This quintessential English Tudor thatched countrycottage is where Shakespeare’s future wife grew up,and where the young playwright courted her. It is oneof the most painted and photographed cottages inBritain, set in romantic gardens amidst orchards in thehamlet of Shottery, on the outskirts of Stratford.

Restrictions:Interior filming is usually only possible outside publicvisiting hours, but exceptions may be allowed,particularly in winter months.

Best Time of Day:Any time. Best to film the garden early morningand/or early evening.

Permits:Permits are required and one week’s notice ispreferred.

Fees:Standard fees will be waived for news andfeatures programming.

Public Liability Insurance:Public Liability Insurance of £5million should be inplace.

The largest collection of British road transport in theworld, with eight galleries on two floors. The collectionincludes the two fastest cars in the world: Thrust 2piloted by Richard Noble OBE, and Thrust SSC, pilotedby Wing Commander Andy Green OBE.

Best Vantage Points:Various points in each gallery and from MillenniumPlace in front of the museum.

Restrictions:Only for filming before 08.30.

Best Time of Day:08.30 to 16.30.

Permits:Permits are required and one week’s notice ispreferred.

Public Liability Insurance:Not necessary.

Coventry Transport MuseumMillennium Place, Hales Street, Coventry, CV1 1JD

Anne Hathaway’s CottageAnne Hathaway’s Cottage, Cottage Lane, Shottery, Stratford-upon-Avon, CV37 9HH

COVENTRY, WARWICKSHIRE & SHAKESPEARE’S ENGLAND

Contact: Lynn Beddoe, PR Manager

Telephone: +44 (0) 1789 207134

Email: [email protected]

Website: www.shakespeare.org.uk

Contact: Clive Skelhon

Telephone: +44 (0) 2476 234295 / 07969 091918

Email: [email protected]

Website: www.transport-museum.com

Page 248: VisitEngland

< back to contents248

The vast medieval fortress of Kenilworth Castle is setin vast grounds, perfect for exploring. The ruins arebest known as the home of Robert Dudley, the greatlove of Queen Elizabeth I. Dudley created an ornatepalace here to impress his beloved queen in 1575.The newly re-created Elizabethan Garden, lost for 400years, is now open to visitors once more. A paradisefor garden lovers, wander through this sumptuouslandscape as Queen Elizabeth I would have doneherself. Features include a Norman hall, medievalkeep, Elizabethan gatehouse and stables.

Best Vantage Points:The Keep and the gatehouse have elevated locationsfor filming the gardens.

Permits:Contact right for details.

Fees:Fees of £100 – £200 apply.

Public Liability Insurance:Public Liability Insurance of £5million should be inplace.

William Shakespeare was born, grew up and lived withhis wife and young children here. The original Tudorhouse is presented as it would have been inShakespeare’s early years. More than 28 million peoplehave visited to pay homage to the world’s most famousplaywright. Well-known visitors have included CharlesDickens, John Keats, Walter Scott and Thomas Hardy.

Restrictions:Interior filming only possible outside opening hours.Exceptions may be made by advance agreement inspecial circumstances (more likely in winter months).

Best Time of Day:Any time. The partly pedestrianised street can bevery busy with visitors in the summer, so earlymorning and late evening afford clearer views of thebirthplace from the street. Interior filming is onlypossible outside public opening hours; the interior isdimly lit, but ambient light is best in early evening.

Permits: Permits are required and one week’s notice ispreferred.

Fees:Filming fees will be waived for news and featuresprogramming.

Public Liability Insurance:Public Liability Insurance of £5million should be inplace.

Shakespeare’s BirthplaceHenley Street, Stratford-upon-Avon, CV37 6QW

Kenilworth Castle & Elizabethan GardenCastle Green, Kenilworth, CV8 1NE

COVENTRY, WARWICKSHIRE & SHAKESPEARE’S ENGLAND

Contact: Holly Woodward

Telephone: +44 (0) 1926 857482

Email: [email protected]

Website: www.english-heritage.org.uk/kenilworth

Contact: Lynn Beddoe, PR Manager

Telephone: +44 (0) 1789 207134

Email: [email protected]

Website: www.shakespeare.org.uk

Page 249: VisitEngland

< back to contents 249

Royal ShakespeareCompanyRoyal Shakespeare Theatre, Waterside, Stratford-upon-

Avon, Warwickshire, CV37 6BB

The RSC is known throughout the world and has its main base inStratford-upon-Avon in the heart of the West Midlands. In 2010 the newRoyal Shakespeare and Swan Theatres re-opened to the public after a£112.8million transformation with the aim to bring actors andaudiences closer together. The theatre has a beautiful riversidelocation in the heart of the town where Shakespeare was born anddied. Visitors from around the world visit Stratford-upon-Avon and theRoyal Shakespeare Theatre each year. The Company also playsregularly in London, Newcastle-upon-Tyne and on tour across the UKand the world. As well as the plays of Shakespeare and hiscontemporaries, the RSC produces new work from living artists, anddevelops creative links with theatre-makers from around the world, italso works with teachers to inspire a life-long love of Shakespeare inyoung people and runs events for everyone to explore and participatein their work.

Best Vantage Points:• The Royal Shakespeare Theatre (RST) and Swan Theatre auditoria(note this is subject to availability). The RST is a 1,000 seat thruststage auditorium, the Swan Theatre is a 450 seat thrust stagetimber auditorium.

• External locations by the River Avon, including riverside walk,Theatre Gardens.

• Theatre Tower viewing platform (100 foot high).• Rooftop Restaurant with views of the river and gardens andincluding the original back wall of the 1932 theatre.

• Dressing rooms and backstage spaces.

Restrictions:Contact right for details.

Permits:Contact right for details.

Fees:Sometimes a facilities fee is charged, dependent on the nature of thefilming.

COVENTRY, WARWICKSHIRE & SHAKESPEARE’S ENGLAND

Public Liability Insurance:The RSC would require a location agreement to be signed.

Existing footage:• Production footage is available on request.• An electronic press kit of the key spaces of the Royal ShakespeareTheatre and Swan Theatres is available including shots of the twoauditoria.

Contact: Jane Ellis

Telephone: +44 (0) 1789 412668

Email: [email protected]

Website: www.rsc.org.uk

Page 250: VisitEngland

< back to contents250

Warwick Castle Castle Lane, Warwick, CV34 4QU

Warwick Castle is one of best preserved castles in the UK, andoccupies a unique position between the traditional market town ofWarwick and the famous River Avon. The origins of Warwick Castle canbe traced back to the Saxon fortification used to defend against theinvading Danes. The first castle to appear on the site was a woodenmotte and bailey constructed in 1068 at the command of William theConqueror. Throughout the Middle Ages the castle was rebuilt in stoneas a towering medieval fortress. Later, the main quarters wereconverted into a residence of rich and sumptuous style that reflectedthe wealth and status of its owners. The defensive landscapesurrounding the castle was later redesigned by Lancelot ‘Capability’Brown. The castle was home to the Earls of Warwick until 1978. Sincethen extensive restoration work has been carried out and substantialareas of the castle have been opened to the public.

Best Vantage Points:East Front – towers and ramparts.The Mound – landscaped gardens and views of South Warwickshire.River Island – trebuchet and south front of Castle.The Conservatory – Pageant Field.The Mill – working water wheel and River Avon.The Trebuchet – one of world’s largest working siege machines.Great Hall – armour collection, grand fire place and vaulted ceiling.State Rooms – artefacts and furniture.Kingmaker – exhibits and wax figures evoking castle life in 1450.Secrets and Scandals – exhibits and live actors evoking life in aVictorian household.The Castle Dungeon – exhibits and live actors evoking the darker partsof Warwick’s history.Green Drawing Room – wax figures of Henry VIII and his wives.Princess Tower – including a gallery of Princesses.

Restrictions:Due to the nature of the attraction there are some steep steps andnarrow corridors. Full advice would be given on the day by the Castleteam. Vehicle access limitations may apply at peak periods.

Best Time of Day:East front towers and ramparts – afternoon; Courtyard and House – allday; South Front and River aspect – morning.

COVENTRY, WARWICKSHIRE & SHAKESPEARE’S ENGLAND

Permits:No permit required but permission must be granted by the Castle prior tovisit.

Fees:Contact right for details.

Public Liability Insurance:Contact right for details.

Contact: Cass Helstrip At White Tiger PR

Telephone: +44 (0) 7968 255464

Email: [email protected]

Website: www.warwick-castle.com

Page 251: VisitEngland

< back to contents 251

University SquarePriory Street, Coventry, West Midlands, CV1 5FB

The square is located in front of the Coventry University reception andopposite Coventry Cathedral. Choices for visual backdrops include thenew cathedral, the original cathedral ruins that remain from the blitz onCoventry and the Herbert Art Gallery. The east wall of the cathedralalso houses the imposing bronze statue of St. Michael and the Devil,and the cathedral has the giant “screen of saints and angels”, a 70 foot–high glass etched window forming part of the entrance. The Herbert ArtGallery has recently undergone extensive refurbishment and its visualattraction stems predominantly from the stunning atrium roof,classically lit and visually spectacular after nightfall.

Restrictions:Parking is available in selected coach parking spaces outside thecathedral and larger vehicles can be parked a few hundred yards awayin selected car parks. Weight restrictions may be imposed on certainvehicles.

Permits:Permission should be obtained from Coventry City Council, who wouldneed to know the details about how many people on site, whatvehicles would need to be in the vicinity and which equipment wouldbe used. As much notice as possible would be expected, usually aminimum of one week.

Fees:No fee for filming outside is required, if you wish to film inside thecathedral or the ruins, permission would be needed from the Cathedraldirectly.

Public Liability Insurance:Public Liability Insurance of £5million should be in place.

COVENTRY, WARWICKSHIRE & SHAKESPEARE’S ENGLAND

Contact: Mick McLaughlin or Kieron Pennie

Telephone: +44 (0) 24 7683 3159 or 2998

Email: [email protected] [email protected]

Website: www.coventry.gov.uk

Page 252: VisitEngland

< back to contents252

A 2,000 year old Roman fort sitting astride theUNESCO World Heritage Site of Hadrian’s Wall, themost important monument built by the Romans inBritain. It stretches 73 miles from Wallsend nearNewcastle, across the neck of England to Bowness-on-Solway in North West Cumbria, and stands todayas a reminder of the past glories of one of theworld’s greatest empires. Birdoswald itself is uniquebecause at no other point along the wall are thecomponents of the Roman Frontier system found insuch close proximity.

Best Vantage Points:The walls of the fort overlooking the River Irthing..

Restrictions:Access to the fort is by single track road and istherefore, limited to 7.5 tonne vehicles.

Best Time of Day:Sunrise and early morning.

Permits:Please contact English Heritage.

Fees:Please contact English Heritage.

Public Liability Insurance:Public Liability Insurance of £2million should be inplace.

A historic packhorse bridge famous for being a fineviewpoint looking across Borrowdale and Skiddaw.The view down to the lake from the bridge isbreathtaking, a contender for the accolade of thefinest view in Lakeland. Ashness Wood is inhabitedwith rare red squirrels.

Best Vantage Points:A cliff edge point known as Surprise View which offerssuperb views of both Derwentwater, Skiddaw andBorrowdale. Upstream from the bridge, on Ashness Gillthere is a dramatic waterfall.

Restrictions:Accessible via single track public road and thereforeopen to the public, but not accessible to large vehicles.The bridge has been featured in many televisionprogrammes and feature films.

Permits:Permits are required and can be obtained through theNational Trust Film Unit.

Fees:Fees may apply. Contact the National Trust Film Unit.

Public Liability Insurance:Public Liability Insurance of £2million should be inplace.

Ashness BridgeB5289, Keswick, Cumbria, CA12

Birdoswald Roman FortGilsland, Brampton, Cumbria, CA8 7DD

CUMBRIA

Contact: English Heritage

Telephone: +44 (0) 870 333 1181

Email: [email protected]

Website: www.english-heritage.org.uk/

Contact: Harvey Edgington

Telephone: +44 (0) 20 7824 7128

Email: [email protected]

Website: http://www.nationaltrust.org.uk/borrowdale/things-to-see-and-do/attractions/

Page 253: VisitEngland

< back to contents 253< back to contents 253

CUMBRIA

Blackwell, one of Britain’s finest houses from the turn ofthe last century, survives in a truly remarkable state ofpreservation and retains almost all of its originaldecorative features, including the rare and fragilehessian wall-hangings in the Dining Room. One of thereal joys of Blackwell lies in its wealth of detail, from theleaf-shaped door handles and curious window catchesto spectacular plasterwork, stained glass and carvedwooden panelling. Blackwell remains an internationallyimportant icon of Arts and Crafts architecture.

Best Vantage Points:White drawing room, the main hall, minstrels galleryand front lawn.

Restrictions:Prior notice is required to ensure there are no clasheswith tours and visitor enjoyment of the property.

Best Time of Day:Late afternoon for sunset views.

Permits: Please contact the Lakeland Arts Trust.

Fees: Please contact the Lakeland Arts Trust.

Public Liability Insurance: Public Liability Insurance of £2million should be in place.

The home of William Wordsworth from December1799 to May 1808, the years of his supreme work as apoet. The site is also home to the Wordsworth Trust,which conserves one of the world’s great literarycollections.

Best Vantage Points:The gardens of Dove Cottage and the interior andarchive resource centre.

Restrictions:The gardens of Dove Cottage, the interior and archiveresource centre.

Best Time of Day:All day.

Permits:Please contact the Wordsworth Trust.

Fees:Please contact the Wordsworth Trust.

Public Liability Insurance:Public Liability Insurance of £2million should be inplace.

BlackwellBlackwell, The Arts & Crafts House, Bowness-on-Windermere, Cumbria, LA23 3JT

Dove CottageThe Wordsworth Museum & Art Gallery, Grasmere, LA22 9SH

Contact: Jeanette Edgar

Telephone: +44 (0) 15394 46191

Email: [email protected]

Website: www.blackwell.org.uk

Contact: Paul Klein

Telephone: +44 (0) 15394 35544

Email: [email protected]

Website: www.wordsworth.org.uk

Page 254: VisitEngland

< back to contents254

Located on a low glacial hill which overlooks the town,Kendal Castle was built by an early Baron of Kendal inthe late 12th century. It was forfeit to the crown byKing John in 1215 but restored in 1241. Kendal Castlewas eventually inherited by the Parr family, whosemost famous member, Catherine Parr (1512-48),became the sixth wife of King Henry VIII. QueenCatherine is reputed to have been born at the castlein 1512. She was more skilful and lucky than some ofher predecessors and fortunately survived herformidable spouse. Catherine Parr’s prayer book iskept on display at Kendal Town Hall and can be seenthere by the public on request. She died on 5thSeptember 1548 in Sudeley Castle, Gloucestershire,from puerperal fever, after giving birth to a daughterby her last husband, Sir Thomas Seymour, LordAdmiral and maternal uncle of Edward VI.

Best Vantage Points: Castle hill overlooking Kendal.

Restrictions: Limited parking at the foot of castle hill.

Best Time of Day: Sunrise and sunset.

Permits: Please contact English Heritage.

Fees: Please contact English Heritage.

Public Liability Insurance: Public Liability Insuranceof £2million should be in place.

With an altitude of 1,489 feet, this the Lake District’shighest pass that is open to motor traffic. It connectsAmbleside in the Rothay Valley to Patterdale in theUllswater valley. In places, the gradient is one in four.Brothers Water provides a picturesque view on thedescent to Patterdale. The Kirkstone Pass Inn standsclose to the summit of the pass. Formerly animportant coaching inn, it is the third highest publichouse in England.

Best Vantage Points:The car park on the northern descent into Patterdale.

Restrictions:Limited parking.

Best Time of Day:Sunrise and sunset.

Permits:Please contact Lake District National Park.

Fees:Please contact Lake District National Park.

Public Liability Insurance: Public Liability Insurance of £2million should be inplace.

CUMBRIA

Kendal CastleCastle Hill, Kendal, Cumbria, LA9 7BL

Kirkstone PassKirkstone Pass, Ambleside, Cumbria, LA22 9LQ

Contact: English Heritage

Telephone: +44 (0) 870 333 1181

Email: [email protected]

Website: www.english-heritage.org.uk

Contact: Lake District National Park

Telephone: +44 (0) 1539 724555

Email: [email protected]

Website: www.lakedistrict.gov.uk

Page 255: VisitEngland

< back to contents 255< back to contents 255

This historic house became the property of ColonelJames Grahme in 1688 after his career at Court inthe service of King James II. He brought with him ayoung French gardener, Guillaume Beaumont, a pupilof le Notre at Versailles, to plan a fashionable gardenat Levens. This family home contains fine furniture,paintings, one of the best examples in Europe ofSpanish leather wall coverings, the earliest Englishpatchwork, Wellingtoniana, clocks and miniatures,and has become one of the finest stately homes insouth Cumbria.

Restrictions:Prior notice is required to ensure there are no clasheswith tours and visitor enjoyment of the property.

Best Time of Day:All day, sunrise and sunset.

Permits:Please contact Levens Hall.

Fees:Please contact Levens Hall.

Public Liability Insurance:Public Liability Insurance of £2million should be inplace.

Broad Leys is a superb example of Arts and CraftArchitecture, designed by CFA Voysey. Broad Leys wasbuilt in 1898 on the shores of Lake Windermere in theheart of the Lake District, in seven acres of land withextensive Lake access.

Best Vantage Points:The areas surrounding the property have stunningviews of Lake Windermere.

Permits:Yes – direct from the location. This is a working venueso maximum notice is required to film inside. Exteriorfilming (depending on existing bookings) might beeasier to clear.

Fees:A fee will be looked at based on the size of the activityand what facilitation is needed from the owners. Ifimpact is minimal then a reduced fee or waiver couldbe looked at, but again this depends on the individualenquiries that come in.

Public Liability Insurance:Public Liability Insurance of £2million should be inplace.

CUMBRIA

Windermere Motor Boat Racing ClubBroad Leys, Ghyll Head, Windermere, Cumbria, LA23 3LJ

Levens HallLevens Hall, Kendal, Cumbria, LA8 0PD

Contact: Broad Leys

Telephone: +44 (0) 1539 443 284

Email: [email protected]

Website: www.wmbrc.co.uk

Contact: Peter Milner

Telephone: +44 (0) 7974 126748

Email: [email protected]

Website: www.levenshall.co.uk

Page 256: VisitEngland

< back to contents256

ClovellyNorth Devon, EX39 5TF

Clovelly is an unspoilt English fishing village built on a 400 footprecipice, with some 80 cottages tumbling down a steep cobbledstreet to a 14th century harbour. Too steep and narrow for cars,visitors must leave vehicles out of sight in a car park, and walk downthe street. Donkeys are the traditional means of transport. The beautyand unspoilt charm of Clovelly attracts many thousands of visitorsfrom all over the world, but as its two hotels have only some 35bedrooms, it reverts in the evening to a sleepy English fishing village.

Best Vantage Points:Near the harbour looking up; under Templebar arch.

Fees:A nominal charge will be made for non-commercial filming.

Public Liability Insurance:Public Liability Insurance of £5million should be in place.

DEVON

Contact: John Rous

Telephone: +44 (0) 1237 431200 (Office)

Email: [email protected]

Website: www.clovelly.co.uk

Page 257: VisitEngland

< back to contents 257

DEVONDartmoor National ParkDartmoor National Park Authority, Parke, Bovey Tracey,Newton Abbot, Devon, TQ13 9JQ

Dartmoor National Park covers 368 square miles in the south west ofEngland, and is renowned for its rugged, windswept tors which towerhigh above lush, farmed hills and wooded valleys. It is a landscapewhich changes with the seasons and gives both a sense of peace andtranquillity, as well as a challenging environment for outdoor activities.

Highlights include:• Granite tors – the granite outcrops on the top of hills.• Granite tors – the granite outcrops on the top of hills.• Largest area of open upland in Southern England.• Dartmoor ponies and “free-range” grazing cattle and sheep.• Archaeology – internationally important prehistoric archaeology,best in Western Europe.

• Legendary characters – Sherlock Holmes and Hound of theBaskervilles.

• Dartmoor Prison.• Open moorland, deep wooded valleys and lake-like reservoirs.• Huge variety of wildlife.• Setting for several locations used in the film War Horse.

Best Vantage Points:There is such a myriad of locations, so it is best for you to contactDartmoor National Park Authority (DNPA) to get specific locationadvice for the type of filming required and landowner’s contact detailsto secure permission.

Restrictions:Talk to DNPA to get up to date advice and contacts.

Best Time of Day:An hour after sunrise and two hours before sunset to get the best light.

Permits:Please contact DNPA directly for advice.

Fees:Please contact DNPA directly for advice.

Public Liability Insurance:Public Liability Insurance of £2million should be in place.

Contact: Mike Nendick, Communications Officer

Telephone: +44 (0) 1626 832093

Email: [email protected]@dartmoor.gov.uk

Website: www.dartmoor.gov.uk

Page 258: VisitEngland

< back to contents258

DEVONExmoor – Tarr StepsTarr Steps, Exmoor National Park, Somerset, TA22 9PY

The oldest bridge in Britain, the Tarr Steps are a prehistoric clapperbridge across the River Barle in Exmoor National Park, Somerset. Theyare located in a National Nature Reserve about 2.5 miles (fourkilometres) south east of Withypool and four miles (six kilometres)north west of Dulverton. A typical clapper bridge construction, thebridge possibly dates back to around 1,000 BC. The stone slabs weighup to five tons apiece. According to local legend, they were placed bythe devil to win a bet. The bridge is 180 feet (55 metres) long and isowned by Exmoor National Park.

Best Vantage Points:100 yards from the bridge.

Best Time of Day:Late morning or afternoon.

Contact: Dan James, Exmoor National Park

Telephone: +44 (0) 1398 322234

Email: [email protected]

Website: www.en.wikipedia.org/wiki/Tarr_Steps

Page 259: VisitEngland

< back to contents 259

DURHAMBeamish MuseumBeamish, County Durham, DH9 0RG

This open-air museum vividly recreates life in North East England inGeorgian, Victorian and Edwardian times. Real buildings fromthroughout the region have been brought to Beamish, rebuilt andfurnished as they once were. Costumed staff welcome visitors anddemonstrate the past way of life. There is a small Georgian manorhouse, set in a recreated Georgian landscape, alongside a Georgianrailway with working steam locomotives and carriages of the period.Traditional breeds of livestock are reared at Home Farm, where there isa Victorian farmstead and welcoming farmhouse kitchen. The PitVillage, complete with colliery yard, real drift mine, pit cottages, villageschool and Methodist chapel portray Edwardian life for pitmen andtheir families, whilst the town, with shops, houses, working pub andMasonic Hall illustrate Edwardian town life.

Restrictions:No modern vehicles can be driven into or parked in period areas whenthe museum is open to the public.

Best Time of Day:No areas can be closed to visitors, therefore if filming is requiredwithout visitors it must take place before the museum opens at 10.00or after closing at 17.00. Beamish is also closed on Mondays and Fridaysin winter and it may be possible to film then.

Permits:Filming must be agreed in advance and a ‘Conditions of Filming’document completed and signed.

Fees:Filming fee for location work is £300+VAT per hour. This may bereduced or waived, depending on the nature of the programme beingfilmed.

Public Liability Insurance:Public Liability Insurance of £5million should be in place.

Contact: Jacki Winstanley, Marketing & PR Officer

Telephone: +44 (0) 191 370 4024

Email: [email protected]

Website: www.beamish.org.uk

Page 260: VisitEngland

< back to contents260

Durham CastleUniversity College, Durham Castle, Palace Green,Durham, DH1 3RW

Durham Castle is the oldest college of Durham University, founded in1832, and is located in a Norman fortress. Set in the heart of DurhamCity overlooking the River Wear, the castle has the accolade of beingpart of a World Heritage Site along with the city’s historic cathedral.The castle houses historic highlights including the Great Hall, TunstallGallery, Norman Chapel and magnificent State rooms.

Restrictions:Durham Castle is the residential home to Durham University studentsduring term time. Filming would be restricted at this time to outsideareas and the Great Hall, when not in student use.

Best Time of Day:Any time. The castle is also lit up at night for atmospheric shots.

Permits:Permission is required.

Fees:Negotiable depending on dates and length of time.

Public Liability Insurance:Public Liability Insurance of £5million should be in place.

DURHAM

Contact: Stina Maynard

Telephone: +44 (0) 191 334 2883

Email: [email protected]

Website: www.dur.ac.uk/university.college

Page 261: VisitEngland

< back to contents 261

DURHAMDurham Cathedral,its Claustral Buildings and Durham City CentreWoodlands and RiverbanksThe College, Durham, DH1 3EH

Durham Cathedral forms part of a UNESCO World Heritage Site on theDurham Peninsula. The existing building was started in 1093 and took40 years to complete. It existed as a Benedictine Monastery until thedissolution in 1539, becoming one of the Church of England’s majorcathedrals. In 1986 it was inscribed as part of the Durham WorldHeritage Site. It is often described as one of the finest examples ofNorman architecture in Europe. The stone vaulting in the Nave marks aturning point in the history of architecture using pointed archessuccessfully for the first time. This paved the way for GothicArchitecture. The East End of the Cathedral houses the Shrine of St Cuthbert and the Galilee Chapel houses the Tomb of the VenerableBede. There is stunning stained glass, a number of significantcontemporary pieces of religious art, and an internationally importantcollection of artefacts and rare manuscripts. The cathedral’s originspredate the Norman conquest of Britain, going back to the firstmillennium when the Community of St Cuthbert settled in Durham.

Best Vantage Points:There are many excellent positions around the City of Durham to filmexterior shots of the cathedral. Likewise, the cathedral site itself(including the Claustral buildings) and inside the Cathedral Churchoffer a wide variety of shots and backgrounds.

Restrictions:Access to areas will need to be agreed in advance. Vehicles over fivetonne are not permitted onto the peninsula area between 10.00 and18.00. The archway into the Cathedral College (the Cathedral Close onthe south side of the cathedral building) is narrow and has a tight turn.

Best Time of Day:Filming can be done at different times of day subject to the schedule ofcathedral services.

Permits:Filming requests are considered on an individual basis but four weeks’notice is preferred.

Fees:The hourly rate is from £95+ VAT for education and documentary films, to£190+VAT for commercial projects. This rate covers the usual working day(08.00 to 16.00, Monday to Friday). Filming outside of these hours willincur an extra charge.

Public Liability Insurance: Contact right for details.

Contact: Marketing & Events Team

Telephone: +44 (0) 191 386 4266

Email: [email protected]

Website: www.durhamcathedral.co.uk

Page 262: VisitEngland

< back to contents262

DURHAMThe Bowes MuseumNewgate, Barnard Castle, County Durham, DL12 8NP

The Bowes Museum is set in 22 acres of beautiful grounds on theoutskirts of the historic market town of Barnard Castle. The museum isone of the most important museums outside London, and itscollections have received Designated Status from the government.There is ample on site parking available for film crews.

Restrictions:All public areas are negotiable, depending on size of film crew, but themuseum remains open to the public between 10.00 to 17.00 daily.

Permits:A filming permit is not required, but a set of filming guidelines will beprovided by the museum which must be followed with regard to thecare of the building and its contents.

Fees:Negotiable.

Public Liability Insurance:Public Liability Insurance of £5million should be in place.

Contact: Sheila Dixon, Media & PR Officer

Telephone: +44 (0) 1833 690606 (switchboard)+44 (0) 1833 694616 (direct line to Sheila Dixon).

Email: [email protected]

Website: www.thebowesmuseum.org.uk

Page 263: VisitEngland

< back to contents 263

HAMPSHIRENational MotorMuseum, BeaulieuBeaulieu Enterprises Ltd. John Montagu BuildingBeaulieu, Brockenhurst, Hampshire, SO42 7ZN

Beaulieu’s famous National Motor Museum currently displays over 250vehicles, from Land Speed Record breakers to F1 racers. The World ofTop Gear exhibition features actual vehicles created by presentersJeremy Clarkson, Richard Hammond and James May. Palace House,home of the Montagu family since 1538, is kept and furnished in the styleof the Victorian era. The majority of the house is open to the public,giving visitors a rare insight into life at that time on a country estate.

Best Vantage Points:Inside the National Motor Museum, inside and outside Palace House, inBeaulieu Abbey’s Cloisters, and around the grounds and gardens.

Restrictions:Beaulieu is open to the public every day except Christmas Day, and isunable to close down parts of the attraction to the public for filming.

Best Time of Day:Numerous exterior and interior locations available throughout the day,light and weather dependent.

Permits:Permission to film must be obtained in advance from the Beaulieu PRDepartment.

Fees:There is no filming fee charged for documentary-led filming, but anycosts incurred (e.g. the preparation of vehicles for filming) would haveto be passed on.

Public Liability Insurance:Not applicable.

Contact: Beaulieu PR Department

Telephone: +44 (0) 1590 614603

Email: [email protected]

Website: www.beaulieu.co.uk

Page 264: VisitEngland

< back to contents264

HAMPSHIREHMS Victory atPortsmouth HistoricDockyard (Exteriors only)Victory Gate, HM Naval Base, Portsmouth, PO1 3LJ

HMS Victory is the Royal Navy's most famous warship. Best known forher role in the Battle of Trafalgar, the Victory currently has a dual roleas the Flagship of the First Sea Lord and as a living museum to theGeorgian Navy.

Best Vantage Points:There is a large arena in front of the starboard side of the ship.

Restrictions:Situated within a working naval base, all filming must be arranged inadvance and crews will be escorted by a member of staff.

Best Time of Day:Exteriors can be filmed during visiting hours, between 10.00 and 18.00.

Permits:Permits require four weeks’ notice but can be turned around in a week.

Fees:Not required for exterior filming.

Contact: Holly Westwood

Telephone: +44 (0) 23 9289 4558

Email: [email protected]

Website: www.historicdockyard.co.uk

Page 265: VisitEngland

< back to contents 265

HAMPSHIREJane Austen’s HouseMuseumWinchester Road, Chawton, GU34 1SD

Jane Austen is one of the most popular and important novelists thatEngland has ever produced. The house at Chawton is where she spentthe last eight years of her life. It is of international importance as theplace where she did the majority of her mature writing, but at thesame time retains the charm of a village home. The museum tells thestory of Jane Austen and her family. The ‘cottage’ is a 17th centuryhouse which has at times in its history been an inn and broken up intoa number of farm workers’ cottages. Jane Austen moved to the housewith her mother and sister in 1809. The cottage formed part of theestate which was owned by her brother Edward Knight. The cottagehas a number of furnished rooms on two floors and has an historickitchen, a pretty garden and various outhouses.

Best Vantage Points:Downstairs rooms are the largest and most easily accessible.

Restrictions:Upstairs rooms are small and may be difficult to film in.

Best Time of Day:As the museum is a working museum open throughout the year(though only at weekends in January and February) filming needs tolargely be outside opening hours. Special arrangements cansometimes be made during opening hours depending on number ofexpected visitors.

Permits:Permission from Curator required.

Fees: By agreement.

Public Liability Insurance:Dependent upon filming time. Discuss with Curator when booking. Contact: Louise West (Curator)

Telephone: +44 (0) 1420 83262

Email: [email protected]

Website: www.jane-austens-house-museum.org.uk

Page 266: VisitEngland

< back to contents266

HAMPSHIREThe Needles ParkAlum Bay, Isle of Wight, PO33 2SL

Situated in an Area of Outstanding Natural Beauty, The Needles Park iswell known for its scenic chairlift ride and famous landmark, TheNeedles Rocks.

Best Vantage Points:From the beach you can get a fantastic view of the sand cliffs that havedrawn people to this site since Victorian times. With 21 distinct coloursof naturally occurring sand, Alum Bay is a unique geological site.

Best Time of Day:Daylight hours.

Permits:Filming permit is required. Contact Charlotte Denman-Johnson at leasteight weeks prior to potential filming date.

Public Liability Insurance:Public Liability Insurance of £10million should be in place.

Contact: Sue Emmerson

Telephone: +44 (0) 1983 752401

Email: [email protected]

Website: www.visitisleofwight.co.uk

Page 267: VisitEngland

< back to contents 267< back to contents 267

Canterbury Cathedral is the Mother Church of theworldwide Anglican Communion, seat of theArchbishop of Canterbury. Its history dates back to597AD and today is one of the most visited UKattractions with over a million visitors per year. Thecathedral houses the most important collection ofmedieval stained glass windows in the country, an 11th century Crypt, 12th century Quire and 14thcentury Nave.

Best Vantage Points:Anywhere.

Restrictions:Only during service times.

Best Time of Day:Anytime of year.

Fees:The cathedral are happy to waive fees for any filmingthat will help attract visitors.

Public Liability Insurance:Public Liability Insurance of £1million should be inplace.

The National Fruit Collection, which has been atBrogdale Farm for over 50 years, comprises over4,000 varieties: 2,000 types of apples, 550 of pears,329 of cherries, 350 of plums, and smaller collectionsof other types of fruit. It is open all year round for thepublic to be able to observe the whole seasonalgrowing cycle, seeing fruit trees blossom and ripen,connecting them with the history of fruit growing inKent and the world over. Other internationalcollections, such as in Europe and the USA,only have limited access.

Best Vantage Points:Various orchards.

Best Time of Day:Anytime of year.

Fees:Donation to the Trust of £250.

KENT

Brogdale CollectionsBrogdale Farm, Brogdale Road, Faversham, ME13 8XZ

Canterbury CathedralThe Precincts, Canterbury, CT1 3HU

Contact: Ms. Bernie Cranfield

Telephone: +44 (0) 1795 536250

Email: [email protected]

Website: www.brogdalecollections.co.uk

Contact: Therese Heslop

Telephone: +44 (0) 1227 762862

Email: [email protected]

Website: www.canterbury-cathedral.org

Page 268: VisitEngland

< back to contents268

KENTDover CastleDover Castle, Dover, Kent, CT16 1HU

Spectacularly situated above the White Cliffs of Dover, this magnificentcastle has guarded our shores from invasion for 20 centuries. Visitorscan explore the atmospheric Secret Wartime Tunnels, now with a vividrecreation of the Dunkirk evacuation, complete with dramaticprojections of swooping Spitfires and real film footage. Enjoy acolourful contrast with the richly-furnished Great Tower, wherecostumed actors introduce medieval life at King Henry II’s court. DoverCastle is above all a great medieval fortress, created by King Henry IIand his Plantagenet successors. At its heart stands the mighty keep orGreat Tower, 83 feet (25.3 metres) high and just under 100 feet (30metres) square, with walls up to 21 feet (6.5 metres) thick. This is thegrandest and among the last of the keeps raised by the kings ofEngland during the 11th and 12th centuries.

Best Vantage Points:The roof of the Great Tower gives unrivalled panoramic views of Dover,the White Cliffs and the surrounding area. Access to the roof is viastone steps and all equipment would have to be carried up. Superbbackdrops can also be obtained at various points along thebattlements, both facing out of and inside the castle. The AdmiraltyLookout is located on the cliff edge and gives an uninterrupted view ofDover Harbour and across to the continent.

Restrictions:Coach park not on site due to weight restrictions, but is located on theopposite side of the road at the Constables Gate with only pedestrianaccess to the castle. Large vehicles would have to be parked there.Access to the castle grounds is limited to vehicles less than threemetres high and maximum 10 tonne per axel.

Best Time of Day:Dover Castle benefits from excellent light throughout the day,although when filming close to the battlements or Great Tower therewill be shadows due to the height of the structure.

Permits:A permit is required and ideally two weeks’ notice is preferred toensure minimal disruption to normal visitor operations. Permits can beobtained by contacting the site contacts shown right.

Fees:Each request will be dealt with on its own merit.

Public Liability Insurance:Public Liability Insurance of £2million should be in place but £5millionwould be preferred.

Contact: Keren Sall (Marketing Executive)or Becky Smith (Operations Manager)

Telephone: +44 (0) 7920 592279

Email: [email protected]@english-heritage.org.uk

Website: www.english-heritage.org.uk/dover

Page 269: VisitEngland

< back to contents 269

KENTDown House, The Homeof Charles DarwinEnglish Heritage Site and registered museumLuxted Road, Downe, Kent, BR6 7JT

Darwin lived and worked here for 40 years and carried out manyexperiments in the grounds and surrounding area. This countryproperty is set in 16 acres of estate and surrounding meadows, athree storey 18th century brick and render villa with 19th centuryadditions. The ground floor rooms are restored to look as they wouldhave done in the 1870s when Darwin lived here with his wife andfamily. They include a drawing room with verandah, Darwin’s oldstudy, where he wrote ‘On the Origin of Species’, a billiard room anddining room laid for dinner with Wedgwood dinner service. The firstfloor houses an exhibition of Darwin’s life and work including objectshe carried whilst on the Beagle voyage. The grounds include formalbeds, the original glass houses, kitchen garden, orchard and sandwalkwhere Darwin walked on a daily basis.

Best Vantage Points:From the back lawn looking back at the house.

Restrictions:The rooms are small and contain many artefacts which cannot bemoved. Hours of access are negotiable.

Best Time of Day:The glass houses become very humid during hot weather and in themiddle of the day. Lighting is restricted so internal filming is bestdone with good daylight. The grounds look their best in spring.Mondays and Tuesdays are closed to the public so can facilitatefilming much more easily.

Permits:Contact right for details.

Fees:Fees are usually charged, these can be negotiated.

Public Liability Insurance:Public Liability Insurance of £2million should be in place but £5millionis required for internal filming.

Contact: Emma Clarke-Bolton at Sarah Eastel locations.English heritage staff: Minelle Rogers, Phil Cole, Rowan Blaik(Head Gardener), Annie Kemkaran-Smith (Curator)

Telephone: Film location company: +44 (0) 1225 858100. Site: +44 (0) 1689 859119

Email: [email protected],[email protected],[email protected],[email protected]

Website: www.film-locations.co.uk www.english-heritage.org.uk

Page 270: VisitEngland

< back to contents270

KENTLeeds CastleMaidstone, Kent, ME17 1PL

With 900 years of history to be uncovered and 500 acres of majesticparkland to explore, Leeds Castle is one of England’s top visitor sites.Begin with a journey through nine centuries of heritage; originally thesite of a Saxon manor, the castle has been a Norman stronghold, aroyal residence for six medieval Queens of England, a favourite palaceof Henry VIII and a grand treasure house. Many of the rooms showcaseboth medieval and Tudor periods, while the influence of Lady Baillie,who used the finest French architects and designers to create anelegant country residence in the 20th century, brings the state roomsto life. Paintings, antiques and tapestries fill the castle. Gardensprovide continuous colour throughout the year, from spring bulbs inthe Wood Garden to herbs and roses in the quintessentially EnglishCulpeper Garden, and late flowering borders in the Mediterranean-styleLady Baillie Garden. The grounds and riverside offer lovely walks.

Best Vantage Points:Over 500 acres of grounds include a Mediterranean garden on thewaterfront, a great water / moat. The castle island is good for exteriorshots of the castle main entrance, cellar, maze, aviary, castle libraryand dining room.

Restrictions:Filming inside the chapel is not permitted. Certain artefacts in thecastle would need permission to be filmed. If a private function,wedding or daytime event is taking place on the estate, filming wouldneed to take place around this. All filming must be pre-arranged andfully discussed with the castle.

Best Time of Day:Interior shooting – before 10.00 and after 16.00 when closed to thepublic. Exterior shooting – early morning.

Fees:Commercial filming and photography starts at £2,000 for a half daybut fees may be reduced / waiver for filming that would publicise thecastle in a positive way. Contact: Gemma White, PR Officer

Telephone: +44 (0) 1622 767866

Email: [email protected]

Website: www.leeds-castle.com

Page 271: VisitEngland

< back to contents 271< back to contents 271

Turner Contemporary is a dynamic visual artsorganisation that believes in making art open, relevantand fulfilling for all. Positioned on a plinth to protect itfrom the high winds and sea, the building is made upof six identical interlocking north-facing rectangularblocks. Each block is laid out over two floors and has apitched roof at a 20 degree angle. The double-heightentrance hall window, ground floor events space withexternal terrace and first floor Clore learning studio,all have large north-facing windows offering unrivalledviews out to sea. These capture the ever-changinglight conditions, reflecting the range of colours foundin Turner’s paintings. The three first-floor galleryspaces are lit by natural ‘maritime light’ from thenorth-facing roof and sky lights. The balcony on thisfloor cantilevers out over the ground floor gallery,again giving spectacular sea views.

Best Vantage Points:In the Learning studio and Sunley Gallery.

Best Time of Day: On a Monday at any time of the day.

Permits: Please contact Turner Contemporary directly.

Fees: Turner Contemporary welcomes crews andphotographers that positively promotes the site,Margate and Kent. Please note that for commercialfilming a fee may apply. Contact below for details.

Public Liability Insurance:Turner Contemporary holds Public Liability Insuranceworth £10million.

The Chapel Down Winery is situated in Small Hythejust outside the market town of Tenterden. There is alarge main building which houses the Wine and FineFood Store and restaurant(www.richardphillipsatchapeldown.co.uk). There are 23acres of vineyards overlooking open countryside and alarge formal Herb Garden surrounded by hedges. Thewinery consists of a number of industrial buildings,press, barrel room, tanks etc.

Best Vantage Points:Restaurant terrace overlooking the Isle of Oxney.Anywhere in the vineyards.

Restrictions:Access to certain parts of the vineyard is by track oroff-road, so may require a four-wheel drive vehicle.Access to the winery buildings is dependent onwinemaking activity.

Best Time of Day:Early morning or late afternoon.

Fees:Depends on application.

Public Liability Insurance:Public Liability Insurance of £1million should be in place.

KENT

The Chapel Down WineryTenterden Vineyard, Small Hythe, Tenterden, Kent, TN30 7NG

Turner Contemporary Rendezvous, Margate, Kent, CT9 1HG

Contact: Frazer Thompson, Managing DirectorRebecca Hirst, Marketing Manager

Telephone: +44 (0) 1580 763033

Email: [email protected]@englishwinesgroup.com

Website: www.englishwinesgroup.com

Contact:Monique Kent, Press and Media Manager

Telephone: +44 (0) 1843 233019

Email: [email protected]

Website: www.turnercontemporary.org

Page 272: VisitEngland

< back to contents272

Penshurst Place andGardensPenhurst, Tonbridge, Kent, TN11 8DG

Discover the beauty and tranquility of this enchanting historic familyhome and gardens. Described as “the grandest and most perfectlypreserved example of a fortified manor house in all England”, at itsheart is the medieval Baron’s Hall, built in 1341. The adjoining Staterooms contain a wonderful collection of tapestries, furniture,portraits, porcelain and armour. Penshurst Place and Gardens hasbeen the ancestral estate of the noble Sidney family since 1552 withthe history of the house going back six and a half centuries. The 11acres of gardens are as old as the original house, with the walls andterraces added in the Elizabethan era with a continuous display fromspring to autumn. There is also a Toy Museum, Venture Playground,Woodland Trail, Gift Shop and Garden Tea Room with the estatesurrounded by ancient parkland.

Best Vantage Points:Flag Garden.

Fees:Dependent on project, contact below for details.

Public Liability Insurance:Public Liability Insurance of £10million should be in place.

KENT

Contact: Marketing Department

Telephone: +44 (0) 1892 870307

Email: [email protected]

Website: www.penshurstplace.com

Page 273: VisitEngland

< back to contents 273

Lee Valley White WaterCentre Station Road, Waltham Cross, Hertfordshire, EN9 1AB

At Lee Valley White Water Centre, visitors can experience adrenalin–pumping white water rafting, canoeing or kayaking. Named as thebest in the world, the white water centre has two courses: a 300metre Olympic Standard Competition Course with a 5.5 metredescent, and a 160 metre Legacy Loop with a 1.6 metre descent - with1,200 rapid blocs.

Best Vantage Points:There are a plethora of areas to film from, including bridges that spanthe course, wide–angled shots that take in the length of the course orpositions located next to the big features and drops. Site health andsafety rules apply in terms of access to the water and the course edge,including buoyancy aids and safety teams.

Restrictions:There are no main restrictions within the site, apart from thosedesignated by health and safety requirements. The British Canoe Unionwould need to agree any filming of their athletes.

Best Time of Day:The site is open and can be filmed at any time depending onrequirements. The course has the ability to be floodlit.

Permits:A permit to film is required which can be gained through the Lee ValleyRegional Park Authority (or their acting agency) - see detail right. Allattempts will be made to accommodate all requests for filming but theyare dependent on water activity and staffing levels.

Fees:Commercial filming will be charged on a case–by–case basis dependingon publicity outcomes for the centre and for the sport.

Location fee approximate costings are: Commercials etc - £1,000 per dayPhoto shoots - £500 per day

A reduced/no fee for non-commercial filming will be considered on acase-by-case basis.

LEE VALLEY

Public Liability Insurance:Yes, minimum of £5million.

Existing Footage: A variety of footage can be found on www.youtube.comincluding the centre’s promotional footage.

Contact: Naomi Chant

Telephone: +44 (0) 1992 709 909

Email: [email protected]

Website: www.gowhitewater.co.uk

Page 274: VisitEngland

< back to contents274

LINCOLNSHIRE

Burghley HouseBurghley, Stamford, Lincolnshire, PE9 3JY

England’s greatest Elizabethan house, Burghley has long dominated thesweeping approach to the Georgian stone town of Stamford inLincolnshire and been a hit with visitors for four centuries - whetherElizabethan royalty, locals or tourists from across the globe. Today, it stillpacks that ‘wow’ factor – offering a packed family day out with acombined ticket giving access to the House plus two gardens, including firm family favourite the Tudor-inspired Gardens of Surprise.

Best Vantage Points: Great views of the house from the parkland.

Restrictions: The house’s various antiques, paintings and furniturerequire care and attention whist filming.

Fees: Normally no charge for filming that positively promotes theproperty.

Contact: Ruth Hudson

Telephone: +44 (0) 1780 761 972

Email: [email protected]

Website: www.burghley.co.uk

Page 275: VisitEngland

< back to contents 275< back to contents 275

Originally built by William the Conqueror, LincolnCastle is one of the finest remaining Norman Castlesin the country. It houses one of only four remainingoriginal copies of Magna Carta and has been used as acastle, a prison and a court for over 900 years. AVictorian prison, along with the only Victorian prisonchapel of its kind, provides a haunting reminder of itspast. During the summer months, the castle holdsnumerous events including Medieval jousting,historical re-enactments, children’s fun days, open-airtheatre and concerts.

Best Vantage Points:From Castle Square.

Public Liability Insurance:Please contact Mark Hibbert.

One of Europe’s finest gothic buildings, spectacularLincoln Cathedral – England’s third largest – standshigh on a hill above this compact city, dominating theskyline for miles around in each direction. Dating backto the 11th century with stunning gothic architecture,12th century carved panels, exquisite stained glass andfearsome gargoyles, this spectacular stone buildingnestling amidst the cobbled medieval streets ofhistoric Lincoln has played host to filmmakers whohave used it as a stand-in for Westminster Abbey.Among movies filmed here was The Young Victoria,starring Emily Blunt as Queen Victoria.

Best Vantage Points:From cobbled Castle Square: Great above-groundshots from the walls of Lincoln Castle opposite acrosscobbled Castle Square to the cathedral.

Public Liability Insurance:Please contact Cathy Aitken.

LINCOLNSHIRE

Lincoln CastleCastle Hill, Lincoln, LN1 3AA

Lincoln Cathedral Minster Yard, Lincoln, LN2 1PX

Contact: Mark Hibbert

Telephone: +44 (0) 7595 349 400

Email: [email protected]

Website: www.lincolnshire.gov.uk/lincolncastle

Contact: Cathy Aitken

Telephone: +44 (0) 1522 561612

Email: [email protected]

Website: www.lincolncathedral.com

Page 276: VisitEngland

< back to contents276

Liverpool CathedralSt James’ Mount, Liverpool, L1 7AZ

Liverpool is extremely proud of its two magnificent cathedrals,Anglican and Metropolitan, located at opposite ends of theappropriately named Hope Street. Gothic in design, LiverpoolCathedral is the largest cathedral in the UK and fifth largest in theworld. The cathedrals Grand Organ is the largest in the UK and isconsidered to be one of the largest operational church organs in theworld with 10,267 pipes. It was designed by architect Sir Giles GilbertScott, designer of the red telephone box and Battersea Power Station.The cathedral has a fascinating story and was only completed in 1978.The Tower Experience takes visitors to the top of the 331 foot tower fora bird’s eye view of the city.

Best Vantage Points:The Well for interior shots of the main part of the cathedral. The LadyChapel is a separate smaller area, very ornate. Tower for panoramicshots of the city.

LIVERPOOL

Contact: Eryl Parry, Director of Enterprise

Telephone: +44 (0) 151 702 7274

Email: [email protected]

Website: www.liverpoolcathedral.org.uk

Page 277: VisitEngland

< back to contents 277

Mersey FerryMersey Ferries, Pier Head Ferry Terminal, GeorgesParade, Liverpool, L3 1BY

Enjoy a ride on the Mersey Ferries River Explorer and take the ‘FerryCross the Mersey’ to learn about the city’s fascinating history andunique character. Visitors even get to hear the song, made famous byGerry And The Pacemakers during the 1960s. The Mersey Ferry RiverExplorer lasts 50 minutes.

Best Vantage Points:On board looking out across the cityscape and waterfront.

Best Time of Day:The Mersey Ferry operates daily, with an early morning and lateevening short commuter service. The extended journey which is aimedat visitors and those travelling for leisure start at 10.00 daily, withferries leaving hourly.

LIVERPOOL

Contact: Mersey Travel

Telephone: +44 (0) 151 330 1155

Email: [email protected]

Website: www.merseytravel.gov.uk

Page 278: VisitEngland

< back to contents278

Museum of Liverpool(part of National Museums Liverpool, NML)Museum of Liverpool, Pier Head, Liverpool, L3 1DG

The £72million Museum of Liverpool, which opened its doors in 2012, isthe largest newly-built national museum in Britain for over a centuryand the world’s first national museum devoted to the history of aregional city. The attraction is a major new addition to the city’scultural offer and occupies an enviable waterfront location, which ispart of Liverpool’s UNESCO World Heritage Site. The attraction tells thefascinating story of Liverpool and its people.

Best Vantage Points:Exterior shots along the waterfront with any of the following as thebackdrop - Albert Dock, River Mersey or Three Graces. From inside,looking out across the city from the large viewing windows situated ateither end of the museum.

Best Time of Day:Museum of Liverpool is open daily from 10.00 to 17.00.

LIVERPOOL

Contact: Dickie Felton, NML Communications Manager

Telephone: +44 (0) 151 478 4779

Email: [email protected]

Website: www.liverpoolmuseums.org.uk/mol/

Page 279: VisitEngland

< back to contents 279

St George’s HallSt George’s Hall, St George’s Place, Liverpool, L1 1JJ

This spectacular venue is one of Liverpool’s architectural gems.Designed by Harvey Lonsdale Elmes and completed by Charles RobertCockerell, St George’s Hall was built between 1842 and 1854 and wasboth a law court and venue for music festivals. Queen Victoriadescribed it as “worthy of ancient Athens”. Fitted with the world’s firstmodern air-conditioning system and largest piped organ at the time. St George’s Hall is thought to be the finest neo-classical building inEurope, and is considered to be one of the finest examples of Greco-Roman style architecture in the world.

Best Vantage Points:The plateau to the front and rear of the building for exterior shots.

LIVERPOOL

Contact: Sarah Langworthy,Communications Officer, Liverpool City Council Newscentre

Telephone: +44 (0) 151 225 5582

Email: [email protected]

Website: www.stgeorgesliverpool.co.uk

Page 280: VisitEngland

< back to contents280

Tate LiverpoolTate Liverpool, Albert Dock, Liverpool, L3 4BB

Tate Liverpool is the home of the national collection of modern andcontemporary art in the North of England. It opened its doors to thepublic on 23 May 1988. Housed in a beautifully converted warehouse onthe Albert Dock, it is a Grade I listed visitor destination. Since thegallery opened in 1988, Tate Liverpool has presented over 150 differentexhibitions and collection displays of work by hundreds of differentartists, some seen for the first time in the UK at Tate Liverpool.

Best Vantage Points:Exterior shots across Albert Dock. Interior of entrance to Tate Liverpool.

Restrictions:Artworks are copyrighted.

Best Time of Day:Gallery opening hours are daily, 10.00 to 17.00.

LIVERPOOL

Contact: Rachel Gutteridge, Press Officer

Telephone: +44 (0) 151 702 7444

Email: [email protected]

Website: www.tate.org.uk/liverpool

Page 281: VisitEngland

< back to contents 281

The Cavern Club,Birthplace of The Beatles10 Mathew Street, Liverpool, L2 6RE

The Cavern Club on Mathew Street is arguably the world’s mostfamous live music venue. Today, the venue continues to attract popularperformers, from Adele to The Arctic Monkeys. Every artist who takesto The Cavern stage has a special engraved brick added to the ‘Wall ofFame’, next to the John Lennon statue on Mathew Street.

Best Vantage Points:There are two performance rooms, the Main Stage and the LiveLounge, which is a smaller and more intimate performance space.

Best Time of Day:There is live music from mid-afternoon daily. There is a Beatles Showevery Saturday evening.

LIVERPOOL

Contact: Dave Jones, Director

Telephone: +44 (0) 15 1702 7444 / 7445

Email: [email protected]

Website: www.tate.org.uk/liverpool

Page 282: VisitEngland

< back to contents282

NORFOLKHolkham Estate Holkham Hall, Wells-next-the-sea, Norfolk, NR23 1AB

The elegant 18th century Holkham Hall is one of the finest examples ofPalladian architecture in England, and offers a wide range of seductiveand panoramic locations for TV, film and stills photography. The Hallitself is situated at the heart of a beautiful, sweeping deer park, whichis the centre of a 25,000-acre estate on the windswept north Norfolkcoast. The list of possible locations is endless, from the exterior andinterior of the Hall to the many follies and unusual gatehouses withinthe park and the brightly coloured beach huts on Wells Beach. HolkhamEstate has become a premier location for the film, television andadvertising industry and prides itself on a professional service. Theyare experienced in the demands of a busy crew and are there to ensureevery shoot goes smoothly.

Restrictions:Certain private rooms within the Hall and certain areas on the marshesand beach due to nesting birds.

Best Time of Day:All day.

Permits:One week minimum notice required to process permits. Contact belowfor details.

Fees:Each proposal is looked at individually and charged accordingly.

Public Liability Insurance:Public Liability Insurance of £1million should be in place or exteriorfilming and £10million for interior filming.

Contact: Paul O’Grady Location Manager

Telephone: +44 (0) 7973 827536

Email: [email protected]

Website: www.holkham.co.uk

Page 283: VisitEngland

< back to contents 283

NORFOLKNorwich Cathedral12 The Close, Norwich, NR1 4DH

Norwich Cathedral was founded in 1096 and is one of the finestcomplete Romanesque buildings in Europe, with the highest Normantower and largest monastic cloister in Europe. It is set in 44 acres oftranquil Cathedral Close where there is a rich mix of domestic buildingsranging from Norman to Dutch gables, flinted frame cottages andGeorgian terracing. The external and internal appearance of allbuildings is tightly regulated, which means there are no satellite dishesor other modern street furniture to interfere with period settings.Traffic, too, can be restricted or excluded altogether.

Best Vantage Points:Nave, Cloisters, Triform Gallery and The Cathedral Close.

Restrictions:Access to upper levels of the cathedral requires a risk assessment.

Best Time of Day:During daylight hours.

Permits:At least one week’s notice required, longer for large-scale productions.

Fees:Fee is on a sliding scale depending on production value and disruption.

Public Liability Insurance:Public Liability Insurance of £5million should be in place.

Contact: Phillip Thomas, Estates Manager

Telephone: +44 (0) 1603 218300

Email: [email protected]

Website: www.cathedral.org.uk

Page 284: VisitEngland

< back to contents284

NORFOLKPensthorpe NatureReserve and GardensFakenham, Norfolk, NR21 0LN

The Pensthorpe estate comprises of a multi award-winning naturereserve made famous by hosting the popular BBC Springwatch seriesfor three years. It has state-of-the-art breeding, rearing and incubationfacility focusing on conservation and reintroduction programmes, with rare and endangered wetland species, three formal gardensdesigned by world renowned garden designers and a 400-acreworking farm. Underpinning all elements of the business is a consistentmessage of reengaging and enthusing visitors with nature, wildlife and the outdoors.

Best Vantage Points:The estate offers a number of vantage points for both close-up andlandscape shots taking in species-specific subjects but also valley, openwater, river, wildflower and water meadows, woodland formal gardensand much more.

Best Time of Day:Light is generally better early morning or late evening once the sunhas passed its highest point.

Permits:If certain species of wildlife were to be filmed then licences would haveto be obtained from Natural England.

Fees:Negotiable.

Public Liability Insurance:Public Liability Insurance of £5million should be in place.

Contact: Mark Noble

Telephone: +44 (0) 1328 851465

Email: [email protected]

Website: www.pensthorpe.com

Page 285: VisitEngland

< back to contents 285< back to contents 285

This Grade I-listed medieval church is famous for itsRood Screen and for the fantastic view over TheBroads from the top of the tower. It is situated byRanworth Broad where there are boat moorings and aNorfolk Wildlife Trust site.

Best Vantage Points:Interior and from tower.

Best Time of Day:Any time as the interior is very light throughout theday.

Permits:Film permit already in place. Advance notice of atleast one week.

Fees:Depends on negotiation.

Public Liability Insurance:Church has Public Liability Insurance with EIG.

Sandringham is the much-loved country retreat of HerMajesty Queen Elizabeth II, and has been the privatehome of four generations of British monarchs since1862. The house, set in 24 hectares of stunninggardens, is perhaps the most famous stately home inNorfolk and is at the heart of the 8,000-hectareSandringham Estate, 240 hectares of which make upthe woodland and heath of the Country Park, open tothe public free of charge every day of the year.

Best Vantage Points:West of Sandringham House.

Restrictions:Vehicles not permitted within the gardens, so access ison foot (400-500 metres).

Best Time of Day:Afternoon.

Permits:At least one week’s notice.

Fees:No fee payable for non-commercial filming.

Public Liability Insurance:Not normally, it depends on crew size and requirements.

NORFOLK

St Helen’s Church Ranworth, Norfolk, NR13 6HR

SandringhamSandringham, Norfolk, PE35 6EN

Contact: Jennie Hawks

Telephone: +44 (0) 7799 703803

Email: [email protected]

Website: www.norwich.anglican.org

Contact: The Estate Office

Telephone: +44 (0) 1485 545400

Email: [email protected]

Website: www.sandringhamestate.co.uk

Page 286: VisitEngland

< back to contents286

NORTHUMBERLANDAlnwick Castle Alnwick, Northumberland, NE66 1NQ

Alnwick Castle is the second largest inhabited castle in England, andhas been home to the Duke of Northumberland’s family, the Percys,through 700 years of drama, intrigue, tragedy and romance.Nicknamed ‘The Windsor of the North’, it has a turbulent past justwaiting to be discovered. Alnwick Castle’s unique history featureskingmakers, rebels, a gunpowder-plotter and passionate collectors,plus Harry Hotspur, the most famous of all Percys.

Best Vantage Points:Popular choices for images are the Bowburn Park area overlooking thepastures and exterior of the castle, Lion Bridge, and the Outer Baileyinside the castle walls.

Restrictions:Access to certain locations within the castle walls apply, particularly tothe State Rooms, for which permission must always be sought inadvance.

Best Time of Day:Any time.

Permits:The estates office must be contacted in advance of filming.

Fees:There is no charge for non-commercial filming. Commercial filming isdependent on various factors; each case is looked at individually.

Public Liability Insurance:Public Liability Insurance of £5million should be in place.

Contact: Caroline Smith

Telephone: +44 (0) 1665 511 100

Email: [email protected]

Website: www.alnwickcastle.com

Page 287: VisitEngland

< back to contents 287

NORTHUMBERLANDBamburgh CastleBamburgh, Northumberland, NE69 7DF

Once home to the kings of ancient Northumbria, Bamburgh Castle isone of Northumberland’s most iconic buildings. The Bamburgh Castleof today is a relatively recent structure, built by famed industrialist thefirst Lord Armstrong, at vast cost in late Victorian times.

But the castle boasts a much longer history. There have beensettlements on the site since prehistoric times and the regulararchaeological digs that take place on the site have unearthed somespectacular finds, including the gold plaque known as the BamburghBeast. During its more recent history, Bamburgh Castle feted royalguests and English kings, one of whom - Edward IV - destroyed it in theWars of the Roses. Lord Armstrong’s restoration saved it from ruin andthe castle provides an ancestral home to the Armstrong family to thisday. Bamburgh Castle has 14 public rooms and more than 2,000artefacts, including arms and armour, porcelain, furniture and artwork.Bamburgh Castle’s epic scale attracts film and television crews and ithas featured in everything from Time Team to Becket. It has recentlybecome a popular wedding venue.

Best Vantage Points:Either to the north, south or when approaching from the A1.

Restrictions:Speak to Bamburgh Castle directly.

Best Time of Day:Sunrise and sunset, although this is weather dependent.

Permits:Speak to Bamburgh Castle directly.

Fees:Fee dependent on project specifications. Non-commercial filming thatpositively promotes Bamburgh Castle is generally free.

Public Liability Insurance:Public Liability Insurance of £5million should be in place.

Contact: Chris Calvert

Telephone: +44 (0) 1668214208

Email: [email protected]

Website: www.bamburghcastle.com

Page 288: VisitEngland

< back to contents288

NORTHUMBERLANDHadrian’s Wall andHousesteads Roman FortHousesteads Fort, Hadrian’s Wall, Haydon Bridge,

Northumberland, NE47 6NN

USA Today described Hadrian’s Wall as “better than Stonehenge”,and it snakes across England for 73 miles. The most striking parts ofthis UNESCO World Heritage Site can be found in Northumberland.Hadrian’s Wall was Roman Britain’s biggest building project, originallyconstructed in just eight years starting in AD 122 and begun on theorder of Emperor Hadrian. The fortification is dotted with Romanforts, milecastles, and archaeological sites that are still providingvaluable insight into how the Romans lived almost 2,000 years ago.Housesteads is the most complete Roman fort in Britain. Set whereHadrian’s Wall climbs to the top of a dramatic escarpment, there aresome stunning views to enjoy from the walls of this ‘ancient fortress.’

Best Vantage Points:From the centre of the fort.

Restrictions:No filming or footage to be taken of people climbing or walking on thewall or fort remains, and no photography or footage to be taken byphotographers standing on the wall to get better vantage points. Alsothe fort is jointly managed by English Heritage and National Trust.English Heritage manages the fort and the museum building. NationalTrust manages the visitor centre at the entrance and also the landsurrounding the fort. When requesting filming permission, it is best todo so via English Heritage and National [email protected] - Housesteads propery manager.

Best Time of Day:Housesteads offers stunning views and vantage points at any time ofthe day but sunrise and sunset are particularly atmospheric.

Permits:Permission to film must be granted from English Heritage. For locationshots, a permit is not required and permission is enough.

Fees:English Heritage requite a small administration fee if filming involveskeeping the site open beyond its usual opening hours. English Heritagewaives fees for non-commercial filming that positively promotes the site.

Public Liability Insurance:Only if filming has the potential to impact on the public. Productioncompanies are required to have their own PL and PI insurance.

Contact: Natalie Sullivan (English Heritage)

Telephone: +44 (0) 191 2691216

Email: [email protected]

Website: www.english-heritage.org.uk/hadrianswall

Page 289: VisitEngland

< back to contents 289

NORTHUMBERLANDKielder Water andForest ParkLeaplish Waterside Park, Kielder Water and Forest Park,

Northumberland, NE48 1BT

Home to northern Europe’s largest man-made lake and England’slargest forest, Kielder Water and Forest Park is one ofNorthumberland’s best attractions. A haven for wildlife, Kielder Waterand Forest Park is also home to around 50 per cent of England’s nativered squirrel population, otters, roe deer, badgers and bats. Waterskiingand sailing enthusiasts take to the water all year round and the lakeoffers a huge challenge to keen trout anglers between March andOctober.

Best Vantage Points:Elfkirk viewpoint offers views across the lake. From KielderObservatory, high on Deadwater Fell, there are also excellent views forthe surrounding landscape.

Restrictions:The location is approximately an hour’s drive from Newcastle uponTyne. From Hexham, the roads are narrow and winding, so largevehicles will take a lot longer to get through.

Best Time of Day:The weather in the park is very changeable and often differs fromNewcastle (the nearest main city) so it is always best to call one of thevisitor centres on the day prior to setting off.

Permits:Filming requires permission from the Forestry Commission and/orNorthumbrian Water, but access can be granted on most occasions.There are security restrictions at the dam and Valve Tower. Filming onthe water would require a full risk assessment.

Fees:There is not normally a fee but it will depend on the request.

Public Liability Insurance:Public Liability Insurance of £10million should be in place.

Contact: Philippa Clark

Telephone: +44 (0) 191 301 5538

Email: [email protected]

Website: www.visitkielder.com

Page 290: VisitEngland

< back to contents290

NORTHUMBERLANDLindisfarne Castle,Holy IslandLindisfarne Castle, Holy Island, Northumberland, TD15 2SH

Location has always been the attraction for the occupiers ofLindisfarne Castle on Holy Island. From the original Tudor builderslooking for a strong position to protect the island harbour, to thewealthy Edwardian bachelor seeking a quiet retreat from London, thesituation of the castle has intrigued and inspired for centuries.Lutyens’ renovation hides and emphasises the old fort, whileoverlooking Gertrude Jekyll’s garden and the Lime Kilns, magnificentevidence of Lindisfarne’s industrial past. Lindisfarne is a tidal islandaccessed via a three-mile causeway at low tide. Therefore, the castleopening times vary depending on the tidal patterns but it is alwaysopen between 12.00 and 15.00. The flag will fly only when the castleis open.

Best Vantage Points:The main gate into the castle field is the best position for shots purelyof the castle, but alternatively excellent views can be found by the oldjetties below the castle, the lime kilns, and walled garden. The UpperBattery at the castle gives unparalleled views of the NorthumberlandCoast. Fine views of the castle are also possible from the Heugh, nearHoly Island harbour.

Restrictions:See tidal and opening times information above.

Permits:Permits are required and can be obtained through the National TrustFilm Unit.

Fees:Negotiable through the National Trust Film Unit.

Public Liability Insurance:Public Liability Insurance of £5million should be in place. Contact: Harvey Edgington

Telephone: +44 (0) 20 7799 4547

Email: [email protected]@nationaltrust.org.uk

Website: www.nationaltrust.org.uk

Page 291: VisitEngland

< back to contents 291

NOTTINGHAMSHIREMajor Oak, SherwoodForest and SherwoodPines Forest ParkEdwinstowe, Mansfield, Sherwood, NG21 9HN

Sherwood Forest National Nature Reserve contains some of the oldesttrees in Europe – veteran oaks five centuries old and the world-famousMajor Oak, still producing acorns after standing at the heart of theforest for an estimated 800 years. The Major Oak is renowned as thehiding place of Robin Hood and his Merry Men, and when viewing itsimpressive canopy it is easy to see why they would have chosen it. A Site of Special Scientific Interest (SSSI) and Nottinghamshire’s firstNational Nature Reserve (NNR), the Sherwood Forest National NatureReserve is also home to a wide variety of flora and fauna that live onthe dead wood and among the fallen leaves. Across the road fromSherwood Forest, Sherwood Pines Forest Park is 3,300 acres of forestand complements the oak forest of Sherwood. It is thickly wooded pineforest, the kind of dense wood that Robin Hood and his men wouldhave experienced.

Best Vantage Points:In front of the Major Oak.

Best Time of Day:Opening hours: from 10.00 – 17.00 daily in summer and from 10.30 –16.30 daily in winter.

Contact: Erin Huckle, PR Manager, Experience Nottinghamshire

Telephone: +44 (0) 115 962 8300 / +44 (0) 7411 355 293

Email: [email protected]

Website: http://cms.nottinghamshire.gov.uk/home.htmwww.experiencenottinghamshire.com

Page 292: VisitEngland

< back to contents292

NOTTINGHAMSHIRENational Ice CentreBolero Square, The Lace Market, Nottingham, NG1 1LA

The National Ice Centre was given the royal seal of approval by HerMajesty the Queen on 31 July 2002. This topped off £43million andseven years of hard work, to turn the dream of the UK’s first centre ofexcellence in ice sports into reality. Nottingham has a long tradition ofice-skating stretching back many years. It started way back in 1895with skating on the frozen River Trent, to over 60 years of skating inthe old Ice Stadium. But it was the 1980s that saw the glory days forBritish skating with Nottingham’s most famous couple, Jane Torvill andChristopher Dean, dominating the World and Olympic Championships.Their triumphs have inspired a whole new generation of youngsters totake up ice sports.

Best Vantage Points:There are numerous vantage points, including a balcony overlookingthe ice rink and the view outside the centre.

Restrictions:On show days, film crews won’t be able to film in the ‘Capital FM Arena’part of the National Ice Centre.

Public Liability Insurance:Contact the National Ice Centre directly.

Contact: Erin Huckle, PR Manager, Experience NottinghamshireLouise Stewart, Communications & Marketing Manager,National Ice Centre

Telephone:Erin Huckle: +44 (0) 115 962 8300 / +44 (0) 7411 355 293Louise Stewart: +44 (0) 115 8533024

Email: [email protected]@national-ice-centre.com

Website: www.national-ice-centre.com/

Page 293: VisitEngland

< back to contents 293

NOTTINGHAMSHIRENational Water SportsCentreAdbolton Lane, Holme Pierrepont, Nottingham, NG12 2LU

Despite Nottinghamshire being the most land-locked county in England,NWSC boasts some of the best white water and flat water you will findanywhere. NWSC offers fun, challenging and unique experiences and achoice of exciting courses. It enjoys the services of sought-afterprofessional instructors who combine their experience with excellentcustomer care. Whether visitors want to ride the rapids on its 700 metrepurpose built white water course or simply laze away an hour or twoboating on the two kilometre lake, there is an activity to suit everyone.

Restrictions:Parking is available onsite, no size restrictions for vehicles.

Permit:Permits are available on arrival at reception.

Fees:Fees are charged for commercial projects but are waivered for filmingof a non-commercial purpose.

Public Liability Insurance:It is preferable for crews to have public liability insurance if they plan tofilm on the water.

Contact: Phil Machin, General Manager

Telephone: +44 (0) 115 982 4700

Email: [email protected]

Website: www.nwscnotts.com

Page 294: VisitEngland

< back to contents294

This beautiful historic house is the ancestral homeof the great romantic poet Lord Byron. From April toSeptember, visitors may explore the historic housewith its medieval cloisters, splendid Victorian roomsettings and even the private apartments of Byron,complete with his personal belongings and the table atwhich he wrote his poetry. The house is set in stunninggrounds, making it a very special location for filming.Newstead Abbey’s landscape owes much of its beautyto the River Leen, which feeds the lakes, ponds andcascades that ornament Newstead’s gardens. The 300 acre grounds provide the perfect place for arelaxing outing all year round, with fabulous wildlifeincluding peacocks, swans and geese. Visit in thespring and enjoy the spectacular displays of colourfrom the rhododendrons, picnic by the lake in thesummer, see the stunning Japanese maples in autumnor take an invigorating walk in winter.

Best Time of Day:The grounds are open all year round from 09.00 todusk.

A hub of activity for locals and visitors, Old MarketSquare is the largest public square in the UK. Since itsredesign in 2006, the square has been the setting foran ever-changing calendar of events, from an ice rinkin the winter to a beach in the summer. Overlookingthe square is the magnificent Council House building,a neo-Baroque building whose 200 foot high domedominates the city skyline. The dome houses thechiming clock and Little John, a ten-and-a-half tonstriking bell which is reputed to have the deepest tonein the country. In front of the Council House are tworegal lions. The ‘Left Lion’ is known throughout thecity as a popular meeting point.

Best Time of Day:The Old Market Square is spectacular at any time ofday. Particularly brilliant is dusk, as the sky coloursbehind the grand dome of the Council House.

During the day the Old Market Square is a hub of activity, filled with people enjoying this lovely public space.

At night the Council House is lit in coloured light,meaning it is still visually spectacular after dark.

NOTTINGHAMSHIRE

Newstead Abbey Ravenshead, Nottinghamshire, NG15 8NA

Old Market SquareSouth Parade, Nottingham, NG1

Contact: Erin Huckle, ExperienceNottinghamshire

Telephone: +44 (0) 115 962 8300 / 07411 355 293

Email: [email protected]

Website: www.nottinghamcity.gov.uk

Contact: Erin Huckle, ExperienceNottinghamshire

Telephone: +44 (0) 115 962 8300 / 07411 355 293

Email: [email protected]

Website: www.newsteadabbey.org.uk

Page 295: VisitEngland

< back to contents 295

NOTTINGHAMSHIRERobin Hood Statueand Nottingham Castle Friar Lane, Nottingham, NG1 6EL

Situated on a high rock, Nottingham Castle commands spectacularviews over the city, and once rivalled the great castles of Windsor andthe Tower of London. Outside the castle is the famous statue ofNottinghamshire’s legendary son, Robin Hood. The castle’s history ischequered with sieges, murders and intrigue. Totally destroyed afterthe Civil War, the medieval castle was replaced by a magnificent ducalmansion in 1674. Then in 1875 it was converted into the first municipalmuseum and art gallery outside London. Award-winning cave tours tellthis history in the passageways and tunnels beneath the building. Thecastle is set in six acres of Victorian–inspired grounds and gardens. Thegrounds boast magnificent views of the city and beyond. Built into therocky cliff below the castle is Ye Olde Trip to Jerusalem, which isEngland’s oldest Inn with over 800 years of brewing history.

Best Vantage Points:• In front of the medieval gatehouse at the entrance to the castle.• In front of the Robin Hood statue which is just outside the castle walls.• In front of Ye Olde Trip to Jerusalem – looking up at the castle on the cliff top.• From the courtyard outside the castle which offers amazing views of Nottinghamshire.

Best Time of Day:• The Robin Hood Statue is available for filming at any time of day or night.• Access to the castle is during opening hours.• Castle opening hours are 10.00 – 17.00 from March to September and 10.00 – 16.00 from October to February. • The impressive medieval gatehouse outside the castle is available for filming any time of day or night.

Contact: Erin Huckle, Experience Nottinghamshire

Telephone: +44 (0) 115 962 8300 / +44 (0) 7411 355 293

Email: [email protected]

Website: www.nottinghamcity.gov.uk

Page 296: VisitEngland

< back to contents296

NOTTINGHAMSHIREWollaton Hall and DeerParkWollaton Hall, Wollaton, Nottingham, NG8 2AE

Wollaton Hall is a spectacular Elizabethan mansion in the heart ofNottingham. It is a prominent Grade I-Listed building, and visitorsof all ages are welcome to visit the hall and park. Standing on a naturalhill three miles west of Nottingham City Centre, Wollaton Hall is set in500 acres of spectacular gardens and parkland. Wollaton Hall issituated in a 500 acre historic deer park, and herds of red and fallowdeer roam freely throughout the site. Wollaton Hall was a site offilming for the ‘Dark Knight Rises’ Batman film released in July 2012. It was used as the set for ‘Wayne’s Manor’.

Best Vantage Points:From in front of the hall, looking down over the city. Next to the lake,looking up at the hall.

Restrictions: A site visit is required.

Best Time of Day:During the daytime, within the park’s opening hours.

Permits:Required. Please contact Erin Huckle and give at least four weeks’notice.

Fees:A filming fee is normally charged but it depends on the requirements.This can be reduced or waived for non-commercial projects.

Public Liability Insurance:Please contact Erin Huckle.

Contact: Erin Huckle, Experience Nottinghamshire

Telephone: +44 (0) 115 962 8300 / +44 (0) 7411 355 293

Email: [email protected]

Website: www.nottinghamcity.gov.uk

Page 297: VisitEngland

< back to contents 297

OXFORD & OXFORDSHIREBlenheim PalaceWoodstock, Oxfordshire, OX20 1PP

Blenheim Palace, situated in Oxfordshire, is a masterpiece of Englishbaroque architecture and a World Heritage Site. Famed as thebirthplace of Sir Winston Churchill, the palace is home to the Duke andDuchess of Marlborough. The magnificent State Rooms are open forguided tours including the Great Hall, the Saloon and the Long Library.The palace is set in over 2,000 acres of stunning ‘Capability’ Brownparkland including the great lake, Arboretum and Grand Cascade, and100 acres of Formal Gardens including the Rose Garden, the majesticWater Terraces and the ornate Italian Garden. A miniature train travelsto the Pleasure Gardens; an area for families which includes theworld’s second largest symbolic hedge maze plus Adventure Play Area and Butterfly House.

Best Vantage Points:Sir Winston Churchill’s father Lord Randolph proclaimed the view fromthe Woodstock Town Gate across the lake to the palace to be ‘Thefinest view in England’. The view pointing at the palace in the GreatCourt is excellent for panoramic shots. Views from Vanbrugh’s GrandBridge provide grand vistas of ‘Capability’ Brown’s landscape.

Restrictions:The Palace is the Duke’s home and it would be always asked that theprivacy of the family be respected. They will always try to be flexiblewith filming requests but prior notice and any special requests forfilming in private areas will be required.

Best Time of Day:The great lake is stunning at day break, and early evening as the sunsets.

Permits:Contact Blenheim Palace directly.

Fees:Charges may be waived when filming is considered a promotionalopportunity beneficial for Blenheim Palace. Commercial filming facilityfees are negotiated based on the level of on site requirements.

Public Liability Insurance:Public Liability Insurance of £1million should be in place for exteriorfilming and £20million for interior filming.

Contact: Hannah Payne

Telephone: +44 (0) 1993 810510

Email: [email protected]

Website: www.blenheimpalace.com

Page 298: VisitEngland

< back to contents298

OXFORD & OXFORDSHIREBodleian LibraryUniversity of OxfordBroad Street, Oxford, OX1 3BG

The Bodleian Library is a working library which forms part of theUniversity of Oxford. It is housed in a remarkable group of buildingswhich forms the historic heart of the University. The interiors of thesebuildings are equally remarkable, and include the university’s oldestteaching and examination room, the Divinity School, which was built1427-88 for the teaching of theology. The 17th century ConvocationHouse is an important historic meeting room, and the place where theKing held Parliament on several occasions in the 17th century. TheLibrary’s reading rooms (rooms with books) are magnificent and ofinternational importance. They include Duke Humfrey’s medievallibrary, still in use today, and where generations of famous scholarshave studied through the ages. The architectural icon of Oxford, the18th century Radcliffe Camera was the first rotunda library built inBritain, and is still in use as a reading room today.

Best Vantage Points:Bodleian Library Quadrangles.

Restrictions:Permission must be sought in advance. Crews must sign in on arrival.

Best Time of Day:Daytime.

Permits:Two weeks if possible for documentaries.

Fees:No charge for news items. Variable fees for other filming. Feesavailable upon request.

Public Liability Insurance:Public Liability Insurance of £10million should be in place. Contact: Elaine Bible, Communications Manager

Telephone: +44 (0) 1865 277627

Email: [email protected]

Website: www.bodleian.ox.ac.uk

Page 299: VisitEngland

< back to contents 299

OXFORD & OXFORDSHIRECotswold Wildlife Parkand GardensCotswold Wildlife Park, Burford, Oxfordshire, OX18 4JP

Cotswold Wildlife Park is over 160 acres of parkland and beautifulgardens set in the Cotswold countryside on the outskirts of Burford.The park is home to a wonderful collection of wildlife from all over theworld including rhinos, lions, zebra, reptiles and many threatened orendangered species, according to the International Union for theConservation of Nature. New additions include the interactive lemurexhibit, Madagascar (where the lemurs are free-roaming) and thegiraffe walkway, allowing visitors to get up close to these animals. The park’s glorious gardens include many tropical species making it apark for all seasons.

Best Vantage Points:All over the park is good, in particular, in front of the Manor House(with the rhinos and zebras in the background), the Walled Garden(where many smaller mammals live: penguins, meerkats, otters, birdsetc.) and Madagascar, which is a large exhibit with free roaming lemursset within a Madagascan natural environment.

Restrictions:Other than safety issues (e.g. no access inside enclosures such as lions,rhinos etc.), the venue is accommodating of filming.

Best Time of Day:Summer: anytime. Winter: before 16.30.

Permits:Only clearance with the park is required. Notice period ofapproximately one month, but will try to accommodate if something isshorter notice.

Fees:No commercial fee but a donation to one of the park’s charities wouldbe appreciated.

Public Liability Insurance:Contact the park directly.

Contact: Debbie Ryan

Telephone: +44 (0) 7787 133837

Email: [email protected]

Website: www.cotswoldwildlifepark.co.uk

Page 300: VisitEngland

< back to contents300

OXFORD & OXFORDSHIREDidcot Railway CentreDidcot, Oxfordshire, OX11 7NJ

Steam railmotor 93, one of the trains preserved at Didcot RailwayCentre, was built in 1908. It is the only working example of the firstgeneration of self-propelled trains which were powered by a small,vertical boiler steam engine, built inside the carriage. It is theforerunner of all modern diesel and electric trains, with a self-contained power unit rather than a separate locomotive. It has beenrestored to its Edwardian splendour with original pattern upholstery,varnished oak trim and brass fittings.

Restrictions:There is a flight of 18 steps to get into the centre.

Fees:Filming incurs no cost.

Public Liability Insurance:Public Liability Insurance of £5million should be in place.

Contact: Roger Orchard

Telephone: +44 (0) 1235 817200

Email: [email protected]

Website: www.didcotrailwaycentre.org.uk

Page 301: VisitEngland

< back to contents 301< back to contents 301

This museum gallery contains historical musicalinstruments and portraits from the 18th and 19th century. There are many iconic and attractiveinstruments and it is possible to play some of them.The instruments are mostly of the Western Europeanmusical tradition and serve as a study facility forstudents and visiting academics. The instrumentsinclude GF Handel’s harpsichord, one of the oldestsurviving English trumpets, a theremin and a serpentthat was played at the battle of Waterloo.

Restrictions:There is no parking for large vehicles but parking isavailable for vans and cars.

Permits:Filming using hand-held cameras or tripod-mountedcameras is permitted. The venue is not suitable forcranes, jibs, cherry pickers etc.

Fees:A fee is not normally charged for filming. However, outof hours filming, or long shoots must be arranged atmutual convenience and a generous donation isexpected.

The only college within the University of Oxfordbuilt in the 19th century, it has unique Victoriangothic architecture built around beautiful quadswith a spectacular chapel and the longest dininghall in Oxford.

Best Vantage Points:Anywhere in the Victorian quads.

Restrictions:Vehicle access inside the college not permitted.

Best Time of Day:Daylight hours.

Permits:No permit required but arrangementsto film must be made at least 24 hours in advance.

OXFORD & OXFORDSHIRE

Keble CollegeParks Road, Oxford, OX1 3PG

Bate CollectionFaculty of Music, St Aldate’s, Oxford, OX1 1DB

Contact: Janet Betts

Telephone: +44 (0) 1865 282350

Email: [email protected]

Website: www.keble.ox.ac.uk

Contact: Mr Andrew Lamb

Telephone: +44 (0) 1865 272727

Email: [email protected]

Website: www.keble.ox.ac.uk

Page 302: VisitEngland

< back to contents302

OXFORD & OXFORDSHIRELeander Club Henley Bridge, Henley-on-Thames, RG9 2LP

The Leander clubhouse was built in 1896 and remains an icon in theThames Valley, not only as the most historic and successful rowing clubin the world, but also as a prestigious hotel, restaurant and conferencecentre. Leander is a high performance centre of excellence for the verybest men and women rowers in the UK, all of whom are already in theGB Team, or trying to earn themselves a place in the team. Leander isinextricably linked with the River Thames and Henley Royal Regatta –the most famous rowing regatta in the world. Founded in 1839 Henleyattracts the world’s finest rowers, and Leander has been the mostsuccessful club at Regatta throughout its history.

Best Vantage Points:Leander offers a number of vantage points to capture the essence ofhistory and success of its athletes.• The Honours Board, listing its athletes’ achievements since itsfoundation in 1818.

• The Boathouse, packed with its fleet of state-of-the-art racing boats.• The Gymnasium, where its athletes train to peak performance.• The Restaurant, lined with historic artefacts and trophies withpanoramic views over the river.

Restrictions:No access restrictions. Leander Club is adjacent to the main LondonRoad into Henley and has its own private car park adjacent to the river.

Best Time of Day:Leander Club and the River Thames are available during all hours ofdaylight, with different atmospheric conditions prevailing at dawn,midday and dusk, offering a variety of photogenic opportunities.

Permits:Permission is required to film at Leander, by contacting Dr. RobertTreharne Jones.

Fees:No filming fees are usually charged for short news items on rowing.Charges may be levied for longer feature-length footage, and will bemandatory if it involves the use of athletes in-shot and on the water(outside normal training schedules).

Public Liability Insurance:Leander Club carries its own insurance for all those visiting onlegitimate club business.

Contact: Dr Robert Treharne Jones

Telephone: +44 (0) 1491 575782, +44 (0) 7528 937 624

Email: [email protected]

Website: www.leander.co.uk

Page 303: VisitEngland

< back to contents 303

OXFORD & OXFORDSHIRESulgrave ManorSulgrave, Near Banbury, OX17 2SD

The manor was built originally in the 16th century by LawrenceWashington, a wealthy wool merchant and five times great-grandfatherof George Washington. The manor was lovingly restored and opened tothe public in 1921 to celebrate 100 years of peace between Britain andAmerica and is held in trust for all the people of the two nations. Itbecame a symbol of peace, friendship and co-operation. Today it is afriendly visitor attraction boasting a charming 18th century wing,George Washington memorabilia, a collection of fine furniture and ahistoric garden.

Best Vantage Points:Outside there are splendid views from anywhere in the garden. Insidethe rooms are tastefully furnished in the period of the time.

Best Time of Day:Any time.

Fees:Normal fees can be waivered for non-commercial filming.

Public Liability Insurance:There is insurance in place.

Contact: Wendy Barnes

Telephone: +44 (0) 1295 760205

Email: [email protected]

Website: www.visitoxfordandoxfordshire.com/Banbury-Manor-House/details/?dms=3&venue=2914274

Page 304: VisitEngland

< back to contents304

OXFORD & OXFORDSHIREWittenham ClumpsEarth Trust, Little Wittenham, Abingdon, OX14 4QZ

South Oxfordshire’s iconic Wittenham Clumps, made up of Castle Hilland Round Hill, are rich in history and give outstanding panoramicviews across South Oxfordshire. The name comes from the two clumpsof beech trees which crown both hills. The curved ramparts and ditchesof Castle Hill date from the Iron Age, though archaeological work hasshown that Castle Hill was also the site of an earlier Bronze Age hillfort. The area includes newly created wildflower meadow and wildlife isabundant, with red kites as regular overhead companions. Local poetJoseph Tubb carved a poem in the bark of a beech tree on Castle Hill in1844-45. Today it’s only possible to decipher a handful of letters but anearby plaque allows visitors to feel the passion that this Victorianvandal had for the local landscape and its history. Landscape artistPaul Nash painted the clumps many times.

Best Vantage Points:The views from the top of the clumps are outstanding, offeringstunning shots across South Oxfordshire.

Restrictions:Access for filming will need to be agreed in advance. Contact East Trustdirectly.

Best Time of Day:The clumps are a stunning location at any time of day, but light will bebetter in the middle of the day.

Permits:A permit will be required due to the sensitive nature of wildlife habitatsat Wittenham Clumps.

Fees:Contact Earth Trust directly.

Public Liability Insurance:Public Liability Insurance of £5million should be in place. Contact: Jane Cabutti / Jane Carpenter

Telephone: +44 (0) 1865 407792

Email: [email protected]@earthtrust.org.uk

Website: www.earthtrust.org.uk/About-us/Welcome.aspx

Page 305: VisitEngland

< back to contents 305

PEAK DISTRICT (DERBYSHIRE)Chatsworth HouseChatsworth, Bakewell, Derbyshire, DE45 1PP

Chatsworth is home to the Duke and Duchess of Devonshire, and hasbeen passed down through 16 generations of the Cavendish family.The house architecture and collection have been evolving for fivecenturies. The house has over 30 rooms to explore, from themagnificent Painted Hall, to the family-used chapel, regal StateRooms, newly restored Sketch Galleries and beautiful SculptureGallery. In the Guest Bedrooms, meet an Edwardian Lady’s Maid whowill be revealing the secrets of her mistress’s suitcase of clothes, ordress up in one of the period costumes. Chatsworth has one ofEurope’s most significant art collections. The diverse collection iscontinually added to, encompassing Old Masters to contemporaryceramics and artefacts from Ancient Egypt, through to cutting edgemodern sculpture and computer portraits.

Best Vantage Points:House, garden and park.

Permits: A filming application will need to be completed and all projects will beconsidered on an individual basis. Contact Chatsworth directly.

Fees:Filming applications and subsequent fees are considered on anindividual basis, depending on the type of filming, crew size, length ofshoot etc.

Public Liability Insurance:Public Liability Insurance of £10million should be in place.

Contact: Stephanie Cliffe

Telephone: +44 (0) 1246 565 374

Email: [email protected]

Website: www.chatsworth.org

Page 306: VisitEngland

< back to contents306

PEAK DISTRICT (DERBYSHIRE)Haddon HallHaddon Hall, Bakewell, Derbyshire, DE45 1LA

The magnificent Haddon Hall in Bakewell offers visitors a chance to seeone of the finest examples of a Tudor fortified manor house in thecountry. Carefully restored in the early 20th century, it upholds greathistorical importance with much of its original medieval architecturestill in place. Haddon nestles amongst the breathtaking countryside ofthe Peak District National Park, and is the home of Lord EdwardManners who is continuing the work of his late grandmother, TheDuchess of Rutland, to restore the beautiful terraced gardens to theirElizabethan origins. The house was used as a location in the highlyacclaimed film Jane Eyre in which Charlotte Bronte fans recognised itas Thornfield Hall, home to the brooding Mr Rochester.

Best Vantage Points:All around Haddon Hall, in the courtyards and from the terracesoutside. There are some stunning interiors with a traditional banquetinghall and a long gallery with views across the hills.

Restrictions:There is an archway and historic bridge on the approach but analterative access point can be organised for larger vehicles.

Best Time of Day:This depends on the time of the year but it can be misty some earlymornings due to the river nearby.

Permits:Arrangements need to be made with the hall Administrator with noticerequired in case any events are taking place.

Fees:If filming is positively promoting the hall there is no charge.

Public Liability Insurance:Dependent on scope of project. Contact the Hall directly.

Contact: Mary Rudd

Telephone: +44 (0) 1362 821415

Email: [email protected]

Website: www.haddonhall.co.uk

Page 307: VisitEngland

< back to contents 307

SHROPSHIREIronbridgeThe Ironbridge & Tollhouse, Ironbridge, Shropshire, TF8 7JP

The world’s first iron bridge, this is one of the UK’s most iconicstructures and the birthplace of the industrial revolution. This dramaticbridge is located in a valley over the River Severn.

Best Vantage Points:Views from ground level to a presenter on the bridge; or a presenterwalking over the bridge talking to camera are options.

Restrictions:Parking nearby.

Permits:Contact Ironbridge directly.

Fees:Contact Ironbridge directly.

Contact: Pat Edgar – PR Matters

Telephone: +44 (0) 1494 764932

Email: [email protected]

Website: www.ironbridge.org.uk

Page 308: VisitEngland

< back to contents308

SOMERSETCheddar GorgeCheddar, Somerset, BS27 3QF

Britain’s biggest gorge, Cheddar Gorge is a limestone gorge in theMendip Hills, near the village of Cheddar. This is the site of the Cheddarshow caves, where Britain’s oldest complete human skeleton, CheddarMan, estimated to be 9,000 years old, was found in 1903. The caves,produced by the activity of an underground river, contain stalactitesand stalagmites. World famous Cheddar Cheese is produced in thegorge and is now matured in the show caves. In a 2005 poll of RadioTimes readers, following its appearance on the 2005 televisionprogramme Seven Natural Wonders, Cheddar Gorge was named as thesecond greatest natural wonder in Britain.

Best Vantage Points:Inside the caves. Several vantage points above Gorge, in particularabove The Pinnacles.

Restrictions:South side and caves owned by Longleat Estates – no access or filmingwithout permission. North side managed by National Trust – no accessor filming without permission.

Best Time of Day:Light varies deep within the gorge depending on the time of day, givingdramatic effects of light and shade. There is also artificial displaylighting in the caves.

Permits:Contact Cheddar Gorge directly.

Fees:Fees are charged for filming unless waivered by Cheddar Gorge.

Public Liability Insurance:Dependent on scope of project. Contact Cheddar Gorge directly.

Contact: Cheddar Gorge

Telephone: +44 (0) 1934 742343

Email: [email protected]

Website: www.cheddargorge.co.uk

Page 309: VisitEngland

< back to contents 309< back to contents 309

Dramatically situated on top of a wooded hill, a castlehas existed here since at least Norman times, with animpressive medieval gatehouse and ruined towergiving a reminder of its turbulent history. The castlethat you see today became a lavish country homeduring the 19th century, remodelled in between 1868and 1872 by Antony Salvin. The fine oak staircase andplasterwork ceiling he adapted can still be seen.

Best Vantage Points:From the town – film from the Yarn Market – anattractive late medieval cobbled street leading up thecastle. Various attractive filming locations within thecastle grounds – superb panoramic shots from theroof of the castle.

Best Time of Day:Late morning / afternoon.

Permits:Permits are required and can be obtained through theNational Trust Film Unit.

Fees:Fees may apply. Contact the National Trust Film Unit.

SOMERSET

Dunster Castle (National Trust)Dunster Castle, Dunster, Nr Minehead, TA24 6SL

GlastonburyGlastonbury, Somerset, BA6 9EL

Made world famous by the Glastonbury MusicFestival, the town of the same name is also home toGlastonbury Tor, which rises dramatically from theflat landscape of the Somerset Levels. Offeringstunning views in all directions from the summit, thehill and its approaches are owned by the NationalTrust and offer free public access. Glastonbury Abbeywas the largest and richest abbey in England as wellas being the alleged burial site of King Arthur andhome to the ‘Holy Thorn’, reputed to have beenbrought to Glastonbury by Joseph of Arimathea. The

town itself is full of New Age charm and historicalsights, including Chalice Well, and weird andwonderful shops.

Best Vantage Points: Tor summit, Abbey Groundsand High Street.

Best Time of Day: Tor – sunrise or sunset; Abbey – late morning; Town - afternoon.

Permits: Permits are required and can be obtainedthrough the National Trust Film Unit.

Fees: Fees may apply. Contact the National Trust FilmUnit

Glastonbury Tor - National Trust Regional Office Contact: Countryside Operations Manager, Mark Courtiour. Email: [email protected] Telephone: +44 (0) 1934 844518 / +44 (0) 77857 66557 Website: www.nationaltrust.org.uk/main/w-glastonburytor

Glastonbury Abbey Contact: Nick Gaze (Facilities Manager) Email: [email protected]: +44 (0) 1458 832267 Website: www.glastonburyabbey.com

Glastonbury Town – Glastonbury Town Council Contact: Jane A Czornij Email: (Town Clerk) [email protected] Telephone: +44 (0) 1458 831769Website: www.glastonbury.gov.uk/g_gov/

Contact: Stephen Hayes, Property Administrator, NT

Telephone: +44 (0) 1643 823005

Email: [email protected]

Website: www.nationaltrust.org.uk/

Page 310: VisitEngland

< back to contents310

SOMERSETTaunton CastleCastle Green, Taunton, TA1 4AA

A historically significant castle dating from the 12th century, this siteis now home to the Museum of Somerset after a £7million renovationproject. The castle has at times been central to the story of Taunton,Somerset and England itself. It was at Taunton Castle in 1497 wherePerkin Warbeck made his submission to Henry VII and relinquished hisclaim to the throne. At that moment, it is reasonable to claim, theWars of the Roses came to an end. The castle is adjacent to the CastleHotel, also a photogenic location with a portcullis and wisteria coveredwalls.

Best Vantage Points:Externally, looking towards the Museum of Somerset entrance, with theCastle Hotel to the right, and in the castle courtyard. Internally, in theGreat Hall, South and West Ranges.

Restrictions:The museum is opened to the public Tuesday to Saturday. Therefore,Sunday and Monday offer the most freedom for filming.

Fees:A donation towards the running of the museum is welcomed forcommercial filming. Recommended donation is £50 for a half-day and£75 for a full day.

Public Liability Insurance:Public Liability Insurance of £10million should be in place.

Contact: Carrie Blogg, Museum of Somerset

Telephone: +44 (0) 1823 347412

Email: [email protected]

Website: www.visitsomerset.co.uk

Page 311: VisitEngland

< back to contents 311

SOMERSETWellsMarket Place, Wells, BA5 2RP

This medieval cathedral is in the smallest city in England. Wells has atraditional (and very photogenic) market square with the cathedral andBishops Palace in the background. It is home to one of the oldestcomplete medieval streets in England, Vicar’s Close.

Best Vantage Points:Market Place, with the cathedral in the background.

Best Time of Day:No filming is permitted on a Wednesday or Saturday (market days).Contact the town clerk prior to filming.

Contact: Felicity White, Town Clerk

Telephone: +44 (0) 1749 673091

Email: [email protected]

Website: www.wellssomerset.com

Page 312: VisitEngland

< back to contents312

Go behind the scenes to see the full productionprocess of Emma Bridgewater pottery, one of thedesign icons of present-day England.

Permits:Advance notice/permission required.

“The finest Italian Garden outside all Italy” is how thegardens have been described. Stand on a raisedplatform and admire the view of the Italian Gardens,mile-long Lake, statue of Perseus, and monument tothe Duke of Sutherland stretching out in front of you,or stroll through the UK’s only Monkey Forest, thewoodlands inhabited by 140 Barbary Macaques andtheir young babies.

Permits:Advance notice/permission only.

STAFFORDSHIRE

Emma Bridgewater FactoryStoke-on-TrentLichfield Street, Stoke-on-Trent, ST1 3EJ

Trentham Estate, Stoke-on-TrentStone Road, Trentham, Stoke-on-Trent, ST4 8AX

Contact: Ian Weightman

Telephone: +44 (0) 1782 680963

Email: [email protected]

Website: www.emmabridgewater.co.uk

Contact: Ian Weightman

Telephone: +44 (0) 1782 680963

Email: [email protected]

Website: www.trentham.co.uk

Page 313: VisitEngland

< back to contents 313

STAFFORDSHIREWedgwood VisitorCentreBarlaston, Stoke-on-Trent, ST12 9ER

Wedgwood and The Potteries are famous throughout the world.At the visitor centre site there is a large factory outlet, award-winningmuseum, factory tour, craft demonstration area with opportunityto throw your own masterpiece, boutique shop and restaurants.The famous statue of Josiah Wedgwood, the founder of the companyover 250 years ago, stands in the courtyard.

Restrictions:No access restrictions and plenty of parking available.

Permits:Contact Wedgwood Visitor Centre directly.

Fees:There is usually no fee attached to filming but this is looked at on anindividual basis.

Public Liability Insurance:Public Liability Insurance of £5million should be in place.

Contact: Carole Hammersley or Sam Hall (Tourism MarketingOfficer) at Stoke-on-Trent Tourism

Telephone: Carole Hammersley +44 (0) 1782 282538; Sam Hall +44 (0) 1782 232817

Email: [email protected] [email protected]

Website: www.wedgwoodvisitorcentre.comwww.visitstoke.co.uk

Page 314: VisitEngland

< back to contents314

SUFFOLKAldeburghSuffolk, IP15

Aldeburgh is a fashionable resort, which retains its old world charm.Fishermen still pull their boats up onto the beach and sell their catchfrom huts nearby. The Moot Hall, which houses the town’s museum, is afocal point with its ancient timbers and outside staircase. The TownSteps just off the High Street, offer a view over the town and out to sea. There are many independent shops and in June there is the AldeburghFestival of Music and the Arts, which was begun by the composerBenjamin Britten. Many of the events are held in Aldeburgh with thelarger concerts and recitals held in nearby Snape Maltings Concert Hall.Thorpeness is just two miles along the coast. From the beach you cansee the “House in the Clouds” and windmill. The meare offersexcitement for children as they can row out to fairytale islands andexplore. The RSPB’s flagship reserve at Minsmere is four miles fromAldeburgh and the National Trust’s Dunwich Heath is just eight milesaway. The beautiful ruins of Leiston Abbey and the Long Shop Museumare a short journey away.

Best Vantage Points:Anywhere along the beach. To the north end of the town, there is asculpture entitled ‘Scallop’ on the beach which is often photographed.The buildings in Aldeburgh are quite unusual and so any photographsalong the promenade will make good subject matter. The fish and chipshop in Aldeburgh has a reputation for miles around. This might be aquirky place to film. Customers often take their fish and chips and eatthem sitting on the beach.

Restrictions:Some fairly narrow streets in places.

Best Time of Day:Any time of day. Early morning will give some great shots as the sunrises and the light reflects off the sea and fishing boats. This is a busyresort in the summer so will be buzzing with visitors throughout the day.

Permits:No permit required for general filming.

Public Liability Insurance:Public Liability Insurance of £10million should be in place.

Contact: Kate Morfoot / Danielle Howard at Jungle PublicRelations Ltd

Telephone: +44 (0) 1362 694649

Email: [email protected] / [email protected]

Website: www.visitsuffolk.com

Page 315: VisitEngland

< back to contents 315

SUFFOLKFelixstoweSuffolk, IP11

With a Victorian / Edwardian influence, the town offers architecturalinterest and the extensive and beautiful Spa Gardens line its longpromenade, which is level with the sand and shingle beach. The resortis home to the Spa Pavilion Theatre, an independent cinema, a leisurecentre plus a wide range of amusements and children’s activities alongthe seafront. At Felixstowe Ferry, the foot/cycle ferry crosses theDeben estuary to Bawdsey, the home of Radar. There are manyinteresting walks along this stretch of coast and the area is ideal forbird watching. Landguard Peninsula is home to a nature reserve, birdobservatory, the historic fort, and Felixstowe Museum plus a foot ferrythat links Felixstowe to Shotley and Harwich. The Viewpoint area onthe Landguard Peninsula is very popular with residents and visitors,where you can watch the biggest container ships in the world going inand out of the Ports of Harwich and Felixstowe.

Best Vantage Points:Felixstowe ferry, traditional fishing village.Spa Gardens.Landguard Peninsula.Fort, nature reserve and Port of Felixstowe viewing area.

Permits:No permit required for general filming. For filming on private propertyor land, liaise with the owners directly.

Fees:No fee usually charged. For filming on private property or land liaisewith the owners directly.

Public Liability Insurance:Public Liability Insurance of £10million should be in place.

Contact: Kate Morfoot / Danielle Howard at Jungle PublicRelations Ltd

Telephone: +44 (0) 1362 694649

Email: [email protected] / [email protected]

Website: www.visitsuffolk.com

Page 316: VisitEngland

< back to contents316

SUFFOLKFramlinghamSuffolk, IP13

Dating back to Anglo Saxon times, Framlingham is an attractive markettown, dominated by a 12th century fortress. Mary Tudor took refugehere before being crowned Queen in 1553. The Mere alongsideFramlingham Castle is managed by Suffolk Wildlife Trust, and a circularfootpath enables visitors to see wild flowers and wildlife. Framlinghamchurch has parts dating from the 11th century. A beautifulhammerbeam roof and impressive tombs of the Howards make it wortha visit. The Market Hill contains a number of different period housesand the town has a selection of restaurants, pubs and cafés to suit arange of budgets and tastes. The award-winning Shawsgate Vineyardnearby offers wine tasting, tours and a children’s play area, and hasa retail outlet for their range of wines, ciders and non-alcoholicgrape juices.

Best Vantage Points:Framlingham Castle and Market Hill.

Restrictions:There are some narrow roads and one-way streets in Framlingham.

Permits:No permit required for general filming. For filming on private propertyor land liaise with the owners direct.

Fees:No fee usually charged. For filming on private property or land liaisewith the owners direct.

Public Liability Insurance:Public Liability Insurance of £10million should be in place.

Contact: Kate Morfoot / Danielle Howard at Jungle Public Relations Ltd

Telephone: +44 (0) 1362 694649

Email: [email protected] / [email protected]

Website: www.visitsuffolk.com

Page 317: VisitEngland

< back to contents 317

SUFFOLKNewmarket Racecourses The July Course, Newmarket Racecourses, Newmarket,Suffolk, CB8 0XE

Newmarket’s two magical racecourses together form one of thegreatest venues in the East of England, offering the exhilaratingexcitement of world-class flat racing, pulsating music nights, greatvalue family days out and award-winning restaurants.

Best Vantage Points:Various throughout the course.

Restrictions:Once gates are open no vehicles are allowed on site.

Best Time of Day:Early afternoon (12.00 to 14.00).

Permits:Contact Newmarket Racecourses directly.

Fees:This can be discussed upon application for permission to film at thecourse.

Public Liability Insurance:Public Liability Insurance is required.

Contact: Kate Morfoot / Danielle Howard at Jungle Public Relations Ltd

Telephone: +44 (0) 1362 694649

Email: [email protected] / [email protected]

Website: www.visitsuffolk.com

Page 318: VisitEngland

< back to contents318

SUFFOLKSouthwold PierNorth Parade, Southwold, Suffolk, IP18 6BN

Following extensive renovation, Southwold Pier is now one of the finestexamples of a pier to be found in the UK. It is one of Suffolk’s greatestand most loved attractions, and has been awarded the Best TourismExperience Award in the six counties of East Anglia.

Best Vantage Points:All along the pier, particularly the furthest point away from the beach.

Restrictions:During high winds there is sometimes a need to close the pier forsafety.

Best Time of Day:During daylight. Sunrise and sunset are particularly atmospheric andstunning, as this is the second most Easterly point after Lowestoft onthe east coast. Tremendous views of the beach and out to sea often asfar as Sizewell on a clear day.

Permits:Please always ring first to ask permission before filming on the pier.

Fees:Southwold Pier contributes a lot to local charities, such as ColchesterGarrison family day outs, WaterAid, EACH (East Anglian Children’sHospice) and various community projects. If budget allows, theyrequest a £200 donation to donate to their charitable causes.

Public Liability Insurance:A copy of insurance, a filming schedule and risk assessment isrequested.

Contact: Kate Morfoot / Danielle Howard at Jungle Public Relations Ltd

Telephone: +44 (0) 1362 694649

Email: [email protected] / [email protected]

Website: www.visitsuffolk.com

Page 319: VisitEngland

< back to contents 319

SUFFOLKSutton HooWoodbridge, Suffolk, IP12 3DJ

On the eve of World War II one of the world’s greatest discoveriesof treasure ever found in Britain was discovered at Sutton Hoo. Mrs Edith Pretty looked out over the ancient landscape from her homeTranmer House, and what she saw from her window convinced her tolead an archaeological excavation, with help from local ArchaeologistBasil Brown. Lain undisturbed for 1,300 years, this discovery was tochange the way we think about our ancestors. A ship burial of theAnglo Saxon King Radweld and his most treasured possessions.

Best Vantage Points:The Ancient Burial mounds.

Best Time of Day:Any time of day as the site is so varied.

Permits:Permits are required and can be obtained through the National TrustFilm Unit.

Fees:Contact the National Trust Film Unit.

Contact: Kate Morfoot / Danielle Howard at Jungle PublicRelations Ltd

Telephone: +44 (0) 1362 694649

Email: [email protected] / [email protected]

Website: www.visitsuffolk.com

Page 320: VisitEngland

< back to contents320

SUFFOLKWoodbridgeWoodbridge, Suffolk, IP12 3DJ

The market town of Woodbridge nestles at the head of the tidalreaches of the river Deben. Steeped in history, it contains many finebuildings, including the picturesque Tide Mill. The Suffolk Punch HeavyHorse Museum is a unique attraction dedicated to the Suffolk breed.Close by is the Anglo-Saxon burial ground of Sutton Hoo, one of themost significant archaeological discoveries ever made. The river isideal for yachting, and the attractive riverside area boasts restaurantsand a theatre. River trips offer a different perspective for the visitor.The town itself hosts many independent shops, cafés, pubs andrestaurants, offering a unique shopping experience. In the surroundingarea, the delightful town of Orford has retained its historic charm. Thetown’s famous oysters are harvested from the Butley river. The 12thcentury Norman Castle provides an impressive sight and Orford Ness,the largest vegetated shingle spit in Europe, is protected by theNational Trust. RSPB Havergate Island bird sanctuary is famed for itsflocks of Avocets.

Best Vantage Points:Market Hill and The Thoroughfare is the commercial centre ofWoodbridge with its shops, cafés and historic buildings. The area nearthe Tide Mill is recommended to observe life and activities associatedwith the River Deben and maritime connections. There is also ButtramsMill on Burkitt Road. Woodbridge School also offers a historic andpretty setting with its buildings and school grounds.

Restrictions:There are some narrow roads and one-way streets in and around thetown centre.

Best Time of Day:Woodbridge is a bustling market town so the shopping areas will bebusier 09.00 to 17.00. The River Deben is tidal at this point so activityon the water will be influenced by the tides.

Permits:No permit required for general filming. For filming on private propertyor land, liaise with the owners directly.

Fees:No fee usually charged. For filming on private property or land, liaise withthe owners directly.

Public Liability Insurance:Public Liability Insurance of £10million should be in place.

Contact: Kate Morfoot / Danielle Howard at Jungle PublicRelations Ltd

Telephone: +44 (0) 1362 694649

Email: [email protected] / [email protected]

Website: www.visitsuffolk.com

Page 321: VisitEngland

< back to contents 321< back to contents 321

The birthplace of British motorsport, aviation andhome of the Concorde, this fascinating museum issituated within the world’s first purpose built racetrack. Items on display include the original track, plusthe cars and motorbikes that raced.

Best Vantage Points:A variety of interior and exterior vantage points.

Restrictions:Yes possibly, please contact Brooklands Museum.

Best Time of Day:During daylight hours.

Permits:Yes possibly, please contact Valerie Mills.

Fees:Yes, please contact Valerie Mills for more information.

Public Liability Insurance:Yes, please contact Valerie Mills for more information.

Brooklands MuseumBrooklands Road, Weybridge, KT13 0QN

Part of the outstanding Surrey Hills countryside.With views across Surrey and the south east, Box Hillshows the stunning countryside of Surrey, its wildlifeand opportunities to get out in the open air.

Best Vantage Points:There are good views from the zig zag road, but theroad is tight, so best is the view point right at the top.There is plenty of car parking.

Restrictions:Contact the National Trust Film Unit.

Best Time of Day:Daylight hours.

Permits:Permits are required and can be obtained through theNational Trust Film Unit.

Fees:Fees may apply. Contact the National Trust Film Unit.

Box HillBox Hill, A24 near Dorking, Surrey

SURREY

Contact: Harvey Edgington

Telephone: +44 (0) 20 7824 7128

Email: [email protected]

Website: http://www.nationaltrust.org.uk/box-hill/

Contact: Valerie Mills

Telephone: +44 (0) 1932 857381

Email: [email protected]

Website: www.brooklandsmuseum.com

Page 322: VisitEngland

< back to contents322

Guildford is a fantastic historic market town withbuildings dating from the 17th century and earlier.The cobbled High Street rising from the River Wey hasa great variety not only of modern shopping, buthistoric buildings including the magnificent clockwhich hangs from the Elizabethan Guildhall. The clockwas installed in 1683 and overhangs the High Street.

Best Vantage Points:Looking down the hill and High Street.

Restrictions:Please contact the Town Centre Officer at GuildfordBorough Council.

Best Time of Day:Daytime is better to show the buildings.

Permits:Please contact the Town Centre Officerat Guildford Borough Council.

Fees:Please contact the Town Centre Officerat Guildford Borough Council.

Public Liability Insurance:Please contact the Town Centre Officer at GuildfordBorough Council.

Guildford High StreetHigh Street, Guildford, Surrey, GU1

The largest wine estate in Britain is the proud winnerof an international award for its Rose wine. Thisfantastic estate produces wonderful wine which isstarting to compete at an international level. Visitorscan see the estate and the wine producing process.

Best Vantage Points:There are many good view points, from across theestate.

Restrictions:Please contact Denbies.

Best Time of Day:During daylight hours.

Permits:Please contact Denbies.

Fees:Please contact Denbies.

Public Liability Insurance:Please contact Denbies.

Denbies Wine EstateLondon Road, Dorking, Surrey, RH5 6AA

SURREY

Contact: Town Centre Officer

Telephone: +44 (0) 1483 505050

Email: [email protected]

Website: www.guildford.gov.uk

Contact: Jeanette Simpson/ Chris White

Telephone: +44 (0) 1306 876616

Email: [email protected]

Website: www.denbies.co.uk

Page 323: VisitEngland

< back to contents 323< back to contents 323

Newlands CornerAldbury, Surrey, GU4

A fantastic view point across Surrey, showing thestunning Surrey countryside. Although Surrey is aneighbour of London it has countryside and landscapeviews to rival any other area of England.

Restrictions:There is a car park nearby.

Best Time of Day:Any time during daylight hours.

Permits:Please contact Surrey Wildlife Trust.

Fees:Please contact Surrey Wildlife Trust.

Public Liability Insurance:Please contact Surrey Wildlife Trust.

This is an Elizabethan home still owned and managedby the family. The More-Molyneux’s have owned andlived in Loseley for just over 500 years. Now a familyhome and a successful attraction, this is a wonderfulhistoric home, with historic stories, furniture andpaintings and also the current generation of familybelongings. With gardens and estate this is a beautifulpart of England. Off the B3000 which is off the A3 justsouth of Guildford, Surrey.

Best Vantage Points:The front of the house is superb and very photogenic.

Restrictions:The private family rooms are not accessible.

Best Time of Day:Any time during daylight hours.

Permits:A permit will be required, please contact Loseley Parkdirectly. Contact below.

Fees:Charges may apply.

Public Liability Insurance:Please contact Loseley Park directly.

Loseley ParkGuildford, Surrey, GU3 1HS

SURREY

Contact: Surrey Wildlife Trust

Telephone: +44 (0) 1483 795440

Email: [email protected]

Website: www.surreywildlifetrust.org

Contact: Marketing Manager

Telephone: +44 (0) 1483 304440

Email: [email protected]

Website: www.loseleypark.co.uk

Page 324: VisitEngland

< back to contents324

RHS Garden Wisley RHS Garden Wisley, Woking, Surrey, GU23 6QB

The flagship garden of the Royal Horticultural Society, Wisley capturesthe imagination with richly planted borders, luscious rose gardens andthe state-of-the-art Glasshouse. In the trials fields, the finest flowersand vegetables are identified from the countless new introductions.Elsewhere in the garden, cultivation techniques are tried and tested,and a series of model gardens answers the needs of a variety ofconditions and circumstances.

Best Vantage Points:Filming outside of the laboratory or glasshouse gives the most iconicshots, but with 200 acres to explore RHS Garden Wisley is packed withperfect places to film.

Restrictions:Vehicles are only permitted in some areas of the garden.

Best Time of Day:08.00 to 14.00 but can be flexible.

Permits:A risk assessment will need to be filled and sent prior to filming.

Fees:No charge as long as the filing name checks RHS Garden Wisley.

Public Liability Insurance:Public Liability Insurance of £5million should be in place.

SURREY

Contact: Samantha Bevington

Telephone: +44 (0) 1483 479798

Email: [email protected]

Website: www.rhs.org.uk/wisley

Page 325: VisitEngland

< back to contents 325

WEST SUSSEXGoodwood RacecourseGoodwood, Chichester, West Sussex, PO18 0PS

Goodwood has played host to the Sport of Kings for over 200 years.From its tentative launch as a flat horseracing course for local officersby the third Duke of Richmond in 1802, to its colourful programme ofevents, fixtures, weddings and entertaining, Goodwood is one ofBritain’s great estates and historic homes.

Best Vantage Points:There are many, but the Trundel hill or the owners/trainers bar offerpicturesque views. Anywhere on the racecourse offers a great areato film.

Restrictions:On race days the course must obtain permission from its rights holderRacing UK.

Best Time of Day:Race Days are always great days to film as they offer a superb featureand backdrop.

Permits:Three working days’ notice is necessary for filming. Media passes areneeded which can be obtained from the Goodwood Media Centre.

Fees:There is usually a fee of £1,000 but this is dependent on the nature ofthe filming.

Contact: Tamara Drew

Telephone: +44 (0) 7807 546181

Email: [email protected]

Website: www.goodwood.com

Page 326: VisitEngland

< back to contents326

WEST SUSSEXArundel CastleArundel Castle, West Sussex, BN18 9AB

Arundel Castle is one of the great treasure houses of England. Thegrounds of the castle, together with the keep and gatehouse, havebeen open to the public since the turn of the 19th century, withthousands of visitors each year able to enjoy the castle and itssweeping 40 acres of grounds. The castle’s interior is home to apriceless collection of art, furniture, tapestry and sculpture. However,the present Duke and Duchess have also broadened its appeal as a filmand television location, special historical events venue and host to thespectacular Arundel Festival in August. Over the last two decades thegrounds have been restored to their full glory, and in 2008 The Princeof Wales opened the Collector Earl’s Garden. Each year new gardeninnovations are unveiled and visitors are full of praise for thespectacular colour and stunning blooms on show.

Best Vantage Points:Lower Lawns towards the Castle. American Ground towards the Keep.From the Bakehouse (main Castle) tower.

Restrictions:Please enquire regarding any restrictions.

Best Time of Day:The Castle looks stunning during daylight hours and is equallyimpressive when lit at night.

Permits:Please contact Bryan McDonald, the Castle Manager.

Fees:Filming fees usually apply but these can be waived for media features.

Public Liability Insurance:Yes – please enquire.

Contact: Mr Bryan McDonald – Castle Manager

Telephone: +44 (0) 1903 882173

Email: [email protected]

Website: www.arundelcastle.org

Page 327: VisitEngland

< back to contents 327< back to contents 327

Described by Alan Titchmarsh as “One of the finestgardens I have ever visited” and voted Garden of theYear 2012 this stunning 30 acre garden is one of thebest in the country today. The formal Victorian gardenis surrounded by an exotic woodland valley full ofCamellias, Magnolias, Rhododendrons, and exquisitesummer colour. The Colonial restaurant specialises indelicious locally sourced food, the plant centre sellsplants actually grown in the garden, and the gift shopis a cut above the norm. Don’t miss the floodlightingof the gardens in October.

Best Vantage Points:A guide will ensure that the best positions are madeavailable on the day.

Best Time of Day:Early morning.

Permits:No permit is required.

Fees:A waiver is available.

Public Liability Insurance:Public Liability Insurance of £5million should be inplace.

Bowleaze Cove is a beautiful beach resort in Dorset,approximately two miles from Weymouth town centre.The raised grass area at Furzy Cliffs is the perfect spotfor a bird’s eye view of both Weymouth Bay andPortland Harbour. From this point, the Isle of Portlandis also visible, with the Weymouth and PortlandNational Academy at its base, as well as an overviewof the 2012 sailing courses and the entire length ofWeymouth Beach. Filming at this grassed area alsoprovides the opportunity to do a piece to camera withno public in the background.

Best Vantage Points:On the raised grassed area overlooking Weymouth andPortland National Academy.

Restrictions:Vehicle parking would be arranged on an individualrequest.

Best Time of Day:Anytime during daylight hours.

Permits:Notification to film would be required so individualarrangements for facilities could be sorted.

Fees:No charges are being levied.

Public Liability Insurance:Public Liability Insurance of £5million should be in place.

WEYMOUTH, PORTLAND & DORSET

BowleazeFurzy Cliffs, Bowleaze Cove, Weymouth, Dorset, DT3 6PW

Abbotsbury Subtropical GardensBullers Way, Abbotsbury Nr Weymouth, Dorset, DT3 4JT

Contact: John Houston

Telephone: +44 (0) 1305 871130 / 07970 026424

Email: [email protected]

Website: www.abbotsbury-tourism.co.uk

Contact: Jacqui Gisborne

Telephone: +44 (0) 1305 838382 / 07980 730073

Email: [email protected]

Website:www.visit-dorset.com

Page 328: VisitEngland

< back to contents328

Bournemouth Beach, BournemouthPromenade, Bournemouth Gardens,Bournemouth Balloon and the RussellCotes MuseumBournemouth, Dorset, BH1 2BU

Bournemouth Beach has seven miles of sand and has won a multitudeof awards. Bournemouth has more beach huts than anywhere else inthe country, including Wayne Hemingway vintage style designed BeachPods at Boscombe beach, and the newly–designed accessible beachhuts near Boscombe beach – the first in the country. The iconicBournemouth Pier is the background shot in all views of Bournemouth.Bournemouth Gardens is adjacent to the beach and is Victorian incharacter, with award–winning floral bedding throughout. TheBournemouth Balloon is also located here in the gardens and visitorscan take a trip up into the skies of Bournemouth up to 500 feet withamazing views of the area. The Russell Cotes Museum houses aneclectic mix of modern art, visiting art exhibitions and items collectedfrom around the world by the Russell Cotes family – an historic piece ofBournemouth.

Best Vantage Points:Best advantage point for views of the beach is from the east cliff nextto the Russell Cotes Museum looking towards the Purbecks. Also agood position is on the beach to the east of Bournemouth Pier with thePier in the background.

Restrictions:Some limited vehicle access.

Best Time of Day:Morning.

Permits:Filming permit is required and this can be obtained through TomPowell; please give at least two days’ notice.

Fees:No fee for non-commercial filming.

Public Liability Insurance:Public Liability Insurance of £5million should be in place.

WEYMOUTH, PORTLAND & DORSET

Contact: Tom Powell

Telephone: +44 (0) 1202 451741

Email: [email protected]

Website: www.bournemouth.co.uk

Page 329: VisitEngland

< back to contents 329

Bournemouth Pier AreaBournemouth Seafront, BH2 5AA

Bournemouth beach to the east of Bournemouth Pier is the ideallocation for stand up positions, and is used for all national morning TV.The beach is cleaned every morning so the expanse of sand makes agood shot with the pier in the background. To the west is the beautifulvisual of the Purbecks so all round is the best place for positioning.

Restrictions:Parking is available for satellite trucks.

Permits:A filming permit is required and this can be obtained from Tom Powell.No additional filming permits will be required for cranes etc.

Fees:No filming fee will be charged for non-commercial filming.

Public Liability Insurance:Public Liability Insurance of £5million should be in place.

WEYMOUTH, PORTLAND & DORSET

Contact: Tom Powell

Telephone: +44 (0) 1202 451741

Email: [email protected]

Website: www.bournemouth.co.uk

Page 330: VisitEngland

< back to contents330

This is the first free–standing Roman Catholic Churchto be built in England for public worship after theReformation. Commissioned in 1786, this historicallyimportant building is reputed to be one of the finestpieces of Georgian architecture in Dorset.

Best Vantage Points:All angles.

Restrictions:Exterior filming only

Best Time of Day:Early morning or late afternoon.

Permits:A filming permit is required and 48 hours’ noticeneeds to be given.

Fees:No charge for non-commercial filming or positivepromotion. There is a charge for commercial filmingand a credit or acknowledgement is required.

Public Liability Insurance:Public Liability Insurance of £3million should be inplace.

Chapel of St Mary (Roman Catholic)Lulworth Estate, East Lulworth, Nr Wareham, Dorset, BH20 5QS

This is one of England’s great medieval houses andone of the most beautiful and historic in the south,lying a mile east of Puddletown. It was begun duringthe reign of Edward IV on the legendary site of KingAthelstan’s palace. A family home for more than 500years, it’s noted for its 15th century Great Hall, Tudorgreat chamber, state bedroom, and King’s Room.

Though many visitors come to see the house, thegardens are equally inspiring. Dating from 1891, theyare full of vistas, and their beauty is enhanced by theRiver Piddle flowing through and by fountains. Thesewalled gardens, winners of the HHA/Christies Gardenof the Year award, contain the famous topiarypyramids and two pavilions designed by Inigo Jones.

Best Vantage Points:There are many locations.

Best Time of Day:All day.

Fees:To be advised.

Public Liability Insurance:Contact Athelhampton House directly.

Athelhampton HouseAthelhampton, Dorchester, Dorset, DT2 7LG

WEYMOUTH, PORTLAND & DORSET

Contact: Jo Grant

Telephone: +44 (0) 1929 400352

Email: [email protected]

Website: www.lulworth.com

Contact: Owen Davies / Laura Dean

Telephone: +44 (0) 1305 848363

Email: [email protected] [email protected]

Website: www.athelhampton.co.uk

Page 331: VisitEngland

< back to contents 331< back to contents 331

Lulworth Castle stands in extensive parkland withinthe 20 square mile Lulworth Estate. The 400–year oldcastle has been owned by the Weld family since 1641.All but destroyed by fire in 1929, the Castle exteriorhas been restored to its original state, while theinterior has been consolidated providing anatmospheric open plan space for visitors to enjoy anda popular venue for lavish weddings, parties andcorporate events. Panoramic views over the Purbeckcountryside and stunning view of the sea on the WorldHeritage Jurassic Coast – England’s first and onlynatural World Heritage Site.

Best Vantage Points:East, south and west elevations.

Best Time of Day:Daylight hours.

Permits:A filming permit is required. 48 hours’ notice normallyrequired.

Fees:No charge for non-commercial filming or positivepromotion. There is a charge for commercial filmingand a credit or acknowledgement is required.

Public Liability Insurance:Public Liability Insurance of £3million should be inplace.

The Fossil Forest is an amazing example of fossilsleft behind by trees millions of years ago. The ‘tufa’are fossilised rings of algae that gathered around treetrunks as a forest flooded nearly 150 million years ago.

Best Vantage Points:From the cliff above the Fossil Forest.

Restrictions:As they are on part of the Ministry of Defence Rangesyou will need to contact the Ministry of Defence RangeOffice.

Best Time of Day:Daylight hours.

Permits:A filming permit is required. Please contact Jo Grantat the Lulworth Estate. 48 hours’ notice normallyrequired.

Fees:No charge for non-commercial filming or positivepromotion. There is a charge for commercial filmingand a credit or acknowledgement is required.

Public Liability Insurance:Public Liability Insurance of £3million should be in place.

Fossil Forest West Lulworth, Nr Wareham, Dorset, BH20 5RW

Lulworth Castle and Park Lulworth Estate, East Lulworth, Nr Wareham Dorset BH20 5QS

WEYMOUTH, PORTLAND & DORSET

Contact: Jo Grant

Telephone: +44 (0) 1929 400352

Email: [email protected]

Website: www.lulworth.com

Contact: Jo Grant

Telephone: +44 (0) 1929 400352

Email: [email protected]

Website: www.lulworth.com

Page 332: VisitEngland

< back to contents332

Lulworth Cove is a natural, perfectly formedhorseshoe shaped bay, part of the Lulworth Estate. The cove is one of the most famous features withinthe World Heritage Site and visted by over one millionvisitors each year. Together with the pretty thatchedvillage of West Lulworth, this is one of the mostphotographed places in Dorset.

Best Vantage Points:From the footpath on Bindon Hill immediately abovethe cove.

Restrictions:Pedestrian only. Vehicular access by prior arrangment.

Best Time of Day:Daylight hours.

Permits:A filming permit is required. Please contact Jo Grantat the Lulworth Estate. 48 hours’ notice normallyrequired.

Fees:No charge for non-commercial filming or positivepromotion. There is a charge for commercial filmingand a credit or acknowledgement is required.

Public Liability Insurance:Public Liability Insurance of £3million should be in place.

Lulworth CoveWest Lulworth, Nr Wareham, Dorset, BH20 5RQ

WEYMOUTH, PORTLAND & DORSET

A remote chalk headland overlooking Weymouth and Portland.

Restrictions:No vehicular access without prior arrangement withthe Lulworth Estate.

Best Time of Day:Daylight hours.

Permits:A filming permit is required. Please contact Jo Grantat the Lulworth Estate. 48 hours’ notice normallyrequired.

Fees:No charge for non-commercial filming or positivepromotion. There is a charge for commercial filmingand a credit or acknowledgement is required.

Public Liability Insurance:Public Liability Insurance of £3million should be inplace.

White Nothe White Nothe, Dorchester, Dorset, DT2 8NJ

Contact: Jo Grant

Telephone: +44 (0) 1929 400352

Email: [email protected]

Website: www.lulworth.com

Contact: Jo Grant

Telephone: +44 (0) 1929 400352

Email: [email protected]

Website: www.lulworth.com

Page 333: VisitEngland

< back to contents 333

WEYMOUTH, PORTLAND & DORSETHardy’s CottageHigher Bockhampton, Near Dorchester, Dorset, DT2 8QJ

The birthplace of Thomas Hardy, Dorset’s most famous author (Tess ofthe d’Urbevilles, Jude the Obscure etc.) and one of England’s most wellreputed writers. The picturesque cottage is a small, traditional thatchedcottage, with a delightful garden and lies in woodlands. Other Hardy-related locations nearby are Max Gate (also National Trust), DorsetCounty Museum, the statue of the author at the top of Dorchester HighStreet and Stinsford Cemetery where his heart is buried.

Best Vantage Points:In front of the cottage from the garden.

Permits:Permits are required and can be obtained through the National TrustFilm Unit.

Fees:Fees may apply. Contact the National Trust Film Unit.

Contact: Harvey Edgington

Telephone: +44 (0) 1929 481294

Email: [email protected]

Website: www.nationaltrust.org.uk

Page 334: VisitEngland

< back to contents334

WILTSHIRECastle Combe VillageNear Bath, Wiltshire, SN14 7HR

Untouched since the 17th century, Castle Combe is an idyllic Cotswoldvillage surrounded by breath-taking countryside. This secluded villagelies in a woodland valley with market cross, meandering river and 14thcentury Manor House. Steven Spielberg’s critically acclaimedblockbuster War Horse was filmed in the village. The story begins withCastle Combe doubling for the Dartmoor village where Albert and histrusty stead Joey first meet before being separated by the outbreak ofwar. Steven Spielberg described how “Castle Combe looks likeHollywood built it. It doesn’t look real but it’s beautiful and reallyauthentic and very old”. Previous films also include Stardust, The WolfMan and the 1960s classic Doctor Dolittle.

Best Vantage Points:In the centre of the village at the Market Cross, the bridge whichcrosses the Bybrook river and in the hotel grounds.

Best Time of Day:Any time of day.

Permits:Filming is permitted with advance permission from village residentsand hotel.

Fees:Decided on an individual basis.

Contact: Edward Boulton

Telephone: +44 (0) 1249 782206

Email: [email protected]

Website: www.visitwiltshire.co.uk

Page 335: VisitEngland

< back to contents 335

WILTSHIRELongleat Safari andAdventure ParkThe Estate Office, Longleat, Warminster, BA12 7NW

Longleat Safari and Adventure Park has been one of the UK’s best-loved attractions for over 60 years. With over 450 years of history,Longleat House is regarded as one of the best examples of highElizabethan architecture in England and one of the most beautifulstately houses open to the public. The 9,000-acre Longleat Estate ishome to over 100 different species of animal, which live within theSafari Park. Although famous for its lions, Longleat is also home totigers, wolves, rhinos, giraffes, camels and the hugely popular monkeydrive-through.

Best Vantage Points:Views over the estate can be gained from Heavens Gate. Shots of anyof the animals of the Safari Park can be taken using Longleat zebrastriped VIP trucks.

Restrictions:There are no fly zones directly over Longleat House.

Best Time of Day:Dependent on content of filming. Pre-opening of attractions is advisedwhere possible.

Permits:Permission to film must be gained prior with at least one week’s notice.

Fees:Filming fees vary depending on resources needed from Longleat staff,how long filming will take and if it interferes with any customer areasdirectly. Filming fees can be discussed once the full outcome of filmingis known.

Public Liability Insurance:Public Liability Insurance of £10million should be in place to film inLongleat House and £5million to film on all others area of the LongleatEstate.

Contact: Steve Mytton – PR and Media Manager

Telephone: +44 (0) 1985 844400

Email: [email protected]

Website: www.longleat.co.uk

Page 336: VisitEngland

< back to contents336

WILTSHIRESalisbury CathedralThe Close, Salisbury, SP1 2EF

Salisbury Cathedral (built 1220-58) is renowned for the consistencyand detail of its uniform Gothic architecture which can provide anevocative setting. Its cloisters are the country’s largest and their widewalks have proved popular for filming. An iconic heritage attraction, itis recognised by Britain’s tallest spire (123 metre/404 feet). It issituated in the country’s largest and most lovely Cathedral Close, anidyllic English setting with properties ranging from the medieval toVictorian periods. The majority of the Close was re-modelled inGeorgian times. Salisbury Cathedral is known for the uninterruptedviews in its long, airy Nave and is home to the earliest survivingcomplete choir stalls in Britain (c. 1236). The views from its towerextend across the city and surrounding countryside, including the ironage hillfort of Old Sarum and Harnham Water Meadows from whereJohn Constable painted some of his most famous works. In the wordsof Bill Bryson, “Salisbury Cathedral is the single most beautifulstructure in England and the Close around it the most beautiful space.”

Restrictions:There is one vehicular access point to the Close – the High Street Gate.Maximum size vehicle: width – 3.1 metres, height – nine metres.

Permits:Permission is required for filming. The cathedral is a busy living churchand the Close is private land. Both periodically host events andservices, which preclude filming. Advance notice and information onwhat equipment would be used is required. Camera cranes/jibs/cherrypickers are allowed but this is subject to size, weight distribution etc.Each request must be made in advance and will be treated individually.

Fees:Non-commercial filming/news features are usually possible withoutfees, but they will apply to commercial filming and will be agreed inadvance.

Public Liability Insurance:Public Liability Insurance of £10million should be in place. Contact: Sarah Flanaghan

Telephone: +44 (0) 1722 555148 / +44 (0) 7771 510811

Email: [email protected]

Website: www.visitwiltshire.co.uk

Page 337: VisitEngland

< back to contents 337

WILTSHIREStonehengeOff A344 Road, Amesbury, Wiltshire, SP4 7DE

For an unforgettable filming location, visit the World Heritage Site ofStonehenge. Located near Salisbury in the beautiful Wiltshirecountryside, it is a highlight of the South West.

The true meaning of this ancient, awe-inspiring creation has been lostin the mists of time. Was Stonehenge a temple for sun worship, ahealing centre, a burial site or perhaps a huge calendar? How did ourancestors manage to carry the mighty stones from so far away andthen, using only the most primitive of tools, build this amazingstructure? Surrounded by mystery, Stonehenge never fails to impress.

Best Vantage Points:Salisbury Plain.

Restrictions:Entry to the stone circle is reserved to Stone Circle Access visits only.Booking is essential and limited places are available.

Best Time of Day:Sunrise/sunset.

Permits:Permits are required and can be obtained through English HeritagePress Office.

Fees:Fees may apply. Contact English Heritage Press Office.

Contact: English Heritage Press Office

Telephone: +44 (0) 20 7973 3250

Email: [email protected]

Website: www.english-heritage.org.uk

Page 338: VisitEngland

< back to contents338

WINDSOR & ETON DORNEYDorney LakeEton College, Rowing Centre, Dorney Lake, Off Court

Lane, Dorney, Windsor, SL4 6QP

World-class rowing and flat-water canoeing centre that was the venuefor the rowing and kayak events at the 2012 Olympic and ParalympicGames. The centre is set in 450 acres of parkland, including the mainlake (2,220 metres long), a return/warm-up channel, boathouse,arboretum, park and conservation area.

Permits:Filming is subject to authorisation from Dorney Lake. Contact IvorLloyd with a brief synopsis of your programme and preferred dates.

Fees:Contact Dorney Lake to discuss.

Public Liability Insurance:Public Liability Insurance of £5million should be in place.

Contact: Ivor Lloyd

Telephone: +44 (0) 1753 832756

Email: [email protected]

Website: www.dorneylake.co.uk

Page 339: VisitEngland

< back to contents 339

Eton CollegeWindsor, Berkshire, SL4 6DW

Eton College, founded in 1440 by King Henry VI, is one of the oldestschools in Britain. The current Prime Minister David Cameron and 19former prime ministers were educated at Eton. Other Etonians includePrinces William and Harry, four times Olympic Gold Medal rower SirMatthew Pinsent and the Mayor of London Boris Johnson. Eton Collegeis headed by a Provost (head of the board of governors) and Fellows(governors). Teachers are known as ‘beaks’ and boy prefects areidentified by their colourful waistcoats. All members of the ‘EtonSociety’ are otherwise known as ‘Pop’.

Best Vantage Points:It is advisable to ask permission to film inside the school precincts.

Restrictions:Filming is not permitted of Eton College boys which shows their faces.

Best Time of Day:15.00 onwards with the sun in the School Yard.

Permits:Subject to approval from the Bursar, filming may be permitted. In thefirst instance contact Visits Manager Reb Hunkin with a brief synopsisof your programme and preferred dates.

Fees:Contact Eton College.

Public Liability Insurance:Public Liability Insurance of £5million should be in place.

Existing Footage:Copyright-free broadcast footage can be viewed here:www.windsor.gov.uk/media/broadcast

WINDSOR & ETON DORNEY

Contact: Reb Hunkin, Visits Manager

Telephone: +44 (0) 1753 671177

Email: [email protected]

Website: www.etoncollege.com

Page 340: VisitEngland

< back to contents340

Windsor CastleWindsor Castle, Windsor, Berkshire, SL4 1NJ

Windsor Castle is the largest and oldest occupied castle in the world,and one of the official residences of Her Majesty The Queen. Thecastle’s dramatic site encapsulates 900 years of British history. Themagnificent State Apartments are furnished with some of the finestworks of art from the Royal Collection, including paintings byRembrandt, Rubens, Canaletto and Gainsborough. Among thehighlights of a visit to Windsor is Queen Mary’s Dolls’ House, the mostfamous dolls’ house in the world.

Best Vantage Points:Within the precincts of Windsor Castle, the most requested location isthe shot from the Middle Ward with the Round Tower as a backdrop.

Restrictions:All requests are subject to approval and permissions.

Best Time of Day:Varies according to location.

Permits:Requests must be received at least one month before the preferreddate of filming, to allow for the necessary permissions to be soughtand scheduling around the diary commitments of the castle. A FilmingApplication Form can be downloaded from:www.royalcollection.org.uk/press

Fees:Standard filming fees can be found here:www.royalcollection.org.uk/press. Please contact the Royal CollectionPress Office directly to discuss in detail.

Public Liability Insurance:Public Liability Insurance of £5million should be in place.

WINDSOR & ETON DORNEY

Contact: Royal Collection Press Office

Telephone: +44 (0) 20 7839 1377

Email: [email protected]

Website: www.royalcollection.org.uk

Page 341: VisitEngland

< back to contents 341

YORKSHIREBettys Café Tea Rooms Bettys Harrogate, HG1 2QU

Bettys RHS Harlow Carr Harrogate, HG3 1QB

Bettys Ilkley, LS29 9EE

Bettys Northallerton, DL7 8LF

Bettys York, Y01 8QP

Bettys Stonegate (also York), Y01 8AS.

Bettys is an iconic, traditional family business established in 1919 andbased in the heart of North Yorkshire. There are six café tea rooms inHarrogate, Ilkley, Northallerton and York serving Yorkshire andContinental specialities with a traditional yorkshire welcome. BettysCraft Bakery supplies the tea rooms and shops with handcraftedproducts. Bettys Cookery School in Harrogate teaches how to cook ‘theBettys way’.

Permits:Please notify Laura Crisp of your wish to visit giving as much notice aspossible. A member of the PR team will be in attendance forphotography/filming/interviews. Vouchers can be supplied should ajournalist wish to sample afternoon tea in respect of editorial.

Contact: Laura Crisp

Telephone: +44 (0) 1423 814000 / +44 (0) 7522 804756

Email: [email protected]

Website: www.bettys.co.uk

Page 342: VisitEngland

< back to contents342

YORKSHIREBrontë ParsonageMuseumHaworth, Keighley, West Yorkshire, BD22 8DR

The Brontës are, perhaps, the world’s most famous literary familyand Haworth Parsonage, now the Brontë Parsonage Museum, wastheir home from 1820 to 1861. Their short, brilliant lives havefascinated people ever since. Charlotte, Emily and Anne Brontë werethe authors of some of the best-loved books in the English language.Charlotte’s novel Jane Eyre, Emily’s Wuthering Heights, and Anne’sThe Tenant of Wildfell Hall were all written here. Many of the Brontës’manuscripts and letters are exhibited in the Parsonage, but as well asits literary significance, the house still retains a powerful atmosphereof the Brontës’ time, giving a wonderful insight into their day to daylives. The rooms they used are largely unchanged and filled with theirfurniture, clothes and personal possessions, plus a range of domesticartefacts. The museum also includes a major exhibition on the Brontës’lives and works and interactive displays for families and children.

Best Vantage Points:In the historic rooms of the Parsonage house where the Brontës livedand wrote their great novels. In the museum garden for exterior shotsof the façade of the house, the church and churchyard.

Restrictions:The museum is a historic house on a domestic scale.

Permits:Filming can be arranged by contacting the museum directly. Terms andconditions for filming are available on request.

Fees:A fee of £85 per hour is normally charged, however financialarrangements are negotiated on a project-to-project basis.

Public Liability Insurance:The museum has Public Liability Insurance of £5million. Contact: Brontë Parsonage Museum

Telephone: +44 (0) 1535 642323

Email: [email protected]

Website: www.bronte.org.uk

Page 343: VisitEngland

< back to contents 343

YORKSHIRECastle HowardCastle Howard, York, YO60 7DA

Situated within the Howardian Hills, an Area of Outstanding NaturalBeauty, Castle Howard is one of England’s finest historic houses. Todaythe magnificent 18th century house – recognised worldwide as thelocation for television’s iconic series Brideshead Revisited - remainshome to the Howard family. Explore dramatic interiors filled with world-renowned collections, and listen as knowledgeable guides share thestories of the house and family. Outdoor tours explore the monumentallandscape dotted with temples, lakes, statues and fountains, andvisitors can walk at leisure enjoying seasonal displays of colour,peaceful woodland and lakeside walks, and a walled garden with a rosecollection and ornamental vegetable garden. There is a changingprogramme of exhibitions and events, plus land-train rides to theadventure playground and boat trips on the Great Lake.

Best Vantage Points:It enjoys many attractive advantage points – most famously in front ofthe house with the Atlas Fountain.

Permits:Filming is permitted; ideally two days’ notice.

Public Liability Insurance:Public Liability Insurance of £10million should be in place.

Contact: Hannah Cooke, Press & Communications Manager

Telephone: +44 (0) 1653 648647 or +44 (0) 7816 147619

Email: [email protected]

Website: www.castlehoward.co.uk

Page 344: VisitEngland

< back to contents344

YORKSHIREJORVIK Viking Centre15-17 Coppergate Walk, York, YO1 9WT

Visitors can explore the excavations which first unearthed the Viking-Age city of York and discover the truth about the people that livedthere. Built on the very site where archaeologists discovered over40,000 Viking-Age artefacts, visitors have the chance to get up closeto 1,000-year-old houses as they are revealed beneath their feet. State-of-the art capsules offer virtual time travel to encounter the citizensthat lived in Viking England, and to experience all the sights, soundsand smells of JORVIK.

Restrictions:Parking is extremely limited and prior notice is required if parkingpasses for the loading bay need to be issued. Due to fire restrictions,only one wheelchair user can be in the centre at a time.

Permits:Prior permission is required if filming outside in the CoppergateCentre, but a permit isn’t issued. Only a few days’ notice is necessary.

Fees:For non-commercial filming, there is no filming fee.

Public Liability Insurance:JORVIK carries Public Liability Insurance.

Contact: David Scott (contact first)/Katie Webb/Ben Young

Telephone: +44 (0) 1904 543 400

Email: [email protected] (contact first)[email protected]/[email protected]

Website: www.jorvik-viking-centre.co.uk

Page 345: VisitEngland

< back to contents 345

YORKSHIRENational RailwayMuseumLeeman Road, York, YO26 5PU

The National Railway Museum in York covers over 200 years of railwayhistory and its collections include over 100 locomotives, some 250items of rolling stock and thousands of other objects - from postersand tickets to uniforms and silverware.

Best Vantage Points:Two giant halls are filled with locomotives. Access can be provided to afew of the locomotives, cabs and carriages.

Restrictions:There are two bridges that restrict the height of vehicles accessing thesite. More information can be provided on request.

Best Time of Day:Any filming needs to fit around the needs of visitors. Filming may bedifficult during busy half term periods. The museum review anyrequests for filming during core hours (10.00 to 18.00). The museummay be able to open outside these hours, depending on thepromotional benefit offered by the filming.

Permits:Permission is required to film. For information and forms please visit:www.nrm.org.uk/AboutUs/PressOffice/filmingatnrm.aspx

Fees:A charge is made for filming that has no promotional benefit for theMuseum. Charges depend on the specific requirements. Fees can bewaived if the filming offers significant promotional value to the Museum.

Public Liability Insurance:Public Liability Insurance of £1million should be in place.

Contact: Catherine Farrell

Telephone: +44 (0) 1904 686281

Email: [email protected]

Website: www.nrm.org.uk

Page 346: VisitEngland

< back to contents346

YORKSHIRENorth Yorkshire MoorsRailway12 Park Street, Pickering, North Yorkshire, YO18 7AJ

The world’s most popular heritage steam railway transportspassengers back to an era when magnificent steam engines ruled therailways; with services running along the 24 mile line betweenPickering and Whitby. The history of the railway can be discovered inthe visitor centre. The Moors were locations for Harry Potter andHeartbeat, with the Goathland celebrity station. Traditional station tearooms serve scrumptious Yorkshire fayre. Stop off at Levisham andvisit the artist in residence, or make a special request to the guard tovisit Newtondale Halt - a perfect place to start a walking or cyclingadventure and spot some magnificent wildlife.

Best Vantage Points:All stations along the line. Pickering, Levisham, Goathland andGrosmont, Beck Hole, Darnholm, Moorgates and Ellerbeck.

Restrictions:No lineside or trackside access, without a suitably PTS qualifiedmember of the North Yorkshire Moors Railway.

Best Time of Day:Early morning to late afternoon.

Permits:A filming permit is not required on the North Yorkshire Moors Railway,but they advise that you inform the NYMR of any planned filming.

Fees:A donation to the NYMR is always encouraged, however this can bewaived when filming does not infringe of the day to day running of therailway or for non-commercial filming.

Public Liability Insurance:Public Liability Insurance of £5million should be in place. Contact: Marketing Team

Telephone: +44 (0) 1751 473799

Email: [email protected]

Website: www.nymr.co.uk

Page 347: VisitEngland

< back to contents 347

YORKSHIRESheffield Winter Garden90 Surrey Street, Sheffield, S1 2LH

The Winter Garden is a spectacular glazed public space situated at thevery heart of Sheffield city centre. Extensively landscaped with exotictemperate trees and plants, it is an indoor park providing animportant amenity for the public in the city centre and a fittingcomplement to the nearby Peace Gardens. The structure of timberarches and glass is one of the largest glasshouses built in the last 100years. It is the crowning glory of the ‘Heart of the City’ regenerationproject in Sheffield. Together with the adjacent Millennium Galleries,the Winter Garden forms a pedestrian hub linking the civic, arts anduniversity quarters of Sheffield – a cultural route through the citycentre. Since the garden was opened, it has won numerous awardsand overwhelming appreciation from the people of Sheffield andvisitors alike.

Restrictions:Parking is not available and you would need to use nearby car parks onArundel Gate or Eyre Street.

Permits:Contact Sheffield City Council for details.

Fees:Contact Sheffield City Council for details.

Public Liability Insurance:Public Liability Insurance of £5million should be in place.

Contact: Natalie Johnson, PR Media, Sheffield City Council

Telephone: +44 (0) 776 465 9184

Email: [email protected]

Website: www.sheffield.gov.uk

Page 348: VisitEngland

< back to contents348

YORKSHIREWhitby TownWhitby and Whitby Harbour, YO21 1 DN

Independently owned restaurants, cafés and bars nestle on theharbourside. Top class visitor accommodation, all set to the backdropof a cosy fishing town, overlooked by the great ruin of Whitby Abbeywith a heritage reaching back to AD 657. The North Yorkshire MoorsRailway starts and ends in the town (Pickering station being the mainhub of the NYMR). This traditional maritime town of Whitby, with its oldcobbled streets, picturesque houses and sandy blue-flag beach is agreat place for filming opportunities. Whitby is set among finestretches of coast with spectacular cliffs, beaches and bays. Manyfabulous attractions include the Whitby Spa, Pannett Park and WhitbyMuseum. This traditional independent museum has a multitude ofdisplays that give a peek into the culture and artistic leanings ofyesteryear, including South Seas artefacts, marine and whalingcollections, Captain Cook collection and a unique fossil collection. It isthe home to the Whitby Literary & Philosophical Society.

Best Vantage Points:On the higher ground surrounding the town which enables you to lookdown on the activities. A recce is highly recommended prior to the event.

Restrictions:Limited vehicular access for drop off with car parking nearby.

Permits:Contact Scarborough Borough Council directly.

Public Liability Insurance:Public Liability Insurance of £5million should be in place and riskassessment completed.

Contact: Rowena Marsden

Telephone: +44 (0) 1723 383 615

Email: [email protected]

Website: www.discoveryorkshirecoast.com/whitby.aspxwww.thedms.discoveryorkshirecoast.com/www.nymr.co.uk/www.whitbymuseum.org.uk/

Page 349: VisitEngland

< back to contents 349

YORKSHIREYork MinsterDeangate, York, YO1 7HH

Experience history at every turn at one of the nation’s greatesttreasures. There is always something to discover at northern Europe’slargest medieval Gothic cathedral.

Best Vantage Points:Nave, Chapter House, Quire and Central Tower.

Restrictions:Any hidden Minster areas (e.g. top of the Five Sisters Window, CentralTower etc.) requires climbing steep steps. Access to the East End is viascaffolding lift.

Best Time of Day:Early morning (07.00 – 10.00).

Permits:No permit required for non-commercial filming but commercial filmingmust seek approval from the Dean and Chapter, allowing two weeks’notice.

Fees:No fee for non-commercial. Commercial filming inside the Cathedralis charged at £350 per hour. Other costs within the Minster vary.

Public Liability Insurance:Public Liability Insurance is require for commercial filming. ContactYork Minster direct.

Contact: Sharon Atkinson, Director of Communications

Telephone: +44 (0) 1904 557248

Email: [email protected]

Website: www.yorkminster.org

Page 350: VisitEngland

< back to contents350

Yorkshire Sculpture ParkWest Bretton, Wakefield, WF4 4LG

Yorkshire Sculpture Park (YSP) is a leading international centre formodern and contemporary art. It is an independent charitable trustand registered museum situated in the 500-acre, 18th century BrettonHall estate. YSP was the first sculpture park in the UK and is the largestof its kind in Europe, providing the only place in the world to seeBarbara Hepworth’s ‘The Family of Man’ in its entirety and the largestpublic collection of Henry Moore bronzes in the open air. Its stunningUnderground Gallery has hosted major exhibitions by Willliam Turnbull,James Turrell, Andy Goldsworthy, David Nash and Jaume Plensa. Itspermanent collection includes works by Sol Lewitt, Dennis Oppenheim,Martin Creed and Anthony Caro.

Best Vantage Points:View from the Bothy Gallery across the Park to Longside Gallery; viewfrom the Visitor Centre.

Restrictions:Certain areas of YSP have access restriction. Film crews would need tobe escorted by a YSP member of staff.

Permits:Contact YSP directly. Permission to film Henry Moore works in CountryPark would be needed from the Henry Moore Foundation. A fee may bepayable to DACS.

Fees:A location fee of £600 per day is charged.

Public Liability Insurance:Contact YSP directly.

YORKSHIRE

Contact: Nina Rogers, Marketing ManagerDamon Waldock, Communications Assistant

Telephone: Nina Rogers +44 (0) 1924 832633Damon Waldock +44 (0) 1924 832539

Email: [email protected] \ [email protected]

Website: www.ysp.co.uk

Page 351: VisitEngland

PUBLIC LIABILITY INSURANCE (PLI)Public Liability Insurance provides cover for your production in respect of injury or property damage caused by the production’s activities. It is usual to have cover

up to £5million (recommended by UK Film Council).

All interior locations including attractions, museums, galleries, shopping malls etc. require crews filming on their premises/property to have Public Liability

Insurance and will not give permission to film until they’ve received a copy of the production’s Public Liability Insurance. All destinations require Public Liability

Insurance for exterior filming.

Generally crews that travel overseas frequently have Public Liability Insurance as part of their insurance package. Crews that travel overseas less frequently can buy

Public Liability Insurance as an add-on to cover a standalone trip.

Full information on Public Liability Insurance and everything else broadcasters need to know about filming in the UK, can be found on the UK Film Council website:

www.britishfilmcommission.org.uk/tv-production/entering-the-uk/film-insurance/

Contact details:

Email: [email protected]

Tel: 0141 229 6480

Fax: 0141 229 6489

Website: www.mediainsurance.com

Page 352: VisitEngland

Equipment hire:VMI Broadcast rental: www.vmi.tv

Creative Video has several regional branches: www.creativevideo.co.uk

Gearbox has offices in the regions: www.gearbox.com

Production Gear at Elstree Studios has sells cameras, tripods, lights, microphones and all film and television production accessories:

www.videogear.co.uk/index.php

Other good websites: Creative England: www.creativeengland.co.uk

Film London: www.filmlondon.org.uk

National Trust’s Film Unit:

Details on train travel in England: www.nationalrail.co.uk

How to plan a driving route in England: www.theaa.com/route-planner

Details on public transport in London: www.tfl.gov.uk

Details on the weather in England: www.bbc.co.uk/weather

Hiring Generators: Film London is not able to make recommendations of companies, however, it usually recommends that people look in The Knowledge

(www.theknowledgeonline.com) and there are also companies registered on their database: www.filmlondon.org.uk/directory

USEFUL INFORMATION