Vice President, Editor-in-Chief, Carl Fischer Music ...Presented by Larry Clark Vice President,...
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The leader in providing the highest quality concert band music for over a century… 65 Bleecker Street New York, NY 10012 CN10103 www.carlfischer.com Marches: The Key to a Successful Band Presented by Larry Clark Vice President, Editor-in-Chief, Carl Fischer Music — larryc@carlfischer.com Featuring the Carlton J. Kell High School Wind Symphony Marietta, GA — Director: David McGrath Wednesday, December 15, 2010, 4:00 PM — Room: W183 Why Do We Play Marches? I. History and heritage A. The way we play them can be boring B. How do we get past this idea? C. What Can We Teach With Marches? II. Musical Form A. Style B. Articulation C. Modulation D. Musicianship (balance, blend, intonation) E. How To Teach the Technique Needed to Improve March Performance III. Scales – regular and march style A. Rhythmic studies B. Chromatic Scale C. Modulation (Circle of Fourths) D. Articulations Studies (the difference between accented and other notes) E. Clarity through slow tempo/chorale style – and gradually speeding up F. Bop G. Bass line inflection H. What to do with the countermelody I. Not breathing on the rests J. Trio – legato first time K. Your own creativity L. Picking the Right Tempo IV. Different tempos in different composers’ marches A. Sousa – Portuguese influence i. Fillmore – Circus style ii. King iii. Others – English, Spanish, etc. iv. B. - Rushing Where Do We Go From Here? V. Sight-read marches to improve understanding A. Show enthusiasm for them B. Make them exciting to play C.
Transcript of Vice President, Editor-in-Chief, Carl Fischer Music ...Presented by Larry Clark Vice President,...
The leader in providing the highest quality concert band music for over a century…
65 Bleecker StreetNew York, NY 10012
CN10103
www.carlfi scher.com
Marches: The Key to a Successful BandPresented by Larry Clark Vice President, Editor-in-Chief, Carl Fischer Music — larryc@carlfi scher.com
Featuring the Carlton J. Kell High School Wind Symphony Marietta, GA — Director: David McGrath
Wednesday, December 15, 2010, 4:00 PM — Room: W183
Why Do We Play Marches? I. History and heritageA. The way we play them can be boring B. How do we get past this idea?C.
What Can We Teach With Marches?II. Musical FormA. StyleB. ArticulationC. ModulationD. Musicianship (balance, blend, intonation)E.
How To Teach the Technique Needed to Improve March PerformanceIII. Scales – regular and march styleA. Rhythmic studiesB. Chromatic ScaleC. Modulation (Circle of Fourths)D. Articulations Studies (the difference between accented and other notes)E. Clarity through slow tempo/chorale style – and gradually speeding upF. BopG. Bass line infl ectionH. What to do with the countermelodyI. Not breathing on the restsJ. Trio – legato fi rst timeK. Your own creativityL.
Picking the Right TempoIV. Different tempos in different composers’ marchesA.
Sousa – Portuguese infl uence i. Fillmore – Circus styleii. Kingiii. Others – English, Spanish, etc.iv.
B. - Rushing
Where Do We Go From Here?V. Sight-read marches to improve understandingA. Show enthusiasm for themB. Make them exciting to playC.
JB73 – Full Score with CD - $34.95 Parts - $5.95 eachJB74 – FluteJB75 – Oboe (Optional Flute 2)JB76 – Clarinet 1 in B≤JB77 – Clarinet 2 in B≤JB78 – Bass ClarinetJB79 – Alto Saxophone in E≤JB80 – Tenor Saxophone in B≤JB81 – Baritone Saxophone in E≤JB82 – Trumpet 1 in B≤
JB83 – Trumpet 2 in B≤JB84 – Horn in FJB85 – Trombone/Baritone/BassoonJB86 – Baritone T.C.JB87 – TubaJB88 – Mallet Percussion (Bells)JB89 – TimpaniJB90 – Percussion 1
Snare Drum, Bass Drum
JB91 – Percussion 2Crash Cymbals, Triangle
• Twelvedelightfulmarchesbyfamousmarch composer Henry Fillmore (usingthepseudonymHaroldBennett), plus a new warm-up section by Larry Clark
• FullscoreincludesCDofcompleteperformancerecordings
• Idealformarchesatcontest/festivalperformancesorforsight-readingpurposes
• Seriesincludesconductor’sscoreandbooksforallbandinstruments
Twelve Classic Young Band Marches and Warm-up ExercisesBy Harold Bennett, Arranged by Larry Clark
The New
Volume 1: Twelve Classic Young-Band Marches Plus Innovative March Style Warm-up Exercises
Harold BennettArranged by
Larry ClarkLarry ClarkLarry Clark
Stop by booth #818 for your free Trumpet 1 book*
www.carlfischer.com*while supplies last
