Velvet Revolver - Libertad

Intro Fast q = 208

Let It RollWords and Music by Scott Weiland, Duff McKagan, Matt Sorum, Dave Kushner and Slash

from Velvet Revolver - Libertad

Copyright 2007 Chrysalis Music, Ready Set Go Publishing, Pimp Music, Dracsorum Music, DTK Music and Slash And Cash PublishingAll Rights for Ready Set Go Publishing, Pimp Music, Dracsorum Music and DTK Music Administered by Chrysalis Music

All Rights Reserved Used by Permission

Play 3 times

Gtr. 1 (dist.)

mf

Riff A

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*Chord symbols reflect implied harmony.

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E

Eb D A

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f

Rhy. Fig. 1

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Gtr. 1 Rhy. Fig. 2 End Rhy. Fig. 2

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Pitch: G**Microphonic fdbk., not caused by string vibration.

Gtr. 5 (dist.)

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w/ bar grad. dive

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Sorgdal

Intro Moderately q = 132

She MineWords and Music by Scott Weiland, Duff McKagan, Matt Sorum, Dave Kushner and Slash




*Gtr. 3 (slight dist.)

***A5

pp

134

G5

5fr

134

A5

6fr

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Bb5

134

F5

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D5

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C5

mf

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*Bkwds. gtr. arr. for gtr.

Fade in

Gtr. 1 (dist.)

mp

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pp mf

w/ bar

**w/ random fdbk. throughout

***Chord symbols reflect implied harmony.Fade in

-1/2-1

Gtr. 1

Gtr. 3: w/ Riff A

Gtr. 1 tacet

Gtr. 4 (dist.)G5

( )mf

grad. divew/ bar +1/2

Gtr. 2

( )w/ bar

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w/ bar Harm.

-1/2 *Harm. located approx. one-fourth the distance between the 2nd & 3rd frets. Pitches low to high: E-A-D.

*

2.252.252.25

Gtr. 4

Rhy. Fig. 1A

Gtr. 2 Rhy. Fig. 1

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End Rhy. Fig. 1A

Gtr. 5 (dist.)

mp

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Gtr. 6 (dist.)

Riff A

mfw/ slide

End Riff A

Gtr. 2 End Rhy. Fig. 1

Verse1st time, Gtrs. 4, 5 & 6 tacet2nd time, Gtr. 6 tacet

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mine.

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mine.

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mine.

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Gtr. 2

mpw/ wah-wahP.M. P.M.

mf

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BridgeF5

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let ring

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C5 F5 C5

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let ring let ring let ring

let ring (cont. in slashes)

Gtr. 4

Gtrs. 2 & 5 tacetGuitar Solo

G5 A5

Gtr. 4 tacet*A5 G5 A5 G5

A5 G5 A5 Bb5

A5 G5 A5

Gtr. 6

w/o slidew/ heavy reverb

1/2 1/2 1/2 1/21/2 1

Gtr. 7

w/ bar steady dive

-1*Chord symbols implied by bass, next 6 meas.

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Harm.

15ma

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*Harmonic located six-tenths the distance between the 2nd & 3rd frets. Pitches low to high: C-F.

2.62.6

mine.

ChorusGtrs. 2 & 4: w/ Rhy. Figs. 1 & 1A (3 times)G A G A Bb A G

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A

all

mine.

G A G A Bb A G A

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(She mine, all mine.

Gtr. 6

steady gliss.

Riff B

w/ slideheavy reverb off

End Riff B

mine.

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all

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mine.

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Gtr. 4

mine.

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A5 G5 A5

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10

Sorgdal

Intro Moderate Rock q = 130




Get Out the DoorWords and Music by Scott Weiland, Duff McKagan, Matt Sorum, Dave Kushner and Slash

Drop D tuning:(low to high) D-A-D-G-B-E

Gtr. 1 (dist.)

mf

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E5

9fr

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D5 E5 D5 A5 B5

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*Two gtrs. arr. for one.

Gtr. 2

B5 D5 E5 D5 A5 B5 D5 E5 D5 A5 B5 D5 E5 D5 A5 B5 D5 E5 D5 A#5

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Verse

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121212

121212

XXX

777

999

999

XXX

121212

141414

141414

XXX

222

444

444

XXX

111111

121212

121212

XXX

777

999

999

777


2

Sorgdal

2To Coda 1To Coda

door.

1st time, Gtr. 2: w/ Rhy. Fig. 1 (3 times)2nd time, Gtr. 2: w/ Rhy. Fig. 1 (4 times)3rd time, Gtr. 2: w/ Rhy. Fig. 1 (3 1/2 times)

Chorus

B5 D5 E5 D5

Get out the

A5

door.

B5 D5 E5

Gon

D5

na

A5

-

Gtr. 3 (dist.)

mf

Riff A End Riff A

Gtr. 4 (dist.)

mf

Riff A1 End Riff A1

kick

Gtrs. 3 & 4: w/ Riffs A & A1 (3 times)B5

you when I

D5 E5

saw

D5

what you were

A5

pack

B5

ing,- gon na

D5

- kick it

E5

out

D5

the

A5

door.

B5 D5 E5 D5

Get out the

A5

door.

B5 D5 E5

Gon

D5

na

A5

-

kick

B5

you when I

D5 E5

saw

D5

what you were

A5

pack

B5

ing,- gon na

D5

- kick it

E5

out

D5

the

A#5

Gtr. 2

(2nd time, cont. in slashes)

97

7 10 97

12 10

20 4 7 6 0

9 7

999

XXX

121212

141414

121212

XXX

777

999

999

XXX

121212

121212

141414

121212

888


3

Sorgdal

D.S. al Coda 1

1Coda

door.

InterludeGtr. 1: w/ Rhy. Fig. 1B5 F#5 G#5

A#5 B5

F#5 G#5

D5 A#5

Gtr. 5 (dist.)

mf*w/ phaser & octaver

*Octaver set for one octave below.

Gtr. 2

Gtr. 2


door,

InterludeB5 A5 B5

oh,

A5 B5

A5 B5

ah,

D5

ow,

A5

Gtr. 6 (dist.)

Riff B

mfw/ talk box

End Riff B

Gtr. 2: w/ Rhy. Fig. 4Gtr. 6: w/ Riff BB5

A5 B5

oh,

A5 B5

A5 B5

ah,

D5

ow,

A5

Gtr. 3

9 7 4 65 2

9 7 4 65

999

444

666

888

999

999

444

666

666

000

XXX

888

9 9 9 9 7 9 9 9 9 7 9 9 9 9 7 9 9 0 7

109


4

Sorgdal

Iveoh.

BridgeGtr. 2: w/ Rhy. Fig. 4Gtr. 6: w/ Riff B (2 times)B5

been down this

A5

road

B5

so long with

A5

Riff C

miles

B5

and miles

of

A5

freaks

B5

be

D5

fore.-

A5

End Riff C

Think

Gtr. 3: w/ Riff CB5

I stop and

A5

think

B5

I strong but

A5

Gtr. 2

nev

B5

er- could

I

A5

been

B5

so

D5

wrong, so

A5

(cont. in slashes)

1110

1110

XX

77

99

99

XX

65

77

77

XX

43

65

65

XX

99

1110

1110

XX

77

99

99

XX

65

77

77

XX

43

65

65

XX

99

999

999

999

999

777

999

999

999

999

777

999

999

999

999

777

999

999

000

XXX

777


5

Sorgdal

D.S.S. al Coda 2

Gtr. 2

wrong.

Guitar SoloB5 F#5 G#5

A#5 B5

F#5 G#5

D5 A#5

Gtr. 6

1 1 1

Gtr. 2: w/ Rhy. Fig. 2B5 F#5 G#5 A#5 B5 F#5

G#5 D5 A5

Gtr. 2: w/ Rhy. Fig. 3B5 D5 E5 F#5 C#5 D5 A5

2 2 1 2

B5

D5 E5 F#5

C#5 D5 A5


B5

D5 E5 D5 A5

Gtr. 6 tacet

B5 D5

Get

E5

out

D5

the

A5

1 1/2 1 1/2

1412

1412

119

119

1412

1412

1312

12 12

6 2100

1615

1615

1615

1615

1615

1312

1312

1312

1312

1312

1312

1110

1110

1110

1110

99

99

99

99

77

77

77 15

14

15 15 1516 16 16

1514 21

19 19 1719 17 17 17 17 17 15 17 1516 16


6

Sorgdal

2Coda

Gtr. 2


pack

B5

ing,- gon na- kick it

A#5

out

B5

the

A5

door,

B5 D5 A#5 B5 A5 B5

oh,

D5 A#5 B5 A5 B5

D5 A#5 B5 A5

(Get(GetScreamed:

outout

thethe

door.door.

Gon na- kick

you when I saw what you were

Gtr. 2

(cont. in slashes)

Gtr. 6Riff D End Riff D

Gtr. 2: w/ Rhy. Fig. 5Gtr. 6: w/ Riff DB5

ah,

D5

ow,

A#5 B5 A5 B5

D5 A#5 B5 A5 B5

oh,

D5 A#5 B5 A5

pack ing,- gon na- kick it

Getoutout

thethe

door.door.

Get out the door.

Gon na-

Gtr. 2

B5

D5 A#5 B5 A5 B5

ah,

D5

ow.

A#5 B5 A5 B5

kick you when I

saw what you were pack ing,

- gon na- kick you out the door.)

Gtr. 6

999

999

999

999

999

888

999

777

9 9 0 8 9 7 9 9 0 8 9 7 9 9 0 8 9 7

9 9 0 8 9 7 9 9 0 8 9 7 9 9


7

Sorgdal


She Builds Quick MachinesWords and Music by Scott Weiland, Duff McKagan, Matt Sorum, Dave Kushner and Slash




Gtr. 1 (dist.)

Drop D tuning:(low to high) D-A-D-G-B-E

mf

Rhy. Fig. 1C5 D5 C5 D5 C5 D5 B5 D5 B5 F5

5fr

132

F

7fr

132

G

C5 D5 C5 D5 C5 D5 B5 D5 B5 F5End Rhy. Fig. 1

Gtr. 2 (dist.)


mf

C5 D5 C5 D5 C5 D5 B5 D5 B5 F5 C5 D5 C5 D5 C5 D5 B5 D5 B5 F5

Gtr. 3 (dist.)

*pp

*Fade in

**Gtrs. 2 & 3

f

Rhy. Fig. 2C5 D5 C5 D5 C5 D5 B5 D5 B5 F5 C5 D5 C5 D5 C5 D5 B5 D5 B5 F5

End Rhy. Fig. 2

**Composite arrangement

101010

121212

00

101010

121212

00

101010

121212

999

121212

00

999

3 33 0 3 0 10

1010

121212

00

101010

121212

00

101010

121212

999

121212

00

999

3 33 0 3 0

10 10

12

101010

121212

00

101010

121212

999

121212

00

999

3 33 0 3 0 10

1010

121212

00

101010

121212

00

101010

121212

999

121212

00

999

3 33 0 3 0

101010

121212

00

101010

121212

00

101010

121212

999

121212

00

999

3 33 0 3 0 10

1010

121212

00

101010

121212

00

101010

121212

999

121212

00

999

3 33 0 3 0


1

Sorgdal

Verse

*C5 D5 C5 D5 C5

Hold1.

D5 B5 D5

fast,

B5

lit

Dm

tle- off.

C5 D5 C5 D5 C5

Punch

D5 B5 D5

strong,

B5

let

Dm

it roam.

Gtr. 2 Riff A End Riff A

Gtr. 3 Riff A1

P.M. P.M.

End Riff A1


Gtr. 3: w/ Riff A1 (3 times)C5 D5 C5 D5 C5

Eyes

D5 B5 D5

cold

B5

as

Dm

the snow.

C5 D5 C5 D5 C5

She

D5 B5 D5

built a

B5

quick

Dm

dream.

Gtr. 2

Riff B End Riff B

Gtr. 2: w/ Riff A

C5 D5 C5 D5 C5

Sis

D5 B5

ter

D5

- keep her

B5

mo

Dm

tor- clean.

C5 D5 C5 D5

Sol

C5

id

D5

- vi

B5

sions

D5

- and a

B5

wet

Dm

ma chine.-

C5

D5 C5 D5 C5 D5 B5

Shes

D5

al ways

B5

- quick

Dm

to fight.

C5

D5 C5 D5 C5 D5 B5

Well

D5

break her

B5

through

Dm

to night.-

Gtr. 2

Riff C

1010 9

12 1010 9

12

3 5 3 5 3 5 2 5 0 23 0 3 0

3 5 3 5 3 5 2 5 0 23 0 3 0

1010 9

12 1010 9 1010 9 12

1010 9

12 1010 9

12 12 14


2

Sorgdal

Pre-Chorus Half-time feel

A5 G5

I

*

C5

can feel it when you push

A5

straight

G5

down.

C5Gtr. 2 tacet

Gtr. 2

pp

End Riff C


mflet ring throughout

Riff D End Riff D

Gtr. 3 Rhy. Fig. 3

*w/ echo set for quarter-note regeneration w/ 1 repeat, till Chorus.

Gtr. 4: w/ Riff DA5 G5

I

C5

could feel it when they stood

A5

their

G5

ground.

F5 G5End half-time feel

Gtr. 3 End Rhy. Fig. 3

ChorusGtr. 2: w/ Rhy. Fig. 2 (2 times)C5 D5

Roll

C5

o

D5

ver

- right,

C5 D5 B5 D5

keep it

B5

through

F5

to

night.-

C5 D5

Right,

C5 D5

right,

C5 D5 B5 D5

keep it

B5

through

F5

to night.-


Gtr. 3: w/ Rhy. Fig. 4C5 D5

Right

C5

in

D5

my

C5 D5

sight,

B5 D5

keep it

B5

through

F5

to night.-

C5 D5

Ill

C5

smash

D5

right

C5 D5

through

B5 D5

your

B5

spot

F5

light.-

14

32

03

20

77

55

1010

1010

3 5 3 5 75

77

55

1010

1010

3 5 3 5 7 0

77

55

1010

1010

3 5 3 5 75

77

55

33

55

1010

1212

1010

1010

1212

1010

1010

1212

99

1212

1010

03 33 0 3 0 10

101212

1010

1010

1212

1010

1010

1212

99

1212

1010

03 33 0 3 0


3

Sorgdal

Verse

Gtrs. 2 & 3: w/ Riffs A & A1C5 D5 C5 D5 C5

She2.

D5

ran

B5

a

D5

way- to

B5

Tex

Dm

as-

C5 D5 C5 D5 C5

to

D5

keep

B5

a

D5

way- the

B5

ex

Dm

cess.-

Gtr. 2: w/ Riff BC5 D5 C5 D5

Old

C5 D5

ex

B5 D5

in

B5

Veg

Dm

as- dont

C5 D5

back

C5

Tex

D5

as.

C5

-

D5 B5 D5 B5 Dm

Gtr. 3 Riff E

P.M. P.M.

End Riff E1

Gtr. 2: w/ Riff AGtr. 3: w/ Riff EC5 D5 C5 D5 C5

She

D5

burned

B5 D5

through in

B5

her

Dm

- it- ance,-

C5 D5 C5 D5 C5 D5

dashed

B5

a

D5

cross- A

B5

mer

Dm

- i- ca.-

Gtr. 2: w/ Riff CC5 D5 C5 D5

At

C5

the

D5

all

B5 D5

night

B5

sex

Dm

show, so

C5 D5

far

C5

from

D5

home.

C5 D5 B5 D5 B5 Dm

Gtr. 3

P.M.

Pre-Chorus Half-time feel

Gtr. 3: w/ Rhy. Fig. 3Gtr. 4: w/ Riff D (2 times)2nd time, Gtr. 6: w/ Fill 1A5 G5

I

*

*w/ echo as before.

C5

can feel it when you push

A5

straight

G5

down.

C5

A5 G5

I

C5

could feel it when they stood

A5

their

G5

ground.

F5 G5End half-time feel

ChorusGtr. 2: w/ Rhy. Fig. 2Gtr. 3: w/ Rhy. Fig. 4C5 D5

Roll

C5

o

D5

ver

- right,

C5 D5 B5 D5

keep it

B5

through

F5

to

night.-

C5 D5

Right,

C5 D5

right,

C5 D5 B5 D5

keep it

B5

through

F5

to night.-

(Ah,

Voc. Fig. 1

ah, ah, ah.)

End Voc. Fig. 1

Fill 1Gtr. 6

8va

3 5 3 5 3 5 2 5 0 23 0 3 0

3 5 3 5 3 53

2 5 0 23 3 0

3 5 X X 3 5 3 5 2 5 0 23 0 3 0

3 5 3 5 3 5 2 5 0 25 3 0

15 17


4

Sorgdal

CoT oda

Bkgd. Voc.: w/ Voc. Fig. 1C5 D5

Right

C5

in

D5

my

C5 D5

sight,

B5 D5

keep it

B5

through

F5

to night.-

C5 D5

Ill

C5

smash

D5

right

C5 D5

through

B5 D5

your spot

F5

light.-

Gtr. 3

Gtr. 2

InterludeD5

Ah.

Gtrs. 2 & 3

Bridge

D5

What

**

you give is what you take.

Gtrs. 2 & 3 tacet

Gtr. 4

*w/ delaymp

Riff F End Riff F

*Set for quarter-note regeneration w/ 1 repeat.

Gtrs. 2 & 3

pp


mf

**w/ echo as before, next 32 meas.

1010

1212

1010

1010

1212

1010

1010

1212

99

1212

1010

03 33 0 3 0 10

101212

1010

1010

1212

1010

1010

1212

99

1212

1010

0 00

33

101010

121212

00

101010

121212

00

101010

121212

999

121212

00

999

3 33 0 3 0 10

1010

121212

00

101010

121212

00

101010

121212

999

121212

0 0 00

33

00

3X5

57

1012X

911

911

79

7X9

911

00

7 77 0 7


5

Sorgdal

Gtr. 4: w/ Riff FDsus4

What you bleed is what

D

you break.

Gtr. 5

fdbk.

Harm.

Dsus4

I bleed

D

for you.

Gtr. 4

Gtr. 5

fdbk.

fdbk.

Dsus4

Id steal

D

for you.

78

78

78

78

77

70

77 0

77

3X5

57

57

1012X

911

911

79

7X9

911

9X11

1012

9X11

78

78

78

78

77

77

77

00

77 0

77 0

10X12

1214

12X14

1517

15X17

1719

1719

78

78

78

77

77

77


6

Sorgdal

C/F G

Id take,

D5

Id

fdbk.

let ring

*

*Fingernail of right hand lightly touches vibrating string.

take,

C/F G(no3rd)

Id take,

D

Id

grad. bend

1/4 1/2 3/4 1

fdbk. (cont. in slashes)

Gtr. 5

Rhy. Fig. 5A End Rhy. Fig. 5A

take,

(Ah.)

Half-time feel

*Voc. Fig. 2

Gtr. 4 tacet***F

Id take,

G

Id

End Voc. Fig. 2

Gtrs. 2 & 3

Rhy. Fig. 5

f

End Rhy. Fig. 5

***See top of first page of song for chord diagrams pertaining to rhythm slashes.*Refers to down-stemmed voc. only.

3X5

57

2X4

57

35

3X5

57

57

55

43

23

23 3 3

12X14

15X17

15X17

1719 19 19 1919 19 19 19 19 19 19 19

19

98

78

77

77

33

33

33

33

33

33

33

33

33

33 3

33

33

3 0 55

55

55

55

55

55

55

55

55

55 5

55

55

5 0


7

Sorgdal

take,

Bkgd. Voc.: w/ Voc. Fig. 2Gtrs. 2 & 3: w/ Rhy. Fig. 5Gtr. 5: w/ Rhy. Fig. 5AF

Id take,

G

Id

End half-time feel

Gtr. 6 (dist.)

f

1/21

take.

Guitar SoloD5 C5 D5 C5 D5 C5 D5 C5 D5 C5 B5

Gtr. 6

3 3

hold bend1/2 1/2 1/2 1/2 1/2 1

Gtrs. 2 & 3

D5 C5 D5 C5 D5 C5 D5 C5 D5 C5 B5

P.M. 3 3hold bend1


7 78 8

78 6

8 8 5 87 5

88 67 5

8 67

85

8 867 5

88 6 88

00

101010

121212

101010

121212

0 101010

121212

101010

121212

121212

101010

999

8 8 6 8 8 8

88 6

7 06

7 56

7 5 7 57 5

57 5 3 5 3

5 3

00

101010

121212

00

101010

121212

00

101010

121212

00

101010

121212

121212

101010

999


8

Sorgdal

D.S. al Coda

Coda

Gtr. 6

Gtrs. 2 & 3: w/ Rhy. Fig. 5F5

P.M. P.M. P.M. P.M. P.M. P.M.

P.M.

G5

1 1/2

Gtrs. 2 & 3: w/ Rhy. Fig. 6 (2 times)D5 C5 D5 C5 D5 C5 D5 C5 D5 C5 B55

1/4 1 1 1/2

D5 C5 D5 C5 D5 C5 D5 C5 D5 C5 B5Gtrs. 2 & 3: w/ Rhy. Fig. 5 (1st meas.)F5

3 33 3

8va

11 1/2 1/21 1/2

Gtr. 6

G5*

F58v a

31 1/2

*Played behind the beat.

1/21 1/4

1/2

Gtrs. 2 & 3

Gtr. 2: w/ Rhy. Fig. 1 (last 2 meas.)C5 D5

Ill

C5

smash

D5

right

C5 D5

through

B5 D5

your spot

F5

light.-

Gtr. 3

3 055

53 0

55

53 0

55

53 0

55

53 0

55

533 0

55

53

5 5 35 55 3

5 35 3 5 3

5 3

5 7 5 7 9 7 9 12 9 12 91010

12 1010

12 1012

10 1212

12

131010

1010 10

1312

1012 10 12 10

12 10

13 13 1013

1213 13

10 12 1013

10 1013 10

121210

1013 10

1112

15

1413

14 0

15 15 13

1515 1315

10

17

1615 17

17 16 1517 17 15

1617

17 17 17

33

33

33 3

33

33

3 0 55

55

55

55

55

55

55

55

55

55

55

33

1010

1212

1010

1010

1212

1010

1010

1212

99

1212

1010

03 33 0 3 0


9

Sorgdal

Intro Moderately slow q = 91

The Last FightWords and Music by Scott Weiland, Duff McKagan, Matt Sorum, Dave Kushner and Slash




Gtr. 3: Tune down 1 step:(low to high) D-G-C-F-A-D

Gtr. 1 (elec.)

*

mfw/ slight dist.let ring throughout

Riff AD E

231

(E)

1342

(F#7'4)5fr

1342

(A'9)

13

(Dsus2)

2341

(D7)

G DEnd Riff A

*Chord symbols reflect basic harmony.

Gtr. 1

E G D

Gtr. 2 (elec.)

mfw/ clean tone & amp tremolo

TimeTime

Verse

**

1st time, Gtrs. 1 & 2 tacet2nd time, Gtrs. 5, 6 & 7 tacet

1.2.

Asus4(Bsus4)

feelsheals

likeall

Iveof

beenthe

backburned

B5(C#5)

inout

jail,bridg

likees-

whenfilled

Iswith

A5(B5)

donoth

G5(A5)

inging

-

-

time,more

oh,than

inmis

theer-

can.

y.

D(E)

- I

Gtr. 3 (acous.)

Riff B

mf let ring

End Riff B

Gtr. 4

mfw/ slight dist.

P.M.

**Symbols in parentheses represent chord names respective to de-tuned guitar. Symbols above reflect actual counding chords.

1214

1512

1514

1513

1212

1312

1413

1215

1212 15

12 12X1212

12 1512

1414

12X12

1414

12X12

1414

13X13

12X12

111010

1214

1512

1514

1513

1212

1312

1413

1215

1212

1012 12

X1212

1210

121414

12X12

1414

0232

22100

3X003

0023

400

400

400

400

6400

4 600

6400

640

6400

6400

4400

220

220

4220

4X04 6 6 6

400

02

02

02

02

02

02

02

02

24

24

24

24

24

24

24

02

355

35

355

35

355

35

355

355

35 5

454

54

54

54

540

54


1

Sorgdal

Spendwear

Gtr. 3: w/ Riff BAsus4(Bsus4)

allthe

nightmask

on

of thea

un

bendbat

B5(C#5)

-

edtled-

-

kneeson

justtryn

toto

A5(B5)

beg

G5(A5)

for some thing- to be lieve.

D(E)

-

Gtr. 4 Rhy. Fig. 1

P.M. P.M.

End Rhy. Fig. 1

Left

Pre-ChorusE7'4

(F#7'4)

home with a pack

G'9(A'9)

of clothes, with out- a

G7(A7)

fam i- ly- tree, yeah.

Gtr. 3

(cont. in slashes)

Gtr. 4

P.M. P.M. P.M. P.M.

Gtr. 3


This

Gtr. 1: w/ Riff AChorus

(E)

fight could be the last

(F#7'4)

fight, no giv

(A'9)

ing- and no win

(E)

ning.-

Gtr. 4 Rhy. Fig. 2A


End Rhy. Fig. 2A

02

02

02

02

02

02

02

02

24

24

24

24

24

24

24

02

355

35

355

35

355

355

355

355

54

54

54

5 54

5 54

5

4300

4300 0

00

64

4 4 6 76

7060

7060

7060

7060

98

98

98

98

98

908

908

908

0 0 02

0 0 0 02

0 3 3 355

3 3 3 355

35

35

355

355

355

35

35

35

355

XXX

XXX

57

57

57

57

57

57

57

0221

XXX

0 02

0 02210

0 3554

35

35

35

35

3554

0 057

57

5 5 5 57

5


2

Sorgdal

CoT oda

D.S. al Coda

One

(E)

time could be the all

(F#7'4)

the time should we

(A'9)

de cide- to end the mis

(E)

er- y.

(Dsus2)

-

Gtr. 1

Gtr. 4

P.M. P.M. let ring P.M.

*Gtr. 5

InterludeGtr. 1 tacetGtr. 3: w/ Riff BGtr. 4: w/ Rhy. Fig. 1

mf

Asus4(Bsus4)

B5(C#5)

A5(B5)

G5(A5)

D(E)

*Kybd. arr. for gtr.

Gtr. 6 (elec.)

mfw/ dist.

Gtr. 7 (elec.)

mf

**w/ dist. & delay

**Delay set for eighth-note regeneration w/ 1 repeat.

111010

1214

1512

1514

1513

1212

1312

1413

1215

1212 15

1212

1212

XXX

XXX

14X14

XXX

12 12

57

57

5 5 5 57

57

0221

0221

02

02

0 0221

XXXX

XXXX

355

55

35

35

35

355

XXX

XXX

57

XX

35

35

1415

1414

1514

1415

1415

1414

1514

1415

1415

17

1415

1617

1614

1514

1415

1414

15

0 22 4

24 2

2 42 4 22 4 2 0 0

2 2 22 4 3 4 4

2 42 3


3

Sorgdal

Coda

Gtr. 1 tacetBridge

(F#'4)

Break the chains of feath er- weights

(A'9)

- and gi ants.-

(F#'4)

With the stain, for ev- er- last

(A'9)

ing- li ars.-

Gtr. 2

amp tremolo offlet ring throughout

Gtr. 4

w/ amp tremolo

(F#'4)

Theyre a fraid- when we spit out

(D7)

the fire and start liv

(E)

ing,- liv

(F#'4)

ing,-

let ring

79

7

1012

107

97

1012

10

022100

000

00

3X003

022100

000

00

3X0033

79

73

533

57

57

97

022100

3201

3201

3201

00

000

00232

02210

02210

02210

210

00

00


4

Sorgdal

liv

(A'9)

ing,- my friend.

Gtr. 6

1 1

Gtr. 2

Gtr. 4

(Who

Guitar Solo

Voc. Fig. 1

Gtr. 2 tacetGtrs. 3 & 4: w/ Rhy. Figs. 2 & 2A (2 times)D(E)

will

E7'4(F#7'4)

Gtr. 6

1 1

an

G'9(A'9)

swer- my prayer?)

D(E)

End Voc. Fig. 1

let ring

3

1 1

9 9 97 7 9

79

9 79

99

1012

1010

1212

3X003

3X003

3X003

3X003

3X003

3X003

3X003

3X003

3X003

3X003

3X003

3X003

3X003

3X003

9 9 910 10

9 7 9 9 7 9 79

7 9 79

7 9 79 7 98 9 10

9 7 9 7 7 1110

1013 13

10 1110


5

Sorgdal

Bkgd. Voc.: w/ Voc. Fig. 1

E7'4

(F#7'4)

3 3

1 1/4 1 1 1/2 1

G'9(A'9)

D(E)

3

3 3

1/21 1/4

This

ChorusBkgd. Voc.: w/ Voc. Fig. 1 (till fade)Gtrs. 3 & 4: w/ Rhy. Figs. 2 & 2A (till fade)D(E)

fight could be the last

E7'4(F#7'4)

fight, no liv

G'9(A'9)

ing- and no

mp

3

win

D(E)

ning.- One time could be the all

E7'4(F#7'4)

the time should

1/2

1310

15 1517

15X 16 17

15 1717 15

17 19 1717 1516

1715

1217

1615 15

12 10 1110

10 12 12 10 1212

101213

1213

1213

1213

1213

1213

1213

1213

1010

12

101010

11XX

XX

XX

7 97

9 7 97 7

7 97

997 7

97 9 7 7


6

Sorgdal

we

G'9(A'9)

de cide- to end the mis

D(E)

er- y.-

stringnoise

let ring let ring

1 1 1 1 1

This fight could be the

E7'4(F#7'4)

last fight, no giv

G'9(A'9)

ing- and no

1

D(E)

win ning.- One time could be the

1 1 1

E7'4

(F#7'4)

all the time should

Begin fadeG'9(A'9)

we de cide- to end the

1 1 1 1 1 1 1 1 1 1 1 1 1

XXX

8 999 9

712

910

910

91010

910

910

7101010

1011

12 10

12 121010 10

1010

1212

1212 14

XX

14 14 12 14 10 111212

10 12 12 10 1212 10 1210

1012 12

10 1010 12 10

10

12 121010

1010

1210 10

101010

12 1210 10

1210 10

101010

1010

12 121010

1010

12 1210 10

1012 12

1010

1010

121010

1010


7

Sorgdal

Fade out

D(E)

mis er- y.- This fight could be the

3 3 3 3 3 3hold

bendholdbend1 1 1 1 1

E7'4

(F#7'4)

last fight, no

G'9(A'9)

giv ing- and no

1/2

D(E)

win ning.- One time could be the

E7'4(F#7'4)

all the time, could be the

let ring

G'9(A'9)

time to end the

D(E)

mis er- y.-

let ring 1 1 1 1 1 1

12 12 121010

1010

12 121010

1010

1012 10 1212 10

1112

1212

1210 11

1210 1211

1010

1012

1010

12 11 1210

10 1110

1012 12

1112

11 911

9 9 9 11 9 161515

161515

161515

161515

161515

161515

161515

161515

17 170

12 141314 14

13 13 1314

13 1314

13 1314

13 1314

13 1314

1314

1413

1414

13 1314

1314

1413

1215

1315

1215

1315

1215

1312

1513

15 15

1315

1613

1516

1315

1615

1613

1516

1517 17

1717

1717

1717

1717

17 17


8

Sorgdal





Pills, Demons & Etc.Words and Music by Scott Weiland, Duff McKagan, Matt Sorum, Dave Kushner and Slash

Gtr. 1 (dist.)

mfw/ wah-wah

*A7

open

5fr

134

A5

134211

F

2 3

C'9

21 34

G

1144

A5


Gtr. 2 (dist.)

mf

Riff A1A5 G5 A5 C5 A5 G5 A5

G5 A5 C5 A5 G5

Gtr. 1

Riff A

Gtr. 3 (dist.)

mf

Rhy. Fig. 1

End Rhy. Fig. 1

1/4 1/4 1/4 1/4

5 173 4

53 4

53 4

5 3 3 4 53 4

53 4

53 4

5 5 XX

XX

10 1112

10 1112

10 1112 10 10 12 12

10 1112

10 1112

10 1112 X

X

3 45

3 45

3 45 3 3 4 5

3 45

3 45

3 45 5 X

XXX

3

022

3022

022

3 022

3022

3022

022

3 022

3


1

Sorgdal

Gtr. 2

Gtr. 3: w/ Rhy. Fig. 1A5 G5 A5 C5 A5 G5 A5 G5 A5 C5 A5

End Riff A1G5

Gtr. 1 End Riff A

Gtr. 3

You,1.

Verse

A5

you got skills,

Gtrs. 2 & 3 tacet

you

*G5

got the

C5

pills. Youre

F#5

get ting- old

G5

-

Fill 1 End Fill 1

**w/ delay

*Chord symbols implied by bass, next 3 meas.**Set for quarter-note regeneration w/ 1 repeat.

A5

er.-

G5 C5

You

F#5

got the weight

G5 A5

of

G5

all thats

C5

left you

F#5

on your shoul

G5

-

Gtr. 1

Harm.

Pitch: B

10 1112

10 1112

10 1112 10 10 12 12 12

10 1112

10 1112

10 1112 X

XXX

10

3 45

3 45

3 45 3 3 4 5

3 45

3 45

3 45 5 X

XXX

3

12 12

5 5XXX

XXX

XXX

XXX

XXX

XXX

XXX

XXX

XXX

XXX

XXX

XXX

XX5

XX5

XX5

XX5

XX5

XX5

XX5

XX5

XX5


2

Sorgdal

A5

der.-

G5 C5 F#5

But the world

G5 A5 G5

still

C5

waits

F#5

for

G5

Gtr. 1

Gtr. 3 Riff B

Gtr. 4 (dist.)

mf

you,

A5 G5 C5 F#5

though you stare

G5

right through me.

delay off(cont. in slashes)

End Riff B

XXX

XXX

XXX

XXX

XXX

XXX

XXX

XXX

03

32 2 0 2 3

03

32 2 0 2 3

XXX

XXX

XXX

XXX

XXX

XXX

XXX

XXX

XXX

XXX

XXX

XXX

03

32 2 0 2 3

03

32 2 0 2 3


3

Sorgdal

CoT oda

*Gtrs. 1 & 4

Rhy. Fig. 2 open(2nd time, cont. in notation)

End Rhy. Fig. 2

ChorusGtr. 3 tacetF

You got your de mons

C'9

- and your

G

ways of life.

openA5

You could

E F

pull the trig ger

C'9

- and youd

G

end the strike,strike.1.2. you could.

Gtr. 5 (dist.)

mpw/ chorus

Riff C End Riff C

let ring


InterludeGtrs. 1 & 2: w/ Riffs A & A1

A7

Oo,

Gtr. 5 tacet

oo, oo.

Gtr. 5

Fill 2 End Fill 2

let ring

Yeah,1.

VerseGtr. 2: w/ Fill 1

**A5 G5 C5 F#5

I got the news

G5 A5

you

G5

had the

C5

blues,

F#5

you bought a tick

G5

-

Gtr. 1

w/ delay

**Chord symbols implied by bass, next 4 meas.

1720

1917

2019

1720

1720

1917

2019

1720

1720

1917

2019

1720

1720

1917

2019

1720

17

5 5XXX

XXX

XXX

XXX

XXX

XXX

XXX

XXX

XXX


4

Sorgdal

D.S. al Coda

Coda

A5

- et

G5 C5 F#5

to the one

G5 A5

place

G5

that I

C5

wont

F#5

be go ing- to vis

G5

-

mp

Gtr. 3: w/ Riff BA5

- it.

G5 C5 F#5

What the fuck

G5 A5

were

G5

you

C5

think

F#5

ing-

G5

mf

of?

A5 G5 C5 F#5

Now I stare

G5 A5 G5

right

C5

through

F#5

you.

G5

(cont. in slashes)

Gtr. 5: w/ Riff CDsus2


Csus2

- and your

G5

fan cy- wine.

A5

It would

Gtrs. 1 & 4


XXX

XXX

XXX

XXX

XXX

XXX

XXX

XXX

XXX

XXX

XXX

XXX

XXX

XXX

XXX

8 8XX

XX 8 8

XX 8

XX

XX

XX

XX

XX

XX

0230

0230

0230

XXXX

XXXX

3X03

3X03

XXXX

XXXX

3X0033

3X0033

3X0033

XXXX

XXXX

022

022

0


5

Sorgdal

F

go down eas y

C'9

- if youd

G5

spend the night.

Gtrs. 1 & 4

Gtr. 3

P.S.

InterludeGtr. 4 tacetGtr. 5: w/ Fill 2A5

Oo, oo,

C5

Gtr. 2 Riff D

Gtr. 1

Gtr. 3 Riff D1

133211

133211

133211

XXXXXX

XXXXXX

32030

32030

XXXXX

XXXXX

3X003

3X003

3X003

3X0033

3X0033

3X0033

3X0033

XX

15

10 1112

10 1112

10 1112 10 10 12 12

10 1112

10 1112

10 1112 X X X

3 45

3 45

3 45 3 3 4 5

3 45

3 45

3 45 5 X

XXX

2

5X7

XXX

XXX

5X7

8X10


6

Sorgdal

G5

oo, oo,

A5

Riff E

F#5

oo, oo,

G5

End Riff E

10 1112

10 1112

10 1112 10 10 12 12

10 1112

10 1112

10 1112 X

XXX

XX

XX

XX

XX

3 45

3 45

3 45 3 3 4 5

3 45

3 45

3 45 X

XXX

XX

XX

XX

XX

3X5

XXX

XXX

3X5

XXX

XXX

5X7

XXX

XXX

10 1112

10 1112

10 1112 10 10 12 12

10 1112

10 1112

10 1112 X

XXX

XX

XX

XX

XX

3 45

3 45

3 45 3 3 4 5

3 45

3 45

3 45 X

XXX

XX

XX

XX

XX

2X4

XXX

XXX

2X4

XXX

XXX

3X5

XXX

XXX


7

Sorgdal

A5

oo, oo.

End Riff D

End Riff D1

Guitar SoloGtrs. 1, 2 & 3 tacet

F#5 E5 F#5 A5 F#5 E5 F#5

E5 F#5 A5 F#5 E5

Gtr. 6 (dist.)

w/ wah-wahf

8va

11 1

1 1/2 2 1 1/2 1/2

Gtr. 4 Rhy. Fig. 4 End Rhy. Fig. 4

10 1112

10 1112

10 1112 10 10 12 12

10 1112

1012

1112

10 1114 14

3 45

3 45

3 45 3 3 4 5

3 45

3 45

3 45 5

5X7

XXX

XXX

5X7

5X7

5X7

5X7

1719

17X19

17X19

17X19

17X19

17X19

17 17 17 17 1719

17

244

022

244

022

244

02

244

022

244

022

244

02


8

Sorgdal

Gtr. 6


F#5 E5 F#5 A5 F#5 E5 F#5 E5 F#5 A5 F#5 E5

3

1 1 1 1 1/2

Gtr. 6

A5 G5/A A5 C5 A5 G5 A5 G5/A A5 C5 A5 G5

Gtr. 4

A5 G5/A A5 C5 A5 G5 A5

1

Gtrs. 1 & 4: w/ Rhy. Fig. 2Gtr. 5: w/ Riff C (1 1/2 times)Gtr. 6 tacet

Chorus

F


C'9

- and your

G

ways of life.

A5

You could

F

pull the trig ger

C'9

- and youd

G

end the strike.

Gtrs. 1 & 4: w/ Rhy. Fig. 3Dsus2


Csus2

- and your

G5

fan cy- wine.

A5

It would

1714

14 1714

14 1714

1414

1714

1714

1614 17 14

1714

16 14 1614

1614 16 1416

16 1416

1214

12X14

12X14

12X14

1416

14X16

14X16

14X16

1618

16X18

16X18

16X18

1719

17X19

17X19

17X19

1921

19X21

19X21

XXX

XXX

014 12

14

022

000

022

55

022

000

022

000

022

55

022

000

12 1112

11 911

911

9 79

7 57 5 7

6 74

7

8

57

47

8

022

000

022

55

022

000

022

022

022

022

022

00000


9

Sorgdal

F

go down eas y

C'9

- if youd

G5

spend the night, spend the night.Oo,

Gtr. 5

let ring

Gtr. 1

Gtr. 4

P.S.

InterludeGtrs. 2 & 3: w/ Riffs D & D1Gtr. 4 tacetA5

oo,

Gtr. 5 tacet

oo,

C5

Gtr. 5

Gtr. 1

Gtr. 1: w/ Riff EG5

oo, oo,

A5 F#5

oo, oo,

G5

1720

1917

2019

1720

1720

1917

2019

1720

1720

1917

2019

1720

133211

133211

133211

XXXXXX

XXXXXX

32030

32030

XXXXX

XXXXX

3X003

3X003

3X003

3X0033

3X0033

3X0033

3X0033

3X003

3X003

3X003

3X003

3X003

3X003

3X003

XXX

XXX

133211

133211

133211

XXXXXX

XXXXXX

32030

32030

XXXXX

XXXXX

3X003

3X003

3X003

3X0033

3X0033

3X0033

3X0033

3X0033

3X0033

3X0033

3X0033

3X0033

XXX

17

15 17

3 45

3 45

3 45 3 3 4 5

3 45

3 45

3 45 5 17


10

Sorgdal

A5

oo.

Gtr. 1

Gtr. 2


A5 G5 A5 C5 A5 G5 A5 G5 A5 C5 A5 G5

Gtr. 1

Gtr. 2

A5 G5 A5 C5 A5 G5 A5

G5 A5

Gtr. 1

Gtr. 3

1/4 1/4 1/4 1/4

3 45

3 45

3 45 3 3 4 5

3 45

3 45 5 6 7 7

17 1820

17 1820

17 1819 17 17 19 19 19

17 1819

17 1820

17 1819 17 17 18 19 19

10 1112

10 1112

10 1112 10 10 12 12 12

10 1112

10 1112

10 1112 10 12 10 12

17 1819

17 1820

17 1819 17 17 18 19

17 1819

17 1820

17 1819 19

1012 12

10 1112

10 1112 10 10 11 12

10 1112

10 1112

10 1112 12

022

3022

022

3 022

3022

3 3022


11

Sorgdal


American ManWords and Music by Scott Weiland, Duff McKagan, Matt Sorum, Dave Kushner and Slash




(Drums)

(Bass)*A

E C

VII

type2

1333

B

7fr

13421

Em

32 1

C

134211

G

7fr

134211

B

143121

B/D#

111

A

7fr

1342

Em

231

E1144

A57fr

1342

B'11

132

D

G A

E C

Gtr. 1 (dist.)G

p** mf

*Chord symbols implied by bass, next 4 meas. **Vol. swell

***Gtrs. 1 & 2

Rhy. Fig. 1A E C G A E C G

End Rhy. Fig. 1

***Gtr. 2 (dist.), played mf . Composite arrangement

Gtr. 3 (dist.)

Rhy. Fig. 2

Gtrs. 1 & 2: w/ Rhy. Fig. 1

mp

A E C G A E C GEnd Rhy. Fig. 2

(cont. in slashes)

Gtr. 3

Free1.

Verse

B

dom,- the na ked- pow

Gtr. 3 tacet***Em9

er- weak ened- by the ag -

Gtr. 1

w/ chorus

Riff A

let ring

End Riff A

let ring

***Chord symbols reflect implied harmony.

121212

121212

02220

02220

XXXX

022100

022100

XXXX

32010

32010

XXXX

355433

355433

355433

XXXX

02220

02220

XXXX

022100

022100

XXXX

32010

32010

XXXX

355433

355433

355433

XXXX

577655

577655

XXXX

121414131212

121414131212

XXXX

81010988

81010988

XXXX

355433

355433

355433

XXXX

577655

577655

XXXX

121414131212

121414131212

XXXX

81010988

81010988

XXXX

355433

355433

355433

XXXX

911

107

75


1

Sorgdal

Gtr. 1: w/ Riff A (2 times)B7

- es. Raped,

*

*Bass plays note to right of slash, next 11 meas.

B7/D#

but not for got-

Em9

ten.- All

Em9/G

its sup

Em9/A

ple

Em9/G

- se -

B7

- crets, gods

B7/D#

and lib er- a- -

Gtr. 2 Rhy. Fig. 3


Em9

- tions. Those

Em9/G

that try

Em9/A

to use

P.M. P.M. P.M. P.M. P.M.

End Rhy. Fig. 3

P.M.

Gtr. 2: w/ Rhy. Fig. 3B7

it are those

B7/D#

that try to sheath

Em9

it, wide

Em9/G

a wake.-

Em9/A

Gtr. 1 Riff B

let ring

End Riff B

let ring

764

7 7 7 7 764

7 7 764

7 7 764

7 7 7 7 764

7 7 764

7 7

775

7 7 7 7 775

7 7 775

7 7 775

7 7 7 7 775

7 7 775

7 7

911

107

75

17


2

Sorgdal

1To Coda 2To Coda

Yes,

Gtrs. 1 & 2: w/ Rhy. Fig. 1 (2 times)3rd time, Gtr. 4: w/ Fill 1

Chorus

A

I am

E

the A mer

C

- i- can- man.

G

Yes,

A

I am

E

the A mer

C

- i- can- man.

G

Yes,

1st & 2nd times, Gtr. 3: w/ Rhy. Fig. 2A

I am

E

the A mer

C

- i- can- man.

G

Yes,

A

I am

E

the A mer

C

- i- can- man.

G

Gtr. 1


Guitar SoloVIIB B/D# Em

Gtr. 4 (dist.)

mf

P.M.

3

Gtr. 1: w/ Rhy. Fig. 4B B/D# Em *Em/G Em/A Em/G

3 33 3

*Bass plays note to right of slash, next 13 meas.

1

Fill 1Gtr. 4

9 7 6 7 9 9 7 9 10 9 7 7 9 7 9 7

67 2 2 2 7

9 107

10 10 10 7 109

1211 9 12 11

912

11 9 12 11

14


3

Sorgdal

D.S. al Coda 1

1Coda

Free2.

VerseGtr. 1: w/ Riff A (2 times)B7

men haunt

B7/D#

ed- by the mu

Em9

sic.- Ghosts

Gtr. 4 tacetEm9/G

of gen

Em9/A

er- -

a

B7

tions- beat

B7/D#

the drums for free

Em9

dom.- Those

Em9/G

that toiled

Em9/A

and

suf

Gtr. 1: w/ Riff BGtr. 2: w/ Rhy. Fig. 3B7

fered,- now those

B7/D#

they try to smoth

Em9

er- wide

Em9/G

a wake.-

Em9/A

Gtr. 2

Bridge Half-time feel

A5

Where to be gin?-

Bred

Gtr. 2 tacet*A E

to win.

C G

Gtr. 1

w/ slapback delay

string noise

mp

*Chords implied by bass, next 6 meas.

A

Where

E

do I go,

C G

the soul

A

worn

E

off my skin?

C G

12

5 17 17 XXX 5 17

17 17 10X13

12X15

12X15

12X15

12 7X9

1012


4

Sorgdal

A E

So...

C G A E C G

I

Gtr. 2

w/ pick & fingers

Riff C

let ring

End Riff C

let ring

Gtr. 1

mf

Gtr. 2: w/ Riff C (3 times)A

cut

E

out the hole

C G

in my soul

A

I

E

know is you.

C

G

Gtr. 1

Riff D End Riff D

Gtr. 1: w/ Riff D (2 times)A

So

E

are we read

C

y,-

G

read

A

y-

E

to lose?

C

G

A

I

E

know I feel,

C G

feel,

A E

feel.

C G

Gtr. 4

119

109

99

1098

978

79

011

910

99

999

1098

1098

978

79

0

10X12

1214

12X14

1416

1416

9X11

1214

1214

7X9

10X12

1214

12X14

1416

1416

10X12

1214

1214

7X9

15 15 17


5

Sorgdal

Gtr. 4 tacetA

In

E

side- the walls,

C G

A

in

E

side- the walls,

C G

Gtr. 2

let ring let ring

Gtr. 1 Riff E End Riff E

Gtr. 1: w/ Riff EA

the

E

i ron- walls

C

pro

G

tect- the souls

A

of

E

my old boots.

C G

End half-time feel

Gtr. 4

Gtr. 2

let ring let ring let ring

Gtr. 5 (fuzz)

mf

119

99

1210

88

978 8

79 11

910

99

121098

10988

978 8

79

5X7

79

7X9

1012

1214

5X7

79

5X7

1077

12

1110

99

121212

1088

88

9987

87

9 111012

99

1212

121515

121515

978 8

79

54 5

07X9

7 85 7

3 3


6

Sorgdal

Guitar SoloGtr. 1: w/ Rhy. Fig. 4 (3 times)Gtrs. 2 & 5 tacetB B/D# Em *Em/G Em/A

Gtr. 4

1 1 1/2

*Bass plays notes to right of slash, next 9 meas.

1/2

B B/D# Em

Em/G

Em/A

3

1

B

Oh.

B/D# Em Em/G Em/A

let ring

1/2 1 1/2

1212 12 12 12 11

11 11 1212

1114

1215 14 15 12 12 12 11 12

11 11 11 1212

1412

14 14 14 1512

15 15 14 14 14 14 12 11 12


7

Sorgdal

D.S. al Coda 2

2Coda

Gtr. 1

VIIB

B'11 Em

Em type2

3

1 1 1

Yes,

Gtrs. 1 & 2: w/ Rhy. Fig. 1Gtr. 3: w/ Rhy. Fig. 2A

I am

E

the A mer

C

- i- can- man.

G

Yes,

A

I am

E

the A mer

C

- i- can- man.

G

Voc. Fig. 1

(In side- the walls,

End Voc. Fig. 1

in side- the walls.)

Gtrs. 1 & 2

(Gtr. 2, cont. in notation)

Gtr. 1

Yes,

Bkgd. Voc.: w/ Voc. Fig. 1A

I am

E

the A mer

C

- i- can- man.

G A E C

G D

Gtr. 3

Gtr. 2

12 1412 12

17 17 17

000 17

20 19 19 17 14 17 15 14 15 1417 15

1417 15 13 12

14

577655

577655

XXXX

121414131212

121414131212

XXXX

81010988

81010988

XXXX

355433

355433

355433

XXXX

577655

577655

XXXX

121414131212

121414131212

XXXX

81010988

355433

101212111010

5577

5577

5577


8

Sorgdal





Mary MaryWords and Music by Scott Weiland, Duff McKagan, Matt Sorum, Dave Kushner and Slash

(Drums)

F#5*

*Chord symbols implied by bass, next 7 meas.

Verse

type2

134

F#5

134

F5

11

E5

134

B5

13

B55fr

134

D5

311

A/C#

Got1.

F5

a feel

E5

in,

F5

- feel

F#5

inin

F5

your eyes.

E5 F5 F#5

Got

F5

a fe

E5

ver,

F5

- fe

F#5

-

ver,- fe

F5

ver- in

E5

your

F5

thighs,

F#5 F5 E5 F5 F#5 F5

in

E5

your

F5

thighs.

F#5 F5 E5 F5 F#5

**F5 E5 B5

Gtr. 1 (dist.)

P.M.mf

**Chord symbols reflect overall harmony.

Mar y,- Mar y,- Mar y,- by my side.

E5 B5

Got, a, time and love, the kind you can

E5

not- buy,

F#5

Gtr. 2 (dist.)

mf

Gtr. 1

Rhy. Fig. 1

P.M. P.M.

End Rhy. Fig. 1

0 02240

2400

XXX

244

244

244

244

244

022

XX 2

44

02

02

022 2

400

XX

244


1

Sorgdal

F5 E5 F5 F#5 F5

can

E5

not-

F5

buy.

F#5 F5 E5 F5 F#5

F5 E5 B5

Rhy. Fig. 2

string noise

Black boots, strong

legs,

got

style.

E5 B

My ba by- knows the walk, you see her come for miles,

A5

End Rhy. Fig. 2

let ring

P.M.

244

244

133

133

022

022

133

244

244

133

133

022

022

133

244

244

133

133

022

022

133

244

244

133

133

022

022

XXX

244

244

X 022 2

400

XX 2

44

244

022

022

244

12

244

244

402

02

022

022400

XX 2

444

2444

2444

XXX

577


2

Sorgdal

G#5

come

G5

for miles.

C#5

C#7#9

F#5 G#5 A5

Voc. Fill 1

(Oo, oo, oo.

End Voc. Fill 1

Riff A End Riff A

1

Rhy. Fig. 3

P.M. P.M. let ring

End Rhy. Fig. 3

Pre-Chorus

Wan na- find

E5

out what

youre say

B5

ing.-

E5 F5 F#5

Voc. Fig. 1 End Voc. Fig. 1

Oo, oo, oo.)

1


12 1214

1214 14

11 1113

11 1012

11X14

12

577

577

577

57

577

577

XXX

466

466

466

XXX

XXX

355

355

0466

43

45

244

466 X

XXX

577

12 1214

1214 14

7 79

7 79

7X10

912

244

577

57

577

XXX

XXX

577

577

XXX

022

022 2

400

02

022

022

XXX

24

24

24

2 24

2 24

2 24

2 24

202

13

1 244


3

Sorgdal

Bkgd. Voc.: w/ Voc. Fig. 1

F5

Wan

E5

na-

F5

play

F#5

the

F5

games

E5

youre

F5

play

F#5

ing.-

F5 E5 F5 F#5 F5 B5 C#5

Mar

D5

-

Gtr. 3 (dist.)

mp

Gtr. 2

Gtr. 1

P.M. P.M. P.M.

ChorusD5

y,- Mar y- on my mind,

A

oh.

C5

Get back, sug ar- ba by.-Mar

D5

-

Riff B1 End Riff B1

1 1/2 1

Riff B End Riff B

1 1/2 1


17

244

244

133

133

022

022

133

244

244

133

133

022

022

133

244

244

133

133

022

022

133

244

244

133

133

2X4

4X6

5

244

244

133

0 022

133

XXX

244

244

133

0 022

133

XXX

244

244

133

0 022

133

XXX

244

244

133

XXX

XXX

244

466

XXX

577

17 1719

1719 19 18

1718

1718 18 17

1717

1717 17 16

1716 16

15 1417

5 57

57 7 6

56

56 6 5

55

55 5 4

54

54

3 25

577

5 577

XXX

XXX

577

577

XXX

422

422

422

XXX

XXX

422

422

XXX

355

355

355

XXX

XXX

355

355

XXX

355

X57

35

2X4

2X4

3X5

2X4

577


4

Sorgdal

2To Coda

1To Coda

Gtr. 1: w/ Rhy. Fig. 4Gtrs. 2 & 3: w/ Riffs B & B1


A

oh.

C5

Get back, sug ar- ba by.-Mar

D5

-


A

oh.

B5

E5 F#5 E5 F#5

Gtr. 3

Fill 1 End Fill 1

1 1/2

Gtr. 4 (dist.)

P.S.mf

Gtr. 2

(cont. in slashes)

1 1/2

Gtr. 1

let ring let ring (2nd time, cont. in slashes)

P.M. P.M. P.M.(cont. in slashes)

*Gtrs. 1 & 2

open

P.M.

P.M.

open

Gtr. 4

Gtr. 3 tacetInterlude

F#5 F5 E E5 F5 F#5

F5 E5 F5 F#5

F5 E E5 F5 F#5

F5 E5 B5


17 1719

1719 19 18

1718

1718 18 16 16 16

XX

194

5 57

57 7 6

56

56 6 4 4

19 00

244

577

5 577

XXX

XXX

577

577

XXX

422 2

42

XXX

XXX

42

20 2

424

24

24

24

24

24

24

24

24

24

24

0 2 0 244

4 4 3 2 3 44

3 2 3 44

3 2 3 44

3 2 3 4


5

Sorgdal

D.S. al Coda 1

Verse

Gtrs. 1 & 2: w/ Rhy. Fig. 1

A2. mod ern- lov er,- a mod ern- kind.

E5 B5Gtr. 4 tacet

When we close the door were nev er- out

E5

of time,

F#5


F5 E5 F5 F#5 F5

out

E5

of

F5

time.

F#5 F5 E5 F5 F#5

F5 E5 B

Gtr. 1

stringnoise

Uh, black

hair,

red

lips,

brown

eyes.

E5 B

Cant tell you how it feels

that youre mine, o mine,

A5

Gtr. 1: w/ Rhy. Fig. 3Gtr. 2: w/ Riff A

G#5

mine,

G5

o mine.

C#5

Velvet Revolver - Libertad

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Transcript of Velvet Revolver - Libertad