VCD 1 11-33 - Kent State Universitypersonal.kent.edu/~jinderhe/handouts/VCDI...
Transcript of VCD 1 11-33 - Kent State Universitypersonal.kent.edu/~jinderhe/handouts/VCDI...
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11-33VCD 1Art Nouveau
1898, AlphonseMucha, ad forcigarette papers
- curvilinear
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VCD 1Art Nouveau
1896, FrankLloyd Wright
- rectilinear
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VCD 1SecessionistMovement
1898, GustavKlimt
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11-03VCD 1JapaneseInfluence/Ukiyo-e
- isolation ends in1860s- late 1700s,KitagawaUtamaro
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VCD 1Ukiyo-e
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VCD 1Japonisme
1876, Monet,The Japanese Girl
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VCD 1Japonisme
- influence onadvertising
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11-26VCD 1JapaneseInfluence
1891, Toulouse-Lautrec
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VCD 1Dada
1919, HannahHoch, Cut withthe Dada KitchenKnife through theLast WeimarBeer-BellyCultural Epoch inGermany
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VCD 1Photomontage
1935, HerbertMatter, All roadslead to Switzerland
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VCD 1De Stijl
1921, PietMondrian,Composition
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VCD 1Bauhaus
1928, HerbertBayer, coverfor Bauhausmagazine
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VCD 1Modernism
Joseph Muller-Brockmann
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VCD 11969, DoyleDane BernbachAdvertising
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VCD 1PsychedelicRock Posters
1967, Wes Wilson
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VCD 11977, WolfgangWeingart
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VCD 1Herbert Matter(1935) & PaulaScher (1984)
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VCD 1
4
“i make art not for the eye but for
the mind.” - Marcel Duchamp
Marcel Duchamp is credited with inspiring the
Conceptual Art movement with many of his pieces,
in particular his readymades, most famous of which
is Fountain (1917), a standard urinal basin signed by
the artist with the pseudonym R.Mutt.
This piece is not meant to be beautiful, but to
bring attention to the ownership (or lack thereof) of
artwork by the artist and to call into question the
nature of art. It is meant to be considered rather
than admired.
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VCD 1
5
“It means that all of the planning
and decisions are made beforehand and the
execution is a perfunctory
affair.” - Sol LeWitt
Conceptual art emerged as a movement during
the 1960s. Many of the artists in this movement
discarded the conventional art object in favour of a
documented critical inquiry into the artist’s social,
philosophical and psychological status. By the
mid-1970s they had produced publications, indices,
performances, texts and paintings to this end.Vito Acconci, 1969
Following Piece
Joseph Kosuth, 1965One and Three Chairs
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VCD 1
20
Concept in Application
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VCD 1
23
Concept in Application
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VCD 1
28
Concept in Application