V Splitgraphic biennial catalogue

SPLITGRAPHIC

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UZ PETI SPLITGRAPHIC MEĐUNARODNI GRAFIČKI BIJENALE

Peti jubilarni Splitgraphic Međunarodni grafi čki bijenale održava se ove 2011. godine od listopada do

prosinca dovodeći u Split recentna imena svjetske i domaće grafi čke umjetnosti.

Od 2003. godine kada je održan prvi Splitgraphic neprekidno djelujemo predstavljajući međunarodne,

hrvatske i lokalne suvremene grafi čare, podržavajući nove i klasične tendecije u grafi ci, trudeći se prije svega

predstaviti dobru i kvalitetnu grafi čku umjetnost.

I u tome smo u proteklih deset godina uspjeli: osim skupnih izložaba Splitgraphica održano je preko deset

samostalnih izložbi grafi čkih umjetnika poput Mirka Ilića (2003.), Masahira Fukude (2005.),Vaska Lipovca

(2007.), Dušana Džamonje (2009.), Nevenke Arbanas i Maje Franković (2009.), Miroslava Šuteja (2007.),

Kristine Restović i Ivana Kožarića (2005.), Brite Weglin (2009.), Nikole Skokandića i Janice Wong (2005.).

Jednako tako nagrade na Splitgraphicu tijekom godina dodijeljene su ponajboljim imenina grafi čke

umjetnosti poput Vaska Lipovca, Masahira Fukude, Huga Besarda, Yoshia Imamure, Davide Kidd, Basila

C. Franka, Nevenke Arbanas i Maje Franković, Mirjane Vodopije, Janice Wong, Brite Weglin, Hishasija

Kurachija.

Tema ili koncept samih izložbi održanih tijekom Splitgraphica se mijenjao tijekom godina. Koncept ili tema

prvog Splitgraphica 2003. bila je Dioklecijanova palača izabrana kao nastavak splitske grafi čke tradicije.

Željeli smo povezati Splitgraphic s grafi čkom prošlošću grada i slavnom i utjecajnom knjigom britanca

Roberta Adama koji u osamnaestom stoljeću posvetio knjigu arhitekturi Dioklecijanove palače i prikazao je

na grafi kama Charlesa L. Clérisseaua.

Drugi Splitgraphic je uspostavio temu dijaloga kao temeljnu ideju koja se od tada provlači kroz sve izložbe

Splitgraphic bijenala. Tijekom drugog Splitgraphica održan je niz izložbi s konceptom dijaloga među

umjetnicima različitih umjetničkih preokupacija, grafi čkih tehnika ili pak generacija: Kristina Restović –

Ivan Kožarić (galerija Konzervatorskog zavoda), Sandra Mateljan – Marko Pogačnik (Etnografski muzej),

Nikola Skokandić – Janice Wong (galerija Konzervatorskog zavoda), skupne izložbe dijalog talijanske i

japanske grafi ke (Muzej grada Splita) i hrvatskih i američkih fotografa (Fotoklub Split).

Treći Splitgraphic 2007. godine je bio u znaku dijaloga ženskih rukopisa tj. grafi čarki čiji su radovi zauzimali

oko dvije trećine skupne izložbe. Na trećem Splitgraphicu je utemeljena i Nagrada za mlade umjetnike.

Proteklih godina smo izlagali, podržavali i nagrađivali mlade i još neafi rmirane hrvatske umjetnike što je

jedan od glavnih ciljeva bijenala.1

1 Na trećem Splitgraphicu izložena je grupa autorica-studentica Akademije likovnih umjetnosti u Zagrebu: Martina Beneta, Iva Čurić, Tanja Kos, Petra Kriletić, Iva Šarić i Maja Pintarić. Petra Kriletić je i dobitnica Nagrade za mladu umjetnicu trećeg Splitgraphic bijenala.

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Četvrti Splitgraphic 2009. osmišljen je kao dijalog i sučeljavanje različitih grafi čkih tehnika propitivanja

medija grafi ke u suvremenim umjetničkim tendencijama, te su osim skupne izložbe organizirane i tri

samostalne izložbe (Dijalog Nevenke Arbanas i Maje Franković, izložba Brite Weglin i izložba Dušana

Džamonje). Jedan od vrhunaca Splitgraphica je svakako i retrospektivna izložba grafi ka i crteža Dušana

Džamonje u Staroj gradskoj vijećnici. Splitgraphic 2009. je ujedno i bio najveći dotada što samo govori o

važnosti manifestacije i razini priznanja koje Splitgraphic bijenale stekao.

Osim dijaloga umjetnika i grafi čkih tehnika Splitgraphic je uvijek tražio i dijalog gradskih izložbenih

prostora, jedan je razlog nedostatak vlastitog prostora za djelovanje, a drugi je važnost afi rmacije i uspostave

urbanog dijaloga splitskih izložbenih prostora. Postavljanjem izložbi u različite galerijske prostore tijekom

trajanja Splitgraphica uspostavljali smo dijalog i povezanost unutar gradskih struktura “zaposjedajući” ih

grafi kama. Tako su se samostalne i skupne izložbe odvijale u: galeriji Konzervatorskog zavoda, Muzeju grada

Splita, Etnografskom muzeju, galeriji Emanuela Vidovića, Staroj gradskoj vijećnici, galeriji Loggia Pučkog

otvorenog učilišta, galeriji Studio Naranča.

Na peti Splitgraphic bijenale se prijavio još veći broj umjetnika, brojimo 205 prijava za skupnu izložbu. Novina

koju smo uveli petim Splitgraphicom jest ONLINE Splitgraphic prijava umjetnika i izložba njihovih radova

na internetskim stranicama Splitgraphica, te mogućnost glasanja za iste radove što je nagrađeno novom

Nagradom Umjetnika – umjetnici i posjetitelji glasuju i određuju dobitnika nagrade. Osim skupne izložbe

u Staroj gradskoj vijećnici na kojoj je izloženo 60 autora koje je odabrao stručni žiri, u sklopu V jubilarnog

Splitgraphica će na samostalnoj izložbi izlagati u Staroj gradskoj vijećnici i Hugo Besard dobitnik Grand prix

nagrade 2009. godine. Značaj broja prijavljenih umjetnika i dolaska u Split jednog od najpoznatijih grafi čkih

umjetnika današnjice sa trideset i četiri međunarodne nagrade daje nam priznanje za dosadašnji rad. Ovim

kratkim pregledom povijesti Splitgraphic bijenala želimo potvrditi neosporni značaj manifestcije za kulturni

život grada kao jedinoga međunarodnoga likovnoga događaja u Splitu.

Peti Splitgraphic kreće ove godine s idejom nenametanja kustoske koncepcije grafi čkim radovima, već im

daje slobodu da egzistiraju bez upisivanja značenja u prostoru. Poštovali smo suverenitet umjetnika kao

primarnog proizvođača umjetničkog djela. Konceptom bez koncepta i postavom izložbe želimo naglasiti naš

odabir uvijek za dobru grafi ku, za kvalitetnu autorsku grafi ku i takvu je predstaviti publici. Ne želimo vam

reći što da gledate, što je vidljivo, ne želimo vam stvoriti kontekst, ne želimo defi nirati nečiju umjetničku

produkciju. Otkrijte to sami, uživajte u dobrim grafi kama, peti Splitgraphic bijenale je u dijalogu s vama.

Marina Majić

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FIFTH SPLITGRAPHIC INTERNATIONAL GRAPHIC ART BIENNIAL

Th e fi ft h jubilee Splitgraphic International Graphic Art Biennial is taking place from October to December

2011. Splitgraphic biennial is showing contemporary international and national graphic artists.

Since 2003, when the fi rst Splitgraphic biennial was organized, we have been continually working on

presenting international, Croatian and local printmakers; supporting new and classical tendencies in graphic

art and above all aiming to exhibit good quality prints.

And we have succeeded in doing so in the last ten years: in addition to group exhibitions Splitgraphic

organized over ten solo-exhibitions of graphic artists such as Mirko Ilić (2003), Masahiro Fukuda (2005),

Vasko Lipovac (2007), Dušan Džamonja (2009), Nevenka Arbanas and Maja Franković (2009), Miroslav

Šutej (2007), Kristina Restović and Ivan Kožarić (2005), Brita Weglin (2009), Nikola Skokandić and Janice

Wong (2005).

Th e Spligraphic awards were received by the renowned names in graphic art: Vasko Lipovac, Masahiro

Fukuda, Hugo Besard, Yoshio Imamura, Davida Kidd, Basil C. Frank, Nevenka Arbanas and Maja Franković,

Mirjana Vodopija, Janice Wong, Brita Weglin, Hishasi Kurachi.

Idea or concept of the exhibitions during Splitgraphic biennial has changed over the years. Th e concept of

the fi rst Splitgraphic in 2003 was the Diocletian’s palace that was chosen as a continuation of Split’s graphic

tradition. We wanted to link Splitgraphic biennial with city’s printmaking history and with the famous and

infl uential book by British architect Robert Adam. He dedicated this book to the architecture of Diocletian’s

palace in the eighteenth century, and published it with the engravings made by Charles L. Clérisseau.

Th e second Splitgraphic introduced the theme of dialogue as a fundamental idea that has been since then

the underlining thought of all Splitgraphic exhibitions. During second Splitgraphic a series of exhibitions

was organized with the concept of dialogue among artists of diff erent artistic genres, printing techniques

or even generations: Kristina Restović – Ivan Kožarić (Gallery Of Art Conservation Institute), Sandra

Mateljan – Marko Pogačnik (Ethnographic Museum Split), Nikola Skokandić – Janice Wong (Gallery Of

Art Conservation Institute), group exhibitions of Italian and Japanese printmakers (Th e Split City Museum)

and Croatian and American photographers (Fotoklub Split).

Th e third Splitgraphic in 2007 was based on an idea of a female printmakers dialogue whose prints made

two-thirds of the group exhibition. Th e Award for Young Artists was founded during the third Splitgraphic.

Over the past years we have exhibited, supported and awarded young and unknown Croatian artists and

made it one of Splitgraphic’s primary goals.1

1 During the third Splitgraphic the group of artists-students from the Academy of Art in Zagreb was exhibited: Martina Beneta, Iva Čurić, Tanja Kos, Petra Kriletić, Iva Šarić and Maja Pintarić. Petra Kriletić won the Award for Young Artist of the third Splitgraphic biennial.

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Th e fourth Splitgraphic in 2009 was developed as a dialogue and confrontation of printing techniques

and questioning of graphic media in contemporary artistic tendencies. Apart from the group exhibition

we organized three solo exhibitions (Dialogue Nevenka Arbanas and Maja Franković, exhibition of Brita

Weglin and the exhibition of Dušan Džamonja). Th e retrospective exhibition of Dušan Džamonja’s prints

and drawings was one of the Splitgraphic’s highest points. Splitgraphic in 2009 was up that moment the

largest one, which signifi es the importance of the event and the acclaim Splitgraphic gained.

Splitgraphic encouraged not only a dialogue among artists and printmaking techniques but also a dialogue

of exhibition venues, one of the reasons being that we still lack our own space to work in, and the other

the importance of connecting and establishing dialogue among city’s exhibition spaces. By installing

exhibitions in various galleries during Splitgraphic biennials we created a dialogue and a connection among

city structures “invading” them with graphic art. We had group and solo exhibitions in: Gallery Of Art

Conservation Institute, Th e City Museum Of Split, Ethnographic Museum, Emanuel Vidović Gallery, Old

City Hall, Gallery Loggia of POUS, gallery Studio Naranča.

Even more artists applied for fi ft h Splitgraphic, we had 205 applications for the group exhibition. Th e

new feature of fi ft h Splitgraphic is the ONLINE part of the biennial and the online print exhibition on

Splitgraphic’s web site. Th e new Artist’s award is introduced: the award is won by the print with most votes

– artists and visitors of our web site vote for the best work. Sixty artists were chosen and are exhibited on the

group Splitgraphic exhibition in Old City Hall and during November artist Hugo Besard, winner of Grand

Prix 2009, will exhibit his prints in the same venue. Th e number of artists that have applied and a visit of

one of today’s most renowned graphic artists who has won thirty-four international awards acknowledge

our work so far. With this short history of Splitgraphic biennial we would like to confi rm the unquestionable

signifi cance of manifestation for the city’s cultural life as the only international art event in Split.

Th e fi ft h Splitgraphic this year promotes the idea of not imposing curatorial concept to graphic artworks,

but is giving them freedom to exist without assigning meaning in space. We have respected the sovereignty

of the artist as the primary producer of work of art. We would like to emphasize our consistent preference for

good printmaking, for quality artistic prints with the concept without concept and the installation and this is

what we would like to present to our audience. We do not want to tell you what to look at, what is visible, we

do not want to create frame and context; we do not want to defi ne someone’s art production. We want you

to discover it yourself, to enjoy graphic art and to have a dialogue with fi ft h Splitgraphic.

Marina Majić

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GRAFIKE SPLITA I GRAFIKA U SPLITU

Grafi ka kao pratnja tiskanog djela, kao dokumentacija, a zatim i kao zasebno likovno ostvarenje, razvila se

nakon pojave tiska, osobito od šesnaestog stoljeća nadalje. Mogućnošću umnažanja uspješno je zamijenila

unikatne slike i crteže i ubrzo postala popularna, bilo kao pratnja tiskane knjige, bilo kao samostalni otisnuti

list. Nakon ranih drvoreza razvile su se ostale grafi čke tehnike, od kojih su bakrorez i bakropis bile u prvim

stoljećima najuobičajenije.

Grafi ka u Splitu počinje s prvim književnim splitskim, a ujedno i hrvatskim, djelom, s izdanjima Judite

Marka Marulića (1450-1524). U tom spjevu, koji upozorava na tursku opasnost i grafi čke su ilustracije borbe

s Turcima pod zidinama grada, u kojemu možemo prepoznati utvrđenja Splita. Potpisane su inicijalom M.

Znajući da je pjesnik i mislioc Marulić bio i slikar, možemo pretpostaviti da je on ujedno bio i prvi splitski,

i hrvatski, grafi čar, iako za to nemamo pouzdanih dokaza.

Daljnju istaknutu ulogu prikaza Splita, samoga grada ili s okolicom, nalazimo u grafi čkim listovima ili

knjižicama (albumima), bilo zasebnim grada Splita, bilo skupnima, u portolanima šesnaestog i sedamnaestog

stoljeća, tekstovnim i likovnim upustvima brodarima o lukama kojima su plovili, u našem slučaju jadranskima

(G.F. Camutio, V. Coronelli i drugi).

I zasebni grafi čki listovi su se tada umnažali i širili Europom prikazujući istaknuta povijesna zbivanja, tako

je u svijetu slavljeno osvajanje turskog Klisa 1657. godine.

Koliko je presudna bila uloga grafi čkih prikaza u znastvenim i u putopisnim djelima prošlih stoljeća, dokazuju

grafi čki listovi u monumentalnoj knjizi britanskog arhitekta Roberta Adama o Dioklecijanovoj palači u

Splitu (1764.) ili u reprezentativnoj knjizi J. Lavallea putopisa Dalmacijom, s grafi kama Splita rađenima na

temelju velikih akvarela L.F. Cassasa (1802.). Otada grafi čke listove Splita i Dioklecijanove palače nalazimo

u brojnim putopisnim i znastvenim izdanjima europskih autora.

U daljnjem razvitku tiskarske tehnike koja uz tekstove omogućava i tiskanje ilustracija, razvija se grafi ka i

kao zasebna grana slikarstva, u različitim tehnikama, koristeći pogodnost umnažanja likovng djela. I splitski

su se slikari istaknuli, više ili manje, na tom polju. Tako je splitske povijesne ili pučke varoške motive slikar

Anđeo Uvodić umnažao u stotinama primjeraka, pa su se nalazili gotovo u svakom splitskom građanskom

domu.

I brojni inozemni putnici prikazivali su Split, a osobito motive Dioklecijanove palače, u raznim putopisnim

izdanjima ili u zasebnim listovima, naročito u devetnaestom stoljeću.

U minulom međuratnom razdoblju usporedo s izrazito staleškom splitskom Prvomajskom izložbom, u

težnji odabira likovnih vrijednosti osnovan je 1969. Splitski salon, a sa željom šireg kruga sudionika i 1974.

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Bijenale suvremene hrvatske grafi ke, koji se održavao svake druge godine do rata 1992., znatno pridonoseći

kvaliteti likovnog života u Splitu. Međunarodni grafi čki Biennale Split nastavlja tu tradiciju, proširujući je

na predstavljanje ne samo mjesnih i nacionalnih, nego i međunarodnih umjetnika.

Duško Kečkemet

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SPLIT IN GRAPHIC ART AND GRAPHIC ART IN SPLIT

Aft er the appearance of the printing press, especially from the sixteenth century onward, the graphic art

evolved illustrating printed texts and documenting them, while later it became an independent artistic

form.. Th anks to the possibility of multiplifi cation, prints successfully replaced one-off paintings and

drawings and soon became popular, either as a part of printed books or just printed on a paper. Aft er the

fi rst woodcuts other printing techniques developed, copper engraving and etching being the most common

at the beginning.

Printmaking in Split began with the fi rst literary work in Split, and Croatia, with the editions of Judita

(Judith) by Marko Marulić (1450-1524). In this epic, which warns of the threat by the Turks, there are

graphic illustrations of battles with the Turks under the city walls which we recognize as the fortifi cations

of the city of Split. Th ese illustrations are signed with the initial M. Knowing that the poet and philosopher

Marulić was also a painter, we can assume that he was also the fi rst graphic artist in Split and Croatia,

although we do not have any solid evidence to confi rm this.

Further important presentations of Split, the city proper or with the surrounding area, we fi nd in the prints

or booklets (albums) - either separate of the town of Split or overall - dating from the sixteenth and

seventeenth centuries used as textual and visual directions to the mariners that sailed to the ports of the

Adriatic sea (G.F. Camutio, V. Coronelli and others).

At that time separate prints depicting major historical events were also printed and spread throughout

Europe. Th e seize of the fort of Klis and the defeat of the Turks in 1657 was celebrated all over the world.

Th e pivotal role of graphic illustrations in the scientifi c and travel books from the past centuries is proven

both by the prints in the monumental book on Diocletian’s palace in Split by the British architect Robert

Adam (1764) and in the outstanding travelogue through Dalmatia by J. Lavalle, containing prints of Split

based on the magnifi cent aquarelles by L.F. Cassas (1802). Since that time we fi nd graphic presentations of

Split and Diocletian’s palace in numerous travel and scientifi c editions by European authors.

In the further development of the printing techniques which made possible the printing of the illustrations

along with the texts, printmaking evolved also as a separate branch of painting, using various techniques

and benefi ting from the multiplication of artworks. Th e painters of Split more or less excelled in that fi eld

as well. Th us, the painter Anđeo Uvodić multiplied in hundreds of copies the historical scenes from Split or

folk motives from Varoš. His prints could be found in almost every middle-class home in Split.

Numerous foreign travellers also depicted Split, particularly the motives of Diocletian’s palace, in various

travel editions or as separate prints, notably in the nineteenth century.

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In the period between the two wars, parallel to the existence of the extremely guild oriented annual May

Day exhibition, the exhibition of the Split Salon was founded in 1969 with a view to the selection of valuable

artworks and an increased number of participants. In 1974 the Biennial of Croatian Contemporary

Graphic Art was established and held every two years until the war in 1992, contributing extensively to

the quality of cultural life in Split. Th e International Graphic Art Biennial Split continues this tradition,

presenting not only local and national artists, but international artists as well.

Duško Kečkemet

SPLITGRAPHIC

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SPLITGRAPHIC 2011program - programmestara gradska vijećnica - old city hall:skupna izložba - group exhibition 06. - 30. 10. 2011.hugo besard, belgija - belgium 02. 11. - 05. 12. 2011.

muzej grada splita - the split city museum:skupna izložba i grafi čka radionica - group exhibition and printmaking workshop

galerija studio naranča - gallery studio naranča: popratna izložba - accompanying exhibitions

SPLITGRAPHICHUGO BESARD, GRAND PRIX 2009.

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BIOGRAFIJA HUGO BESARD

Hugo Besard rođen je 24. veljače 1955. godine u Etterbeeku (Bruxelles/Belgija). Od 1995. godine je profesor

grafi ke na ARTESIS, Akademiji Primjenjenih Umjetnosti Sveučilišta u Antwerpenu.

1984-1995: Profesor grafi ke na Akademiji Primijenjenih Umjetnosti u Antwerpenu, KASKA

1984-1997: Vladin dužnosnik na Visokom Nacionalnom Institutu Flandrije, NHISK

1979-1982: Laureat Visokog Nacionalnog Instituta u Antwerpenu, NHISK

1974-1979: Školuje se na Kraljevskoj Akademiji Primjenjenih Umjetnosti u Antwerpenu KASKA, odjel

“Slobodne grafi ke”

Nagrade (izbor)

Hugo Besard je dobitnik 34 nacionalne i međunarodne nagrade:

2011: “1° PREMIO de la 5a Muestra Internacional de Miniprint de Rosario Argentina 2011 / Escuela de Bellas

Artes Universidad Nacional de Rosario”, Rosario (Argentina)

2011: ČETVRTA NAGRADA“Th e 8th KOCHI International Triennial Exhibition of Prints”, Japan

2010: PRVA NAGRADA “IIe Premio de Grabado Fundación Museo de las Artes del Grabado Atlante”,

Španjolska

2010: “HONORABLE MENTION AWARD 14th International Print Exhibition Taiwan”, Tajvan

2010: “HONORABLE MENTION AWARD 1st Beijing Erotic Exlibris Exhibition”, Kina

2010: “SPECIAL PRIZE 9th Lessedra World Art Annual Mini Print”, Sofi a/Bugarska

2009: GRAND PRIX “Međunarodni grafi čki bijenale Split/Hrvatska”

2008: “FIRST SPECIAL AWARD 1st International Print Biennial-Istanbul”, Turska

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Razno

2011: Pozvani umjetnik, “Ino-cho Paper Museum”, Kochi/Japan

2011: Pozvani umjetnik “Civic Museum of Cremona 7th International Engraving Exhibition Cremona ‘L’Arte

e il Torchio / Art and the Printing Press’”, Cremona/ Italija

2010: Gostujući profesor, “National Academy of Arts”, Sofi a/Bugarska

2010: Gostujući profesor, “MATRÍZ - Associação de Gravura do Porto/Portugal /Association of Engraving of

Porto”, Porto/Portugal

2010: Službeni povjerenik i selektor, “Advising Committee International Student Triennial Istanbul/Turkey

2010”, Istanbul/Turska

2010: Gostujući umjetnik, “2nd Penang International Print Exhibition Malaysia 2010 / Universiti Sains

Malaysia (USM)”, Malezija

2010: Pozvani umjetnik, “National Taiwan Museum of Fine Arts Taichung” , Tajvan

2010: Pozvani umjetnik, “Graduate School of Printmaking, Th e College of Fine Arts, National Taiwan University

of Arts Taichung” ,Tajvan

2010: Pozvani umjetnik, “5th Bienal Internacional de Gravura-Douro 2010 - 5th International Printmaking

Biennial of Douro-2010” , Porto/Portugal

Izložbe

Brojne nacionalne i internacionalne izložbe (izbor):

Antwerpen, Bruxelles (Belgija) - Utrecht, Breda (Nizozemska) - New Delhi (Indija) - Prag, Jihlava (Češka

republika) – Bratislava (Slovačka) – Pariz (Francuska) - Jerevan (Armenija) – Alijó, Porto (Portugal) –

Carbunari (Rumunjska) - Budimpešta (Mađarska) - Varna, Sofi a (Bugarska) – Kopenhagen (Danska) - Oslo

(Norveška) - Tokyo (Japan) – Przémysl, (Poljska) - San Diego (SAD) - Seoul (Južna Koreja) - Novosibirsk

(Rusija) – Milano, Venecija (Italija) - Istanbul (Turska) - Riveira /A Coruña (Španjolska) - Bangkok (Tajland)

- Guanlan/Shenzhen, Peking (Kina) - Split (Hrvatska) - Bitola, Prilep, Resen, Skopje, Stip (Makedonija)

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HUGO BESARD BIOGRAPHY

Hugo Besard was born on February 24, 1955 in Etterbeek (Brussels/BELGIUM). Since 1995 he is professor

of ‘Etching’ at the ARTESIS University College/Academy of Fine Arts Antwerp Belgium.

1984-1995: Professor ‘Etching’ at the Academy of Fine Arts Antwerp Belgium KASKA

1984-1997: Government offi cial Higher National Institute Flanders NHISK

1979-1982: Laureate of the Higher National Institute in Antwerp NHISK

1974-1979: Studies at the Royal Academy of Fine Arts in Antwerp KASKA, section ‘Free Graphics’

Artistic awards (selection)

Hugo Besard won 34 national and international prizes and awards:

2011: “1° PREMIO de la 5a Muestra Internacional de Miniprint de Rosario Argentina 2011 / Escuela de

Bellas Artes Universidad Nacional de Rosario”, Rosario/Argentina

2011: “’FOURTH PRIZE’, “Th e 8th KOCHI International Triennial Exhibition of Prints JAPAN”

2010: “FIRST PRIZE IIe Premio de Grabado Fundación Museo de las Artes del Grabado Atlante/ España”

2010: “HONORABLE MENTION AWARD 14th International Print Exhibition Taiwan”

2010: “HONORABLE MENTION AWARD 1st Beijing Erotic Exlibris Exhibition/China”

2010: “SPECIAL PRIZE 9th Lessedra World Art Annual Mini Print Sofi a/Bulgaria”

2009: “GRAND PRIX International Graphic Art Biennial Split/Croatia”

2008: “FIRST SPECIAL AWARD 1st International Print Biennial-Istanbul/Turkey”

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Miscellaneous

2011: “Invited artist Ino-cho Paper Museum Kochi Japan”

2011: “Invited artist Civic Museum of Cremona 7th International Engraving Exhibition Cremona ‘L’Arte e il

Torchio / Art and the Printing Press’, Cremona/Italy”

2010: Visiting Professor “National Academy of Arts Sofi a Bulgaria”

2010: Visiting Professor “MATRÍZ - Associação de Gravura do Porto/Portugal /Association of Engraving of

Porto/Portugal”

2010: Offi cial Cultural Commissioner & External Authority “Advising Committee International Student

Triennial Istanbul/Turkey 2010”

2010: “Guest artist exhibition 2nd Penang International Print Exhibition Malaysia 2010 / Universiti Sains

Malaysia (USM)”

2010: Invited artist “National Taiwan Museum of Fine Arts Taichung/Taiwan”

2010: Invited artist “Graduate School of Printmaking, Th e College of Fine Arts, National Taiwan University

of Arts Taichung/Taiwan”

2010: Invited artist “5th Bienal Internacional de Gravura-Douro 2010 - 5th International Printmaking

Biennial of Douro-2010”, Porto/Portugal

Exhibitions

Numerous national and international exhibitions (selection):

Antwerp, Brussels (Belgium) Utrecht, Breda (Th e Netherlands) - New Delhi (India) - Prague, Jihlava (Czech

Republic) – Bratislava (Slovakia) – Paris (France) - Jerevan (Armenia) – Alijó, Porto (Portugal) – Carbunari

(Romania) - Budapest (Hungary) - Varna, Sofi a (Bulgaria) – Kopenhagen (Denmark) - Oslo (Norway)

- Tokyo (Japan) – Przémysl, (Poland) - San Diego (USA)- Seoul (South-Korea) - Novosibirsk (Russia) –

Milano, Venice (Italy) - Istanbul (Turkey) - Riveira /A Coruña (Spain) - Bangkok (Th ailand) - Guanlan/

Shenzhen, Beijing (China) - Split (Croatia) - Bitola, Prilep, Resen, Skopje, Stip (Macedonia)

22

GRAFIČKI SVIJET HUGA BESARDA

Hugo Besard virtuozno urezuje magiju svjetova koji absorbiraju promatrača dajući mu komadić vječne mistične

snage skrivene iza svega stvorenoga.

Njegove grafi ke su oda poeziji nedodirljivoga.

Oda prirodi rođenoj od zvijezda.

Oda ciklusu života i smrti.

Njegova umjetnost je bajka u kojoj se možeš izgubiti.

Bajke koje te bude šaptom,

Urlikom vuka,

Pljuskom potoka.

Hugo Besard daje glas prirodi, koju su ušutkali beton i ravnodušnost.

(Jeroen Perceval, glumac, pjesnik, glazbenik)

To nije priroda sama po sebi, već mistična

Sila iza nje, Eros, ljubav spram života, koja

Navodi Huga Besarda, da slijedi i istražuje

Složeni svijet između tišine prije rođenja i tišine nakon smrti.

Sa virtuoznošću on urezuje svijet u metaforične i alegorijske izraze.

Flora i fauna koje su zaposjele njegove grafi ke kazuju blistavu priču života i smrti,

Muževnosti i ženstvenosti, plodnosti i jalovosti, radosti i boli, straha i sigurnosti.

(Jan van Pelt, pisac)

Umjetnost Huga Besarda obuhvaća zemlju i čitavi živi svijet na ovoj planeti.

Njegov umjetnički talent također izražava bijes zbog patnje našeg planeta, srdžbu koja je bolno svijesna svoje

nemoći, jer mi, ljudska bića, nanosimo sami sebi štetu.

Grafi čar Hugo Besard stavlja svoje tehničko umijeće na raspolaganje ekološkoj poruci za koju se zalaže:

poštedite zemlju, poštujte prirodu i njene stanovnike kao svete i nezamjenjive.

(Frans Boenders, Kraljevska Flamanska Akademija Znanosti i Umjetnosti, Belgija)

23

HUGO BESARD’s GRAPHIC WORLD

Hugo Besard carves with virtuosity magic worlds that absorb the onlooker

give him a taste of the eternal mystical power that hides beyond all created things.

His etchings are an ode to the poetry of the untouched.

An ode to nature born out of stars.

An ode to the cycle of life and death.

His work is a fairy-tale in which you can get lost.

Fairy-tales that awake you with a whisper,

By the howling of a wolf,

By the splashing of a stream.

Hugo Besard gives a voice to nature, gagged into silence by concrete and indiff erence.

(Jeroen Perceval, actor, writer, poet, musician)

It is not nature itself, but the mysterious

Force behind it, Eros, the love for life, that

Drives Hugo Besard to trace and to explore

Th e complex world between the silence before birth and the silence aft er death.

With virtuosity he carves the world into metaphoric and allegorical expressions.

Th e fauna and fl ora occupying his etchings tell the sparkling story of life and death,

Virility and feminity, fertility and aridity, joy and pain, fear and security.

(Jan van Pelt, writer)

Hugo Besard’s art embraces the earth and the whole living world on this planet.

His artistic talent also expresses rage for the suff ering of our planet, a fury which is painfully conscious of its

impotence, because we, as human beings, damage ourselves.

Th e graphic artist Besard puts his technical performance at the disposal of the ecological message he propagates:

spare the earth, respect the environment and its inhabitants as sacred and irreplaceable.

(Frans Boenders, Royal Flemish Academy for Science and Art, Belgium)

24

hugo besard

25

hugo besard - belgija / belgium

“El Niño...la Niña... klimatske promjene i suze Majke Zemlje”

“El Niño...la Niña...the climatic change and the tears of Mother Earth”

Bakropis, reljefni tisak/Etching, blind printing

65 x 95 cm

26

“Voće strasti”/”Passion fruit”

Bakropis/Etching

65 x 95 cm

27

“Stabat Mater...Terra dolorosa...”

Bakropis, reljefni tisak/Etching, blind printing

65 x 95 cm

28

“Kula babilonska i glasnik mira...”

“Th e Tower of Babel and the messenger of peace...”

Bakropis/Etching

65 x 95 cm

29

“Izgubljeni raj...”

“Lost paradise...”

Bakropis/Etching

65 x 95 cm

30

“Zemaljski raj u opasnosti...”

“Earth’s paradise in danger...”

Bakropis/Etching

19 x 40 cm

Sudionici V Splitgraphica 2011Participating artists V Splitgraphic 2011

5

32

1. SOFIA ALEXIOU, Greece/Grčka

2. PEETER ALLIK, Estonia

3. HELLE MEJER ANTONSEN, Denmark/Danska

4. WILLIAM A., Brasil/Brazil

5. NEVENKA ARBANAS, Croatia/Hrvatska

6. MARGARET ASHMAN, United Kingdom/Ujedinjeno Kraljevstvo

7. PETRA BALEKIĆ, Croatia/Hrvatska

8. SABINA BEGOVIĆ, Croatia/Hrvatska

9. JASMINA BOGDANOVIĆ, Croatia/Hrvatska

10. BENJAMIN BROCKMAN, USA/SAD

11. PRZEMYSŁAW BUKOWSKI, Poland/Poljska

12. INHEE BANG, South Korea/Južna Korea

13. EDWARD BATEMAN, USA/SAD

14. HUGO BESARD, Belgium/Belgija

15. MELANIE BÖHM, Austria/Austrija

16. ANDREA BRYAN, Germany/Njemačka

17. KAREN BRUSSAT BUTLER, USA/SAD

18. MARIE BUKOWSKI, USA/SAD

19. TANATORN BURANASINLAPIN, Th ailand/Tajland

20. ZENON BURDY, Canada/Kanada

21. ANKA BURIĆ, Montenegro/Crna Gora

22. LAURA CALLONI, Italy/Italija

23. CHRISTOPHER CANNON, USA/SAD

24. ADRIANO CASTRO, Brasil/Brazil

25. CHIA YU CHANG, Taiwan/Tajvan

26. EVA CHOUNG-FUX, Spain/Španjolska

27. MOJTABA DARVISHI COHAN, Iran

28. JOHN CORBETT, USA/SAD

29. BRIAR CRAIG, Canada/Kanada

30. KATARZYNA CYGANIK, Poland/Poljska

31. VLATKO ČERIĆ, Croatia/Hrvatska

32. MATEUSZ DABROWSKI, Poland/Poljska

33. YASMINE DANIELLI, Italy/Italija

34. ANDREW DeCAEN, USA/SAD

35. ROGER DEWINT, Belgium/Belgija

33

36. JUSTIN DIGGLE, USA/SAD

37. DARIJA DOLANSKI MAJDAK, Croatia/Hrvatska

38. ANGELA DUCLOS, Canada/Kanada

39. KRUNOSLAV DUNDOVIĆ, Croatia/Hrvatska

40. CATHERINE DURAN McKINSTER, Mexico/Meksiko

41. MARTA DZIOMDZIORA, Poland/Poljska

42. MANFRED EGGER, Austria/Austrija

43. SUSUMU ENDO, Japan

44. SUZANA FANTANARIU, Romania/Rumunjska

45. BRIGIT FIEDLER, Austria/Austrija

46. JENNY FREESTONE, USA/SAD

47. MALCOM FRANKLIN, United Kingdom/Ujedinjeno Kraljevstvo

48. BASIL COLIN FRANK, Israel/Izrael

49. MASAHIRO FUKUDA, Japan

50. KEIKO FUKUDA, Japan

51. YOSHIKO FUJITA, Japan

52. LAETITIA GABA, Germany/Njemačka

53. ADMIR GANIĆ, Bosnia and Herzegovina/Bosna i Hercegovina

54. IVANA GAGIĆ-KIČINBAČI, Croatia/Hrvatska

55. COLIN GILLESPIE, United Kingdom/Ujedinjeno Kraljevstvo

56. MARIA GIANNAKOPOULOU, Greece/Grčka

57. BRANKA GRIZELJ, Sweden/Švedska

58. KARIN GRENC, Croatia/Hrvatska

59. LOUISE GROSE, France/Francuska

60. DIETER GRUND, Canada/Kanada

61. KLASJA HABJAN, Croatia/Hrvatska

62. GUDRUN HAEMAGI, Estonia/Estonija

63. NEDA DANA HAERI, United Kingdom/Ujedinjeno Kraljevstvo

64. TUOMAS HALLIVUO, Finland/Finska

65. IRFAN HANDŽUKIĆ, Bosnia and Herzegovina/Bosna i Hercegovina

66. SANJA HAMM, Croatia/Hrvatska

67. YOKO HARA, Japan

68. JEANNE HENDRIKSE-ZWIETERING, Th e Netherlands/Nizozemska

69. MARIA HEED, Sweden/Švedska

70. MARGARETA HELLMAN, Sweden/Švedska

34

71. RAYMOND HIGGS, United Kingdom/Ujedinjeno Kraljevstvo

72. WUON-GEAN HO, United Kingdom/Ujedinjeno Kraljevstvo

73. ELEANORA HOFER, South Africa/Južna Afrika

74. MICHIKO HOSHINO, Japan

75. ANA HRĆAN, Croatia/Hrvatska

76. ELVA HREIÐARSOTTIR, Iceland/Island

77. IZABELA HREN, Slovenia/Slovenija

78. HEATHER HUSTON, Canada/Kanada

79. AYA IMAMURA, Japan

80. ROKO IVANDA, Croatia/Hrvatska

81. INA IVANDIĆ, Croatia/Hrvatska

82. TIBOR JAEGER, Sweden/Švedska

83. JOANNA JANOWSKA-AUGUSTIN, Poland/Poljska

84. EWA TOKER-JAWERBAUM, Argentina

85. ANJA JELASKA, Croatia/Hrvatska

86. FREDERICK JONES, United Kingdom/Ujedinjeno Kraljevstvo

87. VANJA JOVIĆ, Croatia/Hrvatska

88. JÓZSEF KÁNTOR, Hungary/Mađarska

89. MASAHIRO KASAI, Japan

90. SEIKO KAWACHI, Japan

91. DALIBOR KAZIJA, Croatia/Hrvatska

92. ANAMARIJA KEČKEMET, Croatia/Hrvatska

93. LENA KELEKIAN, Lebanon/Libanon

94. MIRNA OŠTARIĆ KERR, Croatia/Hrvatska

95. RALPH KIGGEL, Th ailand/Tajland

96. NILGÜN KILINÇASLAN, Turkey/Turska

97. HYUN-JIN KIM, Taiwan/Tajvan

98. HIDEKI KIMURA, Japan

99. MAJA KIROVSKA, Macedonia/Makedonija

100. TOSHIMI KITANO, Japan

101. NIKOLINA KNEŽEVIĆ, Croatia/Hrvatska

102. ISAO KOBAYASHI, Japan

103. ANA KOLLA, Poland/Poljska

104. ARIA KOMIANOU, Greece/Grčka

105. IGOR KONJUŠAK, Croatia/Hrvatska

35

106. NORIAKI KONDOH, Japan

107. MELINDA KOSTELAC, Croatia/Hrvatska

108. ANTONI KOWALSKI, Poland/Poljska

109. RENATE KRAMMER, Austria/Austrija

110. PETRA KRILETIĆ, Croatia/Hrvatska

111. DRAGANA KRUŽIĆ, Croatia/Hrvatska

112. WOJCIECH KUBRAKIEWICZ, Poland/Poljska

113. TOMASZ KUKAWSKI, Poland/Poljska

114. IRENA LAGATOR, Montenegro/Crna Gora

115. INGRID LEDENT, Belgium/Belgija

116. CLAIRE LEMAY, Canada/Kanada

117. BASIA LIPSKA, Norway/Norveška

118. ARIANNA LOSCIALPO, Italy/Italija

119. STEPHEN LOVETT, New Zealand/Novi Zeland

120. BEATRIZ MAHAN, Spain/Španjolska

121. GRETE MARSTEIN, Norway/Norveška

122. DAN McCORMACK, USA/SAD

123. BOGDAN MIGA, Poland/Poljska

124. TINA MOHOROVIĆ, Slovenia/Slovenija

125. STEPHEN MUMBERSON, United Kingdom/Ujedinjeno Kraljevstvo

126. IOANNIS MONOGYIOS, Greece/Grčka

127. KANSUKE MARIOKA, Japan

128. THOMAS NAWROCKI, USA/SAD

129. JASMINA NEDANOVSKI, Croatia/Hrvatska

130. JADRANKA NJEGOVAN, Th e Netherlands/Nizozemska

131. MARIA ALICIA ZAMORA NOGUERA, Nicaragua/Nikaragva

132. NIKOLINA NOVOSEL, Croatia/Hrvatska

133. MARIE OKADA, Japan

134. GLORIA OREB, Croatia/Hrvatska

135. EMINE ÖZDEMIR, Turkey/Turska

136. YUKIKO OYAMA, Japan

137. ANETTE O. CASPELLER, Denmark/Danska

138. SAVITRI PAL SALVE, India/Indija

139. ELŻBIETA PIETRUCZUK, Poland/Poljska

140. JERZY PIETRUCZUK, Poland/Poljska

36

141. MAJA PINTARIĆ, Croatia/Hrvatska

142. MAGDALENA PIOTROWSKA, Poland/Poljska

143. MALGORZATA PORAJ, Poland/Poljska

144. JOUKO PULLINEN, Finland/Finska

145. CARRIE ANN PLANK, USA/SAD

146. DAJANA RADOŠ, Croatia/Hrvatska

147. KATYA RAEVSKAYA, Russia/Rusija

148. KRISTINA RESTOVIĆ, Croatia/Hrvatska

149. LINA RICA, Croatia/Hrvatska

150. SREĆKO RIJETKOVIĆ, Sweden/Švedska

151. MARIJA KOKEZA-ROGINIĆ, Croatia/Hrvatska

152. NATALIA ROMANIUK, Poland/Poljska

153. ANA SADOWSKA, Poland/Poljska

154. DAVID SARASA RENEDO, Spain/Španjolska

155. SADAO SAKURAI, Japan

156. RYO SAITOH, Japan

157. ADRIANA SALAZAR LAMADRID, Mexico/Meksiko

158. AGIM SALIHU, Kosovo

159. YUGANTI SHIRODKAR, SAD/USA

160. CINLA SEKER, Turkey/Turska

161. HANNE SIE, Denmark/Danska

162. GISKE SIGMUNDSTAD, Norway/Norveška

163. NOMI SILVERMAN, USA/SAD

164. SUNČANA SIMICHEN, Croatia/Hrvatska

165. AMARYLLIS SINIOSSOGLOU, Greece/Grčka

166. NIKOLA SKOKANDIĆ, Croatia/Hrvatska

167. SYLWIA SOLAK, Poland/Poljska

168. MARGOT SPLANE, Canada/Kanada

169. MARINA STANČEV, Croatia/Hrvatska

170. WERNER STEMANS, France/Francuska

171. RANDI STRAND, Norway/Norveška

172. EWELINA SZYDELKO, Poland/Poljska

173. IVA ŠARIĆ, Croatia/Hrvatska

174. DANIELA ŠUŠAK, Croatia/Hrvatska

175. KUDO TADATAKA, Japan

37

176. LIHIE TALMOR, Israel/Izrael

177. NESE AKGÜNDÜZ TEKIN, Turkey/Turska

178. PAUL TIILILÄ, Finland/Finska

179. MARIJA TOMAZ, Croatia/Hrvatska

180. SLOBODAN TOMIĆ, Croatia/Hrvatska

181. TERRY TRICKET, United Kingdom/Ujedinjeno Kraljevstvo

182. HERMAN TUGARINOV, Russia/Rusija

183. MASAHIRO TSUBOTA, Japan

184. KATA UNGVARI-ZRINYI, Romania/Rumunjska

185. ANJA VIDAKOVIĆ, Croatia/Hrvatska

186. ANA VIVODA, Croatia/Hrvatska

187. MARIO VRANDEČIĆ, Croatia/Hrvatska

188. LADA VLAINIĆ, Croatia/Hrvatska

189. LACIA VOGEL, Canada/Kanada

190. MIA VUČIĆ, Croatia/Hrvatska

191. MARTIN WARE, France/Francuska

192. BRITA WEGLIN, Sweden/Švedska

193. LAURA WIDMER, Canada/Kanada

194. CLEO WILKINSON, Australia/Australija

195. JUDY WOODBORNE, South Africa/Južna Afrika

196. KATY WOODROOFE, Australia/Australija

197. JOSEE WUYTS and/i FRANS DE GROOT, Th e Netherlands/Nizozemska

198. SANDRA ZARTH, Germany/Njemačka

199. MARIA ZAVITSANOU, Greece/Grčka

200. BARBARA EVA CATHERINA ZAVODNIK, Slovenia/Slovenija

201. PIOTR ŻACZEK, Poland/Poljska

202. MAJA ZEMUNIK-MUŽINIĆ, Croatia/Hrvatska

203. IRIS XILAS XANALATOS, Greece/Grčka

204. MELDA ONCU YILDIZ, Turkey/Turska

205. YONAS MELESA YONAS, Ethiopia/Etiopija

38

žiri / the jury

Nikola Skokandić, profesor škola Likovnih umjetnosti Split/ Professor School Of Art Split

Edvin Dragičević, izvaredni profesor UMAS Split/Professor Art Academy Split

Slobodan Tomić, docent UMAS Split/Assisant professor Art Academy Split

Marina Majić, povjesničarka umjetnosti/art historian

Brita Weglin, umjetnik/artist

Christian Legentil, umjetnik/artist

Pozvani autori V SplitgraphicInvited artists V Splitgraphic

5

41

NEVENKA ARBANAS, Croatia/Hrvatska

BASIL C. FRANK, Israel/Izrael

MASAHIRO FUKUDA, Japan

EDVIN DRAGIČEVIĆ, Croatia/Hrvatska

PETRA KRILETIĆ, Croatia/Hrvatska

MAJA PINTARIĆ, Croatia/Hrvatska

KRISTINA RESTOVIĆ, Croatia/Hrvatska

NIKOLA SKOKANDIĆ, Croatia/Hrvatska

IVA ŠARIĆ, Croatia/Hrvatska

SLOBODAN TOMIĆ, Croatia/Hrvatska

MIA VUČIĆ, Croatia/Hrvatska

BRITA WEGLIN, Sweden/Švedska

Odabir žirija V Splitgraphic 2011Jury Selection V Splitgraphic 2011

5

44

MARGARET ASHMAN, United Kingdom/Ujedinjeno Kraljevstvo

INHEE BANG, South Korea/Južna Korea

JASNA BOGDANOVIĆ, Croatia/Hrvatska

MARIE BUKOWSKI, USA/SAD

LAURA CALLONI, Italy/Italija

VLATKO ČERIĆ, Croatia/Hrvatska

ANGELA DUCLOS, Canada/Kanada

MARTA DZIOMDZIORA, Poland/Poljska

MANFRED EGGER, Austria/Austrija

KEIKO FUKUDA, Japan

IVANA GAGIĆ-KIČINBAČI, Croatia/Hrvatska

SANJA HAMM, Croatia/Hrvatska

MARIA HEED, Sweden/Švedska

WUON-GEAN HO, United Kingdom/Ujedinjeno Kraljevstvo

IZABELA HREN, Slovenia/Slovenija

HEATHER HUSTON, Canada/Kanada

AYA IMAMURA, Japan

JOANNA JANOWSKA-AUGUSTIN, Poland/Poljska

ANJA JELASKA, Croatia/Hrvatska

MASAHIRO KASAI, Japan

DALIBOR KAZIJA, Croatia/Hrvatska

MAJA KIROVSKA, Macedonia/Makedonija

TOSHIMI KITANO, Japan

MARIJA KOKEZA-ROGINIĆ, Croatia/Hrvatska

IGOR KONJUŠAK, Croatia/Hrvatska

45

NIKOLINA KNEŽEVIĆ, Croatia/Hrvatska

WOJCIECH KUBRAKIEWICZ, Poland/Poljska

INGRID LEDENT, Belgium/Belgija

ARIANNA LOSCIALPO, Italy/Italija

BOGDAN MIGA, Poljska/Poland

MARIE OKADA, Japan

GLORIA OREB, Croatia/Hrvatska

MAGDALENA PIOTROWSKA, Poland/Poljska

LINA RICA, Croatia/Hrvatska

NATALIA ROMANIUK, Poland/Poljska

AGIM SALIHU, Kosovo

MARINA STANČEV, Croatia/Hrvatska

EWELINA SZYDELKO, Poland/Poljska

DANIELA ŠUŠAK, Croatia/Hrvatska

KUDO TADATAKA, Japan

MARIJA TOMAZ, Croatia/Hrvatska

MASAHIKO TSUBOTA, Japan

ANJA VIDAKOVIĆ, Croatia/Hrvatska

ANA VIVODA, Croatia/Hrvatska

LAURA WIDMER, Canada/Kanada

CLEO WILKINSON, Australia/Australija

JOSEE WUYTS and/i FRANS DE GROOT, Th e Netherlands/Nizozemska

BARBARA EVA CATHERINA ZAVODNIK, Slovenia/Slovenija

MAJA ZEMUNIK-MUŽINIĆ, Croatia/Hrvatska

46

Cleo Wilkinson

“Isčekivanje”/“Abeyance”

Mezzotinta/Mezzotint print

30x30 cm

Australija / Australia

47

Manfred Egger

“Zvjezdana noć I”/“Starnight I“

Drvorez/Woodblock print

50x63,5 cm

Austrija / Austria

48

Grand prix

Ingrid Ledent

“Svjetovnost I”/“Temporality I”

Litografi ja, računalni otisak/Litography, computer print

100x125 cm

Belgija / Belgium

49

Ingrid Ledent

“Svjetovnost II”/ “Temporality II”


100x125 cm

Belgija / Belgium

50

Ingrid Ledent

“Svjetovnost III”/ “Temporality III”


76x120 cm

Belgija / Belgium

51

Pozvani autor/Invited artist

Nevenka Arbanas

“Dugi crni kvadrat (Grafi ka IX)”, detalj / “Long Black Square (Print IX)”, detail

Bakropis, akvatinta, linorez/ Etching, aquatint, linocut

237x47 cm

Hrvatska / Croatia

52

Jasna Bogdanović

“Sveprisutnost mijene”/ “ Th e Omnipresent Change”

Inkjet na papiru/Inkjet On Paper

78x140 cm

Hrvatska / Croatia

53

Vlatko Č erić

“Cantabile 7”

Digitalni arhivski tisak na papiru/Digital archive print on paper

70x70 cm

Hrvatska / Croatia

54


Edvin Dragičević

“Prekrasan prizor I“/ “Wonderful sight I”

Bakropis/Etching

100x70 cm

Hrvatska / Croatia

55

Ivana Gagić-Kičinbači

“IGK-1”

Drvorez/Woodcut

115x50 cm

Hrvatska / Croatia

56

Sanja Hamm

“A...”

Kombinirana tehnika (bakropis, meki vosak)/ Mixed media (etching, soft wax)

70x100 cm

Hrvatska / Croatia

57

Anja Jelaska

“Kitokuće-Gordon splitting”/ “Gordon Splitting”

Sitotisak/Silkscreen

50x70 cm

Hrvatska / Croatia

58

Dalibor Kazija

”Unutrašnji”/“Inner”

Bakropis/Etching

50x29,5 cm

Hrvatska / Croatia

59

Marija Kokeza-Roginić

“Metamorfoze”/“Metamorphosis”

Akvatinta/Aquatint

100x153 cm

Hrvatska / Croatia

60

Igor Konjušak

“Mete 2”/ “Targets 2”

Suha igla/Dry point

49x93 cm

Hrvatska / Croatia

61

Nikolina Knežević

“Aurora Borealis”

Bakropis, suha igla/ Etching, dry point

70x70 cm

Hrvatska / Croatia

62


Petra Kriletić

“System #2”

Sitotisak, pleksiglas/ Silkscreen, plexiglass

70x100 cm

Hrvatska / Croatia

63

Gloria Oreb

“Zapis iz radionice 6”/“ Notes From Th e Workshop 6”

Suha igla/Dry point

25x28 cm

Hrvatska / Croatia

64

Nagrada za inventivnost u grafi ci / Award For Inventiveness In Graphic Art


Maja Pintarić

“Tajni život kocke”/ “ Th e Secret Life Of Cube”

Kombinirana tehnika/Mixed media

6 grafi čkih listova 35,3x50 cm i 1 kocka promjenjivih dimenzija/6 prints 35,3x50 and 1 cube of changeable size

Hrvatska / Croatia

65


Kristina Restović

“Torba za otok”/ “Island luggage”

Duboki tisak/Intaglio

70x50 cm

Hrvatska / Croatia

66

Lina Rica

“Zlatica 01”

Slijepi tisak/Blind printing

30x40 cm

Hrvatska / Croatia

67


Nikola Skokandić

Bakropis, aquatinta/Etching, aquatint

Hrvatska / Croatia

68

Marina Stančev

“Šokački duhovi”/ “Folk Spirit”

Sitotisak/ Silkscreen

50x70 cm

Hrvatska / Croatia

69


Iva Šarić

“Bez Naziva”/“Untitled”

Linorez/Linocut

200x200 cm

Hrvatska / Croatia

70

Daniela Šušak

“Tekstura 2”/“Texture 2”

Animirana grafi ka

Hrvatska / Croatia

71

Marija Tomaz

“Bez Naziva”/“Untitled”


70,5x 99,4 cm

Hrvatska / Croatia

72


Slobodan Tomić

“Ambijentalne grafi ke” / “Ambient prints”

Hrvatska / Croatia

73

Anja Vidaković

“0-1, 4, 6, 15”

Bakropis/Etching

50x70 cm

Hrvatska / Croatia

74

Ana Vivoda

“Tragovi I”/“Traces I”

Suha igla, linorez/ Dry point, linocut

96x66 cm

Hrvatska / Croatia

75

Nagrada za mladu umjetnicu / Young Artist Award


Mia Vučić

“Čekanje”/“Waiting”

Akvatinta, računalna grafi ka/Aquatint, computer print

70x100 cm

Hrvatska / Croatia

76

Maja Zemunik-Mužinić

“Bez naziva”/ “Untitled”


59x92 cm

Hrvatska / Croatia

77


Basil C. Frank

“Bliski susreti treće vrste”/“Close Encounters Of A Th ird Kind”

Inkjet digitalni otisak/Inkjet digital print

110x110 cm

Izrael / Israel

78

Laura Calloni

“Kuhinja”/ “Kitchen”

Bakropis na cinku/Etching on zinc

23,5x18 cm

Italija / Italy

79

Arianna Loscialpo

“Conti”

Suha igla/Dry point

39,5x29,5 cm

Italija / Italy

80

Keiko Fukuda

“Boschism (1)”


65x84 cm

Japan

81

Nagrada za doprinos grafi čkoj umjetnosti / Award For Promoting Graphic Art


Masahiro Fukuda

“U Rovinju igra skrivača” /“In Rovinj Hide And Seek”


56x80 cm

Japan

82



Masahiro Fukuda

“Moć očiju”/“Power of Eyes”


80x56 cm

Japan

83



Masahiro Fukuda

“Love Relation – Split (VI)”


56x80 cm

Japan

84

Aya Imamura

“Scopophilia”

Sitotisak na Yupo papiru/ Silkscreen on Yupo-paper

79x55x5

Japan

85

Posebna nagrada / Special Award

Masahiro Kasai

“Okus Istanbula”/“L’arome D’Istanbul (III)”


55x80 cm

Japan

86

Toshimi Kitano

“Prizor-0630”/“Scene-0630”

Bakropis, aquatinta, kolagrafi ja/Etching, aquatint, collagraph

45x30 cm

Japan

87

Marie Okada

“Kad vjetar puše”/“When Th e Wind Blows”

Bakropis, kolaž/Etching, collage

49,5x38,5 cm

Japan

88

Kudo Tadataka

“Timeo-11”

Drvorez, kombinirana tehnika/ Woodcut, mixed media

70x50 cm

Japan

89

Masahiko Tsubota

“Granica boje točka A”/“Color Border Dot-A”

Litografi ja/Lithography

57x73 cm

Japan

90

Inhee Bang

“Autoportret”/“Self-portrait”,

Digitalni otisak/Digital print

110x170 cm

Juž na Koreja / South Korea

91

Angela Duclos

“Bez naziva”/“Untitled”

UV sitotisak/UV Screenprint

63x76cm

Kanada / Canada

92

Heather Huston

“Dan ne može biti poput noći”/ “Th e Day Can’t Be Like Th e Night”

Litografi ja, sitotisak/Lithography, silkscreen

55x76 cm

Kanada / Canada

93

Laura Widmer

“Phansie Knahnsie”

Linorez, reljefni tisak/Linocut, relief print

91x61 cm

Kanada / Canada

94

Agim Salihu

“Zora I”/“Dawn I”


107x75 cm

Kosovo

95

Maja Kirovska

“Jedinstvo; Sveto i svjetovno”/“ Th e Unity; Sacred And Secular”

Digitalni otisak, suhi žig/ Digital print, dry mark

70x50 cm

Makedonija / Macedonia

96

Josee Wuyts i/and Frans De Groot

“Kućni labirint”/“House Labyrinth”

Bakropis, suha igla, suhi žig/Etching, dry point, blind stamp

92x63 cm

Nizozemska / Th e Netherlands

97

Marta Dziomdziora

“Iz ciklusa Pejzaži...1”/“From Th e Cycle Landscapes...1”


100x70 cm

Poljska / Poland

98

Joanna Janowska-Augustin

“Nezaštićenost”/“Defencelessness”


140x100 cm

Poljska / Poland

99

Wojchiech Kubrakiewicz

“Infi nitas”

Linorez s UV otiskom/Linocut with UV print

80x60 cm

Poljska / Poland

100


Bogdan Miga

“Signal III”

Linorez, drvorez/Linocut, woodcut

24x185 cm

Poljska / Poland

101


Bogdan Miga

“Signal IV”

Linorez, drvorez/Linocut, woodcut

40x180 cm

Poljska / Poland

102

Magdalena Piotrowska

“Gomila”/“Crowd”

Linorez/Linocut

58,5x77 cm

Poljska / Poland

103

Natalia Romaniuk

“Dekonstrukcija identiteta 6”/“Deconstruction Of Identity 6”

Digitalno otisak/Digital print

100x73 cm

Poljska / Poland

104

Ewelina Szydelko

“#5 iz serije 360 stupnjeva”/“#5 From 360 Degrees Series”

Akvatinta/Aquatint

100x210 cm

Poljska / Poland

105

Marie Bukowski

“Osjećajući teren #10”/“Sensing Terrains #10”

Monotipija, kolagrafi ja i reljefni otisak/ monotype, collagraph and relief print

75x112cm

Sjedinjenje Američke Države / United States of America

106

Izabela Hren

“Stvaralačko biće u nastajanju”/“Creative Creature Emerging”

Linorez/Linocut

70x50 cm

Slovenija / Slovenia

107

Barbara Eva Catherina Zavodnik

“Slikar ima univerzum u svom umu i u svojim rukama”/“Th e Painter Has

Th e Universe In His Mind And Hands”

Giclée

50x31 cm

Slovenija / Slovenia

108

Maria Heed

“Premjestiti kružnice”/“Displace Circles”

Bakropis/Etching

15,5x13,5 cm

Švedska / Sweden

109


Brita Weglin

“Ja, ti i svi ostali I”/ “Me, You And Everybody Else I”

Digitalni otisak, kolagrafi ja, suha igla/Digital print, collagraph, dry point

81x110 cm

Švedska / Sweden

110

Margaret Ashman

“Vrijeme nakon”/“A Time Beyond”

Foto bakropis/Photo etching

62x57 cm

Ujedinjeno Kraljevsto / United Kingdom

111

Wuon-Gean Ho

“Ples sjene (Odijelo)”/“Shadow Dance (Suit)”

Linorez/Linocut

30x70 cm

Ujedinjeno Kraljevsto / United Kingdom

112

Nagrada umjetnika / Artists Award

ONLINE Splitgraphic 2011

Maria Alicia Zamora Noguera

“Filibusters In Honduras”

Papir, drvorez, fotokopije/Wallpaper, woodcut, photocopies

400x400 cm

Nikaragva / Nicaragua

nagradeawards

5

115

Grand Prix

INGRID LEDENT


BOGDAN MIGA


MASAHIRO KASAI

Nagrada za inventivnost u grafi ci / Award For Inventiveness In Graphic Art

MAJA PINTARIĆ

Nagrada mladoj umjetnici / Young Artist Award

MIA VUČIĆ

Nagrada umjetnika / Artist Award

MARIA ALICIA ZAMORA NOGUERA


MASAHIRO FUKUDA

116

impresum

Splitgraphic bijenale realiziran je uz potporu Grada Splita, Ministarstva za kulturu Republike Hrvatske i HULU Split.

Splitgraphic is supported by the City of Split, Republic of Croatia Ministry of Culture and HULU Split.

U suradnji/In collaboration with

Ured za kulturu grada Splita

Pučko otvoreno učilište Split

Muzej grada Splita

Hrvatsko udruženje likovnih umjetnika / Croatian Association Of Artist - Split

Medijski pokrovitelj/Media Partners

Slobodna Dalmacija

Posebne zahvale/Special thanks to

Elvira Šarić Kostić

Zlatko Sunko

Mateo Perasović

Paško Justinčić

Žiri/Th e Jury

Nikola Skokandić, profesor škola Likovnih umjetnosti Split/ Professor School Of Art Split

Edvin Dragičević, izvaredni profesor UMAS Split/Professor Art Academy Split

Slobodan Tomić, docent UMAS Split/Assisant professor Art Academy Split

Marina Majić, povjesničarka umjetnosti/art historian

Brita Weglin, umjetnik/artist

Christian Legentil, umjetnik/artist

Savjetnik za Splitgraphic nagrade/Consultant Splitgraphic Awards

Brita Weglin, artist

Zvonko Bešker, prof.

Organizacija/Organisation

Kulturna udruga Splitgrafi k/Cultural Association Splitgraphic

Galerija Studio Naranča / Studio Naranča Gallery

Majstora Jurja 5

Tajništvo i arhiva/Secretary and archives

Maja Mijač Majić

117

Direktor Splitgraphic bijenala/Director of Splitgraphic Biennial

Pavo Majić

Kordinator Splitgraphic bijenala/Splitgraphic Biennial coordinator

Marina Majić

Nakladnik/Publisher

Kulturno umjetnička udruga Splitgrafi k/Cultural Association Splitgraphic

Prijevod/Translation

Marina Majić

Fotograf/Photographer

Zlatko Sunko

Lektura/Proofreading

Liliana Smodlaka

Web stranice/Web site

Dizajn studio Zebra

Oblikovanje/Design

Pavo Majić

Artwork

Ingrid Ledent

Tisak/Print

Dalmacijapapir

www.splitgraphic.hr

E-mail [email protected]

CIP - Katalogizacija u publikaciji

S V E U Č I L I Š N A K N J I Ž N I C A U S P L I T U

UDK 76(497.5 Split)”2011”(064)

MEĐUNARODNI grafi čki bijenale Splitgraphic (5 ; 2011 ; Split)

Splitgraphic 5 : međunarodni grafi čki bijenale = international graphic art

biennal, Split, 06.10.-5.12.2011. - Split : Kulturno umjetnička udruga Splitgrafi k, 2011.

ISBN 978-953-56861-0-1

140205019

V Splitgraphic biennial catalogue

Documents

Transcript of V Splitgraphic biennial catalogue