UvA-DARE (Digital Academic Repository) The …Arcos-Burgos, M., & Acosta, M. T. (2007). Tuning major...

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UvA-DARE is a service provided by the library of the University of Amsterdam (http://dare.uva.nl) UvA-DARE (Digital Academic Repository) The creative brain Some insights into the neural dynamics of flexible and persistent creative processes Boot, N.C. Link to publication Creative Commons License (see https://creativecommons.org/use-remix/cc-licenses): Other Citation for published version (APA): Boot, N. C. (2018). The creative brain: Some insights into the neural dynamics of flexible and persistent creative processes. General rights It is not permitted to download or to forward/distribute the text or part of it without the consent of the author(s) and/or copyright holder(s), other than for strictly personal, individual use, unless the work is under an open content license (like Creative Commons). Disclaimer/Complaints regulations If you believe that digital publication of certain material infringes any of your rights or (privacy) interests, please let the Library know, stating your reasons. In case of a legitimate complaint, the Library will make the material inaccessible and/or remove it from the website. Please Ask the Library: https://uba.uva.nl/en/contact, or a letter to: Library of the University of Amsterdam, Secretariat, Singel 425, 1012 WP Amsterdam, The Netherlands. You will be contacted as soon as possible. Download date: 07 Jun 2020

Transcript of UvA-DARE (Digital Academic Repository) The …Arcos-Burgos, M., & Acosta, M. T. (2007). Tuning major...

Page 1: UvA-DARE (Digital Academic Repository) The …Arcos-Burgos, M., & Acosta, M. T. (2007). Tuning major gene variants conditioning human behavior: The anachronism of ADHD. Current Opinion

UvA-DARE is a service provided by the library of the University of Amsterdam (http://dare.uva.nl)

UvA-DARE (Digital Academic Repository)

The creative brainSome insights into the neural dynamics of flexible and persistent creative processesBoot, N.C.

Link to publication

Creative Commons License (see https://creativecommons.org/use-remix/cc-licenses):Other

Citation for published version (APA):Boot, N. C. (2018). The creative brain: Some insights into the neural dynamics of flexible and persistent creativeprocesses.

General rightsIt is not permitted to download or to forward/distribute the text or part of it without the consent of the author(s) and/or copyright holder(s),other than for strictly personal, individual use, unless the work is under an open content license (like Creative Commons).

Disclaimer/Complaints regulationsIf you believe that digital publication of certain material infringes any of your rights or (privacy) interests, please let the Library know, statingyour reasons. In case of a legitimate complaint, the Library will make the material inaccessible and/or remove it from the website. Please Askthe Library: https://uba.uva.nl/en/contact, or a letter to: Library of the University of Amsterdam, Secretariat, Singel 425, 1012 WP Amsterdam,The Netherlands. You will be contacted as soon as possible.

Download date: 07 Jun 2020

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Appendices

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Appendix I: Alternate Names Task – Categories and examples

Category: Examples:

1. Planets verunus arctanus tronus

2. Brazilian music styles rumzao dorvao brinao

3. Flowers lunia fridia ezilia

4. Airlines Jimair Greenair Scanair

5. IKEA products Leksvik Nudik Rostik

6. Belgian villages Luizigem Wierdegem Sellegem

7. Rocks geradiet boniet terradiet

8. Arab oils states Raman Jibulan Urdan

9. Pain killers paradon maladon haptadon

10. STDs dafilus polipilus agridius

11. Indonesian dishes sendang warundang kresang

12. Dances salimba mueva dolsa

13. Bacteria robella kradella tremella

14 Balkan countries Girolië Tazinië Onardië

15. French cheeses mibrulain provurain chauvitain

16. Pasta fussilini krapi falucci

17. Cocktails domicita hawaiana passilada

18. Software companies Triddle Wubble Kimple

19. Surinam dishes ramoti baraseti misoti

20. Scandinavian lakes Holmö Arviksjö Kongebrö

21. Statistical tests denta chynia fischa

22. Pizza's sanadina aruviala buenarita

23. Spanish dishes comida rosilla ajola

24. Martial arts nikato kaido sadamo

25. Cleaning products Clearex Swipex Glamix

26. Wine grapes romignon armagnon blabignon

27. Polish delicacies poshniak balovniak zorniak

28. Fashion brands Tressordini Malucci Sardi

29. Japanese car manufacturers Daisuki Takeshi Mizatsi

30. Drugs polytomine sedoline fadoine

31.* Radioactive elements tortium ronium catalonium

32.* Greek islands Mianos Nikonos Presos

* practice trial

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Appendix II: Exclusion criteria methylphenidate study

• (History of) psychiatric treatment;

• (History of) neurological treatment;

• (History of) endocrine treatment;

• (History of) cardiac or vascular diseases;

• (History of) endocrine/metabolic disease;

• (History of) obstructive respiratory disease;

• (History of) frequent autonomic failure (e.g., vasovagal reflex syncope);

• (History of) clinically significant renal or hepatic disease;

• (History of) epilepsy in adulthood;

• (History of) glaucoma;

• (History of) drug or alcohol dependence;

• One first degree or two second degree family members with a history of sudden

death or ventricular arrhythmia;

• First degree family member with schizophrenia or bipolar disorder;

• Abnormal hearing or (uncorrected) vision;

• Weekly use of psychotropic medication or recreational drugs over a period of at

least 3 months within the last 6 months;

• Use of recreational drugs within 4 weeks prior to participation;

• Use of alcohol within the last 24 hours before each test session;

• Uncontrolled hypertension (defined as diastolic blood pressure at rest > 95 mmHg

or systolic blood pressure > 180 mmHg);

• Irregular sleep/wake rhythm (e.g., regular nightshifts or cross timeline travel);

• Possible pregnancy or breastfeeding;

• Lactose intolerance.

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Summary

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Humans’ unique ability to generate original solutions for everyday

problems and to create beautiful pieces of art fascinates both scientists and non-

scientists. Decades of research have revealed valuable insights into the cognitive,

situational, and personality factors that are associated with creativity. For

example, one influential model of creativity proposes that creative ideas may

result from both flexible processes (e.g., switching between task approaches,

divergent thinking) and persistent processes (e.g., the thorough exploration of

possibilities along a certain line, convergent thinking) (De Dreu et al., 2008;

Nijstad et al., 2010). While we know quite a lot about the contextual factors and

individual differences that are associated with enhanced or reduced creativity

through flexibility and persistence, the neural mechanisms that underlie flexible

and persistent creative processes are still poorly understood. In the studies

presented in this dissertation, my collaborators and I set out to answer some of

the open questions regarding these neural mechanisms.

In Chapter 2, I described a new event-related task that my collaborators

and I developed to compare the neural dynamics of convergent and divergent

processes in idea generation. Studying these dynamics is challenging, because it

requires the repeated measurement of time-locked processes in many trials, as

well as the selection of a suitable comparison task. Our new task allowed us to

measure convergent and divergent processes simultaneously, while keeping the

context and task instructions constant, thereby increasing the comparability

between these processes. During this task, participants generated new names for

several items (e.g., IKEA products, martial arts), given three examples of possible

new names for each item that all ended with the same letter(s) to create an

implicit rule. From the names that participants generated, we created indices for

rule convergent thinking (the number of names with the same ending as the

examples), rule divergent thinking (the number of names with a different

ending), category repetitions (the number of consecutively generated names with

the same ending), and category switches (number of switches from one ending

to another). We measured EEG while participants performed this task and found

that rule divergent (vs. convergent) thinking and switching between endings (vs.

repeating an ending) was associated with widespread decreases in delta power.

Although these delta power differences are hard to interpret in terms of the

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underlying neural mechanisms, this study contributes to advancing our

understanding of the neural underpinnings of creativity by addressing some

methodological challenges that characterize neuroscientific creativity research.

In Chapter 3, I presented a model of dopaminergic modulation of creativity

based on converging evidence indicating that the neurotransmitter dopamine

modulates both flexible and persistent creative processes (e.g., Chermahini &

Hommel, 2012; Zhang et al., 2014b). More specifically, this model proposes that

these flexible and persistent processes in creativity are modulated by the

nigrostriatal and mesocortical dopamine pathway, respectively, similar to the

dopaminergic modulation of flexibility and stability in cognitive control.

Dopamine in the striatum may facilitate creativity through flexibility by

supporting task switching and the flow of new information into working

memory. On the other hand, prefrontal dopamine may support creativity through

persistence by facilitating cognitive stability and the manipulation of

information in working memory. Furthermore, the relationship between (both

striatal and prefrontal) dopamine and these creative processes may follow an

inverted-U-shaped function, where moderate levels of dopamine benefit creative

performance, but both low and high levels of dopamine impair performance.

Because creative ideas presumably result from a combination of flexible and

persistent processes rather than one or the other, we propose that creativity also

requires a delicate balance between striatal and prefrontal dopamine. As direct

evidence for dopaminergic modulation of creativity is lacking at present, this

new model opens up a number of interesting avenues for future research.

Both Chapter 4 and 5 focused on creativity in ADHD, a neurodevelopmental

disorder characterized by symptoms of inattention, hyperactivity, and

impulsivity. This disorder is often treated with drugs that affect dopamine levels

in the brain, suggesting that the dopaminergic system is involved in

development of the disorder. As a result of their distractibility, high energy, and

disinhibition, people with ADHD may be able to generate more original ideas

than people without the disorder. However, empirical evidence for enhanced

creativity in ADHD is mixed. In these two chapter, my collaborators and I

investigated several potential explanations for these mixed findings. In Chapter

4, I presented three studies in which we assessed the relationship between

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subclinical symptoms of ADHD and flexible versus persistent creative processes

in healthy participants. We examined whether the relationship between ADHD

and creativity depends on the type of symptoms that people with ADHD

experience (i.e., inattention, hyperactivity–impulsivity, or both) and on the

specific (flexible or persistent) creative processes under investigation. We found

that ADHD symptoms in general were associated with enhanced self-reported

creative behavior, more publically recognized creative achievements in daily life,

enhanced divergent thinking, and with more original, but less practical,

reconstruction of complex problems (although effect sizes were small). Our

results also indicate that these relationships were mainly driven by hyperactive–

impulsive symptoms of ADHD, whereas inattention symptoms were less

consistently associated with creativity. In addition, we assessed whether

creativity was enhanced at a moderate degree of ADHD symptoms but impaired

at either a low or high level of symptoms, but we did not observe such a

curvilinear relationship for any of the creativity indicators.

Chapter 5 included two studies in which we extended these findings by

investigating creativity in people with clinical ADHD. In Study 5.1, we assessed

the role of intrinsic motivation, performance during early stages of the creative

process (i.e., problem reconstruction), and medication use as potential

explanations for the inconsistent findings on creativity in ADHD. In line with the

findings presented in Chapter 4, we showed that people with ADHD (vs. controls)

reported more real-world creative achievements. However, people with ADHD

did not outperform controls on a divergent thinking task and were not more

intrinsically motivated during this task. Although participants with ADHD (vs.

controls) selected fewer useful problem reconstructions, they were not more

original in reconstructing complex problems. Also, creative performance did not

differ between medicated and unmedicated participants with ADHD in this study.

In Study 5.2, we manipulated motivation during a divergent thinking task by

introducing competition between participants. During this task, participants

could win a bonus by generating more original ideas compared to another

participant. We found that people with ADHD generated more original ideas

under competition than in the absence of competition, while the originality of

ideas that were generated in the control group was not affected by competition.

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Possibly, the prospect of winning money or beating an opponent motivated

people with ADHD to exert more effort during the idea generation processes,

leading to more original ideas. Indeed, competition increased participants’

motivation during idea generation, although motivation did not differ between

groups. We also found that people with ADHD reported higher creative abilities

than controls in the performance (e.g., acting in a play) and mechanical/scientific

domain (e.g., setting up an experiment), but not in everyday, artistic, or

scholarly domains. Possibly, people with ADHD do well in such domains because

these specific creative activities provide a structured framework (e.g., a script) to

guide performance. Together, the findings presented in Chapter 4 and 5 suggest

that directing people with ADHD (especially those that experience hyperactive–

impulsive symptoms) to relatively structured creative tasks and rewarding

creative performance on these tasks could help bring out the positive side of the

disorder.

In the study described in Chapter 6, we manipulated levels of dopamine and

noradrenaline in the brain using methylphenidate. This stimulant is increasingly

used by healthy people to enhance cognitive performance, but methylphenidate

may not have positive effects on all types of cognitive processes. While

methylphenidate may indeed facilitate cognitive stability and persistence, it may

impair people’s cognitive flexibility, including flexible creative processes. Also,

methylphenidate effects may be different for different individuals, depending on

their baseline dopamine levels. In this study, we assessed methylphenidate

effects on convergent and divergent creative processes in a sample of healthy

participants. In addition, we investigated the possibility that such effects depend

on individual differences in ADHD symptoms and working memory capacity,

which are both associated with differences in baseline dopaminergic functioning.

Contrary to our expectations, methylphenidate did not affect participants’

creative performance on any of the tasks, regardless of their hyperactivity–

impulsivity symptoms and baseline working memory capacity. Although

methylphenidate effects on creativity may be underestimated due to several

methodological factors that characterize the present study (e.g., suboptimal

power to detect effects), our findings do not suggest that methylphenidate

impairs people’s ability to be creative. The present study does not provide

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support for the dopaminergic model that I presented in Chapter 3, but is in line

with our finding that the use of ADHD medication does not seem to affect

creative performance in adults with ADHD (Chapter 5).

Together, the studies presented in this dissertation contribute to our ability

to understand and measure the neural mechanisms of creativity in a number of

ways. First, the event-related task that we developed may help other researchers

to better investigate divergent and convergent processes in idea generation.

Second, our model of dopaminergic modulation of creativity may guide future

research on this topic. Our findings showing that methylphenidate does not

affect creative processes help to refine this dopaminergic model and contribute

to a growing collection of knowledge that allows people to make more informed

decisions about whether to use methylphenidate and other cognitive enhancers.

Finally, the studies on creativity in ADHD resolves some of the inconsistencies in

the literature and help us understand how to facilitate creativity in people with

(symptoms of) ADHD.

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Samenvatting

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De unieke menselijke vaardigheid om originele oplossingen voor alledaagse

problemen te bedenken en indrukwekkende kunstwerken te creëren, fascineert

zowel wetenschappers als niet-wetenschappers. Decennialang onderzoek heeft

geresulteerd in waardevolle inzichten in de cognitieve, situationele en

persoonlijkheidsfactoren die met creativiteit geassocieerd zijn. Een invloedrijk

creativiteitsmodel, bijvoorbeeld, stelt dat creatieve ideeën kunnen ontstaan uit

zowel flexibele processen (zoals het wisselen tussen verschillende benaderingen

van de taak, divergent denken) als persistente processen (zoals het grondig

verkennen van mogelijkheden langs een bepaalde lijn, convergent denken) (De

Dreu, Baas, & Nijstad, 2008; Nijstad, De Dreu, Rietzschel, & Baas, 2010). Hoewel

we inmiddels veel weten over de contextuele factoren en individuele verschillen

die samenhangen met verhoogde of verminderde creativiteit via flexibiliteit en

persistentie, weten we nog relatief weinig over de neurale mechanismen die ten

grondslag liggen aan flexibele en persistente creatieve processen. In de

onderzoeken die in deze dissertatie beschreven worden, hadden mijn collega’s en

ik als doel om enkele openstaande vragen met betrekking tot deze neurale

mechanismen te beantwoorden.

In Hoofdstuk 2 beschrijf ik een nieuwe event-related taak die mijn collega’s

en ik ontwikkelden om de neurale mechanismen achter convergente en

divergente processen tijdens het genereren van ideeën te onderzoeken. Het

onderzoeken van deze mechanismen is een uitdaging, omdat het de herhaalde

meting van zorgvuldig getimede processen en een geschikte controletaak vereist.

Door middel van onze nieuwe taak konden we convergente en divergente

processen tegelijkertijd meten, terwijl we de context en taakinstructies constant

hielden, waardoor deze processen beter te vergelijken zijn. Tijdens de taak

genereerden deelnemers nieuwe namen voor verschillende items (bijvoorbeeld

IKEA-producten, vechtsporten) op basis van drie voorbeelden van mogelijke

nieuwe namen voor ieder item die allemaal met dezelfde letter(s) eindigden, om

zo een impliciete regel te creëren. Op basis van de namen die deelnemers

genereerden, berekenden we indices voor regel-convergent denken (het aantal

namen met hetzelfde einde als de voorbeelden), regel-divergent denken (het

aantal namen met een ander einde), herhalingen (het aantal opeenvolgend

gegenereerde namen met hetzelfde einde) en wisselingen (het aantal wisselingen

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van een einde naar een ander). We registreerden de hersenactiviteit van

deelnemers door middel van EEG terwijl deelnemers aan deze taak werkten en

vonden dat regel-divergent (vs. regel-convergent) denken en het wisselen tussen

verschillende eindes (vs. het herhalen van een einde) geassocieerd was met een

wijdverbreide daling in delta-activiteit. Hoewel de verschillen in delta-activiteit

lastig te interpreteren zijn in termen van de onderliggende neurale

mechanismen, draagt deze studie bij aan ons begrip van de neurale basis van

creativiteit, doordat het een aantal methodologische uitdagingen aankaart die

kenmerkend zijn voor neurowetenschappelijk creativiteitsonderzoek.

In Hoofdstuk 3 presenteerde ik een model van dopaminerge modulatie van

creativiteit op basis van convergerend bewijs dat erop duidt dat de

neurotransmitter dopamine zowel flexibele als persistente creatieve processen

moduleert (bijv. Chermahini & Hommel, 2012; Zhang, Zhang, & Zhang, 2014).

Specifiek stelt dit model voor dat deze flexibele en persistente processen in

creativiteit gemoduleerd worden door respectievelijk de nigrostriatale en

mesocorticale dopaminepaden, vergelijkbaar met de dopaminerge modulatie van

flexibiliteit en stabiliteit in cognitieve controle. Dopamine in het striatum

faciliteert flexibele creativiteit mogelijk doordat het wisselen tussen

verschillende taken en de instroom van nieuwe informatie in het werkgeheugen

ondersteunt. Aan de andere kant zou prefrontale dopamine persistente

creativiteit kunnen ondersteunen door cognitieve stabiliteit en de manipulatie

van informatie in het werkgeheugen te faciliteren. Daarnaast volgt de relatie

tussen (zowel striatale als prefrontale) dopamine en deze processen mogelijke

een omgekeerde U-curve, waarbij gemiddelde dopamineniveaus creatieve

prestaties verhogen, maar zowel lage als hoge dopamineniveaus prestaties

verminderen. Omdat creatieve ideeën waarschijnlijk voortkomen uit een

combinatie van flexibele en persistente processen in plaats van een van de twee,

stellen wij voor dat creativiteit ook een delicate balans tussen striatale en

prefrontale dopamine vereist. Omdat direct bewijs voor dopaminerge modulatie

van creativiteit momenteel ontbreekt, schept dit nieuwe model een aantal

interessante mogelijkheden voor toekomstig onderzoek.

Zowel Hoofdstuk 4 als Hoofdstuk 5 focusten op creativiteit in ADHD, een

ontwikkelingsstoornis die wordt gekarakteriseerd door aandachtsproblemen,

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hyperactiviteit en impulsiviteit. Deze stoornis wordt vaak behandeld met

medicatie die dopamineniveaus in de hersenen beïnvloedt, wat suggereert dat het

dopaminerge systeem betrokken is bij het ontstaan van deze stoornis. Als gevolg

van hun verhoogde afleidbaarheid, hyperactiviteit, en disinhibitie zijn mensen

met ADHD mogelijk in staat om originelere ideeën te bedenken dan mensen

zonder de stoornis. Empirisch bewijs voor verhoogde creativiteit in ADHD is

echter niet eenduidig. In deze twee hoofdstukken onderzochten mijn collega’s en

ik een aantal mogelijke verklaringen voor deze inconsistente resultaten. In

Hoofdstuk 4 presenteerde ik drie studies waarin we de relatie tussen subklinische

symptomen van ADHD en flexibele versus persistente creatieve processen

onderzochten in gezonde deelnemers. We gingen na of de relatie tussen ADHD en

creativiteit afhangt van het type symptomen dat mensen met ADHD ervaren (i.e.,

aandachtsproblemen, hyperactiviteit–impulsiviteit of beiden) en van de

specifieke (flexibele of persistente) creatieve processen die onderzocht worden.

We vonden dat ADHD-symptomen over het algemeen geassocieerd waren met

verhoogd zelfgerapporteerd creatief gedrag, meer publiekelijk erkende creatieve

prestaties in het dagelijks leven, verhoogd divergent denken en met originelere,

maar minder praktische, reconstructie van complexe problemen (hoewel de

effectgroottes klein waren). Onze resultaten wijzen er ook op dat deze relaties

voornamelijk gedreven werden door hyperactief–impulsieve symptomen van

ADHD, terwijl aandachtsproblemen minder consistent geassocieerd waren met

creativiteit. Daarnaast gingen we na of creativiteit verhoogd was bij een

gemiddelde mate van ADHD-symptomen, maar verlaagd bij zowel een lage als

hoge mate van symptomen. We vonden echter geen bewijs voor een dergelijke

curvilineaire relatie voor de verschillende creativiteitsindicatoren.

Hoofdstuk 5 omvatte twee studies waarin we deze bevindingen uitbreidden

door creativiteit in mensen met een ADHD-diagnose te onderzoeken. In Studie

5.1 onderzochten we de rol van intrinsieke motivatie, prestaties tijdens de vroege

fases van het creatieve proces (i.e., het herformuleren van complexe problemen)

en medicatiegebruik als mogelijke verklaringen voor de inconsistente

bevindingen met betrekking tot creativiteit in ADHD. In lijn met de bevindingen

in Hoofdstuk 4 toonden we aan dat mensen met ADHD (vs. gezonde controles)

meer creatieve prestaties in het dagelijks leven rapporteerden. Mensen met

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ADHD presteerden echter niet beter dan controles op een divergent denkentaak

en waren niet meer intrinsiek gemotiveerd tijdens deze taak. Hoewel deelnemers

met ADHD (vs. controles) minder bruikbare probleemreconstructies selecteerden,

waren ze niet origineler in het reconstrueren van complexe problemen. Prestaties

op een divergent denkentaak verschilden in deze studie niet tussen deelnemers

met ADHD die wel of geen medicatie gebruikten. In Studie 5.2 manipuleerden we

motivatie tijdens een divergent denkentaak door competitie tussen deelnemers te

introduceren. Tijdens deze taak konden deelnemers een bonus winnen door

originelere ideeën te genereren dan een andere deelnemer. We vonden dat

mensen met ADHD onder competitie meer originele ideeën genereerden dan in

de afwezigheid van competitie, terwijl de originaliteit van ideeën die in de

controlegroep werden bedacht niet werden beïnvloed door competitie. De

mogelijkheid om geld te winnen of een tegenstander te verslaan motiveert

mensen met ADHD mogelijk om meer moeite te doen tijdens het genereren van

ideeën, resulterend in meer originele ideeën. Competitie verhoogde inderdaad de

motivatie van deelnemers tijdens het genereren van ideeën, hoewel motivatie

niet verschilde tussen de groepen. We vonden ook dat mensen met ADHD hogere

creatieve vaardigheden rapporteerden dan controles in het uitvoerende domein

(bijvoorbeeld in een toneelstuk spelen) en het mechanisch/wetenschappelijke

domein (bijvoorbeeld het opzetten van een experiment), maar niet in de

alledaagse, artistieke of intellectuele domeinen. Mensen met ADHD doen het

mogelijk goed in dit soort domeinen doordat deze specifieke creatieve activiteiten

een gestructureerd kader (bijvoorbeeld een script) bieden dat gedrag kan sturen.

Samen suggereren de bevindingen die gepresenteerd worden in Hoofdstuk 4 en 5

dat het sturen van mensen met ADHD (vooral degenen die hyperactief–

impulsieve symptomen ervaren) naar relatief gestructureerde creatieve taken en

het belonen van creatieve prestaties op deze taken de positieve kant van deze

stoornis naar voren zou kunnen brengen.

In het onderzoek dat beschreven wordt in Hoofdstuk 6 manipuleerden we

dopamine- en noradrenalineniveaus in de hersenen door middel van

methylfenidaat. Dit stimulerende middel wordt steeds vaker door gezonde

mensen gebruikt om hun cognitieve prestaties te verhogen, maar methylfenidaat

beïnvloedt wellicht niet alle cognitieve processen positief. Hoewel methylfenidaat

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inderdaad cognitieve stabiliteit en persistentie zou kunnen faciliteren, zou het de

cognitieve flexibiliteit, inclusief flexibele creatieve processen, in de weg kunnen

zitten. Daarnaast zouden de effecten van methylfenidaat verschillend kunnen

zijn voor verschillende mensen, afhankelijk van hun basale dopamineniveaus. In

dit onderzoek gingen we de effecten van methylfenidaat op convergente en

divergente creatieve processen na in een steekproef van gezonde deelnemers.

Daarnaast onderzochten we de mogelijkheid dat zulke effecten afhangen van

individuele verschillen in ADHD-symptomen en werkgeheugencapaciteit –

beiden geassocieerd met verschillen in basale dopaminerge activiteit. Tegen onze

verwachten in had methylfenidaat geen invloed op de creatieve prestatie van

deelnemers op de verschillende taken, ongeacht de symptomen van

hyperactiviteit–impulsiviteit en de basale werkgeheugencapaciteit van

deelnemers. Hoewel de effecten van methylfenidaat op creativiteit in deze studie

mogelijk onderschat worden als gevolg van een aantal methodologische

tekortkomingen die deze studie kenmerken (zoals suboptimale power om

effecten te detecteren), wijzen onze bevindingen er niet op dat methylfenidaat

het vermogen om creatief te zijn in de weg zit. De huidige studie levert daarmee

geen bewijs voor het dopaminerge model dat ik in Hoofdstuk 3 presenteerde,

maar komt wel overeen met onze bevinding dat het gebruik van ADHD-medicatie

de creatieve prestaties van volwassenen met ADHD niet lijkt te beïnvloeden

(Hoofdstuk 5).

Samen dragen de onderzoeken in deze dissertatie op verschillende

manieren bij aan ons begrip van de neurale mechanismen achter creativiteit en

ons vermogen om deze mechanismen te meten. Allereerst zou de event-related

taak die we ontwikkelden andere onderzoekers kunnen helpen om divergente en

convergente processen tijdens het genereren van ideeën beter te meten. Ten

tweede kan ons model van dopaminerge modulatie van creativiteit toekomstig

onderzoek op dit gebied sturen. Onze bevindingen die aantonen dat

methylfenidaat creatieve processen niet beïnvloedt helpen dit dopaminerge

model te verfijnen en dragen daarnaast bij aan een groeiende verzameling van

kennis die mensen in staat stelt om beter onderbouwde beslissingen te nemen

over het wel of niet gebruiken van methylfenidaat en andere cognitieve enhancers.

Tot slot lossen de studies naar creativiteit in ADHD een aantal tegenstrijdigheden

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in de literatuur op en helpen ze ons te begrijpen hoe we creativiteit in mensen

met (symptomen van) ADHD kunnen faciliteren.

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Dankwoord

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Eerlijk gezegd heb ik een groot deel van de afgelopen vier jaar uitgekeken

naar het moment waarop ik niet langer op ingewikkelde analyses zou hoeven

ploeteren en alinea’s voor de achtste keer zou moeten herschrijven, maar me

eindelijk zou kunnen richten op het belangrijkste deel van mijn proefschrift. Nu

het zover is, valt het schrijven van het dankwoord me vies tegen. Ik word

behoorlijk ongemakkelijk van dat sentimentele gedoe en vind het maar lastig om

in woorden te vatten wat de betreffende personen de afgelopen tijd voor me

betekend hebben, maar omdat jullie allemaal zo fantastisch zijn, doe ik toch een

poging.

Allereerst bedank ik uiteraard mijn begeleiders, alle drie briljante

wetenschappers bij wie ik me sinds minuut twee van het sollicitatiegesprek

enorm op mijn gemak voelde. Matthijs, bedankt voor je betrokkenheid,

creativiteit en optimisme! Meer dan eens kwam ik je kantoor binnen met een

schijnbaar gefaald project, om een half uur later weer naar buiten te lopen met

veelbelovende resultaten – jij had altijd een logische verklaring voor

onverwachte bevindingen. Carsten, je enthousiasme, je snelle denken en je

vermogen om the bigger picture te zien hebben mij van het begin af aan

geinspireerd en gemotiveerd. Simon, naast je neuro-expertise en humor heb ik

vooral veel gehad aan je directheid, waardoor ik ook altijd direct terug kon zijn.

Roshan, ik ben heel blij dat ik de kans heb gehad om samen te werken met

iemand met jouw ervaring en expertise. Bedankt voor de leerzame tijd in

Nijmegen! Yingying, thanks for all those memorable days that we spent in the

lab together. It sure wasn’t always easy, so it was great to have someone so

funny and smart around. I really hope we’ll meet again!

Natuurlijk ook heel veel dank aan mijn A&O-collega’s, bij wie ik me als

neuro-nerd toch heel erg heb thuisgevoeld. Barbara, thanks for the fun ADHD

collaborations and for your help with tricky data analyses. Femke, als

copromotor van mijn Siamese tweelingbroer toch een beetje mijn

adoptiebegeleider, dankjewel voor je hulp en de gezelligheid! Edwin, wanneer je

als beginnend AiO in het diepe wordt gegooid voor een groep studenten, is het

heel fijn om te weten dat er een onderwijscoördinator is bij wie je terechtkunt.

Bedankt voor alle wijze raad! Joke, het is al vaker gezegd, maar zonder jou zou

het een puinhoop zijn bij A&O. Bedankt voor al je organisatorische assistentie!

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In het bijzonder bedank ik mijn kantoorgenoten door de jaren: Hillie, Özüm,

Seval en natuurlijk mijn musketiers. Tim, hoewel sommigen waarschijnlijk

denken dat ik mijn project twee keer zo snel had afgerond als ik geen kantoor

met jou had gedeeld, is niets minder waar: zonder jou had ik het waarschijnlijk

nooit afgemaakt. Als het huilen me weer eens nader dan het lachen stond, wist je

me altijd op te beuren met petities en gephotoshopte onzinnigheden. Ik had me

geen betere partner in crime kunnen wensen! Yujie, another stable factor in my

PhD. Your ability to persevere when things don’t go as planned is inspiring and

without that, I’d have complained even more. Loes, als mijn vegan guru heb je

van alle collega’s waarschijnlijk de meest tastbare indruk op mij achtergelaten,

maar daarnaast word ik enom blij van je kinderlijke onbevangenheid. Florian, ik

ken geloof ik niemand die zo lief en bescheiden is als jij. Dank jullie wel voor de

geweldige tijd!

Manon, Nicky, Anouk, Roy, Liesbeth en alle mensen die zich in de loop der

jaren om jullie heen hebben verzameld: bedankt voor de ontelbare biertjes, de

ongepaste grappen, de sportsessies, het bankhangen en al die andere

spectaculaire momenten. Roy, toen we 13 jaar geleden in Oegstgeest aan het

lanterfanten waren, had niemand waarschijnlijk gedacht dat we anno 2017

elkaars paranimf zouden zijn – het kan raar lopen. Fijn dat je erbij bent op de

grote dag! Magdalena, Nynke, Laura – we don’t get to meet so often, but it’s

great to know I have some friends across the world! Ein großes Dankeschön also

to my friends east of the border, who made Germany feel like home long before I

actually moved there.

Mama, Ernst, Jonathan, Fabian en Sabine, ik ben heel blij dat jullie er zijn!

Ik had een aantal omwegen nodig om uiteindelijk mijn weg te vinden en dat was

niet altijd gezellig, maar doordat ik de ruimte kreeg om mijn eigen (juiste of

minder geslaagde) keuzes te maken, ben ik vandaag waar ik ben. Fab, ik ben blij

dat in ieder geval een van ons niet in paniek raakt bij een creatieve taak en even

snel een kaft in elkaar flanst op een doordeweekse middag. Dankjewel!

And of course Marc, my external self-confidence. Thank you for always

believing in my ability to do whatever I put my mind to – I have to admit you’ve

been right every time. It’s been an unlikely adventure so far and I’m looking

forward to what the future has in store for us.

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The “Kurt Lewin Institute Dissertation Series” started in 1997. Since 2015 the

following dissertations have been published in this series:

2015-01: Maartje Elshout: Vengeance

2015-02: Seval Gündemir: The Minority Glass Ceiling Hypothesis: Exploring Reasons

and Remedies for the Underrepresentation of Racial-ethnic Minorities in

Leadership Positions

2015-03: Dagmar Beudeker: On regulatory focus and performance in organizational

environments

2015-04: Charlotte Koot: Making up your mind about a complex technology: An

investigation into factors that help or hinder the achievement of cognitive

closure about CCS

2015-05: Marco van Bommel: The Reputable Bystander: The Role of Reputation in

Activating or Deactivating Bystanders

2015-06: Kira O. McCabe: The Role of Personality in the Pursuit of Context-Specific

Goals

2015-07: Wiebren Jansen: Social inclusion in diverse work settings

2015-08: Xiaoqian Li: As time goes by: Studies on the subjective perception of the

speed by which time passes

2015-09: Aukje Verhoeven: Facilitating food-related planning. Applying

metacognition, cue-monitoring, and implementation intentions

2015-10: Jasper de Groot: Chemosignaling Emotions: What a Smell can Tell

2015-11: Hedy Greijdanus: Intragroup Communication in Intergroup Conflict:

Influences on Social Perception and Cognition

2015-12: Bart de Vos: Communicating Anger and Contempt in Intergroup Conflict:

Exploring their Relational Functions

2015-13: Gerdientje Danner: Psychological Availability. How work experiences spill

over into daily family interactions

2015-14: Hannah Nohlen: Solving ambivalence in context. The experience and

resolution of attitudinal ambivalence

2015-15: Stacey Sanders: Unearthing the Moral Emotive Compass: Exploring the Paths

to (Un)Ethical Leadership

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2015-16: Marc Heerdink: Regulating deviance with emotions: Emotional expressions

as signals of acceptance and rejection

2015-17: Danny Taufik: "Can you feel it" The role of feelings in explaining pro-

environmental behavior

2015-18: Sarah Elbert: Auditory information and its parameters in health persuasion.

The development of a tailored smartphone application to support behavior

change

2016-01: Anna van ‘t Veer: Effortless morality — cognitive and affective processes in

deception and its detection

2016-02: Thijs Bouman: Threat by association: How distant events can affect local

intergroup relations

2016-03: Tim Theeboom: Workplace coaching: Processes and effects

2016-04: Sabine Strofer: Deceptive intent: Physiological reactions in different

interpersonal contexts

2016-05: Caspar van Lissa: Exercising Empathy: The Role of Adolescents' Developing

Empathy in Conflicts with Parents

2016-06: Marlon Mooijman: On the determinants and consequences of punishment

goals: The role of power, distrust, and rule compliance

2016-07: Niels van Doesum: Social mindfulness

2016-08: Leonie Venhoeven: A look on the bright side of an environmentally-friendly

life: Whether and why acting environmentally-friendly can contribute to

well-being

2016-09: Florien Cramwinckel: The social dynamics of morality

2016-10: Junhui Wu: Understanding Human Cooperation: The Psychology of Gossip,

Reputation, and Life History

2016-11: Elise C. Seip: Desire for vengeance. An emotion-based approach to revenge

2016-12: Welmer E. Molenmaker: The (un)willingness to reward cooperation and

punish non-cooperation

2016-13: Liesbeth Mann: On Feeling Humiliated. The Experience of Humiliation in

Interpersonal, Intragroup, and Intergroup Contexts

2016-14: Angela M. Ruepert: Working on the environment

2016-15: Femke Hilverda: Making sense of food risk information: The case of organic

food.

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2016-16: Debora E. Purba: Antecedents of turnover, organizational citizenship

behavior, and workplace deviance: Empirical evidence from Indonesia.

2016-17: Maja Kutlaca: The Role of Values and Value-Identity Fit in Motivating

Collective Action

2016-18: Felicity Turner: A New Psychological Perspective on Identity content, its

Conceptualization, Measurement, and Application

2016-19: Tim W. Faber: When Imitation Falls Short: The Case of Complementary

Actions.

2016-20: Daniela Becker: Self-control conflict in the eating domain: A cognitive,

affective and behavioral perspective

2016-21: Zoi Manesi: Prosocial Behavior Under Surveillance: Understanding the Eye-

Images Effect

2017-01: Tracy Cheung: Turning vice into virtue - when low self-control states

facilitate goal-oriented behaviours

2017-02: Pum Kommattam: Feeling the Other: Emotion Interpretation in Intercultural

Settings

2017-03: Lotte Veenstra: Taming Tempers: A situated motivational approach to anger

management

2017-04: Jolien van Breen: The path of most Resistance: How groups cope with

implicit social identity threat

2017-05: Yuije Cheng: Creativity Under the Gun: How Threat Features and Personal

Characteristics Motivate Creative Responding

2017-06: Eftychia Stamkou: The dynamic nature of social hierarchies: The role of

norm violations and hierarchical concerns

2017-07: Anne Marthe van der Bles: Societal Discontent -- Deciphering the Zeitgeist

2017-08: Willem Sleegers: Meaning and Pupillometry: The Role of Physiological

Arousal in Meaning Maintenance

2017-09: Julia Sasse: More Than a Feeling: Strategic Emotion Expression in Intergroup

Conflicts

2017-10: Nils Köbis: Self-control and the slippery slope of corruption

2017-11: Tim de Wilde: Struggling to decide: Competition in group decision-making

2017-12: Nathalie Boot: The creative brain: Some insights into the neural dynamics of

flexible and persistent creative processes

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Dissertatiereeks Kurt Lewin Instituut 2017-12

op vrijdag 16 februari

2018 om 14.00 uur in de

Agnietenkapel

Oudezijds Voorburgwal

te Amsterdam

Nathalie Boot

Paranimfen:

Roy de KleijnRoy de Kleijn

[email protected] de Wilde

[email protected]

231