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The creative brainSome insights into the neural dynamics of flexible and persistent creative processesBoot, N.C.
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Appendices
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Appendix I: Alternate Names Task – Categories and examples
Category: Examples:
1. Planets verunus arctanus tronus
2. Brazilian music styles rumzao dorvao brinao
3. Flowers lunia fridia ezilia
4. Airlines Jimair Greenair Scanair
5. IKEA products Leksvik Nudik Rostik
6. Belgian villages Luizigem Wierdegem Sellegem
7. Rocks geradiet boniet terradiet
8. Arab oils states Raman Jibulan Urdan
9. Pain killers paradon maladon haptadon
10. STDs dafilus polipilus agridius
11. Indonesian dishes sendang warundang kresang
12. Dances salimba mueva dolsa
13. Bacteria robella kradella tremella
14 Balkan countries Girolië Tazinië Onardië
15. French cheeses mibrulain provurain chauvitain
16. Pasta fussilini krapi falucci
17. Cocktails domicita hawaiana passilada
18. Software companies Triddle Wubble Kimple
19. Surinam dishes ramoti baraseti misoti
20. Scandinavian lakes Holmö Arviksjö Kongebrö
21. Statistical tests denta chynia fischa
22. Pizza's sanadina aruviala buenarita
23. Spanish dishes comida rosilla ajola
24. Martial arts nikato kaido sadamo
25. Cleaning products Clearex Swipex Glamix
26. Wine grapes romignon armagnon blabignon
27. Polish delicacies poshniak balovniak zorniak
28. Fashion brands Tressordini Malucci Sardi
29. Japanese car manufacturers Daisuki Takeshi Mizatsi
30. Drugs polytomine sedoline fadoine
31.* Radioactive elements tortium ronium catalonium
32.* Greek islands Mianos Nikonos Presos
* practice trial
189
Appendix II: Exclusion criteria methylphenidate study
• (History of) psychiatric treatment;
• (History of) neurological treatment;
• (History of) endocrine treatment;
• (History of) cardiac or vascular diseases;
• (History of) endocrine/metabolic disease;
• (History of) obstructive respiratory disease;
• (History of) frequent autonomic failure (e.g., vasovagal reflex syncope);
• (History of) clinically significant renal or hepatic disease;
• (History of) epilepsy in adulthood;
• (History of) glaucoma;
• (History of) drug or alcohol dependence;
• One first degree or two second degree family members with a history of sudden
death or ventricular arrhythmia;
• First degree family member with schizophrenia or bipolar disorder;
• Abnormal hearing or (uncorrected) vision;
• Weekly use of psychotropic medication or recreational drugs over a period of at
least 3 months within the last 6 months;
• Use of recreational drugs within 4 weeks prior to participation;
• Use of alcohol within the last 24 hours before each test session;
• Uncontrolled hypertension (defined as diastolic blood pressure at rest > 95 mmHg
or systolic blood pressure > 180 mmHg);
• Irregular sleep/wake rhythm (e.g., regular nightshifts or cross timeline travel);
• Possible pregnancy or breastfeeding;
• Lactose intolerance.
190
191
Summary
Summary
192
Humans’ unique ability to generate original solutions for everyday
problems and to create beautiful pieces of art fascinates both scientists and non-
scientists. Decades of research have revealed valuable insights into the cognitive,
situational, and personality factors that are associated with creativity. For
example, one influential model of creativity proposes that creative ideas may
result from both flexible processes (e.g., switching between task approaches,
divergent thinking) and persistent processes (e.g., the thorough exploration of
possibilities along a certain line, convergent thinking) (De Dreu et al., 2008;
Nijstad et al., 2010). While we know quite a lot about the contextual factors and
individual differences that are associated with enhanced or reduced creativity
through flexibility and persistence, the neural mechanisms that underlie flexible
and persistent creative processes are still poorly understood. In the studies
presented in this dissertation, my collaborators and I set out to answer some of
the open questions regarding these neural mechanisms.
In Chapter 2, I described a new event-related task that my collaborators
and I developed to compare the neural dynamics of convergent and divergent
processes in idea generation. Studying these dynamics is challenging, because it
requires the repeated measurement of time-locked processes in many trials, as
well as the selection of a suitable comparison task. Our new task allowed us to
measure convergent and divergent processes simultaneously, while keeping the
context and task instructions constant, thereby increasing the comparability
between these processes. During this task, participants generated new names for
several items (e.g., IKEA products, martial arts), given three examples of possible
new names for each item that all ended with the same letter(s) to create an
implicit rule. From the names that participants generated, we created indices for
rule convergent thinking (the number of names with the same ending as the
examples), rule divergent thinking (the number of names with a different
ending), category repetitions (the number of consecutively generated names with
the same ending), and category switches (number of switches from one ending
to another). We measured EEG while participants performed this task and found
that rule divergent (vs. convergent) thinking and switching between endings (vs.
repeating an ending) was associated with widespread decreases in delta power.
Although these delta power differences are hard to interpret in terms of the
Summary
193
underlying neural mechanisms, this study contributes to advancing our
understanding of the neural underpinnings of creativity by addressing some
methodological challenges that characterize neuroscientific creativity research.
In Chapter 3, I presented a model of dopaminergic modulation of creativity
based on converging evidence indicating that the neurotransmitter dopamine
modulates both flexible and persistent creative processes (e.g., Chermahini &
Hommel, 2012; Zhang et al., 2014b). More specifically, this model proposes that
these flexible and persistent processes in creativity are modulated by the
nigrostriatal and mesocortical dopamine pathway, respectively, similar to the
dopaminergic modulation of flexibility and stability in cognitive control.
Dopamine in the striatum may facilitate creativity through flexibility by
supporting task switching and the flow of new information into working
memory. On the other hand, prefrontal dopamine may support creativity through
persistence by facilitating cognitive stability and the manipulation of
information in working memory. Furthermore, the relationship between (both
striatal and prefrontal) dopamine and these creative processes may follow an
inverted-U-shaped function, where moderate levels of dopamine benefit creative
performance, but both low and high levels of dopamine impair performance.
Because creative ideas presumably result from a combination of flexible and
persistent processes rather than one or the other, we propose that creativity also
requires a delicate balance between striatal and prefrontal dopamine. As direct
evidence for dopaminergic modulation of creativity is lacking at present, this
new model opens up a number of interesting avenues for future research.
Both Chapter 4 and 5 focused on creativity in ADHD, a neurodevelopmental
disorder characterized by symptoms of inattention, hyperactivity, and
impulsivity. This disorder is often treated with drugs that affect dopamine levels
in the brain, suggesting that the dopaminergic system is involved in
development of the disorder. As a result of their distractibility, high energy, and
disinhibition, people with ADHD may be able to generate more original ideas
than people without the disorder. However, empirical evidence for enhanced
creativity in ADHD is mixed. In these two chapter, my collaborators and I
investigated several potential explanations for these mixed findings. In Chapter
4, I presented three studies in which we assessed the relationship between
Summary
194
subclinical symptoms of ADHD and flexible versus persistent creative processes
in healthy participants. We examined whether the relationship between ADHD
and creativity depends on the type of symptoms that people with ADHD
experience (i.e., inattention, hyperactivity–impulsivity, or both) and on the
specific (flexible or persistent) creative processes under investigation. We found
that ADHD symptoms in general were associated with enhanced self-reported
creative behavior, more publically recognized creative achievements in daily life,
enhanced divergent thinking, and with more original, but less practical,
reconstruction of complex problems (although effect sizes were small). Our
results also indicate that these relationships were mainly driven by hyperactive–
impulsive symptoms of ADHD, whereas inattention symptoms were less
consistently associated with creativity. In addition, we assessed whether
creativity was enhanced at a moderate degree of ADHD symptoms but impaired
at either a low or high level of symptoms, but we did not observe such a
curvilinear relationship for any of the creativity indicators.
Chapter 5 included two studies in which we extended these findings by
investigating creativity in people with clinical ADHD. In Study 5.1, we assessed
the role of intrinsic motivation, performance during early stages of the creative
process (i.e., problem reconstruction), and medication use as potential
explanations for the inconsistent findings on creativity in ADHD. In line with the
findings presented in Chapter 4, we showed that people with ADHD (vs. controls)
reported more real-world creative achievements. However, people with ADHD
did not outperform controls on a divergent thinking task and were not more
intrinsically motivated during this task. Although participants with ADHD (vs.
controls) selected fewer useful problem reconstructions, they were not more
original in reconstructing complex problems. Also, creative performance did not
differ between medicated and unmedicated participants with ADHD in this study.
In Study 5.2, we manipulated motivation during a divergent thinking task by
introducing competition between participants. During this task, participants
could win a bonus by generating more original ideas compared to another
participant. We found that people with ADHD generated more original ideas
under competition than in the absence of competition, while the originality of
ideas that were generated in the control group was not affected by competition.
Summary
195
Possibly, the prospect of winning money or beating an opponent motivated
people with ADHD to exert more effort during the idea generation processes,
leading to more original ideas. Indeed, competition increased participants’
motivation during idea generation, although motivation did not differ between
groups. We also found that people with ADHD reported higher creative abilities
than controls in the performance (e.g., acting in a play) and mechanical/scientific
domain (e.g., setting up an experiment), but not in everyday, artistic, or
scholarly domains. Possibly, people with ADHD do well in such domains because
these specific creative activities provide a structured framework (e.g., a script) to
guide performance. Together, the findings presented in Chapter 4 and 5 suggest
that directing people with ADHD (especially those that experience hyperactive–
impulsive symptoms) to relatively structured creative tasks and rewarding
creative performance on these tasks could help bring out the positive side of the
disorder.
In the study described in Chapter 6, we manipulated levels of dopamine and
noradrenaline in the brain using methylphenidate. This stimulant is increasingly
used by healthy people to enhance cognitive performance, but methylphenidate
may not have positive effects on all types of cognitive processes. While
methylphenidate may indeed facilitate cognitive stability and persistence, it may
impair people’s cognitive flexibility, including flexible creative processes. Also,
methylphenidate effects may be different for different individuals, depending on
their baseline dopamine levels. In this study, we assessed methylphenidate
effects on convergent and divergent creative processes in a sample of healthy
participants. In addition, we investigated the possibility that such effects depend
on individual differences in ADHD symptoms and working memory capacity,
which are both associated with differences in baseline dopaminergic functioning.
Contrary to our expectations, methylphenidate did not affect participants’
creative performance on any of the tasks, regardless of their hyperactivity–
impulsivity symptoms and baseline working memory capacity. Although
methylphenidate effects on creativity may be underestimated due to several
methodological factors that characterize the present study (e.g., suboptimal
power to detect effects), our findings do not suggest that methylphenidate
impairs people’s ability to be creative. The present study does not provide
Summary
196
support for the dopaminergic model that I presented in Chapter 3, but is in line
with our finding that the use of ADHD medication does not seem to affect
creative performance in adults with ADHD (Chapter 5).
Together, the studies presented in this dissertation contribute to our ability
to understand and measure the neural mechanisms of creativity in a number of
ways. First, the event-related task that we developed may help other researchers
to better investigate divergent and convergent processes in idea generation.
Second, our model of dopaminergic modulation of creativity may guide future
research on this topic. Our findings showing that methylphenidate does not
affect creative processes help to refine this dopaminergic model and contribute
to a growing collection of knowledge that allows people to make more informed
decisions about whether to use methylphenidate and other cognitive enhancers.
Finally, the studies on creativity in ADHD resolves some of the inconsistencies in
the literature and help us understand how to facilitate creativity in people with
(symptoms of) ADHD.
197
Samenvatting
Samenvatting
198
De unieke menselijke vaardigheid om originele oplossingen voor alledaagse
problemen te bedenken en indrukwekkende kunstwerken te creëren, fascineert
zowel wetenschappers als niet-wetenschappers. Decennialang onderzoek heeft
geresulteerd in waardevolle inzichten in de cognitieve, situationele en
persoonlijkheidsfactoren die met creativiteit geassocieerd zijn. Een invloedrijk
creativiteitsmodel, bijvoorbeeld, stelt dat creatieve ideeën kunnen ontstaan uit
zowel flexibele processen (zoals het wisselen tussen verschillende benaderingen
van de taak, divergent denken) als persistente processen (zoals het grondig
verkennen van mogelijkheden langs een bepaalde lijn, convergent denken) (De
Dreu, Baas, & Nijstad, 2008; Nijstad, De Dreu, Rietzschel, & Baas, 2010). Hoewel
we inmiddels veel weten over de contextuele factoren en individuele verschillen
die samenhangen met verhoogde of verminderde creativiteit via flexibiliteit en
persistentie, weten we nog relatief weinig over de neurale mechanismen die ten
grondslag liggen aan flexibele en persistente creatieve processen. In de
onderzoeken die in deze dissertatie beschreven worden, hadden mijn collega’s en
ik als doel om enkele openstaande vragen met betrekking tot deze neurale
mechanismen te beantwoorden.
In Hoofdstuk 2 beschrijf ik een nieuwe event-related taak die mijn collega’s
en ik ontwikkelden om de neurale mechanismen achter convergente en
divergente processen tijdens het genereren van ideeën te onderzoeken. Het
onderzoeken van deze mechanismen is een uitdaging, omdat het de herhaalde
meting van zorgvuldig getimede processen en een geschikte controletaak vereist.
Door middel van onze nieuwe taak konden we convergente en divergente
processen tegelijkertijd meten, terwijl we de context en taakinstructies constant
hielden, waardoor deze processen beter te vergelijken zijn. Tijdens de taak
genereerden deelnemers nieuwe namen voor verschillende items (bijvoorbeeld
IKEA-producten, vechtsporten) op basis van drie voorbeelden van mogelijke
nieuwe namen voor ieder item die allemaal met dezelfde letter(s) eindigden, om
zo een impliciete regel te creëren. Op basis van de namen die deelnemers
genereerden, berekenden we indices voor regel-convergent denken (het aantal
namen met hetzelfde einde als de voorbeelden), regel-divergent denken (het
aantal namen met een ander einde), herhalingen (het aantal opeenvolgend
gegenereerde namen met hetzelfde einde) en wisselingen (het aantal wisselingen
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199
van een einde naar een ander). We registreerden de hersenactiviteit van
deelnemers door middel van EEG terwijl deelnemers aan deze taak werkten en
vonden dat regel-divergent (vs. regel-convergent) denken en het wisselen tussen
verschillende eindes (vs. het herhalen van een einde) geassocieerd was met een
wijdverbreide daling in delta-activiteit. Hoewel de verschillen in delta-activiteit
lastig te interpreteren zijn in termen van de onderliggende neurale
mechanismen, draagt deze studie bij aan ons begrip van de neurale basis van
creativiteit, doordat het een aantal methodologische uitdagingen aankaart die
kenmerkend zijn voor neurowetenschappelijk creativiteitsonderzoek.
In Hoofdstuk 3 presenteerde ik een model van dopaminerge modulatie van
creativiteit op basis van convergerend bewijs dat erop duidt dat de
neurotransmitter dopamine zowel flexibele als persistente creatieve processen
moduleert (bijv. Chermahini & Hommel, 2012; Zhang, Zhang, & Zhang, 2014).
Specifiek stelt dit model voor dat deze flexibele en persistente processen in
creativiteit gemoduleerd worden door respectievelijk de nigrostriatale en
mesocorticale dopaminepaden, vergelijkbaar met de dopaminerge modulatie van
flexibiliteit en stabiliteit in cognitieve controle. Dopamine in het striatum
faciliteert flexibele creativiteit mogelijk doordat het wisselen tussen
verschillende taken en de instroom van nieuwe informatie in het werkgeheugen
ondersteunt. Aan de andere kant zou prefrontale dopamine persistente
creativiteit kunnen ondersteunen door cognitieve stabiliteit en de manipulatie
van informatie in het werkgeheugen te faciliteren. Daarnaast volgt de relatie
tussen (zowel striatale als prefrontale) dopamine en deze processen mogelijke
een omgekeerde U-curve, waarbij gemiddelde dopamineniveaus creatieve
prestaties verhogen, maar zowel lage als hoge dopamineniveaus prestaties
verminderen. Omdat creatieve ideeën waarschijnlijk voortkomen uit een
combinatie van flexibele en persistente processen in plaats van een van de twee,
stellen wij voor dat creativiteit ook een delicate balans tussen striatale en
prefrontale dopamine vereist. Omdat direct bewijs voor dopaminerge modulatie
van creativiteit momenteel ontbreekt, schept dit nieuwe model een aantal
interessante mogelijkheden voor toekomstig onderzoek.
Zowel Hoofdstuk 4 als Hoofdstuk 5 focusten op creativiteit in ADHD, een
ontwikkelingsstoornis die wordt gekarakteriseerd door aandachtsproblemen,
Samenvatting
200
hyperactiviteit en impulsiviteit. Deze stoornis wordt vaak behandeld met
medicatie die dopamineniveaus in de hersenen beïnvloedt, wat suggereert dat het
dopaminerge systeem betrokken is bij het ontstaan van deze stoornis. Als gevolg
van hun verhoogde afleidbaarheid, hyperactiviteit, en disinhibitie zijn mensen
met ADHD mogelijk in staat om originelere ideeën te bedenken dan mensen
zonder de stoornis. Empirisch bewijs voor verhoogde creativiteit in ADHD is
echter niet eenduidig. In deze twee hoofdstukken onderzochten mijn collega’s en
ik een aantal mogelijke verklaringen voor deze inconsistente resultaten. In
Hoofdstuk 4 presenteerde ik drie studies waarin we de relatie tussen subklinische
symptomen van ADHD en flexibele versus persistente creatieve processen
onderzochten in gezonde deelnemers. We gingen na of de relatie tussen ADHD en
creativiteit afhangt van het type symptomen dat mensen met ADHD ervaren (i.e.,
aandachtsproblemen, hyperactiviteit–impulsiviteit of beiden) en van de
specifieke (flexibele of persistente) creatieve processen die onderzocht worden.
We vonden dat ADHD-symptomen over het algemeen geassocieerd waren met
verhoogd zelfgerapporteerd creatief gedrag, meer publiekelijk erkende creatieve
prestaties in het dagelijks leven, verhoogd divergent denken en met originelere,
maar minder praktische, reconstructie van complexe problemen (hoewel de
effectgroottes klein waren). Onze resultaten wijzen er ook op dat deze relaties
voornamelijk gedreven werden door hyperactief–impulsieve symptomen van
ADHD, terwijl aandachtsproblemen minder consistent geassocieerd waren met
creativiteit. Daarnaast gingen we na of creativiteit verhoogd was bij een
gemiddelde mate van ADHD-symptomen, maar verlaagd bij zowel een lage als
hoge mate van symptomen. We vonden echter geen bewijs voor een dergelijke
curvilineaire relatie voor de verschillende creativiteitsindicatoren.
Hoofdstuk 5 omvatte twee studies waarin we deze bevindingen uitbreidden
door creativiteit in mensen met een ADHD-diagnose te onderzoeken. In Studie
5.1 onderzochten we de rol van intrinsieke motivatie, prestaties tijdens de vroege
fases van het creatieve proces (i.e., het herformuleren van complexe problemen)
en medicatiegebruik als mogelijke verklaringen voor de inconsistente
bevindingen met betrekking tot creativiteit in ADHD. In lijn met de bevindingen
in Hoofdstuk 4 toonden we aan dat mensen met ADHD (vs. gezonde controles)
meer creatieve prestaties in het dagelijks leven rapporteerden. Mensen met
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201
ADHD presteerden echter niet beter dan controles op een divergent denkentaak
en waren niet meer intrinsiek gemotiveerd tijdens deze taak. Hoewel deelnemers
met ADHD (vs. controles) minder bruikbare probleemreconstructies selecteerden,
waren ze niet origineler in het reconstrueren van complexe problemen. Prestaties
op een divergent denkentaak verschilden in deze studie niet tussen deelnemers
met ADHD die wel of geen medicatie gebruikten. In Studie 5.2 manipuleerden we
motivatie tijdens een divergent denkentaak door competitie tussen deelnemers te
introduceren. Tijdens deze taak konden deelnemers een bonus winnen door
originelere ideeën te genereren dan een andere deelnemer. We vonden dat
mensen met ADHD onder competitie meer originele ideeën genereerden dan in
de afwezigheid van competitie, terwijl de originaliteit van ideeën die in de
controlegroep werden bedacht niet werden beïnvloed door competitie. De
mogelijkheid om geld te winnen of een tegenstander te verslaan motiveert
mensen met ADHD mogelijk om meer moeite te doen tijdens het genereren van
ideeën, resulterend in meer originele ideeën. Competitie verhoogde inderdaad de
motivatie van deelnemers tijdens het genereren van ideeën, hoewel motivatie
niet verschilde tussen de groepen. We vonden ook dat mensen met ADHD hogere
creatieve vaardigheden rapporteerden dan controles in het uitvoerende domein
(bijvoorbeeld in een toneelstuk spelen) en het mechanisch/wetenschappelijke
domein (bijvoorbeeld het opzetten van een experiment), maar niet in de
alledaagse, artistieke of intellectuele domeinen. Mensen met ADHD doen het
mogelijk goed in dit soort domeinen doordat deze specifieke creatieve activiteiten
een gestructureerd kader (bijvoorbeeld een script) bieden dat gedrag kan sturen.
Samen suggereren de bevindingen die gepresenteerd worden in Hoofdstuk 4 en 5
dat het sturen van mensen met ADHD (vooral degenen die hyperactief–
impulsieve symptomen ervaren) naar relatief gestructureerde creatieve taken en
het belonen van creatieve prestaties op deze taken de positieve kant van deze
stoornis naar voren zou kunnen brengen.
In het onderzoek dat beschreven wordt in Hoofdstuk 6 manipuleerden we
dopamine- en noradrenalineniveaus in de hersenen door middel van
methylfenidaat. Dit stimulerende middel wordt steeds vaker door gezonde
mensen gebruikt om hun cognitieve prestaties te verhogen, maar methylfenidaat
beïnvloedt wellicht niet alle cognitieve processen positief. Hoewel methylfenidaat
Samenvatting
202
inderdaad cognitieve stabiliteit en persistentie zou kunnen faciliteren, zou het de
cognitieve flexibiliteit, inclusief flexibele creatieve processen, in de weg kunnen
zitten. Daarnaast zouden de effecten van methylfenidaat verschillend kunnen
zijn voor verschillende mensen, afhankelijk van hun basale dopamineniveaus. In
dit onderzoek gingen we de effecten van methylfenidaat op convergente en
divergente creatieve processen na in een steekproef van gezonde deelnemers.
Daarnaast onderzochten we de mogelijkheid dat zulke effecten afhangen van
individuele verschillen in ADHD-symptomen en werkgeheugencapaciteit –
beiden geassocieerd met verschillen in basale dopaminerge activiteit. Tegen onze
verwachten in had methylfenidaat geen invloed op de creatieve prestatie van
deelnemers op de verschillende taken, ongeacht de symptomen van
hyperactiviteit–impulsiviteit en de basale werkgeheugencapaciteit van
deelnemers. Hoewel de effecten van methylfenidaat op creativiteit in deze studie
mogelijk onderschat worden als gevolg van een aantal methodologische
tekortkomingen die deze studie kenmerken (zoals suboptimale power om
effecten te detecteren), wijzen onze bevindingen er niet op dat methylfenidaat
het vermogen om creatief te zijn in de weg zit. De huidige studie levert daarmee
geen bewijs voor het dopaminerge model dat ik in Hoofdstuk 3 presenteerde,
maar komt wel overeen met onze bevinding dat het gebruik van ADHD-medicatie
de creatieve prestaties van volwassenen met ADHD niet lijkt te beïnvloeden
(Hoofdstuk 5).
Samen dragen de onderzoeken in deze dissertatie op verschillende
manieren bij aan ons begrip van de neurale mechanismen achter creativiteit en
ons vermogen om deze mechanismen te meten. Allereerst zou de event-related
taak die we ontwikkelden andere onderzoekers kunnen helpen om divergente en
convergente processen tijdens het genereren van ideeën beter te meten. Ten
tweede kan ons model van dopaminerge modulatie van creativiteit toekomstig
onderzoek op dit gebied sturen. Onze bevindingen die aantonen dat
methylfenidaat creatieve processen niet beïnvloedt helpen dit dopaminerge
model te verfijnen en dragen daarnaast bij aan een groeiende verzameling van
kennis die mensen in staat stelt om beter onderbouwde beslissingen te nemen
over het wel of niet gebruiken van methylfenidaat en andere cognitieve enhancers.
Tot slot lossen de studies naar creativiteit in ADHD een aantal tegenstrijdigheden
Samenvatting
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in de literatuur op en helpen ze ons te begrijpen hoe we creativiteit in mensen
met (symptomen van) ADHD kunnen faciliteren.
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205
Dankwoord
Dankwoord
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Eerlijk gezegd heb ik een groot deel van de afgelopen vier jaar uitgekeken
naar het moment waarop ik niet langer op ingewikkelde analyses zou hoeven
ploeteren en alinea’s voor de achtste keer zou moeten herschrijven, maar me
eindelijk zou kunnen richten op het belangrijkste deel van mijn proefschrift. Nu
het zover is, valt het schrijven van het dankwoord me vies tegen. Ik word
behoorlijk ongemakkelijk van dat sentimentele gedoe en vind het maar lastig om
in woorden te vatten wat de betreffende personen de afgelopen tijd voor me
betekend hebben, maar omdat jullie allemaal zo fantastisch zijn, doe ik toch een
poging.
Allereerst bedank ik uiteraard mijn begeleiders, alle drie briljante
wetenschappers bij wie ik me sinds minuut twee van het sollicitatiegesprek
enorm op mijn gemak voelde. Matthijs, bedankt voor je betrokkenheid,
creativiteit en optimisme! Meer dan eens kwam ik je kantoor binnen met een
schijnbaar gefaald project, om een half uur later weer naar buiten te lopen met
veelbelovende resultaten – jij had altijd een logische verklaring voor
onverwachte bevindingen. Carsten, je enthousiasme, je snelle denken en je
vermogen om the bigger picture te zien hebben mij van het begin af aan
geinspireerd en gemotiveerd. Simon, naast je neuro-expertise en humor heb ik
vooral veel gehad aan je directheid, waardoor ik ook altijd direct terug kon zijn.
Roshan, ik ben heel blij dat ik de kans heb gehad om samen te werken met
iemand met jouw ervaring en expertise. Bedankt voor de leerzame tijd in
Nijmegen! Yingying, thanks for all those memorable days that we spent in the
lab together. It sure wasn’t always easy, so it was great to have someone so
funny and smart around. I really hope we’ll meet again!
Natuurlijk ook heel veel dank aan mijn A&O-collega’s, bij wie ik me als
neuro-nerd toch heel erg heb thuisgevoeld. Barbara, thanks for the fun ADHD
collaborations and for your help with tricky data analyses. Femke, als
copromotor van mijn Siamese tweelingbroer toch een beetje mijn
adoptiebegeleider, dankjewel voor je hulp en de gezelligheid! Edwin, wanneer je
als beginnend AiO in het diepe wordt gegooid voor een groep studenten, is het
heel fijn om te weten dat er een onderwijscoördinator is bij wie je terechtkunt.
Bedankt voor alle wijze raad! Joke, het is al vaker gezegd, maar zonder jou zou
het een puinhoop zijn bij A&O. Bedankt voor al je organisatorische assistentie!
Dankwoord
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In het bijzonder bedank ik mijn kantoorgenoten door de jaren: Hillie, Özüm,
Seval en natuurlijk mijn musketiers. Tim, hoewel sommigen waarschijnlijk
denken dat ik mijn project twee keer zo snel had afgerond als ik geen kantoor
met jou had gedeeld, is niets minder waar: zonder jou had ik het waarschijnlijk
nooit afgemaakt. Als het huilen me weer eens nader dan het lachen stond, wist je
me altijd op te beuren met petities en gephotoshopte onzinnigheden. Ik had me
geen betere partner in crime kunnen wensen! Yujie, another stable factor in my
PhD. Your ability to persevere when things don’t go as planned is inspiring and
without that, I’d have complained even more. Loes, als mijn vegan guru heb je
van alle collega’s waarschijnlijk de meest tastbare indruk op mij achtergelaten,
maar daarnaast word ik enom blij van je kinderlijke onbevangenheid. Florian, ik
ken geloof ik niemand die zo lief en bescheiden is als jij. Dank jullie wel voor de
geweldige tijd!
Manon, Nicky, Anouk, Roy, Liesbeth en alle mensen die zich in de loop der
jaren om jullie heen hebben verzameld: bedankt voor de ontelbare biertjes, de
ongepaste grappen, de sportsessies, het bankhangen en al die andere
spectaculaire momenten. Roy, toen we 13 jaar geleden in Oegstgeest aan het
lanterfanten waren, had niemand waarschijnlijk gedacht dat we anno 2017
elkaars paranimf zouden zijn – het kan raar lopen. Fijn dat je erbij bent op de
grote dag! Magdalena, Nynke, Laura – we don’t get to meet so often, but it’s
great to know I have some friends across the world! Ein großes Dankeschön also
to my friends east of the border, who made Germany feel like home long before I
actually moved there.
Mama, Ernst, Jonathan, Fabian en Sabine, ik ben heel blij dat jullie er zijn!
Ik had een aantal omwegen nodig om uiteindelijk mijn weg te vinden en dat was
niet altijd gezellig, maar doordat ik de ruimte kreeg om mijn eigen (juiste of
minder geslaagde) keuzes te maken, ben ik vandaag waar ik ben. Fab, ik ben blij
dat in ieder geval een van ons niet in paniek raakt bij een creatieve taak en even
snel een kaft in elkaar flanst op een doordeweekse middag. Dankjewel!
And of course Marc, my external self-confidence. Thank you for always
believing in my ability to do whatever I put my mind to – I have to admit you’ve
been right every time. It’s been an unlikely adventure so far and I’m looking
forward to what the future has in store for us.
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The “Kurt Lewin Institute Dissertation Series” started in 1997. Since 2015 the
following dissertations have been published in this series:
2015-01: Maartje Elshout: Vengeance
2015-02: Seval Gündemir: The Minority Glass Ceiling Hypothesis: Exploring Reasons
and Remedies for the Underrepresentation of Racial-ethnic Minorities in
Leadership Positions
2015-03: Dagmar Beudeker: On regulatory focus and performance in organizational
environments
2015-04: Charlotte Koot: Making up your mind about a complex technology: An
investigation into factors that help or hinder the achievement of cognitive
closure about CCS
2015-05: Marco van Bommel: The Reputable Bystander: The Role of Reputation in
Activating or Deactivating Bystanders
2015-06: Kira O. McCabe: The Role of Personality in the Pursuit of Context-Specific
Goals
2015-07: Wiebren Jansen: Social inclusion in diverse work settings
2015-08: Xiaoqian Li: As time goes by: Studies on the subjective perception of the
speed by which time passes
2015-09: Aukje Verhoeven: Facilitating food-related planning. Applying
metacognition, cue-monitoring, and implementation intentions
2015-10: Jasper de Groot: Chemosignaling Emotions: What a Smell can Tell
2015-11: Hedy Greijdanus: Intragroup Communication in Intergroup Conflict:
Influences on Social Perception and Cognition
2015-12: Bart de Vos: Communicating Anger and Contempt in Intergroup Conflict:
Exploring their Relational Functions
2015-13: Gerdientje Danner: Psychological Availability. How work experiences spill
over into daily family interactions
2015-14: Hannah Nohlen: Solving ambivalence in context. The experience and
resolution of attitudinal ambivalence
2015-15: Stacey Sanders: Unearthing the Moral Emotive Compass: Exploring the Paths
to (Un)Ethical Leadership
210
2015-16: Marc Heerdink: Regulating deviance with emotions: Emotional expressions
as signals of acceptance and rejection
2015-17: Danny Taufik: "Can you feel it" The role of feelings in explaining pro-
environmental behavior
2015-18: Sarah Elbert: Auditory information and its parameters in health persuasion.
The development of a tailored smartphone application to support behavior
change
2016-01: Anna van ‘t Veer: Effortless morality — cognitive and affective processes in
deception and its detection
2016-02: Thijs Bouman: Threat by association: How distant events can affect local
intergroup relations
2016-03: Tim Theeboom: Workplace coaching: Processes and effects
2016-04: Sabine Strofer: Deceptive intent: Physiological reactions in different
interpersonal contexts
2016-05: Caspar van Lissa: Exercising Empathy: The Role of Adolescents' Developing
Empathy in Conflicts with Parents
2016-06: Marlon Mooijman: On the determinants and consequences of punishment
goals: The role of power, distrust, and rule compliance
2016-07: Niels van Doesum: Social mindfulness
2016-08: Leonie Venhoeven: A look on the bright side of an environmentally-friendly
life: Whether and why acting environmentally-friendly can contribute to
well-being
2016-09: Florien Cramwinckel: The social dynamics of morality
2016-10: Junhui Wu: Understanding Human Cooperation: The Psychology of Gossip,
Reputation, and Life History
2016-11: Elise C. Seip: Desire for vengeance. An emotion-based approach to revenge
2016-12: Welmer E. Molenmaker: The (un)willingness to reward cooperation and
punish non-cooperation
2016-13: Liesbeth Mann: On Feeling Humiliated. The Experience of Humiliation in
Interpersonal, Intragroup, and Intergroup Contexts
2016-14: Angela M. Ruepert: Working on the environment
2016-15: Femke Hilverda: Making sense of food risk information: The case of organic
food.
211
2016-16: Debora E. Purba: Antecedents of turnover, organizational citizenship
behavior, and workplace deviance: Empirical evidence from Indonesia.
2016-17: Maja Kutlaca: The Role of Values and Value-Identity Fit in Motivating
Collective Action
2016-18: Felicity Turner: A New Psychological Perspective on Identity content, its
Conceptualization, Measurement, and Application
2016-19: Tim W. Faber: When Imitation Falls Short: The Case of Complementary
Actions.
2016-20: Daniela Becker: Self-control conflict in the eating domain: A cognitive,
affective and behavioral perspective
2016-21: Zoi Manesi: Prosocial Behavior Under Surveillance: Understanding the Eye-
Images Effect
2017-01: Tracy Cheung: Turning vice into virtue - when low self-control states
facilitate goal-oriented behaviours
2017-02: Pum Kommattam: Feeling the Other: Emotion Interpretation in Intercultural
Settings
2017-03: Lotte Veenstra: Taming Tempers: A situated motivational approach to anger
management
2017-04: Jolien van Breen: The path of most Resistance: How groups cope with
implicit social identity threat
2017-05: Yuije Cheng: Creativity Under the Gun: How Threat Features and Personal
Characteristics Motivate Creative Responding
2017-06: Eftychia Stamkou: The dynamic nature of social hierarchies: The role of
norm violations and hierarchical concerns
2017-07: Anne Marthe van der Bles: Societal Discontent -- Deciphering the Zeitgeist
2017-08: Willem Sleegers: Meaning and Pupillometry: The Role of Physiological
Arousal in Meaning Maintenance
2017-09: Julia Sasse: More Than a Feeling: Strategic Emotion Expression in Intergroup
Conflicts
2017-10: Nils Köbis: Self-control and the slippery slope of corruption
2017-11: Tim de Wilde: Struggling to decide: Competition in group decision-making
2017-12: Nathalie Boot: The creative brain: Some insights into the neural dynamics of
flexible and persistent creative processes
Dissertatiereeks Kurt Lewin Instituut 2017-12
op vrijdag 16 februari
2018 om 14.00 uur in de
Agnietenkapel
Oudezijds Voorburgwal
te Amsterdam
Nathalie Boot
Paranimfen:
Roy de KleijnRoy de Kleijn
[email protected] de Wilde
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