2 EParameter GuideiiAbout this manualThe manuals and how to use themTheKROMEcomeswiththefollowingmanuals.VideoManual(approximately60minutes)QuickStartGuide(printedandPDF)OperationGuide(PDF)ParameterGuide(PDF)VoiceNameList(PDF)Allofthesemanualsareontheincludedaccessorydisc.AprintedcopyisincludedonlyfortheQuickStartGuide.Video ManualThisvideoillustratesthemainfunctionalityoftheKROME.Quick Start GuideThisprovidesasimpleexplanationoftheKROMEsfunctions.Tobegin,pleasewatchtheVideoManualandreadtheQuickStartGuide.Operation GuidePutsimply,theOperationGuideisdesignedtoanswerthequestion,HowdoIdothis?ItexplainsthenamesandfunctionsofeachpartoftheKROME,basicoperation,anoverviewofeachmode,howtoeditsounds,recordonthesequencer,andsoon.Thisguidealsoexplainsthebasicsofeffects,theArpeggiator,DrumTrack,andDrumKits.Finally,italsocontainsatroubleshootingguideaswellassupplementalinformationsuchasalistofspecifications.Parameter GuideTheParameterGuideisdesignedtoanswerthequestion,Whatdoesthisdo?Organizedbymodeandpage,theParameterGuideincludesinformationoneachandeveryparameterintheKROME.Voice Name ListTheVoiceNameListlistsallofthesoundsandsetupsthatareintheKROMEwhenitisshippedfromthefactory,includingPrograms,Combinations,Multisamples,Drumsamples,DrumKits,ArpeggioPatterns,DrumTrackPatterns,TemplateSongs,andEffectPresets.PDF versionsTheKROMEPDFmanualsaredesignedforeasynavigationandsearching.TheyincludeextensivePDFcontentsinformation,whichgenerallyappearsonthesideofthewindowinyourPDFreaderandletsyoujumpquicklytoaspecificsection.Allcrossreferencesarehyperlinks,sothatclickingonthemautomaticallytakesyoutothesourceofthereference.Conventions in this manualReferences to the KROMETheKROMEisavailablein88key,73key,and61keymodels.ThemanualsrefertoallmodelswithoutdistinctionastheKROME.Thefrontpanelandrearpanelillustrationsinthemanualshowthe61keymodel,buttheyapplyidenticallytotheothermodels.Abbreviations for the manuals: QS, OG, PG, VNLInthedocumentation,referencestothemanualsareabbreviatedasfollows.QS:QuickStartGuideOG:OperationGuidePG:ParameterGuideVNL:TheVoiceNameListSymbols, , , Note, TipsThesesymbolsrespectivelyindicateacaution,aMIDIrelatedexplanation,asupplementarynote,oratip.Example screen displaysTheparametervaluesshownintheexamplescreensofthismanualareonlyforexplanatorypurposes,andmaynotnecessarymatchthevaluesthatappearintheDisplayofyourinstrument.MIDI-related explanationsCC#isanabbreviationforControlChangeNumber.InexplanationsofMIDImessages,numbersinsquarebrackets[]alwaysindicatehexadecimalnumbers.* Allotherproductandcompanynamesaretrademarksorregisteredtrademarksoftheirrespectiveholders.Table of ContentsiiiTable of ContentsAbout this manual. . . . . . . . . . . . . . . . . . . . . . . . . iiProgram mode . . . . . . . . . . . . . . . . . 1PROG Page Select . . . . . . . . . . . . . . . . . . . . . . . . . 1PROG P0: Play. . . . . . . . . . . . . . . . . . . . . . . . . . . . . 201:Main ................................... 203:Mixer&DrumTrack ..................... 505:Arpeggiator...................................607:ToneAdjust............................. 7PROG P1: Basic/Controllers . . . . . . . . . . . . . . .1211:ProgramBasic .......................... 1212:NoteOn/Scale................................1413:ControllersSetup .............................16PROG P2: OSC/Pitch . . . . . . . . . . . . . . . . . . . . . .1721:OSC1Setup ............................ 1722:OSC1Velocity.......................... 1923:OSC1Pitch............................. 2025:OSC2Setup ............................ 2226:OSC2Velocity.......................... 2227:OSC2Pitch............................. 23210:PitchEG ...................................23PROG P3: Filter. . . . . . . . . . . . . . . . . . . . . . . . . . .2631:Filter1 ................................. 2632:Filter1KeyboardTrack.................. 2833:Filter1Modulation ...................... 2934:Filter1LFOMod. ....................... 3035:Filter1EG.............................. 3136:Filter2 ................................. 3437:Filter2KeyboardTrack.................. 3438:Filter2Modulation ...................... 3439:Filter2LFOMod. ....................... 34310:Filter2EG............................. 34PROG P4: Amp/EQ. . . . . . . . . . . . . . . . . . . . . . . .3541:Amp1/Driver1.......................... 3542:Amp1Modulation ............................3643:Amp1EG.............................. 3845:Amp2/Driver2.......................... 4046:Amp2Modulation...................... 4047:Amp2EG.............................. 40410:EQ................................... 41PROG P5: LFO . . . . . . . . . . . . . . . . . . . . . . . . . . . .4251:OSC1LFO1............................ 4252:OSC1LFO2..................................4455:OSC2LFO1............................ 4456:OSC2LFO2............................ 44510:CommonLFO ..............................45PROG P6: AMS/Common Key Track(AMS Mixer/Common Keyboard Track). . . . 4661:OSC1AMSMix1 ........................4662:OSC1AMSMix2............................. 5164:OSC2AMSMix1,65:OSC2AMSMix2 ..5169:CommonKeyTrk1(CommonKeyboardTrack1) .................51610:CommonKeyTrk2(CommonKeyboardTrack2) .................52PROG P7: ARP/DT (Arpeggiator/Drum Track) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5371:ARPSetup..............................5372:ARPScanZone..........................5574:DrumTrackPattern......................5575:DrumTrackProgram......................... 56PROG P8: Routing/IFX (Insert Effect) . . . . . . 5881:Routing................................5882:InsertFXSetup............................... 5983:IFX1...................................6084:IFX2,85:IFX3,86:IFX4,87:IFX5 ........60PROG P9: MFX/TFX/LFO (Master/Total Effect/LFO) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6191:Routing................................6192:MFX1 ..................................6293:MFX2,94:TFX.........................6295:CommonFXLFO............................. 63Program: Menu Command . . . . . . . . . . . . . . . 64Combination mode . . . . . . . . . . . . 69COMBI Page Select . . . . . . . . . . . . . . . . . . . . . . 69COMBI P0: Play. . . . . . . . . . . . . . . . . . . . . . . . . . 7001:ProgramT0108,02:ProgramT0916 .....7003:MixerT0108,04:MixerT0916 ..........7305:ARPEGGIATORA,06:ARPEGGIATORB ...... 7407:ToneAdjust ................................. 75Controls......................................... 76COMBI P1: Controllers . . . . . . . . . . . . . . . . . . . 7811:ControllersSetup........................78COMBI P2: EQ . . . . . . . . . . . . . . . . . . . . . . . . . . . 7921:EQTrimT0108,22:EQTrimT0916......7923:EQGainT0108,24:EQGainT0916........... 80COMBI P3: Timbre Param (Timbre Parameters) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8131:MIDIT0108,32:MIDIT0916...........8133:OSCT0108,34:OSCT0916.............8135:PitchT0108,36:PitchT0916 ............8237:ScaleT0108,38:ScaleT0916 ............83Table of ContentsivCOMBI P4: Zone/Delay . . . . . . . . . . . . . . . . . . . 8441:KeyZoneT0108,42:KeyZoneT0916(KeyboardZonesT0108,T0916)............. 8443:VelZoneT0108,44:VelZoneT0916(VelocityZonesT0108,T0916) .............. 8545:DelayT0108,46:DelayT0916.......... 86COMBI P5: MIDI Filter . . . . . . . . . . . . . . . . . . . . 8751:T0108,52:T0916.............. 8753:T0108,54:T0916................... 8855:T0108,56:T0916.............. 8857:T0108,58:T0916................... 8959:T0108,510:T0916............. 89511:T0108,512:T0916............ 90COMBI P7: ARP/DT (Arpeggiator/Drum Track) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 9171:SetupT0108,72:SetupT0916 .......... 9173:ArpeggiatorA,74:ArpeggiatorB............. 9275:ARPScanZone .............................. 9377:DrumTrack............................ 93COMBI P8: Routing/IFX (Insert Effect). . . . . . 9581:Routing1T0108,82:Routing1T0916.... 9583:InsertFXSetup......................... 9684:IFX1 ....................................... 9785:IFX2,86:IFX3,87:IFX4,88:IFX5............ 9789:FXControlT0108,810:FXControlT0916..... 98COMBI P9: MFX/TFX/LFO (Master/Total Effect/LFO). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 9991:Routing............................... 9992:MFX1................................. 9993:MFX2,94:TFX ....................... 10095:CommonFXLFO........................... 100Combination: Menu Command . . . . . . . . . .101Sequencer mode. . . . . . . . . . . . . . 105An overview of Sequencer mode . . . . . . . . .105SEQ Page Select. . . . . . . . . . . . . . . . . . . . . . . . .108SEQ P0: Play/REC. . . . . . . . . . . . . . . . . . . . . . . .10901:ProgramT0108,02:ProgramT0916.... 10903:MixerT0108,04:MixerT0916.............. 11305:ArpeggiatorA,06:ArpeggiatorB ....... 11407:ToneAdjust................................ 11508:Preferences ................................ 11609:PlayLoopT0108,010:PlayLoopT0916.. 119Controls ....................................... 120SEQ P1: Controllers . . . . . . . . . . . . . . . . . . . . .12211:Setup ................................ 122SEQ P2: EQ. . . . . . . . . . . . . . . . . . . . . . . . . . . . . .12321:TrimT0108,22:TrimT0916.......... 12323:EQT0108,24:EQT0916................... 124SEQ P3: Track Param (Track Parameters) . .12531:MIDIT0108,32:MIDIT0916.......... 12533:OSCT0108,34:OSCT0916............ 12635:PitchT0108,36:PitchT0916 ................ 12737:ScaleT0108,38:ScaleT0916 ................ 128SEQ P4: Zones/Delay . . . . . . . . . . . . . . . . . . . .12941:KeyZoneT0108,42:KeyZoneT0916(KeyboardZonesT0108,T0916) ............ 12943:VelZoneT0108,44:VelZoneT0916(VelocityZonesT0108,T0916) ................... 13045:DelayT0108,46:DelayT0916 .............. 131SEQ P5: MIDI Filter . . . . . . . . . . . . . . . . . . . . . .13351:T0108,52:T0916.............. 13353:T0108,54:T0916 ................... 13455:T0108,56:T0916.............. 13457:T0108,58:T0916.............. 13559:T0108,510:T0916............. 135511:T0108,512:T0916 ................. 136SEQ P6: Track Edit. . . . . . . . . . . . . . . . . . . . . . .13761:TrackEdit............................. 13762:TrackView................................. 13863:TrackName ........................... 142SEQ P7: ARP/DT (Arpeggiator/DrumTrack) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .14371:ARPSetupT0108,72:ARPSetupT0916... 14373:ArpeggiatorA,74:ArpeggiatorB............ 14475:ARPScanZone ........................ 14577:DrumTrack ........................... 145SEQ P8: Routing/IFX (Insert Effect) . . . . . . .14881:Routing1T0108,82:Routing1T0916 ... 14883:InsertFXSetup......................... 14984:IFX1....................................... 15085:IFX2,86:IFX3,87:IFX4,88:IFX5....... 15089:FXControlT0108,810:FXControlT0916.......................................... 150SEQ P9: MFX/TFX/LFO (Master/Total Effect/LFO). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .15291:Routing............................... 15292:MFX1 ...................................... 15393:MFX2,94:TFX........................ 15395:CommonFXLFO............................ 154SEQ P10: Pattern/RPPR . . . . . . . . . . . . . . . . . .155101:PatternEdit........................... 155102:PatternName .............................. 157103:RPPRSetup................................ 157SEQ P11: Cue List. . . . . . . . . . . . . . . . . . . . . . . .160111:CueList .............................. 160Sequencer: Menu Command . . . . . . . . . . . . .163System Exclusive events supported in Sequencer mode . . . . . . . . . . . . . . . . . . . . . . . .191KROMEsequencerfileformats .................... 192Table of ContentsvGlobal mode . . . . . . . . . . . . . . . . . 193Global Page Select . . . . . . . . . . . . . . . . . . . . . 193Global P0: Basic Setup . . . . . . . . . . . . . . . . . . 19401:Basic................................. 19402:SystemPreference...........................196Global P1: MIDI . . . . . . . . . . . . . . . . . . . . . . . . 19811:MIDIBasic............................ 19812:MIDIRouting......................... 200Global P2: Controllers . . . . . . . . . . . . . . . . . . 20221:FootControllers....................... 20222:MIDICC#Assign............................202Global P3: Scales . . . . . . . . . . . . . . . . . . . . . . . 20331:Scales................................ 203Global P4: Category . . . . . . . . . . . . . . . . . . . . 20441:ProgramMain......................... 20442:ProgramSub .......................... 20443:CombinationMain,44:CombinationSub .. 204Global P5: Drum Kit . . . . . . . . . . . . . . . . . . . . 20551:SampleSetup ......................... 20652:SampleParameters ..........................20753:Driver/EQ............................ 20854:VelocitySplit.......................... 20955:Voice/Mixer........................... 210Global P6: Arpeggio Pattern . . . . . . . . . . . . 21161:PatternSetup ...............................211ArpeggioPatternEdit ............................213ToolTablet .....................................214Global: Menu Command . . . . . . . . . . . . . . . . 216Media mode. . . . . . . . . . . . . . . . . . 223Media: File. . . . . . . . . . . . . . . . . . . . . . . . . . . . . 22501:Load................................. 22502:Save .......................................22603:Utility......................................22608:MediaInformation..................... 226Media: Menu Command . . . . . . . . . . . . . . . . 227Effect Guide. . . . . . . . . . . . . . . . . . 235Overview . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 235Effectsineachmode ....................... 235Dynamicmodulation(Dmod)andTempoSynchronization .................................236CommonFXLFOs ...............................237FXControlBuses................................238EffectI/O.......................................239Insert Effects (IFX1IFX5) . . . . . . . . . . . . . . . 240In/Out.................................... 240Routing...................................240Mixer .......................................... 243ControllingtheInsertEffectsviaMIDI............. 244Master Effects (MFX1, 2) . . . . . . . . . . . . . . . . 245In/Out ....................................245Routing...................................245Mixer.....................................246ControllingtheMasterEffectsviaMIDI .......247Total Effect (TFX) . . . . . . . . . . . . . . . . . . . . . . . 248In/Out ....................................248Routing...................................248Mixer.....................................248UsingMIDItocontroltheTotalEffect .........248Outputs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 248MainOutputs ..............................248Effect/Mixer Block Diagrams . . . . . . . . . . . . 249Dynamics (Dynamic). . . . . . . . . . . . . . . . . . . . 251000:NoEffect..............................251001:StereoCompressor......................251002:RedComp.............................251003:StereoLimiter............................... 252004:MultibandLimiter ......................253005:St.MasteringLimtr(StereoMasteringLimiter)... 253006:StereoGate............................253EQ and Filters (EQ/Filter) . . . . . . . . . . . . . . . . 255007:St.Parametric4EQ(StereoParametric4BandEQ) ...............255008:St.Graphic7EQ(StereoGraphic7BandEQ) ..................255009:St.Exciter/Enhncr(StereoExciter/Enhancer).. 256010:StereoIsolator..........................256011:St.Wah/AutoWah(StereoWah/AutoWah)..... 257012:St.VintageWah(StereoVintage/CustomWah) ................258013:VOXWah.............................258014:St.RandomFilter(StereoRandomFilter)....... 259015:MultiModeFilter(StereoMultiModeFilter) .... 260016:St.SubOscillator(StereoSubOscillator) ...260017:TalkingModulator......................261018:StereoDecimator.......................261019:St.AnalogRecord(StereoAnalogRecord)...... 262Overdrive, Amp models, and Mic models (OD Amp Mic) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 263020:OD/Hi.GainWah(Overdrive/Hi.GainWah)....................263021:St.GuitarCabinet(StereoGuitarCabinet) ...... 264022:St.BassCabinet(StereoBassCabinet).......... 264023:BassAmpModel ............................ 265024:BassAmp+Cabinet(BassAmpModel+Cabinet) . 265025:TrebleBST(TrebleBooster)...............266026:TubePreAmpModel(TubePreAmpModeling) ...................266027:St.TubePreAmp(StereoTubePreAmpModeling) .............266Table of Contentsvi028:MicModel+PreAmp(MicModeling+PreAmp).................. 267Chorus, Flanger, and Phaser (Cho/Fln Phaser) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .268029:StereoChorus ......................... 268030:VintageChorus........................ 268031:BlackChorus............................... 269032:EPChorus............................ 269033:St.HarmonicChorus(StereoHarmonicChorus). 269034:St.BiphaseMod.(StereoBiphaseModulation)................ 270035:MultitapCho/Delay(MultitapChorus/Delay).................... 270036:Ensemble ............................. 271037:PolysixEnsemble........................... 271038:StereoFlanger ......................... 271039:VintageFlanger ....................... 272040:St.RandomFlanger(StereoRandomFlanger) .. 272041:St.Env.Flanger(StereoEnvelopeFlanger) ..... 273042:StereoPhaser.......................... 273043:SmallPhaser.......................... 274044:OrangePhaser ........................ 274045:BlackPhaser ............................... 274046:UVIBE............................... 274047:St.RandomPhaser(StereoRandomPhaser).................... 275048:St.Env.Phaser(StereoEnvelopePhaser) ....... 276Modulation and Pitch Shift (Mod./P.Shift) 277049:StereoVibrato......................... 277050:St.AutoFadeMod.(StereoAutoFadeModulation) .............. 277051:2VoiceResonator...................... 278052:Doppler.............................. 279053:Scratch............................... 279054:GrainShifter.......................... 280055:StereoTremolo ........................ 281056:TEXTreml(TEXTremolo) .............. 281057:St.Env.Tremolo(StereoEnvelopeTremolo).... 281058:StereoAutoPan....................... 282059:St.Phaser+Trml(StereoPhaser+Tremolo) .... 283060:St.RingModulator(StereoRingModulator) .................... 283061:Detune ............................... 284062:PitchShifter................................ 285063:PitchShifterBPM...................... 285064:PitchShiftMod.(PitchShiftModulation) . 286065:OrganVib/Chorus(OrganVibrato/Chorus) 286066:RotarySpeaker ........................ 287067:St.EPTone+Trml(StereoEPTone+Tremolo) .... 288Delay . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .289068:L/C/RDelay........................... 289069:Stereo/CrossDelay.......................... 289070:St.MultitapDelay(StereoMultitapDelay)..... 290071:St.ModDelay(StereoModulationDelay) . 290072:St.DynamicDelay(StereoDynamicDelay)..... 291073:St.AutoPanningDly(StereoAutoPanningDelay)..................... 292074:EchoPlus .................................. 293075:TapeEcho ............................. 293076:AutoReverse.......................... 293077:SequenceBPMDly(SequenceBPMDelay) ...... 294078:L/C/RBPMDelay............................ 295079:StereoBPMDelay...................... 295080:St.BPMMtapDelay(StereoBPMMultitapDelay)...................... 296081:St.BPMMod.Delay(StereoBPMModulationDelay) ................... 296082:St.BPMAutoPanDly(StereoBPMAutoPanningDelay) ............ 297083:TapeEchoBPM........................ 297Reverb and Early Reflections (Reverb ER) .299084:ReverbHall............................ 299085:ReverbSmoothHall ..................... 299086:ReverbWetPlate ....................... 299087:ReverbDryPlate....................... 299088:ReverbRoom.......................... 299089:ReverbBrightRoom..................... 299090:Reverb2Spring......................... 300091:Reverb2Hall........................... 300092:Reverb2Plate.......................... 300093:Reverb2Room......................... 300094:EarlyReflections ....................... 300Mono-Mono Serial (Mono-Mono). . . . . . . . .301095:P4EQExciter(Parametric4BandEQExciter) ............. 301096:P4EQWah(Parametric4BandEQWah/AutoWah)........... 301097:P4EQCho/Flng(Parametric4BandEQChorus/Flanger)...... 302098:P4EQPhaser(Parametric4BandEQPhaser).............. 302099:P4EQMt.Delay(Parametric4BandEQMultitapDelay)........... 303100:CompWah(CompressorWah/AutoWah).... 303101:CompAmpSim(CompressorAmpSimulation) ................... 304102:CompOD/HiGain(CompressorOverdrive/Hi.Gain)................. 304103:CompP4EQ(CompressorParametric4BandEQ) .............. 305104:CompCho/Flng(CompressorChorus/Flanger).................... 305105:CompPhaser(CompressorPhaser) .......... 306106:CompMt.Delay(CompressorMultitapDelay).................... 306107:LimiterP4EQ(LimiterParametric4BandEQ).................. 307108:LimiterCho/Flng(LimiterChorus/Flanger) ................... 307109:LimiterPhaser........................ 308110:LimiterMt.Delay(LimiterMultitapDelay) ... 308111:ExciterComp(ExciterCompressor).......... 309112:ExciterLimiter ............................. 309113:ExciterCho/Flng(ExciterChorus/Flanger).... 310114:ExciterPhaser.............................. 310115:ExciterMt.Delay(ExciterMultitapDelay).... 311116:OD/HGAmpSim(Overdrive/Hi.GainAmpSimulation) ............. 311Table of Contentsvii117:OD/HGCho/Flng(Overdrive/Hi.GainChorus/Flanger) ..............312118:OD/HGPhaser(Overdrive/Hi.GainPhaser)...312119:OD/HGMt.Delay(Overdrive/Hi.GainMultitapDelay)..............313120:WahAmpSim(WahAmpSimulation) .......313121:DecimatorAmp(DecimatorAmpSimulation)...............................................314122:DecimatorComp(DecimatorCompressor) .................. 314123:AmpSimTremolo(AmpSimulationTremolo) ................. 314124:Cho/FlngMt.Dly(Chorus/FlangerMultitapDelay).................315125:PhaserCho/Flng(PhaserChorus/Flanger)....315126:ReverbGate ...............................316Mono/Mono Parallel (Mono//Mono) . . . . . 317127:P4EQ//P4EQ(Parametric4BandEQ//Parametric4BandEQ) ....319128:P4EQ//Comp(Parametric4BandEQ//Compressor) ....... 319129:P4EQ//Limiter(Parametric4BandEQ//Limiter) ............ 319130:P4EQ//Exciter(Parametric4BandEQ//Exciter)..................319131:P4EQ//OD/HG(Parametric4BandEQ//Overdrive/Hi.Gain) . 319132:P4EQ//Wah(Parametric4BandEQ//Wah).............. 319133:P4EQ//Cho/Flng(Parametric4BandEQ//Chorus/Flanger) ..........320134:P4EQ//Phaser(Parametric4BandEQ//Phaser) ............ 320135:P4EQ//BPMDly(Parametric4BandEQ//MultitapBPMDelay) 320136:Comp//Comp(Compressor//Compressor).....320137:Comp//Limiter(Compressor//Limiter) .. 320138:Comp//Exciter(Compressor//Exciter)... 320139:Comp//OD/HG(Compressor//OverdriveHi.Gain) ................321140:Comp//Wah(Compressor//Wah)....... 321141:Comp//Cho/Flng(Compressor//Chorus/Flanger) ............. 321142:Comp//Phaser(Compressor//Phaser) .........321143:Comp//BPMDly(Compressor//MultitapBPMDelay) ......... 321144:Limiter//Limiter...................... 321145:Limiter//Exciter.............................322146:Limiter//OD/HG(Limiter//Overdrive/Hi.Gain)............... 322147:Limiter//Wah......................... 322148:Limiter//Cho/Fl(Limiter//Chorus/Flanger)....322149:Limiter//Phaser ....................... 322150:Limiter//BPMDl(Limiter//MultitapBPMDelay)............. 322151:Exciter//Exciter .............................323152:Exciter//OD/HG(Exciter//Overdrive/Hi.Gain)............... 323153:Exciter//Wah......................... 323154:Exciter//Cho/Fl(Exciter//Chorus/Flanger) .....323155:Exciter//Phaser....................... 323156:Exciter//BPMDl(Exciter//MultitapBPMDelay) ..............323157:OD/HG//OD/HG(Overdrive/Hi.Gain//Overdrive/Hi.Gain) .......... 324158:OD/HG//Wah(Overdrive/Hi.Gain//Wah) ..................324159:OD/HG//Cho/Fln(Overdrive/Hi.Gain//Chorus/Flanger)........324160:OD/HG//Phaser(Overdrive/Hi.Gain//Phaser). 324161:OD/HG//BPMDly(Overdrive/Hi.Gain//MultitapBPMDelay)....324162:Wah//Wah............................324163:Wah//Cho/Flng(Wah//Chorus/Flanger) ...... 325164:Wah//Phaser ..........................325165:Wah//BPMDly(Wah//MultitapBPMDelay) ................325166:Cho/Fl//Cho/Fl(Chorus/Flanger//Chorus/Flanger) ................ 325167:Cho/Fl//Phaser(Chorus/Flanger//Phaser) ...................325168:Cho/Fl//BPMDly(Chorus/Flanger//MultitapBPMDelay)................................325169:Phaser//Phaser........................326170:Phaser//BPMDly(Phaser//MultitapBPMDelay) ..............326171:BPMDl//BPMDl(MultitapBPMDelay//MultitapBPMDelay)..326Double Size . . . . . . . . . . . . . . . . . . . . . . . . . . . . 327172:St.MltbandLimiter(StereoMultibandLimiter)...................327173:PianoBody/Damper(PianoBody/DamperSimulation).................. 327174:Vocoder.................................... 328175:OD/HyperGainWah(Overdrive/HyperGainWah) ..................... 328176:GuitarAmp+P4EQ(GuitarAmpModel+Parametric4BandEQ)....... 329177:G.AmpCleanCombo...................329178:G.AmpCalifornia ......................329179:G.AmpTweed.........................329180:G.AmpModdedOD......................... 330181:BassTubeAmp+Cab.(BassTubeAmpModel+Cabinet) ................. 330182:EPCabinet/Drive .......................331183:St.Mic+PreAmp(StereoMicModeling+PreAmp).............331184:MultitapCho/Delay(MultitapChorus/Delay) ....................331184:St.PitchShifter(StereoPitchShifter) ........... 332185:St.PitchShiftBPM(StereoPitchShifterBPM).... 333186:RotarySpeakerOD(RotarySpeakerOverdrive) . 333188:L/C/RLongDelay......................334189:St/CrossLongDelay(Stereo/CrossLongDelay) . 334190:HoldDelay ................................. 335191:LCRBPMLongDly(L/C/RBPMLongDelay)....................336192:St.BPMLongDly(StereoBPMLongDelay) .... 336193:EarlyReflections .......................337Table of ContentsviiiAppendices . . . . . . . . . . . . . . . . . . 339Alternate Modulation Sources (AMS) . . . . .339AlternateModulationOverview............. 339AMS(AlternateModulationSource)List........... 340AlternateModulationsettings .................... 342Dynamic Modulation Sources (Dmod) . . . .346DynamicModulationSourceList ................. 346Controller Assignments . . . . . . . . . . . . . . . . .348SW1/2Assignments ........................ 348RealtimeControlsKnobs14Assignments .... 348Knobs14................................ 349FootSwitchAssignments................... 349FootPedalAssignments.................... 350System exclusive messages affected by Create Excl Data, Erase Excl Data, and Event Edit.352MIDI transmission when the KROMEs controllers are operated. . . . . . . . . . . . . . . . .354KROME and MIDI CCs. . . . . . . . . . . . . . . . . . . .356ResponsestostandardMIDIcontrollers ...... 356ParameterscontrolledbyMIDICCs#7079......... 358MIDI applications . . . . . . . . . . . . . . . . . . . . . . .359AboutMIDI............................... 359SettingswhenconnectedtoaMIDIdeviceorcomputer ................................. 359MessagestransmittedandreceivedbytheKROME . 360Compatibility with the M50. . . . . . . . . . . . . .369MIDI Implementation . . . . . . . . . . . . . . . . . . .3701Program modePROG Page SelectYoucanselectProgrammodepagesinseveralways.1. PressthePAGEbutton.Alternatively,pressthemodebuttonontheupperleftsideofthedisplay,andthenpresstherightsideofthemenu.PageSelectshowsanabbreviatednameforeachpage.ThepagepriortopressingthePAGEbuttonisshowninlightblue.2. Selectthedesiredpageinthedisplay.Other ways to select pages HolddownthePAGEbuttonandpressnumerickeys09tojumptothecorrespondingpage.Forexample,holddownthePAGEbuttonandpressnumerickey4tojumptotheP4:Amp/EQpage. PresstheEXITbuttontoreturntothePlaypage.Ifsomethingotherthanthemainpageisselected,presstheEXITbuttontoaccessthemainpage.Page Main contentPLAYP0:PlaySelectandplayprograms.(seep.2)OscillatorandDrumtracklevelsettings.(seep.5)Simpledrumtrackediting.(seep.6)Simplearpeggiatorediting.(seep.6)ToneAdjustsettings.(seep.8)EDITP1:Basic/ControllersBasicprogramsettings,suchasvoiceassignmode.(seep.12)SW1,2,andknobsettings.(seep.16)P2:OSC/Pitch Oscillatorselectionandpitchsettings.(seep.17)P3:Filter Filter1,2(tone)settings.(seep.26)P4:Amp/EQ Amp1,2(volume)settings.(seep.35)Amp1,2driverandpansettings.(seep.40)3bandparametricEQsettings.(seep.41)P5:LFO LFOsettings.(seep.42)P6:AMS/CommonKeyTrackAMSMixersettings.(seep.46)Commonkeyboardtrackingsettings.(seep.52)ARP&DRUMTRACKP7:Arpeggiator/DrumTrack Arpeggiatorsettings.(seep.53)Drumtracksettings.(seep.55)EFFECTP8:Routing/IFXOscillatoroutputbusandmastereffectsendlevelsettings.(seep.58)Inserteffectrouting,selection,andsettings.(seep.59)P9:MFX/TFX/LFOMastereffectrouting,selection,andsettings.(seep.62)Totaleffectselectionandsettings.(seep.62)CommonFXLFOsettings(seep.63)Program mode2PROG P0: PlayThisisthemainProgrammodepage.Here,youcan: Selectaprogramtoplay. SelectpatternsandprogramsfortheDrumTrack. Adjusttheoscillatoranddrumtracklevels. MakesimpleeditsfortheArpeggiator. AdjusttheRealtimeContorols. UsetheToneAdjustfunctiontomakesimpleeditsforprogramparametersAllMIDIdatainProgP0:PlayistransmittedandreceivedontheglobalMIDIchannelMIDIChannel(Global11a).Tip: Auto Song SetupTheAutoSongSetupfeaturecopiesthecurrentProgramorCombinationintoaSong,andthenputstheKROMEinrecordreadymode.Ifinspirationforaphraseorsongstrikesyouwhileyoureplaying,youcanuseAutoSongSetuptostartrecordingimmediately.Formoreinformation,pleaseseeAutoSongSetuponpage 106.01: Main01a: Program SelectBank (Bank Select) [A...F, GM, g(1)...g(9), g(d)]ThisistheBankcontainingthecurrentProgram.PresstheBANKAFbuttontoselectabank. ToselecttheGMbank,usethenumerickeys.GM:Whileholdingdown[0],press[].g(1)g(9):Whileholdingdown[0],pressavariationnumber[1][9].Ifthebankcontainsnovariationprograms,thebasicGMsoundsetwillbeselected.(An*symbolisshownatthebeginningoftheprogramname.)g(d):Whileholdingdown[0],press[.].Program Select[AF: 0...127, GM, g(1)...g(9), g(d): 1...128]Hereyoucanselectaprogram.To switch programs ChooseProgramSelect,usethenumerickeys09toenteraprogramnumber,andpresstheENTERbutton. ChooseProgramSelect,andturntheVALUEdialorusetheINC/DECbuttons. PresstheProgramSelectPopuptoviewandselectfromtheBank/ProgramSelectmenuorganizedbybank. PresstheCategoryPopuptoviewandselectfromtheCategory/ProgramSelectmenuorganizedbycategory. Youcanuseafootswitchtoselectprograms.(seeFootSwitchAssignonpage 202andListofFootSwitchassignmentsonpage 349) YoucanselectprogramsbytransmittingaMIDIProgramChangefromaconnectedexternalMIDIdevice.Bank/Program Select menu:1. PressthepopupbuttonattheleftofProgramSelecttoopentheBank/ProgramSelectmenu.2. Pressoneofthetabsonthelefttoselectaspecificbank.TheVariationbuttonisactiveifBankGMisselected;pressingitwillswitchthebanksinthefollowingorder:GMg(1)g(2)...g(8)g(9)GM.3. Fromthelist,YoucantouchaProgramsnamedirectly,orusetheINCandDECbuttons.Usethescrollbartoviewinformationnotcurrentlyshown.Note:Ifyouwanttofindasoundbyitsprogramname,usetheFindfunction(seep.2).4. PresstheOKbuttontoconfirmyourchoice,orpresstheCancelbuttontoexitwithoutswitchingPrograms.Bank/Program Select menuFind (search function)Hereshowtosearchforaprogrambypartofitsname.1. IntheBank/ProgramSelectmenuortheCategory/ProgramSelectmenu,selectthetabthatyouwanttosearch.Note:Theprogramsintheselectedtabwillbethetargetforsearching.2. PresstheFindbuttononthelowerleftsidetoopenthedialogbox.01a01b01e01c01d01MenuMode Stop Watch Page MenuBankProgram Select Popup Program SelectCategory PopupTempoTabScroll barPROG P0: Play 01: Main3Find menu3. PresstheTbutton,andenterthedesiredsearchtextinthetextfield.Whenyouveenteredthetext,presstheOKbutton.4. IftheIgnoreCasecheckboxisselected,thesearchwillnotdistinguishbetweenuppercaseandlowercase.5. PresstheFindbuttontosearchforthetextthatyouentered.6. UsethePrev.andNextbuttonstofindthepreviousornextsound.7. PresstheOKbuttontoselectaprograminthelist.IfyoupresstheCancelbutton,theselectionwillbecancelled.8. PresstheOKbuttontoexecute,orpresstheCancelbuttontocancelyourselection.Category [00...17/00...07]Here,youcanselectprogramsbymaincategoryandsubcategory.Allprogramsareclassifiedintoeighteenmaincategories,andeachcategoryisclassifiedintoeightsubcategories.Youcanusethesemaincategoriesandsubcategoriestofindandselectprograms.Hereyoucanselectaprogrambyitsmaincategoryandsubcategory.Category/Program Select menu:1. PresstheCategorypopupbutton(abovetheProgramSelectparameter)toopentheCategory/ProgramSelectmenu.2. Pressoneofthetabsontheleftorrighttoselectthedesiredcategory.Note:OnlyCategoriesandSubcategoriesthatareassignedtoprogramscanbeselectedfromthetabs.3. Selectaprogramfromthelist.YoucantouchaProgramsnamedirectly,orusetheINCandDECbuttons.UsethescrollbartobrowsethroughallProgramsintheCategory.Youcansearchforaprogrambyaportionofitsname(seep.2).Category/Program Select menu4. Toselectfromasubcategory,presstheJumptoSubbutton.Pressoneofthelefttabstoselectasubcategory.Note:OnlySubcategoriesthatareassignedtoProgramscanbeselectedfromthetabs.Toconfirmyourselection,presstheOKbutton.Ifyoudecidetocancel,presstheCancelbutton.Youwillreturntothemaincategories.5. PresstheOKbuttontoconfirmyourchoice,orpresstheCancelbuttontoexitwithoutchangingtheProgram.Note:YoucanassignacategorytoaProgramintheWriteProgramdialog., (Tempo) [40.00... 300.00, EXT]ThisisthetempoforthecurrentProgram,whichappliestothearpeggiator,temposyncedLFOs,andtemposyncedeffects.040.00...300.00allowsyoutosetaspecifictempoinBPM,with1/100BPMaccuracy.Inadditiontousingthestandarddataentrycontrols,youcanusetheTEMPOknobtoadjustthebpm,orjustplayafewquarternotesontheTAPbutton.EXTisdisplayediftheMIDIClock(Global11a)issettoExternalMIDIorExternalUSB.ThisisalsoshowniftheMIDIClocksettingisAutoandMIDIclockdataisbeingreceivedfromanexternaldevice.IfthetemposourceisEXT,thearpeggiatoretc.willsynchronizetoMIDIclockdatafromanexternalMIDIdevice.ModeThisindicatesthemodethatscurrentlyselected.Whenyoupressthisbutton,themodemenuwillappear.Inthemodemenu,pressthenameofthedesiredmode.Ifyouselectthesamemodewhereyouwerepriortoaccessingthemodemenu,thePageSelectmenuofthatmodewillappear.Ifyoupresstheareatotherightofthemodename,thepageselectmenuforthecorrespondingmodewillappear.Toclosethemenu,presstheClosebuttonortheEXITbutton.IfyouaccessedthismenufromGlobalorMediamode,itwillincludeanitemnamedReturn.PressingReturnwilltakeyoubacktothemodeandpagewhereyouwerepriortoselectingGlobalorMediamode.CategorytabScroll barSub category tabScroll barWhen accessed from Program, Combination, or Sequencer modeWhen accessed from Global or Media modeProgram mode4Stop WatchWhenyoupressthebuttonontheupperrightsideofthedisplay,thescreenwillshowtheamountoftimethathaselapsedsincethepowerwasturnedon.YoucanusetheSTART/STOPbuttonandRESETbuttontomeasureaduration. START/STOP:Starts/stopsthestopwatch. RESET:Resetsthestopwatchto000:00:00.01b: Program InformationThefollowinginformationfortheselectedprogramisdisplayed:OSC PicturesThisshowsagraphicfortheoscillator.Inthecaseofdoubleoscillatorsordoubledrums,theOctave(footageoftheoscillatorsbasicpitch)isalsoshown.Ifyouwanttochangetheoscillatorsgraphic,doubleclickthegraphic,andchangethesettinginthemenu.YoucanalsosetthisinP1ProgramBasicOSCPicture(seep.12).SW1, SW2ThesearethefunctionscontrolledbytheSW1,SW2switches.01c: Controls ThisindicatesthesettingsoftheREALTIMECONTROLSknobs(thenameoftheoperableparametersandtheircurrentvalue),andthe3bandEQsettings.ThecurrentlyselectedREALTIMECONTROLSknobfunctionsandtheEQsettingsareshown.UsetheSELECTbuttontoselectthefunctioncontrolledbytheknobs.ThefunctionsoftheTONECONTROLSknobsarefixed.YoucanassignvariousfunctionstotheUSERCONTROLSknobs.AMIDIcontrolchangeisassignedtoeachfunction.Whenyoumoveaknob,itsendsoutthecorrespondingMIDICC.Unlessotherwisenoted,scalingmeansthattheparametersareattheirprogrammedvalueswhenthecontrollerisat64,attheirminimumwhenthecontrollerisat0,andattheirmaximumwhenthecontrollerisat127.Foranotherlookatthis,pleaseseethediagrambelow.CC parameter scalingTONE CONTROLSCUTOFF (Filter Cut Off) [000...127]ThisknobscalesthecutofffrequenciesofFiltersAandB,andtransmitsandreceivesMIDICC#74.RESONANCE (Filter Resonance) [000...127]ThisknobscalestheresonanceofFiltersAandB,andtransmitsandreceivesMIDICC#71.EG INTENSITY (Filter EG Intensity) [000...127]ThisknobscalestheeffectoftheFilterEGonthecutofffrequenciesofFiltersAandB.ItalsotransmitsandreceivesMIDICC#79.RELEASE (EG Release) [000...127]ThisknobscalesthereleasetimeoftheFilterandAmpEGs,andtransmitsandreceivesMIDICC#72.USER CONTROLS1...4 [000...127]YoucansetRealtimeControlsUSERknobs14toawidevarietyofmodulationfunctions,usingtheP1:Basic/ControllersControllersSetuppage.ManyofthefunctionsscaleaparticularsetofProgramparameters.AllofthesettingsalsocorrespondtoMIDImessagesusuallyCCs.ARP CONTROLSThefunctionsofknobs14arefixed.Theknobswillcontrolthedurationofthearpeggiatednotes,theirvelocity,thepitchrange,andthelengthofthearpeggiopattern.GATE [64...+00...+63]Adjuststheduration(gatetime)ofthearpeggiatednotes(SeeGateonpage 54).VELOCITY [64...+00...+63]Adjuststhevelocityofthearpeggiatednotes(SeeVelocityonpage 54).SWING [64...+00...+63]Adjuststhedegreeofshuffleforthearpeggiopattern(SeeSwingonpage 54).STEP [64...+00...+63]Thischangesthelengthandresolutionofthearpeggiopattern.Turningtheknobtowardtheleftwillshortenthepatternslength(Length)inunitsofonehalf.Turningtheknobtowardtherightwillshortentheintervalbetweenarpeggiatednotes(Resolution)inunitsofonehalf.Whentheknobisinthecenter(12oclock),thenumberofstepsandthespeedwillbeasspecifiedbytheLengthandResolution(SeeResolution*onpage 54).EQ (Low, Mid [Hz], Mid, High)Thisindicatesthe3bandEQsettings.Youcaneditthevalues.Low[18.00...+00.0...+18.0]:Adjuststhegainofthe80HzlowshelvingEQin0.5dBsteps.Mid[Hz][100...10.0k]:AdjuststhecenterfrequencyofthemidsweepableEQ.Mid[18.00...+00.0...+18.0]:AdjuststhegainofthemidsweepableEQin0.5dBsteps.High[18.00...+00.0...+18.0]:Adjuststhegainofthe10kHzhighshelvingEQin0.5dBsteps.990064 0 127CC ValueParameterValueAs ProgrammedPROG P0: Play 03: Mixer & Drum Track501d: EffectIFX 1, 2, 3, 4, 5MFX 1, 2 [000...127]TFXHereyoucanviewtheeffectsthatareassignedtotheinserteffects,mastereffects,andtotaleffect.Forthemastereffectsyoucanadjustthesendamounts.TheMASTERFXandTOTALFXbuttonsrespectivelyturnmastereffects1/2andthetotaleffecton/off(seeGlobal).ChangingtheEnableMFX1&2andEnableTFXsettingswillrespectivelytransmitthecontrolchangemessagesCC#94(effectcontrol4)orCC#95(effectcontrol5).Thetransmittedvaluewillbe0foroff,and127foron.01e: Velocity MeterThismetershowsthenoteonvelocityvalue. ThisindicatesthenoteonvelocityvaluesontheglobalMIDIchannel,producedbythekeyboard,MIDIIN,orarpeggiator.(Ifmultiplenoteonmessagesarereceivedsimultaneously,thehighestvelocitywillbedisplayed.) ThemeterwillrespondevenifKeyZoneorVelZonesettingsaresetsothatthenotedoesnotactuallysound. Thismeterindicatesthenoteonvelocityvalue;itdoesnotrespondtochangesintheVolumeknobsetting,nortochangesintheleveloftheaudiosignalproducedbytheFilter,Amp,EG,LFO,EQ,oreffects.V 01: Menu Command 0:WriteProgramseep.64 1:ExclusiveSoloseep.64 2:AutoSongSetupseep.65Formoreinformation,pleaseseeProgram:MenuCommandonpage 64.03: Mixer & Drum Track03a: OSC/DrumTrack MixerHere,youcanadjustthevolumeandchangethePlay/MuteandSoloOn/Offsettingsofoscillators1and2andthedrumtrack.OSC Play/Mute:OSC1 Play/Mute [Play, Mute]Play:Oscillator1willsound.Mute:Oscillator1willbemuted(silent).OSC2 Play/Mute [Play, Mute]Play:Oscillator2willsound.Mute:Oscillator2willbemuted(silent).Note:OSC2Play/MutecannotbesetforaprogramwhoseOscillatorModeisSingleorDrums.DRUM Track Play/Mute 1 [Play, Mute]Play:Thedrumtrackwillsound.Mute:Thedrumtrackwillbemuted(silent).OSC Solo:OSC1 Solo [Off, On]SwitchestheSolostatuson/offforoscillator1.OSC2 Solo [Off, On]SwitchestheSolostatuson/offforoscillator2.DRUM Track Solo [Off, On]SwitchestheSolostatuson/offforthedrumtrack.Note:Soloappliestooscillators1and2,thedrumtrack.Note:OSC2SolocannotbesetforaprogramwhoseOscillatorModeisSingleorDrums.Note:TheSoloOn/Offsettingisnotsavedwhenyouwritetheprogram.Exclusive Solo [Off, On]ThemenusExclusiveSoloparameteralsoaffectsthewaythatSoloworks.IfExclusiveSoloisoff(unchecked),MultipleSoloswillbeactive,allowingyoutoturnSoloon/offformorethanoneoftheitems:oscillators1and2,andthedrumtrack.EachtimeyoupressaSolobutton,thesolosettingwilltoggleonandoff.IfExclusiveSoloison(checked),onlyoneoftheapplicableitemscanbesoloed.Inthismode,pressingaSolobuttonautomaticallydisablesanyprevioussolos.Tip:YoucanalsotoggleExclusiveSolobyholdingENTERandpressing2onthenumerickeypad.01a03a03Menu03bProgram mode6OSC Volume:OSC 1 Volume [000...127]ThisslideradjuststhevolumeofOscillator1.OSC 2 Volume [000...127]ThisslideradjuststhevolumeofOscillator2.DRUM Track Volume [000...127]Adjuststhevolumeofthedrumtrack.Velocity MeterThismetershowsthenoteonvelocityvalueoftheglobalMIDIchannelandthedrumtracksProgMIDICh(seep.5).03b: Drum TrackTheDrumTrackprovidesaneasywayforyoutoplaybackarhythmsectionusingtheKROMEshighqualitydrumprogramsandarichvarietyofdrumpatterns.Pattern Bank [Preset, User]Pattern No. [P000...605, U000...999]Selectthepatternyouwanttouseinthedrumtrack.YoucancreateuserpatternsinSeqP10:Pattern/RPPRPatternEdit.Drum Track Program[A...F: 000127, GM, g(1)...g(9), g(d): 001128]Selecttheprogramthatwillplaythedrumtrackpattern.Note:OnlyprogramsoftheDrumscategorycanbeselected.TheMIDIchannelofthedrumtrackisspecifiedbytheGlobalP1:MIDIMIDIBasicpageDrumTrackProgMIDICh.MIDImessagetransmissionforapatternisspecifiedbyProgMIDIOut.Programchangesarenottransmittedorreceived.High Gain [18.0...+00.0...+18.0dB]Thiscontrolsthegainofthe10 kHzHighShelfEQ,inincrementsof0.5 dB.Mid Frequency [100Hz...10kHz]ThissetsthecenterfrequencyfortheMidsweepEQ.Mid Gain [18.0...+00.0...+18.0dB]ThiscontrolsthegainoftheMidSweepEQ,inincrementsof0.5 dB.Low Gain [18.0...+00.0...+18.0dB]Thiscontrolsthegainofthe80 HzLowShelfEQ,inincrementsof0.5 dB.Note:TheseparameterscanalsobesetfromP7:ARP/DT(Arpeggiator/DrumTrack).V 03: Menu Command 0:WriteProgramseep.64 1:ExclusiveSoloseep.64 2:AutoSongSetupseep.65Formoreinformation,pleaseseeProgram:MenuCommandonpage 64.05: ArpeggiatorArpeggiatorparametersareeditedinP7:ARP/DT(Arpeggiator/DrumTrack),butmajorparameterscanbeeditedhereaswell.WhenyouareplayinginProgP0:Play,youcaneditthearpeggiatorinrealtime,suchaschangingthearpeggiopatternetc.Towrite(save)theeditedcontent,useWriteProgram.YoucanalsousetheTEMPOknob,TAPbuttonandthearpeggiocontrol(ARP)knobsGATE,VELOCITY,SWING,andSTEPtoeditthearpeggioinrealtime.05a: ARP CONTROLSARP CONTROLSThisshowsthevalueofeachparameterfortheARPassignmentsoftheREALTIMECONTROLSknobs(seep.4andp.54).GATE [64...+00...+63]VELOCITY [64...+00...+63]SWING [64...+00...+63]seep.4,p.54STEP [64...+00...+63]seep.405b: ArpeggiatorPattern [P0...P4, U000 (INT)...U0899(INT),U0900(USER)...U1027(USER)]Arpeggio Pattern PreviewThisshowsagraphicofthestepsoftheuserarpeggiopattern.Resolution [, , , , , , , , , , , , , , , ]Octave [1, 2, 3, 4]Sort [Off, On]Latch [Off, On]Key Sync. [Off, On]Keyboard [Off, On]Makesettingsfortheprogramarpeggiator.Formoreinformation,pleaseseePROGP7:ARP/DT(Arpeggiator/DrumTrack)onpage 53.Note:TheseparameterscanalsobesetfromP7:ARP/DT(Arpeggiator/DrumTrack).01a05b05a05MenuPROG P0: Play 07: Tone Adjust7V 05: Menu Command 0:WriteProgramseep.64 1:ExclusiveSoloseep.64 2:AutoSongSetupseep.65 3:CopyArpeggiatorseep.66Formoreinformation,pleaseseeProgram:MenuCommandonpage 64.07: Tone AdjustTheToneAdjustfunctionassignsimportantprogramparametersandeasyeditparameterstotheswitchesandslidersinthedisplayforquickeditsofselectedparameters.Tip:InCombinationandSequencermodes,ToneAdjustalsoletsyoueditProgramparameterswithouttheneedtosaveadifferentversionoftheoriginalProgram.FormoreinformationonToneAdjustinthesemodes,pleasesee07c:ToneAdjustonpage 75andpage 115.Absolute (Abs), Relative (Rel), Meta parameterTherearethreekindsofToneAdjustparameters:Absolute,Relative,andMeta.AbsoluteparametersusuallyeditasingleProgramparameter,suchasOscillator1Drive.TheProgramandToneAdjustparametersmirroroneanother;whenyouchangeone,theotherwillchangetomatch.RelativeparameterstypicallyadjusttwoormoreProgramparameterssimultaneously.Forinstance,F/AEGAttackTimeaffectsatotalofsixProgramparameters.ThevalueoftheRelativeparametershowstheamountofchangetotheseunderlyingProgramparameters.IftheRelativeparameterissetto0(thesliderinthedisplayisatthecenterposition),thevalueofthecorrespondingprogramparameterwillnotchange.Thedefinitionsofhigherandlowersettingscanvary,dependingonthespecificparameter.Unlessnotedotherwise,theyworkasfollows:WhentheRelativeparameterisat+99(themaximum),theProgramparametersareallattheirmaximumaswell.Similarly,whentheRelativeparameterisat99(theminimum),theProgramparametersareatzero.Relative Tone Adjust parameter scalingAfewoftheProgramparameterscontrolledbyRelativeToneAdjustarebipolar,meaningthattheycanbeeitherpositiveornegative(insteadofjustpositive).WhentheseProgramparametersaresettonegativevalues,theToneAdjustparametermaybehavedifferentlyfromthedescriptionabove.Forinstance,iftheEGIntensityissettoanegativevalue,RelativeToneAdjustvalueswillrangefrom0to99,theinverseofthediagramabove.EGSustainworksdifferently;ifitssettoanegativevalue,ToneAdjustvaluesrangefrom0downtotheprogrammedvalue,andthenupto+99,asshownbelow.Relative Tone Adjust parameter scaling: EG SustainMetaparametersdontaffectProgramparametersdirectly.Instead,theyaffectthewaythatotherToneAdjustparameterswork.Forinstance,MultisampleMin#andMax#settheminimumandmaximumvaluesoftheToneAdjustMultisampleparameter.Saving Tone Adjust EditsToneAdjusteditsaresavedintwodifferentways,dependingonwhethertheparameterisRelativeorAbsolute.(Formoreinformation,pleaseseeAbsolute(Abs),Relative(Rel),Metaparameterbelow.)EditstoRelativeparametersaffectthesoundimmediately,butdontchangetheunderlyingProgramparametersettingsuntiltheProgramissaved.WhentheProgramissaved,theKROMEcalculatesthecombinedeffectsofToneAdjustanddedicatedCCmodulation(fromtheRealTimeknobs,forinstance),andsavestheresultsintotheProgramparametersdirectly.Atthatpoint,alloftheRelativeparametersareresetto0.EditstoAbsoluteparametersareimmediatelyreflectedinthecorrespondingonscreenparameters,andviceversa.Tone Adjust and MIDI SysExTheToneAdjusteditsallsendandreceiveMIDISystemExclusivemessages.YoucanusethistorecordandplaybackToneAdjusteditswithasequencer,includingthebuiltinsequencer.07a07b07c07Menu9900Relative Tone Adjust ValueParameterValueAs Programmed0 99 +99999900Relative Tone Adjust ValueParameterValueAs Programmed0 99 +99Program mode8Note:SystemexclusivemessagesarenotToneAdjustparameters;theyarelinkedtotheactualvalue.Forexample,ifasliderinthedisplayisassignedtocontrolfilterresonance,andyoumovethissliderwhilerecordingtothesequencer,theslidermovementwillberecorded,butthechangeinfilterresonancewillnotberecorded.ThismeansthatifyoulaterreassigntheToneAdjustparametertocontrolLFO1Speed,playingbackthesequencerwillcausetheLFOspeed(notthefilterresonance)tochange.Interaction between Tone Adjust and MIDI CCsAnumberoftheCommonToneAdjustparameterscanaffectparameterswhicharealsomodulatedbydedicatedMIDICCs.ThespecificCCnumbersarenotedinthedescriptionsfortheindividualToneAdjustparameters.Formoreinformation,pleaseseeToneAdjustParametersonpage 10.ToneAdjustandtheCCsworkindependently.Itspossible,forinstance,forToneAdjusttoreducethevalueofaparameter,andthenforaCCtoincreaseitagain.ToneAdjustscalestheparameterfirst,andthentheCCscalestheresultoftheToneAdjust.07a: Program Select & TempoBank (Bank Select) [A...F, GM, g(1)...g(9), g(d)]Program Select [A...F: 000127, GM, g(1)...g(9),g(d): 001128], (Tempo) [040.00...300.00, EXT]Thisareadisplaysinformationabouttheprogramselectedforediting:theprogrambank/number/name,andthetempousedtocontrolthearpeggiatoretc.Formoreinformation,pleasesee01a:ProgramSelectonpage 2.07b: Selected parameter informationSelected parameter informationThisstatuslineshowsdetailed,readonlyinformationaboutthecurrentlyselectedToneAdjustparameter.Control [SW1...8, SL1...8]ThisisthecontrollerinthedisplaytowhichtheToneAdjustparameterisassigned.SW:SwitchSL:SliderAssignmentThisshowsthefullnameoftheparameterassignedtothecontroller.YoucanchangethisusingtheAssignparameter,below.ValueThisshowsthecurrentvalueoftheparameter.Therangeofvalueswillvarydependingontheparameterassignedtothecontrol.Type [Rel, Abs, Meta]Thisshowsthetypeofparameter,whichrelatestohoweditstotheparameterareadjustedandsaved.Formoreinformation,pleaseseeAbsolute(Abs),Relative(Rel),Metaparameteronpage 7.Stored ValueThisshowstheoriginalvalueoftheparameter,beforetheeffectsofToneAdjust.ItappliesonlytoToneAdjustparameterswhichcontrolasingleProgramparameter.IfyouunassignaRelativeparameterfromacontrol,itwillreverttothisvalue.07c: Tone AdjustHere,youcanassignToneAdjustparameterstoswitchesandslidersinthedisplay.Switches 1...8ToneAdjustswitchesinthedisplayactalittledifferentlythansliders.WhenaswitchisassignedtoaRelativeparameter,oranAbsoluteparameterwithmorethantwostates:SwitchOn=OnValue(seebelow)SwitchOff=theProgramsstoredvalueWhenaswitchisassignedtoatwostateAbsoluteparameter,suchasHold,theswitchstatusdirectlyreflectstheparametervalue:SwitchOn=OnSwitchOff=OffAssignThisletsyouassignaToneAdjustparametertothedisplayedswitch.Forafulllistoftheavailablechoices,pleaseseeCommonToneAdjustParametersandToneAdjustParametersbelow.On Value [Depends on parameter]TheparameterissettothisvaluewhentheswitchisOn.WhentheswitchisassignedtoatwostateAbsoluteparameter,suchasHold,thiswillalwaysbethesameastheSwitchStatus(seebelow).Switch Status [Off, On]ThissimplyshowswhethertheswitchisOnorOff.Sliders 1...8AssignThisletsyouassignaToneAdjustparametertothedisplayedslider.Forafulllistoftheavailablechoices,pleaseseeCommonToneAdjustParametersandToneAdjustParametersbelow.Control Assignment Value Stored Value TypeAssignOn/OfValueAssignValuePROG P0: Play 07: Tone Adjust9PerOscillatorparametersapplytoOSC1and2individually,andaremarkedassuch:OSC1andOSC2.Eachslidercanbeassignedtoonlyoneparameter,andeachparametercanbeassignedtoonlyoneslider.Toswapaparameterfromoneslidertoanother,youllneedtofirstunassignitfromtheoldslider,andthenassignittothenewslider.ValueThisshowsthecurrentvalueoftheparameter.Therangeofvalueswilldependontheparameterassignedtotheslider.Common Tone Adjust ParametersTheseparametersaffectbothOscillators1and2.Unlessotherwisenoted,alloftheCommonToneAdjustparametersareRelative.Note:Attherightofeachparameter,the(valuerangeandCC#)areshowninparentheses.Off.ThismeansthattheToneAdjustcontrolhasnoeffect.FilterCutoff.(99...+99,CC#74)Thisscalesthecutofffrequencyofallofthefiltersatonce.ItaffectsbothFiltersAandB.FilterResonance.(99...+99,CC#71)Thisscalestheresonanceofallofthefiltersatonce.ItaffectsbothFiltersAandB.FilterEGIntensity.(99...+99,CC#79)ThisscalestheeffectoftheFilterEGonthecutofffrequency.ItaffectsFiltersAandBsimultaneously.99meansnomodulation.+99meansmaximum.Modulationisinthesamedirection,positiveornegative,astheoriginalProgram.Forinstance,iftheoriginalProgramsEGIntensitywassetto25,thensettingtheToneAdjustto+99movestheEGIntensityto99.AmpVelocityIntensity.(99...+99)ThisscalestheeffectofvelocityontheAmplevel.99removesthevelocitymodulationentirely.+99meansmaximummodulationinthesamedirection,positiveornegative,astheoriginalProgram.F/AEGAttackTime.(99...+99,CC#73)ThisscalestheattacktimesoftheFilterandAmpEGs,alongwithotherrelatedparameters.Whenthevalueis+1ormore,thisalsoaffectstheAmpEGsStartandAttackLevels,StartLevelAMS,andAttackTimeAMS,asdescribedbelow:Betweenvaluesof+1and+25,theStartLevel,StartLevelAMS,andAttackTimeAMSwillchangefromtheirprogrammedvaluesto0.Overthesamerange,theAttackLevelwillchangefromitsprogrammedvalueto99.F/AEGDecayTime.(99...+99,CC#75)ThisscalesthedecayandslopetimesoftheFilterandAmpEGs.ItinteractswithCC#75.F/AEGSustainLevel.(99...+99,CC#70)ThisscalesthesustainlevelsoftheFilterandAmpEGs.F/AEGReleaseTime.(99...+99,CC#72)ThisscalesthereleasetimesoftheFilterandAmpEGs.FilterEGAttackTime.(99...+99)ThisscalestheattacktimesoftheFilterEGs.FilterEGDecayTime.(99...+99)ThisscalesthedecayandslopetimesoftheFilterEGs.FilterEGSustainLevel.(99...+99)ThisscalesthesustainlevelsoftheFilterEGs.FilterEGReleaseTime.(99...+99)ThisscalesthereleasetimesoftheFilterEGs.AmpEGAttackTime.(99...+99)ThisscalestheattacktimesoftheAmpEGs.AmpEGDecayTime.(99...+99)ThisscalesthedecayandslopetimesoftheAmpEGs.AmpEGSustainLevel.(99...+99)ThisscalesthesustainlevelsoftheAmpEGs.AmpEGReleaseTime.(99...+99)ThisscalesthereleasetimesoftheAmpEGs.PitchEGAttackTime.(99...+99)ThisscalestheattacktimesofthePitchEG.PitchEGDecayTime.(99...+99)ThisscalesthedecayandslopetimesofthePitchEG.PitchEGSustainLevel(N/A).(99...+99)ThisscalesthesustainlevelsofthePitchEG.PitchEGReleaseTime.(99...+99)ThisscalesthereleasetimesofthePitchEG.PitchLFO1Intensity.(99...+99,CC#77)ThisscalestheeffectofLFO1onthePitch.99removestheLFOmodulationentirely.+99meansmaximummodulationinthesamedirection,positiveornegative,astheoriginalProgram.LFO1Speed.(99...+99,CC#76)ThisscalesLFO1sfrequency.WhentheLFOisinMIDI/Tempomode,thisadjuststheBaseNote.Formoreinformation,pleaseseeFrequencyonpage 42.LFO1Fade.(99...+99)ThisscalesLFO1sfadeintime.Formoreinformation,pleaseseeFadeonpage 43.LFO1Delay.(99...+99,CC#78)ThisscalesLFO1sdelaytimethetimebetweennoteonandtheonsetoftheLFO.Formoreinformation,pleaseseeDelayonpage 43.ThisparameterinteractswithCC#78.LFO1Stop.(PROG/Off/On,Absolute)ThisAbsoluteparametercontrolswhetherLFO1isstoppedorrunning.Formoreinformation,pleaseseeStoponpage 42.ThePROGsettingrestorestheProgramsoriginalvalues.Forexample,ifyousetthistoPROGwhentheoscillator1LFOisstoppedandoscillator2isplaying,theoriginalsettingoftheparameterwillbeused.LFO2Speed.(99...+99)ThisscalesLFO2sfrequency.WhentheLFOisinMIDI/Tempomode,thisadjuststheBaseNote.Formoreinformation,pleaseseeFrequencyonpage 42.LFO2Fade.(99...+99)ThisscalesLFO2sfadeintime.Formoreinformation,pleaseseeFadeonpage 43.LFO2Delay.(99...+99)ThisscalesLFO2sdelaytimethetimebetweennoteonandtheonsetoftheLFO.Formoreinformation,pleaseseeDelayonpage 43.LFO2Stop.(PROG/Off/On,Absolute)ThisAbsoluteparametercontrolswhetherLFO2isstoppedorrunning.Formoreinformation,pleaseseeStoponpage 42.CommonLFOSpeed.(99...+99)ThisscalestheCommonLFOsfrequency.WhentheLFOisinMIDI/Tempomode,thisadjuststheBaseNote.Unison.(Off/On,Absolute)ThisAbsoluteparameterturnsUnisononandoff.Formoreinformation,pleaseseeUnisononpage 13.NumberOfVoices.(2...6,Absolute)ThisAbsoluteparametersetsthenumberofUnisonvoices.Program mode10IfUnisonisnotOn,thisparameterhasnoeffect.Formoreinformation,pleaseseeNumberofVoicesonpage 13.Detune.(00...99,Absolute)ThisAbsoluteparametersetstheamountofdetuningbetweentheUnisonvoices.IfUnisonisnotOn,thisparameterhasnoeffect.Formoreinformation,pleaseseeDetuneonpage 13.Thickness.(Off/01...09,Absolute)ThisAbsoluteparametersetsthepatternofdetuningbetweentheUnisonvoices.IfUnisonisnotOn,orifDetuneissetto0,thisparameterhasnoeffect.Formoreinformation,pleaseseeThicknessonpage 13.Tone Adjust ParametersMacro parametersThefollowingthreeparametersaffectbothOscillator1andOscillator2.Note:Inthelistbelow,attherightofeachparameter,thevaluerangeandedittypeareshowninparentheses.PitchStretch.(12...+12,Relative)ThisspecialcontrolincreasestheOscillatorTuneparameterwhileloweringtheTransposeparameter.Theresultisthatthepitchstaysthesame,butthemappingofthesamplestothekeyschanges.Youcanusethistocreateinterestingshiftsintimbre.Hold.(Off/On,Absolute)ThisletsyouturnHoldonandoff.Formoreinformation,pleaseseeHoldonpage 14.Reverse.(PROG/Off/On,Absolute)ThisturnsReverseon/offformultisamplesthatallowthereversesettingforbothoscillators.PROGrestorestheProgramsoriginalsettings.Reverseplaysthewaveformfromendtostart;theeffectisonlynoticeablewithunloopedsamples.Per-Oscillator parametersTheseparametersaffecteachOscillatorseparately.Inthelist,theparametersforOscillator1appearfirst,witheachnameprefacedbyOSC1;theparametersforOscillator2appearnext,prefacedbyOSC2.Unlessotherwisespecified,allofthePerOscillatorparametersareAbsolute.Note:Inthelistbelow,theitemsinparenthesesare(value,edittype)respectively.Tune.(1200...+1200,Relative)ThisRelativeparameteraddstoorsubtractsfromtheOscillatorsTunesetting,asdescribedunderTuneonpage 17.Transpose.(60...+60,Relative)ThisRelativeparameteraddstoorsubtractsfromtheOscillatorsTransposesetting,asdescribedunderTransposeonpage 17.Note:aswithTranspose,below,thisisasimpleadditionorsubtraction,asopposedtothemorecomplexscalingfunction.MS/DKitSelect.(PROG/0...540,Absolute)InSingleorDoublePrograms,thisletsyouselectanewMultisamplefortheOscillator.InDrumPrograms,itletsyouselectadifferentDrumKit.Ingeneral,itsbesttousethisinconjunctionwiththeMSTypeandMS/DKitBankparameters,asdescribedbelow.PROGrestorestheProgramsoriginalMultisamples(ortheDrumKit,foraDrumProgram),includingallvelocityrangesandReverseandStartOffsetsettings.YoucanalsolimittherangeofthecontrolbyusingtheMin#andMax#parameters,describedbelow.For Single and Double Programs:MS/DKitSelectoverridesalloftheMultisampleVelocityzones,sothatthenewlyselectedMultisampleplaysovertheentirevelocityrange.Bydefault,youcanselectfromthesameBankastheoriginalProgramsMS1.YoucanusetheMS/DKitBankparameter,describedbelow,tochangethesedefaultsasdesired.For Multisamples only:YoucanusetheToneAdjustReverseandStartOffsetparameterstomodifythenewlyselectedMultisample.Bydefault,theReverseissettoOff,anditsStartOffsetissetto0.For Drum Programs:Bydefault,youcanselectfromthesameBankastheoriginalProgramsDrumkit.YoucanusetheMSBankparameter,describedbelow,toselectadifferentBank.MSBank.(Mono,Stereo...,Meta)ThisMetaparametermodifiestheMS/DkitSelectparameter,sothatyoucanselectMultisamplesfromanyBankyoulike.MS/DKitMin#.(0...540,Meta)ThisMetaparametersetsaminimumvaluefortheMS/DkitSelectparameter.YoucanusethisinconjunctionwiththeMS/DKitMax#parameter,below,sothatfrontpanelvaluedialselectsonlyfromasmallsetofchoices.Thisisparticularlyconvenientwiththeinternal,inwhichsimilarMultisamplesaregroupedtogether.Forinstance,thismakesiteasytoselectbetweenagroupofbells,orasetofelectricbasses.MS/DKitMax#.(0...540,Meta)ThisMetaparametersetsamaximumvaluefortheMS/DkitSelectparameter.PleaseseeMS/DKitMin#,above,formoreinformation.StartOffset.(0ff,1th...8th,Absolute)ThisallowsyoutochangetheStartOffsetoftheMultisamplespecifiedbytheMSSelectparameter.Itappliesonlywhen:TheProgramisaSingleorDouble(notaDrumKit)Formoreinformation,pleaseseeOffset(StartOffset)onpage 18.Drive.(0...99,Absolute)ThiscontrolstheOscillatorsDriveparameter,asdescribedunderDriveonpage 35.LowBoost.(0...99,Absolute)ThiscontrolstheOscillatorsLowBoostparameter,asdescribedunderLowBoostonpage 35.PitchSlope.(1.0...2.0,Absolute)ThiscontrolstheOscillatorsPitchSlopeparameter,asdescribedunderPitchSlopeonpage 20.LFO1Waveform.(Triangle...Rad6,Absolute)ThisselectsthewaveformfortheOscillatorsLFO1,asdescribedunderWaveformonpage 42.LFO2Waveform.(Triangle...Rnd6,Absolute)ThisselectsthewaveformfortheOscillatorsLFO2,asdescribedunderWaveformonpage 42.AmpLFO1Intensity.(99...+99,Absolute)ThiscontrolsthedepthanddirectionofAmpmodulationfromLFO1,asdescribedunderIntensity(LFO1)onpage 38.AmpLFO2Intensity.(99...+99,Absolute)ThiscontrolsthedepthanddirectionofAmpmodulationfromLFO2,asdescribedunderIntensity(LFO1)onpage 38.FilterLFO1IntensitytoA.(99...+99,Absolute)ThiscontrolsthedepthanddirectionofFilterAcutoffPROG P0: Play 07: Tone Adjust11modulationfromLFO1,asdescribedunderIntensitytoAonpage 30.FilterLFO1IntensitytoB.(99...+99,Absolute)ThiscontrolsthedepthanddirectionofFilterBcutoffmodulationfromLFO1,asdescribedunderIntensitytoBonpage 31.FilterLFO2IntensitytoA.(99...+99,Absolute)ThiscontrolsthedepthanddirectionofFilterAcutoffmodulationfromLFO2,asdescribedunderIntensitytoAonpage 30.FilterLFO2IntensitytoB.(99...+99,Absolute)ThiscontrolsthedepthanddirectionofFilterBcutoffmodulationfromLFO2,asdescribedunderIntensitytoBonpage 31.PitchLFO1AMSIntensity.(12.00...+12.00,Absolute)YoucanuseanAMSsource,suchasaftertouch,tomodulatethedepthofpitchmodulation(vibrato)fromLFO1.ThiscontrolstheintensityofthatAMSmodulation.Formoreinformation,pleaseseeIntensityonpage 21.PitchLFO2AMSIntensity.(12.00...+12.00,Absolute)ThisissimilartoPitchLFO1AMSIntensity,above.Default Tone Adjust SettingsYoucanusetheToneAdjustfunctiontoeditalloftheimportantprogramparametersonthissinglepage.Mostofthepresetsoundsusethedefaultlayoutshownbelow.Youcancustomizethesedefaultsettingsforeachprogram.FordetailsontheToneAdjustfunction,pleasesee07b:Selectedparameterinformationonpage 8.Tone Adjust parametersThisappliestocommontoneadjustparametersandtoneadjustparametersfollowingthe07b:Selectedparameterinformationonpage 8.Default Tone Adjust SettingsV 07: Menu Command 0:WriteProgramseep.64 1:ExclusiveSoloseep.64 2:AutoSongSetupseep.65 3:CopyToneAdjustseep.65 4:ResetToneAdjustseep.65Formoreinformation,pleaseseeProgram:MenuCommandonpage 64.Controller Default settingsSW1 [OSC1]TransposeSW2 [OSC2]TransposeSW3 [OSC1]TuneSW4 [OSC2]TuneSW5 [OSC1]MS/DKitSelectSW6 FilterCutoffSW7 FilterResonanceSW8 FilterEGIntensitySlider1 [OSC1&2]PitchStretchSlider2 [OSC1]FilterLFO1IntASlider3 [OSC1]AmpLFOIntSlider4 [OSC1]DriveSlider5 F/AEGAttackTimeSlider6 F/AEGDecayTimeSlider7 F/AEGSustainLevelSlider8 F/AEGReleaseTimeProgram mode12PROG P1: Basic/Controllers11: Program BasicThispagecontainsallofthebasicsettingsfortheProgram.Amongotherthings,youcan: SetuptheProgramtobeaSingle,aDouble,aDrumKit,oraDoubleDrumKit. SettheProgramtoplaypolyphonicallyormonophonically.11a: Oscillator ModeOscillator Mode[Single, Double, Drums, Double Drums]SpecifiestheProgramsoscillatorassignment;whetheritwilluseoneortwooscillators,oradrumkit.Single:Theprogramwilluseoneoscillator(Oscillator1,Filter1,Amplifier1).Inthiscase,theprogramwillnormallyhaveamaximumof120notepolyphony.Double:Theprogramwillusetwooscillators(Oscillator1/2,Filter1/2,Amplifier1/2).Inthiscasetheprogramwillnormallyhaveamaximumof60notepolyphony.Drums:Theprogramwilluseoneoscillator(aswhenSingleisselected),butOscillator1willbeassignedadrumkitinsteadofamultisample.Inthiscasetheprogramwillnormallyhaveamaximumof120notepolyphony.DoubleDrums:TheProgramwillusetwooscillatorstoplaytwoDrumKits.InthiscasetheProgramwillnormallyhaveamaximumof60notepolyphony.OSC Picture 1, 2 [MS Names...]Hereyoucanspecifyagraphicforoscillators1and2thatwillbeshowninthemainP0Playpage.Toopenthemenu,pressthepopupbuttonorpressthepreviewareatwiceinsuccession.Tochoosethegraphic,pressthegraphicviewatthebottomofthemenuortheleftorrightgraphicsintheupperpart.Toconfirmyourselection,presstheOKbuttonorpresstheuppermiddlegraphictwiceinsuccession.OSCPicture2isunavailableiftheOscillatorModeisSingleorDrums.11b: Voice Assign ModeVoice Assign Mode [Poly, Mono]Selectthebasicvoiceallocationmode.Dependingonwhichoneyouselect,variousotheroptionswillappear,suchasPolyLegato(Polymodeonly)andUnison(Monomodeonly).Poly:Theprogramwillplaypolyphonically,allowingyouplaychords.Mono:Theprogramwillplaymonophonically,producingonlyonenoteatatime.Poly Legato [Off, On]PolyLegatoisavailablewhentheVoiceAssignModeissettoPoly.Legatomeanstoplaynotesothattheyaresmoothandconnected;thenextnoteisplayedbeforethelastnoteisreleased.Thisistheoppositeofplayingdetached.On(checked):Whenyouplayalegatophrase,onlythefirstnoteofthatphrase(andwithinapproximatelythefirst30msec)willusethenormalmultisamplestartpointspecifiedbyStartOffset(Prog21a);allsubsequentnoteswillusethelegatostartpointspecifiedforeachmultisample.Note:Thisisausefulwaytosimulatethepercussiveattackofatonewheeltypeorgan.Off(unchecked):NoteswillalwaysusethesettingoftheStartOffset,regardlessofwhetheryouplaylegatoordetached.WithsomeMultisamples,PolyLegatomaynothaveanyeffect.Single Trigger [Off, On]SingleTriggerisavailablewhentheVoiceAssignModeissettoPoly.On(checked):Whenyouplaythesamenoterepeatedly,thepreviousnotewillbesilencedbeforethenextnoteissounded,sothatthetwodonotoverlap.Off(unchecked):Whenyouplaythesamenoterepeatedly,thenoteswilloverlap.Mono Legato [Off, On]ThisisavailablewhentheVoiceAssignModeissettoMono.Legatomeanstoplaynotessothattheyaresmoothandconnected;thenextnoteisplayedbeforethelastnoteisreleased.Thisistheoppositeofplayingdetached.WhenMonoLegatoisOn,thefirstnoteinalegatophrasewillsoundnormally,andthensubsequentnoteswillhaveasmoothersound,formoregentletransitionsbetweenthenotes.TheModeparameter,below,switchesbetweentwodifferentMonoLegatoeffects,eachofwhichachievesthissmoothnessinadifferentway.Seethedescriptionofthatparameterformoredetails.On(checked):Whenyouplaywithlegatophrasing,thenoteswithinalegatophrasewillsoundsmoother,accordingtothesettingoftheModeparameter,below.Off(unchecked):Legatophrasingwillproducethesamesoundasdetachedplaying.11a11b11MenuPROG P1: Basic/Controllers 11: Program Basic13Mode [Normal, Use Legato Offset]ThisparameterisavailableonlywhenMonoLegatoisOn.Normal:Whenyouplaylegato,themultisample,envelopes,andLFOswillnotbereset;onlythepitchoftheoscillatorwillchange.Thissettingisparticularlyeffectiveforwindinstrumentsandanalogsynthsounds.Withthisoption,thepitchmayoccasionallybeincorrect,dependingonwhichmultisampleyouplay,andwhereonthekeyboardyouplay.UseLegatoOffset:Whenyouplaylegato,thesecondandsubsequentnoteswillusethelegatostartpointspecifiedforeachmultisample,ratherthantheStartOffset(StartOffset21a)setting.Thisiseffectivewhenusedwithamultisampleforwhichyouveassignedaspecificlegatooffsetpoint.Forexample,youmightuseittocontroltheattackofabreathy,slowattacksaxsound.Onsomemultisamples,thiswillhavenoeffect.EnvelopesandLFOswillstillbereset,astheyarewithdetachedplaying.Priority [Low, High, Last]PriorityisavailablewhentheVoiceAssignModeissettoMono.Thisparameterdetermineswhathappenswhenmorethanonenoteisbeinghelddown.Low:Thelowestnotewillsound.Manyvintage,monophonicanalogsynthsworkthiswayHigh:Thehighestnotewillsound.Last:Themostrecentlyplayednotewillsound.Unison [On, Off]UnisoncanbeusedinMonomode.On(checked):WhenUnisonison,theProgramusestwoormorestacked,detunedvoicestocreateathicksound.UsetheNumberofVoicesandDetuneparameterstosetthenumberofvoicesandamountofdetuning,andtheThicknessparametertocontrolthecharacterofthedetuning.Off(unchecked):TheProgramplaysnormally.Number of Voices [2...6]ThiscontrolsthenumberofdetunedvoicesthatwillbeplayedforeachnotewhenusingUnison.ItappliesonlywhenUnisonisOn.Detune [00...99 cents]DetuneisavailablewhenUnisonisOn.ThisparametersetsthetuningspreadfortheUnisonvoices,incents(1/100ofasemitone).TheThicknessparameter,below,controlshowthevoicesaredistributedacrossthedetuneamount.WhenThicknessisOff,thevoicesaredistributedevenly,centeredaroundthebasicpitch.Forinstance,letssaythattheNumberofvoicesparameterissetto3,Detuneissetto24,andThicknessisOff:Voiceonewillbedetuneddownby12cents,voicetwowillnotbedetuned,andvoicethreewillbedetunedupby12cents.Asanotherexample,letssaythatDetuneisstillsetto24andThicknessisstillOff,butNumberofvoicesissetto4:Voiceonewillstillbedetuneddownby12cents,voicetwowillbedetuneddownby4cents,voicethreewillbedetunedupby4cents,andvoice4willbedetunedupby12cents.Thickness [Off, 01...09]ThicknessisavailablewhenUnisonisOn.Thisparametercontrolsthecharacterofthedetuningfortheunisonvoices.Off:UnisonvoiceswillbeevenlydistributedacrosstheDetunerange,asshownabove.0109:Unisonvoiceswillbedetunedinanasymmetricway,increasingthecomplexityofthedetune,andchangingthewayinwhichthedifferentpitchesbeatagainstoneanother.Thiscreatesaneffectsimilartovintageanalogsynthesizers,inwhichoscillatorswouldfrequentlydriftslightlyoutoftune.Highernumbersincreasetheeffect.V 11: Menu Command 0:WriteProgramseep.64 1:ExclusiveSoloseep.64 2:AutoSongSetupseep.65 3:CopyOscillatorseep.65 4:SwapOscillatorseep.65Formoreinformation,pleaseseeProgram:MenuCommandonpage 64.Voice Detune1 122 03 +12Voice Detune1 122 43 +44 +12Program mode1412: Note-On/ScaleHere,youcanmakethefollowingsettings. MakekeyboardsplitsettingsforOSC1,OSC2,andHold. Enable/disablethehalfdamperfunction. Selectthebasicscaleoftheprogram.12a: Key ZoneYoucancreatekeyboardsplitsbysettingtopandbottomkeylimitsforOscillators1and2.Also,youcancontrolthekeyboardrangeoverwhichtheHoldparametertakeseffect.Note:YoucanalsosetthenotevaluesandvelocityvaluesbyholdingdownaneditcellortheENTERbuttonandplayingakey(seeOGp.10).OSC 1 Bottom [C1...G9]ThissetsthelowestkeyonwhichOscillator1willplay.OSC 1 Top [C1...G9]ThissetsthehighestkeyonwhichOscillator1willplay.OSC 2 Bottom [C1...G9]ThissetsthelowestkeyonwhichOscillator2willplay.OSC 2 Top [C1...G9]ThissetsthehighestkeyonwhichOscillator2willplay.Hold [On, Off]Holdislikepermanentlypressingdownonthesustainpedal.Inotherwords,notescontinuetosoundasifyouwereholdingdownthekeyevenafteryouliftyourfingersfromthekeyboard.UnlesstheSustainLevelissetto0inAmpEG1(andAmpEG2inaDoubleProgram),thesoundwillplayfortheentirelengthofthemultisample(s).On(checked):TheHoldfunctionisenabledfortherangesetbytheHoldBottomandHoldTopparameters,below.Off(unchecked):Noteswillplaynormally.Thisisthedefaultsetting.Using Hold with Drum KitsHoldcanbeespeciallyusefulfordrumprograms,sinceitletsthedrumsamplesringoutnaturally.Ingeneral,whenyousettheOscillatorModetoDrums,itsgoodtosetHoldtoOn.OnceyouveturnedonHoldforadrumprogram,thefunctioniscontrolledonanotebynotebasisaccordingtosettingswithintheselectedDrumKit.IfakeysEnableNoteOffReceiveparameter(Global54a)isunchecked,thenotewillbeheld.IfthekeysEnableNoteOffReceiveparameterischecked,itwillnotbeheld.IfyouturnoffHoldintheProgram,nokeyswillbeheldregardlessoftheirEnableNoteOffReceivesetting.Using Hold with Acoustic PianosHoldisalsousefulforsimulatingthetopoctavesofanacousticpiano,inwhichnotesalwayssustainuntiltheyfadeoutnaturally,regardlessofhowlongyouholdthekey.TheHoldBottomandHoldTopparametersaredesignedforexactlythispurpose.TheyletyoulimittheeffectoftheHoldparametertoaspecificrangeofthekeyboard.Hold Bottom [C1...G9]ThissetsthelowestkeyaffectedbytheHoldfunction.Hold Top [C1...G9]ThissetsthehighestkeyaffectedbytheHoldfunction.12b: Half-Damper ControlAhalfdamperpedalisaspecialtypeofcontinuousfootpedal,suchastheKorgDS1H.Incomparisontoastandardfootswitch,halfdamperpedalsoffermoresubtlecontrolofsustain,whichcanbeespeciallyusefulforpianosounds.TheKROMEwillautomaticallysensewhenahalfdamperisconnectedtotherearpanelDAMPERinput.Forproperoperation,youwillalsoneedtocalibratethepedal,usingtheHalfDamperCalibrationcommandintheGlobalmenu.Theoffandfullonpositionsofthehalfdamperworkjustlikeastandardfootswitch.InconjunctionwiththeEnableHalfDamperparameter,below,intermediatepositionsallowagraduatedcontrolofsustain,similartothedamperpedalofanacousticpiano.Enable Half-Damper [On, Off]WhenthisisOn(checked),HalfDamperpedals,normalsustainpedals,andMIDICC#64willallmodulatetheAmpEG,asdescribedbelow.WhenthisisOff(unchecked),thepedalsandMIDICC#64willstillholdnotesasusual,butwillnotmodulatetheAmpEG.Half-Damper Pedal and Release TimeTheamountofmodulationdependsonwhethertheAmpEGSustainLevelissetto0(asisthecasewithmostacousticpianosounds),orsetto1ormore.Themodulationiscontinuous,from1x(nochange)to55timeslonger;thetablebelowshowsaselectionofrepresentativepoints.Half-Damper modulation of Amp EG Release Time12c: OSC1/2 Note-On ControlOSC1 Delay [0000ms...5000ms, KeyOff]Thisspecifiesthetimefromwhenyoupressakeyuntiloscillator1actuallybeginstosound.ThisismostusefulinDoublePrograms,fordelayingoneoscillatorinrelationtotheother.KeyOffisaspecialsetting.Insteadofdelayingthesoundbyaparticularamountoftime,thesoundwillplayassoonasyoureleasethekey.Youcanusethistocreatetheclickheardwhenaharpsichordnoteisreleased,forinstance.12a12d12Menu12c12bCC#64 ValueMultiply Amp EG Release Time byIf Sustain = 0 If Sustain = 1 or more0 1x 1x32 2.1x 2.1x64 3.2x3.2x80 5.9x96 22.3x127 55xPROG P1: Basic/Controllers 12: Note-On/Scale15Ingeneral,whenyouusetheKeyOffsetting,itsalsobesttosettheoscillatorsAmpEGSustainLevelto0.Mode [Key, Key + Damper]Normally,youplaynotessimplybypressingkeysonthekeyboard.Inspecialcases,however,youcansetthisparametersothatyoumustfirstbeholdingdownthedamperpedal,andthenpressakey,inordertoplayanote.Forinstance,thiscanbeusefulwhenmodelingthebehaviorofapianosoundboard.Keyisthenormalmode.WhenyouselectKey+Damper,noteswillonlysoundifthedamperpedalisbeinghelddown.Whenthedamperpedalisreleased,allnoteswillbestoppedeveniftheyarestillbeinghelddown.OSC2 Delay [0000ms...5000ms, KeyOff]Mode [Key, Key + Damper]Thisspecifiesthetimefromwhenyoupressakeyuntiloscillator2actuallybeginstosound.SeeOSC1DelayandMode,above.12d: ScaleType[Equal TemperamentUser Octave Scale15]SelectsthebasicscalefortheProgram.Notethatformanyofthescales,thesettingoftheKeyparameter,below,isveryimportant.EqualTemperament:Thisisthemostwidelyusedscalebyfar,inwhicheachsemitonestepisspacedatequalpitchintervals.EqualTemperamentallowseasymodulation,sothatachordprogressionplayedinthekeyofCsoundsroughlythesameasthesameprogressionplayedinF#.Sacrificed,however,issomeofthepurityofindividualintervalsofferedbythescalesbelow.PureMajor:Inthistemperament,majorchordsoftheselectedkeywillbeperfectlyintune.PureMinor:Inthistemperament,minorchordsoftheselectedkeywillbeperfectlyintune.Arabic:ThisscaleincludesthequartertoneintervalsusedinArabicmusic.Pythagoras:ThisscaleisbasedonancientGreekmusictheory,andisespeciallyeffectiveforplayingmelodies.Itproducescompletelypurefifths,withoneexception,attheexpenseofdetuningotherintervalsthirdsinparticular.AsmuchasPythagorasmighthavelikedtodoso,itsnotpossibletomakeallthefifthspurewhilealsokeepingtheoctaveintune.Forthesakeoftheoctave,oneofthefifthstheintervalfromthesharpfourthdegreetothesharpfirstdegreeismadequiteflat.Werkmeister(WerkmeisterIII):ThisscalewasoneofthemanytemperamentsystemsdevelopedtowardstheendoftheBaroqueperiod.TheseWellTemperedtuningswereaimedatallowingrelativelyfreetranspositionalthoughyoullstillnoticethatthedifferentkeysmaintaintheirowndistinctcharacteristics,unlikeEqualTemperament.J.S.Bachwasreferringtothesenewscalesinhistitle,TheWellTemperedClavier.Assuch,thisgroupareparticularlyappropriateforlatebaroqueorganandharpsichordmusic.Kirnberger(KirnbergerIII):ThisisasecondWellTemperedtuning,datingfromtheearly18thcentury.Slendro:ThisisanIndonesiangamelanscale,withfivenotesperoctave.WhenKeyissettoC,usetheC,D,F,GandAnotes.Otherkeyswillplaythenormalequaltemperedpitches.Pelog:ThisisanotherIndonesiangamelanscale,withsevennotesperoctave.WhenKeyissettoC,usethewhitekeys.Theblackkeyswillplaytheequaltemperedpitches.Stretch:Thistuningisusedforacousticpianos.UserAllNotesScale:Thisisauserprogrammedscalewithdifferentsettingsforall128MIDInotes.YoucansetupthisscaleinGlobalmode(Global31b).UserOctaveScale0015:Theseareuserprogrammedscaleswithsettingsforeachofthe12notesinanoctave.YoucansetthemupinGlobalmode(Global31a).Key (Scale Key) [CB]Selectsthekeyofthespecifiedscale.ThissettingdoesnotapplytotheEqualTemperament,Stretch,andUserAllNotesscales.IfyoureusingascaleotherthanEqualTemperament,thecombinationoftheselectedscaleandtheKeysettingmayskewthetuningofthenote.Forexample,AabovemiddleCmightbecome442 Hz,insteadofthenormal440 Hz.YoucanusetheGlobalModesMasterTune(Global01a)parametertocorrectthis,ifnecessary.Random [07]Thisparametercreatesrandomvariationsinpitchforeachnote.Atthedefaultvalueof0,pitchwillbecompletelystable;highervaluescreatemorerandomization.Thisparameterishandyforsimulatinginstrumentsthathavenaturalpitchinstabilities,suchasanalogsynths,tapemechanismorgansoracousticinstruments.V 12: Menu Command 0:WriteProgramseep.64 1:ExclusiveSoloseep.64 2:AutoSongSetupseep.65 3:CopyOscillatorseep.65 4:SwapOscillatorseep.65Formoreinformation,pleaseseeProgram:MenuCommandonpage 64.Program mode1613: Controllers SetupHereyoucanspecifytheSW1andSW2switchandfrontpanel14knobsoftheprogramwhenRealtimeControlsUSERisselected.13a: Panel Switch 1/2 AssignSW1 (SW1 Assign) [Off, ..., JS-Y Lock]ThisassignsthefunctionofSW1.Formoreinformation,pleaseseeListofSW1/2assignmentsonpage 348.Note:Ifyouchangethefunctionsetting,thestatusisresettooff.Note:Theon/offstatusoftheSW1,SW2switchesismemorizedwhenyousavetheprogram.Mode (SW1 Mode) [Toggle, Momentary]Thisspecifiestheon/offoperationwhenyoupresstheSW1switch.Toggle:ThestatewillalternatebetweenOnandOffeachtimeyoupresstheSW1switch.Momentary:ThestatewillremainOnonlywhileyoucontinueholdingdowntheSW1switch.SW2 (SW2 Assign) [Off, ..., JS-Y Lock]Mode (SW2 Mode) [Toggle, Momentary]ThisassignsthefunctionofSW2.ThefunctionsthatcanbeassignedtoSW2arethesameasforSW1,withthesubstitutionofSW2Mod.(CC#81)insteadoftheSW1sSW1Mod.(CC#80).13b: Realtime Controls Knob AssignHereyoucanselectthefunctions(mainlytypesofcontrolchange)thatareassignedtoknobs14whenControlAssign(08b)RealtimeControlsUSERisselected.(SeeRealtimeControlsKnobs14Assignmentsonpage 348)ThefunctionsyouassignhereareactivewhenyouusetheSELECTbuttontoselectUSER,andoperateknobs14.USER [1] [Off, ..., MIDI CC#95, CC#102119]USER [2] [Off, ..., MIDI CC#95, CC#102119]USER [3] [Off, ..., MIDI CC#95, CC#102119]USER [4] [Off, ..., MIDI CC#95, CC#102119]V 13: Menu Command 0:WriteProgramseep.64 1:ExclusiveSoloseep.64 2:AutoSongSetupseep.65Formoreinformation,pleaseseeProgram:MenuCommandonpage 64.18a18b18MenuPROG P2: OSC/Pitch 21: OSC1 Setup17PROG P2: OSC/PitchThesepagescontrolthefirstandmostbasicelementsofsounds:theMultisamplesthattheoscillatorsplay,andthepitchatwhichitplaysthem.Forinstance,youcan: SelectMultisamplesforSingleandDoublePrograms,orDrumKitsforDrumsandDoubleDrumsPrograms. Setupvelocitysplits,crossfades,andlayersforSingleandDoublePrograms. Setthebasicpitchofthesound,includingtheoctave,finetuning,andsoon. ControlpitchmodulationusingavarietyofcontrollerssuchasLFO,pitchEG,andthejoystick.NotethatwhentheOscillatorModeissettoSingleorDrums,onlyOscillator1sfiltersareactive;thepagesforOscillator2sfilterswillbegrayedout.Multisamples, and Drum KitsMultisamplesandDrumKitsallowyoutoplaysamplesindifferentways. Multisampleslayoutoneormoresamplesacrossthekeyboard.Forinstance,averysimpleguitarMultisamplemighthavesixsamplesoneforeachstring. Asthenamesuggests,DrumKitsareoptimizedforplayingdrumsamples.Velocity splits, crossfades, and layersEachoscillatorhaseightvelocityzonesthatallowdifferentkeyboardvelocitiestoswitchthemultisampleordrumsamplethatisactuallysounded.Foreachzone,youcanspecifythethreshold(boundaryvalue)andcrossfade(howvelocitywillsmoothlyfadebetweenthesamplesofadjacentzones).Thisallowsyoutocreatevelocityswitchedorlayeredsounds,suchasthefollowingexamples. Velocitysplitsinwhichthezonesarecleanlyseparatedattheirthreshold Velocitycrossfadesinwhichthezoneswillsmoothlycrossfadebeyondtheirthreshold. Velocitylayersinwhichadditionalsoundsareaddedforavelocityregionaboveaspecifiedthreshold.Note:IftheOscillatorModeisDrumsorDoubleDrums,thevelocityzonesettingsalreadyspecifiedforthedrumkitwillbeapplied,andwillnotbeshowninthescreen.ThevelocityzonesforadrumkitcanbeeditedinGlobalP5DrumKit(seep.205).PressingtheJumptoDrumKitEditbuttonshowninthescreenwilltakeyoudirectlytoGlobalP5.21: OSC1 SetupProgramssoundsarebasedonmultisamples,andthispageletsyousetupallofthebasicmultisamplerelatedsettings.Amongotherthings,youcan: SelectMultisamplesfortheOscillator(inaSingleorDoubleProgram),orselecttheDrumKitforaDrumProgram SettheOscillatorsbasicpitch21a: OSC1 FrequencyOscillator Mode Single, DoubleOSC1 FrequencyOctave [2[32'], 1[16'], +0[8'], +1[4']]ThissetsthebasicpitchoftheOscillator,inoctaves.Thedefaultis+0[8].Thestandardoctaveofamultisampleis+0[8].Transpose [12...+12]Thisadjuststhepitchinsemitones,overarangeof1octave.Tune [1200...+1200]Thisadjuststhepitchincents,overarangeof1octave.Acentis1/100ofasemitone.Frequency Offset [10.0Hz ... +10Hz]Thisadjuststhepitchbyincrementsof0.1 Hz.FrequencyOffsetisdifferentfromTuneinthat,whenusedtodetunethetwooscillators,itcancreateaconstantbeatfrequencyacrosstherangeofthekeyboard.21b: MultisamplesUsetheslideronthelefttocheckthesettingsofeachdrumsampleshowninabbreviatedform.Dragtheslidertoviewthesettings.1: Multisample 1IfyouwanttocreateasimplesetupwithonlyasingleMultisample,justsetupMultisample1asdesired,andthensettheThresholdVelocityto1andtheCrossfade(CrossfadeRange)toOff.Multisample On/Off [Off, On]Specifieswhetherthemultisample1willsound.ItwillsoundifthisisOn.21b21a21MenuVelocity SplitProgram mode18Bank [Mono, Stereo, XL, M, XL, St]ThisisdisplayedifMultisampleOn/OffisOn.YoucanchoosebetweenlookingatmonoandstereoMultisamples.Mono,Stereo:Conventionalmonauralorstereomultisamples.XL.M(eXtraLargeMono),XL.St(eXtraLargeStereo):Highcapacitymonauralorstereomultisamples.NotethatstereoMultisampleswillrequiretwiceasmanyvoicesasmonoMultisamples.Multisample select [List of Multisample]Thisspecifiesamultisample.Somemultisampleshaveanupperlimit;notesplayedabovethatlimitwillnotsound.WhenyoupresstheMultisampleSelectpopupbutton,themultisamplelistwillappear,allowingyoutoselectamultisamplefromthelist.Usethetabstoselectacategory,andselectamultisamplewithinthecategory.Youcansearchforamultisamplebyaportionofitsname(seep.2).PresstheOKbuttontoconfirmtheselection,ortheCancelbuttontocancel.Rev (Reverse) [Off, On]Thisplaystheselectedmultisampleinreversewithoutloopingit.Note:Ifanindividualsamplewithinthemultisampleisalreadysettoreverse,itwillplayinreversewithoutthissetting.On(checked):Themultisamplewillplayinreverse.Forvelocityzonesthatarenotselected(shownasoneline),RevOnisindicatedas[R].Off(unchecked):Themultisamplewillplaynormally.Offset (Start Offset) [Off, 1st...8th]Inadditiontosimplystartingplaybackfromthebeginning,Multisamplescanhaveupto8differentpreprogrammedalternatestartingpoints.TheStartOffsetspecifieswhethertousethenormalstartpoint(Off),ortouseoneofthealternatestartpoints(1st8th).SomeMultisamplesmayhavefewerthan8preprogrammedpoints,inwhichcaseonlytheavailablepointscanbeselected.Level [000...127]Thissetsthebasicvolumelevelofthemultisample.TheAmpsectioncanmodifythisbasiclevelextensivelywithenvelopes,LFOs,keyboardtracking,andothermodulation;formoreinformation,pleaseseePROGP4:Amp/EQonpage 35.Dependingonthemultisample,highLevelsettingsmaycausedistortionwhenplayingmanynotesatatime.Ifthisoccurs,lowertheLevel.2...8: (Multisample 2...8)ThesearethemultisamplesettingsfortheMultisample28.TheparametersareexactlythesameasthoseforMultisample1.Velocity SplitThisshowsthevelocityzonesfortheoscillatorseightmultisamplesandforeachoscillator.Themetertotheleftindicatesthenoteonvelocity.Thisallowsyoutoverifythemultisamplesandoscillatorsthatwillsoundateachvelocity(See01e:VelocityMeteronpage 5.).21c: OSC1 (Drum Kit Frequency)Oscillator Mode Drums, Double DrumsOctave [2[32'], 1[16'], +0[8'], +1[4']]Thisadjuststhepitchinoctaveunits.Whenusingadrumkit,settheOctaveto8.Wheneditingadrumprogram,youmustsetthisparameterto8.Withothersettings,thesoundsofthedrumkitwillbeassignedtothewrongnotesofthekeyboard.Transpose [12...+12]Thisadjuststhelocationoftheinstrumentsintheselecteddrumkit.Unlessyouneedtochangethis,leaveitat0.Tune [1200...+1200]Thisadjuststhepitchinonecentunits.ThepitchofeachdrumkitcanbeadjustedinGlobalP5:Drumkit.Freq. Offset (Frequency Offset)[10.0Hz ... +10Hz]Thisadjuststhepitchbyincrementsof0.1 Hz.FrequencyOffsetisdifferentfromTuneinthat,whenusedtodetunethetwooscillators,itcancreateaconstantbeatfrequencyacrosstherangeofthekeyboard.21c21d21MenuPROG P2: OSC/Pitch 22: OSC1 Velocity1921d: Drum KitTheseparametersappearwhentheOscillatorModeissettoDrumsorDoubleDrums.Drum Kit [000...031 (INT), 032...047 (USER),048056 (GM)]Thisselectsadrumkit.Jump to Drum kit Edit Page buttonPressingthisbuttonwilltakeyoudirectlytoGlobalP5:DrumKitwhereyoucaneditthedrumkitselectedbyDrumKitSelect.EvenifOscillatorModeissettoDoubleDrums,youwillhearonlythekitthatwasselected.IftheGMdrumkitwasselected,thelastselecteddrumkitwillbeselected.Asdesired,useCopyDrumKittocopytheGMdrumkittotheUSERbank.V 21: Menu Command 0:WriteProgramseep.64 1:ExclusiveSoloseep.64 2:AutoSongSetupseep.65 3:CopyOscillatorseep.65 4:SwapOscillatorseep.65Formoreinformation,pleaseseeProgram:MenuCommandonpage 64.22: OSC1 VelocityHereyoucanmakethefollowingsettings. Velocityzoneforoscillator1 Themultisamplesvelocitysplitandcrossfadesettings22a: OSC 1 Velocity ZoneVelocitycanbeusedtoswitchbetweensoundingoscillators1and2.Hereyoucanspecifythevelocityzoneforoscillator1.Thisvelocityzonesettingtakespriorityoverthevelocitysettingsofmultisamples18.Thestatusofthesettingsisindicatedbythegraphontherightsideofthescreen.Thisletsyoumakesettingswhilecomparingthemwiththevelocitysplitgraph.Bottom [001...127]ThissetsthelowestvelocityatwhichtheOscillator1willsound.Top [001...127]ThissetsthehighestvelocityatwhichtheOscillator1willsound.Note:TheOSC1TopvelocitymustbegreaterthantheOSC1Bottomvelocity.Note:YoucanalsosetthenotevalueandvelocityvaluebyholdingdowntheeditcellortheENTERbuttonandplayinganoteonthekeyboard(seeOGp.10).22b: Multisample Velocity ZoneHereyoucanspecifythevelocityzoneforeachoftheoscillatorseightmultisamples.Threshold Velocity [001...127]ThissetsthelowestvelocityatwhichtheMultisamplewillsound.Multisample1sThresholdVelocitycanbeequalto,butnotlowerthan,thatofMultisample2.Crossfade (Crossfade Range) [Off, 001...127]ThissetstherangeofvelocitiesoverwhichMultisample1willfadeintoMultisample2,goingupfromtheThresholdVelocity.Forinstance,iftheThresholdVelocityissetto64,andtheCrossfadeissetto20,MS2willstarttofadeinatvelocitiesof84andbelow.WhenvelocitiesarewithintheCrossfade,theOscillatorwillusetwiceasmuchpolyphonyasitwouldnormally.Note:Youcanonlyfadebetweentwozonesatonce.Note:Youcantouchanddragtochangethisvalue(See*EG,VelocitySplitonpage 6oftheOperationguide.).Thisshowsthevelocityzone.Curve [Linear, Power, Layer]Thiscontrolsthevolumecurveofthecrossfade.LinearandPower(shortforEqualPower)letyoufinetunethewaythatthetwoMultisamplesmixtogether;oneortheothermaybemoreappropriateforagivenpairofMultisamples.Layer,truetoitsname,letsyoulayerthetwoMultisamplestogetherwithoutanycrossfading.Linearmeansthatthetwosampleswilleachbeat50%oftheirfullvolumeinthemiddleofthecrossfade.Sometimes,thismaycreateadipinthevolumelevel;ifso,tryusingPowerinstead.Power,shortforEqualPower,meansthatthetwosampleswilleachbeataround70%oftheirfullvolumeinthemiddleofthecrossfade.Sometimes,thismaycreateabumpinthevolumelevel,inwhichcaseyoumighttryselectingLinearinstead.LayermeansthatthetwoMultisampleswillbelayeredtogether,bothatfullvolume,fortheentirerangeofthecrossfade.23a23b23c23Menu23dBottom Velocity = 6484Xfade Range = 20Curve = LinearSelectProgram mode20Crossfade CurvesVelocity Split ZoneThisspecifiesthevelocityzoneforeachoftheoscillatorseightmultisamples.Themetershowsthenoteonvelocityvalue.Velocity SplitThisshowsthevelocityzonesfortheoscillatorseightmultisamplesandforeachoscillator.Themeterattheleftindicatesthenoteonvelocity.Thisallowsyoutoverifythemultisamplesandoscillatorsthatwillsoundateachvelocity(See01e:VelocityMeteronpage 5.).22c: OSC1 VelocityOscillator Mode Drums, Double DrumsVelocitycanbeusedtoswitchbetweenthedrumkitssoundedbyoscillators1and2.Hereyoucanspecifythevelocityzoneforoscillator1.Thestatusofthesettingswillbeindicatedinthegraphontherightsideofthescreen.Thisletsyoueditsettingswhilecomparingthemwiththevelocitysplitgraph.Bottom [001...127]ThissetsthelowestvelocityatwhichtheOscillator1willsound.Top [001...127]ThissetsthehighestvelocityatwhichtheOscillator1willsound.TheOSC1TopvelocitymustbegreaterthantheOSC1Bottomvelocity.Note:YoucanalsosetthenotevalueandvelocityvaluebyholdingdowntheeditcellortheENTERbuttonandplayinganoteonthekeyboard(seeOGp.10).Velocity SplitThisshowsthevelocityzonefortheoscillator.ThemeterontheleftshowsthenoteonvelocityvaluesfortheglobalMIDIchannel.Thisletsyouverifythemultisamplesthatwillsoundateachvelocity(See01e:VelocityMeteronpage 5.).Jump to Drum kit Edit Page buttonSeeJumptoDrumkitEditPagebuttononpage 19.V 22: Menu Command 0:WriteProgramseep.64 1:ExclusiveSoloseep.64 2:AutoSongSetupseep.65 3:CopyOscillatorseep.65 4:SwapOscillatorseep.65Formoreinformation,pleaseseeProgram:MenuCommandonpage 64.23: OSC1 PitchThispagecontainsallofthesettingsforOscillator1spitchmodulation.Forexample,youcan: SpecifypitchbendcontrolledbythejoystickX(oranincomingpitchbendmessage)settoindependentBendUpandBendDown,orcontrolledbyanincomingmessageCC#16(theribboncontrolmessageetc). UsePitchSlopetocontrolhowthepitchchangeswhenyouplayupanddownthekeyboard. AssignAMSmodulationforpitch. SetupinitialamountsofpitchmodulationfromthePitchEGandLFO1/2,aswellasAMSmodulationofLFOandEGamounts. SetupPortamento.23a: PitchPitch Slope [1.0...+2.0]Normally,thisshouldbesettothedefaultof+1.0.XfadePowerXfadeLayerLinearVolumeMS1MS2VelocityVolumeMS1MS2VelocityVolumeMS1MS2VelocityXfade22c21Menu23a23b23c23Menu23dPROG P2: OSC/Pitch 23: OSC1 Pitch21Pitch Slope, pitch, and notePositive(+)valuescausethepitchtoriseasyouplayhigheronthekeyboard,andnegative()valuescausethepitchtofallasyouplayhigheronthekeyboard.Whenthisissetto0,playingdifferentnotesonthekeyboardwontchangethepitchatall;itwillbeasifyourealwaysplayingC4.Thiscanbeusefulforspecialeffectssounds,forinstance.Ribbon [12...+12]SpecifyinsemitoneshowthepitchwillchangewhenCC#16isreceived.Withapositive(+)setting,thepitchwillrisewhenthevalueofCC#16ishigherthanthecentervalueof64.Withanegative()setting,thepitchwillfall.JS (+X) [60...+12]Specifyinsemitoneshowthepitchwillchangewhenthejoystickismovedtotheright(orwhenapitchbendmessageisreceived).Fornormalpitchbend,setthistoapositivevalue.Forexample,ifyousetthisto+12andmovethejoystickallthewaytotheright,thepitchwillriseoneoctaveabovetheoriginalpitch.JS (X) [60...+12]Specifyinsemitoneshowthepitchwillchangewhenthejoystickismovedtotheleft(orwhenapitchbendmessageisreceived).Fornormalpitchbend,setthistoanegativevalue.Forexample,ifyousetthisto60andmovethejoystickallthewaytotheleft,thepitchwillfallfiveoctavesbelowtheoriginalpitch.Youcanusethistocreateguitarstyledownwardswoops.AMS (Pitch) [List of AMS Sources]ThisselectsaAMSsourcetocontrolthepitch.ForalistofAMSsources,pleaseseeAMS(AlternateModulationSource)Listonpage 340.Intensity [12.00...+12.00]Thiscontrolsthedepthanddirectionofthepitchmodulation,insemitones.ForexampleifyousetAMS(Pitch)toJS+Y:CC#01andthenmovethejoystickinthe+Ydirection,thepitchwillriseifthisparameterissettoapositive(+)value,orfallifthisparameterissettoanegative()value.23b: Pitch EGIntensity [12.00...+12.00]ThiscontrolstheinitialeffectofthePitchEGonOscillator1sfrequency,inhalfsteps,beforeanyAMSmodulation.ThePitchEGsshapecanswingallthewayfrom+99to99.WhentheIntensityissettoapositive(+)value,positivevaluesfromtheEGraisethepitch,andnegativevalueslowerthepi