Understanding micro elements power point example

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Understanding Micro Elements

Transcript of Understanding micro elements power point example

Page 1: Understanding micro elements power point example

Understanding Micro Elements

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Camera Shots

• Camera shots are very important in Media texts such as magazines, television, film and advertisement. Different shots give different meanings.

• Camera angles and movements combine to create a sequence of images, just as words, word order and punctuation combine to make the meaning of a sentence.

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The extreme Close-up

The extreme close up is used to reveal very small details in the scene. It might be used to reveal horror in a subject (extreme close up of the subject's mouth as she/he screams). It might also be used in a mystery to show some detail that the detective picks up on or to show some small clue.

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The Close up

The close up shot is used to reveal detail. If you are shooting just the head and shoulders of a subject this is a close up.

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Head and shouldersThe head and shoulders shot is used in news broadcasts. If you think about the television news you will realize that this shot reveals enough detail to see the subject's lips move and the expression on her/his face.

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The Medium Shot

The medium shot is from just below the waist to above the head. There is more headroom than in the bust shot. This show is used if the person is animated with their hand movements, etc.

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The long shot

This shot is useful for someone that is walking or moving.

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The extreme long shot

Also known as the Establish shot, this gives the viewer some perspective as to where the subject is. This is very important if the subject is moving to new locations or times. It lets the viewer know where the video is taking place.

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Two shot

Two-shots are composed when two people are in the scene and their interaction is important. A two-shot is a good way to introduce a conversation. From the introduction you might cut to an over the shoulder shot of one person talking or a close-up of the other person reacting to what is being said.

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Over the shoulder

The over the shoulder shot reveals one subject as seen from over the shoulder of another subject. It simulates a view of the subject as seen from the second person's eyes. This shot is often used in conversations between two people where the dirtector wants to focus on the person speaking. Usually these shots are head shots (close ups of the speaker).

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Camera AnglesThe relationship between the camera and the object being photographed (ie the ANGLE) gives emotional information to an audience, and guides their judgment about the character or object in shot. The more extreme the angle (ie the further away it is from eye left), the more symbolic and heavily-loaded the shot.

• 1. The Bird's-Eye viewThis shows a scene from directly overhead, a very unnatural and strange angle. Familiar objects viewed from this angle might seem totally unrecognisable at first (umbrellas in a crowd, dancers' legs). This shot does, however, put the audience in a godlike position, looking down on the action. A cameraman, raised above the action, gets a high angle shot

• 2. High AngleNot so extreme as a bird's eye view. The camera is elevated above the action using a crane to give a general overview. High angles make the object photographed seem smaller, and less significant (or scary). The object or character often gets swallowed up by their setting - they become part of a wider picture.

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Camera Angles

• 3. Eye LevelA fairly neutral shot; the camera is positioned as though it is a human actually observing a scene, so that eg actors' heads are on a level with the focus. The camera will be placed approximately five to six feet from the ground.

• 4. Low Angle These increase height (useful for short actors like Tom Cruise or James McAvoy) and give a sense of speeded motion. Low angles help give a sense of confusion to a viewer, of powerlessness within the action of a scene. The background of a low angle shot will tend to be just sky or ceiling, the lack of detail about the setting adding to the disorientation of the viewer.