UnCommons Perspectives: Strategies and challenges for digital collections in the Web 2.0 outside the...

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UNCOMMONS PERSPECTIVES STRATEGIES AND CHALLENGES FOR DIGITAL COLLECTIONS IN THE WEB 2.0 OUTSIDE THE FLICKR COMMONS FRANCESCO SPAGNOLO, PHD DIRECTOR OF RESEARCH THE MAGNES, BERKELEY

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Strategies and challenges for digital collections in the Web 2.0 outside the Flickr Commons. Notes for the upcoming Northern Archivists Western Roundup (Seattle, April 28-May 1, 2010).

Transcript of UnCommons Perspectives: Strategies and challenges for digital collections in the Web 2.0 outside the...

Page 1: UnCommons Perspectives: Strategies and challenges for digital collections in the Web 2.0 outside the Flickr Commons

UNCOMMONS PERSPECTIVESSTRATEGIES AND CHALLENGES

FOR DIGITAL COLLECTIONS IN THE WEB 2.0OUTSIDE THE FLICKR COMMONS

FRANCESCO SPAGNOLO, PHDDIRECTOR OF RESEARCHTHE MAGNES, BERKELEY

Page 2: UnCommons Perspectives: Strategies and challenges for digital collections in the Web 2.0 outside the Flickr Commons

FOSTERING THE INSTITUTIONAL VISIONThe history of the Jewish Community in the American West and the Global Jewish Diaspora continues to be

told:To a wider audience, Through a sustainable

model

ENSURING COLLECTION STEWARDSHIP

A nimble and innovative Collection staff is the protagonist of all processes

Collection work becomes effective and measurable

A MEASURABLE MODEL

Collection care, services, access and publicationare streamlined and become part of the same curatorial process:

Resources are focused and aligned with the institutional vision

Page 3: UnCommons Perspectives: Strategies and challenges for digital collections in the Web 2.0 outside the Flickr Commons

WEBSITE :: DATABASE :: WEB 2.0

DIGITAL INITIATIVES ENSURE THAT MAGNES COLLECTIONS ARE

PRESENTED :: FOUND :: ACTIVATED

INTEGRATING THREE ONLINE “VENUES”:

Page 4: UnCommons Perspectives: Strategies and challenges for digital collections in the Web 2.0 outside the Flickr Commons

ONLINE PRESENCE

With digital images from the collection, Magnes staff can instantly publish curated web exhibitions via the Jewish Digital Narratives platform, and create digital archives accessible on Flickr (“From the Dusty Archives…” collection).

This was made possible via the collaboration with John Fox, who created the software, MemoryMiner, which manages metadata (titles, captions, dates and geocoding), creates image tags, uploads to Flickr, and generates stand-alone html pages.

(This is a web page created with MemoryMiner, highlighting the Israel Bonds Collection in the Magnes Archives)

Page 5: UnCommons Perspectives: Strategies and challenges for digital collections in the Web 2.0 outside the Flickr Commons

EASE OF ACCESS

The Jewish Digital Narratives platform allows to integrate the Magnes website with popular online platforms like Flickr, and thus to gain visibility in the “Web 2.0.”

Nine exhibitions were created with this platform since the program was inaugurated in September of 2008, on both Flickr and the Magnes Website. Over 40 “Dusty Archives” were also generated since 2009, with a presence of over 2,500 assets on Flickr.

The “Web 2.0” (Facebook, Flickr, Google Maps, etc.) is a new digital language, understandable across cultural barriers.

(This is a sample entry from a Flickr page. And yes, it is Cary Grant in the photograph, selling “Israel Bonds.”)

Page 6: UnCommons Perspectives: Strategies and challenges for digital collections in the Web 2.0 outside the Flickr Commons

GLOBAL VISIBILITY

The Jewish Digital Narratives platform allows to publish digital images from the Magnes collection on popular sites like Flickr.

In turn, this promotes the visibility of the Magnes by gaining valuable online “real estate” in Google searches.

(This is a sample Google Image Search with the keywords “Milhaud” and “David”: Magnes results appear along those of important online vendors, like Amazon, and often are featured among the first 3-5 “hits”).

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INSTANT PUBLISHING

The Web offers a widely accessible publication platform, which is replacing traditional books and journals.

Digital images are easily published online, where they are accessible to millions of users.

(This is a sample from the Magnes Flickr page, with images from the Israel Bonds Collection, ca. 1950-1960)

Page 8: UnCommons Perspectives: Strategies and challenges for digital collections in the Web 2.0 outside the Flickr Commons

ONLINE DATABASE:AN INTEGRATED PLATFORM

Collection preservation, catalog, access, and publication are streamlined within the same process.

(This is a sample from the new IDEA database, highlighting the Isabel Wiel Collection.)

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ONLINE DATABASE:UNIQUE COLLECTION INFORMATION

The new IDEA database allows unique “federated” access to Archive, Library and Museum holdings with one, global, keyword search.

(This is a sample from the new IDEA database, using the keyword “Dinkelspiel”: paintings and archival papers are retrieved with only one search)

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ONLINE DATABASE:ACCESS TO DIGITAL IMAGES

The new IDEA database allows direct access to digital images of the items in the collection, with one, global, keyword search.

(This is a sample from the new IDEA database, using the keyword “Ketubbah”: many of the over 200 Jewish marriage certificates in the Magnes collection have already been digitized and are available online.)

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ONLINE PUBLICATION

Magnes staff can instantly share information based on digital images from the collection via the new Opensource blog.

The new blog is followed daily by hundreds of viewers. (Top post generated 339 views).

(This is a sample entry from the opensource blog, by dr. Lara Michels, about Edward Bransten)

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DIGITAL PRODUCTION

The creation of digital images from the collections directly engages the existing Magnes staff:

• Curators• Coll. Information Manager• Digitization Technician

Page 13: UnCommons Perspectives: Strategies and challenges for digital collections in the Web 2.0 outside the Flickr Commons

ONLINE COMMUNICATION

Collection Services are easily accessible online.

A new Rights and Reproduction request form was recently made available on the website. An average of ten researchers contacted the Magnes Reference Desk each month via the online Research Information Form since it was published on magnes.org.

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CREATING A SUSTAINABLE MODEL

A streamlined workflow allows a small professional staff to measure the visibility of the collection, also in terms of revenue.

Rights and Reproduction licensing fees increased by 300% during FY09.

(Digital Production Workflow Chart).

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MEASURING SUCCESS

Online visibility can be monitored.

Magnes images on Flickr were viewed over 60,000 times since the launch of the Jewish Digital Narratives platform in September of 2008.

(Metrics from the Magnes account on Flickr, 2009).

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DIGITAL PR

Digital content is easily marketable online.

500 Facebook members currently receive live updates about the Magnes. This online “community” is constantly growing.

Page 17: UnCommons Perspectives: Strategies and challenges for digital collections in the Web 2.0 outside the Flickr Commons

ONLINE MARKETING

Digital images from the collection can instantly generate merchandise.

(This is a sample entry from the Magnes online store on zazzle. com)

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ENGAGING PARTNERSHIPS

Since 2007, the new digital programs of the Magnes have generated •an unprecedented access to the collection•a growing number of prestigious academic partnerships (USC, NYU, UC Berkeley School of Information…)• promising philanthropic support (Haas Fund, Toole Media Fund…)

(Users from three continents discuss Magnes content online).

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THE FUTURE

The new Magnes website, which is currently being developed in Drupal, will act as a broadcasting platform that fully integrates: -Institutional voice (and vision)-Collection Database-Digital presence in the Web 2.0

The example to the left includes:-A collection description-A slideshow from the corresponding collection on Flickr-Links to: Magnes Database and Online Archive of California-Social Media sharing tools