Ultimate Low Horn - Arizona State Universityjqerics/UltimateLowHorn2011Sample.pdfUltimate Low Horn...

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Ultimate Low Horn Music of Bordogni, Gallay, and De Pre to Develop Low Range Facility and Characteristic Playing Edited by John Ericson

Transcript of Ultimate Low Horn - Arizona State Universityjqerics/UltimateLowHorn2011Sample.pdfUltimate Low Horn...

Page 1: Ultimate Low Horn - Arizona State Universityjqerics/UltimateLowHorn2011Sample.pdfUltimate Low Horn Music of Bordogni, Gallay, and De Pre to Develop Low Range Facility and Characteristic

Ultimate Low Horn

Music of Bordogni, Gallay, and De Preto Develop Low Range Facility and

Characteristic Playing

Edited by

John Ericson

Page 2: Ultimate Low Horn - Arizona State Universityjqerics/UltimateLowHorn2011Sample.pdfUltimate Low Horn Music of Bordogni, Gallay, and De Pre to Develop Low Range Facility and Characteristic

Horn Notes Edition �

Contents

Preface iii AbouttheEditor iv

SelectionsfromVocalises,Vol.1—Bordogni 1

SelectionsfromStudiesforSecondHorn,Op.57—Gallay 49

SelectionsfromÉtudes pour le Cor grave—DePre 61

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Horn Notes Edition ���

Preface

It�snotasecret;everyhornteacherknowsthatdevelop�ngtoneandfac�l�ty�nthelowrange�sthekeytoeveryth�ngforanadvanc�nghorn�st.

Ultimate Low Hornreflectsalongsearchforpract�cal,effect�vemater�alstodevelopthelowrange.Th�scollect�onbeg�nsw�th22oftheBordogn�etudes�nalowerkeythanseen�nthepopularvers�onfortrombonearrangedbyRochut.Elevenofthe12Stud�esforSecondHorn,Op.57ofGallayfollowandthevolumeconcludesw�th17ofthelowhornetudesbyDePre.

TheBordogn�etudeswh�chopenth�svolumefollowthesamenumber�ngandcontentschemeasthemorefam�l�arRochutvers�on,butw�ththegoalofplay�ngthem�nthewr�ttenkeyafourthlowerthanthatseen�nthetrombonevers�on.Th�swas�ntent�onalasnotonlyarethesestud�esnow�namoreeffect�verangethanthestandardtrombonevers�on,butalso�fplayedonhorn�nFtheyareatthesamesound�ngp�tchlevelas�fplayedfromthestandardRochutvers�onontromboneortuba,w�thwh�chtheymaybeperformed.Tofac�l�tatelearn�ngtheetudes�nth�slowrangeIhavepa�redeachlowetudew�ththesameetudeoneoctaveh�gher.Bes�desa�d�ngthelearn�ngofthelowrangevers�onth�ssect�onalsoputsthesestud�es�narangethatactuallyveryeffect�velyworksonthe“break”range,andassuchtheyarealsousefulforwork�ngthroughembouchureproblems�nth�srange.

IntheBordogn�Iwouldencouragestudentstoapproachtheseetudesasmus�cal,lyr�cstud�es(wh�ch�sacons�derablechallenge�n�t�allyastherange�ssolow),�ntheDePreIwouldencourageamorel�teralapproachtodynam�csandstyle,and�ntheGallayIwouldencouragea�m�ngforal�ghtbutcharacter�st�corchestraltoneandstyle.

Iwouldalsostronglyencouragestudentsandteacherstochooseetudesfromeachport�onofth�svolumewhenwork�ngonthelowreg�sterratherthanworkontheent�rebookfrombeg�nn�ngtoend.

Thespec�f�csofhowtoarr�veatthebestlowrangeproduct�ontendtobeh�ghly�nd�v�dual�zedbutmygeneraladv�ce�stoth�nkoftheembouchurebe�ngveryopenandfa�rlyf�rm,keepthetongu�nglowandforward�nthemouth,andbew�ll�ngtoexplore“break�ng”theembouchurew�ththegoalbe�ngresults.

Nowgetbusyandbu�ldyourlowrange.

JohnEr�cson

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Horn Notes Edition 1Copyr�ght2011HornNotesEd�t�onLLC

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Page 6: Ultimate Low Horn - Arizona State Universityjqerics/UltimateLowHorn2011Sample.pdfUltimate Low Horn Music of Bordogni, Gallay, and De Pre to Develop Low Range Facility and Characteristic

Horn Notes Edition �

Page 7: Ultimate Low Horn - Arizona State Universityjqerics/UltimateLowHorn2011Sample.pdfUltimate Low Horn Music of Bordogni, Gallay, and De Pre to Develop Low Range Facility and Characteristic

Horn Notes Edition �9

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Horn Notes Edition �1

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