Types of Microphones-2
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Types of Microphones
On the basis of sensitivity
Dynamic Microphone
Condenser Microphone
Electret Microphone
Ribbon Microphone
On the basis of Direction
Omnidirectional
Unidirectional
Bi-directional
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Dynamic Microphones
The dynamic microphoneuses a wire coil and magnetto create the audio signal.
The diaphragm is attached tothe coil.
When the diaphragm vibratesin response to incomingsound waves, the coil movesbackwards and forwards pastthe magnet.
This creates a current in thecoil which is channelled fromthe microphone along wires.
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Dynamic Microphones
They are versatile and ideal for general-purpose
use.
They use a simple design with few moving parts.
They are relatively sturdy and resilient to rough
handling.
Better suited to handling high volume levels, such
as from certain musical instruments or amplifiers. They have no internal amplifier and do not require
batteries or external power.
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Condenser Microphone
Condensermeans capacitor, an electronic componentwhich stores energy in the form of an electrostatic field.
It requires power from a battery or external source.
The resulting audio signal is stronger signal than that
from a dynamic. They tend to be more sensitive and responsive than
dynamics, making them well-suited to capturing subtlenuances in a sound.
Prone to damage very easily.
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Condenser Microphone
It has two plates with a
voltage between them.
One of these plates is made
of very light material and
acts as the diaphragm.
The diaphragm vibrates
when struck by sound
waves, changing the
distance between the two
plates.
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Electret Capsule Microphone
The electret mic uses a special type of capacitor
which has a permanent voltage built in during
manufacture.
This acts like a permanent magnet, this doesn'trequire any external power for operation.
Though, good electret condenser mics usually
include a pre-amplifier which does require power.
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Ribbon Microphone
Ribbon microphones have a very similar look to
capacitor mics.
Very popular with radio stations in the 1920s and
1930s .
They are directional in nature, meaning that you
must point them towards the sound you are hoping
to pick up.
Early models were very frail, but newer technology
has helped their durability.
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Directionality
Every microphone has a property known
as directionality. This describes the
microphone's sensitivity to sound fromvarious directions. Some microphones pick
up sound equally from all directions, others
pick up sound only from one direction or a
particular combination of directions.
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Unidirectional Microphones
They pick up sound predominantly from one
direction. They are more suitable for use insmaller studios. This includes cardioid and
hypercardioid microphones
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Cardioid Microphones
Cardioid means "heart-
shaped", which is the
type of pick-up pattern
these mics use.
Sound is picked up
mostly from the front,
but to a lesser extent the
sides as well.
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Uses of cardioid
Emphasising sound from the direction the mic is
pointed while leaving some latitude for mic
movement and ambient noise.
The cardioid is a very versatile microphone, ideal
for general use. Handheld mics are usually cardioid.
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Hypercardioid Microphones
This is exaggerated
version of the cardioid
pattern.
It is very directional andeliminates most sound
from the sides and rear.
Due to their long thin
design, they are oftenreferred to as shotgun
microphones.
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Uses of Hypercardioid mics
Isolating the sound from a subject or direction when there is
a lot of ambient noise.
Picking up sound from a subject at a distance.
By removing all the ambient noise, unidirectional sound can
sometimes be a little unnatural.
It may help to add a discreet audio bed from another mic
(i.e. constant background noise at a low level).
You need to be careful to keep the sound consistent. If themic doesn't stay pointed at the subject you will lose the
audio.
Shotguns can have an area of increased sensitivity directly to
the rear.
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Bi-directional Microphones
It uses a figure-of-eight
pattern and picks up
sound equally from
two oppositedirections.
Eg: One possibility
would be an interview
with two people facing
each other (with the
mic between them).
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Omnidirectional Microphones
It captures ambient noise.
Omni pattern mics tend to be
the most technically accurate,
but they may well pick up
sounds not intended forthem.
Omni sound is very general
and unfocussed - if you are
trying to capture sound from
a particular subject or area it
is likely to be overwhelmed
by other noise.