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    Types of Microphones

    On the basis of sensitivity

    Dynamic Microphone

    Condenser Microphone

    Electret Microphone

    Ribbon Microphone

    On the basis of Direction

    Omnidirectional

    Unidirectional

    Bi-directional

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    Dynamic Microphones

    The dynamic microphoneuses a wire coil and magnetto create the audio signal.

    The diaphragm is attached tothe coil.

    When the diaphragm vibratesin response to incomingsound waves, the coil movesbackwards and forwards pastthe magnet.

    This creates a current in thecoil which is channelled fromthe microphone along wires.

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    Dynamic Microphones

    They are versatile and ideal for general-purpose

    use.

    They use a simple design with few moving parts.

    They are relatively sturdy and resilient to rough

    handling.

    Better suited to handling high volume levels, such

    as from certain musical instruments or amplifiers. They have no internal amplifier and do not require

    batteries or external power.

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    Condenser Microphone

    Condensermeans capacitor, an electronic componentwhich stores energy in the form of an electrostatic field.

    It requires power from a battery or external source.

    The resulting audio signal is stronger signal than that

    from a dynamic. They tend to be more sensitive and responsive than

    dynamics, making them well-suited to capturing subtlenuances in a sound.

    Prone to damage very easily.

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    Condenser Microphone

    It has two plates with a

    voltage between them.

    One of these plates is made

    of very light material and

    acts as the diaphragm.

    The diaphragm vibrates

    when struck by sound

    waves, changing the

    distance between the two

    plates.

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    Electret Capsule Microphone

    The electret mic uses a special type of capacitor

    which has a permanent voltage built in during

    manufacture.

    This acts like a permanent magnet, this doesn'trequire any external power for operation.

    Though, good electret condenser mics usually

    include a pre-amplifier which does require power.

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    Ribbon Microphone

    Ribbon microphones have a very similar look to

    capacitor mics.

    Very popular with radio stations in the 1920s and

    1930s .

    They are directional in nature, meaning that you

    must point them towards the sound you are hoping

    to pick up.

    Early models were very frail, but newer technology

    has helped their durability.

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    Directionality

    Every microphone has a property known

    as directionality. This describes the

    microphone's sensitivity to sound fromvarious directions. Some microphones pick

    up sound equally from all directions, others

    pick up sound only from one direction or a

    particular combination of directions.

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    Unidirectional Microphones

    They pick up sound predominantly from one

    direction. They are more suitable for use insmaller studios. This includes cardioid and

    hypercardioid microphones

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    Cardioid Microphones

    Cardioid means "heart-

    shaped", which is the

    type of pick-up pattern

    these mics use.

    Sound is picked up

    mostly from the front,

    but to a lesser extent the

    sides as well.

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    Uses of cardioid

    Emphasising sound from the direction the mic is

    pointed while leaving some latitude for mic

    movement and ambient noise.

    The cardioid is a very versatile microphone, ideal

    for general use. Handheld mics are usually cardioid.

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    Hypercardioid Microphones

    This is exaggerated

    version of the cardioid

    pattern.

    It is very directional andeliminates most sound

    from the sides and rear.

    Due to their long thin

    design, they are oftenreferred to as shotgun

    microphones.

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    Uses of Hypercardioid mics

    Isolating the sound from a subject or direction when there is

    a lot of ambient noise.

    Picking up sound from a subject at a distance.

    By removing all the ambient noise, unidirectional sound can

    sometimes be a little unnatural.

    It may help to add a discreet audio bed from another mic

    (i.e. constant background noise at a low level).

    You need to be careful to keep the sound consistent. If themic doesn't stay pointed at the subject you will lose the

    audio.

    Shotguns can have an area of increased sensitivity directly to

    the rear.

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    Bi-directional Microphones

    It uses a figure-of-eight

    pattern and picks up

    sound equally from

    two oppositedirections.

    Eg: One possibility

    would be an interview

    with two people facing

    each other (with the

    mic between them).

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    Omnidirectional Microphones

    It captures ambient noise.

    Omni pattern mics tend to be

    the most technically accurate,

    but they may well pick up

    sounds not intended forthem.

    Omni sound is very general

    and unfocussed - if you are

    trying to capture sound from

    a particular subject or area it

    is likely to be overwhelmed

    by other noise.