tuileries garden masterworks from the paul g. allen ... filetuileries garden masterworks from the...

tuileries garden

masterworks from the paul g. allen collection

acquisition of robert adams photographs

PORTAL, VOL. 3, ISSUE 2Portal is a publication of the Portland Art Museum. A one-year subscription is included with Museum membership. Editorial inquiries should be addressed to: Portland Art Museum, Attn: Portal, 1219 SW Park Avenue, Portland, OR 97205-2430. Please call in address changes to Membership Services, 503-276-4249. For general information call 503-226-2811.

The mission of the Portland Art Museum is to serve the public by providing access to art of enduring quality, by educating a diverse audience about art, and by collecting and preserving a wide range of art for the enrichment of present and future generations.

2 FROM THE DIRECTOR

3 EXHIBITIONS & INSTALLATIONS

Tuileries Garden

Henri Loyrette interview

Around the Galleries

Cobalt Blues

Kate Hunt

Two-Way Street

Joel Shapiro

15 NEWS & NOTEWORTHY

Paul G. Allen Family Collection

Robert Adams Acquisition

New for the Wall 2014

Artist in Residence

Object Stories from the Middle

Olmsted’s Late Bloom

27 MEMBERS & PATRONS

Patron Exclusives

Just For Members

Member Profile

31 PROGRAMS & ACTIVITIES

39 GIFTS & GATHERINGS

49 CALENDAR

COVER: Camille Pissarro (French, 1830 –1903), Place du Carrousel, Paris, 1900, Oil on canvas, National Gallery of Art, Washington, D.C., Ailsa Mellon Bruce Collection; TOP: Gaston de la Touche, A Water Fountain in the Tuileries, c. 1890–1913, Oil on canvas, Musée d’Orsay, Paris; Robert Adams, Edge of a Clearcut, Clatsop County, Oregon, 2000, Museum Purchase: Funds provided by Bonnie Serkin and Will Emery, Jim Leisy, and anonymous donors, © Robert Adams, courtesy Fraenkel Gallery, San Francisco; Joel Shapiro (American, born 1941), Untitled, 2013, Wood, casein, and cord installation, © Joel Shapiro. Courtesy of L.A. Louver, Venice, CA.

2 PORTLAND ART MUSEUM

FROM THE DIRECTORPlacing great works of art in the public realm is at the core of the Portland Art Museum’s mission. It gives me great pleasure to announce that a significant body of work from the critically acclaimed American photographer Robert Adams will enter our collection. The acquisition, consisting of 69 photographs from the recent exhibition The Question of Hope: Robert Adams in Western Oregon, is unprecedented, bolstering considerably our holdings of Adams images to 74. It also reflects the strength of our burgeoning photography program, led by The Minor White Curator of Photography Julia Dolan, Ph.D., and the Museum’s active Photography Council, currently chaired by Ray Bidegain. I would like to thank not only Robert Adams and his wife, Kerstin, for their roles in making this acquisition possible, but also the donors of the purchase funds, including Bonnie Serkin and Will Emery, the late Jim Leisy, the Ford Family Foundation through a special grant program managed by the Oregon Arts Commission, and several anonymous donors. This is truly a historic acquisition for this institution that will benefit our city and state for generations and preserve this important work.

Furthering our mission to secure important works of art for the collection is New for the Wall, a special evening for curators to present museum-quality pieces for purchase consideration. Premiering last year and resulting in six major works entering the collection, this year’s iteration in October will not disappoint. In fact, given the success and unique and entertaining format of last year’s event, enthusiasm is already building with the curators identifying and reviewing potential works, and patrons making commitments. I hope you will join us for this year’s New for the Wall and help us place great works of art in the public realm, impacting our community forever!

Brian J. Ferriso

The Marilyn H. and Dr. Robert B. Pamplin Jr. Director

LEFT: Robert Adams, Untitled, ca. 2012; RIGHT: Broken second growth at the edge of a clearcut. Tillamook County, Oregon, 1976, © Robert Adams, courtesy Fraenkel Gallery, San Francisco.

EXHIBITIONS & INSTALLATIONS

JUNE 14 – SEPTEMBER 21, 2014

Paris will come to the Park Blocks this summer with this international exhibition celebrating the Tuileries Garden. This stunning exhibition explores the art, design, and evolution of Paris’ most famous garden. It also celebrates garden designer André Le Nôtre (1613–1700)—best known for his grand perspectives and symmetry at the chateau gardens of Versailles.

The Tuileries, which stretches from the Louvre to the Place de la Concorde in central Paris, was originally created in 1564 in the Italian style and became the city’s first public park in 1667. Created at the behest of Queen Catherine de’ Medici, the garden was designed to enhance the Tuileries Palace, which was eventually destroyed by fire in the 1871 civil uprising known as the Paris Commune.

Originally, the garden was reserved exclusively for royalty, but starting in the late 17th century, it became increasingly accessible to the public. Art has played a critical role in the history of the Tuileries Garden. Its beauty has inspired generations of artists, and it has also functioned as an outdoor museum, with works from the classical to the contemporary dotting its vast grounds. This major exhibition will present more than 100 sculptures, paintings, photographs, and drawings by some of the most acclaimed European and American artists from the 17th to the 20th centuries, including works by Camille Pissarro, Édouard Manet, Henri Cartier-Bresson, and others who have taken inspiration from the iconic Parisian landmark. Visitors will also see monumental sculpture by Coysevox and Bosio for the first time in the United States.

LEFT: Antoine Coysevox (1640-1720), Faun, 1709, Marble, Musée du Louvre, Département des Sculptures, Collection de Louis XIV, Paris, © RMN-Grand Palais / Art Resource, NY; RIGHT: Oskar Kokoschka (Austrian, 1886-1980), Tuileries Gardens, Paris, 1925, oil on canvas, Museum Purchase: Helen Thurston Ayer Fund.

the Art of the Louvre’sTuileries Garden

Special exhibition programming will include lectures with international scholars, plein air painting in the Park Blocks, family activities, tours of parks, and more.

This special exhibition is co-organized by the High Museum of Art, Atlanta, the Toledo Museum of Art, and the Portland Art Museum, with the exceptional collaboration of the Louvre and the generous participation of the Musée Carnavalet Histoire de Paris. Host curated by Bruce Guenther, chief curator and The Robert and Mercedes Eichholz Curator of Modern and Contemporary Art.

PRESENTING SPONSOR: Laura S. Meier; LEAD SPONSOR: Nani S. Warren / The Warren Foundation, Anonymous; MAJOR SPONSORS: Anne & James Crumpacker Family / Elizabeth Pownall Swindells Family Fund of OCF, Walter C. Hill and Family Foundation, The Mark Family , Nancie S. McGraw, Prudence M. Miller, Andrée H. Stevens, Bettina and Donald L. Bryant, Jr.; SPONSORS: The Clark Foundation, Cyndy and Ed Maletis, Dorothy Lemelson, Oregon Arts Commission, Anonymous; SUPPORTERS:

The Acorn Fund of the OCF, Katherine and Mark Frandsen, Wolf Kahn and Emily Mason Foundation, Kathleen Lewis, Dolorosa and David Margulis, Shirley Papé, Lois Schnitzer,

Susan and Jim Winkler, Selby and Douglas Key, Marc A. Franklin, European and American Art Council of the Portland Art Museum, Gamblin Artist’s Oil Colors, Total Wine.



INTERVIEW WITH HENRI LOYRETTEIn anticipation of The Art of the Louvre’s Tuileries Garden, Bruce Guenther, chief curator and The Robert and Mercedes Eichholz Curator of Modern and Contemporary Art, traveled to Paris to interview then President-Director of the Louvre Henri Loyrette.

BG: The Garden is a public space, and that public accessibility changes what’s possible in the Garden. It’s not necessarily a place for reflection: it’s a place to experience; it’s a place to interact; it’s a place to transit through—no longer the place for grand events and royal processions.

HL: The Garden’s position in the city is very different now from what it was in past centuries. From the 16th century to the end of the 18th century, it marked the limits of Paris in a way, because until the end of the 18th century after the Tuileries you only had Les Champs-Élysées. The Garden was already outside of Paris, but now it has become very central, as Paris developed toward the west. Moreover, it was historically a public space, with part of it used as a private garden reserved just for the

king. Under Napoleon III, part was, as we say, a jardin reservé: a section was kept especially for the emperor. To summarize, I would say that the Garden is an evolving place: firstly, because it’s a place that progressively has found its real position in the city, and, secondly, because it really became a completely open garden after the fall of the Second Empire, in the last decades of the 19th century.

BG: The Garden’s function now, in the heart of the city, is multivalent—from the meditative retreat on the Quai to the summer amusement park along the rue de Rivoli, it calls to tourists and neighborhood children from around the city.

HL: Yes, but let’s compare the situation of the Garden with the Jardin du Luxembourg, another garden I know well because I used to go there often as a child. It’s quite different, because the Luxembourg is used much more like a garden; you go there with the family, on a date, to jog. Most of the people who go to the Tuileries use it as a promenade or pass through to go from one point to the other—not as a garden, so it’s really…

BG: … an ambulatory experience.

HL: Yes, exactly. People on their way to work are going north–south or east–west. So it’s quite different from the Luxembourg. And the main challenge for us now is to make it a real garden, which people can use as a garden, rather than as a kind of highway or convenient passageway to go from one point to another. Moreover, to have a garden that is living at the same rhythm of the Louvre, to have it fit perfectly into this whole complex of the Palace and Garden, is of the utmost importance to me.

PORTLAND ART MUSEUM 7

BG: The Garden now is an administrative responsibility; it’s an aesthetic responsibility; it’s an historic responsibility.

HL: It’s very complicated, you know, because when I became the Director of the Louvre, the Garden was not part of the domain. In 2005, the Louvre was given administrative responsibility for the Tuileries. We didn’t ask for it because we knew it would be difficult, but it’s in a way natural for us to manage it, because it’s really the garden of the palace, and it’s part of a whole ensemble that goes from the church of Saint-Germain l’Auxerrois to the Place de la Concorde. Now, when I look back to when I arrived at the Louvre in 2001, I realize that something was missing, that the entity of the palace was incomplete. I must emphasize that to be the director of a museum and to be a gardener are two different jobs, and I had to learn to be a gardener.

BG: Most certainly another vocabulary from that of art history.

HL: It’s a different vocabulary; however, in a way, it remains the same because you have to deal with architecture, with sculpture, and because you cannot understand the Palace without the Garden. The Gardens, I would say, because you have several gardens all around the Louvre; it’s not only the Tuileries. Apart from the Tuileries, you also have Le Carrousel and smaller gardens all around the Louvre estate, on the Colonnade, and so on. But the main issue we had to face when we received care of this garden was its very poor condition. The central problem of the Tuileries remains that it is an urban garden and is therefore difficult to maintain. It’s not a question only of trees, of flowers, of garden, but also a question of the architecture. The transfer of the Garden to the domain of the Louvre was a surprise, but it was eventually a good surprise that led us to adapt ourselves to this new job.

BG: In reflecting on that history, since the 1960s, there have been successive waves of rethinking, retooling, replanting the Garden. Part of what we experienced in the ‘60s was a garden in which much of the foliage had reached its life expectancy. And so in the succeeding decades there was a redoing of the pathways, a resetting of sculpture—pulling historic sculpture inside because of urban atmospheric degradation. How is the next phase envisioned? How will you begin not simply to maintain and control, but to give this epoch visibility in the Garden?

HL: I think it’s a natural development, in some ways like the development of the Louvre. The Garden, like the Palace, follows the history of France, and what happened in the Palace itself also happened in the Garden. There is a parallel evolution of the Garden and the Palace. What is so peculiar with the Palace of the Louvre is its constant evolution; the Garden follows this movement. For example, the addition of contemporary sculpture in the Garden parallels what we’re doing in the Palace.

Interview ContinuedBG: How would you want to leave the Garden to your successor? To reconsider how the Garden survives into the future, it will be more than the irrigation systems, resetting the historic walls, and retooling schedules and public accessibility.

HL: And we have already begun. We consider the Garden from an historical point of view, even from an art historical point of view. For example, we have now in the Tuileries, Paris’s best bookstore in terms of gardens. We have to understand the “art of the garden” in the broadest terms. The Garden now has a more obvious relation to the Palace, the city, to art, and to history.

_______________

The complete interview appears in The Art of the Louvre’s Tuileries Garden, published by the High Museum of Art, Atlanta, in association with Yale University Press. It is available in the Museum Shop.

Robert Doisneau (French, 1912–1994), Statues from the Tuileries Placed in Trenches, c. 1939-40, Gelatin-silver bromide print, Musée Carnavalet, Paris, © Robert Doisneau/RAPHO; Louis Vert (French, 1865–1924), Merchant Selling “Coco” and Toys in the Tuileries Garden, c. 1900-06, Gelatin silver bromide print on velvet paper, printed after 1930, Musée Carnavalet, Paris; André Kertész (American, b. Hungary, 1894–1985), Tuileries, 1963, Gelatin silver print, Musêe National d’Art Moderne, Centre Pompidou, Paris, CNAC/MNAM/Dist. RMN-Grand Palais / Art Resource, NY, © The Estate of André Kertész / RMN-Grand Palais; Jaroslav Poncar(Czeck, b. 1945), Tree-lined Path, View from the East, 1985, Matte gelatin-silver bromide print, Musée Carnavalet, Paris, © Jaroslav Poncar.

Henri Loyrette, former Prèsident-Directeur du Musèe du Louvre© 2011 MusÈe du Louvre / Didier Plowy


THE CAMERA IN THE TUILERIES GARDENCurrently a popular backdrop for countless cell-phone selfies, the Tuileries Garden has been a part of the history of photography since the medium’s earliest days. The Art of the Louvre’s Tuileries Garden, on view at the Museum during the 175th anniversary of the announcement of the invention of photography, features more than 50 rarely exhibited photographs, from a unique full-plate daguerreotype to modern interpretations of the Garden. Vintage French albumen prints document the aftermath of the Paris Commune and Tuileries Palace fire of 1871, while turn-of-the-20th-century views by Eugène Atget, master photographer and chronicler of Paris’ changing environs, capture the elegant sculptures on view throughout the Garden. Additional works by renowned photographers Henri Cartier-Bresson and Michael Kenna suggest the peace, beauty, and mystery to be discovered in the halcyon heart of Paris.

AROUND THE GALLERIESWITH ANNE CRUMPACKER MUSEUM PATRON AND FORMER TRUSTEE

The Museum has always been an integral part of my life. I remember distinctly seeing the van Gogh exhibit at the Museum when I was a child in 1959. After college, I worked as an apprentice and curatorial assistant to Rachael Griffin, the sole curator at the Museum in the early ’70s, learning all aspects of museum work and, especially, curating exhibitions. The most exhilarating part was to spend every day immersed in art. During this time, I wrote a master’s thesis for Reed College (M.A.L.S.) on two Pre-Columbian life-size, ceramic sculptures, which were given to the Museum while I was working there. Little was known about their provenance. Today, among scholars, these “Ball Players” are considered two of the most important examples of the Veracruz style, 600–900 C.E.

For many years, I had the privilege of serving on the board of trustees at the Museum and as co-chairman of the collections committee,

adding to my understanding of the breadth of our works of art. My husband, Jim, who also shares a passion for art, is serving currently on the board. Sculpture is one of the outstanding strengths of the Museum’s collection, and some of our sculptures are among my all-time favorites.

Flowers and floral design are of great interest to me. I am the steward of a 1924 historic garden and I have studied Ikebana. I have also been a floral design judge for the Garden Club of America and I have helped with Inspirations—the Portland Garden Club flower shows— some of which were staged at the Museum. I am ecstatic about seeing The Art of the Louvre’s Tuileries Garden.

Now, after receiving a MFA, Applied Craft and Design, I am devoted to a creative practice, working exclusively with crosscut bamboo, creating sculpture. My studio is in the historic Skidmore Fountain area. The Museum is a place I return to often to experience beauty, solace, inspiration, and provocative moments.

Mexico, Veracruz Seated Figure, 800/1200 SECOND FLOOR, HOFFMAN WING

William Morris Artifact Panel, 2000 THIRD FLOOR, MAIN BUILDING © William Morris

Clement Meadmore Split Ring, 1969 SOUTH FACADE, JEFFERSON STREET © Estate of Clement Meadmore/Licensed by VAGA, New York, NY Constantin Brancusi

A Muse, 1918 FIRST FLOOR, JUBITZ CENTER

© 2014 Artists Rights Society (ARS), New York / ADAGP, Paris

Barbara Hepworth Dual Form, 1965 FIRST FLOOR, JUBITZ CENTER © Alan Bowness, Hepworth estate

TO LEARN MORE ABOUT ANNE’S SELECTIONS VISIT

PORTLANDARTMUSEUM.ORG.

KATE HUNT MAY 10 – AUGUST 31, 2014

Growing up where the Great Plains stretch endlessly eastward, Montana artist Kate Hunt speaks of the vast landscape, marked by the cyclical passing of time, as a muse imbued with possibility. Overwhelmed by the vastness, she learned to focus on minute detail —the native grasses’ changing color or a moth’s wings mimicking tree bark became inspirational. Today, attention to detail and a love of natural materials inform her sculptural stacks of laminated newspaper and “mummified” notices of the Congressional Record. Floor is an interactive installation of 30 narrow, 10-foot-long beams fabricated of carved newspaper and designed to be walked on and around and rearranged by the gallery visitor. The subtle, striated effect of the stacked paper resembles sedimentary layering found in formations near the artist’s Kalispell home. The wall relief Congressional Record, constructed from bundles of the Congressional Record, serves as a mute chronicle of our too-often laborious

governmental process. Hunt’s two delicately powerful monuments from society’s recorded moments echo the repetitive forces of nature at work on the landscape.

APEX is an ongoing series of exhibitions of Northwest-based artists, curated by Bonnie Laing-Malcolmson, The Arlene and Harold Schnitzer Curator of Northwest Art, and supported in part by The Arlene and Harold Schnitzer Endowments for Northwest Art and the Paul G. Allen Family Foundation.

LEFT: Jingdezhen kilns, Jiangxi province, China, Blue-and-white large moon flask, 19th century, porcelain with underglaze blue, The Suzanne and Alex Rosenkrantz Collection of Asian Art; Kate Hunt (American, born 1956), Floor, Newspaper and steel, 5 1/4” x 120” x 5 1/4” each, installation dimensions variable; Right: Jonathan Brand, (American, born 1933), 57th Street, New York City, 1967, Gelatin silver print, Gift of artist, © Jonathan Brand.


COBALT BLUESTHROUGH OCTOBER 19, 2014

Few color combinations are more pleasing to the eye than blue and white. For more than a thousand years, potters have created strikingly handsome ceramics with cobalt as the raw material for blue glazes and decoration. This dossier presentation draws on the Museum’s holdings and private collections to explore the fascinating variety of cobalt-glazed ceramics dating from the eighth to the 20th century and across the Asian continent.

Cobalt first appears as an accent color in the splash-glazed wares of Tang dynasty China (618–907 CE). For centuries thereafter, the Chinese had to use blue sparingly, as their principal source of cobalt ore lay on the far side of the deserts of Central Asia, in northeastern

Iran. By the 13th century, the Chinese had discovered domestic sources of cobalt, and they soon applied it to the decoration of porcelain. With astonishing speed, blue-and-white porcelain supplanted celadon-glazed stoneware at the imperial Chinese court and in commercial wares for the general populace. Exported in vast numbers, Chinese blue-and-white ware inspired cobalt-decorated ceramics throughout the civilized world, from Korea and Japan in the east to Vietnam in the south, Persia and Turkey in the West, and eventually even to Europe.

Organized by the Portland Art Museum and curated by Maribeth Graybill, Ph.D., The Arlene and Harold Schnitzer Curator of Asian Art.


TWO-WAY STREETThe Photographs of Garry Winogrand and Jonathan BrandMAY 10 – AUGUST 24, 2014

Garry Winogrand, one of the foremost American street photographers of his generation, worked with a fast gait and even faster shutter. In the 1960s, successful Lexington Avenue copywriter and ardent photographer Jonathan Brand kept pace with Winogrand during regular lunchtime shoots on the streets of Manhattan. Two-Way Street charts the friendship between the two men, revealing their complementary subject matter, working methods, and aesthetic styles. Featuring selections from Winogrand’s important portfolio Women Are Beautiful and photographs spanning Brand’s five-decade oeuvre, the exhibition demonstrates their shared

appreciation of the female subject. Two-Way Street also highlights rarely seen materials such as 35mm contact sheets of shots made during joint excursions, rare prints that Winogrand gave to Brand, and never-before-exhibited photographs of Winogrand at work and rest. Though photographers are often cast as loners, Two-Way Street demonstrates the meaningful intellectual and aesthetic connections made through this artistic friendship.

Organized by the Portland Art Museum and curated by Julia Dolan, Ph.D., The Minor White Curator of Photography.

Joel Shapiro (American, born 1941), Untitled, 2013, Wood, casein, and cord installation, © Joel Shapiro. Courtesy of L.A. Louver, Venice, CA14 PORTLAND ART MUSEUM

JOEL SHAPIROJUNE 21 – SEPTEMBER 21, 2014

Internationally celebrated sculptor Joel Shapiro has created a new installation work for the Museum’s Contemporary Art Series exhibition. Part of a recent body of work investigating the use of painted wood forms to activate space and dynamically alter the experience of it both in visual and physical terms, the Portland installation will be only the fifth suspended installation he has realized.

Engaging the volume of the Schnitzer Sculpture Court, the suspended elements of the work defy gravity and the traditional restrictions ascribed to sculpture that place it on the ground or pedestal. The painted wood elements visually reorganize the architecture,

and are continuously redefining the visitor’s optical and physical relationship to the work and architecture as they move through the work. Shapiro notes that this newest body of work is about “the projection of thought into space without the constraint of architecture.” Animated by position and exuberantly vibrant colors, the work denies the static nature of sculpture and appropriates aspects of painting to suggest being inside an abstract painting or perhaps a stop-action digital game.

A New York native, Shapiro has had over 160 solo exhibitions and retrospectives and executed numerous public commissions internationally. He has been elected to the

American Academy of Arts and Letters, and was awarded the Chevalier dans l’Ordre des Arts et des Lettres in 2005.

The Contemporary Art Series is curated by Bruce Guenther, The Robert and Mercedes Eichholz Curator of Modern and Contemporary Art, and is sponsored in part by the Miller Meigs Endowment for the Contemporary Arts and the Paul G. Allen Family Foundation.

NEWS & NOTEWORTHY

PORTLAND ART MUSEUM TO PRESENT MAJOR EXHIBITION OF MASTERPIECES FROM THE PAUL G. ALLEN FAMILY COLLECTION

The Portland Art Museum, the Seattle Art Museum, and the Paul G. Allen Family Collection are co-organizing a major exhibition exploring the evolution of European and American landscape painting. Seeing Nature: Landscape Masterworks from the Paul G. Allen Family Collection will feature some 40 paintings from five centuries of masterpieces drawn from the collection of Microsoft co-founder and philanthropist Paul G. Allen.

“Paul Allen is one of the Northwest’s most significant art collectors and philanthropists,”

said Brian Ferriso, The Marilyn H. and Dr. Robert B. Pamplin Jr. Director. “His willingness to share his landscape masterpieces with our visitors continues his exceptional generosity and is a wonderful opportunity to be inspired by works of art that reflect his personal vision.”

The exhibition will premiere at the Portland Art Museum in October 2015. It will then travel to The Phillips Collection in Washington, D.C, the Minneapolis Institute of Arts, and the New Orleans Museum of Art, before closing at the Seattle Art Museum in early 2017.

Seeing Nature explores the development of landscape painting from a small window on the world to expressions of artists’ experiences with their surroundings on land and sea.

Seeing Nature reveals the power of landscape to locate the viewer in time and place—to record, explore, and understand the natural and man-made world. Artists began to interpret the specifics of a picturesque city, a parcel of land, or dramatic natural phenomena.

OPPOSITE: Vincent van Gogh, Orchard with Peach Trees in Blossom, 1888, Oil on canvas; TOP: Claude Monet, Le basin aux nymphéas, 1919, Oil on canvas; LEFT: Georgia O’Keeffe, Black Iris VI (Black Iris II), 1936, Oil on canvas; RIGHT: Joseph Mallord William Turner, Depositing of John Bellini’s Three Pictures in La Chiesa Redentore, Venice, 1841, Oil on canvas.


In the 19th century, the early Impressionists focused on direct observation of nature. This collection is particularly strong in the works of Monet: Five great Monet landscapes spanning 30 years are featured, from views of the French countryside to one of his late immersive representations of water lilies, Le Bassin aux Nymphéas of 1919. Cézanne and fellow Post-Impressionists such as Vincent van Gogh used a more subjective approach to create works

such as La Montagne Sainte-Victoire (1888-90) and Orchard with Peach Trees in Blossom (1888) respectively. The exhibition also features a rare landscape masterpiece by the Austrian painter Gustav Klimt, Birch Forest of 1903.

The last part of the exhibition explores the paintings of artists working in the complexity of the 20th century. In highly individualized ways, artists as diverse as Georgia O’Keeffe, Edward Hopper, David Hockney, Gerhard Richter, and Ed Ruscha bring fresh perspectives to traditional landscape subjects.

Seeing Nature: Landscape Masterworks from the Paul G. Allen Family Collection is co-organized by Portland Art Museum, and Seattle Art Museum, with the cooperation of the Paul G. Allen Family Collection, and will be curated by Bruce Guenther, chief curator and The Robert and Mercedes Eichholz Curator of Modern and Contemporary Art.


MUSEUM ACQUIRES MAJOR GROUP OF ROBERT ADAMS PHOTOGRAPHSBy Julia Dolan, Ph.D. The Minor White Curator of Photography

Through the generosity of patrons Bonnie Serkin and Will Emery, and Jim

Leisy, and the support of a number of anonymous benefactors, and The Ford

Family Foundation through a special grant program managed by the Oregon Arts Commission, the Portland Art Museum has secured the acquisition of 69 photographs of Western Oregon by renowned landscape photographer Robert Adams. This is the largest single acquisition of photographs by

a living artist of Adams’ repute in the Museum’s history, and marks a significant moment in the institution’s continuing commitment to the collection, display, and interpretation of the photographic art form.

The Adams acquisition is the latest in a series of noteworthy moments in the development of the photography collection. The Museum embraced photography as early as the turn of the 20th century, when Edward Sheriff Curtis’ monumental 20-book publication The North American Indian was donated to

LEFT: Robert Adams, Edge of a clearcut, Clatsop County, Oregon, 2000; MIDDLE: Old growth, Tillamook Head, Oregon, 1999, RIGHT: Clatsop Beach, Oregon, 1990, Museum Purchase: Funds provided by Bonnie Serkin and Will Emery, Jim Leisy, and anonymous donors, © Robert Adams, courtesy Fraenkel Gallery, San Francisco


the library. A significant number of the more than 2,000 photographs contained within the series feature Native American tribes of the Northwest. Minor White, who went on to become one of the most influential photographers and teachers of the 20th century, made his first photographs in Portland for the Works Progress Administration during the late 1930s. The federal government placed more than 100 of these rare photographs with the Museum in the 1940s. Like these earlier groups, Adams’ photographs of Oregon’s coastline and forests distinguish our global collection with exceptional

work created within the region, situating the Museum as one of the few institutions in the world to possess this rare and geographically meaningful body of photographs.

Robert Adams was among the first to reconsider the photographic presentation of the post-World War II American West, and his detailed style and inquisitive approach redefined the genre and exerts worldwide influence to this day. A visitor to the Oregon Coast since the early 1960s, Adams has lived in Astoria with his wife, Kerstin, since 1997, and the region’s terrain remains his primary

subject. The Museum’s acquisition changes the collection in a most meaningful and distinguished manner and will preserve this powerful, mature work created by one of the country’s most important photographers.


HELP GROW THE COLLECTIONCome to the 2014 New for the Wall In April 2013, the Museum launched New for the Wall: An Evening to Acquire Works for the Collection. The Museum’s seven curators each selected a work of art that they wanted to see added to the permanent collection. During the evening, guests viewed the seven works, heard spirited presentations from the curators, and voted on objects to become part of the Museum’s collection. In 2013, the evening resulted in the acquisition of three works, and Museum supporters secured funds to purchase three works of art after the event. Overall, 6 of 7 works were added to the permanent collection.

“The 2013 event was an amazing start with six of the works eventually entering the collection, and that success gives me hope that the 2014 event will be even more successful,” said Bruce Guenther, chief curator and The Robert and Mercedes Eichholz Curator of Modern and Contemporary Art. “Our goal is a clean sweep this year with the purchase or gift of all seven works.”

Save the date for the 2014 New for the Wall on October 1. Join us for a chance to play a role in influencing the Museum’s permanent collection. In addition to lively presentations about art, you’ll enjoy cocktails and dinner with the Museum’s curators.

For more information about tickets and sponsorship opportunities, please contact Julia Meskel at [email protected] or call 503-276-4365.


ARTIST IN RESIDENCE SHINES A LIGHT ON MUSEUM’S PUBLIC ENGAGEMENT“In 1976 the Museum hosted a ‘Take Down Hoe Down’ celebration of the closing of an exhibition. People wore blue jeans and listened to country music while workers de-installed and packed works of art.”

Since January, such intriguing historical tidbits have been popping up on the Museum’s Instagram account, thanks to Jen Delos Reyes, the 2013-14 education department artist-in-residence. This nine-month residency program, founded in 2011, focuses on increasing the presence of socially engaged and participatory art practices in the ongoing programming of the Museum.

Since joining the education team last fall, Delos Reyes, a key player in the Museum’s annual

Shine a Light event, has been exploring the different histories of public engagement at the museum over the last century, as well as creating opportunities to work with other artists and thinkers to discuss the changing roles of museums in the 21st century. She will be making her collaborative efforts public throughout the spring and at this year’s Shine a Light event on June 6.

Delos Reyes’ work has taken the form of two projects. In The Portland Art Museum: A History of Engagement, she dove into the Museum’s archives and the education department’s own ongoing research into how it engages the public. In addition to weekly Instagram posts, she is creating an illustrated timeline of the interesting activities, quirky interactions, and radical histories that have taken shape at the Museum. A timeline publication developed in collaboration with Portland State University’s Art+Design Projects will be on view during Shine a Light.

In her other project, Talking About Museums in Public, the artist tackles core questions about the role of museums in the 21st century, highlighting conversations in everyday life and particularly in public space. The project focuses on bringing new publics to the museum and

engaging them in conversations through a series of artist interventions and projects. This includes a portrait project that makes visible the people who run the museum, as well as projects that take the form of public conversations on who art is for. Other artists involved in this collaborative platform include: Erin Charpentier, Michael Horwitz, Ariana Jacob, Laurel Kutz, Travis Neel, and Sandy Sampson.

Originally from Winnipeg, Manitoba, Delos Reyes has pursued a broad range of research interests in her work, including the history of socially engaged art, artist-run cultures, group work, band dynamics, folk music, and artists’ social roles. The founder and director of Open Engagement, an international conference on socially engaged art, Delos Reyes is an Assistant Professor at Portland State University, where she teaches in the Art and Social Practice program.

Follow the Museum on Instagram to see the weekly Talking About Museums in Public and History of Engagement Instagram posts: instagram.com/portlandartmuseum.

For more information about this year’s Shine a Light event, see page 35.

A History of Engagement, Instagram screen capture; RIGHT: Portrait of Maggie Hanson (Collections information Manager) by artist Michael Horwitz


OBJECT STORIES FROM THE MIDDLEBy Julie Keefe Photographer and Portland’s Creative Laureate

I’ve been fortunate the last three years to work with a talented group of forward-thinking people at the Portland Art Museum who created and developed Object Stories from the Middle, a wonderful platform that allowed teaching artists and docents to directly engage with hundreds of middle-school students and educators in the tri-county region, helping them use the art-making process to foster meaning and connection between personal objects and those found in the Museum.

As a photographer and teaching artist, I am always interested in new ways to engage individuals in storytelling and art-making.

In my work with the students I created an opportunity for them to develop the story of their object by using photography and developing a six-word story that enhanced the photographs they created.

Using a series of prompts relating to perspectives, the Museum docents and I helped the students create photographs

that told the story of their objects. We asked each student to look at the big picture as if from the bird’s-eye view—how can you make a photograph of your object that tells its story? Has it been on a journey? What texture or setting would enhance that? One of my favorite images from this prompt came from a young woman who placed her ice skates at the edge of a clear puddle, photographing them not only to show their reflection but, in the process, to make the puddle look like ice.

Photos courtesy of Julie Keefe.PORTLAND ART MUSEUM 23

The students worked in partner pairs and not only shared digital cameras to make their images, but collaborated to photograph each other with their objects, adding meaning through gesture and expression, perhaps from the dog’s eye view. One student was inspired to hold his screaming red Fender electric guitar aloft and his partner knelt to photograph him—making his partner look like a rock star in the process.

After the photographs were printed and returned to them, the students were able to look at their work closely, from the snake’s eye view, noticing the details of their objects that were enhanced by the photograph and using the photographs as inspiration for the last portion of their process: writing the six-word story that would add the final layer of meaning. The words often surprised us by adding mystery—we wanted to know more about

the toy tiger caught in the tree, after learning a young man’s story of a stuffed tiger he received as a prize in a kid’s meal.

Three simple photographs told a journey of a playful and then somber tiger making his way to his grandfather’s deathbed and offering his grandfather comfort as he passed. His six-word story: “It’s more than just a kid’s meal.”

Object Stories from the Middle was made possible in part by the Institute of Museum and Library Services.

ABOUT OBJECT STORIES

An exploration of the relationships between people and objects, Object Stories evokes the powerful experiences and connections we make with objects in our own lives as well as with those in the Museum’s collection.

Learn more and listen to stories at objectstories.org.

All photos courtesy of Portland Parks & Recreation, Portland, OR24 PORTLAND ART MUSEUM

OLMSTED’S LATE BLOOMHow the Rose City got its ParksBy Randy Gragg Director, John Yeon Center for Architectural Studies at the University of Oregon

Reading the letters of John Charles Olmsted, the man who created Portland’s first parks plan in 1903, one quickly realizes that very little about the city has changed. As the late eminent historian E. Kimbark MacColl used to quip, “Portland

is always looking for first-class passage on a steerage ticket.” And nowhere is our taste for the finest on the cheap better expressed than in our parks, in both opportunities lost and the ambitions still realized on a shoestring. The story begins

with the city’s first parks plan of 1903 by John Charles Olmsted.

The stepson of Frederick Law Olmsted, America’s original landscape architect, who designed such wonders as New York’s Central Park and Boston’s Emerald Necklace, John Charles spent most of his career traveling across the United States creating City Beautiful plans and picturesque park designs for

This summer the Museum will present a variety of programs about the iconic Tuileries Garden and the diversity of parks in our own city. We invited Randy Gragg to share some thoughts on the development and evolution of Portland’s parks. Gragg will lead a series of conversations about Portland parks during the run of The Art of the Louvre’s Tuileries Garden.


places ranging from New Orleans to Spokane. Hired by civic boosters to design the grounds for Portland’s 1905 Lewis & Clark Exposition and to lay out a citywide network of green spaces, Olmsted imagined Stumptown laced with parks connected by parkways from the Columbia River to Johnson Creek, and the growing skyline set against the surrounding hillsides preserved as verdant backgrounds.

But there were also the facts on the ground, or at least inside City Hall. “I have enjoyed my park reconnaissance very much as the landscape is fine and the possibilities for parks so far as land is concerned, are excellent,” he wrote in one of his daily letters to his wife, “but I fear the money will be deficient.”

Olmsted returned five times hoping to realize at least parts of his plan. He dabbled in a few private commissions. But by 1910, he had become frustrated by stingy clients and a mayor “who would like to show how smart he is by keeping expenses down.” In his final daily letter

from Portland, Olmsted consoled his wife about a boil and himself for being so ready to leave that he willingly turned down a lucrative $1,000 private job. “Economy is all right in its place,” he wrote. “Boston would have saved millions by buying parks when it was the size Portland is now.”

Yet, within Olmsted’s 1903 “Report to the Parks Board” were seeds for the system that ultimately bloomed, less by grand design and political will than with citizen activism, political pragmatism, and dumb luck—and because of an abundance of natural beauty, a lot of it on unbuildable land that Olmsted recognized could be acquired cheaply but deliver high value for nature. Of the more than 35 parks he proposed, only a handful were ever realized, among them Mt. Tabor, Rocky Butte, and Sellwood. Of the network of boulevards he proposed (Mt. Tabor, for instance, would have been the hub for spokes extending to downtown, the Columbia River, Willamette Bluffs, and Sellwood), only

“Hillside Parkway”—today’s Terwilliger Parkway—got built. (It is also the only part of the plan Olmsted designed.) The parks he imagined for Ross Island and Swan Island, to say the least, didn’t happen.

Zoom back a little, however, and the long-range vision comes into greater focus than the unrealized details. The “Forest Park” Olmsted conceptualized west of the already existing Macleay Park, for instance, didn’t come about by the far-sighted acquisition of land Olmsted argued for. Instead, four decades later a group called the Committee of Fifty recognized the park could be assembled out of properties still in tax default after the Great Depression. The numerous “ornamental park squares” Olmsted imagined dotting the city didn’t begin with his suggestion of the city buying more north and south Park Blocks. They came in the form of Lovejoy Fountain, Pettygrove Park, and Keller Fountain in the ‘60s and ‘70s, as well as Jamison Square and Tanner Springs Park in the ‘90s and ‘00s—amenities for two urban renewal areas. (Oh, and Director Park—one of the Park Blocks Olmsted specifically suggested should be bought—


came courtesy of the largess of developer Tom Moyer, but with the quid pro quo of a parking garage underneath.) And Olmsted’s parkways? They’re with us in two ways that might have left Olmsted rubbing his chin in wonder: the 40-Mile Loop network of trails started in 1981 that now actually numbers 140 miles; and Sunday Parkways, the annual series of one-day bike paths connecting parks throughout the city. If that seems a pale echo of Olmsted’s more permanent, green boulevards, consider the Portland Bureau of Planning and Sustainability’s concept in its Central City 2035 plan for a “green loop” connecting downtown’s West End with the middle of the Central Eastside. It’s already got a slogan: “Like Sunday Parkways every day.” Indeed, the downtown waterfronts, east and

west, that Olmsted resigned to forever being industrial, became Tom McCall Waterfront Park and Vera Katz Eastbank Esplanade courtesy of citizen activism and political leadership. The idea of Ross Island becoming a park may soon again have a chance.

Keep zooming back even more on the region’s map and an Olmstedian vision for the Metro Region is gradually emerging in the 12,000 acres of high-value watershed and habitat purchased by Metro’s two successful ballot measures and increasingly connected with the parks, trails, and bikeways being promoted and expanded by more than 100 city and county governments and non-profits known collectively as “The Intertwine Alliance.”

For sure, Portland’s—and the region’s—parks system continues to bob and sway forward on its steerage-ticket budget. The City of Portland’s parks alone have over $400 million in unfunded renovation and maintenance needs. Let’s hope the words of another Portland wag, C.E.S. Wood, engraved on a fountain in one of the city’s early public squares, offer a continued first-class passage: “Good citizens are the riches of a city.”

Gragg has written about art, architecture, and urban issues for The Oregonian, from 1989 to 2007, and was editor in chief of Portland Monthly.

MEMBERS & PATRONS


PATRON SOCIETY

THE ART OF THE LOUVRE’S TUILERIES GARDEN

Private Preview for Patrons JUNE 13, 10 A.M.– NOON

Patron Society members are invited to be among the first to view the exhibition before it opens to the public.

CONTEMPORARY TOUR & RECEPTIONBY INVITATION ONLY

JUNE 25, 5:30–7:30 P.M.

Chief Curator Bruce Guenther will discuss new contemporary works on view at an after-hours viewing and reception for Patron Society members.

Summer FêteBY INVITATION ONLY

AUGUST 7, 6 P.M.

Celebrate The Art of the Louvre’s Tuileries Garden at a lively summer fete for Patrons and exhibition sponsors. Private exhibition viewing will be followed by an outdoor reception in the Evans H. Roberts Sculpture Mall featuring dining and music.

YOUNG PATRONSSummer PartyJULY 31, 6–8 P.M.

Join the Young Patrons of the Portland Art Museum for their annual outdoor summer party in celebration of The Art of the Louvre’s Tuileries Garden.

Advance tickets: $10 YP members; $20 non-members. At the door: $15 YP members; $25 non-members.

Interested in joining Young Patrons? Contact [email protected] or 503-276-4365 for more information.

Gallery HourAUGUST 21, 6 P.M.

Young Patrons invites you to join them for Gallery Hour. This tour highlights select works from the Portland Art Museum’s permanent collection and is led by a skilled docent. Off-site happy hour follows.

Gallery Hour is part of a quarterly series that is free and open to non-YP members.

Space is limited. RSVP to [email protected]

For information on joining the Patron Society, contact Karie Burch at 503-276-4240 or [email protected].


MEMBERS Summer PartyAUGUST 8, 2014 7–10 P.M.

In Paris, the night invites you to party, and so do we. The romance of the City of Lights will move to the Museum’s Sculpture Garden for the Members Summer Party celebrating The Art of the Louvre’s Tuileries Garden. Join us for an evening of music, art, and allure under the stars as we enjoy a dessert reception of French pâtisserie, coffee and cocktails. Ooh la la!

Be among the first to purchase tickets to this event by upgrading your membership to the Friend level and watch your email for your exclusive invitation to this event.

Ticket information available online. Log in to your account at portlandartmuseum.org/login.

MEMBERS GUEST DAYSMAY 17, 18, 24, 25

Share your love of art and the Museum with additional friends and family. Open to all members. Bring up to two additional guests beyond your membership privileges. You and your guests will enjoy free admission and docent-led tours on these special days. Guest must accompany member on visit.

THE ART OF THE LOUVRE’S TUILERIES GARDENMember Preview Day JUNE 13, NOON–5 P.M.

Museum members see it first, and see it free! View the exhibition before it opens to the public. Timed entry tickets are required. Reserve your tickets online at portlandartmuseum.org/tickets.

FRIENDS COME FIRST!Members at the Friend level category ($150) and above will receive advance email notification and pre-sale opportunities to purchase and reserve tickets for member events, popular lectures, and special programs. Be among the first to know. Renew or upgrade your membership to the Friend category by calling the membership department at 503-276-4249.

DO WE HAVE YOUR EMAIL ADDRESS?Don’t be left out!Join the Portland Art Museum’s online community! Sometimes special member offers and events become available on short notice. When this happens, the only way for us to quickly communicate with you is via email.

Visit portlandartmuseum.org/join today and never miss another announcement.

OPPOSITE: Childe Hassam (American, 1859–1935), Tuileries Gardens, ca. 1897, Oil on canvas, High Museum of Art, Atlanta, Gift of Miss Mary E. Haverty for the J. J. Haverty Collection, 61.66, Photo: Courtesy High Museum of Art; Unknown Artist, A Forward Conversation in the Grand Alley of the Tuileries, © Musée du Louvre, Dist. RMN / Marc Jeanneteau.


MEMBER PROFILE ROBBIE REYNOLDS

How did you first get introduced to the Portland Art Museum?

I have my colleagues at Wells Fargo Private Bank to thank for that. I first visited the Museum at the suggestion of one team member and was invited to my first Young Patrons party by April Sanderson, a team member who also serves as a trustee. Introductions of this nature are not uncommon at a company that emphasizes supporting local communities and nonprofits, but I am especially grateful for those initial introductions to the Museum and for Wells Fargo’s ongoing support as my involvement with the Museum and the Young Patrons (YP) deepens.

If you could have one piece of art from the Museum’s collection in your home, what would it be, and why?

Dance Horse by Deborah Butterfield. I love the reaction I get every time I reveal to someone that it is made of bronze and not driftwood. Upon hearing this (without fail), there is instantly a greater appreciation for the artistry, which is a very powerful moment to witness. I think it serves as a reminder that art is often as much about the process as it is about the final product. Plus, it would look great in my living room.

What is the most rewarding aspect of being a member?

My involvement with the Young Patrons has been, by far, the most rewarding. I have met so many wonderful people and I am constantly inspired by the dedication the YP executive committee members have to the Museum, the arts community and the community of Portland. Overall, YP has been a wonderful way to be a part of the Museum, give back to the Museum and be an advocate for the Museum. And did I mention there are parties?

Do you have any rituals around your visits to the Museum?

I like to follow up a viewing of an exhibition with an activity outside the Museum that relates to the exhibit’s theme. Some recent examples would be: sitting down for green tea and onigiri after reading about traditional tea ceremonies in Samurai!, hiking along the Oregon coast after viewing Robert Adams’ The Question of Hope, and feasting with a group of Young Patrons following a guided tour of Feast & Famine. The Museum does an excellent job of highlighting connections between the art and the local community, so it does not take any real stretch of the imagination to find a fun, pertinent activity nearby.

If you had to choose one work of art the Museum should acquire, what would that be and why?

Mulholland Drive: The Road to the Studio by David Hockney, since it is a piece that is strongly linked to my childhood. My parents had a Hockney coffee table book and I would frequently flip through its pages and get drawn into the colorful and vibrant images. This particular painting stood out back then, and now it has the added nostalgic value of reminding me of where I came from and of all the times I spent driving on that very same road (though the Portland Streetcar is a much better way to get around, in my opinion).

Tell us about your experience as a member. Visit portlandartmuseum.org/memberprofile for more details.


PROGRAMS & ACTIVITIES


UNLESS OTHERWISE NOTED, ALL PROGRAMS ARE FREE FOR MEMBERS. SPACE MAY BE LIMITED. ADVANCE TICKETS ARE RECOMMENDED AND AVAILABLE ONLINE OR ON-SITE.

LECTURES

In Search of André Le Nôtre, Designer of the Tuileries GardenJUNE 15, 2 P.M.

RICHARD PUTNEY, PH.D. ASSOCIATE PROFESSOR OF ART HISTORY, UNIVERSITY OF TOLEDO, AND CONSULTING CURATOR, TOLEDO MUSEUM OF ART

An illustrated exploration of the dynamic and varied accomplishments of André Le Nôtre, the masterful designer of the Tuileries Garden. Special attention will be given to his parentage, training, and relationship to King Louis XIV, and the essential principles of his designs.

Time and Timelessness in the Tuileries GardenJULY 13, 2 P.M.

PAULA DEITZ EDITOR OF THE HUDSON REVIEW AND AUTHOR OF OF GARDENS: SELECTED ESSAYS

A noted writer and cultural critic in the fields of art, architecture, and landscape design, Paula Deitz will give an historical account of the Tuileries Garden along with her personal experiences relating to the Garden over the years.

The Mirror with a Memory: 19th-Century French Photography from Daguerre to AtgetJULY 27, 2 P.M.

JULIA DOLAN, PH.D. THE MINOR WHITE CURATOR OF PHOTOGRAPHY

The Art of the Louvre’s Tuileries Garden offers a prime opportunity to view rare examples of early French photography firsthand. Join Dr. Dolan for an illustrated discussion of photography’s birth and development in Europe and explore the medium’s profound social and political meanings during this rapidly changing period of France’s history.

Paris Parks Now AUGUST 3, 2 P.M.

KENNETH HELPHAND KNIGHT PROFESSOR OF LANDSCAPE ARCHITECTURE, UNIVERSITY OF OREGON

In the past quarter-century, Paris has reasserted its role as a center of innovation in landscape design. A series of grand new parks and open spaces have been constructed to much critical acclaim, including the Parc de la Villette, Parc André Citroën, Parc de Bercy, Promenade Plantée, the Paris Plage and others. This presentation considers some of the new parks of Paris and addresses their history and design.

Gardening for Grandeur in 17th-Century FranceSEPTEMBER 21, 2 P.M.

DR. ERIC T. HASKELL PROFESSOR OF FRENCH STUDIES & INTERDISCIPLINARY HUMANITIES DIRECTOR, CLARK HUMANITIES MUSEUM, SCRIPPS COLLEGE

This lecture will illuminate 17th-century French aesthetics as expressed in architecture, decorative arts, and landscape history. It will also articulate André Le Nôtre’s launching of the jardin à la française, contextualize the Louvre’s Tuileries Garden, define courtly culture, and demonstrate how the Sun King’s formal French landscape style was disseminated across Europe and to America for centuries to come.

Map of the Tuileries under Le Nôtre, Bibliotheque nationale de France, © BnF



PORTLAND PARKS CONVERSATION SERIESForce of Nature: Portland’s Parks, Past, Present, and FutureHOSTED BY RANDY GRAGG DIRECTOR OF THE JOHN YEON CENTER FOR ARCHITECTURAL STUDIES AT UNIVERSITY OF OREGON AND EDITOR AT LARGE FOR PORTLAND MONTHLY.

AN EVENING WITH THE OLMSTEDS

JULY 9, 6 P.M.

Watch PBS’s new documentary Olmsted and America’s Urban Parks with the show’s principal researcher, Portland historian/documentarian Laurence Cotton. The one-hour show on Frederick Law Olmsted’s philosophy and aesthetic will be followed by a discussion on their effect on Portland through the work of Olmsted’s successor and adopted son John Charles Olmsted and employee Emanuel Tillman Mische.

AN EVENING WITH PORTLAND’S PARKS DIRECTORS

JULY 17, 6 P.M.

Current Portland Parks and Recreation Director Mike Abbate and former director Zari Santner offer an inside view of the legacies they inherited, the opportunities they’ve made and missed, and their hopes for the future of Portland’s park system, winner of the 2011 Gold Medal from the American Academy for Park and Recreation Administration and the National Recreation and Park Association.

THE NEXT PORTLAND PARKS

JULY 24, 6 P.M.

A panel of leading designers shares their unvarnished thoughts about the good, bad, and ugly of past Portland park designs and their aspirations for upcoming parks ranging from Ross Island to two new parks in East Portland. The evening will be capped by a “design-off” in which the speakers will offer concepts for downtown’s next public park: a new North Park Block.

ON THE HORIZON: THE WILLAMETTE VALLEY AS A PARK

JULY 31, 6 P.M.

Retiring baby boomers desiring outdoor recreation, foodies and wine connoisseurs coming for the comestibles, climate refugees fleeing soaring Southwest temperatures—the population of the Willamette Valley is near certain to soar. Can we welcome the hordes without losing what we treasure about the valley? Four visionary thinkers ponder the possibilities: award-winning regional planner John Fregonese; urban naturalist Mike Houck; Mark Davison, Metro’s parks and natural areas manager; and Charles Goodrich, director of the Spring Creek Project for Ideas, Nature, and the Written Word at Oregon State University.

FIELD TRIPSThe Museum teams up with Know Your City and the Portland Parks Foundation for two field trips that offer an insider’s guide and historic look into our parks and green spaces. Tours begin at the Museum.

Parklandia: A Portland Bike TourJUNE 28, 10:30 A.M. Join us for a leisurely bike tour of some of our favorite parks and public spaces. Our approximately 10-mile loop will include both well-known and hidden gems, and uncover some of the history of our city’s rich park system. Stops will include guest speakers at locations such as Ladd’s Addition, Laurelhurst Park, and Peninsula Park.

$25 members; $30 non-members

Participants are responsible for their own bicycle. For bike rentals, contact The Bike Gallery’s downtown store located just one block from the Museum; www.bikegallery.com.

Parklandia: A Downtown Portland Walking Tour JULY 19, 10 A.M.

Join this spirited walking tour of downtown Portland, its public spaces and parks. Along the way, we’ll hear from several distinguished guest speakers as we discover the city’s fascinating history of planning, design, and architecture. Topics will include the North and South Park blocks, the Halprin fountains, Portland’s waterfront, Chapman Square, and more.



CONCERTChamber Music Northwest Summer Festival FREE COMMUNITY CONCERT

JULY 15, 12 P.M.

Chamber Music Northwest brings a favorite summer festival tradition to the Museum. Inspired by The Art of the Louvre’s Tuileries Garden, renowned Protégé project artists perform a one-hour free interactive concert of French masterpieces, including Debussy’s legendary String Quartet in G Minor. This family-friendly concert welcomes supervised children ages 5 and up. The concert features 2013 Banff International String Quartet Competition winners the Dover Quartet.

Chamber Music Northwest will perform Tuileries-inspired programs throughout their festival. For complete festival details visit cmnw.org

PARIS IN THE PARK BLOCKS WEEKEND

Join us for a lively weekend of plein air painting in celebration of The Art of the Louvre’s Tuileries Garden. On Saturday, stroll among dozens of the region’s leading plein air painters as they turn the Museum’s front yard into one long outdoor studio where they will capture the light, color, and life of the surrounding park landscape. Return on Sunday for our quarterly free family and community day with park-inspired art-making and an exhibition of the plein air paintings made the day before. Stay into the evening and enjoy a free screening of the romantic comedy Gigi in the Museum’s courtyard as part of Portland Parks and Recreation’s “Summer Free for All” programming.

Plein Air Paint Out along the South Park BlocksAUGUST 9 All day beginning at 7 a.m.

Miller Family Free DayAUGUST 10 Noon–5 p.m.

Family programs are generously supported in part by Sharon L. Miller and Family, the Gordon D. Sondland and Katherine J. Durant Foundation, and the Lamb Baldwin Foundation.

Summer Free for All is organized and supported by Portland Parks and Recreation.

Gaston de La Touche (French, 1854–1913), A Water Fountain in the Tuileries (Jet d’eau aux Tuileries), 1890–1913, Oil on canvas, Musée d’Orsay, Paris, RF 2256, Photo: © RMN-Grand Palais / Art Resource, NY



SPECIAL PROGRAMS

Shine a LightJUNE 6, 6 P.M.–MIDNIGHT

Shine a Light 2014 once again asks visitors to reconsider what is possible in an art museum. Join us to engage with the Museum in unexpected ways and celebrate socially engaged works of art. A mix of artist-driven installations, performances, and interventions will take place throughout the Museum campus offering an exciting opportunity to rethink your relationship to art and everyday life. Shine a Light is a collaboration between the Museum and Portland State University’s Art and Social Practice MFA Program.


University of Oregon Design CampJULY 14–18

Inspired by The Art of the Louvre’s Tuileries Garden the Museum joins forces with the University of Oregon School of Architecture and Allied Arts’ Summer Design Camp to explore Portland’s rich system of public parks and gardens. Camp participants will transform parking spaces in Portland’s South Park Blocks into mini “parklettes.” Design Camp is a summer program that introduces teens to the creative professional fields of architecture/landscape architecture, product design, and digital art. To learn more about Design Camp and the “parklettes” schedule, visit aaa.uoregon.edu/portland/design-camp-2014.

Critical VoicesDIASPORE JENNIFER STEINKAMP

MAY 17, 2 P.M.

A pioneering artist in digital media, California-based Jennifer Steinkamp is internationally recognized for her breathtaking installation of projected, computer-generated imagery. Steinkamp juxtaposes the organic and inorganic, the real and invented in room-filling works that reflect upon the increasing synthesis of our real and virtual worlds.

Critical Voices is an ongoing lecture and discussion series dedicated to the spirit of one of America’s most noted 20th century art critics, Clement Greenberg. Critical Voices brings nationally and internationally recognized artists, curators, historians, critics, and theorists to Portland to engage our community in lively conversations on the nature of contemporary art practices and the role of artists and art in contemporary life.

Generously supported by the Paul G. Allen Family Foundation.



ONGOING PROGRAMS

Midday Art BreakTake a break from your workday on the second Wednesday of the month and join a curator, museum educator, artist, or local scholar for a 45-minute talk in the galleries.

MAY 14, JULY 9, AUGUST 13, AND SEPTEMBER 10.

All talks begin at 12:30 p.m. Space is limited. Advance tickets recommended.

Rental Sales GalleryNEW ARTIST SHOW

JUNE 20, 5-8 P.M.

Meet the newest selection of gallery artists and view works by local artists. Enjoy refreshments as you browse the more than 2,000 works in all media for sale or rent. The gallery is located across the street from the Museum at 1237 SW 10th Avenue.

Free admission.

Art & ConversationJoin us the third Thursday of every month for coffee and conversation followed by a lecture or film screening. Coffee at 9:15 a.m; lecture at 10:15 a.m. This series is free for adults 55 and over.

Baby MorningsOn the first Thursday of each month (except August), the Museum offers two opportunities for babies and their caregivers to enjoy art together. The groups will explore art with a docent for 45 minutes of slow looking in the galleries followed by coffee, tea, and informal conversation in the family-friendly Discovery Room. For babies up to 1 year old and their caregivers.

Space is limited; preregistration is required and available online. $5 members; $20 non-members.

Photography Brown BagsEvery third Wednesday of the month at noon, photography enthusiasts gather at the Museum to hear talks by regional photographers, gallerists, curators, and collectors.

Free to the public. Presented by the Museum’s Photography Council and sponsored by Pro Photo Supply and Canon, Inc.

For a complete schedule visit portlandartmuseum.org


Artist Talk SeriesJoin artists from a range of disciplines on the second Thursday of each month (except June) in the galleries at 6 p.m. for lively conversations about works of art and how they relate to their own practices. The talks are followed by a complimentary social hour with libations and snacks in the museum cafe.

$5 members; $15 non-members; $12 seniors. Space is limited. Tickets available online or on-site.

JULIE KEEFE

MAY 8

Keefe is a professional photographer working in photojournalism,

documentary, and community-based art. She has worked closely with underserved youth and communities, introducing them to the fine art of photography and writing. In 2008, she created the Hello Neighbor project, which used interviews and photographs to introduce children to their neighbors by displaying large-scale photographic portraits with text in six cities throughout Oregon, creating the state’s largest collaborative public art project. In 2012, Keefe was appointed the first Creative Laureate of Portland.

ANNA FIDLER

JUNE 19

Anna Fidler’s large-scale works on paper are composed of glittery

mica-enriched acrylic washes and colored pencils. Her work depicts invented landscapes, mythical happenings, and unseen energy in the universe involving such diverse subject matter as basketball, vampires and rock stars. Her work has been exhibited worldwide in New York, Los Angeles, Tokyo and Washington, D.C., and has been featured in the Museum’s APEX series.

GARRICK IMATANI

JULY 10

Imatani is an artist who uses the language of artifacts, monuments,

and pastimes to draw connections between performance, material culture, and recorded history. His work is frequently site-based and collaborative, and often evokes visual or temporal anomalies to suggest new fictions and truths. His projects have been featured at Art in General, New York City, Portland Museum of Art, Maine, Queens Museum, New York, and University of Oregon School of Allied Arts & Architecture.

KATE BINGAMAN-BURT

AUGUST 14

Along with being an educator and illustrator, Bingaman-Burt is also

a curator and author. She creates work about consumerism. Her first book, Obsessive Consumption: What Did You Buy Today? was published by Princeton Architectural Press in 2010. As an illustrator and designer, her clients have included The New York Times, MoMA, and IDEO. She is actively involved in the organization of Design Week Portland and is currently an Assistant Professor of Graphic Design at Portland State University.

AARON DRAPLIN

SEPTEMBER 11

Draplin is a Portland-based designer who founded Draplin Design

Company in 2004, focusing on print, identity, and illustration. After studying graphic design at the Minneapolis College of Art and Design, Draplin became an art director at Snowboarder magazine. He’s won numerous design awards doing work for clients including Nike, Wired, Timberline, and the Obama administration. A sought-after design thinker, he has presented his work at the Walker Art Center, University of Arizona School of Art, and TEDx Portland.


NORTHWEST FILM CENTER

Portland Jewish Film Festival JUNE 15–29

The 22nd annual Portland Jewish Film Festival explores themes of spirituality and Jewish identity throughout all parts of the world. The films, in their abundance, touch on tragedy, embrace humor, and recount the emotional and tangible gains and losses of a people. While the festival specifically celebrates the diversity of Jewish history, culture, and identity, the films and the stories they tell resonate beyond their settings and speak to experiences and issues that confront our common humanity. Presented in conjunction with the Institute for Judaic Studies. Schedule and tickets at nwfilm.org.

Top Down: Rooftop Cinema JULY 24–AUGUST 28

Celebrating 10 years as the cinematic highlight of the summer, Top Down is the Northwest Film Center’s annual outdoor film series held atop the panoramic rooftop of the Hotel deLuxe parking garage. Classic, campy, and always entertaining, films screen on Thursday nights over the course of six weeks. Audiences are invited to arrive early, listen to live music, and enjoy food and beverages. Schedule and tickets at nwfilm.org.

Drive-In at Zidell YardsJULY 18–20

Zidell and the Northwest Film Center team up again to present an outdoor film series aimed to delight Portlanders of all cinematic persuasions.

For three days in July, Zidell’s historic South Waterfront property, located directly below the Ross Island Bridge, will be transformed into a temporary outdoor movie theater venue, accessible to cars, bicyclists, riders of mass transit, and walkers alike. Schedule and tickets at nwfilm.org.

GIFTS & GATHERINGS


CHAIRMAN’S CIRCLE$25,000+Gerson and Barbara Bakar Philanthropic FundThe Nicolas Berggruen Charitable FoundationOvitz Family CollectionJohn and Lisa PritzkerArlene Schnitzer•Shorenstein Properties, LLCMr. and Mrs. William A. Whitsell••Anonymous (2)

DIRECTOR’S CIRCLE$10,000-$24,999Wells FargoRichard Louis Brown•Mr. Kevin BlountSharon and Keith Barnes•Peter and Missy Bechen•Kay and Marty Brantley•Lisa Domenico Brooke•Brooks and Dorothy CofieldJanet H. and Richard Geary•Mark Grotjahn StudioLinda Rae Hickey•Hoffman Construction CompanyMr. and Mrs. Frederick D. JubitzHeather KilloughWes and Nancy Lematta Fund of OCF•Carol Schnitzer Lewis Fund of OCFPeter and Debby MagowanStephen T. Janik and Sheryl A. Manning•Bob and Dinah McCallDaniel Schwoerer and Lani McGregor•Prudence M. MillerNike, Inc.Mr. and Mrs. Kenneth M. NovackMrs. Shirley N. Papé•Pat and Trudy Ritz•Julie and Peter Stott•The Oregonian

Greg and Cathy TibblesNani S. WarrenTruman CollinsLinda and Scott Andrews•Mrs. Mary Cecilia Becker•Mr. and Mrs. Roger Burpee•Richard and Liane Cabot•Mr. and Mrs. James F. Crumpacker•Matthew and Jasmin FeltonMr. and Mrs. Mark Goodman•Mary C. and Gregory K. Hinckley•Ronna and Eric Hoffman Fund of OCFJudy and Hank Hummelt•Dr. Oliver Lane Inman and Ms. Erin JohnsonMr. David J. JohnsonDr. Douglas and Selby Key•Kathleen Lewis•Cyndy and Edward Maletis•David and Dolorosa Margulis•Laura S. Meier•Sarah Miller Meigs and Andrew MeigsGloria Grimson MighellMark J. and Dr. Jennifer R. Miller•Travers Hill Polak•Dee Poth•Wayne M. Quimby and Michael J. RobertsGordon D. Sondland and Katherine J. DurantTroy St. John, Fidelity National TitleAndrée H. Stevens•Lawrence and Jane E. Viehl•Mr. and Mrs. Robert Warren, Jr.•Dr. Alton and Celia Wiebe•Mr. and Mrs. David Willmott•DJ Wilson and Bill Hoadley/KGW Media Group•Jim and Susan Winkler•Steven and Kasey Holwerda•Portland Trail BlazersArt of CateringECO Northwest

KeyBankZimmer Gunsul Frasca Architects, LLPAnonymous (3)

LEADERSHIP CIRCLE$5,000-$9,999Cascadia FoundationAnthony and Martha BelluschiPhil BogueKim and John BradleyMaribeth W. CollinsDavis Wright TremaineAnn and Mark EdlenBrian J. Ferriso and Amy PellegrinFrank Foti and Brenda SmolaKatherine and Mark Frandsen•Mary GoethMr. and Mrs. Jeff GrubbEduardo A. Vides, M.D. and Bruce GuentherPeter and Diana Hall•Kristopher B. HinsonJean Irwin HoffmanMr. and Mrs. James L. HollandSue Horn-Caskey and Rick CaskeyJudy Carlson KelleyKnowledge UniverseMrs. Dorothy LemelsonJS and Robin MayMcGeady Family FoundationMarilyn McIverMiller Nash, LLPNordstrom, Inc.NW NaturalRichard and Mary Rosenberg Charitable FoundationRichard and Deanne RubinsteinLuwayne “Buzzy” SammonsApril Sanderson•Lois T. SchnitzerMs. Grace SerbuPatricia TarzianDon and Linda Van Wart•Alice and Wim Wiewel•Jon and Abby WinkelriedDrs. Dolores and Fernando LeonMr. and Mrs. Richard B. KellerJoe and Shelley Voboril•Christie’sLeona and Patrick Green•The Mark Family•Portland MonthlyThe StandardSullivan ArchitectureVirtual Information ExecutivesAnonymous

GUARANTOR$2,500-$4,999Aronson Security GroupMr. and Mrs. Robert W. SchliemanMr. and Mrs. Broughton Bishop

Marianne BuchwalterKathryn BunnGeffen Mesher & Company, P.C.Katherine and Gordon KeaneLinda and Richard WardAd-Mail, Inc.Judith AndersonMichael and Jamie AndersonArtemis FoodsSally R. AshleyAnne BarbeyPeter and Susan BelluschiBryan BickmoreGwyneth Gamble BoothYvonne and John BranchflowerJames and Diane BurkeBushwacker, Inc.Brent and Laura CarreauMaynard ChambersCynthia and Stanley CohanDevil’s Food CateringElephants DelicatessenJames FitzGerald and Karen HoweMarc A. FranklinMs. Patricia Gianelli and Mr. Curt GleavesZephyr Charitable FoundationAlix and Tom GoodmanEric and Jan HoffmanMrs. Salena JohnsonSo-Hum FoundationKathleen KellyNick and Patty KnappDonna LarsonPatrick Y. H. LeeBill and Melinda MaginnisDiane Forsgren McCallMaryellen and Michael McCullochDuane and Barbara McDougallNancie McGrawRuben J. and Elizabeth MenasheMrs. Hester H. NauTom and Chris NeilsenVirginia NelsonGeorge and Reba O’LearyCynthia PailetDorothy PiacentiniSuzanne L. RagueBob and Marilyn RidgleyBrenda J.P. RocklinDori Schnitzer and Mark BrownRichard and Marcy SchwartzJoanne and William SendersCharlie and Darci SwindellsAmbassador Charles J. and Caroline H. SwindellsPat and Larry TaylorVirginia TaylorThe Mark Spencer HotelRena TonkinTonkon Torp, LLP

Vibrant Table Catering and Events Inc.Ms. Wendy W. Warren and Mr. Thomas BrownDr. and Mrs. Grover C. WetselJonathan and Pearl YuMary and Gordon HoffmanNutcase, Inc.Provenance HotelsShowers PassAnonymous

BENEFACTOR$1,500-$2,499Mrs. Roudabeh AkhaveinRay and Jean AuelW.W. Buzz Braley, Jr.Mr. and Mrs. James DeclusinStanley Geffen and Adrienne Souther•Jessie JonasGreendale Lynn Family FoundationJim and Char McCreightDorie and Larry VollumBarbara and Bastian WagnerStan and Kim ProsserMr. and Mrs. Wayne R. EricksenDr. Richard and Diane LowensohnHelena and Milt LanktonMr. Carlos Rivera and Dr. Lisa Andrus-RiveraDaniel Bergsvik and Donald HastlerBarbara A. LeeAlchemyDr. Seth Alley and Gretchen AlleyJen and Brett AndresDonna Avedisian and Craig ChantiJoan Lamb BaldwinBall Janik, LLPDr. Baron Barnett and Ms. Delia BusherPatricia H. and John C. Beckman Fund of OCFJane and Spencer BeebeBob and Judy BellJohn and Patricia BentleyPamela BergDeborah BergmanBlack Helterline LLPMr. and Mrs. Lawrence S. BlackJohn and Christina BlackwellMary Lee BoklundRobert and Barbara BradyMartha L. BrookeAndy and Nancy BryantBruce and Brenda BurnsGwen BurnsGwen and Tom BurnsEric and Robin BuschBarbara and Worth CaldwellCharles and Suzanne CarlbomBarbara and Robb CasonJohn and Laura CheneyCity of Beaverton

PATRON SOCIETY MEMBERSThe Portland Art Museum gratefully acknowledges the individuals and businesses who form our Patron Society. To find out more about the Patron Society, its unique member benefits, and the significant impact you can make on Museum programs and essential operations by becoming a member, contact Karie Burch at 503-276-4240. (List as of 3/3/14) • Trustee

VENICE PATRON OPENING1. Helen Jo and Bill Whitsell2. Brian Ferriso3. Hilliard Goldfarb, Dawson Carr, and Marianne Buchwalter4. Nike team5. Tracy Curtis, JS May, and April Sanderson

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VENICE MEMBERS OPENING


Ms. Molly Cliff Hilts and David HiltsColumbia Private BankingClimate Architecture + Landscape, LLC, Amy and John CooneyKathleen and Paul CosgroveKatherine and Donald CowanRé CraigDrs. Michael and Gail DavisMrs. Sally S. DavisElizabeth and Kirk DayPamela and Paul De BoniJ. Michael Deeney, M.D.Dianne Applegate, DDS, LLCMary and Spencer DickFranklin and Harriet DrakeMargueritte H. DrakeRichard and Betty DuvallCarol EdelmanBarry and Janet EdwardsElizabeth Leach GalleryMrs. Mitzi M. EllisDoris EnnisRobert Feldman and Julia MangoldMr. Darin FennCandace and Bert ForbesDr. William and Beverly GalenThomas and Laura GarnierKatherine and James GentryElizabeth and Thomas GeweckeJerry and Barbara GiesyFrederick and Cheryl GrossmanKaren and Harry GrothLuisa Adrianzen Guyer and Leigh GuyerLisa and Kirk HallRobert and Janis Harrison

Paul Hart and Jan JacobsenJeanette HeinzKent and Karen HolceJanet Louvau HoltDr. Larry HornickMr. and Mrs. Frederick W. HorstkotteMarti Zimlin and Jonathan HurwitzDr. Kara Kassay and James RandallLee Kelly and Susan HammerMary Jane KilhefnerCharles and Mary KiloDeneen and Raymond KingCynthia Kirk and James LeisyNan KoernerNick and Voula KonidarisCheryl and Chick KozloffJerry LambWalter E. Lander and Kit Tong NgLane Powell PCLangley Investment PropertiesBarbara and William LangleyDouglas Larson and Sarah RyanBonnie LaunMr. Ross LienhartAnn and Ron LymanTita MalinowShawn and Lisa MangumMario’sMr. and Mrs. M. James MarkMarkowitz Herbold Glade & MehlhafMichael and Barbara MastersonPatrick and Darle MaveetyMaude May and Robert TaylorMcAdams Wright Ragen Inc.

John and Ginny McCormacWin McCormackVirginia McGraw and Shelley McGrawJean and Walter MeihoffDina Schnitzer MeierBrad and Nancy MillerJo Ellen and Samuel MillerDee Corbin Moore and Thomas Jewett MooreAlice MorganJeffrey MorganBruce and Jeanette MorrisonDenise Mullen/Oregon College of Art and CraftErnest and Anne MunchJudy Preble MurphyGareth and Lisa NevittNew & Neville Real Estate ServicesKristie and Bob NiehausMr. and Mrs. John NiemeyerElizabeth C. NoyesPatricia PedersenPerkins CoieCharles and Ruth PoindexterDavid and Shirley PollockHeidi PozzoRichard and Wendy RahmStephen and Jean RothHalle and Rick SadleDan Saltzman and Liz BurnsPeter M. SargentBonnie Serkin and Will EmeryKathleen SheltonPeter ShinbachTom and Carol ShultsSandra Stone

Pat and Larry StrausbaughHank SwigertKim Cassel TardieChris Tarpey and Rick YuglerMarc Tedesco and Sara KingDr. Marilyn L. Rudin and Mr. Richard S. Testut Jr.Marta and Ken ThrasherCheryl TonkinRobert Trotman and William HetzelsonRobert C. and Margery Van DeusenDavid and Christine VernierVTECH Communications, Inc.Amy WallarWendy Wells JacksonSarah and George WellsBen and Elaine WhiteleyBill and Wendy WhitsellJo WhitsellSabine and John WildSarah A. WilliamsRick and Jean WillsDan Winter and John ForsgrenJohn and Carol WoodworthCheryl and Tom WyattDavid and Sherri ZavaWilliam and Connie LovejoyJohn Baker and Jana BaumanJordan Ramis PCRogers Machinery Company, Inc.Deborah A. and Terrell D. BrownMelih OzgulMr. and Mrs. Luke PietrokGeorge and Sue StonecliffeMr. Steven N. Spence and

Mrs. Barbara SpenceGeoffrey and Linda Hathaway BunzaMarianne and Peter CalhounMs. Jean McGuire ColemanFrank and Julie W. JungersDr. Sivia KayeMr. and Mrs. Wallace PrebleRon and Lee RagenPaul Schneider and Lauren EulauJohn and Janelle SpencerVirginia WrightJames and Marian Breedlove TrustBrad Johnston and Julie C. EvansJimmy RattanasoukJason Saunders and Stephanie KellyMeredith and Robert AmonESCO FoundationHood River DistillersMs. Romani Lay and Neville WellmanFrancie and Paul DudenA-dec, Inc.Dr. Jason Bell and Chris IsraelBloke Distinctive Botanical DesignsTracy and Benjamin ConnellyDalla Terra Winery DirectMr. and Mrs. Paul FrischJamey Hampton and Ashley RolandRobert Lamb and Melinda HoldsworthMia Hervin Moore and Jon MoorePro Photo Supply/Canon, Inc.Mr. and Mrs. Jim TananbaumThe University ClubAnonymous (3)

The James F. and Marion L. Miller FoundationMeyer Memorial TrustThe Collins FoundationThe Paul G. Allen Family FoundationWilliam G. Gilmore FoundationThe Maybelle Clark Macdonald FundMaribeth Collins Exhibition Endowment Fund

Sharon and Keith BarnesPat and Trudy RitzArlene Schnitzer/The Harold & Arlene Schnitzer CARE FoundationLarry and Jane ViehlThe StandardMary C. BeckerFlowerree FoundationThe Wheeler FoundationOregon Arts Commission

The Regional Arts & Culture CouncilWork for ArtVirtual Information Executives GridBox MediaPortland MonthlyNW NaturalZiba DesignAnonymous (2)

EXHIBITION SERIES SPONSORS

Robert AbbottDavid AdamsRay BidegainFadhilla Nancy BradleyJonathan BrandPaul BrownRichard Louis Brown

James and Diane BurkeThomas P. CallanSusan de WittRoger DorbandPatricia and Thomas EbreySylvia EngelmanPedro Farias-Nardi

Robert Feldman and Julia MangoldTom FirmanDavid W. ForbesThe Foundation, To-Life, Inc.Robert GeorgeCarol and Arthur GoldbergHansen, Jacobson, Teller, Hoberman, Newman, Warren, Richman, Rush & Kaller, LLPCharles A. HartmanHillerbrand+MagsamenDavid HobermanJanet Louvau HoltLarry HuhnCharles IsaacsCraig Jacobson

Dr. and Mrs. Alvin JanklowMargaret L.L.C. JonesHeidi KirkpatrickMr. and Mrs. Gerald KohsBetty LaDukeDr. Robert LearyFrank and Jinx LobdellMel KatzBarbara MasonPrudence MillerLani McGregor and Dan SchwoererFrank and Joan McNamaraMartin H. McNamaraRobert and Sandra MattielliM. Larry and Nancy B. Ottis

Louie PaluLillian PittRichard S. PressChristopher RauschenbergShawn RecordsLinda RockwellLiz RidealKeith SharpCarole and Sheldon StearnsArthur TaussigEduardo A. Vides and Bruce GuentherMargaret WatsonEstate of Jan Zach

GIFTS OF ARTGifts received from November 1, 2013 – February 28, 2014

GENERAL SUPPORTChris and Aletha AndersonMr. and Mrs. James F. CrumpackerDermody Properties FoundationHenry Failing FundJEZ FoundationRigby Family Fund of the OCFThe T.F. Dixon Family Foundation, Inc.Dan Wieden and Priscilla Bernard WiedenLee BuhlerWalter CahallSidonie and Gordon Caron

Scott CollinsJeffrey G. ConditArthur and Winnifred DannerSam and Elizabeth DavidsonJerome and Diane DiethelmLee and Robin FeidelsonJim A. Hart and K. C. CooperSue and Michael HenningsenDan and Pat HolmquistEllen Hopper and Eunice BaileyMrs. Mary Hurst and William M. HurstCarol and Daniel Isaak

Mr. and Mrs. Gregg KantorBrigitte S. Kolloch-Russell and Andy RussellKarl KosydarCatherine LearyJanet LoewenNetwork For GoodRay and Carol NorthDan T. O’DohertyRobert and Bonnie OldsMs. Kim OsgoodMallory OtisMs. Donna PierleoniMargaret ProglerBetty RiddleGerard P. and Sandra M. Rowe Mr. and Mrs. Allen SchatzB. J. SeymourDrs. Donald and Roslyn SutherlandCameron and Cary WileyJulie R. WilsonAnonymous (3)

EDUCATIONShirley Hess

ENDOWMENT Mildred and Morris Schnitzer* Charitable Fund of the OCF

BEQUESTSDonald and Judy Forster*Clarence Bobbe* TrustMargaret Gravatt*Noel A. Jordan*Estate of W.H. NunnGeorge Toya*

GIFTS FOR OTHER SPECIAL PURPOSES Asian Art CouncilDaniel Bergsvik and Donald HastlerJames and Diane BurkeCheney and Mary CowlesBonnie Serkin and Will Emery

Todd Putnam, Framing ResourceEduardo A. Vides, M.D. and Bruce GuentherByron and Susan HenryMary Jo HesselKristopher B. HinsonTia and David HobermanJeffery Horvitz FoundationRobert and Susan LeebJames Leisy and Cynthia KirkDr. and Mrs. Richard LowensohnEarl E. and Elma C. PaytonCourtney and Wayne PierceCarole Baker PoolThoen Charitable Remainder Trust IIGordon Ware and Jean Kempe-WareJon and Abby WinkelriedAnonymous (3)

Carol and Rodger AdamsGeorge P. AdlhochKathleen AllenFrank and Dorothy AndersonAnnette ArrietaBill Bagnall and Clayton LloydThomas and Brada BaileyAnne and Bruce BateyEdmund BedecarraxAnne G. BergMartha Bergman and Jonah GamblinDavid BlufordFred BornWilliam H. BrandtLori Brocker and David A. KnappLauren and Stuart L. BrownKevin Bunce and Carrie McGowanJohn and Mary CalvinBrent and Barbara ChalmersNancy CoffeyMichael and Judy Collins

Alan CorwinJohn CrockerEvan CulverNichols M. Cutting and Katherine BremserEloise Damrosch and Gary HartnettDr. Marcia G. Darm and Mr. Bruce BerningMary and Robert DonleyMargaret DrakeNancy and Stephen DudleyFlorence DyerStephen Early and Mary ShepardGerda A. EisemanPaul Schneider and Lauren EulauJennifer FieldFlowerree FoundationRosemary and Thomas FranzSamuel R. Ganczaruk and Edwin F. OrrickCarolyn GassawayCaren Gawlak

Ray and Joyce GeeBetty GreerWilliam and Marie GregoryAnita Grunder and John DillesJoanne GulsvigWarwick and Yvette HallWilliam and Martha HallGary and Susan HarbisonAshley HeichelbechLee Alan and M.J. HelgersonRobert and Barbara HenarieCalvin and Ruth HennigHero Family Charitable FoundationJimmy E. Hicks and Stephanie T. NuteKay and Steve JenningsJeffery and Colleen JohnsonMary W. JohnsonJ KenyonDon KirbyJames and Morley KnollL and L Borok FoundationJerome S. LarsonGregory F. LeiherDorothy LongMary LongKyra M. MacIlveenMacomber Family FoundationRuth MaionchiKen and Linda Mantel

Jerry L. MartinBen MassellRobert McHughDr. Louis and Judy McCrawSusan K. MetcalfeLaura and Paul MilnePatricia MossJohn MullerEileen NelsonCarol NeubergerPaul O’BrienMiriam OstroffMarek and Grazyna PatyraGary Peterson and Jane StarbirdRobert W. and Rita S. PhilipDiana Harris and Gary PiercyVirginia PolitsThomas Ptacek and Barbara MadiganAna and Pat QuinnDavid Rabin and Ingrid StoryArno ReifenbergBeatriz and Deryl RichterCaroleigh RobinsonGertrude RobinsonAngelo R. RomanoRosemarie F. RosenfeldDr. Cara Rozell and Roger KornfeinMarjorie and George ScottMary Seitz and Susan Danielson

Rhea R. SleemanSteven and Barbara SpenceDr. James Stamper and Jennifer VillanoNorm StanleyMr. and Mrs. William T. C. StevensEric and Lori StromquistGary and Linda SusakWilliam R. and Kimberly A. SwindellsJohn and Ruth TalbottMichael TauschCheryl TonkinLinda S. TozerSandra T. TrainerThomas and Joan TriplettTom Van RaalteIris VanceEduardo A. Vides, M.D. and Bruce GuentherLinda and Richard WardLloyd WeisenseeKimberly Weller and Doug Gordon Penelope A. WhiteDonald L. WilliamsRichard and Juliet WilliamsVeronica L. WilliamsLoring and Margaret WinthropAnonymous

KeyBankRay Hickey FoundationWes and Nancy Lematta Fund of the OCF

U.S. Bank/U.S. Bancorp FoundationThe Lamb Baldwin FoundationWilliam H. and Mary L. Bauman Foundation

Louis and Virginia Clemente Foundation, Inc.PGE Foundation

GIFTS OF NOTEGifts more than $100 received from November 1, 2013 – February 28, 2014 *Deceased

The Museum gratefully acknowledges all members who have continued to support the museum on an annual basis through your membership contribution. Please visit our website at www.portlandartmuseum.org/supporters as we recognize you, our loyal members, in our donor honor roll. The Portland Art Museum is accredited by the American Association of Museums and is supported in part by annual contributions from the Oregon Arts Commission, the Oregon Arts Heritage Endowment Fund of The Oregon Community Foundation, the National Endowment for the Arts, and the Regional Arts & Culture Council.

EXHIBITION SERIES SUPPORTERS

EDUCATION SPONSORS

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FRANCIS BACON RECEPTION1. Patrons viewing the triptych2. Larry Viehl and Brian Ferriso3. Bruce Guenther presenting4. Karen Acheson, Jim Crumpacker, and Sheryl Acheson

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PORTLAND INTERNATIONAL FILM FESTIVAL1. High school students after a PIFF 37 Global Classroom screening2. Filmgoers at OMSI’s Theory Eatery Opening Night3. L. Nancy Frisch, Lois Kincaid, and Bill Foster4. Pane Harod, Dawn Smallman, and Joanna Priestley5. Irene Taylor Brodsky and Enid Mills

USING REAL ESTATE TO SUPPORT A LOVE OF ART

After many years of rental home ownership, Marilyn L. Rudin, M.D., of Lake Oswego decided to sell. She researched her options and decided her best solution was to donate a house to the Portland Art Museum. This would create an ongoing income stream to replace the rental income without the problems of property

management, and give her a significant tax deduction that can be spread over five years. The Museum is providing Marilyn with turnkey services—listing and selling the property with the real estate agent of her choice, and setting up a charitable remainder trust that will distribute 5 percent of its value annually to her

for the rest of her life. Then, the remainder of the trust will be turned over to the Museum, ensuring that this institution which she has supported for many years will have her support in perpetuity.

Marilyn cares deeply about the Museum, and about supporting and sharing it with a variety of visitors. She is delighted with everything the Museum has done to create access to the Museum with free admission for children 17 and under, school tours, and all visitors on specific days, as well as through an education and outreach program that provides lectures and tours by artists, docents, and arts professionals. Marilyn is an actively engaged member of the Patron Society, and she and her husband, Richard S. Testut Jr., share a love of the arts and travel. Marilyn and Richard are also active members of both the Northwest Art and Contemporary Art Councils.

For more information about creative ways like this to support your Museum, contact Luisa Adrianzen Guyer, associate director of development, at 503-276-4337, or email [email protected].

NORTHWEST FILM CENTERAcademy FoundationLinda and Scott AndrewsAnthony and Martha BelluschiAlan and Carolyn BennettKay BristowCar2GoLenore J. CoffeyKim ConleyConsulate General of IsraelTerry Dalsemer and Gail OwenDay and Koch LLPMr. Daniel L. FeinerMr. Darin FennJerome and Maria GauthierThomas and Elizabeth GeweckeHenry Lea Hillman, Jr. FoundationHong Kong Economic and Trade OfficeItalian Trade CommissionJapan Foundation Los AngelesKevin KeithleyThe Lamb Baldwin Foundation

Lane Powell PCBelle MannMealport PDX, LLCMercedes-Benz of PortlandBonnie L. Nuttall and Alfred NuttallThomas O’CainThe Paul G. Allen Family FoundationLaura G. PolichSteven and Kelly SandstromSapporo USA, Inc.Paul and Joan SherSteven Smith TeamakerDr. and Mrs. Larry StrausbaughCheryl Strayed and Brian LindstromTotal Kitchen Services LLCSandra Teel TrainerMartha and Eric Van DykeDon and Linda Van Wart Chel WhiteJim and Susan WinklerAnonymous

GIFTS IN-KINDArt of CateringArtemis Foods Stephen Marc Beaudoin Heather Blackburn City Center Parking Dalla Terra Winery DirectGridBox MediaAdam LaMotte Rachel Sokolow Sue TaylorVirtual Information ExecutivesHideki Yamaya

TRIBUTESIn Memory of Paul Bingman

Marilynn BurkeWallace Gibson Brenda Clark and Rod Moore

In Honor of James Burke Jean and Walter MeihoffChristina Orr-Cahall Mr. and Mrs. Ron Saxton

In Memory of Mary Lou Dobbins Deirdre Dobbins-Harrington

In Memory of Erma Engels Joanne M. Engels Byron and Susan HenryMary Jo HesselElizabeth LambertCarole Baker Pool

In Honor of Paul and Helen Chapman

Bob and Konky ForsterIn Memory of Pearl Gordon

Lisa Blum In Memory of Cris Maranze

Carol and Daniel IsaakMs. Kim Osgood

In Honor of Portland Art Museum Membership Department

Bob and Adrienne DarrahIn Memory of John McGuire

Roselyne Swig In Memory of Timothy Morsman

Judith Beal Marianne Buchwalter Jane E. GordonSandra Hirsch Gloria LindquistKathleen PocrnichAnne and John Pollack Molly Vanmetre

In Honor of Debra Royer Paula Madden

In Memory of Alan Baron Tonkin Cheryl Tonkin

MATCHING GIFTSBecker Capital ManagementIllinois Tool Works FoundationMentor Graphics CorporationMicrosoftNW Natural Company MatchRockwell CollinsUnited Way of the Columbia-Willamette

MUSEUM SHOPThe Art of the Louvre’s Tuileries Garden brings Paris to the Park Blocks. This summer the Museum Shop features products inspired by Parisian culture and life along the Seine.

Balloon Model Multiple colors and sizes. First hot air balloon

ascent was in the Tuileries Garden in 1783.

$43 | $38.70 / members

French Market Basket Handwoven from date palm leaf trimmed in leather.

$64 | $57.60 / members

Flower Press Le Jardin du Moulin.

$22.50 | $20.25 / members

Toy Sailing Boat Hard wood, made in France. It really sails!

$50 | $45 / members

The Art of the Louvre’s Tuileries Garden Notecard assortment, 4 each of 5 designs.

$14.00 | $12.60 / members

The Art of the Louvre’s Tuileries Garden Hard-bound, full-color exhibition publication.

$50 | $45 / members

1219 SW PARK AVENUE PORTLAND, OREGON 97205 PORTLANDARTMUSEUM.ORG

EXHIBITION SCHEDULEOpeningTHE ART OF THE LOUVRE’S TUILERIES GARDENJune 14 – September 21, 2014

JOEL SHAPIROJune 21 – September 21, 2014

THIS IS WAR! THE CENTENARY OF WORLD WAR IAugust 30 – December 14, 2014

APEX: EVA SPEERSeptember 6 – December 7, 2014

ContinuingJESPER JUSTThrough June 1

HALCYON DAYS: THE CAMERA IN THE GARDENThrough August 10

MOSHE KUPFERMAN: A HOARD OF SIGNSThrough August 17

TWO-WAY STREETThrough August 24

APEX: KATE HUNTThrough August 31

COBALT BLUESThrough October 19

HOURSMonday ClosedTuesday–Wednesday 10 a.m.–5 p.m.Thursday–Friday 10 a.m.–8 p.m.Saturday 10 a.m.–5 p.m.Sunday noon–5 p.m.

CRUMPACKER FAMILY LIBRARY HOURS

Sunday–Wednesday noon – 5 p.m.

TUILERIES GARDEN ADMISSION Timed for entry, includes general admissionMembers/Children (17 and younger)* freeAdults $20Seniors (55 and older) $17Students (18 and older with ID) $17*Children 14 and younger must be accompanied by

an adult.

GENERAL ADMISSIONMembers/Children (17 and younger)* freeAdults $15Seniors (55 and older) $12Students (18 and older with ID) $12*Children 14 and younger must be accompanied by

an adult.

CONTACTSGeneral Information 503-226-2811Membership Information 503-276-4249

FREE ADMISSION Every DayChildren ages 17 and younger are free.

Fourth Friday of Each MonthFree general admission from 5-8 p.m. on June 27, July 25, August 22, and September 26.

Quarterly Free SundayThe next Miller Family Free Day is August 10.Support for free admission is made possible thanks to the Gordon D. Sondland and Katherine J. Durant Foundation, Sharon L. Miller and Family, and the Lamb Baldwin Foundation. Help us provide additional free opportunities by supporting the Museum’s Art Access Endowment.

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CLOSESJesper JustFAMILY TOURColorific12:30 p.m.PUBLIC TOURDocent Highlights3 p.m.

PUBLIC TOURDocent Highlights12:30 p.m.

BABY MORNING10 a.m. & 11 a.m.PUBLIC TOURDocent Highlights6 p.m.

PUBLIC TOURDocent Highlights12:30 p.m.SHINE A LIGHT6 p.m.

PUBLIC TOURDocent Highlights3 p.m.

FAMILY TOURColorific12:30 p.m.PUBLIC TOURDocent Highlights3 p.m.


MIDDAY ART BREAKTwo-Way Street12:30 p.m.

PUBLIC TOURDocent Highlights12:30 p.m.TUILERIES PREVIEWPatron Society10 a.m.MembersNoon

OPENSThe Art of the Louvre’s Tuileries GardenPUBLIC TOURDocent Highlights3 p.m.

OPENSJewish Film FestivalFAMILY TOURTravel the World - 12:30 p.m. LECTUREIn Search of André Le Nôtre - 2 p.m.PUBLIC TOURDocent Highlights - 3 p.m.

PUBLIC TOURThe Art of the Louvre’s Tuileries Garden12:30 p.m.

PHOTOGRAPHY BROWN BAGNoon

ART & CONVERSATIONNew in the Asian Galleries9:15 a.m. VISUALLY IMPAIRED TOURTuileries Garden - 2:30 p.m.PUBLIC TOURDocent Highlights - 6 p.m.ARTIST TALKAnna Fidler - 6 p.m.


OPENSJoel ShapiroPUBLIC TOURDocent Highlights3 p.m.

FAMILY TOURIn the Garden12:30 p.m.PUBLIC TOURThe Art of the Louvre’s Tuileries Garden3 p.m.


PUBLIC TOURThe Art of the Louvre’s Tuileries Garden6 p.m.

PUBLIC TOURThe Art of the Louvre’s Tuileries Garden12:30 p.m.FREE FOURTH FRIDAY5–8 p.m.

FIELD TRIPParklandia: A Portland Bike Tour10:30 a.m.PUBLIC TOURDocent Highlights3 p.m.

CLOSESJewish Film FestivalFAMILY TOURTravel the World12:30 p.m.PUBLIC TOURThe Art of the Louvre’s Tuileries Garden3 p.m.

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BABY MORNING 10 a.m. & 11 a.m.PUBLIC TOURDocent Highlights6 p.m.


PUBLIC TOURDocent Highlights 3 p.m.

FAMILY TOURTravel the World12:30 p.m.PUBLIC TOURThe Art of the Louvre’s Tuileries Garden3 p.m.


MIDDAY ART BREAKOrigin Voices12:30 p.m.CONVERSATIONAn Evening with the Olmsteds6 p.m.

ARTIST TALKGarrick Imatani6 p.m.



FAMILY TOURTravel the World12:30 p.m.LECTURETime & Timelessness in the Tuileries Garden2 p.m.PUBLIC TOURDocent Highlights3 p.m.

CONCERTChamber Music NW Summer FestivalNoonPUBLIC TOURThe Art of the Louvre’s Tuileries Garden12:30 p.m.


ART & CONVERSATIONTuileries Garden - 9:15 a.m.VISUALLY IMPAIRED TOUR Celebrating Freedom - 2:30 p.m.CONVERSATION: An Evening with Portland’s Parks Directors - 6 p.m.PUBLIC TOUR: Docent Highlights - 6 p.m.

ZIDELL DRIVE-IN


ZIDELL DRIVE-IN

FIELD TRIPParklandia: A Portland Walking Tour10 a.m.PUBLIC TOURDocent Highlights3 p.m.

ZIDELL DRIVE-IN



OPENSTop DownPUBLIC TOURDocent Highlights6 p.m.CONVERSATIONThe Next Portland Parks 6 p.m.


PUBLIC TOURThe Art of the Louvre’s Tuileries Garden 3 p.m.

FAMILY TOURIn the Garden - 12:30 p.m.LECTUREThe Mirror with a Memory - 2 p.m.PUBLIC TOURDocent Highlights - 3 p.m.


PUBLIC TOURThe Art of the Louvre’s Tuileries Garden6 p.m.CONVERSATIONThe Willamette Valley as a Park - 6 p.m.YOUNG PATRONSSummer Party - 6 p.m.

CLOSESJesper JustFAMILY TOURColorific12:30 p.m.PUBLIC TOURDocent Highlights3 p.m.


BABY MORNING10 a.m. & 11 a.m.PUBLIC TOURDocent Highlights6 p.m.

PUBLIC TOURDocent Highlights12:30 p.m.SHINE A LIGHT6 p.m.


FAMILY TOURColorific12:30 p.m.PUBLIC TOURDocent Highlights3 p.m.


MIDDAY ART BREAKTwo-Way Street12:30 p.m.

PUBLIC TOURDocent Highlights12:30 p.m.TUILERIES PREVIEWPatron Society10 a.m.MembersNoon

OPENSThe Art of the Louvre’s Tuileries GardenPUBLIC TOURDocent Highlights3 p.m.

OPENSJewish Film FestivalFAMILY TOURTravel the World - 12:30 p.m. LECTUREIn Search of André Le Nôtre - 2 p.m.PUBLIC TOURDocent Highlights - 3 p.m.



ART & CONVERSATIONNew in the Asian Galleries9:15 a.m. VISUALLY IMPAIRED TOURTuileries Garden - 2:30 p.m.PUBLIC TOURDocent Highlights - 6 p.m.ARTIST TALKAnna Fidler - 6 p.m.


OPENSJoel ShapiroPUBLIC TOURDocent Highlights3 p.m.





FIELD TRIPParklandia: A Portland Bike Tour10:30 a.m.PUBLIC TOURDocent Highlights3 p.m.

CLOSESJewish Film FestivalFAMILY TOURTravel the World12:30 p.m.PUBLIC TOURThe Art of the Louvre’s Tuileries Garden3 p.m.

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AUGUST 2014C

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LECTUREParis Parks Now2 p.m.PUBLIC TOURThe Art of the Louvre’s Tuileries Garden 3 p.m.


PUBLIC TOURDocent Highlights6 p.m.PATRON SOCIETYSummer Fête6 p.m.

PUBLIC TOURDocent Highlights12:30 p.m.MEMBERS PARTY7 p.m.

PARIS IN THE PARK BLOCKS PLEIN AIR PAINT OUT7 a.m.PUBLIC TOURThe Art of the Louvre’s Tuileries Garden 3 p.m.

CLOSESHalcyon DaysPARIS IN THE PARK BLOCKS MILLER FAMILY FREE DAY12 p.m.PUBLIC TOURDocent Highlights3 p.m.


MIDDAY ART BREAKTuileries Garden12:30 p.m.

ARTIST TALKKate Bingaman-Burt6 p.m.



CLOSESMoshe Kupferman PUBLIC TOURDocent Highlights3 p.m.



ART & CONVERSATIONThe Landscape Considered 9:15 a.m.PUBLIC TOURDocent Highlights6 p.m.YOUNG PATRONSGallery Hour6 p.m.



CLOSESTwo-Way StreetPUBLIC TOURThe Art of the Louvre’s Tuileries Garden 3 p.m.


CLOSESTop DownPUBLIC TOURDocent Highlights6 p.m.


OPENSThis Is War! PUBLIC TOURThe Art of the Louvre’s Tuileries Garden 3 p.m.

CLOSESAPEX: Kate Hunt PUBLIC TOURDocent Highlights3 p.m.

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SEPTEMBER 2014C

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LECTUREParis Parks Now2 p.m.PUBLIC TOURThe Art of the Louvre’s Tuileries Garden 3 p.m.


PUBLIC TOURDocent Highlights6 p.m.PATRON SOCIETYSummer Fête6 p.m.

PUBLIC TOURDocent Highlights12:30 p.m.MEMBERS PARTY7 p.m.

PARIS IN THE PARK BLOCKS PLEIN AIR PAINT OUT7 a.m.PUBLIC TOURThe Art of the Louvre’s Tuileries Garden 3 p.m.

CLOSESHalcyon DaysPARIS IN THE PARK BLOCKS MILLER FAMILY FREE DAY12 p.m.PUBLIC TOURDocent Highlights3 p.m.


MIDDAY ART BREAKTuileries Garden12:30 p.m.

ARTIST TALKKate Bingaman-Burt6 p.m.



CLOSESMoshe Kupferman PUBLIC TOURDocent Highlights3 p.m.



ART & CONVERSATIONThe Landscape Considered 9:15 a.m.PUBLIC TOURDocent Highlights6 p.m.YOUNG PATRONSGallery Hour6 p.m.



CLOSESTwo-Way StreetPUBLIC TOURThe Art of the Louvre’s Tuileries Garden 3 p.m.


CLOSESTop DownPUBLIC TOURDocent Highlights6 p.m.


OPENSThis Is War! PUBLIC TOURThe Art of the Louvre’s Tuileries Garden 3 p.m.

CLOSESAPEX: Kate Hunt PUBLIC TOURDocent Highlights3 p.m.


PUBLIC TOURAmerican/Northwest Art 12:30 p.m.

BABY MORNING 10 a.m. & 11 a.m.PUBLIC TOURThe Art of the Louvre’s Tuileries Garden6 p.m.


OPENSAPEX: Eva Speer PUBLIC TOUREuropean Art3 p.m.

FAMILY TOURObject Stories12:30 p.m.PUBLIC TOURThe Art of the Louvre’s Tuileries Garden 3 p.m.

PUBLIC TOURModern & Contemporary Art12:30 p.m.

MIDDAY ART BREAKNew in the NW Galleries 12:30 p.m.

PUBLIC TOURDocent Highlights12:30 p.m.ARTIST TALKAaron Draplin6 p.m.


OPENSContemporary Japanese ClayPUBLIC TOURThe Art of the Louvre’s Tuileries Garden3 p.m.

FAMILY TOURObject Stories12:30 p.m.PUBLIC TOURDocent Highlights3 p.m.


PUBLIC TOURPortraits12:30 p.m.PHOTOGRAPHY BROWN BAGNoon

ART & CONVERSATIONThis Is War! - 9:15 a.m.PUBLIC TOUREuropean Art - 12:30 p.m.Tuileries Garden - 6 p.m.VISUALLY IMPAIRED TOUR:Outdoor Sculpture Garden 2:30 p.m.

PUBLIC TOURPhotography12:30 p.m.


CLOSESThe Art of the Louvre’s Tuileries GardenJoel ShapiroFAMILY TOUR Portraits - 12:30 p.m.

LECTUREGardening for Grandeur - 2 p.m.PUBLIC TOURThe Art of the Louvre’s Tuileries Garden 3 p.m.


PUBLIC TOURAsian Art12:30 p.m.

PUBLIC TOURModern & Contemporary Art12:30 p.m.Docent Highlights6 p.m.

PUBLIC TOURPortraits12:30 p.m.FREE FOURTH FRIDAY5–8 p.m.

PUBLIC TOURAmerican/Northwest Art3 p.m.

FAMILY TOURPortraits12:30 p.m.PUBLIC TOURDocent Highlights 3 p.m.

PUBLIC TOUREuropean Art12:30 p.m.

1219 SW PARK AVENUE PORTLAND, OREGON 97205-2430

ITALIAN STYLEFASHION SINCE 1945

FEBRUARY 7 – MAY 3, 2015

Simonetta evening gown of embroidered silk. Published in Harper’s Bazaar, October 1952. Photograph by Genevieve Naylor. Genevieve Naylor/courtesy Staley-Wise Gallery New York

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