TRIAD PAIRS 1 - Key of Eb - Theory - Armando Alonso - FREE

TRIAD PAIRS 1

1 LESSONS( and 4 introduction pages)

by Armando AlonsoPractical and dynamic work methodology for the self-taught

student as well as for the teacher in classserie20y20.com.ar

Major / Minor / Diminished

6 remaining Lessons

Repertoire

73 Audios & Backing Tracks

Printable Book without watermank

FREE VERSION

(does not contain)

Eb

MUSICIAN FRIEND

You’ve just downloaded the Free Version of this Ebook:

Triad Pairs 1 in Eb for all musicians by Armando Alonso

If you wish, you can purchase for a very low cost the complete version, which includes a greater number of exercises, assignments, backing, tracks, etc. with the objective of securing the addressed concepts.

As an independent publishing house, we will be so thankful with your purchase, because in this way you are helping us to create even more teaching material.

From Buenos Aires, Argentina, we send you the best wishes for your musical career.

Néstor Crespo Serie20&20 Director

www.serie20y20.com.ar

CONSIDERATIONS – THEORY / TRIAD PAIRS 1 – FREE VERSION

You have downloaded the FREE VERSION which contains only:

• Introduction, 4 patterns each one over the different triad pairs.

The FREE VERSION does not contains:

* 6 Lessons y 18 Patterns

* 52 Audios y 16 Backing tracks (in order to the lessons, modal training and repertoire)

* The printable book (no watermark)

If you wish you can buy the Complete Ebook at:


OBJECTIVES AND PURPOSES OF VOLUME 1

The present book of Theory / Pairs Triads 1 for all instruments, includes the concept triads pair,

which refers to two triads of the same type or species that are at one tone distance from each

other.

The major and minor melodic scale generates this type of triads pair. Each of the pairs includes

major, minor, and diminished triads.

It is important to note that the triads pair is considered as a melodic unit formed.

In general lines they are mainly used in modal harmonies or on the same seventh chord that is

maintained for several bars, This does not prevent us from expanding our search in its use,

whether in different progressions as well as in any progression or song.

AUDIOS (52 Audios lessons)

In order to appreciate the sound generated by superimposing each triad pairs, listening to the

audios included in each of the lessons is essential.

Also includes:

• 18 Backing tracks: Modal

• 3 Backing tracks: Jazz

• Cantaloupe Island

• Maiden Voyage

• So What

[email protected] / www.armandoalonso.com.ar / www.serie20y20.com.ar

TRAID PAIRS 1 INDEX – FREE VERSION

INTRODUCTION .............................................................................................................................. 1

PATTERNS .................................................................................................................................... 2 - 3 - 4

LESSON 1 ................................................................................................................................ 5

• Major seventh chord.

• Minor seventh chord.

LESSON 2 (only in paid version) ..................................................................................... 6

• Dominant chord.

LESSON 3 (only in paid version) .................................................................................... 7

• Dominant chord.

• Dominant sus4 chord.

LESSON 4 (only in paid version) .................................................................................. 8

• Half-diminished chord.

• Disminished chord.

LESSON 5 (only in paid version) ................................................................................. 9

• Minor chord.

LESSON 6 (only in paid version) .................................................................................... 10

• Major seventh (#5) chord.

LESSON 7 (only in paid version) ................................................................................. 11

• Dominant sus4(b9).

Cantaloupe Island (only in paid version) .............................................................................. 12 - 13 - 14

Maiden Voyage (only in paid version) ............................................................................ 15 - 16

So What (only in paid version) ............................................................................ 17

Patterns and special links (only in paid version) ...................................................... 18 - 19 - 20

FINAL SYNTHESIS only in paid version) .............................................................................. 21 - 22


ARMANDO ALONSO ( Professor - Guitar Player - Composer )

Armando Alonso is a guitar player from Buenos Aires,

Argentina.

He develops a solid educational trajectory, both in the

private sphere as in important institutions in Argentina, like

"School of Popular Music of Avellaneda".

He has given numerous clinics on "Improvisation and Functional Harmony in the Jazz"

in prestigious centers of studies like for example all over the country.

He has done different work books: Functional Harmony (applied to Blues), Impro-

elements I and II, Resources for the preparation of arrangements or transcriptions for guitar,

-Triads and chords Hybrids, technical and melodic resources starting from diatonic intervals,

concepts of reharmonization and superposition applied to improvisation and accompaniment

also he has done 4 E-Books developing the study of triads.

He has shared stages both in his groups and as a guest with the most important jazz

musicians in the country.

In 1984 he lives in Freiburg, Germany, sharing important jazz clubs and clubs with

Thomas Fichter (bass) and Tillman Gluenter (piano).

Between 1985 and 1992 he joined the group of bandoneonist and composer Dino

Saluzzi, playing in turn as guests, important Argentine and European musicians such as:

Enrico Rava, Arto Tuncboyaci, Gustavo Bergalli and others.

Record the CD Mojotoro for the prestigious ECM label (Germany).

Throughout his artistic career he recorded more than 9 CD with its different

formations as well as invited guitarist.

He currently teaches guitar, harmony and improvisation classes privately and is leader

of different jazz groups.

[email protected]/ www.armandoalonso.com.ar / www.armandoalonso.com.ar

LEGAL

Alonso, Armando José

Triad Pairs 1 in Eb - / Armando José Alonso.

1st bilingual edition - Chivilcoy: Armando José Alonso, 2020.

EBook, DXReader

Spanish-English Edition

Digital Archive: download online

1. Music. I. Title.

CDD 780

ISBN 978-987-42-4797-1

Date of registration: 07/24/2020

TRIAD PAIRS 1 in Eb

VOLUME I

1st edition

© Armando José Alonso, 2020

[email protected]

www.armandoalonso.com.ar


Date of publication: June 2017

Replication Date: June 2017

The deposit established by Law 11.723

EDITED IN ARGENTINA

Graphic Design: Edgardo Vallarino

The backing tracks belongs to the author of the work.

The content and originality of this document is the sole responsibility of its author.

The content and originality of this document is the sole responsibility of its author. No part of this publication may be

reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical,

photocopying, recording, or otherwise, without the prior written permission of the publisher. editor.

Your violation is punishable by laws 11,723 and 25,446.


& œœœ ˙̇̇ ˙̇̇˙̇̇ ˙̇̇ œœœ œœœC Dm Em AmF G B°

& œœœ œœœDm Em œœœ œœœ

F G

& ˙̇̇b ˙̇̇ ˙̇̇œœœb ˙̇̇ ˙̇̇b ˙̇̇Cm Dm Eb+ A°F G B°

& œœœb œœœCm Dm œœœ œœœ

F G œœœb œœœA° B°

TRIAD PAIRS 1

TheTriad Pairs are two triads of the same species or type at a one-tone distance.

(Armando Alonso)


Major Scale

Triad Pairs

Minor Melodic scale

Triads Pairs

The major scale and the melodic minor scale generate different Triad Pairs which include

It is important to note that the pair of triads is always applied as a unit.

Any type of theoretical foundation can consult the E-Book Theory Superposition of Triads 1

major, minor and diminished triads..

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& ### 3œ œ œ 3œ œ# œ œ œ œ œ# œ œa

Patterns A B

ascend - - -

œ œ œ œ œ œ# œ œ œ œ œ# œ

& ## # ..œ œ# œ œ œ œ œ# œ œ œ œ œdescend - - -

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& ## # 3œ œ œ 3œ œ# œ œ œ œ œ œ œ#b

ascend - - -

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& ## # ..œ œ# œ œ œ œ œ œ œ œ œ œdescend - - -

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ascend - - -

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& ## # ..œ œ# œ œ œ œ œ œ œ œ œ œ

descend - - -

œ œ œ# œ œ œ œ œ œ œ œ œ

& ## # 3œ œ œ 3œ œ# œ œ œ œ œ œ œ#d

ascend - - -

œ œ œ œ# œ œ œ œ œ œ œ# œ

& ## # ..œ œ# œ œ œ œ œ œ œ œ œ œ

descend - - -

œ# œ œ œ œ œ œ œ œ œ œ œ

TRIAD PAIRS 1

It is important to practice all the triads pair according to the following exercises or patterns,

(Armando Alonso)


They can be used later in the progressions and in the repertoire.

namely: a - b - c - d.

www.arman

doalo

nso.c

om.ar

& ### 3œ œn œ 3œ œ œ œn œ œ œ œ œa

Patterns

Am Bm

ascend - - -

œ œ œn œ œ œ œ œn œ œ œ œ

& ## # ..œ œ œ œ œn œ œ œ œ œn œ œdescend - - -

œ œ œ œ œ œn œ œ œ œ œn œ

& ## # 3œ œn œ 3œ œ œ œn œ œ œ œ œb

ascend - - -

œ œ œn œ œ œ œ œn œ œ œ œ

& ## # ..œ œ œ œ œn œ œ œ œ œn œ œdescend - - -

œ œ œ œ œ œn œ œ œ œ œn œ

& ## # 3œ œn œ 3œ œ œ œ œ œn œ œ œ

ascend - - -

c

œn œ œ œ œ œ œ œn œ œ œ œ

& # # # ..œ œ œ œ œn œ œ œ œ œ œ œn

descend - - -

œ œ œ œn œ œ œ œ œ œ œn œ

& ## # 3œ œn œ 3œ œ œ œ œ œn œ œ œd

ascend - - -

œn œ œ œ œ œ œ œn œ œ œ œ

& ## # ..œ œ œ œ œn œ œ œ œ œ œ œn

descend - - -

œ œ œ œn œ œ œ œ œ œ œn œ

TRIAD PAIRS 1(Armando Alonso)


www.arman

doalo

nso.c

om.ar

& ### 3œ œn œb 3œ œ œn œn œb œ œ œn œa

Patterns

A° B°

ascend - - -

œb œ œn œn œ œ œ œn œb œ œ œn

& ## # ..œn œ œ œb œn œ œ œ œn œn œ œbdescend - - -

œ œn œ œ œb œn œn œ œ œb œn œ

& ## # 3œ œn œb 3œn œ œ œn œb œ œ œn œb

ascend - - -

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& ## # ..œ œ œn œb œn œ œn œ œ œn œ œbdescend - - -

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& ## # 3œb œn œ 3œ œ œn œ œb œn œ œn œc

ascend - - -

œn œ œb œn œ œ œb œn œ œ œ œn

& ## # ..œn œ œ œ œn œb œ œ œn œb œ œn

descend - - -

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& ## # 3œb œn œ 3œn œ œ œ œb œn œ œn œd

ascend - - -

œn œ œb œ œ œn œb œn œ œn œ œ

& ## # ..œ œ œn œ œn œb œn œ œ œb œ œn

descend - - -

œ œn œ œn œb œ œ œ œn œ œn œb

TRIAD PAIRS 1(Armando Alonso)


www.arman

doalo

nso.c

om.ar

& wwwwCmaj7

Triad Pairs C / D

œœœ œœœ# œœœ œœœ# œœœ œœœ# C6/9/#11

Generating sound:

T 3 5 9 #11 6

C D

& wwwwCmaj7 3

œ œ œ3

œ œ# œ œ œ œ œ# œ œ œ œ œ œ œ œ#

& wwwwCmaj7

Triad Pairs Am / Bm

œœœ œœœ# œœœ œœœ# œœœ œœœ# C�6/9/#11

Am Bm

6 T 3 7 9 #11

& wwwwCmaj7

Triad Pairs Eb / F

3

œ œ œ3

œ œ œ# œ œ œ œ œ# œ œ œ œ œ# œ œ

& wwwwbbCm7

Triad Pairs Cm / Dm

œœœbb œœœ œœœbb œœœ œœœb œœœCm7/11/13

Generating sound:

Eb F

b3 5 b7 11 13 T

& wwwwbbCm7 3

œb œ œb3

œ œ œ œ œb œb œ œ œ œb œb œ œ œ œ

& wwwwbbCm7

œœœb œœœ œœœb œœœ œœœb œœœ Cm/9/11/13

Cm Dm

T b3 5 9 11 13

& wwwwbbCm7

3

œ œb œ3

œ œ œ œb œ œ œ œ œ œ œ œb œ œ œ

LESSON 1

Major Seventh Chord

Minor Seventh Chord

(Armando Alonso)


Backing track: 1 / 2

Backing track: 3 / 4

(in folder)

(clic to listen)

www.arman

doalo

nso.c

om.ar

MUSICIAN FRIEND

You’ve just downloaded the Free Version of this Ebook:

Triad Pairs 1 in Eb for all musicians by Armando Alonso

If you wish, you can purchase for a very low cost the complete version, which includes a greater number of exercises, assignments, backing, tracks, etc. with the objective of securing the addressed concepts.

As an independent publishing house, we will be so thankful with your purchase, because in this way you are helping us to create even more teaching material.

From Buenos Aires, Argentina, we send you the best wishes for your musical career.

Néstor Crespo Serie20&20 Director


Audio belongs to the author of the work done

by and in the studies of Prof. Federico Palmero

[email protected]

Cover Design: Edi Vallarino

www.edivallarino.com.ar

Made in Buenos Aires, Argentina June 2020

[email protected]/ www.armandoalonso.com.ar / www.serie20y20.com.ar

TRIAD PAIRS 1 - Key of Eb - Theory - Armando Alonso - FREE

Education

Transcript of TRIAD PAIRS 1 - Key of Eb - Theory - Armando Alonso - FREE