TRANSFORMATIONS

by

NICOLE MARIE PORTLEY

A THESIS

Presented to the School of Music and Dance

and the Graduate School at the University of Oregon in partial fulfillment of the requirements

for the degree of Master of Music

March 2015

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THESIS APPROVAL PAGE

Student: Nicole Marie Portley Title: Transformations This thesis has been accepted and approved in partial fulfillment of the requirements for the Master of Music degree in the School of Music and Dance by: Dr. Robert Kyr Chair Dr. David Crumb Member Associate Professor Lydia van Dreel Member and J. Andrew Berglund Dean of the Graduate School Original approval signatures are on file with the University of Oregon Graduate School. Degree awarded March 2015.

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© 2015 Nicole Marie Portley

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THESIS ABSTRACT Nicole Marie Portley Master of Music School of Music and Dance March 2015 Title: Transformations

“Transformations” is a three-movement work that is approximately 17'30" in

duration and is scored for full orchestra. The piece is a tone poem and employs extended

tonal pitch content. Each of the three movements is based upon a cell of planing intervals:

the cell of I. Molto Moderato consists of two parallel fifths played by the double basses;

the cell of II. Adagio is three intervals (a seventh, third, and fourth) sounded first by the

violins; and the cell of III. Allegretto is four intervals (a sixth followed by three fourths)

played by the bassoons, violas, and double basses. The planing motifs, which evoke both

medieval and contemporary popular styles, recur throughout the piece with varied pitch

content (including inversions) and in a variety of orchestrations (e.g. in

"transformations," as implied by the title).

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CURRICULUM VITAE NAME OF STUDENT: Nicole Marie Portley GRADUATE AND UNDERGRADUATE SCHOOLS ATTENDED:

University of Oregon, Eugene McGill University, Montreal, Canada

DEGREES AWARDED:

Master of Music, Composition, 2015, University of Oregon Bachelor of Science, Biology, 2003, McGill University

AREAS OF SPECIAL INTEREST:

Music Composition and Recording Piano Performance of New Works Piano Performance of Chamber and Orchestral Solo Repertoire French and Russian Language (Professional Fluency)

PROFESSIONAL EXPERIENCE:

Judge, Oregon Music Teacher's Association Composition Contest, Lane County, Oregon, 2014

Administrative Coordinator, Oregon Bach Festival Composers Symposium,

Eugene, Oregon, 2013

Participant, Jake Heggie, Stephen Hartke, Michael Fiday, and Libby Larsen master classes, 2013

Founding member, Ova Novi Ensemble, Eugene, Oregon, 2012–2014

Graduate Teaching Fellow in Composition, University of Oregon, Eugene, 2012–

2013

Composer Participant, Brian McWhorter trumpet studio, Pius Cheung percussion studio, and Estelí Gomez (vocal performance) residencies, 2012–2013

Music Composition, Selected Repertoire:

Living, a song cycle for soprano and string trio, text by Denise Levertov (10 songs, 36'00")

Voyage for string quartet (3 mvts, 15'00") The Trap for chamber orchestra (2 mvts, 10'30") Trio for piano, trumpet, and flugelhorn (2 mvts, 5'00") Two short pieces for percussion quintet (2 mvts, 5'00") Tango sketches for violin and piano (2 mvts, 6'00")

Recordings of New Music:

Living, an album of classical music featuring a song cycle for soprano and string trio, composer, 2015

Which Way is Jupiter, a contemporary popular music album, composer, 2014

DRRT, a contemporary popular music album, arranger, 2012 Stumptandas, an album of Argentine tango (orquesta tipica) music, pianist,

2011

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Performance on the Piano of New Works by University of Oregon Composers:

David Eisenband, Crystal Frost, David Horton, Noah Jenkins, Avery Pratt, Brandon Scott Rumsey, Christopher Stark, Ryan Truitt

Performance on the Piano of Chamber and Orchestral Solo Repertoire:

Beethoven Ghost trio Beethoven Triple Concerto Brahms Horn trio in Eb major Gershwin Rhapsody in Blue Hindemith flute, horn, and trombone sonatas Part Fratres and Spiegel im Spiegel with violin Saint-Saens clarinet sonata Schubert Fantasia in F minor for four hands Shostakovich viola sonata Vocal repertoire including Bernstein, Faure, Floyd, and Handel

GRANTS, AWARDS, AND HONORS:

Brandon Scott Rumsey Award for Composition, University of Oregon, 2014

Outstanding Student in Composition, University of Oregon, 2012

Fulbright Graduate Fellowship, Ichthyology, Institute for Biology of Inland Waters, Borok, Russia, 2003–2004

Boren Undergraduate Fellowship, Biology, Université Cheikh Anta Diop, Dakar,

Senegal, 2000–2001

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ACKNOWLEDGEMENTS

I would like to thank the composition faculty (Robert Kyr, David Crumb, Terry

McQuilkin) for taking me into their fold and giving me a place to learn and grow over the

past four years. Particular recognition is due to Dr. Kyr for the valuable mentorship and

advice that he provided, going beyond what would be expected of the average teacher-

student dynamic. I appreciate it greatly. I would like to also note other faculty and staff

that contributed to my experience while at the university: Lydia van Dreel, Laura Wayte,

Lance Miller, David Riley, and David Mason. This phase of my life was somewhat rigid

in its nature—it seemed necessary that it be so in order to successfully make the

transition into becoming an artist without losing balance elsewhere in life. I think (hope!)

that this rigidity, coupled with the solid mentorship of those listed above and others, has

allowed me to gain skills that will provide much freedom in years to come. In this

respect, I feel deeply blessed.

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TABLE OF CONTENTS Movement Page I. MOLTO MODERATO....................................................................................................1 II. ADAGIO.......................................................................................................................50 III. ALLEGRETTO............................................................................................................86

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INSTRUMENTATION LIST

WOODWINDS: 2 Flutes 2 A Clarinets 2 Oboes 2 Bassoons BRASS: 4 French horns 3 Trumpets 2 Trombones 1 Bass Trombone 1 Tuba STRINGS: 10 First Violins 10 Second Violins 10 Violas 8 Violoncellos 6 Double Basses PERCUSSION: 1 Harp 1 Timpani 2 Multi-Percussion (bass drum, brake drum, castanets, cymbals [hi hat, suspended

cymbal], glockenspiel, tam tam, tambourine, triangle, tubular bells, xylophone, wood block)

C Score

2 Flutes

2 Oboes

2 Bb Clarinets

2 Bassoons

12

F Horn

34

2 C Trumpets

C Trumpet

2 Trombones

Bass Trombone

Tuba

Timpani

Castanets

Wood Block

Harp

Violin 1

Violin 2

Viola

Violoncello

Contrabass

Without Rush q. = 60

Solo

p

tacet throughout

Without Rush q. = 60

p

p

prominent

'Transformations' for Orchestra I. Molto Moderato

Nicole Portley

3 32

2

2

div. Div.

1

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Ob. 12

Cl. 12

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Hn. 12

Hn. 34

C Tpt. 12

C Tpt. 3

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12

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Vln. II

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f mf

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45

mf

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13

Fl. 12

Ob. 12

Cl. 12

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Hn. 12

Hn. 34

C Tpt. 12

C Tpt. 3

Tbn. 12

B. Tbn.

Tba.

Timp.

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Vln. II

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ff sub.

51

mp mf sub.

ff sub. sub.

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To Hi Hat Hi Hat

Glockenspiel To W-B

14

Fl. 12

Ob. 12

Cl. 12

Bsn. 12

Hn. 12

Hn. 34

C Tpt. 12

C Tpt. 3

Tbn. 12

B. Tbn.

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Timp.

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55

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15

Fl. 12

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Hn. 34

C Tpt. 12

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59

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3

16

Fl. 1

Fl. 2

Ob. 12

Cl. 12

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Hn. 12

Hn. 34

C Tpt. 12

C Tpt. 3

Tbn. 12

B. Tbn.

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W.B.

Vln. I

Vln. II

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mf

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64

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Sus. Cym.

3

17

Fl. 1

Fl. 2

Ob. 12

Cl. 12

Bsn. 12

Hn. 12

Hn. 34

C Tpt. 12

C Tpt. 3

Tbn. 12

B. Tbn.

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W.B.

Vln. I

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68

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18

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72

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21

Fl. 12

Ob. 12

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C Tpt. 12

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Vln. II

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89

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23

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25

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26

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27

Fl. 1

Fl. 2

Ob. 1

Ob. 2

Cl. 1

Cl. 2

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To Tri.

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Div.

28

Fl. 1

Fl. 2

Ob. 1

Ob. 2

Cl. 1

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Bsn. 2

Hn. 12

Hn. 34

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Ob. 1

Ob. 2

Cl. 1

Cl. 2

Bsn. 1

Bsn. 2

Hn. 12

Hn. 34

C Tpt. 12

C Tpt. 3

Tbn. 12

B. Tbn.

Tba.

Timp.

Xyl.

Tri.

Vln. I

Vln. II

Vla.

Vc.

Cb.

f mp

124

f mp

f mp

mp

mp

mp

mp

fff

f ff

mf

mf

p cresc. mp mf

f mpffsub.

p cresc. mp mf

f

f

(4.)

3

3

3

3

3

3

3

3

3

3

3 3 33 3

( )

( )

Div.

( )

( )

30

Fl. 12

Ob. 12

Cl. 12

Bsn. 12

Hn. 12

Hn. 34

C Tpt. 12

C Tpt. 3

Tbn. 12

B. Tbn.

Tba.

Timp.

Xyl.

Tri.

Vln. I

Vln. II

Vla.

Vc.

Cb.

mp f ff

Tempo I q. = 60F128

mpmf

ff

mf

mf

mfsub. ff mp

sub.mf

ff mp

ff f molto dim.

ff f molto dim.

f

f ff

f ff

Tempo I q. = 60F

fff

ff

arco

ff

pizz.

f

1.

à 2

molto rit.

1.

3 3 3

3

3 3

3

3

3

( )

3

3

3

3

3

3

gliss.gliss.

molto rit.

Div.

3 3 3

pizz.

ff

31

Fl. 12

Ob. 12

Cl. 12

Bsn. 12

Hn. 12

Hn. 34

C Tpt. 12

C Tpt. 3

Tbn. 12

B. Tbn.

Tba.

Timp.

Xyl.

Tri.

Vln. I

Vln. II

Vla.

Vc.

Cb.

f ff f

130

f

ff mf

ff mf

p ff f molto dim. ff f molto dim.

p ff f molto dim. ff f molto dim.

mf mp f mf molto dim. mp

mf mf

ff

f

mf f

ff ff

(à 2) à 2

3

p

3

3

3

3

p3

3

( )3

To Br. D

gliss.gliss.

3

32

Fl. 1

Fl. 2

Ob. 12

Cl. 1

Cl. 2

Bsn. 12

Hn. 12

Hn. 34

C Tpt. 12

C Tpt. 3

Tbn. 12

B. Tbn.

Tba.

Timp.

Xyl.

Br.D.

Vln. I

Vln. II

Vla.

Vc.

Cb.

mf f

Stark, IntropsectiveG133

mp mf

fmp mf

mf

mf

p

mp

mf

Solo

pp mf

f

p pp

mf mp p pp

f mp

Stark, IntropsectiveG

mf mp

mf

f

mf p mf

(à 2)

3

2

p mf

mf 2

mf

1.

pp

pp

( )

3

33

Fl. 1

Fl. 2

Ob. 1

Ob. 2

Cl. 1

Cl. 2

Bsn. 1

Bsn. 2

Hn. 1

Hn. 2

Hn. 3

Hn. 4

C Tpt. 12

C Tpt. 3

Tbn. 12

B. Tbn.

Tba.

Timp.

Xyl.

Br.D.

Vln. I

Vln. II

Vla.

Vc.

Cb.

mf pp sub. f p

137

pp p

p pp

sub.pp

ff pp

sub.pp

mf

Solo

f

sub.pp

sub.ff

p

sub.pp sub.pp

p mf sub.pp

p mf sub.pp

ff

Solo

sub.pp mf

sub.pp

sub.p mf

sub.p

mf

3

3

mf ff

mp

mf

mf f

mp

mf mf

p mf

34

Fl. 1

Fl. 2

Ob. 1

Ob. 2

Cl. 1

Cl. 2

Bsn. 1

Bsn. 2

Hn. 1

Hn. 2

Hn. 3

Hn. 4

C Tpt. 12

C Tpt. 3

Tbn. 12

B. Tbn.

Tba.

Timp.

Xyl.

Br.D.

Vln. I

Vln. II

Vla.

Vc.

Cb.

mf ppsub.

140

mf sub.pp

mf

mf sub.pp

mf

mf sub.pp

mf

ff

mf mf

mf mp mf

mfsub.pp mf

mf sub.pp

mf sub.pp

ff

Solo

mfsub.pp mf

mf p mp

mp

mf sub.p

2

sub.pp

mf

mf

35

Fl. 1

Fl. 2

Ob. 1

Ob. 2

Cl. 1

Cl. 2

Bsn. 1

Bsn. 2

Hn. 1

Hn. 2

Hn. 3

Hn. 4

C Tpt. 12

C Tpt. 3

Tbn. 1

Tbn. 2

B. Tbn.

Tba.

Timp.

Xyl.

Br.D.

Vln. I

Vln. II

Vla.

Vc.

Cb.

f mp sub.ff

With More FullnessH144

mp

f

ff

mf

ff

f sub.ff

ff

f ff sub.

mf

ff ff

With More FullnessH

f

pizz.

ff f

ff

ff

arco

f

f

f mf

3 3 3

mp

mp

mp

mp

mpmp

mp

mp

mp

gliss.

mf

gliss.mp

mp

gliss.

3

gliss. gliss.

Unis

gliss.

div. gliss. gliss. div.

36

Fl. 1

Fl. 2

Ob. 1

Ob. 2

Cl. 1

Cl. 2

Bsn. 1

Bsn. 2

Hn. 12

Hn. 3

Hn. 4

C Tpt. 1

C Tpt. 2

C Tpt. 3

Tbn. 1

Tbn. 2

B. Tbn.

Tba.

Timp.

Xyl.

Br.D.

Vln. I

Vln. II

Vla.

Vc.

Cb.

146

f

mp

mp mf

ff

mf

ff

mp mf

mf mp

mf mp

mf

mf mp

f ff mf

f ff mf

ff mf

mf f mf f mf

mf

ff

mf

mf

f mp f

ff

3 3 3

mf mp

mf ff

3 3 3

mf

mf

3 3 3

mp

f

mf

3 3

3

mf

(2.)

ff

mp3

ffsub.

3

ff

ff

3 3

gliss.

gliss.

gliss.

Unis Unis

37

Fl. 12

Ob. 12

Cl. 12

Bsn. 12

Hn. 12

Hn. 34

C Tpt. 12

C Tpt. 3

Tbn. 12

B. Tbn.

Tba.

Timp.

Xyl.

Br.D.

Vln. I

Vln. II

Vla.

Vc.

Cb.

f pp

PurposefulI148

f

f pp

f pp

f

f

mf

Solo, dramatically

arco

p

PurposefulI

ff

pizz.

mf

arco

p

fp

2

2

2

2

(1.)

2

(1.) 2

(2.)

2

(4.)

2

3 2

2 22 2

2

38

Fl. 12

Ob. 12

Cl. 12

Bsn. 12

Hn. 12

Hn. 34

C Tpt. 12

C Tpt. 3

Tbn. 12

B. Tbn.

Tba.

Timp.

Xyl.

Br.D.

Vln. I

Vln. II

Vla.

Vc.

Cb.

150

mp

Solo, dramatically

mp

mf p

ff

3 2

2 22 2

39

Fl. 1

Fl. 2

Ob. 1

Ob. 2

Cl. 1

Cl. 2

Bsn. 12

Hn. 12

Hn. 34

C Tpt. 12

C Tpt. 3

Tbn. 12

B. Tbn.

Tba.

Timp.

Xyl.

Br.D.

Vln. I

Vln. II

Vla.

Vc.

Cb.

f ff f

151

mf mf

f f

mf mf

f f

mf mf

f

f

prominent

arco

ff

ff

3 2

3 3

3

2 2 2 2 2 2 2 2

40

Fl. 1

Fl. 2

Ob. 1

Ob. 2

Cl. 1

Cl. 2

Bsn. 12

Hn. 12

Hn. 34

C Tpt. 12

C Tpt. 3

Tbn. 12

B. Tbn.

Tba.

Timp.

Xyl.

Br.D.

Vln. I

Vln. II

Vla.

Vc.

Cb.

ff ff ff ff

153

mfsub.ff

ff ff

ff ff ff

mfff ff

ff f

mff

f

Solo

f f

mp

mp

mf

ff

ff

1.

mf

2 2

2 2 2 2 2

22 2

41

Fl. 1

Fl. 2

Ob. 1

Ob. 2

Cl. 1

Cl. 2

Bsn. 12

Hn. 12

Hn. 34

C Tpt. 12

C Tpt. 3

Tbn. 12

B. Tbn.

Tba.

Timp.

Xyl.

Br.D.

Vln. I

Vln. II

Vla.

Vc.

Cb.

ff

155

mf ff

ff

mf

ff ff

mf

f

f

mp

p

p

p

ff

ff ff

2 22

42

Fl. 1

Fl. 2

Ob. 1

Ob. 2

Cl. 1

Cl. 2

Bsn. 12

Hn. 12

Hn. 34

C Tpt. 12

C Tpt. 3

Tbn. 12

B. Tbn.

Tba.

Timp.

Xyl.

Br.D.

Vln. I

Vln. II

Vla.

Vc.

Cb.

ff ff mp f f

156

ff ff mp

ff mp

ff mp

f ff mp

mpsub.

fmp

mf

mf

f

f

mf

mf

mp

f

( )

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2

2 2 2 2

2 2

2

2

2 2 2 2

2 2 2 2

f

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1. 2 2

2

2

22

2

2 22 3

2 2 2

43

Fl. 1

Fl. 2

Ob. 1

Ob. 2

Cl. 1

Cl. 2

Bsn. 12

Hn. 12

Hn. 34

C Tpt. 12

C Tpt. 3

Tbn. 12

B. Tbn.

Tba.

Timp.

Xyl.

Br.D.

Vln. I

Vln. II

Vla.

Vc.

Cb.

p mf

CodaJ159

mf mp p mf

mf mp

mf

mf mp mf

mf mp pmf

mf mp

f mp

f

f

prominentCodaJ

prominent

f

2

mp

f

2 2 2

44

Fl. 1

Fl. 2

Ob. 1

Ob. 2

Cl. 1

Cl. 2

Bsn. 12

Bsn. 2

Hn. 12

Hn. 34

C Tpt. 12

C Tpt. 3

Tbn. 12

B. Tbn.

Tba.

Timp.

Xyl.

Br.D.

Vln. I

Vln. II

Vla.

Vc.

Cb.

mf mp mf mf

162

mp mf mp mf mff

mp mf mf

mp mf f

mf mf mf

mp mf mp mf

f mf

mf f

p

p

mf mf

mf mf

f

accel.

mf

mp

mf f

f

accel.

div.

45

Fl. 1

Fl. 2

Ob. 1

Ob. 2

Cl. 1

Cl. 2

Bsn. 1

Bsn. 2

Hn. 12

Hn. 34

C Tpt. 12

C Tpt. 3

Tbn. 12

B. Tbn.

Tba.

Timp.

Xyl.

Br.D.

Vln. I

Vln. II

Vla.

Vc.

Cb.

f mp mf mf f

165

mf fmf f f

fmf f mf f

mf mf f

f mf fmf f

mf mf

fmf f

f

mf

mf

ff

f

f f f

div.

div.

46

Fl. 1

Fl. 2

Ob. 1

Ob. 2

Cl. 1

Cl. 2

Bsn. 1

Bsn. 2

Hn. 12

Hn. 34

C Tpt. 12

C Tpt. 3

Tbn. 12

B. Tbn.

Tba.

Timp.

Xyl.

Br.D.

Vln. I

Vln. II

Vla.

Vc.

Cb.

f mf f

168

mf f mf f mf

mf

f mf

mf f mf

mf mf

mf

f mf

mf f

f

f

f

div.

div.

47

Fl. 1

Fl. 2

Ob. 1

Ob. 2

Cl. 1

Cl. 2

Bsn. 1

Bsn. 2

Hn. 12

Hn. 34

C Tpt. 12

C Tpt. 3

Tbn. 12

B. Tbn.

Tba.

Timp.

Xyl.

Br.D.

Vln. I

Vln. II

Vla.

Vc.

Cb.

mf

q. = 90171

f

sub.ff

f

ff

ff f

q. = 90

ff

div.

div.

48

Fl. 1

Fl. 2

Ob. 1

Ob. 2

Cl. 1

Cl. 2

Bsn. 1

Bsn. 2

Hn. 12

Hn. 34

C Tpt. 12

C Tpt. 3

Tbn. 12

B. Tbn.

Tba.

Timp.

Xyl.

Br.D.

Vln. I

Vln. II

Vla.

Vc.

Cb.

ff

molto rit. q. = 50174

ff

ff

ff

ff

ff

ff

ff

ff

molto rit. q. = 50

ff

ff

ff

ff

ff

ff

div.

div.

Div.

49

2 Flutes

2 Oboes

Bb Clarinet 1

Bb Clarinet 2

2 Bassoons

12

F Horn

34

2 C Trumpets

C Trumpet

2 Trombones

Bass Trombone

Tuba

Castanets

Wood Block

Harp

Violin 1

Violin 2

Viola

Violoncello

Contrabass

mf

With a Steady Pulse q = 651

f p

mf mp

mfmp

f p

p

p

With a Steady Pulse q = 65

p mf

mp

pizz.

mp

à 2II. Adagio

1.

1.

Castanets

Wood Block

Div. Unis 3

Div. Unis

Unis

50

Fl. 12

Ob. 12

Cl. 12

Bsn. 12

Hn. 12

Hn. 34

Hn. 4

C Tpt. 12

C Tpt. 3

Tbn. 12

B. Tbn.

Tba.

Cast.

W.B.

Hp.

Vln. I

Vln. II

Vla.

Vc.

Cb.

mp mp

5

mp mp

mp mp

mp

mp

mf

p

mp

prominent

p

p

mp

prominent

mf

1. 1.

2. 2.

mf

2.

3

C#

Div.

Unis

51

Fl. 1

Fl. 2

Ob. 1

Ob. 2

Cl. 1

Cl. 2

Bsn. 1

Bsn. 2

Hn. 12

Hn. 34

C Tpt. 12

C Tpt. 3

Tbn. 12

B. Tbn.

Tba.

Cast.

W.B.

Hp.

Vln. I

Vln. II

Vla.

Vc.

Cb.

mp mf p

PeacefulK9

mp f mf p

p mf p

p mf p

p mf p

p

mf

mp mf p

p

mf

p mf

f

prominentPeacefulK

pp

pizz.

mf

pizz.

pp ppizz.

pp mp

pizz.

p

mf f

p

To B. D.3 3

Div.

Unis

52

Fl. 1

Fl. 2

Ob. 1

Ob. 2

Cl. 1

Cl. 2

Bsn. 1

Bsn. 2

Hn. 12

Hn. 34

C Tpt. 12

C Tpt. 3

Tbn. 12

B. Tbn.

Tba.

B. D.

W.B.

Hp.

Vln. I

Vln. II

Vla.

Vc.

Cb.

13

mf p

mf p

mf p

mf p

f

pprominent

f

mp p

p mp

mp p

G

arco

div.

53

Fl. 1

Fl. 2

Ob. 1

Ob. 2

Cl. 1

Cl. 2

Bsn. 1

Bsn. 2

Hn. 12

Hn. 34

C Tpt. 12

C Tpt. 3

Tbn. 12

B. Tbn.

Tba.

B. D.

W.B.

Hp.

Vln. I

Vln. II

Vla.

Vc.

Cb.

17

f mpsub.

prominent

f

f

prominent

sub.mp fprominent

mp f

f mpsub.

prominent

f

mf

p

mpsub. p

mp p

p

mp f

p

5

5

5

1.

div.

54

Fl. 1

Fl. 2

Ob. 12

Cl. 1

Cl. 2

Bsn. 1

Bsn. 2

Hn. 12

Hn. 34

C Tpt. 12

C Tpt. 3

Tbn. 12

B. Tbn.

Tba.

B. D.

W.B.

Hp.

Vln. I

Vln. II

Vla.

Vc.

Cb.

f

Solo

mf mf

20

mf

f mf

mf

f mf

fsub.mp

mf

mp

prominent

f

3 6

mf

3

3

mf

mf

3 3

1.

3.

55

Fl. 1

Fl. 2

Ob. 1

Ob. 2

Cl. 1

Cl. 2

Bsn. 1

Bsn. 2

Hn. 12

Hn. 34

C Tpt. 12

C Tpt. 3

Tbn. 12

B. Tbn.

Tba.

B. D.

W.B.

Hp.

Vln. I

Vln. II

Vla.

Vc.

Cb.

mf mp

23

mf mp

mp

mf mp

mf mp

mfmp

mp

mf mp

pizz.

f

arco

sub.mp

mf

prominent

f fpizz.

f

arco

f sub.mp

f

arco

f

f

pizz.

mf

arco

3 3

56

Fl. 12

Ob. 12

Cl. 12

Bsn. 12

Hn. 12

Hn. 34

C Tpt. 12

C Tpt. 3

Tbn. 12

B. Tbn.

Tba.

B. D.

W.B.

Hp.

Vln. I

Vln. II

Vla.

Vc.

Cb.

With Ceremonial PompL28

mf mpmf

mf mp mf

mf mp mf

mf mp mf

mf mp mf

mp

mf pp

With Ceremonial PompL

mp

pizz.

mp

pizz.

mf

57

Fl. 12

Ob. 12

Cl. 12

Bsn. 12

Hn. 12

Hn. 34

C Tpt. 12

C Tpt. 2

C Tpt. 3

Tbn. 12

B. Tbn.

Tba.

B. D.

W.B.

Hp.

Vln. I

Vln. II

Vla.

Vc.

Cb.

31

mp f sub.mp

mp f sub.mp

mp ff

f mf f mf

f mf

mpmpsub.

mpmpsub.

mp

mparco

mff ff

arco

f ff

f sub.mp

1.

f

f

To Glock.

58

Fl. 12

Ob. 12

Cl. 12

Bsn. 12

Hn. 12

Hn. 34

C Tpt. 1

C Tpt. 2

C Tpt. 3

Tbn. 12

B. Tbn.

Tba.

B. D.

Glock.

Hp.

Vln. I

Vln. II

Vla.

Vc.

Cb.

34

f mf

mf mp

mf

f mp

f mf

f mf

mf

f

f

arco

mf

arco

ff

f

ff

3

Bass Drum

ff

59

Fl. 1

Fl. 2

Ob. 1

Ob. 2

Cl. 12

Bsn. 1

Bsn. 2

Hn. 12

Hn. 34

C Tpt. 12

C Tpt. 3

Tbn. 12

B. Tbn.

Tba.

B. D.

Glock.

Hp.

Vln. I

Vln. II

Vla.

Vc.

Cb.

f

38

mf mf

mf mf

mf mf

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f

mf

mf

mf

mf

mfmf

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mf mf

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3.

1.

Glockenspiel To T.-t.

3 3

60

Fl. 1

Fl. 2

Ob. 1

Ob. 2

Cl. 1

Cl. 2

Bsn. 1

Bsn. 2

Hn. 12

Hn. 34

C Tpt. 1

C Tpt. 2

C Tpt. 3

Tbn. 12

B. Tbn.

Tba.

B. D.

T.-t.

Hp.

Vln. I

Vln. II

Vla.

Vc.

Cb.

f mp

Triumphantly

41

f mp

mp

f mp

f mf

f mf

f mf

mf f mp mf mp

mf f mp mf mp

mf f mp mf

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mp mf

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pizz.

f

mf

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f

f mf

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f

mf f

f

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Div.

61

Fl. 1

Fl. 2

Ob. 12

Cl. 1

Cl. 2

Bsn. 1

Bsn. 2

Hn. 12

Hn. 34

C Tpt. 12

C Tpt. 3

Tbn. 12

B. Tbn.

Tba.

B. D.

T.-t.

Hp.

Vln. I

Vln. II

Vla.

Vc.

Cb.

f

prominent44

f

prominent

mf

mf

f

f

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f

prominent

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f

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f

f

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1.

f

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To Xyl.

D# D

3 3

Unis Div.

62

Fl. 1

Fl. 2

Ob. 12

Cl. 1

Cl. 2

Bsn. 1

Bsn. 2

Hn. 12

Hn. 34

C Tpt. 12

C Tpt. 3

Tbn. 12

B. Tbn.

Tba.

Xyl.

T.-t.

Hp.