[TRÄGHEIT-STUDIEjosemariaciria.com/wp-content/uploads/2018/02/Nachklang...! !!!! !!pizzicato...
Transcript of [TRÄGHEIT-STUDIEjosemariaciria.com/wp-content/uploads/2018/02/Nachklang...! !!!! !!pizzicato...
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Piece written on ocassion of the III International Young Composers Academy of
Moscow Contemporary Ensemble
GENERAL
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VIOLIN AND CELLO
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! !!! ! normal and harmonic left-hand pressure !
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! !!!!!!!! !! tonlos pressure (on blocked open strings)!!
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! ! normal and high (noise) bow harmonic!
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! ! fermatas: short, long, very long
tie
tremolos always as fast as possible
glissandi always the value of the note
as fast as possible
quarter tone down
quarter tone up
dynamics in quotes refer to physical effort,
not to sound result
The metronome markings are
approximate. Tempo may
vary depending on the spread
of the resonante in the hall
The bar 88 is a four repetitions
process. Each one more
deformed than the previous one
as indicated.
[x4]
PERFORMANCE NOTES
! !!!! ! ! pizzicato Bartók!!
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! [s.p.] sul ponticello
[vibrat.] vibratissimo (quickly and open vibrato)
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bisbigliando between the two indicated strings as fast as possible
the lines indicate the duration of the gesture (each line is one pulse)
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PIANO
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Attention! the third stave contains an indication “alla octava bassa”, which remains throughout the
piece
these three pitches must be
blocked with a piece of rubber
trying to remove all possible
determinate sounds of them
adjust gradually the indicated resulting
harmonic to create a process from tonlos to
sound
the diamond-shaped notes must be
pressed without any resulting sound to
vibrate as sympathy resonators
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Copyright © 2013 José María Ciria Sobella
Violino
Violoncelo
Piano
[IVc]"f" p" "f" p" mp "p"
q = ca56
[IIc]"f" p"
"f" p" mp
P tonale
Vln.
Vc.
Pno.
!"f" sf" f ! !
4
!"f" sf" "p"
"p"
"mf"
"" #"
"" #"
"" #" ""
"" #" ""
$[tonlos]
(3")
#
5 5 6 5
Nachklang 1
[Trägheit-Studie]José María Ciria
(2013)
% [tonlos](3")
#
5 56
$ &(3")
& &
% &$ & &
%%
& &
$
[q q q ]
!33
% ! [ord.]5 3
$ & & & &
% &' & &
%%
& & &3
&&'(
&&(
)$ &&'(
&&( (
((((
((((((()*)+ (
)* (
(((((
&&'(
&&( )$
&&'( (
((((((((( (
()*)+ (
)*(
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- . )' &&'(
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. . &&(
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((((( (
)' )&&((0 &&
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12 - . ) 3
. -12. 3
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Vln.
Vc.
Pno.
"f"
[poco s.p.]
p sub. !
8
"fp" ! !
mf
"f" p
Vln.
Vc.
Pno.
[III-IVc]
[poco s.p.]
pp
[···]
mf pp
[···]
sfp
11
[II-IIIc]
[poco s.p.]
ppf pp sf
"p" "mf" "mp" "pp"
"ff""sf" "p" ("mf") "sf"
"" #" ""
"" #" ""
"" #" $" #" ""
"" #" $" #" ""
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'3
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' & (#$3
6
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3
)
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)*2 / . - 2
)*/
)*2 / .
Nachklang 1
2
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Vln.
Vc.
Pno.
"mf" ! "mf" !
15
"mf" ! "mf"
[poco s.p.]
pp
"pp"
"p"
mf
Vln.
Vc.
Pno.
[pizz.]
"f"
[arco]
sf!
18
mp pp sf"f"
"f" p
"
"mf"
"p""f"
## $# %#
## $# %#
%# ## &' ##
%# ## &' ##
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* [tonlos] 3 33
( ) )
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) )3
( )$
3
%
*
%
(q) (q)
%
!
( )+, +
*3
*#
)3 3
+- +- +-
&&'.
&&(/ 0 01 2 &&
(.&&(
&&(
&&
(
2
&&'.
&&( 2 01 2
&&(.
&&(
&&(
&&(3 + ++ +
0 4+,2 0
+,5 4 2 0 6
+-4 2 0 0 2
+-42
2(7
4 2 + 8 +.4 2 0 2
+ +++.+ + ++ + ++
.4 2 0 4
(
97 (
:
74 0 2
0
0 4 4 2 +5 0 6 +- 2 2 0
2+-4 2 0 2
+-4 2 2
Nachklang 1
3
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Vln.
Vc.
Pno.
[pizz.]
[arco]
f!
21
[poco s.p.]
mp
(Accenti arco)
f !
f
pmp
"mp"
""p"
"f"
"
Vln.
Vc.
Pno.
[poco s.p.]
f p sf
24
sf!
[poco s.p.]
pp
"f"mp
ff
"f""f" "sf" "f"
## $# %#
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%# $#
& '#
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( 3
%
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gliss.
6
5
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)/ )2
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1)-+)) )+
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)/ )2
) ) )) ) )) / 7
1 )+ ) )2 )2+ 1 . . 7 )53
7 1 /)*1 7 7 7 )5 8 7
))-,/ 1 7 7
1)-
/ 7)-/ 1
)-/
Nachklang 1
4
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Vln.
Vc.
Pno.
fp
27
f fp sf fp
"f""mp"
mf "sf"
"f" "f"
"mf"
"sf" "f"
Vln.
Vc.
Pno.
ff
[s.p.]
[···]
! p ff
[vibrat.]
fff
rall.
30
ff
[s.p.]
[···] ! f ff fff
rall.
"ff" f
" "f" "ff" "ff"
"fff
#$ %$ #$ $$
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& ' ' #
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($
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01 )) ) ' /) '
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Nachklang 1
5
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Vln.
Vc.
Pno.
"p"
[poco s.p.]
[II-IIIc]
[s.p.quasi tonlos]
pp
[···]
A tempo q = ca56
q = ca66
A tempo q = ca56
34
[pizz.]
"sffz"
[arco, poco s.p.]
p sffz
[sechissimo]
[sim.]
"ff"
"sffz"
mf
sffz
Vln.
Vc.
Pno.
"mf" p "p"
37
[pizz.]
"mf"
[preparare arpa]
"p" "pp"
(...P tonale)
!! "!
!! "!
!!
!!
#
[q q q q ] [q q q q ]
#gliss.
$%3
$& 3
[ord.]3
'
!
3
# % %&' &
$ % 3
$(
%3
&()
#
[ord.]!
'
[q q q q]
. . . . . . . . . . . . . . . . . . . . . . . . .
(getatto)
gliss. [tonlos]
3
$ % % 3
# % %3 3 3
$ % % %
$(
% % %
* & && & & & && & & &' & + &,
' &&,
&
*)(-* + &.& &' && & &/& && & - *&/ - * 0
0 +
* &(-* + + && &) &) &) & - * 0
*&&&&(1-* + 0
&&&&(10
&,
&&,
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**))/)))
0 * 2 * +
*&3- * *
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&3-*
Nachklang 1
6
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Vln.
Vc.
Pno.
!pp
[···]40
[IIIc]
f
[arco s.p.vibrat.]
[IVc] !
"pp" "pp pos." [pizz. arpa]
P (alla fine della risonanza)
Vln.
Vc.
Pno.
"mf" p
[pizz.]
"mf"
43
[s.p.] [poco s.p.]
mf !
[pizz.]
"f" pp
[arco s.p.vibrat.]
"mp"
"p" "f" "mf"
"#
"#
"# ##
"# ##
$ gliss.
#$(come una risonanza)
% (armonici) acuti
33
$ & &3
% & &
%%
& & &
$
!
&
[q q q q ]
. . . . . . . . . . . . . . . . . . . . . . . . .
(getatto)
gliss.'
'
3
3
%&
((*)
gliss. (M)
3 3
$ &3 3 3
% & & 3
%%
& & &
(*) Aggiustare per il multifonico
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))))))
)))) '* (!) ( * ( (
!) ((
!(
+ , ,' ' +, ' - ' () . - . . (/ *
- +(0 (0
+ '(0 (0
'
' ((1) . -
(!
((!
( (( '* ')2+' . +
)2'
* ( 3 3 3 + ' ' , ' . . (/ (
'(0+ ' '
(0 (0' +
(0 (0+ '
(0+' - +
(0' .
. ' (2 +' . + * (2 '
Nachklang 1
7
!
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!"
!"
Vln.
Vc.
Pno.
"f"
arco[poco s.p.]
p
q = ca56
46
mp
[s.p.]
pp
[poco s.p.]
"f"
[pizz. arpa]
p
!P [0]
[1] P tonale
Vln.
Vc.
Pno.
"mf" "
[poco s.p.]
f p
[III-IVc]
[s.p.]
mp pp
49
f
. . . .
p
[II-IIIc]
[s.p.]
mp pp
"mp" "pp"
"mf" "f"pp
"sf"
#$ %$
#$ %$
%$ #$ %$ $$ %$
%$ #$ %$ $$ %$
&# # # # (8")
gliss.3 3
'(rall. tremolo)
$(8")
%gliss. (M)
& ( ( (
' (8")3 3
'&
(
&'
( gliss.
''
getatto
gliss. ( gliss.
& ( ( (3
' ( &
'&
((loco)
()
( (3
*
)
*
++,-+ . +
+, +,.
+
- + . /$ )0 )) ) )
1 ,,2 - ,) 3 -
+ ), -+ . + -), ), -. ) - + . /$ )))4 /
),. /
333
) )) ))5) + )) ) ))) + 354 )
) )) ) /
3 34 ) 3 )) )4 ) 3)54 ))5 30 /
)6- + +
)6-+ /
+-- ),), - ), - 20 ) - )), + )7 ) /
. + ),),+ - ), ),- ),
Nachklang 1
8
!
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!"
!"
!
"
!"
!"
Vln.
Vc.
Pno.
pp
[s.p., vibrat.]
p pp[III-IVc]
"p"
[poco s.p.]
mf
53
p pp "p"
[IVc]
[s.p. vibrat.]
!
"p" "pp"
"p" "f"
"pp"
"pp"
Vln.
Vc.
Pno.
"mp pos."
[pizz.]
mf
arco[poco s.p.]
p
56
mp
[s.p.]
pp
[poco s.p.]
[pizz. arpa]
p
""mf"
P tonale
(...P tonale)
#$ $$ %$
#$ $$ %$
$$ %$ #$
$$ %$ #$
&[tonlos]
gliss.5
' [tonlos] 6 3
& ( ()* )*
& (3
'#
( 3
)+ )+
& $
% % % (&(8")
gliss.3 3
'(rall. tremolo)
&(8")
'gliss. (M)
& ( ( (
& ( (&(8")
'
'#
(3 3 3
), ) - . ((((
(( )/ ( )/ (
- . ), )) ) )
/, ) / - . ((((
((( )/ ( )/
0 0 ))), 1 )))
)*.
)*0
. 0 2 . . 2
.* .)+- . .*
)+0 0
)+- .
) - . .(+- .) - . .
(+ (+), )) ) )
))3 * ))3 * )) / *
)))4 2
.)+-. .
)+-. . -
)+ )+-
///
Nachklang 1
9
!
"
!"
!"
!
"
!"
!"
Vln.
Vc.
Pno.
"mf" !
[poco s.p.]
f p
[III-IVc]
[s.p.]
mp pp
59
f
. . . .
p
[II-IIIc]
[s.p.]
mp pp
"mp" "pp"
"mf" "f"pp
"sf"
Vln.
Vc.
Pno.
pp
[s.p., vibrat.]
p pp
[III-IVc]
"p" pp sf mf sub. pp mf
63
p pp "p" pp sf
mp
"p" "pp" "p" "f"
"pp" "p" "pp"
"pp"
"# $# "# ## "#
"# $# "# ## "#
"# ## $# ##
"# ## $# ##
%#
& gliss.
'#
getatto
gliss. & gliss.
% & & &3
' & %
'$
&(loco)
%&
& &3
'
(
)
% (
[tonlos] [ord.]
#
gliss. ))3
' [tonlos] 3
#3
% & & &(* (*
% & '3(+
'$
& 3 3 3 3
(, (,
( (( ((-( . (( ( ((( . /-0 (
( (( ( 1
/ /0 (/(( (0 ( /(-0 ((- /+ 1
(*2 . .
(*2. 1
.** (, (, 2 (, 2 3+ ( * ((, . (4 ( * (5 (5 1
6 . (,(,. 2 (,(,2 (,
( ( 2 . ++++
+ (+ * ( (-( (( ( ( ( 2 .( 2 . . (- (
/+ ( / 2 . ++++
(4 ( ( (-. 6 1 (
7+
(* (*6
. 6 1 . . 1
.* .(,2. .*
(, (,2(,2 6
(,2 . .
(,2. .
(,2. . 2
(, (,2
Nachklang 1
10
!
"
!"
!"
!
"
!"
!"
Vln.
Vc.
Pno.
sff fff
67
sf
[s.p. vibrat.]
fff
mf "f"
"ff" ("ff") "ff"
! #
"ff"
#
"fsub" "fff"
#
Vln.
Vc.
Pno.
[senza vib.] [vibrat.] [poco s.p.]
sfffz ff sub. fff ff
70
[senza vib.] [vibrat.][poco s.p.]
[IIIIVc]
fff. . . .
"sffz" P tonale fff
!
""
""
#"
#"
$$
!
3
gliss.
%$
!
$ & &
% 3 33
%% ' '(
$&
!
'gliss. gliss.gliss.
3
% getatto
gliss.
$ & & ')
% &7
' '* ' '* '
%%
&
3
7
')+ ') , , '- ') ' , ' ')
.) , ,) .
'/0 + 1 2
2 0 '( + + '( 0+ 0 ' '3 '' '3 '( 0 + 1 + '(0+ + '''(3 '( 1 2
'(0 + 1 0
'( '(+
'( '(1
'(((' ((,
. ,) ) '4)* ' ) ' '* 5* '
, ) ') , ) 5* '6 5 ' ' '* '
' 0 + 1 2 '('* ' '* '' '*
'(1
5555*6 '(+
' ' '* ' 1
Nachklang 1
11
!
"
!"
!"
!
"
!"
!"
Vln.
Vc.
Pno.
fff f
73
f
pff
Vln.
Vc.
Pno.
fff ff sub. fff f
76
fff f
[pizz.]
ff "ff"f ff f
mf "sffz "ff"
fff
!!
!!
!! "! !!
!! "! !!
#
[q q q ]
gliss. gliss.
$ getattogliss. % %
# % %7 7
$ % % %
$#
% % %
#!
$gliss.gliss.
3
$ gliss.getatto
gliss.% [tonlos] % % % % % %
%3 3 3 3 3
#3 3 3 3
& &' &' & &' & & &' &&( &(
$ %7 7
76
$#
3 3 3 3
& & &) &) &) &)
&&'&' & &' &*
+,' & +- - - - - - + . /
&' &' & & &' & & &' &'&'&/& 0
&-,' & & & +' &&' &&' &
&' &*+-' - - - - +- 0 / &' / 0 / ') / / ') / '* / ' ' ' '
&(. / /
&(./ /
&(. /
&(./ /
&(./
&(, &(/
&& &' & &' & &' & &* &' 0 0
0 0&)
. / /&)./ /
&). /
&)./ /
&) &)/
&), &)/
&),
Nachklang 1
12
!
"
!"
!"
!
"
!"
!"
Vln.
Vc.
Pno.
fff f sf p
[I-IIc]
s.p.[quasi tonlos]
pp
[···]
q = ca66
79
fff
. . . .
f sffz "pp" "mp"
fff ff fff ff
!(...P tonale)
Vln.
Vc.
Pno.
mf
[···]
pp
82
[IVc]
mf pp "pp"
"p "pp"
mp
"" #" ""
"" #" ""
"" $" "" #"
"" $" "" #"
% gliss.
#$%
[ord.]
& (get.)
&
! [tonlos]3
% '
7
(
& '% '
7
( () ( () (
&'
'3 7
%&
!
& gliss. '[tonlos]
3
% ' '3 3
& ' ' '
&'
' '
(*+), (
() ( -(+) ( - .
(/0 ((
/(
,) (0 ,( ( () 1 ((+)0 ((+
- . 2% -(()
(()
(() * 3
2 . () () (( () (((40
3 - . 2
. () ( () (( () .
(5-
( ( () ( 2(50
3 - . 2
(/+0 ((/
(
3 ,* * * * * 3 - 2 .(()6 ((
)((+
-(4 (4
- 3(4 (4
3 -(43- .
(503 - . 2
Nachklang 1
13
!
"
!"
!"
!
"
!"
!"
Vln.
Vc.
Pno.
mf !
q = ca56
85
"f" "p" "fp"
"p" "pp"[arpa]
##
##
##
##
##
##
##
##
##
##
Vln.
Vc.
Pno.
s.p.[tonlos]
"mp" "pp"
[x4]
[poco s.p.]
mp !
[poco s.p.]88
s.p. getatto [tonlos]
"mp" "pp"
[x4]
[poco s.p.]
"mp" p
[tonlos]
[x4]
"p"
""p"
"P tonale
#$ $$
#$ $$
$$ #$ %$
$$ #$ %$
&$
!
. . . . . . . . . . . . . . . . . . . . . . . . .gliss.
'
( (getatto)
. . . . . . .%
& ' '3
( ' '% '
(&
' ' '
& ' '
1 - 2 - 3 - 4
' ' (gliss.
(1 - 2 - 3 - 4 [ord.]
[tonlos]%
& '1 - 2 - 3 - 4
' '
( [*] % ) % '[ord.]
(&
[*] Con le dita sulla arpa. L'armonico appare gradualmente.
)!*+ ))!
) )) ,# -%
**
++,
++,*#
++, #
)./ ,
). )., ,
). ).,
* ** * 0% ) )) ) ) ) 0% 0 )+ )) )
*1 *1*1 *1++*% ) )) )
* 0 - )0 -
2 0 - 2 0 - 22222+3
Nachklang 1
14
!
"
!"
!"
!
"
!"
!"
Vln.
Vc.
Pno.
p sf
94
mp pp sf
[pizz.]
"sf"
"mp"
"p" "sf" "fp" "f"
Vln.
Vc.
Pno.
[s.p.]
f !
[s.p. estremo] [pizz.]
"f"
[arco]
! sf
97
[arco]
f mf
sf f sf!
mf
mp
"f" f
"sf"
"
#$ $$ %$ $$
#$ $$ %$ $$
$$ %$
$$ %$
&q q
#
'
#
q q
#
$
& ( (3
)*
' (3
'%
(3 3
)+
&$
&
#
3
'
#
q q
#
!
33
& ( ( (
' ( ,
'%
3 3 3
)-
) ) )) ) ) ) ).) / ) 0 1 2
) )))3) ) )) ) ))
30 1 4
'+0 1 2
4 1 0)51
1 )+ 4 2 )+ 0 1 2
1)+0 1 4
)+1
)+ )+1 1
)+0
1 )* )) ) 2 4 1'+0 1 ))- )) )) 0 1 4 2
1 )* )) ) ) )) ))3)) )) )
)))30 1 4 ), . /
4 1 ) 0 4 0 ) ) )- )- )- ))+0 1 4 2
1)+01 4 1
)+01 0
)+1 1
)+ )+1
)4
)+0 1 4 2
Nachklang 1
15
!
"
!"
!"
!
"
!"
!"
Vln.
Vc.
Pno.
sf p
[pizz.]
"f"
100
sf p
[poco s.p.]
mp sf sub. sf p
"sf
mp
"f"
"mf"
"p"
"mf" "f"
"f
Vln.
Vc.
Pno.
"f
[arco]
! sf
[poco s.p.]
f
[s.p.]
p
103
f p
"f
"f"
"# ## "#
"# ## "#
$# ##
$# ##
% gliss. & ' # '3
( gliss.
' '3
% & &
( & & '
($
(loco)
%&
3
'
)
*
%#
(3
)
gliss.
3
( gliss. *gliss.3
% & &+),
+
( & '
3
($
& &)-
./0 ). + 1 1
+-+ 1 2
./0 ). + 1 3 )
/))
/) ) )/ ) 1 )
/4 )) )
),+ 1 2
54 3
3 1 )- )- 1 )-+ 1 1,
)-3 +
)-1 3' 1
)-+ 2
2 1)-
+ 1 )6
) ) )/71 1 )
/4 )) ) 1'
) )/8 ) )/ , ./0 ). + 1'
2
2 )))-0 )- + 1 3
)-3
Nachklang 1
16
!
"
!
"
!
"
!
"
!
"
!
"
Vln.
Vc.
Pno.
[s.p.]
mp
[ord.]
f mf sffz
A tempo q = ca56
rit.
A tempo q = ca56
106
[s.p.]
mp f
[ord.]
mf sffz "pp sub."
[tonlos]
[IIc]
rit.
mp
sffz
Vln.
Vc.
Pno.
[s.p.]
mf pp
[s.p.]
mf pp
109
[II-IIIc]
[s.p.]
mf
[tonlos]
"pp"
[s.p.]
mf "pp"
[tonlos]
mpmp
!! "!
!! "!
"! !! "!
"! !! "!
#!
$!
# % %&' &
$ # $
$%
% &()
# %*q * q *
$ *
# % % %
$ %* * *
$%
% % %&(
& && & & + ,&- + , . /
& && & & &&-&-
&&'
&&'
&&(
/ .
&0 + , . / / . && &) &) &) & + , . /
/ .&&&&(1
. /
&' & && & & . / &' & && & & /
&&(*) &-
*2*
'& 2 & 2
&&'
&&'* &&'
'&-
*2*
'& 2 & 2 &&
((
&&0 + , . / &&0 , /
Nachklang 1
17
!
"
!
"
!
"
!
"
!
"
!
"
Vln.
Vc.
Pno.
[s.p.]
sf pp
[tonlos]
!
112
[s.p.]
sf "p"
[tonlos]
f
"f"
Vln.
Vc.
Pno.
"f" "fp"
[finale subito] senza rit.
115
"f" "fp"
[finale subito] senza rit.
[finale subito] senza rit.
"p"
(...P tonale)
" #q
$
" # #
$ # # #
$#
# #
"$
gliss.
$ $gliss.
" # # #
$ # #$
#
[Ben
asq
ue,
julio
/ag
osto
20
13
]
$#
# #
%& % %% % % ' ( %%&&
%%&& '' %
%)
(*(
&% * % * %%
&&
%%&& ''
%+, - '
%+, - '
%%&& ''
%%&& ''
))) )+.
, - (
%%&& ''
%%&& ''
))) )+ , - (
%+, - '
Nachklang 1
18