TLS KabShab Guitar Chords (1)
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Transcript of TLS KabShab Guitar Chords (1)
Tikkun Leil Shabbat
Guitar chords for Kabbalat Shabbat
*all page numbers correspond to the purple book (Siddur Haverim Kol Yisrael)**all capo indications are simply recommendations***all chords courtesy Kol Zimrah, NFTY Chordster, and Rob Levy
1A. YEDID NEFESH (“traditional”) – pg 3[capo 4] Am C Dm Am E AmYedid nefesh av harachaman, meshoch avdach el retzonachA7 Dm G C G CYarutz avdach kemo ayal, yishtachaveh el mul hadarachAm Dm E F Am Dm Am E AmKi ye’erav lo yedidutach, minofet tzu---f vechol ta’am
ya da dai:Am . . . . . / Am . . . . . / Am . . G . . / Am . . . . . (2x)C . . . . . / Dm . . Am . . / Am . . G . . / Am . . . . . (2x)
C . . F . . / C . . G . . / C . . F . . / C . . G . . /C . . F . . / C . . . . . / C . . . . . / C . . . . . /
C . . . . . / Dm . . Am . . / Am . . G . . / Am . . . . . (2x)
http://www.sixthirteen.org/audio/yedid_nefesh-ashkenaz.mp3
(Note: depending on which siddur you look at, there are lots of textual variants in Yedid Nefesh. The purple book, for example, uses the female suffix and ends many of the words with “ach” instead of “echa”.
1B. YEDID NEFESH (“se’udah shelishit”) – pg 3[capo 0]
Am Dm G C Am Dm E E7Yedid nefesh av harachaman, meshoch avdach el retzonachAm Dm G C Am Dm F EYarutz avdach kemo ayal, yishtachaveh el mul hadarach
Am G C Am G Am Am G C Dm E E7Ki ye’erav lo yedidutach, minofet tzu---f vechol ta’am
http://www.sixthirteen.org/audio/yedid_nefesh-sefard.mp3
2. LECHU NERANENAH (Carlebach nusach) – pg 4[capo 0]
D A Em7 A DLechu neranenah lAdonai, nari’ah letzur yish’einu D A Em7 A D Nekademah fanav betodah, bizmirot naria’ lo
(This can be used throughout kabbalat shabbat for the beginnings and ends of psalms, though some switch into minor mode starting with the end of Psalm 99.)
http://www.sixthirteen.org/audio/95-96carlebach.mp3
3. PSALM 96 (Carlebach) – pg 5[capo 0]
D . G D / D . G D / D . G D / A . D . /(2x)
Em7 . . . / Em7 . . . / G . . . / A . D . /
D . . . / A . . . / Em7 . A . / D . . . / (2x)
D G D D G D D G D A DShiru lAdonai shir chadash, shiru lAdonai kol ha’aretzD G D D G D D G D A DShiru lAdonai, barechu shemo, baseru miyom leyom yeshu’atoEm7 G A DSaperu vagoyim kevodo, bechol ha’amim nifle’otavD A Em7 A D A Em7 A DKi gadol Adonai umhulal me’od, nora hu al kol elohimetc.
http://www.sixthirteen.org/audio/95-96carlebach.mp3
4. OR ZARUA [PSALM 97] (Jeff Klepper) – pg 7[capo 0]
Intro: Em C A (4x)
Em C A Em C A Em C A Em Or zarua latzadi--k ulyishrei leiv simchah (2x)
G D C D Or zarua latzadik ulyishrei leiv simchah ) C D Em )2x ulyishrei leiv simchah )
http://www.sixthirteen.org/audio/or_zarua-jeff_klepper.mp3
5. PSALM 98 (Carlebach) – pg 7[capo 0]
D . A . / D . . . /(3x) D . A . / D . D7 /G . . . / D . . . /(3x)G . . . / D . A . /
D A D AMizmor, shiru lAdonai shir chadashD A D D A D D D7Ki nifla’ot asah, hoshi’ah lo yemino uzroa’ kodsho G D G DHodia’ Adonai yeshu’ato, le’einei hagoyim gilah tzidkatoG D G AZachar chasdo ve’emunato leveit Yisrael
(Note: There are different ways of fitting the words to the music, especially for the beginning part.)
http://www.sixthirteen.org/audio/carlbach98.mp3
6. PSALM 99 (to “yah ribbon” niggun by Avniel Salzman) – pg 8[capo 0]
Em and D (that’s it)
(Note: Fitting the words of Psalm 99 to this tune can mean a few rushed lines. It’s best to practice a few times in advance so you have a plan.)
http://www.sixthirteen.org/audio/99yah-ribonguy.mp3
7. PSALM 29, Mizmor L’David (carlebach) – pg 9[capo 0]
B and Am
ORE and E^ (“E^” refers to E raised one fret.)
(Note: Depending on the strumming pattern, this can be played slowly, rocking, or even with a latin flare)
8. ANA BECHOACH (Carlebach) – pg 10
Am Dm G AmAna bechoach, bechoach, gedulat yeminecha, yeminecha )Am Dm ) Tatir tzerurah, kabeil rinat amecha )2x Am G Am )Sageveinu tahareinu nora )Am DmAna bechoach gedulat yeminechaG AmTatir tzerurah, tatir tzerurah Dm Am G AmKabeil rinat, rinat amecha, sageveinu tahareinu nora Dm G AmYa la la la la la, ya la la la la la Dm G AmYa la la la la la, ya la la la
http://www.sixthirteen.org/audio/ana_bekoach-carlebach2.mp3
9A. LECHA DODI (slow camp) – pg 11 C G C E7 AmLecha dodi likrat kalah, likrat kalah Dm G C G CPenei shabbat nekabelah, nekabelah C F C E7 Am Dm G C G CShamor vezachor bedibur echad hishmi’anu Eil hameyuchad C F C E7 Am Dm G C G CAdonai echad ushmo echad lesheim ultif’eret velithilah http://www.sixthirteen.org/audio/leach_dodi-slowcamp.mp3
9B. LECHA DODI (Carlebach) – pg 11Em Am EmLe--cha dodi (yai dai dai dai dai)Em Am EmLi--krat kalah (yai dai dai dai dai)Em D C Am Bm Em
Pe--nei shabbat ne--kabelahEm Am D GShamor vezachor bedibur echad hishmi’anu Eil hameyuchadEm Am D EmAdonai echad ushmo echad lesheim ultif’eret velithilah
http://www.sixthirteen.org/audio/lecha_dodi-maybecarlebach.mp3
9C. LECHA DODI (Rotenberg) – pg 11[capo 0]
Em Am D Ya la la la la lecha dodi, ya la la la la likrat kalahEm D C D C D G Ya la la la la penei shabbat, penei shabbat neka---belah
Em Am D G Shamor vezachor bedibur echadB7 Em C D Hishmi’a---nu Eil hameyuchadEm Am D G Adonai echad ushmo echadB7 Em C D C B7 Lesheim ultif’e----ret velithilah
http://www.sixthirteen.org/audio/lecha_dodi-bjish.mp3
9D. LECHA DODI – pg 11 [capo 3]
AmLecha dodi likrat kalah ya la la ya la la ya la la ) G Am )2xPenei shabbat nekabelah )
Dm Am Dm Am Dm Am G AmShamor vezachor bedibur echad hishmi’anu Eil hameyuchadDm Am Dm Am Dm Am G AmAdonai echad ushmo echad lesheim ultif’eret velithilah
9E. LECHA DODI (Abuyadaya) – pg 11 [capo 0]
C G G C
Lecha dodi likrat kalah C G G C Penei shabbat nekabelah
C F C G C F C GShamor vezachor bedibur echad hishmi’anu Eil hameyuchadC F C G F G G CAdonai echad ushmo echad lesheim ultif’eret velithilah
9F. LECHA DODI (David Melech) – pg 11 [capo 0]
Em D C Em D CLecha dodi likrat kalah Em D C D C D EmPenei shabbat nekabelah
Em DShamor vezachor bedibur echad hishmi’anu Eil hameyuchadEm D C D EmAdonai echad ushmo echad lesheim ultif’eret velithilah
10A. [PSALM 92] MIZMOR SHIR – pg 13[capo 3]
Am C D F Em EMizmor shir leyom hashabbat, tov lehodot lAdonaiAm C D F G AmUlzameir leshimcha elyon, ulzameir leshimcha elyon Dm G C Dm G C E7Lehagid baboker chasdecha, be’emunatecha baleilot A7 Dm Am Dm Esus EAlei asor va’alei navel alei higayon vechinor
(“Esus” = 3 fingers in a row on the 2nd fret, like an A, but in the position of an E)