Student No: 555727 Semester 2/2012 Group 6

Tim Parry

1. Representing harmonic waves in Rhino

2. Representing the fundamental, first and second harmonic waves

3. Combining all three harmonics in same location

MODULE ONE IDEATION

Movement Harmonics Reflection

... as Velocity

Three-dimensional illustratiion of the correllation between density and velocity:- Increased density = decreased movement- Decreased density = increased movement

Translating movement to visual form:i) Density represented by spread of movement linesii) Velocity expressed as electromagnetic spectrum (i.e. red = slow movement; purple = fast movement)

MOVEMENT................................................................................................... DESIGN EXPLORATION #1

... as Crowd Flow

How built forms, population densities and topographical changes influence population densities and movement.

... as Sculptural Form

Design inspriation for expressing mapped movement as a physical sculptural form.

... modelled in Rhino

1) REPRESENTING HARMONIC WAVES IN RHINO

2) REPRESENTING THE FUNDAMENTAL, FIRST + SECOND HARMONIC WAVES

3) COMBINING ALL THREE HARMONICS IN SAME LOCATION

HARMONICS................................................................................................. DESIGN EXPLORATION #2

... as Wave Forms

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1. Representing harmonic waves in Rhino

2. Representing the fundamental, first and second harmonic waves

3. Combining all three harmonics in same location

1. Representing harmonic waves in Rhino

2. Representing the fundamental, first and second harmonic waves

3. Combining all three harmonics in same location

1. Representing harmonic waves in Rhino

2. Representing the fundamental, first and second harmonic waves

3. Combining all three harmonics in same location

LIGHT REFLECTION........................................................................................ DESIGN EXPLORATION #3

... in Materiality

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... in Nature

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... in Architecture

Surface relfection

Light shelves (optimising passive natural light)

DIF

FUSE

D R

EFLE

CTI

ON

SPEC

ULA

R RE

FLEC

TIO

N

...Design Exploration

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LIGHT REFLECTION........................................................................................ OPTIGAMI: CHOSEN DESIGN CONCEPT

... Optigami Theory

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LIGHT REFLECTION........................................................................................ OPTIGAMI: DESIGN DEVELOPMENT

... Internal Reflection

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... Clay Modelling

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... Contextual Sketches

LEFT VIEW: FRONT VIEW: RIGHT VIEW:

MODULE TWO DESIGN

Physical Digital Refining

LIGHT REFLECTION........................................................................................ REFINING PHYSICAL MODEL

... Contouring Method

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... Final Prototype

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LIGHT REFLECTION........................................................................................ DIGITIZING PHYSICAL MODEL

... Exploration #1

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... Exploration #2

LIGHT REFLECTION........................................................................................ REFINING THE FORM

... Chosen Design

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... Exploration of Form

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... Spiral Output of Light

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LIGHT REFLECTION........................................................................................ REFINING SURFACE DETAILS

LIGHT REFLECTION........................................................................................ [INSERT CAPTION]

MODULE THREE FABRICATION

FABLAB PREPARATION................................................................................. LABELLING SEGMENTS

FABLAB PREPARATION................................................................................. UNROLLING MODEL

...1) Cutting out the segments

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...2) Assembling the segments

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PROTOTYPE................................................................................................... MODEL FABRICATION BY HAND