Tim Kelley Joel Katzowitz – Czarnowski – EDPA University ... 2012 sm.pdf · Presented by: Tim...
Transcript of Tim Kelley Joel Katzowitz – Czarnowski – EDPA University ... 2012 sm.pdf · Presented by: Tim...
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Presented by:
Tim Kelley – Blue Sky Exhibits – IDSA Communicative Environments Chair Joel Katzowitz – Czarnowski – EDPA University Affiliations Mentorship Chair
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Today we would like to share our insights of how to effectively engage indesign in order to create the most successful marketing environmentpossible.
Wewill explore the processes and tools of design through visuallyexciting examples of what works and what does not work.
The design thought process; environmental design versus productdesign.
Our ultimate goal is to help you think and see things in a new way.
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To engage in design, knowledge is key…
The designer working in conjunction with theclient, creates a bridge (the environment),which facilitates the buyer/prospect toemotionally and intellectually connect to thebrand or product.
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It takes two toTango…
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To engage in design, knowledge is key…
Know the “target market/consumer”
Know the “client/retailer/manufacturer”
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To engage in design, knowledge is key…
So, who is more important in this process, the “client”or the “target market” (chicken or the egg)?
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Know the target market…
Personally, I feel this is the most important group to focus on inthe process.
Age Gender Influencer or decision maker Buying power Position in their firm Experience and expectations Strategic or tactical person
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Know theClient…
The Brand (personality) – self perception, perception of the market place. What is their culture? How do they wish to be perceived in the market place? Position in the market place? What is their value statement? What is their history? Current and previous market campaigns? Who is their competition and how are they positioned?
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It is now time for the designer to build the bridge,the environment that facilitates the experience.
Today it is known as “experiential marketing”.
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The emotional bond! Influence those experiencing the space to do and feel what
you want. Evoke…interest, excitement, intrigue, confidence, trust,
passion, just to name a few.
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LightTextureTouchGraphicsColorShapeHeroSoundSmellExtras…
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The typical attitude…“I bought this exhibit, it’s mine and I’m going to fill every inch of it up (with crap)”
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“Good design is as little design as possible, less but better because it concentrates on theessential aspects, and the products are not burdened with non-‐essentials”
-‐ Dieter Rams
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What is the message?In a tradeshow environment you only have a
few precious seconds to get your message across.
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Literal vs Implied messaging
The sign in the window reads “OPEN -‐ PUSH-‐”,that’s a literal invitation to enter.
However everything else on the door,the locks, the steel bars, the “no loitering” sign,the word “killing”, all imply that you should
stay the hell out.
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What is the message?To deliver your message successfully it
Must be intuitive as opposed to intellectual.
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What does it take to get yourMessage across?Less than you think
light
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Lighting can domore than simply illuminate, here it’s used to entice attendees to entera partially obscured interior space.
light
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Another example of how light can attract and direct traffic flowwithin an environment.
light
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Indirect lighting can be elegant and very effective. It focuses your attentionto specific areas and highlights the product in a subtle manner.
light
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Lighting goes a long way when used in unexpected ways.
light
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Lighting can be used very effectively to focus your attention to a specificproduct. In this case over 100 sinks mounted in Silestone tops are highlighted
with red and white light.
light
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Texture is almost totally dependent on lighting to maximize its effect. This booth sendsits message with a textured wall and logo.
texture
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Texture can be used in many ways to enhance your messaging. In this instance, the“texture” becomes a text vehicle.
texture
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From the same booth, here is a great example of texture enhancing the product. Thefixture is a circular articulating LED light.
texture
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Textural contrasts add interest to a space and accentuate each other.This same environment would be mundane if the floor
was all rock or all wood.
texture
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Texture can be fine and detailed, or in this case, bold and widespread.
texture
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This flooring companymaximized its product display with complexcarpet patterns and textures.
texture
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This pattern of mirrors on the wall is a fun way to create visual interestand tie into the features of theVolkswagen automobile line.
texture
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This innovative display not only shows off the current color line, it encouragesthe user to touch and spin the bowling balls hanging on the wall.
touch
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This is one way to display all the various finishes of theVolkswagen.“Touch, don’t look”
touch
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These people make commercial freezers, so they chose real ice to fabricate the walls.The bonus was the tactile sense of cold.
touch
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Your audience simply won’t read a boat load of text, no matter how compelling youthink the information is.
graphics
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This is a much better application of utilizinga lot of support copy. You can get the overall
idea and then readmore if you want.
graphics
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Graphics can be fun and deliver a messageat the same time.This company sells a
non-‐slip flooring product.
graphics
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Re-‐think traditional graphic panels. You can call out product specific designations bysimply writing them on the floor.
graphics
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This booth is dramatic in large part because of color. But, color brings psychologicalramifications that have to be considered.
color
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This may be an over the top use of a monochromatic color scheme but it certainly grabsyour attention. Note that they even took the “orange” into the juice in their glasses.
color
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Blue is calming which dovetails nicely with the exhibitor’s message that they strive toeliminate stress frommedical procedures.
color
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MTVMusic awards: The fabric panels cap the area striped with light bands. The fabricpanels are curved so at the lower camera angles you’re seeing the bottom side of
the fabric structure through the lights.
color
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MTVMusic awards
color
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MTVMusic awards
color
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Shapes have a psychological impact on us. Hard, angular, aggressive shapes areexciting but not friendly or inviting.
shape
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These shapes, colors, and lighting all conspire to create a very warm, welcoming, andcomfortable space to be in.
shape
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This shape grabs your attention because of its uniqueness anddynamic tension.The double helix implies upward movement highlighting
the product well.
shape
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MTVMusic awards
shape
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Packaging and product come together in this retail space.A very simple yet unique approach.
shape
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Yes, you have to build stuff. There are certainly necessary structural components.But let’s consider non-‐traditional building materials.
shape
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This combination of sharp edges, sweeping elements, and metaldefinitely implies futuristic technology and science.
shape
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Shapes are often used to associate with a products end use.The simplerthe shape the more the imagination can fill in the gaps.
shape
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In this example scale adds to the drama of the display.The shape of thestructure also implies technology and connects with product.
shape
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If you’re trying to sell a product, make it the hero.Don’t dilute it’s impact with non-‐essential components.
hero
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You don’t need to show every product you have.Show what is new, hot, innovative, or something that defines you.
hero
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Showing everything you have can have negative consequences.Keep in mind you have to leave room in the booth for attendees.
hero
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If you really want to show the depth and breadth of your offerings,you might try a subtle use of “product” as a fabrication element.
hero
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To be honest this display had no “scent” component, but imagine if it did. There areseveral products that allow you add aroma to the air.
smell
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This cartoon was brought to life when aromas of pizza and cookiesemanated from the Jetson’s futuristic kitchen.
smell
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Nothing replaces the real thing! Live cooking demonstrationsnot only educate and engage customers, but the smell re-‐enforces
the product and brand experience.
smell
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These giant blocks of granite can actually be played like musical instruments whenstruck with mallet
sound
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Everything should not be spelled out for your audience, the sense of surprise ordiscovery can leave a strong impression.
extras…surprise
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We know that humor isn’t really a sense, but humor and fun can help you drive yourmessage home, if you know how to manage it.
extras…humor
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There are many high tech engagement tools available. The trick is to use one thatsupports your message as opposed to just being cool
extras…engagement
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Engagement strategies encourage interaction.This booth asks a question and encourages responses.
extras…engagement
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The control panel allows the attendee to adjust a myriad of lighting effectsand view the results real time.
extras…engagement
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Engagement strategies encourage interaction. This booth is covered with Post-‐it notecomments left by attendees.
extras…engagement
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Design is a process, not an end result. Engage in the process.
Know the prospect (the user of the space). Know the client (the owner of thespace). Remember the prospect is king!
The designer must create an emotional and intellectual bridge betweenthe owner and user of the space.Today’s term; experiential marketing.
A few of the tools used to create the emotional bond within thearchitecture: light, texture, touch, color, shape, sound, aroma, surprise,engagement.
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presented byTim Kelley & Joel Katzowitz