Book, music and lyrics by Jim Jacob.s and warrcn Caseyhad its prernicrc pcrformance February r4. lglz

at the Eden 'fheatre, New York City.It was presented hy Kenneth Waissman and Maxine Fox

in association with Anthony D'Arnato.

Cast( in urde:r o.f' uppc:ttrunce )

Miss Lyrrcir. ...Dorothy LeonPatty Sirncox... ....llcne KrisrenEusene ljlorczyk. . . ..Tonr Harris.lan ..(iarn StcphcnsMarty ..Katie 1{anleyl]erty Riz.zo ...Aclriennc BarbcauDotltly ..Jernrcs CiurningRoger .....Walrer BobbieKenickic ...T'imothy McycrsSonnyl-a'licrri.., ..r., ...JirnBorrelliFrenchy... Mnrva SrnallSancly l)unrhrorvski.... ..... ....Carcli* D*,.nasDanny Zuko . . ...Barry BostrvickVince l-ontaine. . .f)on B illcttJohnny (lasino.. ...Alan tlaulCha-Ch;r DiGrcgorit).. .. .Kathi Mlos.sJ'ecn Angcl . ..Alan paul

Musicil\ Sustervi,tion urrd Orr:hestations by Michael LeonardMusical Direc'tion/Vor:nl ttnd Dance Arrungements by Louis $t. [-.ouis

Scenerl, hv Douglas W. Schmi<IrCostumes hy Clarrie F. Robbins

[-ighting by Karl EigstiSound &y Jack Shearing

Proclut'tirtt stage Munager Joe carviirrMusicrtl Numlters (rnd Dant:c.r Strag ed hy Patricil Birch

I)irected by Tom Moore

TI

Ile yfsiorxs to the original playwrittert expressly for this version by

Jim JacoSs

tgs

Sccne 2: Cafeteria and School Steps"sumnrrr Ni54hts" Sandy, Danny" Pink Ladics and

Burger Palace BoysScene 3: School"'I'lto.tr: Mugir Churu,gcs " Dotldy, I3urger Pnlace llclys itnd

I'ink [,adie s

$cenc 4: Pajanla Party" I;'rc:tfulv, Mv 1"0r,("'

Scene 5: Street Corner" (i r((rsrd I.i74ltl nin' "

Scene 6: SchoolyarcN

Scene 7: Ilark" Mlonirtg"" Lrrok Al Me, I'm Sundrtt f,)ee" We ()o 'I\tgatlter"

Scenc l: $andyos Bedroorn and School Gynr^' I t' .t Ruin in g on P rrnn N ighl " Sandy ancl Cirl's ltaclio Vcice",5/rrrAin' ut rht Higlt Scltorsl Hop" Johnny Casino and Oonrpany" Blrn lo Hand-J ive " Johnny Casino and ClornJ)ilny

Scene 2: ln Front ol the Burger llalace

Scene l: Reunion" AIma Metct""" Al.rnu Mutrr" Purody

" B(uufv S<:hoo[ Droltttttt"Scene 3: Drive-In Movie" Alone ot u Drive-ln Movie'"

Scene 4: Jan's Party"Ru('k 'n Roll Purtv Queen"" Ittok At Me, I'm Sanelrtt l)e€"

Reprisc

Scene 5: Inside the llunger llalacc"AIl Choked Llp"

Ii'inale"W{' Go T'ogcthtr " Rc:y)risc

ACT T

Miss Lynch, Patty and Eugene

Pink l-adies and Burgcr Palacc Roys

Marty and Pink l-aclics

Kcnickie and Burgcr Palace lloys

Roger ancl Jarr') R.izzo

Pink l-rulics ancl l3urger l)alacc Boys

A,CT I[

'Ieen Ange I and Cltorus

f)anny and Rurger Palace l'Ioys

f)oody ancl Rogcr

Sancly

Sandy, Danny, Pink L,aclies ancl

[3 urgcr Parlnce [3oy s

Cornpany

SYNOPSIS OF'SCENES ANI} MUSICAI, NUMI}EIIS CHARACT'H,RS

I)ANNY: Thc leadcr of thc "Burger Palace Boys." Well-built., nicc-looking, with an air of cool, easy-going charm. Strong andcontldent.

SANIIY: Danny's lovc interc.st. Sweet, tuvhglesgrne, paive, cute, likeSandra Dee of the "Gidgct" rnovics.

'l'Hn PINK LAIIIES: The club-jacketecl, gurn-chewing, hip-srvinging girls' gang that hangs around with the Burger PllaicBoys.

R,IZ.ZO: Lcacler clf the Pink Ladics. Shc is tough, sarcastic anclotltspokcn but vulncrable. Thin, Italian. with unconventionalgood looks.

FRENCHY: A dreamer. Goclcl-naturccl erncl dumb. Hcavilymade-up, fussy about hcr fippcarancc*particularly her hair. Shecan't lvait to finish high school so she can bc a bcautician.

MARTY: Thc "beauty" of the Pink Ladies. Prctty, looks olclerthan the other girls, hut betrays her rcal agc when she opens hcrmouth. Tries to act sophisticated.

JAI\{: Chubby, compulsive eatcr. Loud and pushy rvith the girls,but shy with hoys.

'l'ftrn BURGER PALACE SOYS: A super cool, f).A.-hairccl, hard-looking group of high school wheeler-dcalers ... or so thcy think.

KENTCKIE: Seconcl-in-command of the Burger Palacc Boys.Tough-looking, t:rttooed, surly, avoids any show nf softncss. H,r*an off-beat sense of humor.

DooDY: Youngest of the guys. Small, boyish. open, with a

disarrning srnile and a hero-worshipping attitude towarcl rhe gtherguys. Hc plays the guitnr"

ROGER: The .'anything-for-a-laugh" stocky type. Full ofmischief, half'-bakcd schemes and ideas. A clown who cnjoysputting other pcople on.

SONNY: Italian-looking with shiny black hair ancl clark,, oilyskin. A braggart and wheeler-dcaler who thinks hc's a rcal lacly-killer.

ADDI"TIONAL C HAIT.ACTNRS

PATTY: A typical cheerleader at a middle-class American public

high school. Attractive and atheletic" Aggressive, sure of herself,

given ro bursts of disconcerting enthusiasm. Catty, but in an All-American Girl sort of way. She can twirl a baton"

CHA-CHA: A blind date. Slovenly, loud-mouthed and homely-

Takes pricte in being "lhe best dancer at St. Bernadettens.'n

EUGENE: The class valedictorian. Physically awkward, with weak

eyes and a high-pitched voice. An apple-polisher, smug and

pompous but gullible"

VINCE, FONTAINE,: a typical "teen audience" radio disc jockey.

Slick, egotistical, fast-talking. A veteran "greaser."

JOIINNY CASINO: A '"greaser" student at Rydell who leads a rock'n roll band ancl likes to think of himself as a real rock 'n rollidol.

TEEN ANGEL: A good-looking, falsetto-voiced Fabian-look-alike.A singer who would have caused girls to scream and riot back in

r 958.

MISS LYNCH: An old rnaid English teacher.

q;n.L Slr'f G€R I sinqs "ft'| r:*i,nin1 oN ?rc*aNi1h+ rr

q

Act 1

Scene 1.

Stage curtains are closed. ln front of curtain is a podium and a banner

reading "Welcome Back: Rydell High, Class of '59". House lights are on

as Eugene Florczyk, former class valedictorian and honor student (now

in advertising) and Patty Simcox Honeywell, former high school

cheerleader (now a professional married career woman) walk in from

the back of the house. They interact with the audience menlbers as if

the audience is the class of '59, saying things like: 'Oh look, the

cheerleaders are here', Didn't lsit behind you in Algebra 2? We wor(l

in Mr. Jones' 3'd period gym class together -you were the best in cl;r\',,

for pull-ups' 'Yes, Miss Lynch is going to be here'etc... After chatting

with the audience they go on stage to the podium.

Patty. (waving and beaming)Hello class of '59. Could you join me in

calling our very own Miss Lynch to the stage? On the count of three I

want everyone to say 'Good Evening Miss Lynch !'

Ready...one,two,three, 'Good Evening Miss Lynch!' Wonderful! But

remember, Miss Lynch's hearing isn't what it used to be. Let's try that

again one more time, really loud, as if you were shouting across the

football field. One, two, three...'Good Evening Miss Lynch !'

(Miss Lynch enters from the center curtain, walks to podium. Patty and

Eugene leod audience in clapping madly.)

Miss Lynch. Thank you. lt is my pleasure at this time to introduce Mrs.

)atricia Simcox Honeywell, your class yearbook editor, and Mr. Eugene

:lorczyk, class valedictorian and today vice president of "straight-

hooters" Unlimited, Research and Marketing.

atty. Thank you Miss Lynch. Everyone, ple*ss look in your programs

rd you'll see the words to the Rydell High Schcol Song. Can you

tve them in the air so that I know everyone has them? Great!

GRIIASTi

(Rydell High Chorus enters from stage left and stands in group

formation ready to sing)

Please join the Rydell High Chorus in a rousing rendition of the schoo{

song.

All. As I go trav'ling down life's highwayWhatever course my fortunes may foretellI shall not go alone on my wayFor thou shalt always be with ffi€, Rydell

When I seek rest from worldly mattersln palace or in hovel I may dwellAnd through my bed be silk or tattersMy dreams shall always be of thee, Rydell

Through all the years, Rydell

And tears, Rydell

We give three cheers, Rydell, for theeThrough ev'rything, Rydell

We cling, Rydell

And sing, Rydell, to Thee.

Miss Lynch: Weren't they just wonderful. Such talented young

people.

Eugene: Miss Lynch, fellow graduates, honored guests and others.

Looking over these familiar faces really takes me back to those

wonderful bygone days. Days of working and playing together, days of

cheering together for our athletic teams - Yay, Ringtails! - and days of

worrying together when examination time rolled around. Perhaps

some of those familiar faces of yesteryear are absent this evening

because they thought our beloved Mlss Lynch rnight have one of her

famous English finals awaiting us. (to tWiss Lynch) I was only joking.

(Ta audience.) However, the small portion of alumni I notice missing

t(|

l0

GRITAS[i llDGRI'ASIi ilA

tonight are certainly not missing from our fond memories of

them...and l'm sure they'd want us to know that they're fully present

and accounted for in spirit, just the way we always rememberthem.

(School bells rings - "Chuck Berry" guitor run is heord. Greqsers run in

creqting havoq one throws paper airplane at Miss Lynch, one pinches

Patty, one does a Three Stooges slapstick number with Eugene's tie.

Choir flees the stage; Miss Lynch, Eugene, Pstty leave stoge also.

Greasers push podium off stage. Curtain opens an the parady of the

school song)

GREASERS ere ret,etrled in po.sitions of lar.ine,r;s, dElian<-:et.brtre clctm and unutsemcnt- They sing a purod)' ,lf the Al,rna Muteras tltev take over the stage.)

GREASERS.T SAW A DEAD SKUNK ON THE HIGT"IWAYAND I WAS GOINC CRAZY FROM THE SMELL'CATJSE WHEN THE WII{D WAS BLOWIN'MY WAYIT SMELLED JUST LIKE THE HALLS OF OLD RYDELI-AND IF YOU GOTTA USE TFIE LUNCH ROOMAND LATER ON YOU START TO PUKE AND SMELLWELL YOU HAD BETTER SEE A DOCTOR'CAUSE YC}U GOT MEMOI{IES OF OI,D RYDEI-[.

I CAhI'T EXPLAIN, RYDELL, "|HIS PAIN,IS IT'PTOMAINI]. RYDELL, GAVE ME?IS []"-f.B RYDEI-L? COULD BE RYDELL.YOU OUCIITTA SEE THE FACULTY

TI] MR. CLEAN, R.YDELL, HAD Sb,EN RYDELLFTE,'D JUST TURN GREEN AND DISAPPEARI'M OUTTA LUCK, RYDELLDHAD DUCK, RYDELL['M STUCK, RYDHLL. RIGH'T HERE!!!!!!

Scene 2

.\('tiNli: T"lrc GRE'AS^ERS stalk off as tlre scene shrfts to the hi6ih.school cafeteria. ./AN und MARTY enter w,earing their PinkI.nd.ir*s .jttckets <tntl carrying trevs, JAI{'s loadecl with .food. Aseach -female charac:ter enters, she .ioirts the others ut one lurrge

table.

JAN. Jeez.,I wish it was still surnrner. Look, it's only a quarterrrl'tcr t.welvc and I fccl likc ['ve been here a whole year already.

MARTY. Yeah, what a drag. Hey, you wanna sit trere?

JAN. Yeah, Rizzo's corning ancl Frcnchy's bringing that ncwt'lr ick.

MARTY" I{uh. You r,vanl my coleslaw'?

: .lrlN grabs it,)

.IAN. I'll see if I have room for it.

( fil72O enters")

MARTY. [{ey, Ri tzo,ovcr hcrc!R,TZ,ZO. Hey, Hey' H*y ! Where'$ all the guys IJAN. Those slobs. You tlrink they'd sperrd a dime on their lunchl

'l'lrcy'rc baggin' it.R.IZ,V-O" Pretty chcap.

nOOnY l"ley, Rump, I'll tradc you a sardine fcrn a peanut butter;rnrl jelly.

ROGnIt. I ain't cating onll of those things. You had 'em in your-it:c hox since last Easter.

(KI':NICKIE enters.)

KENICKIA. Hey! Whcre you at IROGIR, F{ey, Kenickic. What's happening?|X)ODY. Hey, Kenickie!

t3t2 GREASE

ROGER. [{ey, Knicks, where were yaKE,NICKIE. l.uggin' boxes ar BargainIlooDY. WOOOO!ROGER. Nice JoblKENICKIE. He!, crarn it! I'm savingROGIIR. You getrin' a car, Kenicks?DOODY. Hcy, cool! What kind?KENICKIE," I don't know rvhat kind yet,moron. But t got ir

narne all picked out: "Greased Lightnin!"ROGER. Olr, nifty!

( R0(; IiR does pig snorts, DOO DY luughs, j'Ol/l/f t,iltr: rs w,rttringwrIput'ttund sunglu.s'se.t. As he ent(r,t, lrc pulls (r r:/ass st:ltatluleout of his poc'ket. )

GREASE

MISS LYNCII. Then move!

t I l'/V('l-l exits)

,SONNY. Yes, Ma'am.lX)ODY and ROGE,R" Ycs, Ma'am.ROGIIR. I'm sure glacl she didn't give y()Lr any "lip," Son. You

r',ukl have really told her off, right?SONNY. Shacldup!

BEA/Ctt1 I iylrt.s' Jude ort conrc up ag{tin on C/ftts in cafetr:ria.)

MARTY. tlcy. Jan. who's that chick with l",'renchy'l Is she thcr |n(' y()u worc tellin' mc ethclUt'l

.;AN, Yeah, her narrtc's Sandy. She seerns prctty cool. Maybe wer 'ultl lct her in thc Pink Ladics.

R'IZ.Z,O. Just rvhat we nccd. Anothcr chick hangin' around.

1 l " li l',' N(,' HY rtnd .S'AND Y e nter, carrvin g truy.r. J

I.'RENCHY. Hi, you guys. This is my ncw next-door neighbor,li:rrr<ly Dumbrowski. This here's Rizzo ancl that',s Marty and your (' u rc rrtbcr Jan.

.lAN. Sure, hi.SANDY. Hi. Plcasecl to mcct you.FRENCHY. Come 0n, sil down.RI:LZO. How long you been livin' around herc'/SANDY. Since July. My fathcr just got transf'erred hcrc..f AN" You gonna cat your colcslaw, Sandy'?SANDY" It smells kinda funny.FRENCI{Y. Wait'll you have the chippcd beef'. Retter knorvn as

'ltrrf on a Bun.".IAN. Holv do you likeSANDY. Oh, it seems

Irrrt nly father had a fightIt'lrther shoes"

.lAN. What do ya' mean?SANIIY. She said boys could scc up rxy dress in the reflcctiqrn.MARTY. Swear to God?.IAN" Hey, where do ya gct shoes likc that?ItA:trTY. {O.fJstag€.J Hi kicts! ! !1 ! ! ! ! ! ! ! | ! !

all surnmgr'/City

up to get me sontc rvhcels.

Shc hates my guts"ROGF]R. Nah,

"['hat's rvhy she keepsS0NNY. Ycah"

KIINICKIH,. Hey, r.vhattaya say,S()NNY. Dnrp dead ! I gor Otcl

Stlnny'lI-ady Lynch fbr [:nglish agairr.

shc thinks yor-r're cutc, sonny. (GLJysj rnugh.)puttin' ya back in her class.

rvcll. tlris year she's g()nna wish she ncver secn

Ma'ant.way tr) start the nerv scrnester, Mr.

KIiNICKIE,. Oh, yeah'? !

SONNY' I'rn just not gonna take any of.her lip, that's all. I clon'ttake that jivc frorn nobocly"

( MLS^S I.YNC [ { en ttrs. )

MIss L,YNCtrl. what's ail the racket our here'lDOOI)Y. FIi, Miss Lynch.ROGliR. [{cllo, Mis.s Lynch.MISS I-YNCI il- Dorninic, arcn't you supposccl ro be in clirss

right now'lSOI\NY. Yes, Ma'am"DOODY and R.OGliR. yes,MISS LYNCll. That's a fine

LaTicrri.DOODY and ROGER" Mr. LaTien.i.MISS LVNCFI" wcll'l Are you going ro .srand there all rtay?SONNY. N0, Ma'am.D0ODY and ROGRR. No, lvla'am.

thc school so far, Sandy?rcal nice. I lvas going to go tn lmnurculata,with the Mothcr Supel ior over nly p:lf,ent

GITEASE

RIZ:ZA. L-ook rvho's comin. Patty Simcox, the little LuluRydell High.

ALL. ()h rro:!!!!!!!!!!!! There i.s a fungus among-gus.

( PATTY ent(rs in rheerleader outJit.)

I'ATTY. Wcll,, don't say hello.R'[Z?,O, We rvt)n't.PA'[I'Y. Is there roon-l at your table?MARI"Y. C)h' ycah, move over., French.IDATI'Y. oh, I just love the first clay of school, clon't you?R-IZ,,ZO. [t's thc biggcsr thrill of rny lif'e.

(f"lf ENCHY starts doing RITZO's hair.)

PATTY' Ytltt'll nevcr guess what happened this rnorningR.IZZA. Prob'ly not.PA'I'TY' Well, thcy announced this ycar's norninee.s for the

student council. and guest; ,rvho's up ftrr Vice Presidcnt?MARTY , (Know,inlg whut's cCIning.) Who?PATTY, Mel Isn't that rvild'?R'L?,,ZO. Wild.PA'[TY. Oh, you rnust think I'nr a terriblc clocll I never even

bothered to introducc rTryself to your now friend.SANDY. Oh., I'n) Sandy Dumbrowski.['ATTY. It's a teal plcasure, Sandy. We certainly nre glad to

have y()u here at Rydcll.SANIIY. Thanks,MARTY. Aaaaaaaahhh, shoo-oot!tr)A'l"fY. Coodness graciorrs.R.I.Z'IZO" Oooo. Naughty-naughty. What was that all about?MAIiT'Y' ( Exunrining her g/assr.s./ One of rny cliamonds fell in

tlrc nracarctni.

([-ights ^farte on (]lRl,S', cr.r,ne up on GUyS on, the sreps.)

DOODY. I-lcy, ain't that Danny over therc'lSONNY, Where'lI}OODY, }{EY, DANNYI WT{ATCHA DOIN?RoGnR. "l-har's gotxl, Doocl. play it rear cool.DANNY. (Cro.rs ing tct G{JYS, carrying books und lunch hog.)

GTTEASE

l l, \ . \r()u guy.s, rvhlrt'.s shakin"lI X X )llY, 'Vy'here ya bccn all summcr, [)anny']l)i\NNY. Well. I spcnt a lot of time dorvn at thc beaclr.lil,lNICKIE. Hey' dici ja ntcet any ncw chicks'lI )ANNY. I\ah.,,\1,[,. Corne on ,Zuko . .,. (Adlihs.)l)ANNY. Just nret this orlc that was sorta coo[,yil knorv'l,\1.,1,. Oh, ye:rh. (Adlih nods und giggle.r.)l)ANNY, You don't rvant to hear all the mushy details, anyrvay.S( )NNY and GUYS. Sure wc do! L,et's hcar a little!

r l/rr,','llttnt,ou.t udlib,l. (;UYS join in plal'fulll,rtttrulinl4 DANNY us rhcligltt.s ./hde on them uncl (ome hu<:k up on tlrc G IRLS at tlrct ttfi,tct'irt tublc.)

SANDY. I spent tnost r:rf the surltmer dorvrr at the bcach.

", A N. What for'l We got a brand new pool right in ther r, rrlrlrorltood" It's real nice.

Rl/,LO. Ycah, if'you likc swimnrin' in Clc)rox.,\ANDY. Well actually, I met a boy there.NIAR'I'Y. You hauled your cookies all the way to the bc;rch lor

,lI I t(' l.:,Uy'lSANflY. 'l''lris was sor-t of a special boy.lll'1,20" Are you kiddin"? 'l'here ain't n<l such thing.

1l tyltt,r stey up on GIRLS, c:otne up otr GUI'|.)

Song." "SIJMMEft If^IG HT'$"

DannySummer lovin' had me a blast

SandySunnrner lovin' happened so fast

DannyI met a girl crazy for me

$andyfVlet a boy cute as can be

Bothsummer days driftin' away, to those oh summer nights

Guyswell-a well-a ommTell me more, Tell me more,C'mon Let's hear the dirt!

GirlsTell me more, tell me more

l5

ol'

#ffixE,4$n

MartyDoes he drive a convert?

DannyShe swam by me, she got a cramp

SandyHe ran by me, got my suit damP

DannySaved her life, she nearlY drowned

$andyHe showed off, splashing around

BothSummer sun, something's begun, then oh-oh those summer nights

GirlsUh well-a well-a well-a huhTell me more, tell me more

FrenchyWas it love at first sight?

GuysTell ril€ filore, tell me more

KenickieDid she put up a fight?

EveryoneU h-huh-uh-huh-uh-huh-uh-huh

DannyTook her bowling in the arcade

SandyWe went strolling, drank lemonade

DannySo we kissed under the dock

$andyWe stayed out'till ten o'clock

BothSummer fling, don't mean a thing, but oh-oh those summer nights

GuysWoh who oh. Tell me more, Tell me more-

SonnyBut you don't gotta brag

GirlsTell me n'lore, tell me more

RizzoCos he sounds like a drag

ffiv*ryeine.lir***h*p brop, *hoe*bop bop, shoo-bop bop,shoo-bop bop, shoo-bop

bop, shoo" !l-r', h*f $f:ii..:'. i:*F bop,YfH$andy ' '

He got friendly, holding my handDanny

While she got friendly out on sandSandy

He was sweet, just turned eighteen

DannYShe was sharP making the scene

Both L7

Summer heat, boy and girl meet, then uh-oh those summer nights

Girlswoo, woo, vvoo

Tell me more, tell me moreJan

How much dough did he sPend?GuYs

Tell me more, tell me more$onnY

Could she get me a friend?SandY

It turned colder - that's where it endsDannY

So I told her we'd still be friendsSandY

Then we made our true love vowDannY

Wonder what she's doing nowBoth

Summer dreams riPPed at the seaffis,bu-ut oh, those su-ummer nights".-.

EveryoneTell me more, tell me more!

I'A'I'TV, Cee, he $ound.s wondcr{'ul, Sandy.l)OODY. She really sounds cool, Danny.lllZZO. This guy sounds like a drip.KIiNICKIE. She Catholic?.l AN. What if we said that about Danny Zuko'lSONNY" Hot stuff, huh, Zuker'lSANDY. Did you say Danny Zr.rko'lI)ANNY. I didn't say that, Sonny!Rli/,7.,0. Hey, was he the guy?I)OODY. Boy, you get all the n'neats!"

SANDY. f)oesn't he go to Lake Forest Academy?KIINI(IKIE" She doesn't go to Rydell, does she?MARTY. That's a laughlSONNY. Too bad, I bet she'd gcl for me.

IIATTY" Listen, $andy, fcrget Danny Zuko" I know sorne reallyr r r('(' hoys "

RIZZO" So do I. R.ight, you guys? C'mon let's go.

qt'tNK I-ADIES get up from the rable, SAldDf ftillowing tkenn. ?'he

t6

r f{ (;&.riAsri

G{J FJj c/l tarrgh trsgttlwr.)

Flt ttlhl{l${V. Sec yir'nouncl f]attylR.[2Ln{[)" \'eah, rnlrybe rvc'}l drop in on the ncxt Student Councr

nrccting.

{RIZZ(] nrulge,t fifAft?'y in thu rih.r.{.ights gr.r r./'r.nrtlt ott rhe lunthroon't. d}trRIJ c'izrss t(,v1}(tt'd {;tJYS {)/t slct).q;.;

N'[A$I'X'Y. We Il. spcaking o1'thc cJevili$ONNY. Whirt'd I tcll ya, they're iii\r/ii'r,$ chilsin' rlls.ruIAlt.fr'V. i!t:t you,, grca$ebafi Mlanny !

H,IZZ,{}" Ycah. tfue got a sur'p:risc for ya.

{ P/A'K { .i\D{ tr:iS .r/rr.ryr .5,4,Vff Y {rm,urr"t {.rAfrJl/}'. }

SAN[]V. (,Vcn,rri{.s'.1 I Ie llo, f}ar"lny!nAF,{FJV" ({/1trighr.) {)'tr. hi. F-{civ ur* yn'iSANDV. tr;'inc'.

DANN\'" Oh -ve;tfr I .... uth thouglat you wer* g*in' is)

Inrrnacu Iata.

SAI{DV. I cherngcd rny plans.IIA"NN'k'" Ycah! Wcll. thttt's cocll. I'll sEi: yii iirenrnd. I-cT"'$ g,()

yolr guys I

(flr ptt.rhrs (.it.i !'5 r.rul.i

.,f AN. ( {}irkinx tI{} /}rtiVl/F's br$w,n p(ry)*' Irlrrr:il ltug.} ficc, t}L:

w;"Is .r* glaq.l to scc ),1]" ilc druppetX fris lunch.$iAN[]]'. I ckrn't get it. Fie was $o nicc this sumrner-[tKtg.]ru{lf {V, tr}*n''r rv#rtry iib*ut it" Sandy.MAR'[V" F{cy listen, h$w'd y$ir like to c*nle t}r,cr"{o rTly lrelr-r.s'.:

{onigtrt'} [t'll bc.ir"lst us girtrs.

JAN" Ycah. tl'lor';c guys arc al! il L:unch r:l'{ir-CIcg}$.

(f)/\NlvY rt{tu'ns;.{rtr"/rs.!' /irrrcft" .IA,n/ is e*tirrg llis r*ppfer.,}

f*.ng,z{}" Ye;r}'1. zr.ako's ttrc triggcst c{cc$l r:{'ax$l

( R iTJ{}. see ing /J'A}/M Y, txif s " {}ther" {;/trf- ,!i fisl{orv yxrir'img ,5dl/ ffiV rat'll,i,'ifll thenr.)

{ -:T.:lt -',i,.-..'.

scertw ;l

[ ' lU f '.' -' St:l'tool be {{, rdreg.r {t;',:*i' r '!r]-,li."' :',j:,j,:,',".:.r ,.:

l't\'{-{'Y and f:U{}Ii.k'i' t:t';!t!'', !it, , i.- ,

/ )Al//VY see,s Dfia,:;i io ,,::ii.*r 1,;i*,ijg.*,

L4)

ir:' i. ..',r:,'. GtreA'S&f{S",'i, get &clofts, ett: .

SONNY: Hey, Doody, where 'dja get the guitar?

DOODY: ljust starled takin' lessons this summer.

SONNY: Can you play anything on it?

DOODY: Sure. (He fumbles with the frets and strikes a sour cord)

That's a "C" . (Doody sits and waits for approval.)

GIRL 1: Hey, that's pretty good.

DOODY: {Hitting each chord badly.) Then I know an A Minor, and an F,

and l've been working on a G.

GIRI 2: Hey! Can you play "Tell Laura I love Her"?

DOODYI I don't know. Has it got a "C" in it?

SONNY: Hey, common. Let's hear a little, Elvis.

DOODY: How about "Magic Changes" by Ronny De11........

C c-c-c-c-c

A a-a-a-a MinorF f-f-f-f-fG G-G-G-G Seven

SONNY: That's terrific.

DOODY: Thanks - want to hear it again?

ALL: Sure! Yeahl {Eic....)

qttt)()l)Y slurls to sing ant't rtht:r lil!)'li ''"ir'ii'i,r'ir'-:r': ': !:"':: i'.''"r' 'n' rrtll'

'dtxt'tvop" group iiackiu;,,, j;i;'' ii"' '':ir ':''".'-;"ii''':' ;r"'i):::-j: :' 'een ictol

nx'k'n ntll star.)

.$r,rueg,' n'?Td#Sfr Afr{ $f {: CF#A&/f,;&''S"

IX )()flY amd, {;Xt(}Li ['"{ ' (' il-{.1-u-il,,\ n A-A lv/t[N{.tR

20 GREASE

F-F-F-IT-F-FG-G_G_G SEVENTI'I

WHAT'S THAT PLAYING ON THE RADIO?WHY DO I START SWAYING TO AND FRO?I HAVE NEVER HEARD THAT SONG BEFOREBUT IF I DON'T HE,AR IT ANY MOREI'T'S STII-I- ITAMILIAR TO MESENDS A THRILL RIGHT Ttr{ROUGH ME'CAUSE,'I'HOSE CHORDS REMTND ME OIT.I'HE NICI{T'THAT I FIRST FELL IN L,OVE TOI-HOSE MAGIC CHANGL,S"

MY HEAIT-| ARRANCES A MELODYT}IAT'S NEVER TT{E SAMI:A ME,LODYTHAT'S CALI-ING YOUR NAMEANI) IIECS YOU' PL[1ASE, COME BACK -l'O MEPT-EASE RETURN TO MEDON"I" G() AWAY AGAINOI{, MAKE TF{EM P[.AY AGAINTltE MUS|( I \^,A.NNA I FIEARAS ONCE AGAIhT YOU WHISPER IN MY EA\ ',!i l'.l :

i I i]"u rL /l r "- l- L' t4r* d.*- :i

GREASE

tr rlrt't,rtr! o.l'the: song, MISS LYNCH enters to hreak up the grttup.

.\t ,l , ('.rit, except GUYS and SOA/ruf-)

Nl ISS L,YNCII. (To SONNF./ Mr" I-aTierri, aren't you due irrI r, r,'rrt ion Ilall right now'?

rr,r t).\ rrl/ nmke fun o/SONNY untl leacl hinr oJJ to l)etention flctll.)

Scene 4

,r / iV/,:; A po.janta purly in MART'Y's betlroorn. MARIY, I;RENCf{Y.

I,,IN rtnd RI72O ur( in past<,l hahv tloll Ttctjuntus,.IA/VI)Y in il,ltriltt,d rplte huftoned utl the wuy ttp trt lhe neck. 'l'lte WAXX

tst,qlr.frtr the VINCE I;ON'\AINEshrn+'is ptlctyirtli on thc ruditt-

VIN(:ti'S RADIO VOICtr. Hcy, hey, this i.s tlre rttain-brain'0,, ur( (. I;orrtninc, at tlig l;ifteenl Spinnin' thc stacks rrf rvax, her(j itt thc

i lr r1r,t. rrl' Wux - W-A-X-X (OOO-,qu hrtrn sound./ Cruisin' tinle,

I ( r l( ) ( fttrgrrl qf" ricrsc.heting bulte t .) Sharpshooter pick irit tll' thc

,., r.k A brlncl new onc shootin' up thc cltarts like il rocket hy "-fltc\,1 rkxr [tay.s"-*-gtlin' out to Ronnie and Sheila, the kitls tlttrvrt at

ir lr inr's school str)rc' ancl especially tct Little Joc and the l-itl)ons- *

lr ,t.rr in rvhilc I give it a spin!

1tr'tttlirt.ftttlc.s. I;RIiNCIIY is looking ut tt.fun nru1ut.ine tltut hu'r u big

I t i <' I rtrt' 0.f [;nbian - )

.lAN. Fley, Sancty, you ever wcar carrings'l I tlrink they'd kceP

',.ur I'lce frortr lookin' so skinny.NIARTY. I{ey! Yeah! I gor somc big round oncs nrade otrt of rcal

,rnrl.,'I'lrey'd lotlk greitt on y{)Ll-

l,'ltFlNCIIY. Woulcl-ja like me to pierce your cars firr ya., Sltttdy'l

I rrr p,t)rlniI be a beauticiitn, y'knorv.

.lAN. Yeah, she's real goOcl. shc tlid mine for me.

l,'RI,lNCttY. I{cy, Mitrty, you got a necdle around'/

MARTY" t{cy, how about rlry circle pin?

SANDY" LIh ... maYbe ult

r ,1 l t K'l'Y rt,rt(ltr:s .fbr hcr {tink Indit:.s jtu'ktt, lttkrs o.lJ' " r'it'(l( 1titt"

2r

i.. ,i\ I,ii* I i'J )

I t'l.L Iltl WAITING IIY "fllE RADIC)I YOIJ'LI- COMI] BACK TO ME SOME DAY I KNOWI nritlN so LoNESoME sINCE youR LASI GooDByEI

I Rr.JT I'M SINCING AS I CRY-Y-YI WFIII-E TITE BASS IS SOX-JNDINGI

I WFIII-b,'I'FIE DRUIUS ARL, POUNDINGi BItA"ilNC ()F MY IIROKAN FIEART

i wrLL c[.tMB To FIRST pt-AcE oN TI-IE ct{ART'i OIItIFI, MY FIEART ARRANGES

i or r[{Ftr, Trrosn MAGrc c}{ANGES\-i i -.-'*-.

\: c-c-c-c-c-c ^""-?

i A-A-A-A MtNon ii r--F-F-F.-F-F j

i o-n-G-G sEVENITn ,

i"j:?gl D.,0 wA'1,

22

ilnd hands ir to FRENCHY.)

GREASE

FRENCHY. Hey, would Ya hold still!

(f RENCHY hegins to pierce SANDY's ears. SANDY yelps.)

MARTY. Hey, French... why don't you take Sandy in the john't

My old lady'd kill me if we got blood all over the nrg.

SANDY. Huh?FRENCHY. It only bleeds for a second. Conle on.

JAN. Aaawww ! We miss all the fun !

$ANDY. I-isten, Iom sorry, but I'm not feeling too well, atnti

I ..../fi*l'I-nfi. Look, Sancly, if you think you're gonna be hangill'

around with the Pink Ladies-you gotta get with it! Otherwise, forgci

it ... ancl go back to your hot cocoa and Girl Scout cookieslSANDY" Okay, come on ..."" FrenchY.

(SANDY exits slowly.)

JAN. Hey, Sandy, don't srveat it. If she screws up, she canr

always fix your hair so your ears won't show.

FR ENCHY. Har-dee-har*har!

{f"-ftENCY exits.)

R\LT.O. That chick'$ getting tcl be a real pain.

.lAN. Ah,, lay off, Rizr,0SANIIY, (AJfstage.) Urghhhhhhhhhhhhlrhh ! ! ! ! !

R.IZZO. What was that'lIiI{ENCHY. (Running but:k inlo rortrn.) Hey, Marty. Sandv's

sick. She's heavin' all over the plitce.

JAN" Ja do her ears alrcady'lF'RENCIIY, Nah. I only clid one. As soon as shc silw the blooci

shc wctrl R[,E,UGFM !!!!!!!!!!MART'Y. (Moking u hig show oJ' tr;uring on u guudv kinnnrt.l

.lL"ez, lt's gctting kincla chilly. l think I'll put rny robe oll.

.lAN. Hcy, Marty. Whcr'clja get that thing'lMARTY" Oh., you like it? It's frorn Japnn. 'fhis guy I knor,v sent

it to me.tr'ItH,NflHV. No kiddin' !

GRE,ASE 2'3

NIAR''['Y. He's a Marine" And, a real doll too!

l,'tiliNCHY. Oh, wowl Hey, Marty, can he get me one of those

llrlttl's'/.lAN. You never told tls you kner,v ally Marines.

Rl/'Z(). Horv long you knorvn this guy'l

NIAR'[Y.olr.justaCoupleofmonths.Imethimonat,lrrrrl tlurc at the roller rink ... and thc next thing I knorv, he joins up.

\rrvrvrry. right off'thc. bat he starts sendin' me things and then today I

r.r l tlris kilrtono. Oh yeith, itnd [<lok what else!

i I / I R I'I' pulls out rittg.)

At.l.. AIil{I{HI-{FIFIHH! ! ! ! ! ! ! ! ! ! ! ! ! !

l,'llliNCIIY. Jeer.! Engaged to a Marinc!lll'/,/.O. Endsvillc..lAN. What's this guy look like , Marty'll.'ltltNcllY. Ya got a Picture'llvl AIf TY. Yeah, but it'.s not too good' He

r I t, t li'l'Y takes her vtullet rtttt tf the dres'ser. Il'| ,t t I 1i i tt ,q ()tt(.\ vt;ith rublte r bunt!'s uround it ' She

,!, t t,r,littn piclttrtt Jolder rlrrtps trt ./"kxtr.) Oh, hCrc

ain't in unilorm.T' one rf' tfune .fatsruin,gs vrullet undit is ... next ttl Paul

\nlt:t"

.lAN. l-lorv t:ome it's ripped in halflMAR'fY. Oh, his tllcl girlfricnd rvas in tlre picture'

.rAl\, What's this guy's name flnywaY?

MARTY, Oh! It's Freddy. Frettdy Strulka'

.lAN. Strulka. Is that Folish'lMARTY. Naah. I think lre's Irislt.l,'llliNCI{Y. f)o you rvritc him a lot' Marty'll\,lART.Y, Pretty tnuch. h,vcry timc I gct tt present.

.tAN. Whattaya say to it guy in a lcttcr. anyway'?

Song: "FREDDY MY {-OVE"

MARTY,I ITIlI)I)Y, MY LOVE, I MISS YOTJ MO}TH'I'HAN WORDS CAN

SAYI IT I1I)I)Y, MY T-OVE. PLE,ASE, KTIET} IN "TOUCFI WHII-E YOIJ'trTF'

AWAYI IIIAIT ING FROM YOTJ CAN MAKH,'tr'F{H DAY SO h'TI'JC}I BI]TTT1R

Getting a souvenir or maybe a letter.I really flipped over the grey cashmere sweater,Freddy my love, Freddy my love, Freddy my love, Freddy my love.

Freddy you know your absence makes me feel so blue.That's ok though your presents make me think of you.

My mom will have a heart attack when she catches,Those petal pushers with the black leather patches,Oh how I wish I had a jacket that matches.

Freddy my love, Freddy my love, Freddy my love, Freddy my love.Don't keep your letters from ffie, I thrill to every line.Your spellings kinda crummy, but honey, so is mine.I treasure every gifty, the ring is really nifty,You say it cost you fifty, so you're thrifty.I don't mind.

Freddy you'll see, you'll have me in your arms somedayAnd I'll be holding a lovely brides bouquetThinking about it, my heart's pounding alreadyKnowing when you come home we're bound to go steadyAnd throw your service pay around like confetti

Freddy my love,Freddy my love, Freddy my love, Freddy my love,Freddy my love, Freddy my love, Freddy my love,Ooh,ooh,ooh,ooh !l ! ! ! !! ! ! ! ! !

Freddy may looooooove! !! | ! !

R'TZ'ilO.FREDDY MY [-OVE, FREDDY MY LOVE, FREDDY MY I-OVE

(On the last few hars af song the GIRI,S falt usleep one hv r"tne, until.RIZZO fs the rtnly one left awake. She pulls punts on over herpajarnas and climbs out the window. Just at thut monwrtt, SANDYcomes back into the room unnoticed by RIZZO, SAffDY stand.rksoking after her,)

GREAST' 2s

Scene 5

"'t 't:'tV/i.' Guys come running on out r$ breatlt, and carrying

l'ltt,shlights and four huhcap:;. DANNY ha.s a tire iron.

I)AIIINY, I don't know why I brought this tire iron! [ coulcla

', ;rrrkcrl these babics off with rny bare hands!

SONNY. Sure ya could, Zuko! I just broke six fingernails!ROGER. Hey, what icliot worllcl put brand new hubcap$ on $orne

, ,lr I . trcat-up jalopy? !

I)ANNY. Probably some real tool!

{ '1 ,'rtr hont is heard.)

SOI\NY. Hey., here come$ that car we just hit! Ditch thc cvidence!

q { i (/ f.S' run, dropStinl; hubcaps. ,5'ONl/y tries to scoop tltem up dI.$

KENICKIE drives rtn in "Greused Lightning." )

KENICKIE. All right, put those things back on the car, clipstick!I)ANNY. Hey, it's Kenickie!SONNY. Jeez, whatta grouch! We wa$ only holdin' 'ern for ya so

rrolrrxly'd swipe'em. TE UIAS A fOK.G * $gf if l?r.DANF'I'Y. Kenickie, whattaya doin' with this hunk-ah-junk, anyway?KIINICKIE. Whattaya mean'l This is "Greased Lightning,"

( All the GUYS jan,s drop.)

ROGER" What? You really expect to pick up chicks in this:;;rrtline can?

KENICKIE, (shakes y'sr./ Hey, right here, Rump! Wait till Itirvc it a paint job and soup up the engine-she'll work lilke a champ.

DANNY" Ladies and gentlemen, ttre one and only "Greasedl.ightning!"

Song.' ''GREASE'D LIGIITNtrN"

KENTCKTE"I'I,I , HAVE ME OVERHEAD LIF'TERS AND FOUR-BARRE,I-

GRTIASE GREASE 2l

QUADS, OH, YEAH t \\ ene ..a..s, RIZO ente6.)A FUEL INJECTION CUT.OFF AND CHROME.PLATED RODS.

OH. YEAH Rl2tzo. what rhc h€ck is lha. ugly loolin' thiog?!WITH A FOUR-SPEEDON THE FLOOR THEY,LL BEWAITIN, KI.:NICKIE- This is..CTeas€d Lighhin!,'Ain't it cOoI?

ATTHEDOOR RIZO. Yeah. About rs cool 3s a garbagc ruck. Out! (R/.ZZO

YA KNOW WITHOUT A DOUBT, I'll b.L r€,J|I peal,.)oow. .,F t tte passenae. door, shoving GUYS ollr.) Hey Danny,ljust leftIN CREASED LICHTNIN' r,,rtirlfriendoveratMany'shoose,heavin'allovertheplace.

I)ANNY. Whattaya' talkin' about?KENTCKIE and GUYS. RIZZO, Sandy Dumt'rowski! Y'know ................ Sandra De€

CO. CREASED LIGHTNIN" YOU'RE BURNINC UP THE tiAIQUARTER MILE KENICKIF^ Be cool, you 8uys.

(CREASED LIGHTNIN'. CO GREASED LIGHTNTN') ^ I)ANNY. Hey' vou belter t€ll that to Rizzo!

CO.CREASEDLICHTNIN'.YOU'RECOASTIN'THROUGHTIJE ." .HEAT-LAP TRIALS

(CREASED LICHTNIN'. CO CREASED LICHTNIN) "Hey, whot hdryened to nry.'.?WHERE STHATNO4@D SON OF MNEr)YOU ARE SUPREMETIjE CHICKS'LL SCREAM XE TK|E: Mydad|you guys bett€r hidethose hubcapslFOR CREASED LICIITNIN' DA t{y: Whaddaya mean, man? The/re yours!

KENICXID.I.LL HAVE ME puRpLE FRENCHED TArL-LlcHTs AND Fhe bow gtob the hubcops and statt tunnins off stoge)

THIRTY-INCI'I FINS. OH YEAHA PALOMINO DASHBOARD AND DUAL MUITFLER TwtNS, (E lcKlE: oh no, they're not. l "borrowe(f 'em froh my dad's carl

OH YEAHWITH NEW PISTONS. PLUCS. AND SHOCKS. SHE CAN BEAT (As the boys run ofr, "Dod" with Tshht & e/spende,s chotg$ dcmss stdge yellihg:

THE SUPER-STOCKS "Hey, come bock herel"yA KNOW THAT I A|N'T BRACCTN'. SHE S A REAL DRACCIN, "Grcdsed Llghthin'" muslc os llghtl go down, come up on new sene.)

wAcoN.GREASED ucHTNIN.r Scene 6

KENICKIE $nd GUYS ,t taNt:: SAND. tu,ts ok with 7'n 4',,ts, trrcssed in u g,r, n Ln'u<r'

t' CO,CREASEDLICHTNIN'.YOU'REBURNIN'UPTHE r!'uit.slodocsaRfieIchecLQUARTER MILE

. (GREASED LICHTNIN.. GO. CREASED LICHTNIN') SANDY.I O . CngnSeO llCrmllN.. YOU,RE COASTTN. THROUGIi r,r, A St'LrT. crvE A YELL

.THE HEAT.LAP TRIALS I IIROW A FIT FOR OLD RYDELL(CREASEDLICHTNTN', qO GREASEDuCHTNIN') \r\YTOCO.CREENANDBROWN

yOU ARB SUPREME IrrRN I HE FOE UPSIDE DOWNTHE CHICKS'LL SCREAMFOR CREASED LIGHTNTN ! r'i tNl rY lot! an kwdrd stlit. DANNY cnters.)

"tAr!.e 3rE4(* R€?eh:r

2S GRBASE

IIANNY. Hiya, Sandy. fSANDY gives him a startled look.) l{{r'*'what happened to your ear'l

SANDY. (She turns her head downstaye so that the nudierr, '

.Teeri' the bi7 v,hite Band-Aid on her ear.) Huh? (She covers her {'{iiwith her hand, unswers coldly./ Oh, nothing. Just an acciclent.

IIANNY. Hey, look' uh, I hope you're not bugged about that fii":,tday at school. I mean, couldn't ya tell I was glad to see ya?

SANDY. Well., you've could've been a little nicer to me in froruq

of yor"rr friencls.DANNY. Are you kiddin' !'l You don't know those guys ! |

ntean..". (Aw,kvt,urtl ytuuse) Listen, if it wits up to me. I'd never eVc't

look at ilny other chick but you. FIey, tell ya whitt. We're throlvin' ;i

party in the park tomorrow night for Frenchy. She's gontra quit sch<ltil

before she flunks again and go to bcauty school. Horv'dja like t:t

nrake it on down therc with me'lSANIIY. I'd really like to, but I'm not so sure tltose girls wiurl

mc arouncl anymore.DANNY" I.isten, Sandy. Nohrdy's gonna stafi gcttin' salty witir

ya when I'm around. lJh-uhh!SANDY. All right,, I)anny, ils long as you're with tnc. Lct's tl(li

lct anyonc c()rTlc betlveen us again, okay?fnfTY . ( Rushing ottsrage ,TfrnE {or- ?r^L+is g fli r }'5''

HIIIIIiiiii. DANI\Y! Oh, don't let me interrupt(()iv,es SANDY haton.) Hcrc' r,vhy don't you twirl this ftrr arvlrilc(T-uking DANNY usidt") I've been dying to tell you sotnething. Ytxr

knorv rwhat I found out after you lett my housc thc other night'l M),

rnother thinks you'l-c cutc. (7'o SAI/DF.) He's such a lady-killer.SANDY. Isn't he though! What were you doing at hcr house'lDANNY. Ah, I rvas just copying dorvn somc homcwork.PATTY. Conlc on, Sandy, lct's practice.SAI{DY. Yeah, let's! I'm just dying to make a gtxxl imprcssiot;

on all those cute lct"termcn.DANNY. Oh, thilt's rvhy you're 'uvearing thlrl thing*-- gettin'

reacly to shorv otf in front of a bunch of lamc-l:rain jocks'l

SAI\DY. Don't tcll rnc you'rc jcalorlsl Danny.DANNY" What'/ Of that br-rnch ah meatheacls! I)on't rnltkc mc

laugh. t'la! [{a!S/[NDY. Just bccau.sc they cirn do sonrething you citr't't do?

IIANNY. Yeah, sure, right.SANDY. Okay, what have \'0u ever clone?[]ANI\Y" (T'o PATTY twirling buton.) Stop thatl I won a ]lully-

CREASE 29

,,rll1' t'orttcst at the "'feen Talent'o record hop'

sANlly. Aahhh, you clon't even know what ['m talking about'

llANNy" Whattaya mean, look, I coulcl run circles around those

I' t l.'',

SANI)Y. But you'cl rather spend your time copying other

l,r I rl,l("s lttltncwork.llAI\Ny. Listen, the next time they have tryouts fOr any of those

rr .rn:, I'll show you wlrat I can do-

l,A'l"l'y. oh, what a lucky coincidence! The track team's having

I| \ orrl:; toltlorrOw.l)ANNY. (Punir:.) [Iuh? Okay, I'll be there'

SANDY. Big talk"llANNY. You think so, huh' Hey, Patty, when'{io say those

tr i ottls rVgfe'?

IrA'l"l.Y. Tontorrow, tenth period on the fotlthall field.

I )ANNY, G0ocl, I'll Lre there. You're gonna conlc watc'h nle"

rt r tl 'l Ytttt'lI'A'l'J'Y. 0h.' I can't rvait!

l)ANNY. Solicl. I'll .see ya therc, baby doll'

rtt lA/NYa.rits.J

I'A'I'TY, TOocllcs! Ooohh, ['tn So excited, aren't ytlu'l

SANDY" C-'ome on, let's pritcticc!!!!!!

1 / r'r r littg butons, SAIt'I) Y just rnissing PATTY'S heud with eil(h

,r rlin,g. )

.sANI)Yo PAT'I'Y and cHEIiRtr.,trtA[]IIRS"I II I''[iM AGAII\tr, RYDELL RINGTAILSII;.\I{ '[iM APAR'T, GREEN AND BROWNII,,\5I I 'I'HE,IR BITAINS OUT' S-TOMP 'EM ON THtr FI'"OOR

I r IIT 'I'I III GLORY OF RYDELL EVER MORH.

I I(;II.I''I'HAM. FIC}{T, I;IGI-I'T, TE1AIVI FIGHTr 'lllrW 'EM I"JP -- SP[]' 'EM (XJl'I l( ;ll'1. l'["iAM, I]lCI{T

1,,.1|V/ )'t'tt1,tl t'AT|-Y mif ilrting mu.irtrelle rnurlh stelt')

II{

II

30 GRE,A.St1,

Scene 7

SCENE: A deserted section of the purk. JAN and ROGfiR on picrti,rable. RIZZO unct KLNICKIE on bench. MART"Y sitting on oth, t

henc:h. FRENCHY and ,.SONI/F on bktnket reading Jt', rt

maguzines. DANNY pacing. DOODY sitting on a trash can. '\

portaltle radio is playing "T"he Vince Frtntaine Show."

VINCE'S RADIO VOICE. Hey, gettin' back on the rebouui, I

here tirr our second hatf. (Cuckoo sound.) Dancin' Wrtrd Bii,l(lontest comin'up in a half hour, when maybe I'll call you. I{cy, I

think you'll like this little ditty from the city, a new group tliscovcroilby Alan F'reed. Turn up the souncl ancl .stomp on the grouncN. Ohh?r.

yeahl!!

(Rudio fade.r.)

DANNY. Hcy. French, when do ya start beauty schclol?FRENCIIY. Ncxt week. I can hardly wait. No nrorc dumtr booli s

and boring teachers.DOODY. Hcy, Rump. You shouldn't be catin' that ctreeseburgcr

It's still Friday, y'knolv!ROGH,R" Ah, tor cryin' out loucl. What'dja rcmind me fclr'l No'uv

I gotta go to confession.JAN. Well, I can eat anything. That's thc rrice thing atrout bein"r

Lutheran.ROGfiR. Yeah, that's thc nice thing atrout bein' Pctunia Pig.

.IAN. Drop dead !

F'RIINCHY" Hey, Sclnny, don-[ nraul that nragazine. Therc's ;r

picture of Ricky Nelson in there I rcally *itnna save .

SONNY. Yeah. Yeah, likc Ricky Nelson rcally knolvs you exist.

( I: II fiN{: HY .r/ick.r hcr trtn grtt, out ut S'OAiNf. I

N{ARTY. Hey. Danny. horv do I look as a collegc girl'lI)ANNY. f I'uIIing htr Ic'tf erm(rr?.rlr'('ilt(r.) lloolu-IlrtolaMART'Y. lley, wntr:h it! lt bckrngs tcl this trig jock ut

Contrition.llANNY. Olt, ycah" Wait'll ya see nlc rvclrin" r.)nt: of

things. I tricd out for thc track tcarn tclday.

I-{ol3,

tito$r-'

GREASE

hl,,\lt't'Y. Arc you serious'? With those bird leg.s'l

t. tt,'; ,,ll tuugh. ROGER does.funny imitatiott of DANNY as u Ltttlq'Itt, tttrk Sldr.)

II0(;!]R. WHUP, WHUP, WHUP.... WOAH WHUP. WHUP,,,\ ilrll' .. wAoH.

l)ANNY. tley, bcttcr hobby than yours. Rump.,'rt.t.. Rump, Rump, Rump, RumP.

.lAN. Ilow comc you never get mad at thosc guys'lIt(X;tlR. Why should I'l.lAN. Well, that name they call you. Rurnp!( il lYS. Rump, Rump, RurnP, RumP.l(( X;llR. That's just my nickname. It's sorta like a titlc.(;tlYS. Rump, Rump. RumP, RumP.

.lAN. Whattaya mean?R( X;IiR. I'm king of the mooners..lAN. Thc wirat'l

ROGER: l'm the mooning champ of Rydell High!

JAN: you mean showin' off your ... (gestures vaguely to her reor end) Wow, that's pretty raunchy!

It()(;ItR. Nah, it's neat! leven moone(l Old Lady Lynch oncc- [

l'rrr;i onrJ on her right out the car rvindow. And she nevcr cvcn ktrerv

' lr.r tl WilS.

.lAN.'Ioo much! I wish I'd been thcrc. I mean -.. y'know rvhat I

r r r' .lllll(X;ER. Yeah, I rvish you'd becn thcre too.

.lAN. You clo'l

Sortg: "MOONII/{; "

I{(X;ER.I $l'r ,NI) MY DAYS JLJS'I" MOONINGSO ,\n r) AND BLTIE , Je bplD AN'o Et:l €,I SI'IINI) MY NIGHTS JUST MOONINGAl l()Vt1RYOu.

.l Alt{.\t r,()vtiRwFlo?

lt( x; l'lR.i }I I I'M S() Ftr.JLI- C}F LOVE

3l

3L

As any fool can seeCause ages up above, have hung the moon on me

JanWhy must you go

Rogerwhy must I go on mooning, so all alone

Janso all alone

RogerThere would be no

Janthere would be no

Jan & Rogerrnore mooning,

Rogerif you would call me

Janup on the phone

RogerI guess I'll keep on striking poses, till my cheeks have lost their roses,

Jan & RogerMooning over you,

Rogerl'll stay behind you

Janyou'll stay behind me

Rogermooning forevermore

Janmooning forevermore

RogerSomeday you'll find

Jan:somedey I'll find

Jan & Rogerme mooning

Rogerat your front door

Janat my front door

RogerOh, everyday at school I watch ya, always will until I got cha

Jan & RogerMooning too

Rogerthere's a moon up tonight

33

DOODY. Ilcy, Danny. there's that chick you know.

(SANDy and EU(iENfi enter. EU()ENE wearing Bermuda shorts anrlargv*le sock:;.'l'hey hoth hctve. f .shnet bags with leaves. RIZZO awlKENICKIE sit up to look. DANNY moves lo I:UGI|NE and start'shim down.)

FlUGliNE. Well. Sandy, I think I ltavc all the leaves I watir.Jh ... i,vhy don't I wait for you with dad in the station \!':tgon.

EUGITNE e-ril.s. .21.r DANNY walks awav, SUlvlYlcro.r,r:eJ lo SA|/DY.)

SONNY. IIi ya, Sandy. What's shakin? Iiow 'bout a Coke?SANDY. No, tlranks, I can't stay.IIANNY. Oh yeah? Thcn whattaya doin' hangin' around?SANDY. I just carne out to collect some leaves for biology.SONNY. Thcre's somc really neat yellow ones over by th,r

tirainage canal. Comc on, I'll show you.

(SONNY grabs SANDY and goe.t rffitage.)

DOODY. hley, Danny ... ain't you gonna follow 'cm'l

DANNY: Why should l? She don't mean nothin to me.RlZo: sure, Zuko,

_9yery day now! ya mean you ain't tord her your feelings?KENIGKIE; come off it Rizzo. whattaya'tryin'to do, make us tnink she,s likeyou?RIZZO: What's that crack supposed to mean?DANNY: Hey, cool it, huh?RIZZ:O Shut up Kenickie or you,re gonna get it.KENICKIE: Oh, l'm really worried.

"''**""fi:,|'itiij{l",') cirrnc on' crit it outl what a c'uplcRaZ,Zu. Wcll, hc srarred ir!

';lillfiiljP Man, rvhar a yo-yo! Make one rittte joke. the chick go*5i];lIY." (Gtarins at Rr?Zo awt KENTCKTEi Coor it!I X t()lly. trcez, nicc couplc.

l)ncomfortablepause.vtNCEFoNTAlNE,svoicecomesonradio

YIN(:ll'S VOICE. ... 'cause tomorrow night yours truiy, tlrc,,,ru Ixilin, Vince Fontaine, will be M.C.ing the big dance bash out at,,,t,'ll lligh School-in the boys'gym. And along with me will bcI' I N.'l-. himscif, Johnny Casino and the Gamblers. So, rnako it a

.,inr lr) stop by the joint, Rydell High,7:30 tomorrow night.lll'f,T,O. llcy, Danny, you going to the dance tornornrw night'illANNY. I don't think so.ltl'l.Zo. No? Aww, you're all trroke up ovt:r little Gitige tlIt'\NNY" Who'lftl'f|i,Q" Ahh. c'mon, Zuko, why don'tcha takc m* (c the

335z

Dance * I can pull that Sandra Dee routine too. Right, you guys?

Look at mre, I'm $andra DeeGoddess of all purity.Won't be nnisled, trust my heart, use my head,I must; l'm Sandra Dee

Watch it! Hey l'm Doris DayI was not brought up that wayI know who's boss,Even Rock Hudson lostHis heart to Doris Day

don't lie (no) or swear (no)don't rat my hairhang out with a clean living set)

GRBASE 35

t., , rr '.:rlrrrg itbout me were lies. Go on, tell 'em-

i,,r I ),,\Nl\l'. Whattaya talkin' about'l I never said anything about

:q,\NIlY. You creepl You think you're such a big man don't ya?

r,\,r1, to nrilko me look cheap in front of your friends. I don't knorv

l,i I<'vcr"likcd you., Danny Zuko!

lV/)I' rttns aff in tears. DANNY starts after her ... gives up.)

t )ANNY. SanctyM lllllll r. (Slov,ly turning trt the otlters- Pau,se.)

',',,, 111t t-lrickl (Pctuse.) Hey, Rizzo. You wanna go to {he dance withI

! t l,

lll'/,'f,(). Huh? Yeah, sure. Why not'lIt( X;IIR. I{ey, Jan. You got a date for the dance tomorrow

rr1;'11{'l

.lAN. 'l'gllorrow'l l-et me see- (She tukes out a little note.brtrtk

,, t,l rlrrtttrlt,s thrrtugh it.) No, I don't. WIt'/'ll{(X;IiR. You wanna go rvith me?

.lAN. You kiddin' nle'? Yeah, sure, Roge!IXX)DY. Iley, Frcnch'll.'ltl,lNCHY. Yeah'lIXX)DY. (Ver-r- s/r1,, moving trt FREA/CHY.) He,y, Frenclry, can

, rru irtrtl go to tlre dance, IlOw that you qr"lit SchoOl?

l,'t{l,lNCHY. Yeail, I gucss so. Why?t X X )l)Y. Olr.... Ahh, nothin' ...... I'll see ya there.

S()Nl\Y. Hcy, Kenickie, how 'bout givin' rne a ricle tomclrrow,,,r,1 I ll pick rtli up {t Cotrplc of dames att the ditnce.

l)ANNY. 'With rvhat'l A Incat trook?

lit,lNlCKIE. Nah, I gclt a hlind datc lnttn cros$ town. I hear'$;hc's

r r('.rl lrrlnthshcll.NIAR'['Y. Gee, I clon't cvcn knor'v if I'll go.

l)Al\NY. Wlty nttt. MlrrtY'?

h'lAR'l'Y. I ain't gc:t a ditte"

I )A1\NY. [-ley., I knorv "iust the gr.ry. Right ytlu guys!

1 I lt,'1, \'(,ll rt.f l'sterya.)

r\1,1, (;UY.$. Ht:y, Euge ne!

r 1l l/\'/.1'.r/6r-t.s trt chu.tr: I)ANNY, hitting hinr v+'ilh tttilg,{t:.ittr-)

Clear your filthy mindCause I'm pure and kindWould you pull that stuff with Annette?

As for you Troy Donahue,I know wh"t you wanna doYou got your nerveI'm not dating a pervI can't l'm Sandra Dee

No, no, no, Sal MineoI would never stoop so low,Please keep you cool,Now you're starting to drool,You fool, l,'m $andra Dee.

( SAN D?' r'ro.t.t ( s to RIZ,ZO.)

SOI*INY" Hcy, Sandy, 'uvait it trlinute' I"ley

$ANIIY. (To RIZZA.) Listen, jur;t who clo you think you are'l I

s.rw y()u making fun of me. ,

:* *

IdJn'&O. Aerahh., let me go. I ain't gonnit do nqlthin' to her. Th;rt

chick's flipp*d her lidl

(SONI/Y und R?CER hold RITI-O.)

SANDY. You tell them right now ttrat all thosc things Siotl'r,r'

3+ 3S

36 GREASE

Song; "WE GO TOGETHER"

AI,L.WE CO TOCETHER, LIKHRAMA-I-AMA-LAMA, KA-KINCA DA DINC-DONGREMEMI]ERED FOREVER, ASSHOO-BOP SHA WADDA W-A$I}A"YIPPITY BOOM-DE-BOOMCI{ANG CHANG CHANGI-I"TY-CI-IAI{G SI{OO I}OPTHAT'S'rHE, WAy IT SI{OULD BE (WHAA-OO}{FI! YEAIII)

WE'RA ONE OI; A KIND" LIKL, DIP-DA-IJIP-DA.DII)DOO WOP DA DOOI}Y DOOOUR NAMES ARE STGNEI)ROOGEDY, BOOGEDY, I}OOCHDY, BOOCTJDY' S}{OOI}Y-DO

WOP-SHE-BOPCHANG CI-IANG-A CIIANCI"T|Y CT{ANC SI{OOI I}OI)wE'L[- ALWAYS BE LIKE ONts (WFIAA-W|-|A-WHA-

WFIAAAAAH)

WI{EN WE CO OUT A'TNTCHTAI{D STARS ARII SF{INING IlRlGt{TUP IN THE SKIES ABOVEOR AT'TFIE TIIGH SCHOOL DANCEW}{ERE YOU CAN FIND ROMANCNMAYBE [T MIGI-IT AE I-A-A-A-AI{-OVI1!

( If rlJ' r:horus. )

WE'R[1 FOR HACH OTHHR. LIK[]A WOP BABA I-U MOP AHH WOP IJAM ROOh4!JT]ST LIKH MY BRO'I'HNR, ISSF{A NA NA I{A NA NA YIPPITY DIP D[: DOOM:CI{ANG CHANG-A CHANGITTY CI{ANG SI{OO f}OPWE'[-I.. AI.WAYS BE TOGETI{ER1

(At thc encl ofthe "r'r/rrg, the lights.fuda on thc K/DS c^s the:.y go (jllluu,qltin g nnd lmrsing er()Ltntl. )

ACT II

Scene I

vlN(-Il FONTAINE'S RADIO VOICE" H*y, it's the Mainli urr \/nrt:c l;ontaine- Oot my umbrella'cause it's starting to rarin. If'rr . luutly ancl blue where you art too, 'caust: the boy you lovei,,, ,rr't klvc you. Here'$ one for thc lclnely from your one and only"r r lr lr's l{irining on Prom Night.

, ! r r lt t r t'( ntt(. up and ,"SA//D f, in her hrtthrobe , i.t reveuled in he r1,,'rlrt,(,tn. She Iurns up the vttlume on radio-)

.t'ong." s(171't; ^RAIIfI/VG OIV Pft{}M NI(}HT"

Radio VoiceI was deprived of a young girl's dream,by the cruel force of nature from the blue.

$andYlnstead of a nightfull of romance supreffi€,all i got was a runny no$e and Asiatic flu.It's raining on Prom night.My hair is a mess,it's running all over my taffeta dre$s,it's wilting and quilting,on my maiden form.And rnascara flows right down my nosebecause of the stormI don't even have mY corsage, oh gee

It fell down a sewer with my sisters lDfiND OT? AC'{ ONE

'-t fj^t I

3n GREASII

(SANDY talks verse while RADIO VOICE continu€s to sing.)

YES, I'I'S RAINTNG ON PROM NTGI{TOH, WHAT CAN I DO'I I MISS YOUIT'S RAININC} RAIN FROM THE SKIES[T'S RAINING TEARS FROM MY EYES OVER YOU.

Deetr God, let hirn feel thc sanle way I do right now. Make him w;urr

tcr sce me again! (SANDY resurttes slnging the lead")

[J''S RATNINC ON PROM NIGIIJ'OH, WHA'I'CAN I DO?IT'S RATNING RAIN FROM TI.IE SKIESIT'S RAINING TEARS FROM MY EYESOVER YOU _ OOO-OOO-OOO - R.AIN-ING"

(Arter ilrc song ends "shakin' at the I{igh School Hop" hegins. Lig,i'tr.

Jude out orr S'ANDY antl conw up ctn the high school danc:e. ''! lu

couytles ere: DANNY and RIZZ:O, JAN and ROGER, I;RENC,i {land DOODY. MISS I..YNCI{ is overseeing the punchltffrr'lMARTI'is alone and SONNY rs in the corner. JOIINNY CASIN{}with gmitur, on ltarulstuntl.)

.5'nng"' "{'f/JKfI/' A"{'T'f/fi Hl#F{ S'Cf.IOOL IIOP"

-f$f tNNV {:A-$ilN$ ;xrud ;iN3i}ih{X}[.,XC"Well, honky-tonk baby get on the floorAll the cats are ydllin they're shotttin for moreMy baby likes to rock, my baby likes to rollMy baby does the chicken and she does the stroll

Well shake itYeah shake itYeah shake itEverybody shakin'Shakin' it at the high school hop

Boys:Well Sock-hop baby

Girls:Roll up her crazy jeans

Boys:Gonna rock to the music

All:gonna dig the sceneShimmy to the leftCha-cha to the rightWe're gonna do the walk till broad daylight

Well shake itYeah shake itYeah shake itEverybody shakin'Shakin' it at the high school hop

Girls:We're gonna alley-oop on blueberry hill

Boys:Hully-Gully with Lucille we won't be stanCin' still

All:Hand-jive baby, do the stomp with meA calypso- do the sloppa, gonna bop with Mr.LeeWell shake itShake, Rock and RollRock, Roll and ShakeShake, Rock and RollRock, Roll and ShakeShake, Rock and RollShake it at the high school hop.

,/r, ,'rttl ().1' "Shukin"" {l,t{ fi//_1,! t"/ir:c,t* tttttl Yt,ll.1

\ lN('1,1. (l,.tttcr.s'ttttd grubs rrtit.t.ostlutrtr,.i AIright. Jclhnny Casino'"1 tlr' ( i:trtrblcrs! I'vc hacl a request for lt.w l,{o',,r, lb.ut i[.

fqi,rrrrl (';rsing'/ {.oK+n,.f1t lllNNV CASIN(). Okay, Vincc, here's a little nurnhcr I wrorc

'r\('ri" And do,,', jjilff ';

T,lHfi,HJjTJ,?*uil' "

ir ilt'l ltVt'tlltltcc contest. St), if you've gof a.steacJy, gct hcr rcarly.lll'/,'/,(r, H*y, I)irnny, you gonna be my partner li:r thc trrrncc

Con tesr 7t r,t NNY. Maybe , if nothi*g better com,, s along.It;'/,'f ,l)" l)rop deacl!t{(t(,I,lR. OW!

40 GREASE

JAN. Somy.ROGEtrl. Why don'tcha let me lcad {or a change?

JAN. I can't help it, I'm used to leading

F-RIII\CHY. [Iey, f)ocldy, can't you at least tutn nle arounitl '

sonrcthin "lDOODY. Don't talk. I'rn tryin' t(l count.

( I'A77'Y dunce s n(ur DANNY v'ith tiUGIiNE.)

I'ATTY. f,)anny ! Danny !

DANJNY. Yeah, that't *y rlelfflc. clon't wcilr it out"

PA'['TY. How ctid the track tryouts go'lDA.NNY. I made thc teanr"

tlATTY. Oh, wottderf ul!lf,.L?.,Z;Q. Hey, Zuko, I think she's tryin' to tell ytt somcthin''C'O

on, dance with lrer. You ain't dtlin' mc no good.

IIANNY" Hey, Eugene, Betty Rizzo thinks you lcxrk like [)ztt l]c.rrr'

F],UGIINII. Oh?

(EtJGfiNE walks over and stunrls neur RIZZO, staring,. He Ttolislt'

his white huc'ks on the ltacks of hi:; pants |egs. DANNY drttr,'

with PAI-TY.)

F*I7--L$" Whattaya say, Fruit Boots?

(Music tempo changes to cha-clm. KIiNICKIE and CHA-('//DeGREGORIO enrer.)

CIIA-CIIA. Jeez, nice time to get here" Look, the joint's It,,

ernpty alreaclyKENICKIE. Ahh, knock it off! Can I help it if my car woufiqlr,

start?CFIA-CFIA. Jeez, what crummy decorations!KENICKIE. Where'd ya think you were goin

Bandstand?CHA-CIIA" We had a sock-hop at St. Bernadette's once. 'll

sisters got real pumpkins and everything.KEF{ICKIE. Neat. They probably didn't have a Bingo gamc tlr

night.

(The song ends und K/DS cheer. JOI{NNY CASINO looks for \/llr.f (

GREASE

/ r lrV L,llNI,.' on the dr"tnce floor.)

;t)I INNY CASINO. Hey, Vince .... any more requcsts?\ I N( '1,,. Ycalr, play anything!1oItNNY CASINO. Okay, herc's a lirtlc tune callcd "Anything!"l'\ l"l'\'. lStill dancing witlt DANNY.) I can't imaginc you evcr

i, , r,r' rl:urt:c(l rvith Sandy like this,I t.,\NNY. Whattaya mean'll'\'l"l'\'. I mcan her bcing so clum.sy and all. She can't even*hrau, her iwvniwnns Pi4ld

. ln lirct, I'vc bcen thinking of having a little talk rvith thc eacl.,rlrrlul hCl'.

Irr\NNY. Why? Whatta you care?l',\'l"l'Y. Wcll, I mean ... even you have to admit she's a bit of a

r, r;' I rrrr.iul ... isn't that why y<lu broke up with hcr'/f t\NNY. I-lcy, listen ...... y'know shc used to be a half-way deent

,lrit:k lrclirre she got mixed up with you and your brown-nose +;erA5.

,r,l,\rNl 'lrttlk.s awuy.from her. PAT-rY, stwrned, ntns t() the punchr,rltly. (f)lll(KIE walks up to RI72O.)

lll'f,7,(r. Hey, Kenickie, rvhere ya been, the submarine races?l(1,:NICKIE. Nah. I had to go to Egypt to pick up a date.lIl'/,7,O. You feel like dancin'?l(l':NIOKIE. Crazy.l,,l l(;ICNE. It's been very nice talking to you, Betty.lll7,Zo. Yeah, sce ya around the Bookmobile"

, t t Nl('KIE tmd RI7-20 danc:e off.)

VINCB. (Doing the cha-cha with MARW.) I'm Vince lrontaine"lri' !,()ut litlks know that I come into your room every nightl?? Overu '\ \ X, that is! (VINCE loughs.) I'm gonna judge the dance contest.\r, y()rr grrnna be in it?

lvlARTY. I guess not. I ain't got a date.VINCE. What? A knockout like you? Things sure have changed

irr, r' I wcot to school ......... last year.IX)ODY. (Poitttirtg at CHA-CHA.) Hey, ain't that the chick

L rur kic walked in with?S()NNY- Where?I X )ODY. The one pickin' her nose over there.

4t

Amerit''

42 GREASE

SONNIY. J'hat's the baby. I thought she wAS one of tl"rc cali:tr:'. ',,latl ie s .

CHA-CHA. (Sranding neur EUCENE.) tley, clid you conlc lr' ',to rlance ()r didn't yit'l

EU(;I1NE. Of course, but I nevcr learrlr-'cl horv tt.r tJo tlris clitnct:

CHA-CIIIA. Ahh. thcrc',\ nothing to it. I'nt gonna tcrrr ir

"birllrocrrn" zrt the CYO. (Shc gruhs EIIGEAIE in dunt:e positio;, )

Nor.v. ()nc-trvo-clra-chir-cha. tlrree-four-chit-cha-chlt-vcry gtlocl-ct; '

cha-chu- kcep- i t- up-cha-cha-cha.Etl(;EI\[t. You certainly tlance well.CHA-Cf{A. Thanks' you can hold nlc il littlc tightcr. I\vot't'I bir,'

chlr.

(CIIA-CI{A grubs EUGtiNE in il bcur hrtg. Musi<' t:rttls und Kll''',rtpltluud.)

.t()IINNY CASII\(). "l-haltk you. This is .krhnny Citsitto tcllirr:'you rvlrcrr you hcar tlre tonc it rvill bc exilctly onc tttittute tu Hr\NIrJIVtr I'lME!

( [i"t<'ited nturnrrtrs untl sc'rumltling Jrtr purlntrs tuke's pluce otI tli;'

ttttnt't .f'loor us tlte buncl's guilttri,st tttukes' rt " lrt'{utg" sound on lti.t

" E:" .trritt,q. )

I.ltiGENE. [:lxcuse rne" it rvits very rticc rrtcctirtI yttu.(llIA-CFIA. t{ey, r,vait ir rrrinute dcxr'tctxr rvant rny pltonu.'

rru rttbcr ()r sorncthin "lEU{;[iNE. (('r'o.r,rc,,l to PA'l-fY.) ['atty. y(]u pr()nlisccl to hc n]!i'

purtrter frlr the clarlcc c()ntest,, remcnrtrer'.)IIA'f'l'Y.'That's right. I alrnost fclrgot.

( EU (; Ewf 1nll,r he'r uwu)'.)

DANNY. IIey, Rizz"(). I'ln rcady to dancc \vith yor-i n()w.

F_ln'LO. Don't stritin yourself ..... I'm dancin' rvith Kenickic.KEI\{ICKIE, "fhltt's all right., Zuko, v()rr ctrn lurve tny d;lte. (l{,'

!'r,//s.) l{ey, C'harlenc! Clornc 'cre!CI IA-CIIA. {S/r,, ('r-(r.r'.T es ov(r. ) Yeah'/ Whattaya lvitnt'lDAFJNY. Are you kidtlin' rne'J

KENICKIE. F{ow'd.iil like to dance lhis ncxt onc rvith l)anrt'.,'

Zrtko'J

GREASB 4_!

t I1,,\-('IlA. the big wheel of the Burger Palace Boys. I ditln't, ,i I no\\r ltc saw rng hgrg.

ll \NNY. I didn't!

u r,/,, t ( il lI',\ lUUgh.)

f l )llNNY CASINO. Okay, alligators, here it is. The big one,r,, ll,rrrrl .livc l)ance Contest. (KIDS t:heer.J [.et's get things under

, , l,\ I'r rrrpling up or.Ir very own Miss Lynch.

t ll,'t tt'(tr'1.)

t\ll.\S l,YI\CH" 'Ihank you, Cllarence. (CROWD sturts laughing,,,,t t,'llutx.) Whenever you're finished. Before we begin, I'cl like toi l, ruu(' y()u all to "Moonlight in the Tropics." And I think we all

, . ,r lrrli round ol'applause to Patty Simc:ox and her c'ommittee for, tr, \\ { rn(lt'rlttl decorations.

, I l, r ,',1 r t'rtt'liott from CROWD.)

l'.1 I(;tiNE. Yay, Patty I g i"; iTl"i rri r' 'u'i**

i\llSS LYNCII. Now, ['mpfure, you'll bc glad to knorv thut;rrrlrinrg this dance contest fiF-ew KIDS r:heer.)

Mr. Vince Fontainc. Mr. Fontainc'l .... Mr. Fontainc'lV I N(:lt. Cornin' right up !

t\l l,SS [,YNCH. As most of you knorv, Mr. Fontaine is nni rl r r( rr u t('r:r' tor radi<l sti,rtion WAXX . (VINC E, ()n lhe bunilslrtild,,, lrr i I,i'r t in her eer.) .." uh .,. (Unutnqfortuhll'./ "l)ig the scL:nc on bigI r I r, i' r r '" ( ( lrecr' goes up.) Nrxv tor the ru lcs !

\,'r N(rri. (Gr*,ht;;;; ;;,;; ,"',ii'f;,;;"'fiiss I"Yt\tt'r-t ) I .iust wi,',,i,,', lrrrly in all sincerity" IVliss I-ynch, that you'rc doing ir rt:irlly,

,, .rllv tcrril'ic job here" tcrrific. And I'll sure bct tlrese kids :rrc luckyr, , lr.r \,(' you for a tctrchcr, 'c;rusc ['ll bet in all sincerity tlrlt y()u'r'r],, ,lli tt'r'r-il'ic" lS SHE TIiRRIFtC KIDS'l ('l'he KlIl.S th(t'r'.J Arrtl.lllltlrrt.kyguyantlgalisg0nllag0btlppin'htltrtcwitlrllr'j@

'fu.lr,,trl gu'izes. /".'- r.ltltt't, ',rllr'r r l yorl rvitt or lt:.se, it's rvltatt ya cJrl rvtttt tno.sc uarre nrg si)ccs,

1d'.tr f'*i qr" i "\ r? L't A r i tr"

GREASE

-So, okay, cats, throw your mittens around your kittens... and AW ,tWE GO!

(VINCE does Jackie Gleason pose. JO\INNY CASINO sings "Bor",,t,,Hand-Jive." [)uring the dance, cou7tles ere eliminated one by ,.',1,

es VINCE FONTAINE mills tlvough the crow,d, tapping ei i ltcouple.)

Song.' "B{}RN TO HAI{D-JIVE"

.TOIINT{V CASII\O.BEFORE I WAS BORN, LATE ONts NIGF{'|MY PAPA SATD, EVERYTHING'S ALL RICI{'|.T}IE DOCTOR I-AIJGHED WHEN MA LAID DOWNWITII HtrR STOMACH BOI.iNCII*{' ALL AROUNI)'CAuSIl A IIE-IIOP STORK WAS rBOUT TO ARRIVEAIND MAMA GAVb, BIRTI-I TO'TFIE HAND-JIVE

I COIJLD BARELY WALK WFIEN I MILKED A COWWI{trNI I wAS T}IREE I PI.JSI{ED A PLOWWHII-E, C]}jOPPIN'WOO[) ['D MOVb, MY I-trGSAND S-TARTED DAhICIT{' W}{ILE I CATI-IERED EGCS-|OWN I;OLK CI-APPtrD. tr WAS ONLY FIVETIE,'[-L OI"JT DANCE 'E,M A[.L. F{E'S A BORN "T{AND-JtrVE''

( DANCIi B{ltE,AK.)

T]ORN TO IIAND-JIVE. BAT}EEI]trEEEIJI]! ! ! ! ! ! ! ! !

I]ORN '["(} [IAND_J I VE' I}AI]Y !I ! ! ! ! !

(DANCT IJffgAK.)

NOW, CAN YOLJ HAND-JIVE, BABE,EEEEh,EEIrEE']?! !

OFI, CAN YOU HAND-.IIVE' BAI]Y'IOH YI]AH. OI_I YEAH, OH YEAI-I.

JOIINNY CASIN{} and COMPAF{Y.BORN 'r() [-[AND-JIVE, Ot{ ytrAI{!!!!!!!!!l

htls$ LVNCIt" (Out r$- breuth on bunclstand-) My Goodncss]

GREAST1 45

ii *&",r lJitr,,' ()rtr rvinners. Will you Step up here for your prize s"

lo:+.r,4f i*l ., .ln(l ...."..."i u \ ('ltA. (lha-Cha DiGregorio', I t',', Ll'N( lll. Uh Cha-Cha DiGregorio.r r I \ ( 'llA. 'l'hc:y call me Cha-Clra 'cause ['tn the tlcsl danc:cr at

.1 i.- , il, . , ' ,', ,''-,,1 t l- +' :' -,

rr \ I tl, l L KIDS. Rooocloooooooo!,'-, l ,\'N()Itr, Otr . that'S very nice. Congratulations to the

\ r )r. :rrttl ltcrc are your prizes: -['wo free pilsses to the l'rvt-'l'lrcirtrc good frn any r,veck night. ( KI DS cheer.) A

(t:rr dolllrs off at Robert Hall. (KIDS boo.J Apd last but r',.'. 1 \r.

1 or rr ll olllt ics, pre parcd by Mrs. Schncidcr'S itft class"

, . ,. ,rttl (rl)ltlous(. MISS I.YN(:H presents DANNY und CIIA',1/l tritlr tvr,(t hirltou.r ccruntit nebltishcs irt duncc prtsitittns,

't,'trrtt'tt ort lilor:k,s of wtncl.)

\ tN( 'l',. (( irrhhing the ntikt Jrotrt M/.sS I.YNCFI.) We rcn't thcy,,rr, ' { "nr()n. lct's lreltr it lbr thesc kidsl (KII)S che'cr./ Only thirrg I ,.o", ii;v'*:-

, lrrlorc wo wrap tlrings up is that you kicls at Rydcll arc.itr1,.r. q I : I t

,t.

l{ 1 l}1,:1,1, KIDS. YIlAIMAY! ctc"\ I N( '1,1" Llrst rlancc. l;tclies cltttice.

,,,,f /'/(r\'.\' s'lox, instrUtttetttAl. CoUpleS leUt't: dunte', OnA 1r]' ()tt(

,,!tttl (.llA-CHA i.s ttfr uktrtt a.T PATT'Y. ELlG|il,,lE nnd A,//.5J

r | {v( 'l I t'l(rrn u.ftr:r danc'e . Ench s-rils rr,r the Iight.s t'hrtnge lrt,t, il' ,i('t'tlt'.)

Scena 2

i / tt i.\' r,r,aLtirt74 u J'c+p duy.r later" in.fi"rnrt rt/'the IJur8,(r I'ttlrr<'t'"

I l| 1, lV('HX i.s ltttt:irtg uroutld, rnrtgtr?.irrt' irt lturtd, ltxtkirt,g rlt ,ri,qrr

.,n littr,qr,t' Pu{ucc yr,intknt,; "()ttutttcr Girl lUunl(d." Af'tt:r {t.ftn',u,,nr('ut,t,\'ClNl/)'. KIINI(: KIIi und D()OIIY rnte'r

, { i."1-(,

ft{

t|,o +t

FRENCHV: Oh, \N€lL uh....l cut toniglt. Those b€autyteacheEtheysdt XI ICKIE: Ahh, Cmon, Zuko, whaddaya tryrn'to prove with thistrackteamrcrkin there don't know nothin'. so..uh...whals up with you Suys? 8a6a8e?

DOODY: Ah, we gotta ch€'ck out the new .uto body shop. Kenickie needs OAINY: why? whadda you ca.e? Loolr I gotta cut. rm in the mlddl€ of asome new hlbcrps- llc€ right now.s€e ya later.

FnEiCHY: No lie? What happened to thos€ slick caps you had befor€? (Donny tu'l't to tuo d

XEillCXlt: Uh, well....Hey, lookl.....ain't that Danny? sol{t{Y: You tot the 'hotd for that cheedeader or som€thid?(Dtnty nops, tums to stdrc Sohny dovn, then EXII5.)

DIOODY: Hey, Darny! Or€r herel some euy, causes a ruckus, then cuts out on 6!

KENICKIE: Hey, what's shakin', Frenchy!

SONNY: You get outta beauty school already?

FRENCHY: What's he doin' in his underwear?

(DANNY enters in a white track suit carrying a relay rece baton.)

DANNY: Not a chance! The coach'd give me a boot in the keyster.

SONNY and KENICKIE: The coach!?

KENICKIE: Jeez, next thing you know, he'll be getting'a crew cut!

DOODY: Nah, he'd look neater with a flat-top!

DOODY: Thafs a tracl suit! Hi ya, Dannyl FRE crIY: Y€eh, with a DA in the bact .nd some Brill.r€me smmthedthmuEh it. "A Little Dab'll Do Y.!"

lGNlCl(E: Whoa. ZukotWhere do you keep youriwheaties'?lcallcl(lC: Hey Fren.lty, you better s.raft.

oANNY: Ha, ha, bigjoke.EREalr,HYt (lookkg dt D@dy) r gless I am gettlntf kinda hungry.

SOIU{Y: Hey, Hs . Sood thint yodre her€. Wdre ch€ctin' out thlt newauto body shoy's bh op€niry tonldt. (Doody nods dnd t/rodot's Iot her to so tnddeAlf auser Poloce. she

EXT')

lrtoDY: utlotL whattime ls it?KEtllCXlE: Nine o'clocl.

so l{Y: froo*irs ot tis wotd, tt's almost fiv€ aft€r....Cmon, let's spltt.DA NY: Nice playl Ah, but I got field t.ainiq til 9:30. llme for a little.... "window shoppind, eh f.llas?

KENICXIE: Cant you sneak away, mah? (Boys EXiT loughing ond punching eo.h otlw in the onst

(Frenchy walks out of the Burger Paloce and sees the boys leaving. She

stonds dejectedly holding the'HELP WANTED" flyer, then balls it up and

throws it)4L

48 GRTIASE

tsRENC,I{Y- Jeezl What anr I gonna tlo/ tr rnean, I c*n"[ just te*leverybcldy I dnrppcd out olf'heituty school" tr c:an'[ get a..iob in th{.:Burger Palace. Not with those guys always hangin'-'around. Boy, Iwish I had onc of those Gr,rarclian Angel things jit* in that Debhii:Reynolds movie. Would that be neaf. Sornebody always there tq te{lyou what's the best thing to do.

(spoolry angtlic guikrr r:h\rds. /iREA/ cHY's GtJARD\ AN TEEI|ANGEL appe(n-s.r'winging in quierl7t on (r rope. Ne is a Fahian-like rock singer. White Fabian sweater u,ith the co{tar turned up,white rhinos, white ltoots, a la.rge white contb sticking out o.f hi,:;pocket- He stngs " Becruty School llroporat." After the l1rst viierse,a chorus oI ANG&/-S appears-." a group of girls in *hitn plasti<:sheets and their hair in white pla.stit: rollers in ct lml.o effect. They

GREASE

t,t (,r'ir/c' buc:kground doo-w,uhs. The TITEN ANGEL sings.)

4r)

Song: "BEAUTY SCHOOL DR0POUT"

,I'I.]TiN ANGEI,.r { }l llt .S'[ORY'S SAD TO -I-ELL

r I I,l|NAGE NE'ER-DO-WEL[,iilt )rr'l'MIXED-UP NON-DIILINQUENT ON THE BI-,OCKr ilI IIT IIT]TURE'S SO I.JNCI-EAR NOWir IIA'I''S I-EFT OF YOUR C]AREER NOWr '\N"l'llvEhl CET A TRADE-IN ON YOTJR SMOCK

| ',, t t nt ri.te s slou,l]' witlt ntu,sic cts u .spotliS4ht huntyts orr T'EEN,'|N(;EL a"ncl the heavenly CHOR{/S )

III'i\I J'['Y SC]}iOOL DROPOUT;Iil (;I{ADUATTOI{ DAY FOR YOTJII I . ,,\ [ I'I'Y SCHOOL DR.OPOTIThll:;Sl:t) YOUR MID-TERMS AND FLIJNKED SI-IAMPOO\\,I;I ,I ,. AT [,BAS'| YOU COI.JI."D HAVE TAKEN TIMEII I WASJTI AND CLEAN YOUR CLOTHLIS I.JP

\ I 'I'IiR SPENDING AL[-'THAT DOT]CI-I TO HAVI]IIII., I)OCTOR FIX YOUR NOSE tJP

II,\ItY, GETMOVIN'\\, IIY KE,EP YOUR FEEBLE HOPES ALIVF,'I\\lIIA'I" ARE YOU PROVIN'?i I II J GOT TFIE NREAM BUT NOT THE DRIVEII. Y()I"J GO FOR YOUR DIPLOIVIA YOU COtJt-D JOII{

t)OC)LI I IITN IN YOI.JR TEASING COMB AI{D GO BACK TO

S('IIOOL

I rl IAtJT'Y SCFIOOL DROPOUTII,\NfiIN' AROUND THE CORNER STORBIII.N TJ'I-Y SCFIOOL, DROPOUTI I

"\ AI}OL]T'TIME YOU KNEW T}IE SCORE

\VI.:I,I,, T'I_IEY COL}LDN'T TEACH YOU ANYTHTNGi ilI I 'TIIINK IT'S SUCH A BOTHERIIII'I'NO CUSTOMER WOULD GO'TO YOU

A S'IENO

HICH

hcrL,f frN€,3

50 fiRHA,SF]

TEE}T AhTGE,L:

Unless it was your fatherBaby, don't sweat itYou're not cut out to hold a brushBetter forget itWho wants their hair turned into mush?

Now your bangs are curled, Yow lashes twirled,But still the world is cruelWipe off that angel face and go back to Hi-igh Scho-ol!

FRENICHY:Maybe I blew itt put your good qdvice to shame

How could I do it?Betcha Dear Abby'd say the some

Guess there's iust one wQY, I gotto say

Just one more chance for me

Find me a job and thenGo ear-n my G-Eee-De-e-e !

SCfI/f; Sc'clttr (:ottt(,$ up ()tT. Gree*ed l-ightning at ilrc twi-LightDrive-ln 'fhcutrt.

'S'AruIlY r.tnd {)ANNY rtre sitting rtlone: v,earing3- D -g/rtssfs al opstttsite etrcls af tlre fi"ont .Tr.,ril sluring ,rrraigirahetul in cnt'ft n'ilrrl silent:t. lvIot,ie ntttsit' i.l. t:t.rrninSl out r$' ttsturtub{e ,rpettkc:r" Diulogue.from the mot,ie begin,r tp (onrc out ,Jtlte: sytt.rtk,e,r ()v( t' er:rie bu<'klit^ouncl music.

GIITL'.$ V()I{IH. tt w;ts like an anirnal rvirh awfutrclawing haltds ittttl and lriclcous fang.s oh, it was like an ightrnare !

runRo's voICH. J'here. there, you're safb n()w, shcila.$iCIENT'IS'I.'S VOICH" Poor J"odcl. J'he racliation has caused

q' I I

''

GREASE 5I

hifn to rrrr-rtiltc. [-le's lrecornc hall- lnan, lrall'monstcr Iikc ir

\Afdervoll'.

SIIHILA'.S VOICE. But, cloctor, hc... he's nly brt-rthcr. Ancl his',tur'k cilr racc is tontt.trrclrv !

'r t'rrvtl.f' htnvl,)

lll,:R()'S V()[CE. Crclrt Scott! lt's a firll rtttlort!

llr\NNY" (Rcmov,in,q /ris ,ry/rr.r.rc,s.f Why dtllt'tclta nl()vc (")ver tl

lrltlt"r.'loscr'lSANIIY. This is all right"l )AFIFiY. Wcll. can't yll at least sntilc or sontctltin"l [.tltlk,

',,rnrly, I prnctically had to bust Kenickic's artn to gCIt his car fc)r

r,rlrlllrt.'I.lrc guys itrc really P.O.'ecl at nrc. I rne'itn, I thoq,rglrt we wcre,onnir lilrgct about tlrut sccnc ilr the purk rvitlt Sclttrty artcl Rizztl itttcl

r lt't'!thirrg. I tolcl yit ort tltc plttlttc I r,vits sorry-

SAI'.iIlY. I kttorv yott tlid.I)AI\f{\'. We ll'l (Purt,sr.) l'ley" }or.r :lirt't gttitt' rvith atttltltcr gtty.

,rr t' yil'lSANI)Y. Nt). Wtry'lI)ANNY. [:rr.,. olr' ah nothin' .... well, yeith..,. (DAI{/{Y trits

t, t tuk(, o.l/'lti.r rirrg.) I rvas gonna ask ynr tO take rny ring.

SAI\DY. Oh. Danny ... I dtlrt't kn1lw rvhltt tct sity.

I)ANNY" Wcil., dott'tcha wllllt it'J

SAI\[]Y" [Jh-huh.

l l lr puts iI ort hr:r.fing(r..S/tc Ai.s.sc'.1 ltinr on lhc rheek.)

llANNY. All rightt (Be:t,1t.t cilr lmrn") I shouldli gtvc it to ylt' a

Iong tirnc ago, I really like you, Sandy

( [ Ie uttcnrpts to fti.ts hcr on the lips.)

;liANIlV" t)anny, takc it casyl What ilil'c you trying t() dtl'l

llAt{NY" Wlrattsa' ntiltte r'?

SANtlY. Well., I nrcan ...." I thrnrght wc wcro just f:,otllla*--yotlk norv ** bc stcad ics.

IIANNY. Wcll, r,vhattaya" think goiltll steady is., ittlywav'}.

{I ttrt:uglrt I ntcllltt

52 GREASE

sOtncthin' to ya.SANDY' You clo- Btlt I'm still the sarne girl I wa.s last surnr,,.rJust becausc you give tnc your rirrg cloc.sn't mcan you cil,., ul,,wltatever you rvant.

(SAh/DY operts f ht: ("ilr door-, {!ets ottr.)

DANNY" Hey. Sand,/. wait a minutc.

(SANDY slunts ((tr drt.tr ttn DANNy,.; ltttrtd.)

SANDY. I'm sorry. Danny ....DAI\NY. ([n pain, fttlsarti., ,,,rir.c.J It,s n'rhingtSANDY- Maybe we bcrrcr just forget about it.

('StlNDY rri('s frt ,qil'c: DIINNY lris rirtg ltuck. wlrcn he ra.fuses, .rlr,lcuves it ttrt (.il r, s hoocl. Slrc crirs. J

DANNY' [lc:Y' Sandy, where you goin"l You can't "just rv'lk *irro1' a drivc-in !

HERO'S VOICrJ. Look Sheila! .fher lirll moon i.s sinking belri*,t"l)cltd Man's Curve.,'

(DANNY ge ts out oJ'c.ar to ger ring.)

SHEII-A's volca- Ycs. l-itnce ancl rvith it all o*i.cl rcam s.

(Werewolf' how!.I}lNNY slrrg'r- " Alone al a I-)riv,e-ln M()r,ir: " vvitlt w(rewo[.f' lt,vr-1",,cotrting .ft"om nutyie

snng'" "Atr'oNE AT A IIRIP'E-IN MtlvrE,,

T}AF.INY.tr'M ... A[_1,... ALONEAT TI{A DRIVE-IN MOVIEIT''S A FEELIN' 'f'HAT AIN''r TOO GROOVY.WAT'CHIN' WHREWOLVES WITr-IOU'| YOIJ.

GR.NASE

1 t t lf :trrgr futwls'.)

,\ N I) WI{EN THE IN'TE,RMISSIOT\I HLI"Nl( )VlrS TI-IE CI-OCK'S FIANDS\V I III ,E HE'S EAI'ING EVERY'I.I-TING.;( }I .I) A'I TI..IE S'I'ANI)

\V I ll:N 'I'HEI{E'S ONti MIhlLl'I'[' TO G()I'II,I, T}]E L,ICFITS GO DOWI'{ I,OWI 'I ,I, [}E LIOI-DING TT{E SPL,AKER KNOI]SN4 |.S,SINC YOU 50()()()()()()C)()C}()()!!!! I

I ('AN"l' BIILIEVE I'fI JN.$TT'AMT]D WINDOWS I CAi{ SHE'I-HIIO{.JGHMI(;H'I'AS WEI-I.- IIE IN AN ICLOO'('AIJS[i 'J"I.IH HF,ATHR DOHSN'T SZtIRrc,,\s ".. Go0t)... A,s... YoLi!!!!!!!!!!!

OFIi'S'I'r\(Jli G UVS.Bn By. c0Mri tlAcK !!!!!!l!!!!!!!

(l,igltt,s fuclc tm DANNY as he drives tlJ in car.)

5.I

,"."f ,l.; {

Scene 4

SCENE: A porty inJAN's basement. Kenickie ond Rizzo sre doncing. Sonny andMarty are on the couch tapping .feet and drinking cokes. Frenchy is sitting on

floor next ta record player keeping time to the rnusic. Jan is swaying ta the

music. Sandy sits alone on stairs trying to fit in ond enjoy herself. Danny is nat

prese nt.

I

F'lx.ir

t ld{,J I

SANDY: Don't put too many records on, Frenchy. l'm goirng to leave in a

couple of minutes.

KENICKIE: Aah, come on! You ain't takinr'your record player already! The

party's just getting started.

RIZZO: Yeah, she's cutting out because Zuko ain't here.

SANDY: No, l'm not! I didn't come here to see him.

RIZZO: No? What'dja come for, then.

SANDY: Uh... because I was invited.

RIZZO: We only invited ya' because we needed a record player.

MARTY: Man, you're really a barrel of laughs, tonight, Rizzo. What's

buggin'you anyway? (Walks over to Kenickie and sforfs flirting with him.

He flirts back)

RIZZO: Huh? Ah, never mind...it's just my long, sorry life. fAwkward pause.)

Hey, what happened to the music? This party's a real drag. ln fact, all a

yous are drags!

KENICKIE: (Grabbing Marty around the waisfl Yeah, sez you.What a crab!

Guess Miz Rizzo needs some new guys to hang around. C'mon, Marty,

boys, let's leave the "freez.er" here and cruise for some fun, eh? Later,

Rizzo !

(Boys and Marty exit, laughing.)RIZZO: Yeah, go on, who needs you anyway?

JAN : (entering with Frenchy) Hey! Where'd everybody go?

RIZZO: Ain't I somebody? Some party this is, with just you ! c,S6 R*5 I

FRENCHy: Well! tf that's how you feel! c'mon, runf-lBffr:'?;"u clean up.

c\fr6A(Jon and Frenchy exit.)

,{-.lA

(Sandy walks out of the shodows with her record player, by Rizzo)

RIZZO: Hey, wait a minute, Miss Goody Two Shoes! Where do you thinkyou're going?

SANDY: (shaking her head, running and crying) Stop it! l'm going home! I

can't stand it! (Sandy exits, leaving Rizzo alone on stage)

RIZZO: (catting afier Sandy)Hey, how come I didn't see Zuko here tonight?

You listening, Miss Sandra Dee?

RIZZO'S SONG: "WORSE THINGS I COULD DO"

There are worse things I could do

Than to date a boy or two,Even though the neighborhoodThinks I'm fickle and no good.

I suppose it could be trueBut there are worse things I could do.

I could flirt with all the guys

Smile at them and bat my eyes,

Promise love forever more,Then just kick them out the door,Make their heart drop to their shoes.

That's a thing I'll never do.

I could stay home every night,Wait around for Mr. Right,

Hum old love songs night and day,

And throw my life away,

For a dream that won't come true.

I could hurt someone like me

Out of spite or jealousy

I don't steal and I don't lie

But I can feel and I can cryA fact l'll be you never knew.

But to cry in front of you-That's the worst thing I could do.

(At finish of song, Rizzo hangs her head. Then she looks in the direction ofFrenchy and lan off stage)

r"rR 5f,rl

At finish of song, Rizzo hangs her head. Then she looks in the

direction of Frenchy and Jan off stage)

RIZZO: Hey! Frenchy? Hey, uh...wait up! (Rizzo exits)

(Lights up in Sandy's bedroom)

ISANDY'S REPRISE OF 'SANDRA DEE,,]

SANDY's SONG: "LOOK AT ME, l'M SANDRA DEE'

Look at ffi€, there has to be

Something more than what they see

Wholesome and pure, also scared and unsure

A poor man's Sandra Dee

When they criticize and make fun of me

Can't they see the tears in my smile?Don't they realize there's just one of me

And it has to last me a while

(Frenchy & Rizzo enter lighf SC. Sandy picks up phone, colls Frenchy)

SANDY: Hey, French? Can you come over to my house for a while?And bring your makeup case, OK? Yeah, Rizzo can come too.

(Rizzo and Frenchy look at each other and sing:)

Sandy, you must start anew

Don't you know what you must do?

Hold your head high, take a deep breath and cry

(Sandy raises head, reoches a dicision & sings with Rizza & Frenchy):

Goodbye to Sandra Dee.

(On last line of song she pulls the ribbon from her pony-tail and shakes her hair down.)

:ttb {}$t$i,&$ii[:]

$ceffie 5

^$C/-1Wf;-' {.i,g&rs (:(,Iric Ltp !nsiCe o,l t/zt: Brtrger f'rr/ccc. f{#Gfffi'DOOfiy', Kgl/{CKIE rsnd,t(}ff//Y crrt.rrrting ut the cotrntur.

[QOGHI{. I-lcy, you guys warlnil cilnle c}vcr to my house and

'ivil{c:lr thc h,,lickey V{r:r"rse club'?

([]A?-l'Y enlers in chcerleadt:r ((]s:rit'lt( r/rrlg.qing !]otil {}ontsdi spi rif ed{y.1

KENXCKIIII. tr ley, it's littlc Miss Porn*Ponrs! W'hy clrin't yalnakc h4[1 a big tr"irck star too?

S{}NNV. Na}r. gct r}re out on thut f ield-._try tlrc chr:erlcack:rs--lgot WAY trctter rnoves tllirn Tuktl.

[]A'I"fi'l{. Yr:rx'r e cli sgusting, all o!' you !

1!.)AN NI' ('rtlers itt {e:lf e rman swe r.ttt:r, he nr(i(rr'i' hrtrn-rimtne C

g/rrsscs. J

flANNV. Hcy' yotr guys!${}NN\'" Whou! Look at this!$XX)[]11" ]{i 3'at, I"}ltnsx-v!

E{.$iru}'CKgFl. ZllF:E1,",_,h,;:,t !,iAf:pql"sq.:r-l 1ft ./{,i{r,i i l i j l i l lg},h"ruiqtr'" Wadda ya mean? Sandy'd like it... I mean, ltiiir'lq 1$mnh.

fiLiYS" f rVcir {'{}.Fr','iptc"c'cl" j {{ig}lt. COOI! Right?fi{.{Xi}if{." {{t:y^ L:{"}s}li: (}r'}. w* \ri,ir")i-*.}u:i{ gr.:ir"l' (}\rc{'ttl nry l:i;uru riLu

uratch thc Mickey Mr>use Clut:.IIANIqY. {-'(xll. [-et'si go.llA'X"['Y. I)iinn]/', you ltxll. \l/onr"]e rfirl ! !

( IIANNY' is t'ttotncn rcr"r/v r/i,q'frure :tt:d {ty f 'A'f"l'Y-)

K{,{}GXiF{.. Ahl}, cqu-}tc: (}n Zirl'c! F{o}rclciy's trq:nre"

DAF{I.\Y- Solial! [ ;ltcr. X);rtty!

{(;tJ }lS sta,'-r Io /rreuer. 4,f,4{f l''y, fl/{&,rvcf'{Y, {tldi,{} snrl JA}t' in Pink{"ndies .iuckcts erru/cr si/c'rrrlr., gcstrtrircg f/re grc;r$ Io "be tooi" {i,s'

they tuke. up drt'il:rtt pr.,usi/ioru.r. SAI{l}\/ enters" now il Greaser's"Dreem {iirl"" ,rt wi/r/ nr.)}r/ lutir' .r/y/e, hfack fenthr:r' wrot$rcyrte

GREASI.] 57

itt,'kcl witlt silver stttd's ttn tlw ba<:k rhat spell "BIG D" ' 'skirr-ri'q/rl

rlrtr'&.$, g<tltl httop ,,Ii')i"'r''' i"' s!'e ,t.,:iuall'- lottks Jtrettier untl

,,,,rrr alite lhun she ever Jttts')

.s*vo{,lllZT'O. Rcrncmbcrl play it cool'

l)ANNY- Hey' SanOy! Worv' what a total! Wick-e<I1

iiANDY. What's it to Ya' Zuko'l

I)ANNY. Hey, we wcre just goin' "

to chcck oLrt "Thc

\l,rrrsckcteers." I.lorv rvoulcl you lilie tc c<lnrc altlne"l

l'A'I-t'Y. l)annv' #;J;;;'; i*l|u "u"'l Yilrr r:$iliril 1 possib!v

lx. rrtttt'$sted in that "' that f1u>zy'

t 1kondy looks to Rizzo for her next move. she takes off her scarf, then she strolls over

to Patty , studies her colmly, and stuffs the scarf in Patty's mouth')

PINK IADIES: YAA-AAY!

PATTY: Oh my God, my lipstick's all smeared!

I

i ,*r*a"rt (opening her purse) Don't sweat it' Patty' l'll fix it up' I just got a new job'

I ,"tonrarrting this miracle make-up at Woolworth's' Come on over here'

i DANNY: Hey, Sandy, you're somethin' else!

SANDY:Oh,soya'noticed,hun?Tellmeaboutit"'BigBoy!

dd' a- f,\04rt

You're The One that I Want Sandy: You better prove, that my failh isjustified

Dannyi I got chills, they're multiplyin" and l'm losin'control Danny; Are you sure?

cause the power you're supplyin', its electrifyin' Danny & sandy: Yes I'm sure down deep inside

[chorus Fpeats outlSandy: You better shape up, cause I need a man,

and my heart is set on youYou better shape up, you better understand,

lo my heart I must be true DANNY: Hey, Sandy, I still got my ring! lguess you're still kindamad at me, huh?

i

sandy & Danny: Nothing teft, nothing left for me to do SANDY: Nah. Forget about itl Gimme that thing!

DANNY: A-wop-ba-ba]u-bop!Chorua:You'rethe one that lwant ALL: A Wop-Bam-Booml(you are the one I want), ooh ooh ooh, honey

The one that I want (you are the one lwant),ooh ooh ooh, honey BowsThe one thal I want (you are the one lwant),ooh ooh ooh, honey We Go Together repriseThe one I need (the one I need),

oh yes indeed (yes indeed)

Sandy: lf you're filled with affection, GURTAIN

You're too shy to conveyMeditate my direction, feel yourway

Danny: I better shape uP,

cause you need a manSandy: lneedaman,Who can keep me salisfiedDanny: I better shape up, if l'm gonna prove