Thinking Music and Sound in Latin America and the Caribbean Conference Program February 7, 8:00 pm Welcoming words and Inaugural Concert Marcelo Peralta and Marcelo Peralta Trio Glicker-Milstein Theatre Lower Level 2, Diana Center, Barnard College 3009 Broadway February 8 International Affairs Building, Room 1512 118th Street between Amsterdam Avenue and Morningside Drive Columbia University 9:00 am – 9:30 am Inscription and General Announcements 9: 30 am – 10:45 am Mesías Maiguashca ¿Thinking Music, Thinking Through Music? Sobre el Boletín y Elegía de las Mitas In Spanish 11:00 am – 12:45 pm Jairo Moreno Espectros sonoros. latinoamericanismos musicales, lo no-pensado, y lo impensable Sonorous Specters: Musical Latin-Americanisms, the Unthought, and the Unthinkable In Spanish Julio Ramos Los tiempos caribeños de Amadeo Roldán y Luis Palés Matos Caribbean Temporalities: Amadeo Roldán and Luis Palés Matos In Spanish 12:45- 2:00 pm Lunch

2:00 pm – 3:45 Ana María Ochoa The Voice in the Nineteenth Century Latin American Archive La voz en el archivo latinoamericano del siglo diecinueve In English Chris Washburne El Tema del Apollo: Thinking Through Latin American and Caribbean Music in Harlem El tema del Apollo: Pensar la música latinoamericana y caribeña en Harlem In English 4:30 pm – 6:00 pm Dodge Hall, 622 Jose Miguel Wisnik O pequeno nada rítmico Rhythmic Little Nothingness In Portuguese NOTE THE CHANGE IN LOCATION FOR THIS CONFERENCE: DODGE HALL ROOM 622 February 9 International Affairs Building, Room 1512 Please use entrance on 118TH Street between Amsterdam Avenue and Morningside Drive. 9:00 am – 10:40 am Cláudia Neiva de Matos O papel do intérprete vocal na reconfiguração dos gêneros de música popular: o cantor Ciro Monteiro e o samba dos anos 1940 The Role of The Vocalist in The Reconfiguration of Popular Music Genres: Singer Ciro Monteiro and 1940s Samba. In Portuguese Angel G. Quintero-Rivera La presencia viva del folklore en la composición popular: la música "jíbara" en la salsa (y el jazz) The Live Presence of Folklore in Popular Compositions: “Jíbara” Music in Salsa (and Jazz). In Spanish

11:00 am – 12:40 pm Marc Hertzman A Different Kind of Listening: Beyond Music, Identity, and the ‘Poverty Equation’ in Brazil Una escucha diferente: más allá de la música, la identidad y la “ecuación de la pobreza” en Brasil. In English Licia Fiol-Matta Vocal Pedagogy: So What if She’s Black? Pedagogía vocal: Negra, ¿Y qué? In English 12:40 pm – 2:00 pm Lunch 2:00 pm – 3:45 pm Pablo Fessel Gerardo Gandini's Imaginary Sound Museum. Rereadings of European Music As a Statement About Argentinean Culture. El museo sonoro imaginario de Gerardo Gandini. Relecturas de la música europea como posicionamiento acerca de la cultura argentina. In English Juan Calvi Del Noroeste Argentino a Arizona: ritornelos latinos y desterritorialización en la improvisación libre de M. Peralta y T. Malaby From the Argentinean Northwest to Arizona: Latin Ritornellos and Deterritorialization in The Free Improvisation of M. Peralta and T. Malaby In Spanish 4:00 pm – 5:00 pm Ticio Escobar Arte indígena: imagen, sonido y silencio Indigenous Art: Image, Sound, Silence In Spanish 7:30 pm Concert Lucía Pulido Leonard Nimoy Thalia Theatre Symphony Space 2537 Broadway at 95th Street