Theatrical Design and Production Chapter 21: Perspective Drawing © 2006 McGraw-Hill. All right...

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Theatrical Design and Production Chapter 21: Perspective Drawing 06 McGraw-Hill. All right reserved. Perspective drawing provides a sketch with the illusion of realistic depth Computer programs have simplified this process, but you should know how to hand-draw in perspective

Transcript of Theatrical Design and Production Chapter 21: Perspective Drawing © 2006 McGraw-Hill. All right...

Page 1: Theatrical Design and Production Chapter 21: Perspective Drawing © 2006 McGraw-Hill. All right reserved. Perspective drawing provides a sketch with the.

Theatrical Design and Production

Chapter 21: Perspective Drawing

© 2006 McGraw-Hill. All right reserved.

Perspective drawing provides a sketch with the illusion of realistic depth

Computer programs have simplified this process, but you should know how to hand-draw in perspective

Page 2: Theatrical Design and Production Chapter 21: Perspective Drawing © 2006 McGraw-Hill. All right reserved. Perspective drawing provides a sketch with the.

Theatrical Design and Production

Chapter 21: Perspective Drawing

© 2006 McGraw-Hill. All right reserved.

Principles of Perspective

Based on the following terminology:

Foreshortening – Representing the lines of an object as shorter than they are in order to give the illusion of proper relative size

Vanishing point – The point on the horizon to which a set of parallel lines recedes

Horizon line – A line in a perspective drawing representing the meeting of the earth and sky; normally drawn parallel to the top or bottom edge of the paper

Page 3: Theatrical Design and Production Chapter 21: Perspective Drawing © 2006 McGraw-Hill. All right reserved. Perspective drawing provides a sketch with the.

Theatrical Design and Production

Chapter 21: Perspective Drawing

© 2006 McGraw-Hill. All right reserved.

Foreshortening at work

Vanishing point

Principles of Perspective

Page 4: Theatrical Design and Production Chapter 21: Perspective Drawing © 2006 McGraw-Hill. All right reserved. Perspective drawing provides a sketch with the.

Theatrical Design and Production

Chapter 21: Perspective Drawing

© 2006 McGraw-Hill. All right reserved.

To draw an accurate perspective sketch you must know…

1. The distance from the observer to the object being drawn2. The height of the observer’s eye above the object being drawn3. The size and shape of the object

Principles of Perspective

Page 5: Theatrical Design and Production Chapter 21: Perspective Drawing © 2006 McGraw-Hill. All right reserved. Perspective drawing provides a sketch with the.

Theatrical Design and Production

Chapter 21: Perspective Drawing

© 2006 McGraw-Hill. All right reserved.

More to know…

Relative position of the object in

relation to a vertical plane that is placed between the

observer and the object

Principles of Perspective

Page 6: Theatrical Design and Production Chapter 21: Perspective Drawing © 2006 McGraw-Hill. All right reserved. Perspective drawing provides a sketch with the.

Theatrical Design and Production

Chapter 21: Perspective Drawing

© 2006 McGraw-Hill. All right reserved.

The vertical plane in various theatre spaces shifts…

Principles of Perspective

Page 7: Theatrical Design and Production Chapter 21: Perspective Drawing © 2006 McGraw-Hill. All right reserved. Perspective drawing provides a sketch with the.

Theatrical Design and Production

Chapter 21: Perspective Drawing

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Creating a Perspective Drawing

Observation point

Floor line: The base of the vertical plane in a perspective drawing; for a proscenium sketch, usually drawn across the stage in contact with the downstage edge of the proscenium arch; in a thrust drawing, normally placed just outside the auditorium end of the thrust; in an arena sketch, usually placed in the aisle closest to the observer

Page 8: Theatrical Design and Production Chapter 21: Perspective Drawing © 2006 McGraw-Hill. All right reserved. Perspective drawing provides a sketch with the.

Theatrical Design and Production

Chapter 21: Perspective Drawing

© 2006 McGraw-Hill. All right reserved.

Creating a Perspective Drawing

Page 9: Theatrical Design and Production Chapter 21: Perspective Drawing © 2006 McGraw-Hill. All right reserved. Perspective drawing provides a sketch with the.

Theatrical Design and Production

Chapter 21: Perspective Drawing

© 2006 McGraw-Hill. All right reserved.

Exercise Steps: A

Start with this drawing as your base

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Theatrical Design and Production

Chapter 21: Perspective Drawing

© 2006 McGraw-Hill. All right reserved.

Exercise Steps: B

Establish vanishing points for AB / DC and AD / BC

Page 11: Theatrical Design and Production Chapter 21: Perspective Drawing © 2006 McGraw-Hill. All right reserved. Perspective drawing provides a sketch with the.

Theatrical Design and Production

Chapter 21: Perspective Drawing

© 2006 McGraw-Hill. All right reserved.

Exercise Steps: C

Contact the perspective-view base line – establishes perspective view of the object

Page 12: Theatrical Design and Production Chapter 21: Perspective Drawing © 2006 McGraw-Hill. All right reserved. Perspective drawing provides a sketch with the.

Theatrical Design and Production

Chapter 21: Perspective Drawing

© 2006 McGraw-Hill. All right reserved.

Exercise Steps: D

Find the perspective view of the AB line & point A1

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Theatrical Design and Production

Chapter 21: Perspective Drawing

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Exercise Steps: E

Find the location of point B1

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Theatrical Design and Production

Chapter 21: Perspective Drawing

© 2006 McGraw-Hill. All right reserved.

Exercise Steps: F

Find the perspective view of the AD line & point D1

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Theatrical Design and Production

Chapter 21: Perspective Drawing

© 2006 McGraw-Hill. All right reserved.

Exercise Steps: G

Find the location of point C1

Page 16: Theatrical Design and Production Chapter 21: Perspective Drawing © 2006 McGraw-Hill. All right reserved. Perspective drawing provides a sketch with the.

Theatrical Design and Production

Chapter 21: Perspective Drawing

© 2006 McGraw-Hill. All right reserved.

Exercise Steps: H

Complete the view

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Theatrical Design and Production

Chapter 21: Perspective Drawing

© 2006 McGraw-Hill. All right reserved.

Review of the Perspective Procedure

All drawings are made on a basic grid composed of four lines

Page 18: Theatrical Design and Production Chapter 21: Perspective Drawing © 2006 McGraw-Hill. All right reserved. Perspective drawing provides a sketch with the.

Theatrical Design and Production

Chapter 21: Perspective Drawing

© 2006 McGraw-Hill. All right reserved.

The vanishing point is determined by extending (from OP) a line parallel to the ground plan view of that particular line until it intersects the floor line.

From intersection, a vertical line is dropped until it intersects the horizon line

Review of the Perspective Procedure

Page 19: Theatrical Design and Production Chapter 21: Perspective Drawing © 2006 McGraw-Hill. All right reserved. Perspective drawing provides a sketch with the.

Theatrical Design and Production

Chapter 21: Perspective Drawing

© 2006 McGraw-Hill. All right reserved.

Any point in contact with the floor line is unaffected by the laws of perspective

A line parallel to the line of vision can be dropped from that point to the perspective-view base line

Review of the Perspective Procedure

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Theatrical Design and Production

Chapter 21: Perspective Drawing

© 2006 McGraw-Hill. All right reserved.

A perspective view of a line can be established by extending a line from the pint of contact with the perspective-view base line to a vanishing point for that particular line

Review of the Perspective Procedure

Page 21: Theatrical Design and Production Chapter 21: Perspective Drawing © 2006 McGraw-Hill. All right reserved. Perspective drawing provides a sketch with the.

Theatrical Design and Production

Chapter 21: Perspective Drawing

© 2006 McGraw-Hill. All right reserved.

To find the location of any point on the perspective view of a line, draw a sight line from the observation point (OP) to the ground plan view of that point

From the point of intersection between the sight line and the floor, drop a vertical line until it intersects the extended line

Review of the Perspective Procedure

Page 22: Theatrical Design and Production Chapter 21: Perspective Drawing © 2006 McGraw-Hill. All right reserved. Perspective drawing provides a sketch with the.

Theatrical Design and Production

Chapter 21: Perspective Drawing

© 2006 McGraw-Hill. All right reserved.

After all the perspective points have been located using these techniques, connect those points to provide a perspective view of the object

Review of the Perspective Procedure

Page 23: Theatrical Design and Production Chapter 21: Perspective Drawing © 2006 McGraw-Hill. All right reserved. Perspective drawing provides a sketch with the.

Theatrical Design and Production

Chapter 21: Perspective Drawing

© 2006 McGraw-Hill. All right reserved.

Perspective Exercises

Exercise 1

Scale: ¼” = 1’-0”

OP: 36’-0” right and 8’-0” up1

Floor Line: 20’-0” from OP

Horizon Line: 3’-0” from OP

Perspective-view base line: extends horizontally through OP

Object being drawn: an 8’-0” square resting on the stage floor with its sides at a 45-degree angle to the floor line and the near corner (A) in contact with the floor line at the line of vision

Page 24: Theatrical Design and Production Chapter 21: Perspective Drawing © 2006 McGraw-Hill. All right reserved. Perspective drawing provides a sketch with the.

Theatrical Design and Production

Chapter 21: Perspective Drawing

© 2006 McGraw-Hill. All right reserved.

Exercise 1

Page 25: Theatrical Design and Production Chapter 21: Perspective Drawing © 2006 McGraw-Hill. All right reserved. Perspective drawing provides a sketch with the.

Theatrical Design and Production

Chapter 21: Perspective Drawing

© 2006 McGraw-Hill. All right reserved.

Perspective Exercises

Exercise 2

Scale: ¼” = 1’-0”

OP: 36’-0” right and 8’-0” up

Floor Line: 22’-0” from OP

Horizon Line: 7’-0” from OP

Perspective-view base line: extends horizontally through OP

Object being drawn: a flat 6’-0” by 10’-0” with its sides at a 45-degree angle to the floor line. The near corner (A) is in contact with the floor line and 7’-0” to the left of the intersection between the line of vision and the floor line

Page 26: Theatrical Design and Production Chapter 21: Perspective Drawing © 2006 McGraw-Hill. All right reserved. Perspective drawing provides a sketch with the.

Theatrical Design and Production

Chapter 21: Perspective Drawing

© 2006 McGraw-Hill. All right reserved.

Exercise 2

Page 27: Theatrical Design and Production Chapter 21: Perspective Drawing © 2006 McGraw-Hill. All right reserved. Perspective drawing provides a sketch with the.

Theatrical Design and Production

Chapter 21: Perspective Drawing

© 2006 McGraw-Hill. All right reserved.

Perspective Exercises

Exercise 3

Scale: ¼” = 1’-0”

OP: 50’-0” right and 8’-0” up

Floor Line: 23’-0” from OP

Horizon Line: 8’-0” from OP

Perspective-view base line: extends horizontally through OP

Object being drawn: a platform 8’-0” square by 3’-6” high is placed on the stage with its sides forming 30- and 60- degree angles with the floor line. Corner A is in contact with the floor line and 12’-0” to the left of the intersection of the floor line and the line of vision

Page 28: Theatrical Design and Production Chapter 21: Perspective Drawing © 2006 McGraw-Hill. All right reserved. Perspective drawing provides a sketch with the.

Theatrical Design and Production

Chapter 21: Perspective Drawing

© 2006 McGraw-Hill. All right reserved.

Exercise 3

Page 29: Theatrical Design and Production Chapter 21: Perspective Drawing © 2006 McGraw-Hill. All right reserved. Perspective drawing provides a sketch with the.

Theatrical Design and Production

Chapter 21: Perspective Drawing

© 2006 McGraw-Hill. All right reserved.

Perspective Exercises

Exercise 4

Scale: ¼” = 1’-0”

OP: 40’-0” right and 10’-0” up

Floor Line: 20’-0” from OP

Horizon Line: 8’-0” from OP

Perspective-view base line: extends horizontally through OP

Object being drawn: a small flat, 6’-10” by 10’-0”, lying on the stage floor with its sides at a 45-degree angle to the floor line. The near corner A is 4’-6” to the left of the intersection between the floor line and the line of vision and 2’-6” upstage of it

Page 30: Theatrical Design and Production Chapter 21: Perspective Drawing © 2006 McGraw-Hill. All right reserved. Perspective drawing provides a sketch with the.

Theatrical Design and Production

Chapter 21: Perspective Drawing

© 2006 McGraw-Hill. All right reserved.

Exercise 4

Page 31: Theatrical Design and Production Chapter 21: Perspective Drawing © 2006 McGraw-Hill. All right reserved. Perspective drawing provides a sketch with the.

Theatrical Design and Production

Chapter 21: Perspective Drawing

© 2006 McGraw-Hill. All right reserved.

Perspective Exercises

Exercise 5

Scale: ¼” = 1’-0”

OP: 36’-0” right and 8’-0” up

Floor Line: 20’-0” from OP

Horizon Line: 3’-0” from OP

Perspective-view base line: extends horizontally through OP

Object being drawn: a large rectangular ceiling flat, 10’-10” by 14’-0”, lying on the stage floor with its longer side parallel with, and 2’-0” upstage from, the floor line. Notice the floor line has been placed at the outer face of the proscenium arch to facilitate your creating a perspective drawing of the arch – Dimensions – 32’-0” wide, 16’-0” high, 1’-0” thick

Page 32: Theatrical Design and Production Chapter 21: Perspective Drawing © 2006 McGraw-Hill. All right reserved. Perspective drawing provides a sketch with the.

Theatrical Design and Production

Chapter 21: Perspective Drawing

© 2006 McGraw-Hill. All right reserved.

Exercise 5A

Page 33: Theatrical Design and Production Chapter 21: Perspective Drawing © 2006 McGraw-Hill. All right reserved. Perspective drawing provides a sketch with the.

Theatrical Design and Production

Chapter 21: Perspective Drawing

© 2006 McGraw-Hill. All right reserved.

Exercise 5B

Page 34: Theatrical Design and Production Chapter 21: Perspective Drawing © 2006 McGraw-Hill. All right reserved. Perspective drawing provides a sketch with the.

Theatrical Design and Production

Chapter 21: Perspective Drawing

© 2006 McGraw-Hill. All right reserved.

Perspective Exercises

Exercise 6

Scale: ¼” = 1’-0”

OP: 36’-0” right and 6’-0” up

Floor Line: 22’-0” from OP

Horizon Line: 6’-0” from OP

Perspective-view base line: extends horizontally through OP

Proscenium arch: 16’-0” high, 36’-0” wide, and 1’-0” thick

Object being drawn: a full stage setting

Page 35: Theatrical Design and Production Chapter 21: Perspective Drawing © 2006 McGraw-Hill. All right reserved. Perspective drawing provides a sketch with the.

Theatrical Design and Production

Chapter 21: Perspective Drawing

© 2006 McGraw-Hill. All right reserved.

Exercise 6

Page 36: Theatrical Design and Production Chapter 21: Perspective Drawing © 2006 McGraw-Hill. All right reserved. Perspective drawing provides a sketch with the.

Theatrical Design and Production

Chapter 21: Perspective Drawing

© 2006 McGraw-Hill. All right reserved.

Perspective Exercises

Exercise 7

Scale: ¼” = 1’-0”

OP: 36’-0” right and 4’-0” up

Floor Line: 20’-0” from OP

Horizon Line: 6’-0” from OP

Perspective-view base line: extends horizontally through OP

Proscenium arch: 16’-0” high, 32’-0” wide, and 1’-0” thick

Objects being drawn: a very simple set with 14’-0” walls, a 7’-0” door, a sofa, a chair, a table, and a rug. Sofa = 6’-0” long, 2’-6” deep, and 3’-0” high. Wingback chair = 3’-0” wide, 3’-0” deep, and 4’-0” high. The table is 2’-0” square and 3’-0” high.

Page 37: Theatrical Design and Production Chapter 21: Perspective Drawing © 2006 McGraw-Hill. All right reserved. Perspective drawing provides a sketch with the.

Theatrical Design and Production

Chapter 21: Perspective Drawing

© 2006 McGraw-Hill. All right reserved.

Exercise 7

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Theatrical Design and Production

Chapter 21: Perspective Drawing

© 2006 McGraw-Hill. All right reserved.

When drawing furniture in a box…

1. Draw a box the height, width, and depth of the overall dimensions

2. Sketch the furniture on the faces of the box

3. ‘Uncrate’ the furniture by erasing the box

Page 39: Theatrical Design and Production Chapter 21: Perspective Drawing © 2006 McGraw-Hill. All right reserved. Perspective drawing provides a sketch with the.

Theatrical Design and Production

Chapter 21: Perspective Drawing

© 2006 McGraw-Hill. All right reserved.

Perspective Exercises

Exercise 8

Scale: ¼” = 1’-0”

OP: 36’-0” right and 6’-0” up

Floor Line: 15’-0” from OP (Note floor line is placed 2’-0” toward the audience from the edge of the stage…

Horizon Line: 8’-0” from OP

Perspective-view base line: extends horizontally through OP

Proscenium arch: 16’-0” high, 32’-0” wide, and 1’-0” thick

Objects being drawn: a scenic design for an arena production

Page 40: Theatrical Design and Production Chapter 21: Perspective Drawing © 2006 McGraw-Hill. All right reserved. Perspective drawing provides a sketch with the.

Theatrical Design and Production

Chapter 21: Perspective Drawing

© 2006 McGraw-Hill. All right reserved.

Exercise 8

Page 41: Theatrical Design and Production Chapter 21: Perspective Drawing © 2006 McGraw-Hill. All right reserved. Perspective drawing provides a sketch with the.

Theatrical Design and Production

Chapter 21: Perspective Drawing

© 2006 McGraw-Hill. All right reserved.

Perspective Exercises

Exercise 9

Scale: ¼” = 1’-0”

OP: 24’-0” right and 14’-0” up

Floor Line: 25’-0” from OP (Note that the paper has been turned 90 degrees and the floor line is located just in front of the front edge of a thrust stage…

Horizon Line: 7’-0” from OP

Perspective-view base line: extends horizontally through OP

Proscenium arch: 16’-0” high, 32’-0” wide, and 1’-0” thick

Objects being drawn: a scenic design for a thrust production – the flats are 14’-0” tall and the doors are 6’-9”

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Theatrical Design and Production

Chapter 21: Perspective Drawing

© 2006 McGraw-Hill. All right reserved.

Exercise 9 A

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Theatrical Design and Production

Chapter 21: Perspective Drawing

© 2006 McGraw-Hill. All right reserved.

Exercise 9 B