The Smiths - The Smiths

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Transcript of The Smiths - The Smiths

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..--~.---. -.----~- -- ..-- .- - - _ -_--._ ---.-.-. ---\

THE SMITHS

REEL AROUND THE FOUNTAIN8

YOU'VE GOT EVERYTHING NOW13

MISERABLE LIE18

PRETTY GIRLS MAKE GRAVES23

THE HAND THAT ROCKS THE CRADLE26

STILL ILL31

HAND IN GLOVE34

WHAT DIFFERENCE DOES rr MAKE?36

I DON'T OWE YOU ANYTHING40

SUFFER LITTLE CHILDREN45

THIS CHARMING MAN48

li'nis songaoo .- _ ~ = - - - ~ _ _ _ _ _ ! : _ S : : _ ; : I.:.rL.l- Bemers Streea L-Oll an WU'3D .

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sITSMITHS BIOGRAP

Contrived by Johnrr; -~ester, The Smiths evo ed when Marr un-earthed Morrissey a r-: ~:S~ _~ a collaboration. The idea as to produce

songs which were orT,~·~F =-~o_"'"''-' ' '" eous and listenable also provoking

deep thought; to rnesz ords with Marr's music in a sound which,

above all, would stanc ,,~ - - einq inaccessible or eso eric. The guitar-

based songs would' . out havoc, as the words - born out of

absolute physical necess :. rug at the straps of cultu el straiightjackets.

Christened 'The Smit

need only a pretentio

completed with And;

had previously served -

other three members

e to a prevalent idea ina modern groups

- arne to validate their artisrn, the band wasguitar) and Mike Joyce (the drums). Joyce

er of healthily depraved groups, whilst the

previous serious musical involvement.

The Smiths first surfaoadic - they were dete'·,_..,....;_"....··

At their seventh gig ae ---

Trade Records staff and , -- -: - _

that this unpretentiousc; G. . . .. : o . __ - - - =

82 - their live appearances were spor-

elr moves be surefooted and worthwhile.

I of London Union, a c utch of Rough

producer John Waherswere convincedwere something special.

Rough Trade, amidst -..: ""_~_ ;:

Smiths as its first seriousbooked them for what

Peel and two for David je&ZS2i:~

times since July '83.

~ - 'on from four major labels, signed The

_ mitment to any band. Producer Walters_ of five Radio One sessions (three for John

.::::."ast count, have been broadcast sixteen

The first Smiths single recc ~"Hand In Glove" b/w "Han -~

Inq ensued for a follow-up --

member Troy Tate produd g -

met former Roxy Music bass

ere thrown together for a Ra -

produced by the band themselves, was-. released in May '83. Extensive record-

um, with ex-Teardrop Explodes/Fashion-' ay through those sessions The Smiths

ducer John Porter when the two parties

avid Jensen session.

The Smiths were so impressed er's grasp of their sound and songs thatilhe Tare-produced tracks were 5 e . and the entire repertoire was re-recorded

·ith JlOhn Porter in charqe, From ose sessions came the second single, "ThisCharming Man", b/w "Jeane'" (the 10 I Tate-produced track to be released), in

October '83.

ens' 'e gigging, massive Radio One exposure, a big Rough Trade push, and-e- - ic magic of the Morrissey and arr composition made "This Charming

.~ ~ a . surprise hit of 1983. With their national reputation established, and

:s: op Of The Pops under their belts, the single peaked at number 25 inI e space of six months, The Smiths had become a household

'as well mapped-out for The Smiths. A comprehensive six-

ed only by Morrissey's bout with bronchitis) finished on"me their debut LP, "The Smiths", entered the U.K.

_a d he band have since received "gold records" for

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ril 1984 saw the release of another milestone record, £I collaboration of mutual

mlration between veteran superstar Sandie Shaw and The Smiths which was a

~ockin' version of "Hand In Glove" b/w "I Don't Owe You Anything" featuring

nJilY,Mike and Andy playing with Sandy belting out Morrissey's lyrics.

die's "Hand In Glove" rose into the top thirty whilst adding a new dimension

respect for the potent and prolific pens of the Morrissey and Marr songwriting

ream,

T 0 other Smiths' singles since "This Charming Man" have bolstered the

Smiths' advance towards their eventual rightful position at the very top of the

charts. "What Difference Does It Make?", released just prior to the album,

reached number twelve and "Heaven Knows I'm Miserable Now" (May'84) ended

up in the top ten thanks to the ever burgeoning ranks of Smiths' supporters.

At the time of this writing (August '84) The Smiths are fully committed to writing

new material for their second album which they realise must be twice as good as

their first. "William, ItWas Really Nothing" is released 24 August, - the first of

two singles planned for the rest of '84, the second will be "Nowhere Fast". With

only half of the next LP composed, The Smiths will avoid serious touring in the

U.K. until the beginning of 1985 when they can present an entirely new and

different kind of show. This does not mean you will be seeing less of The Smiths,

though, television appearances alone will ensure that. ... just don't expect to see

any 'promo videos'.

Stay tuned.

(August 1984)

THE SMITHS DISCOGRAPHY (UK RELEASES ONLy)

Hand in Glove/Handsome Devil

This Charming Man/Jeane

This Charming Man/Wonderful Woman/Accept Yourself

What Difference Does It Make?/Back To The Old House

What Difference Does It Make?/IBack To The Old Housel

These Things Take TimeROUGH 61 The Smiths

RT130 *Hand In Glove/l Don't Owe You Anything

RIT130 "Hand In Glovel II Don't Owe You Anything/Jeane

RT156 Heaven Knows I'm Miserable Now/Suffer little Children

RIT156 Heaven Knows I'm Miserable NowllGirl Afrajd/Suffer little

Children

RT131

RT136

RIT136

RT146

RIT146

RT166 William, It Was Really Nothing/Please Please Please Let Me

Get What I Want

William, ItWas Really NothingllHow Soon Is Now? IPlease

Please Please Let Me Get What I WantRTIt66

" Wi1b. Sandie Sha,w

7" May'83

7" October '83

12" October '83

7" January'84

12" January '84

LP February '84

7" April '84

12" April '84

7" May'84

12" May'84

7" August '84

12" August '84

of.

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8

REEL AROUND THE FOU,NT

C o i F f e :,A E

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it's time the tale were told __ 1:......,- _of how__ you took a

© 1983/1984 Morrissey and Man Songs Limited.

WARNER BROS. MUSIC LTD., 17 Berners Street, London WIP 3DD.All. Rights Reserved. International Copyright Secured.

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Fif - teen min-utes with L you LL

welI _ Iwould-n't say no oh pea-

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VERSE 1 + CHORUS: (Repeat) CHOR U& Meet me at the fountain

Shove me on the patio

I'll take it slowly.IDDLE: Fifteen minutes with you

Oh Iwouldn't say no

People see no worth in you

Oh but Ido

MIDDLE: (Repeat as 2°)

VERSE 2: I dreamt about you last night

And I fell out of bed twice

You can pin and mount me like a butterfly

But take me to the haven of your bed

Wassomething that you never said

Two lumps, please

You're the bee's knees

But so am T.

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YOU'VE GOT EVERYTHING NOW

Words by MORRlSSEY

Music by JOHNNY MARR.E7(+9)

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WARN-"ER BROS, MUSIC LTD" 17 Berners Street, London \VIP 3DD._ . ! t r . !Ri~ts Reserved_ International Copyright Secureri,

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14

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(CHORUS)

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you've got ev - ery - thing.Lc.. now,

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ter - ri - ble rness __ I've made _' _ of my___ life _

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16

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But Idon't want a loverIust want to be seenIn the back of your car

(C#m7)

MIDDLE:(cant)

So who is rich and who is poor?Icannot say,

You are your mother's only sonAnd you're a desperate one

Did Iever tell you, by the wayI never did like your face

VERSE 2: A friendship sadly lost?Well, this is true .... and yet, it's false

CHOR US: (Repeat)

MIDDLE: No, I've never had a jobBecause I'm too shyI've seen you smileBut I've never really heard you laughSo who is rich and who is poor?Icannot say

You are your mother's only sonAnd you're a desperate oneBut Idon't want a loverIust want to be tiedTo the back of your car.

(fade on E I D / A I C I D)

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18

MISERABLE LIEW ords by M OR RISSE

Mu sic by JOHNNY M_J\

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20

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-yo urs _ _ you laugh a t mine and

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VERSE 2 :-

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You have destroyed my flower-like lifeNot once - but twiceYou have corrupt my innocent mind

Not once - but twiceI know the wind-swept mystical airItmeans: I'd like to see your underwearI recognise that mystical airItmeans: I'd like to seize your underwearWhat do we get for our trouble and pain?Just a rented room in Whalley RangeInto the depths of the criminal worldI followed her ... .

(cont) I need advice, I need adviceBecause nobody ever looks at me twice

I'm just a country-mile behindThe world

I'm just a country-mile behindThe whole world

So take me when you go.

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PRETTY GIRLS MAKE GRAVESWords by MORRISSEY

Music by JOHNNY :\L-\?~

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© 1983/1984 Morrissey and Marr Songs Limited,WARN'ER BROS. MUSIC LTD., 17 Berners Street, London WI P 3DD,

-~ RigBll> Reserved, International Copyright S~,

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24

Bm

am I'm

o

anot the man you think am _

Bm

m tBm .\

D~emBm

sor-row's na tive__ son he

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.

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and pret- ty girls make graves. ___

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(BRIDGE)

C~sus4

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r

B

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$ 1 fOh _

25

C~sus4 B

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VERSE 2: End of the pier, end of the bayYou tug my arm and say: "Give in to lust,Give up to lust, oh heaven knows we'llSoon be dust .... "

"I'm not the man you think I amI'm not the man you think Im."

And Sorrow's native sonHe will not rise for anyone

'And pretty girls make graves.

BRIDGE. (Repeat)

VERSE 3.· I could have been wild and I could havebeen free

But Nature played this trick on me

She wants it NowAnd she will not waitBut she's too roughAnd I'm too delicate

Then, on the sandAnother man, he takes her hand

A smile lights up her stupid face(And well, it would)

Iost my faith in WomanhoodIost my faith in WomanhoodI lost my faith

BRIDGE: (Repeat) + Ad Lib Vox on F#7(fade: F#m / D

F~

I I

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Words by MORRISSEYMusic by JOHNNY MARR

26

THE HAND

THAT ROCKS THE CRADLE

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27

AD A E

r u mE D

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my

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.'

.

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28

D

m I tE

IiE

1 Ii1 m

play tricks on your_ sa- ered mind__

A

•o

1 mE

B H

to tease, tor - ment and_ tan - ta - lise_

A

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waver - ing sha-dows loom__

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a pi - a - no plays.L, in all emp-ty

o

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t tdblood on the clea-ver to - night~_ and when

- --

dark -ness lifts and the room is bright,_ I'll

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AD E A D

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m Ii 0 0 I r m

•m

I t Yf i #

F r

~ ~"

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7

D I F F r•

t

V r g F FIII still be by_ your side_ for you are all that mat-ters and- I'll

: love yoo 611the day I

I

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H i ~~ - ; V I v = r v F r

die_ there ne- ver nced L be long - ing in~ your eyes_

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30

A E

IIID E A D

Iitfd ~ e.,~ tt ---.... _, . - - . ~~ . .

t .J - r r I

As long as the hand_ that rocks the era - dIe is

J .i

, . , ~ t t - - - - - n J n___I J r1~n I J r1~n I i1.--.. .. . .. . .

I u - - - - - . . . . -

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VERSE 2: Ceiling shadows shimmy by (cont.)

And when the wardrobe towers like a beast

of prey

There's sadness in your beautiful eyes

Your untouched, unsoiled, wonderous eyesMy life down I shall lie

Should restless spirits try

To play tricks on your sacred mind

[ once had a child, it saved my life.

But whom I never even gavea name

I just looked into his wonderous eyes

And said, "Never never never again."

Alltoo soon I did return

Just like a moth to a flame

So rattle my bones all over the stones

Because I'm only a beggar-manwhom

nobody owns

See how words as old as sin

Fit me like a glove

I'm here and here I'll stay

Together we lie, together we pray

There never need be longing in your eyes

As long as the hand that rocks the cradle

is mine.

+ Climb upon my knee sonny boy

Although you're only three sonny boy

(etc Ad Lib Vox to fade)

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STILL ILLWords by )!O~:us=~ ~

Music by JlOfCI.:"T ~!_':~ ~

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tJ - ~ing, Eng- land is __ mine __ it owes, me a liv - ing,

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32

A Ct:m C#rn7 ;\

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d

but ask _ me why _ and I'll __ . spit in your eye, _

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E

e M

33

A

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-- can-not cling to the old _ dreams an- y - more, ___ no we__

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-- can-not cling to those ___ dreams. ______ (2. Does the )

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u.. . . - - . . . _

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VERSE 2: Does the body rule the mind

Or does the mind rule the body?

Idunno ....

Under the iron bridge wekissed

And although Iended up with sore lips

Itjust wasn't like the old days anymore

No, it wasn't like those days

Am I s till ill?

VERSE 3: Does the body rule the mind

Or does the mind rule the body?

Idunno ....

Ask me why, and I'll die

Ask me why, and I'll die

And if you must go to work tomorrow

Well,if I were you I wouldn't bother.

VERSE 4. For there are brighter sides to life

And Ishould know because I've seen them

But not very often ....

Under the iron bridge we kissed

And although Iended up with sore lips

It just wasn't like the old days anymore

No, it wasn't like those daysAmIstill ill?

BRIDGE: E / A / B I qm / E / A / B

+ Oh amIstill ilJ?

INTRO.· (Repeat) - END on C~m7

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3.

HAND IN GLOVE

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eeGm/m

1. Hand in glove

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1 m

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me B b

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of our be _ hinds, no it's not like

:;; 19 3 _984 Cliorris;sey and Marr Songs Limited.~l~_ 3ROS_ l.n:-rc LTD.,] l' Berners Stree , London W·p 3Dn.

: : -- ~=- -~ In eraaziona! CoPYT'~g!l!Secured,

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35

Gm/Bb

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m m m B b

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This one is differ-ent be -cause it's us.

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VERSE 2: Hand in glove

Wecan gowherever weplease

And everything depends upon

How near you stand to me

VERSE 3: And if the people stare

Then the people stare

Ireally don't know and Ireally don't care

INTRO: (Repeat)

VERSE 4: Hand in gloveThe Good People laugh

Yes, we may be hidden by rags

But we have something they'll never have

VERSE 5: Hand in glove

The sun shines out of our behinds

Yes we may be hidden by rags

But we've something they'll never have

VERSE 3+ INTRO: (Repeat)

VERSE 6: So, hand in glove I stake my claim

I'llfight to the last breath

If they dare touch a hair on your headI'llfight to the last breath

VERSE 7: The Good Life is out there, somewhere

So stay on my arm, you little charmer

But Iknow my luck too well

And I'llprobably never see you again.

INTRO: (Repeat) to END on Gm7(sus4)

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36

I.

WHAT DIFFERENCEDOES IT MAKE?

Bm D

B I t

Words by MORRISSEY

Music by JOHNNY MARR

E

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so let it be known __ for we have been through hell

~ 19~3 ~9~ "Ioffi=y and ~faIT Songs limited.~ -:cR 33.05. !LS.lC LTD.• ~~Berners Street; London 'VIP 3DD.-:',..._.......; In~e="tional. Copyrigh[ Secxred,

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37

D

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-- and high tide_ I think I__ can re - ly__ on __ you.L.L,

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38

D

1 m

(CHORUS)

B

g

- - - - - -E

lId

bul-Iet for you. ~ __ Sowhat dif ference_ does .L it_ make?_

··

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G~m

m t

F~

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E

{fdE

~

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and you must be look - ing __ ve - ry__ old _ to - night. __

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VERSE 2.· The devil will find work for idle hands to doItole and Iied, and why? Because you asked me toNow you make me feel so ashamed because I've only got two hands

Well I 'm still fond of you.

CHOR US: So what difference does it make?

So what difference does it make?Itmakes noneBut you have goneAnd your prejudice won't keep you warm tonight.

VERSE 3: The devil will find work .... me toBut now you know the truth about meYou won't see me anymoreWell I'm still fond of you, oh, oh, oh,

CHOR US: But no more apologies

No, no more apologies

I'm too tiredI'm so sick and tiredAnd I'm feeling very sick and ill today

But I'm still fond of you, oh, oh,

39

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40

Words by MORRISSEYMusic by JOHNNY MARR

I DON'T OWE YOU ANYTHING. /\.rVG\

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you knewve - ry_ well__ what __

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41

B Emaj7

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Did I real - ly walk all this way

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42

I ~ F r c g"Oh don't_ear you say_

Amaj7

m mB

;mEmaj7

to - night.'~'

_ _ _ I .

E bmaj7 Dmaj7

aimr EJ I~J 1 dI "Oh

don't_ want to go_

~~~_______...out to - night.'~' _

• . ,; 1 1 ' LI ,

, '

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43

C#m7 Dmaj7

e ~

- r I l' I <; ~__/ -~ 011 but you will for you_ must.

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" J -= f?:t!P~J i~ IP P P rI don't owe_ you an- y - thing_ no

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I I

-

44

G#m7 C#m7C#m7

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m m td d0 0

fI ~ He 1m

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but you owe_ me some - thing, re - pay me~.

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now._ (2. you should ne - v er

r

VERSE 2: You should never go to themLet them come to you

Just like Ido

You should not go to themLet them come to youJust like I do

CHORUS.· (Repeat)

VERSE 3.· Too freely on your lipsWords prematurely sadOh but I know what will make you smile tonight.

Life is never kindLife is never kindOh but I know what will make you smile tonight.

E:YD: Emaj' E maj I Dmaj7IB

IErnaj7

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45

SUFFER' LITTLE CHILDREN

Dmaj7C~m7

Dmaj7 Amaj7(+6) Brn7 e 1me im m IDJ J . ~ - r-"I r--"'"1 r-J-)I;

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take me to the moors~_

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46

Dmai?Amaj7(+6)

m 1Bm7 Drnaj ?

E G#m7G

Bm7

rId II m milm ~ ~

Les ley Anne __ and your pret - ty white beads_ oh

a shal - !ow__ grave laynd I'll medown

A Bm7 D E

f P ~1 m tim e rId[jJ C£j E 2 J t5 . I ~ r ) E F r

John you'll ne- ver be a man_ and you'll ne - vet

: • J• •

see_ Y0ill"_

, _ , -•

, _

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47

Em7E G#m7 G

mE mi m 8H . - . . , ~ ~ I

home home a - gain __

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Oh Man - ches - ter __ so much to ans - wer for.

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VERSE 2: Edward, see those alluring lights? VERSE 5: We will haunt you when you laughTonight will be your very last night. Yes, you could say we're a team

A woman said, "I know my son is deadYou might sleep

I'll never rest my hands on his sacredBUT YOU WILL NEVER DREAM!

head."VERSE 6: Oh Manchester, so much to answer for

Hindley wakes and Hindley says: Oh Manchester, so much to answer for"Wherever he has gone, I have gone." Over the moor, I'm on the moor

The child is on the moor.VERSE 3: But fresh lilaced moorland fields

Cannot hide the stolid stench of death (etc + Ad lib Vox + Gtr Solo) - Fade

Hindley wakes and Hindley says:"Whatever he has done, I have done."

VERSE 4: But this is no easy rideFor a child cries:

"Oh find me . ... find me, nothing moreWe're on a sullen misty moorWe may be dead and we may be goneBut we will be right by your side

Until the day you die

- This is no easy ride_'

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48

THIS CHARMING MANWords by MORRISSEY

Music by JOHNNY MARR

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49

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50

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(MIDDLE')

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52

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