The Rite of Spring at 100

TheRiTeofSpRingaT100.oRg • 1

2 • CAROLINA PERFORMING ARTS 12/13

3 Letter from Executive Director – Emil J. Kang

4 What is The Rite of Spring?

6 The Rite of Spring | 100 Years Later

8 The Rite of Spring at 100 EXPERIENCE

10 The Silk Road Ensemble with Yo-Yo Ma

11 Compagnie Marie Chouinard

12 Studio for New Music Ensemble from the Moscow Tchaikovsky Conservatory, Igor Dronov, conductor Vladimir Tarnopolski, artistic director

13 Mariinsky Orchestra of St. Petersburg with Valery Gergiev, conductor

14 Pierre-Laurent Aimard, piano

15 Brooklyn Rider with special guests Gabriel Kahane and Shara Worden

16 Bill T. Jones/Arnie Zane Dance Company and SITI Company

17 Magdalena Kožená, mezzo-soprano and Yefim Bronfman, piano

18 The Cleveland Orchestra

19 Joffrey Ballet

20 Vijay Iyer and International Contemporary Ensemble

21 Nederlands Dans Theater I

22 Basil Twist, puppeteer, with Orchestra of St. Luke’s

23 UNC School of the Arts, with Chancellor John Mauceri, conductor

24 Béjart Ballet Lausanne

25 Why Subscribe?

26 CPA Season Calendar

28 Reassessing The Rite: A Centennial Conference

32 Support Us

34 Important Info

36 How to Order

39 Order Form

Table of Contents

The Rite of Spring at 100 is made possible in part by The Andrew W. Mellon Foundation and The William R. Kenan, Jr. Charitable Trust. Additional support provided by the National Endowment for the Arts.


DEAR FRIENDSOn May 29,1913, Serge Diaghilev’s Ballets Russes took to the stage in Paris to give the first performance of The Rite of Spring, choreographed by Vaslav Nijinsky to a score by Igor Stravinsky, and set off a shock wave that is still being felt today. In the centennial year of this famously scandalous premiere – an epoch-making event in the arts and society alike – we are proud to present The Rite of Spring at 100 (Rite100), an unprecedented nine-month festival taking place as an essential part of our 12/13 season.

This celebration will feature 12 new works, nine world premieres and two U.S. premieres by some of today’s groundbreaking artists, making Chapel Hill an arts destination unlike any other. The centennial celebration of the 1913 premiere of Le Sacre du printemps and its enduring legacy as a modern masterpiece has brought together these artists from across disciplines, genres and geographies.

Composer Igor Stravinsky’s use of incongruous and asymmetrical rhythms that lacked traditional musical resolution caused the listener to become uncomfortable. This dissonance with its emphasis on rhythm instead of harmony, combined with Nicholas Roerich’s outrageous costumes and Vaslav Nijinsky’s “anti-ballet,” was shocking in its time and remains a hallmark of artistic innovation.

This season features new and original works that reimagine The Rite of Spring, the idea and the ethos of the day. Stravinsky’s revolutionary use of phrasing and lack of resolution forced the listener to pay just a bit more attention, and it is also unsettling and disturbing. This keeps the music feeling new and lends itself to constant re-interpretation. Even if you’ve heard the work 100 times, the next time will still sound like the first!

We present Rite 100 in partnership with The University of North Carolina at Chapel Hill’s College of Arts and Sciences and Institute for the Arts and Humanities. Major funding for the initiative has been provided by The Andrew W. Mellon Foundation and The William R. Kenan, Jr. Charitable Trust.

With our partners in the Department of Music and the Institute for the Arts and Humanities, we are supporting the creation of 14 new academic courses developed in conjunction with The Rite of Spring at 100 and two scholarly conferences in Chapel Hill and Moscow that will shed new light and renewed reflections on this seminal work.

The Rite of Spring and its riotous history embed nothing less than a core belief of the modern world – our faith in innovation as an ideal of the arts and society – coupled with a troubling intuition that the price of innovation might be violence. In Rite 100, some of the greatest artists of our time and some of our most brilliant thinkers will address The Rite of Spring to recapture, reconsider, explore and challenge the notion that outmoded forms and habits must be smashed, that authentic feeling must continually be clawed back from polite convention and that nothing can be vital and significant unless it is perpetually made new.

We look forward to celebrating the centennial of this iconic 20th-century masterwork with you – our artistic, academic and audience partners. Thank you for your continued support of the arts at Carolina.

Sincerely,

Emil J. Kang Executive Director for the Arts Director, Carolina Performing Arts Professor of the Practice, Department of Music


THE RITE of SPRING?

what is

“It took Stravinsky, in one bold and sudden gesture, to grab music painfully and brutally, and to blast it into a wholly new region from which it could never return.” – Peter Gutmann, Classical Notes

“…it might be the work of a madman.” – Giacomo Puccini

“The Rite of Spring is one of the most important works in the history of music.” – Leonard Bernstein

TheRiTeofSpRingaT100.oRg • 5Serge Diaghilev, Vaslav Nijinsky & Igor Stravinsky

Nicholas Roerich illustration

Ballets Russes dancers in The Rite of Spring costumes

Serge Diaghilev & Igor Stravinsky

Vaslav Nijinsky

By William Robin, a UNC-Chapel Hill doctoral candidate in music. His research focuses on American minimalism and post-minimalism and the German postwar avant-garde.

On a hot Paris evening in 1913, a riot broke out at the ballet. At the Théâtre des Champs-Élysées, members of Serge Diaghilev’s legendary dance troupe, the Ballets Russes, stamped their feet and jumped to a wild orchestral score. Shaken by Igor Stravinsky’s unorthodox music and scan-dalized by Vaslav Nijinsky’s audacious choreography, audience members shouted out their protests, while others rose up in defense. Punches were thrown; the police were called. On its opening night, The Rite of Spring secured its place in history.

The outraged spectators must have known they were witnessing something important: Stravinsky’s score inspired countless composers and quickly assumed its place as a canonic work in the orchestral repertoire. The Rite of Spring has been choreographed more than any other music of the past century. From its ethereal bassoon solo opening to the sacrificial finale – in which a young girl dances herself to death – The Rite of Spring has captured the imagination of artists and audiences for the last century.

The Rite of Spring was both an end and a beginning: a farewell to the ballet tradition and the Romantic orchestral works of the 19th century, and the birth of the avant-garde movement in the 20th. It brought together the work of three great artists: composer Stravinsky, choreographer Nijinsky and visual artist and costume designer Nicholas Roerich. In re-interpreting archaic iconography and Russian folk traditions, the creators found an artistic language wholly modern, in step with a decade marked by the sinking of the Titanic and the horrors of World War I. Looking back after a century, The Rite of Spring appears more relevant than ever.

Le SacRE du printemps


“as important to the 20th century as Beethoven’s Ninth is to the 19th” –The Times (London)

100 yEaRS laTER


The Rite of Spring was significant not just as a riot-inspiring act of modernism, but also for its embrace of the interdisciplinary. Igor Stravinsky, Vaslav Nijinsky and Nicholas Roerich brought cutting-edge visuals and music together on a single stage. In the spirit of this cross-medium collaboration, Carolina Performing Arts and UNC-Chapel Hill will present a year-long centennial commemoration of The Rite of Spring, embracing all aspects of the multifaceted work. From September 2012 through May 2013, UNC’s campus will be home to performances, academic conferences and courses exploring the impact of The Rite and what the work means today.

Carolina Performing Arts has commissioned 11 new works from important artists across the globe – choreographer Bill T. Jones and director Anne Bogart, puppeteer Basil Twist, composer Dmitri Yanov-Yanovsky, jazz pianist Vijay Iyer, among others – who will reimagine The Rite, bringing a contemporary flavor to the 1913 masterpiece. The Rite of Spring at 100 will present international dance companies’ reinterpretations of the original ballet and a reconstruction of Nijinsky’s groundbreaking choreography by the Joffrey Ballet.

The UNC campus is actively participating in the discussion of the impact of The Rite of Spring and its historical lineage through artistic residencies, masterclasses, interdisciplinary course offerings and two major academic conferences taking place in Chapel Hill and Moscow. The Rite of Spring at 100 celebrates the dawn of modernism through an exploration of artistic creation and scholarly dialogues that will foretell what awaits us in the future.

By William Robin, a UNC-Chapel Hill doctoral candidate in music. His research focuses on American minimalism and post-minimalism and the German postwar avant-garde.

Anne Bogart & Bill T. Jones

Basil Twist

Brooklyn Rider

Yo-Yo Ma

Valery Gergiev

Vijay Iyer


RITE of SPRINGaT 100

the complete

EXPERIENCEThe Rite of Spring at 100 will take you on a once-in-a-lifetime artistic journey. Your participation in this journey will allow you to experience new, never-before-seen works that will premiere in Chapel Hill on the Memorial Hall stage.


This special package includes tickets to all world and U.S. premieres as well as timeless interpretations of this iconic work. The world is truly coming to Chapel Hill for this centennial celebration – be sure you’re there to see it.

WhEn You purChasE THE comPlETE RITE of SPRINg aT 100 EXPERIENCE You’LL rECEivE:

• 20% discount off individual ticket prices• Complimentary upgrade into the next highest seating section at no additional cost to you • Tickets to all 15 Rite of Spring at 100 performances SUN, SEPT 30 / WoRld PRemieRe | The Silk Road Ensemble MON OCT 1 with Yo-Yo Ma

SUN, OCT 14 Compagnie Marie Chouinard

Thu, OCT 25 Studio for New Music Ensemble from the Moscow Tchaikovsky Conservatory Igor Dronov, conductor Vladimir Tarnopolski, artistic director

MON, OCT 29 / U.S. PRemieRe | Mariinsky Orchestra TUE, OCT 30 of St. Petersburg with Valery Gergiev, conductor

SUN, NOV 11 Pierre-Laurent Aimard, piano

FRI, NOV 16 WoRld PRemieRe | Brooklyn Rider with special guests Gabriel Kahane and Shara Worden

FRI, JAN 25 / WoRld PRemieRe | Bill T. Jones/Arnie Zane SAT, JAN 26 Dance Company and SITI Company

WED, FEB 20 Magdalena Kožená, mezzo-soprano and Yefim Bronfman, piano

SUN, MAR 17 The Cleveland Orchestra with Giancarlo Guerrero, conductor

SAT, MAR 23 / Joffrey Ballet SUN, MAR 24

TUE, MAR 26 WoRld PRemieRe | Vijay Iyer and International Contemporary Ensemble

WED, APR 3 U.S. PRemieRe | Nederlands Dans Theater I

FRI, APR 12 / WoRld PRemieRe | Basil Twist, puppeteer with SAT, APR 13 Orchestra of St. Luke’s

SAT, APR 20 / UNC School of the Arts, SUN, APR 21 with Chancellor John Mauceri, conductor

SAT, APR 27 Béjart Ballet Lausanne

Don’t miss this once-in-a-lifetime opportunity. See ticket order forms on pages 39-42 for more information or visit TheRiteofSpringat100.org.


The highly acclaimed Silk Road Ensemble, featuring multiple Grammy Award-winner Yo-Yo Ma, will present a thrilling combination of world and classical music traditions. The concert program includes the world premiere of The Seasons, a piece by Uzbekistan’s Dmitri Yanov-Yanovsky commissioned for The Rite of Spring at 100 by Carolina Performing Arts. The three major sections of The Seasons represent summer, autumn and winter, each inspired by one of the nine folk tunes Stravinsky used in composing The Rite of Spring. The sections are titled after poems by Nicholas Roerich, designer of the original costumes and set. Roerich, who is credited with the central creative vision behind The Rite of Spring, spent much of his life traveling through central Asia, a compelling reflection of the legacy of multicultural inspiration at the heart of The Silk Road Ensemble’s musical vision.

“a musical caravan and a symbol of the connections between East and West” – Chicago Tribune

ThE siLK roaD EnsEmbLE with Yo-Yo ma

SUN/MON, SEPT 30/OCT 1 at 7:30PM

Commissioned by Carolina Performing Arts

GIaNTSProgramJohn Zorn The Book of Angels Suite (2004)Colin Jacobsen Atashgah (2010)Vijay Iyer Playlist for an Extreme Occasion (2012) Dmitri Yanov-Yanovsky The Seasons (2012)

Yo-Yo Ma


SUN, OCT 14 at 7:30PM

CompagniE mariE ChouinarD

“Contemporary dance at its best… funny, outrageous, rude, theatrical and gorgeous”

– The Vancouver Sun

Compagnie Marie Chouinard presents two of Chouinard’s most highly regarded works, pairing a new interpretation of Nijinsky’s Prelude to the Afternoon of a Faun (1994) with The Rite of Spring (1993). The concentration of soloists is one of the most dynamic aspects of Chouinard’s version of “this hymn of life,” as she refers to the original The Rite of Spring, making Prelude to the Afternoon of a Faun, a solo set to Claude Debussy’s score, an ideal opening piece. Chouinard’s work explores the relationship of the body’s vital energy with space, creating “pathways toward freedom and compassion, where humor is possible and Eros omnipresent.”

❖ bREakTHRouGH


The Studio for New Music Ensemble, founded in 1993 by composer Vladimir Tarnopolski, is one of the leading contemporary music groups in Russia and is directly influenced by Stravinsky’s legacy of creating experimental and new compositions. Currently serving as the ensemble-in-residence at the Moscow Tchaikovsky Conservatory, the group performs programs throughout Russia and appears frequently at Western music festivals. The ensemble has premiered more than 150 new works, while also championing the avant-garde music of early 20th-century Russian composers. The Studio for New Music Ensemble’s performance is part of the opening event for Reassessing The Rite: A Centennial Conference.

STudIo foR NEw muSIc ENSEmblE from the moScow TcHaIkovSky coNSERvaToRy IgoR DRoNov, conductorvLaDImIR TaRNoPoLSkI, artistic director

THURS, OCT 25 at 8PM ❖ bREakTHRouGH

“musically rewarding work…it was as if the daring avant-garde spirit of the Twenties in Russia had been reawakened...” – The guardian

Program Zhivotov Fragments for Nonet Mosolov Newspaper Advertisement arrangement for soprano and ensemble by Edison Denisov

Sidelnikov Russian Fairy Tales (1968) Schnittke Serenade (1968) Sergei Slonimsky Novgorod Dance (1981)


Under the inspired direction of Valery Gergiev, St. Petersburg’s Mariinsky Orchestra, one of the oldest and pre-eminent symphony orchestras in Russia, returns to Memorial Hall for two nights with programs that include the U.S. premieres of new works by Matthias Pintscher and Rodion Shchedrin. Co-produced by Carolina Performing Arts and the Schleswig-Holstein Festival for The Rite of Spring at 100, Pintscher’s composition takes the two-trumpet theme from The Rite of Spring as its inspiration. Rodion Shchedrin’s Cleopatra and the Asp, written for orchestra and soprano, highlights the second night’s performance.

“Conductor Valery Gergiev makes ...the undeniably great passages stupefying”

– USA Today

MON/TUES, OCT 29/30 at 7:30PM

maRIINSky oRcHESTRa of St. Petersburg valERy GERGIEv, conductordENIS maTSuEv, piano

Classical music performances are made possible by The William R. Kenan, Jr. Charitable Trust. We thank the Trustees for their visionary generosity and for encouraging others to support Carolina Performing Arts.

GIaNTS

Program - october 29 Matthias Pintscher Chute d’Etoiles Part 1 (2012) Shostakovich Piano Concerto No. 1, Op. 35 R. Strauss Ein Heldenleben

Program - october 30 Rodion Shchedrin Cleopatra and the Asp, with soprano (2012) Shostakovich Symphony No. 6, Op. 54 Stravinsky The Rite of Spring


PIERRE- lauRENT aImaRd,piano One of the most decorated pianists in contemporary music, Pierre-Laurent Aimard brings an exploration of Modernist synesthesia to The Rite of Spring at 100. Aimard will perform three pieces focused on the relationship of image and color to sound: Heinz Holliger’s Elis, the Symphonic Etudes of Robert Schumann and Claude Debussy’s Preludes Book II. These works embody the restless spirit of Stravinsky’s compositions and the Modernist desire to conceive of new and startling interpretations. Pierre-Laurent Aimard’s virtuoso abilities as a soloist will be on full display in this ambitious program. Memorial Hall will be one of only three U.S. stops on a tour that includes appearances at New York’s Hall and in Tokyo and Taipei.

After his performance, Pierre-Laurent Aimard will lead a brief conversation with illustrations from the piano. The talk will focus on Claude Debussy’s exploration of color and sound within the context of the Modernist period.

SUN, NOV 11 at 7:30PM

“A virtuoso of imagination” – The New York Times


EScaPE

Program Heinz Hollinger Elis – Three Nocturnes (1961) Schumann Symphonic Etudes, Op. 13 with Op.posth.variations Debussy Préludes, Book II


In the spirit of the Modernist motto “Make It New!”, the brilliant string quartet Brooklyn Rider returns to Chapel Hill with a carefully curated evening of music. The program reflects on the influence of the great 20th-century Modernists Igor Stravinsky and Béla Bartók, and features new works commissioned by Carolina Performing Arts, including world premieres composed by Brooklyn Rider violinist Colin Jacobsen; Shara Worden, also known as My Brightest Diamond; a world premiere by John Zorn, avant-garde experimental musician; and a recent new work by accomplished new-music composer Gabriel Kahane. Hailed as one of the most exciting and unconventional musical groups today, Brooklyn Rider explores the creative possibilities of the present through the lens of the historical quartet tradition and reimagines the string quartet as a vital 21st-century ensemble.

bRooklyN RIdERwith special guests gabRIEL kaHaNE and SHaRa WoRDEN

“These four young musicians are proving themselves to be among the most fearless in the classical world today.” – Huffington Post


❖ bREakTHRouGHFRI, NOV 16 at 8PM


Program Stravinsky Three Pieces for String Quartet Bartók String Quartet No. 2, Op. 17 Shara Worden New work (2012) John Zorn New work (2012) Gabriel Kahane New work (2012) Colin Jacobsen New work, with choreography by John Heginbotham (2012)


A Meditation on The Rite of Spring (working title), a full-length collaborative work commissioned by Carolina Performing Arts, combines choreography from the Bill T. Jones/Arnie Zane Dance Company with the ensemble-based theater work of SITI Company and Anne Bogart. This world premiere presents a deconstruction of the original score of The Rite of Spring, giving voice to author Jonah Lehrer’s claim that a central tenet of Stravinsky’s work is the realization that “the engine of music is conflict, not consonance.” The development of this work took place, in part, at UNC-Chapel Hill through a series of collaborative residencies hosted by Carolina Performing Arts. Bringing together these influential artists for the first time, this collaboration is a daring combination of original work from two of the most accomplished figures in the world of dance and theater.

bIll T. JoNES/aRNIE ZaNE daNcE comPaNy and SITI comPaNy


FRI/SAT, JAN 25/26 at 8PM

“...one of the most prominent and provocative american choreographers of his generation...”

– The New York Times

“...controversial and visionary, (and) obviously not afraid of challenges”

– The New York Times

GIaNTS

Bill T. Jones

Anne Bogart

This commission is supported in part by the National Endowment for the Arts

Photographer: Craig SchwartzCredit Line: © 2011 J. Paul Getty Trust


In a pairing of two major international talents, Israel’s Yefim Bronfman, a Grammy Award-winning pianist who performed at Memorial Hall in 2006, will take the stage alongside Czech mezzo-soprano Magdalena Kožená, one of the most sought-after concert vocalists in the world. Bronfman and Kožená’s program features a new work by the French composer Marc-André Dalbavie, co-commissioned for The Rite of Spring at 100. Uniquely suited to the technical prowess and lyrical gifts that Bronfman and Kožená possess in such abundance, Dalbavie’s work has been hailed for its ability to create contemporary interpretations of Modernist ideas about color, rhythm and the relationship of the performers and the audience.

maGdalENa kožENá, mezzo-soprano yEfIm bRoNfmaN, piano

Co-Commissioned by Carolina Performing Arts


“...his technique is prodigious – seemingly capable of doing anything...”

– The Seattle Post-Intelligencer

“With that mesmerizing voice, that magnetic personality…in whatever repertoire or language. She’s as versatile as she’s ubiquitous...”

– The Times (london)

Program Mussorgsky The Nursery Marc-André Dalbavie New work (2013) Shostakovich Satires (Pictures of the Past), Op. 109 Ravel Histoires Naturelles, Op. 50 Rachmaninov Six Songs, Op. 38 Bartók Dorfszenen

EScaPE

WED, FEB 20 at 7:30PM


Under the leadership of Music Director Franz Welser-Möst, The Cleveland Orchestra has become one of the most sought-after performing ensembles in the world and is considered one of the most important orchestras in the United States. In concerts at its winter home at Severance Hall and at each summer’s Blossom Festival, in residencies from Miami to Vienna to New York and on tour around the world, The Cleveland Orchestra sets standards of artistic excellence, creative programming and community engagement. The program explores the influence of Igor Stravinsky on Aaron Copland’s music as well as each composer’s use of folk elements in his own works.

THE clEvElaNd oRcHESTRa

SUN, MAR 17 at 7PM

gIaNCaRLo gUERRERo, conductorELIzabETH DESHoNg, mezzo-soprano


“It is the art of perfection, pure and simple.” – El Pais (Madrid)

GIaNTSProgram Copland Suite from Billy The Kid Lieberson Neruda Songs (2005) Stravinsky Petrushka


SAT, MAR 23 at 8PM & SUN, MAR 24 at 7:30PM

One of the world’s leading ballet companies, the Chicago-based Joffrey Ballet has been called “America’s Company of Firsts,” reflecting its long history of unique commissions and groundbreaking performances. The Joffrey Ballet will present multiple performances each night, both evenings culminating in a literal re-creation of the 1913 Le Sacre du printemps (The Rite of Spring), reconstructed in 1987 by Millicent Hodson, a dance historian and choreographer.

On March 23, the company will perform a new work by choreographer Stanton Welch and After the Rain (2005) by Christopher Wheeldon. On March 24, the company will perform Age of Innocence (2008) by Edwaard Liang and In the Middle, Somewhat Elevated (1987) by William Fosythe.

JoffREy ballET

“one of the most recognizable arts organizations in america and one of

the top dance companies in the world”

– The Huffington Post

GIaNTS


vIJay IyER and INTERNaTIoNal coNTEmPoRaRy ENSEmblE

TUES, MAR 26 at 7:30PM


“(ICE), one of the hottest new-music groups in the country”

– The Washington Post“(vijay Iyer is)

one of the most interesting and

vital young pianists in jazz today.”

– Pitchfork

Global vIEwSProgram Steve Lehman Lenwood and Other Saints Who Roam the Earth (2011) Tyshawn Sorey Ode to Gust Burns (2012) Tyshawn Sorey New work (2012) Steve Lehman Manifold (2012) Vijay Iyer New work (2012)

The program for The Rite of Spring at 100 features the world premiere of a new work by Vijay Iyer, one of the most exciting jazz pianists of our time. Iyer returns to Memorial Hall for the third time and presents his Carolina Performing Arts-commissioned piece inspired by the Holi festival, which is the Hindu “rite of spring” celebration; it will be performed by the International Contemporary Ensemble (ICE). The new work is accompanied by multimedia footage of a Holi festival in Mathura, a town in Uttar Pradesh, India, and created by filmmaker Prashant Bhargava. Additionally, the program will include works by recent ICE collaborators Tyshawn Sorey and Steve Lehman. ICE is a collective of musicians committed to redefining concert music and bringing together new music and new audiences through collaborations with emerging composers and sound artists.


WED, APRIL 3 at 7:30PM

❖ bREakTHRouGH

Founded in 1959, Nederlands Dans Theater I is at the forefront of contemporary dance and has long been recognized for its innovative work. Returning to Memorial Hall, the company will feature the U.S. premiere of a work by dancer and choreographer Medhi Walerski and composer Joby Talbot. Com-missioned by Carolina Performing Arts, Walerski and Talbot will explore The Rite of Spring through a contemporary lens while using the music’s kinetic energy as inspiration. On April 3, the company will also perform Memoires d’Oubliettes (2009) by Jiri Kylian and Speak for Yourself (1999) by Sol Leon and Paul Lightfoot.

NEdERlaNdS daNS THEaTER I

Co-Commissioned by Carolina Performing Arts

“…exhilaratingly talented dancers…” – artsDesk.com


A third-generation puppeteer, Basil Twist is the only American to graduate from France’s École Supérieure Nationale des Arts de la Marionnette. One of the most creative performers in

contemporary theater, Twist works with every conceivable element, including water and wind. Accompanied by a full orchestra in Memorial Hall, Twist will stage his world-premiere work, The

Rite of Spring, that transforms traditional puppetry into kinetic fabric sculptures and what he calls “a ballet without dancers.” Twist will also stage his new versions of Stravinsky’s Pulcinella and

Fireworks, reflecting his ability to interpret a wide range of forms and presentations, from Italian commedia dell’arte to the formalism of a Modernist symphony.

baSIl TwIST

with oRCHESTRa of ST. LUkE’S

PuPPETEER

FRI/SAT, APRIL 12/13 at 8PM


❖ bREakTHRouGH

This commission is supported in part by the National Endowment for the Arts

“at this moment, no theatre artist in New York is showing more poetic force or technical skill than the puppeteer basil Twist.”

– The New Yorker


The University of North Carolina School of the Arts’ Spring Dance comes to Memorial Hall for Epilogue: The World After The Rite, featuring a performance of Stravinsky’s ballet Pulcinella (1920) by Léonide Massine and Shen Wei’s interpretation of The Rite of Spring (2003). The program for The Rite of Spring at 100 is part of the school’s annual end-of-year showcase featuring the talented young dancers from UNCSA’s School of Dance. Live accompaniment will be provided by the UNCSA Symphony Orchestra, led by John Mauceri, Chancellor of UNCSA and Founding Director of the Hollywood Bowl Orchestra.

SPRING daNcE ScHool of THE aRTS

“The color and energy on stage dazzle and delight the eye. The voices and orchestra tantalize the ear.” – Winston-Salem Journal

SAT, APR 20 at 2PM/8PM & SUN, APR 21 at 2PM

EScaPE

CHaNCELLoR JoHN maUCERI, conductor


Maurice Béjart’s 1959 reinterpretation of The Rite of Spring will be performed by the Béjart Ballet Laus-anne, the company he founded in 1987. This radically reimagined performance is considered by many to be his finest work, a truly avant-garde experiment that evokes the spirit of the original while moving in new and profound directions, illuminating what Béjart called “the primitive force…that lights up the world of plants, animals and humans.” Béjart Ballet Lausanne will provide a fitting and spectacular final program to honor The Rite of Spring.

béJaRT ballET lauSaNNE

“(The) company bursts with power and spirit.” – Providence Journal

SAT, APR 27 at 9 PM*

❖ bREakTHRouGH

*Please note special start time.

WhY subsCribE?Subscribing to a Carolina Performing Arts series can enhance your quality of life

• Personal FulFillment. Carolina Performing Arts (CPA) takes you to a place where the imagination is thriving, where you can experience some of the world’s greatest artists in a once-in-a- lifetime centennial celebration. A Subscription Series allows you to invest in yourself while supporting the quality of life in our community.

• Value. Free ticket exchanges up to 72 hours before a performance, discounts of up to 20% and the first choice of the best seats in the house. What’s not to love about that?

• building relationshiPs. Create memories with people who are important to you, whether attending together or meeting before or after the performance.

• discoVery. Take a chance and discover new artists, new art forms and new ideas.

Plus…Subscribers Receive Great Benefits

• installment billing. Your order of $300 or more placed by June 18 qualifies for installment billing (credit card only – charged in three equal increments: when the order is received, the first week in July and the first week in August).

• Free ticket exchange. Subscribers may exchange tickets free of charge. You must notify the Box Office of your intent to make an exchange at least 72 hours prior to the performance. The value of the tickets can be applied towards another performance or held as a credit until the end of the season.

There are two types of Subscribers

• Series Subscribers purchase packages that we’ve created for you. The Complete Rite of Spring at 100 Experience is a series subscription. Plus, if you want to add on any other performances from the upcoming season - you’ll be able to do so before tickets go on sale to the general public. You’ll be sure to get the seats you want. Purchasers of The Complete Rite of Spring at 100 Experience are automatically upgraded to the next highest seating section at no additional cost to you.

• “Create Your own” Subscribers – Pick 4, 6 or 8 performance packages. Create your own package of at least four events and receive up to 20% discount (the more you purchase – the more you save). You become the programmer and curate your own season, customized to your own interest. If you desire flexibility – this is your best choice.

• A Note About Single Tickets. As a subscriber, you may order tickets now to ANY event in our upcoming season. Non-subscribers must wait until Tuesday, June 19.

TheRiteofSpringat100.org • 25


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SEPT 12/13/16-20 The Strange Undoing of Prudencia Hart National Theatre of Scotland (presented at Top of the Hill Back Bar) SEPT 30/OCT 1 The Silk Road Ensemble with Yo-Yo Ma

OCT. 11 Elsewhere, a CelloOpera with Maya Beiser OCT 14 Compagnie Marie Chouinard OCT 16 Punch Brothers featuring Chris Thile OCT 25 Studio for New Music Studio Ensemble from the Moscow Tchaikovsky Conservatory OCT 29/30 Mariinsky Orchestra of St. Petersburg with Valery Gergiev, conductor

NOV 2 Joshua Bell, violin NOV 11 Pierre-Laurent Aimard, piano NOV 12 Gilberto Gil – For All NOV. 14 Orchestre Révolutionnaire et Romantique and the Monteverdi Choir NOV 16 Brooklyn Rider NOV 27 Chucho Valdés

DEC 1/2 The Nutcracker – Carolina Ballet DEC 7 North Carolina Jazz Repertory Orchestra – Jazz for the Holidays

SePTembeR

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sEason CaLEnDar / / / 2 0 1 2 / 1 3

oCTobeR

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JAN 19 Radu Lupu, piano JAN 25/26 Bill T. Jones/Arnie Zane Dance Company and SITI Company

MAR 17 The Cleveland Orchestra MAR 20 Kurt Elling MAR 23/24 Joffrey Ballet MAR 26 Vijay Iyer and International Contemporary Ensemble

APR 3/5 Nederlands Dans Theater I APR 12/13 Basil Twist, puppeteer with Orchestra of St. Luke’s APR 20/21 Spring Dance – UNC School of the Arts, with Chancellor John Mauceri, conductor APR 26/27 Béjart Ballet Lausanne

mARCh APRil

FEB 8 Carolina Chocolate Drops and Vusi Mahlasela FEB 9 Abigail Washburn with Kai Welch featuring special guest Wu Fei FEB 10 Jazz at Lincoln Center Orchestra with Wynton Marsalis FEB 20 Magdalena Kožená, mezzo-soprano and Yefim Bronfman, piano FEB 22 Dafnis Prieto Sextet FEB 25 Kodo FEB 26/27 Alvin Ailey American Dance Theater

febRUARYjANUARY

2431

The performances that are included in our celebration of The Rite of Spring at 100 represent just a por-tion of the full calendar offered for the 12/13 Carolina Performing Arts season. While the focus of our season revolves around igor Stravinsky’s masterful work – we are pleased to present a full calendar of world-renowned artists that include a return visit by Sir john eliot Gardiner and his orchestre Révolution-naire et Romantique, global musical giants Chucho valdés and Gilberto Gil and The National Theatre of Scotland’s The Strange Undoing of Prudencia Hart presented at Top of the hill back bar. other greats include Kodo, Abigail Washburn and the Punch brothers.

Part of the full 12/13 Carolina Performing Arts Season

Celebration of the Rite of Spring at 100 Performance

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Rite 100 & the academyas part of The Rite of Spring at 100, we are hosting two academic conferences, one in Chapel hill and one in moscow. our conferences will use The Rite’s centennial as an occasion to rethink the founda-tions and relevance of modernist aesthetics in contemporary times.

The Chapel hill conference is for individuals interested in learning about 20th-century music, the visual arts, dance and literature. sessions will include discussions and lectures for both scholarly and general audiences.

The conference will be free and open to the public. The primary goal of the conference is to rethink questions of violence and cross-cultural encounters in relation to a charged moment in Western music when modernism emerged as a vibrant cultural force for the century. New York Times critic richard Taruskin, premier scholar of russian music history, will deliver a keynote speech, “resisting The Rite.”

Reassessing The Rite: a CEnTEnniaL ConFErEnCEOCT 25 – OCT 28, 2012 UNIVERSITY OF NORTH CAROlINA AT CHAPEl HIll



Thurs, oCT 25, 2012

5-6Pm oPeNiNG ReCePTioN at the Ackland Art Museum

6:30Pm WelCome at Memorial Hall Emil J. Kang, Executive Director for the Arts (University of North Carolina at Chapel Hill)

Severine Neff, Eugene Falk Distinguished Professor of Music (University of North Carolina at Chapel Hill)

6:45-7:45Pm KeYNoTe AddReSS Richard Taruskin (University of California at Berkeley) “Resisting The Rite”

8-9Pm CoNCeRT: Studio for New Music Ensemble (Moscow Tchaikovsky Conservatory) Igor Dronov, conductor Vladimir Tarnopolski, artistic director

Fri, oCT 26

hYde hAll, iNSTiTUTe foR The ARTS ANd hUmANiTieS

10:15Am WelCome Terry Rhodes, Professor of Music and Senior Associate Dean, College of Arts and Sciences (University of North Carolina at Chapel Hill)

Mark Katz, Professor of Music and Chair of the Department of Music (University of North Carolina at Chapel Hill)

10:30-Noon The Rite in Russian history and Culture Matthew Franke (University of North Carolina at Chapel Hill), chair

Donald J. Raleigh (University of North Carolina at Chapel Hill) “Stravinsky’s Russia: The Politics of Cultural Ferment”

Peter Nisbet (Ackland Art Museum, University of North Carolina at Chapel Hill) “Violence (Symbolic) and Violation (Stylistic) in the Visual Arts: The Case of the Russian Avant-Garde”

Kevin Bartig (Michigan State University) “The Rite Behind the Curtain”

Mary Davis (Fashion Institute of Technology) “Styling Le Sacre: The Rite’s Role in French Fashion”

2-3Pm KeYNoTe AddReSS Chris Wells (University of North Carolina at Chapel Hill), chair lynn Garafola (Barnard College, Columbia University)

“A Century of Rites: The Making of an Avant-Garde Tradition”

3:30-5Pm dancing The Rite After its Premiere

Gina Bombola (University of North Carolina at Chapel Hill), chair

Gabriele Brandstetter (Freie Universität, Berlin, Institute of Theater Research) “Re-Sourcing The Rite: Le Sacre du printemps and Yvonne Rainer’s RoS Indexical”


Millicent Hodson (London, UK) “Death by Dancing in Nijinsky’s Rite”

Stephanie Jordan (University of Roehampton, UK) “Sacre as a Dance: Recent Re-Visions or How to Make It New”

lynn Garafola (Barnard College, Columbia University), respondent

saT, oCT 27


9-10:30Am The Rite: Analysis, and Compositional Practice

Daniel Guberman (University of North Carolina at Chapel Hill), chair

Severine Neff (University of North Carolina at Chapel Hill)

“How Not to Perform Le Sacre du printemps?: Schoenberg’s Theories, leibowitz’s Recording”

Gretchen Horlacher (Indiana University at Bloomington) “Rethinking Blocks and Superimposition: Form in the ‘Ritual of the Two Rival Tribes’”

Stephen Walsh (Cardiff University) “The Rite of Spring: Dionysos Monometrikos”

11Am-12:30Pm The Rite: Analysis and Compositional Practice

Chris Bowen, (University of North Carolina at Chapel Hill), chair

lynne Rogers (William Patterson University) “Revisiting The Rite in Stravinsky’s later Serial Music”

Ildar Khannanov (The Peabody Institute of The Johns Hopkins University) “Rimsky-Korsakov to Stravinsky: Gifts Other than Octatonicism”

Maureen Carr (The Pennsylvania State University) “Stravinsky at the Crossroads after The Rite: Jeu de rossignol mécanique [Performance of the Mechanical Nightingale] (1 August 1913)”

2-3:30Pm PANel diSCUSSioN

Stravinsky and The Rite in 20th Century Russia

Oren Vinogradov (University of North Carolina at Chapel Hill) and Kevin Bartig (Michigan State University), co-chairs

Svetlana Savenko (Moscow Tchaikovsky Conservatory)

Grigory lyshov (Moscow Tchaikovsky Conservatory)

Svetlana Sigida (Moscow Tchaikovsky Conservatory)

Elena Vereshchagina (Moscow Tchaikovsky Conservatory)

Tatiana Vereshchagina (Moscow Tchaikovsky Conservatory)

Resassessing The Rite: a CEnTEnniaL ConFErEnCE continued...


4-5:30Pm KeYNoTe PANel

Will Robin and David VanderHamm (University of North Carolina at Chapel Hill), co-chairs

Michael Beckerman (New York University)

Richard Taruskin (University of California at Berkeley)

Vladimir Tarnopolski (Moscow Tchaikovsky Conservatory)

Pieter van den Toorn (University of California at Santa Barbara)

sun, oCT 28


10Am-Noon locating The Rite: Cultural Perspectives Naomi Graber (University of North Carolina at Chapel Hill), chair

Annegret Fauser (University of North Carolina at Chapel Hill) “Le Sacre du printemps: Un Ballet…Français?”

Sindhumathi Revuluri (Harvard University) “The Rite of Spring and Traditions of Exoticism”

Brigid Cohen (New York Unversity) “The Rite on the Road: Travel, Displacement, and the Ballets Russes”

Tamara levitz (University of California at Los Angeles) “Why 1913?”

2-3:15Pm PleNARY diSCUSSioN

The Rite Today Severine Neff, chair

lynn Garafola (Barnard College, Columbia University)

Millicent Hodson (London, UK)

Vladimir Tarnopolski (Moscow Tchaikovsky Conservatory)

Richard Taruskin (University of California at Berkeley)

This conference has received the generous support of the following organizations and individuals: The Andrew W. Mellon Foundation; Carolina Performing Arts, Emil Kang, Director; The Institute of the Arts and Humanities, University of North Carolina at Chapel Hill, John McGowan, Director; the Ackland Art Museum, Peter Nisbet, Chief Curator; Reed Colver, Director of the Campus and Community Engagement, Carolina Performing Arts; Brigid Cohen, Assistant Professor of Music, New York University; Terry Rhodes, Senior Associate Dean, The College of Arts and Sciences; Donald J. Raleigh, Jay Richard Judson Distinguished Professor, The Department of History; The Department of Music, Mark Katz, Chair, John Nádas, Gerhard l. Weinberg Distinguished Professor, Professors Allen Anderson, Clara Yang, and lee Weisert; graduate students and recent graduates Daniel Guberman, Christopher Reali, and Will Robin.


SUPPORT USsupporT us

Your support is needed to make it all possible.


We invite you to join us on this extraordinary journey.

The Rite of Spring marks one of the most significant artistic achievements of all time and the birth of the modern era. Carolina Performing Arts’ year-long celebration The Rite

of Spring at 100 is an ambitious undertaking with 11 new commissions and 15 performances throughout the 12/13 season, including world and U.S. premieres in music, dance and theater. The celebration includes a series of academic programs in Chapel Hill and Moscow that explore the significance and legacy of The Rite of Spring.

Major funding for The Rite of Spring at 100 has been provided by The Andrew W. Mellon Foundation and The William R. Kenan, Jr. Charitable Trust. These leadership gifts require matching contributions from donors like you in order to fund this once-in-a-lifetime season of performances and programming.


SUPPORT USWe welcome gifts of any amount to support The Rite of Spring at 100. All donors will be recognized in program guides throughout the 12/13 season. Many companies provide matching gifts that can increase your contribution’s impact.

Major gifts are needed to cover the costs of the performances and special programming planned for The Rite of Spring at 100. Donors receive season-long benefits such as invitations to galas and special events and extraordinary learning opportunities to discover more about this landmark artistic achievement.

1913 soCiETY: $5,000• Main-floor Premium Seats to all The Rite of Spring at 100 performances (2 tickets)• Invitationstospecialprogramswithartistsandscholars to learn more about The Rite of Spring at 100

• Complimentaryreservedparking

baLLETs russEs soCiETY: $10,000• Main-floor Premium Seats to all The Rite of Spring at 100 performances (2 tickets)• Invitationstospecialprogramswithartistsandscholars to learn more about The Rite of Spring at 100• September2012GalawithSilkRoadEnsemble (2 tickets)

• ComplimentaryVIPvaletparking

niJinsKY CirCLE: $25,000• Gold-LevelSeatstoallThe Rite of Spring at 100 performances (2 tickets)• OpportunitytojoinanexclusivetriptoSt.Petersburgin June2013fortheWhiteNightsFestivalwithMaestro ValeryGergiev• Invitationstospecialprogramswithartistsandscholars to learn more about The Rite of Spring at 100• September2012GalawithSilkRoadEnsemble (2 tickets)• April2013GalawithBéjartBalletLausanne(2 tickets)

• ComplimentaryVIPvaletparking

DiaghiLEv CirCLE: $50,000• Gold-LevelSeatstoallThe Rite of Spring at 100 performances (2 tickets)• OpportunitytojoinanexclusivetriptoSt.Petersburgin June2013fortheWhiteNightsFestivalwithMaestro ValeryGergiev• Invitationstospecialprogramswithartistsandscholars to learn more about The Rite of Spring at 100• September2012GalawithSilkRoadEnsemble (4 tickets)• April2013GalawithBéjartBalletLausanne(4 tickets)• ComplimentaryVIPvaletparking

sTravinsKY CirCLE: $100,000• Gold-LevelSeatstoallThe Rite of Spring at 100 performances (4 tickets)• PrivatedinnerswithselectThe Rite of Spring at 100 artists (4 seats)• Personalinvitationtoattendprivaterehearsalsin New York City and Chapel Hill by select The Rite of Spring at 100 artists• OpportunitytojoinanexclusivetriptoSt.Petersburgin June2013fortheWhiteNightsFestivalwithMaestro ValeryGergiev• Invitationstospecialprogramswithartistsandscholars to learn more about The Rite of Spring at 100• September2012GalawithSilkRoadEnsemble (8 tickets)• April2013GalawithBéjartBalletLausanne(8 tickets)• ComplimentaryVIPvaletparking

bEnEFaCTor: $250,000 and above• Gold-LevelSeatstoallThe Rite of Spring at 100 performances (8 tickets)• PrivatedinnerswithselectThe Rite of Spring at 100 artists (8 seats)• Personalinvitationtoattendprivaterehearsalsin New York City and Chapel Hill by select The Rite of Spring at 100 artists• OpportunitytojoinanexclusivetriptoSt.Petersburgin June2013fortheWhiteNightsFestivalwithMaestro ValeryGergiev• Invitationstospecialprogramswithartistsandscholars to learn more about The Rite of Spring at 100• September2012GalawithSilkRoadEnsemble (16 tickets)• April2013ClosingGalawithBéjartBalletLausanne (16 tickets)• ComplimentaryVIPvaletparking

inDiviDuaL giving

For more information, please contact Raymond Farrow at (919) 843-3307 or [email protected] or visit theriteofspringat100.org.


pLEasE maKE surE WE havE Your EmaiL aDDrEss on FiLE. Carolina Performing Arts regu-larly sends updated performance related information via email a few days before the event. Please be sure that the Box Office has your correct email address on file. You can update by calling the Box Office at 919-843-3333 or sending an email to [email protected].

TiCKET ExChangEsSubscribers may exchange tickets free-of-charge up to 72 hours before the performance. Non-subscribers may exchange single tickets for a $10 fee.

You must notify the Box Office of your intent to make an exchange at least 72 hours prior to the performance. You may call or email during normal business hours at 919-843-3333 or [email protected].

The value of the ticket(s) may be applied to the pur-chase of another performance or will be held as a CPA credit until the end of the 12/13 season. Credit must be redeemed by April 27, 2013.

For information about exchanging tickets, please call the Box Office at at 919-843-3333 or email [email protected].

TiCKET DonaTions/unusED TiCKETsUnused tickets may be donated to CPA as a tax-deductible contribution until the published start time of the performance. Unused tickets that are returned after the performance are not eligible for a CPA credit or tax-deductible contribution.

rEFunDsDue to the nature of performing arts, programs and artists are subject to change. If an artist cancels an appearance, CPA will make every effort to substitute that performance with a comparable artist. Refunds will be offered only if a substitute cannot be found, or in the event of a date change. Handling fees are not refundable.

CPA will not cancel performances or refund tickets because of inclement weather unless the University of North Carolina’s Chapel Hill campus closes.

TiCKET maiLing vs. TiCKET piCK upYour subscription tickets will be mailed during the week of June 4–8, 2012, before tickets to individual performances go on sale to the general public. Any ticket orders received fewer than 10 days prior to the performance will be held at Will Call, which opens 90 minutes prior to the published start time.

LosT or mispLaCED TiCKETs Call the Memorial Hall Box Office at 919-843-3333 to have duplicate tickets waiting for you at Will Call. Duplicate tickets cannot be mailed.

FaCuLTY & sTaFF TiCKETsSeveral discount options are available to UNC-Chapel Hill faculty (active and retired) and staff. Save up to 25% off the general public ticket prices when purchasing one of our Series Subscriptions or a “Create Your Own” package. Faculty and staff may order through the website or direct from the Memorial Hall Box Office. Please note: A valid UNC OneCard must be presented at the time of purchase to receive these discounts.

unC sTuDEnT TiCKETs arE JusT $10UNC-Chapel Hill student tickets to Carolina Performing Arts performances are just $10. A portion of each student’s fees supports this ticket price, so it is offered exclusively to Carolina students. A valid UNC OneCard must be presented to receive the student tick-et price. Don’t miss this once-in-a-lifetime opportunity.

group TiCKETsGroups of ten or more receive discounts from 10%–25% off the general public ticket price. All group tickets must be purchased together and in advance by calling the box office at 919-843-3333 or by sending your request to [email protected]. Group ticketing requests are subject to availability.

imporTanT inFormaTion


aCCEssibiLiTYWheelchair-accessible seating is available. Please advise a Box Office sales associate of your needs when you purchase your tickets. Memorial Hall is equipped with infrared listen-ing systems provided free of charge. We have a limited sup-ply of headsets that should be reserved in advance through the Box Office.

LaTE sEaTingOnce a performance has begun, late seating opportunities are limited and may occur only during specific times. Be sure to plan your arrival time to allow for traffic/parking. Ticketed seating locations are not guaranteed once the performance begins. Refunds will not be given to latecomers.

ELECTroniC DEviCEsUse of mobile phones, pagers, alarms and electronics of any kind is prohibited during performances. Even when silenced, these devices emit distracting light. If you are concerned about missing an emergency call, you may leave your name, device and seat location with an usher and they will alert you if a call comes through. Photography, videography and recording devices are prohibited during performances. Violation will result in ejection without reentry.

rEminDErsChildren old enough to enjoy performances are welcome. A ticket must be purchased for any child attending aperformance, and the child must be seated where a parent or guardian can supervise him or her. Babes in arms are not permitted. So that all patrons may enjoy the performance, please hold discussions and texting until after the perfor-mance ends; refrain from rustling wrapping paper during a performance; and be modest with your use of fragrances when attending performances.

hoW To orDEr

subsCripTion TiCKETs/sEaTing prioriTYSubscription tickets will be mailed in mid-June

DonorsDonors of $1,000 and above annually receive the highest priority seating based on level of giving for Series/ Rite of Spring Subscriptions and “Create Your Own” Subscription packages. Donations may be sent with your ticket order. Ticket orders must be received by June 18, 2012, to be eligible for seating priority.

subsCribErs To sEriEs anD “CrEaTE Your oWn” TiCKET paCKagEsSeries Subscribers (those who choose at least one series package and those who purchase at least four individual performances) will receive priority over individual ticket purchasers. Subscrip-tions will be filled in the order received and must be received by June 18, 2012.

singLE TiCKETs on saLE : TuEsDaY, JunE 19, 2012Single tickets will go on sale to the General Public at 10am on June 19, 2012. All seats not previously reserved for donors and subscribers will be released and sold. Don’t miss out on your choice of the best seats.

groups oF 10 or morEGroups of 10 or more people attending a single event will receive a 10% to 25% discount off the regular ticket price. For more information, contact the Memorial Hall Box Office at 919-843-3333 or email [email protected].

phone

inTeRneT

faX

MAIL

BOX OFFICE HOURSin peRSon

With Visa or MasterCard919-843-3333

www.carolinaperformingarts.org www.theriteofspringat100.org

919-843-2012

Carolina Performing ArtsUNC-Chapel Hill, CB 3276Chapel Hill, NC 27599-3276

10AM to 6PM, Monday thru FridayNoon to 6PM Saturday (May 19 - June 23)Closed Sat and Sun remainder of year

Please visit the Box Office at UNC’s Memorial Hall located at 114 E. Cameron Ave.



Wed Priority Period Begins for Silver and maY 16 Above level Donors ($1,000+). Includes all renewals, new subscriptions and single tickets.

Tue Priority Period Begins for Renewing Subscribers maY 22 and Sponsoring ($125+) and Student ($35) level Donors. Includes renewal purchase only.

mon Priority Period Begins for maY 28 Sponsoring ($125+) and Student ($35) level Donors. Includes new subscription purchase only.

fri Subscription Packages Available Jun 8 to General Public

mon Priority Period Begins for Sponsoring ($125+) Jun 11 and Student ($35) level Donors. Includes all single ticket purchases. Tue Single Ticket Day – all tickets to All Jun 19 individual performances go on sale by internet, phone or in person.

TICKETS AND INFO

havE QuEsTions? We’re Happy to Help!

Call the Memorial Hall Box Office at 919-843-3333

or email us at [email protected]

Don’t miss These imporTanT DaTEs

orDEr Form Tips1. look through the entire brochure and make a list of the events you are interested in seeing.

2. If you want The Complete Rite of Spring at 100 Experience – we’ve assembled a package that fits the bill. If you purchase the full series – you will be seated in the next highest seating section at no additional cost to you. Enjoy these performances from the best seats in the house. When you purchase this series package you are immediately eligible to purchase single performance tickets ahead of the general public.

3. If you like flexibility – look at the “Create Your Own” series. Receive discounts when selecting four or more individual performances. When you purchase a “Create Your Own” package, you are immediately eligible to purchase single performance tickets ahead of the general public.

4. BE SURE TO FIll OUT All PAGES OF THE ORDER FORM BEFORE YOU SEND IT IN. You may also call the Box Office for help on selecting the package that’s best for you.

maiLing aDDrEssCarolina Performing Arts UNC-Chapel Hill, CB 3276Chapel hill, NC 27599-3276


orDEr Form/ / / 2 0 1 2 / 1 3

We’re happy to help! Call the Memorial Hall Box Office at 919-843-3333 or email us at [email protected]

havE QuEsTions?

ChECKLisT:Please double check that you have completed the following before you mail in your order.

have you:

• Included daytime and evening phone numbers and email address (to be used in case of performance cancellation or ticketing problems)?

• Signed and enclosed your check, or signed the credit card line in “Payment Information”?

• If you have ordered The Complete Rite of Spring at 100 Experience, have you circled your preferred performance dates on the order form for those events with more than one performance?

• Filled out and included the entire order form (all four pages)?

maiLing inFormaTion

Cpa aCCounT numbEr (if known, can be found on the mail panel of this brochure above your name)

For Office Use Only Ticket Total: Donation:

ORDER FORM PAGE 1

Last Name First Name

Address

City State Zip Day Phone Evening Phone

Email Address (for updates on parking, start times, intermissions, program changes, etc.)

Tickets will be mailed to the address provided above during the week of June 4-8, 2012. Please allow 4-5 business days for delivery. If you would like your tickets sent to a different address or held for pick-up at the Memorial Hall Box Office, please call the Memorial Hall Box Office at 919-843-3333 before June 4, 2012.



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mY paYmEnT is bY:

r Check, in the amount of $_________ payable to Carolina Performing Arts

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r I want to take advantage of installment billing (credit card orders totaling $300 or more only). Please bill my credit card in three equal installments: the week the order is received by CPA, July 6, and August 3. Installment billing requests must be received by June 18, 2012.

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orDEr Form

paYmEnT inFormaTion

ToTaLs

continued

Final Ticket Total from page 41

handling Fee

Tax-Deductible Donation - Choose one.Your support helps continue to make the arts accessible to all at unC-Chapel hill . please consider making a gift with your order.

r $25 r $50 r $100 r $250 r $500

grANd TOTAL:

DiD You DoubLE-ChECK Your orDEr? Please review the checklist on page 39 to be sure you haven’t forgotten anything.Include this page along with the mailing form on Page 39 and the Ticket order form on Page 40 and 41. There should be four total pages in your order. If you have any questions – please call us at 919-843-3333 or e-mail us at [email protected].

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bEasLEY-CurTis auDiTorium aT mEmoriaL haLLFor detailed seat numbers, locations or to see the stage from any seat in Memorial Hall, visit the seating chart on our website at www.carolinaperformingarts.org.

cAROLiNA pERFORMiNG ARTSThe University of North Carolina at Chapel HillCampus Box #3276Chapel Hill, NC 27599-3276

NONPROFITu.s.pOsTAGE

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At Carolina Performing Arts, we try to provide you with a wide variety of performances so you can experience world-renowned favorites along with cutting edge new artists.

We want to give you the opportunity to view the world through a different lens and expand your horizons by presenting artists that help us all think about our world beyond our everyday lives.

Isn’t that what it’s all about? With this in mind, the following categories provide you with another way of looking at the performances in this brochure and may be helpful as you build your personal 12/13 season.

gianTsThese performances feature living legends. Artists recognized as being at the absolute peak of their field.

brEaKThroughCutting-edge, avant-garde performances that are guaranteed to stir your soul.

EsCapENeed some peace in your life? Looking to be transported to another place? These performances will do just that.

gLobaL viEWsTravel the globe without leaving the Triangle. The world comes to you at UNC’s Memorial Hall.

high EnErgYThese performances are energetic and loud; come prepared to get up, stand up and dance!

Sometimes you don’t know until you see it…

❖

❉

noT QuiTE surE WhaT You LiKE?

gianTs

SEPT 30/OCT 1 The Silk Road Ensemble with Yo-Yo Ma

OCT 29/30 Mariinsky Orchestra with Valery Gergiev, conductor

JAN 25/26 Bill T. Jones/Arnie Zane Dance Company and SITI Company

MAR 17 The Cleveland Orchestra with Giancarlo Guerrero, conductor

MAR 23/24 Joffrey Ballet

brEaKThrough ❖

OCT 14 Compagnie Marie Chouinard

OCT 25 Studio for New Music Ensemble, Igor Dronov, conductor Vladimir Tarnopolski, artistic director

NOV 16 Brooklyn Rider

APR 3 Nederlands Dans Theater I

APR 12/13 Basil Twist, puppeteer with Orchestra of St. Luke’s

APR 27 Béjart Ballet Lausanne

EsCapE

NOV 11 Pierre-Laurent Aimard, piano

FEB 20 Magdalena Kožená, mezzo-soprano and Yefim Bronfman, piano

APR 20/21 Spring Dance – UNC School of the Arts, with Chancellor John Mauceri, conductor

gLobaL viEWs

MAR 26 Vijay Iyer and International Contemporary Ensemble

We’re happy to help! Call the Memorial Hall Box Office at 919-843-3333 or email us at [email protected]

havE QuEsTions?

The Rite of Spring at 100

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