The Piano at Harry's Bar

by

Jerry Matters

Name: Jerry Matters

E-mail: jerrymatters8@gmail.com

Phone Number: 011-506-282-1516

Copyright #: PAU2-835-136+

FADE IN:

EXT. RUE DE LA PAIX, PARIS - DAY- AUGUST 1944

Under a grey sky, we see the curving street strewn with the bodies of a man and woman and a burning sedan with chevrons on its grill and the letters “FFL” scrawled on the door.

The SOUND OF SMALL ARMS FIRE is PUNCTUATED BY THE HIGH SPEED METALLIC THUMPS OF A MG-42 MACHINE GUN.

Suddenly, three American jeeps careen around an intersection, and SCREECH TO A HALT before the Ritz Hotel.

Out of the first jeep jumps HEMINGWAY, a burly and bandoliered man arrayed in a mix of army issue and big-game hunting dress. His belt buckle proclaims, ¨Gott mit Uns.¨

HEMINGWAYOK boys our objective is straight through the lobby and then eyes left...and for Christ´s sake, don't fire unless you see a Swastika or hear German.

A GROUP OF RAG-TAG SOLDIERS dressed like Hemingway barrel out of the jeeps and into the hotel´s doors.

CUT TO:

INT. RITZ HOTEL - CONTINUOUS

Hemingway strides into the hotel´s foyer, glances about, and grabs a phone from the concierge's desk.

HEMINGWAY(In French with subtitles)

Reception! Yeah, we need a bartender in the back bar. (Pause) Who am I? It´s Ernie you old clown. I´m back!

CUT TO:

INT. HOTEL BAR - MOMENTS LATER

With Hemingway at their center, the group crowds around the bar, as PIERRE, THE HOTEL BARTENDER, busily polishes some glasses.

(CONTINUED)

THREE CIVILIANS break into room and rush to Hemingway. One man, dressed in a cutaway coat embraces Hemingway with tears in his eyes.

CIVILIAN IN CUTAWAY COAT(French with Subtitles)

Monsieur Hemingway!? Welcome, welcome. We have your trunk in the third floor storage. It has been waiting for you for four years...

The Civilian in the Cutaway CHOKES on his tears. Hemingway nods his approval.

HEMINGWAYGood. I could use a clean shirt.

Pierre places glasses on the bar as Hemingway produces two army canteens.

HEMINGWAYHere we are...one gin, one vermouth...won´t work for my usual 16 to 1 ratio, but it's a start. Pierre, please tell me you have some gin.

PIERREOnly the Dutch variety. The Germans drank all of the English product.

HEMINGWAYYet another atrocity on the conscience of the Reich...all right, Martinis for everybody. Guess the Dutch stuff will do, easy on the Vermouth.

Hemingway turns to the Civilian in the Cutaway with purpose.

HEMINGWAYWhat happened with Harry´s?

CIVILIAN IN CUTAWAY COATIt was still open last week, sir.

A UNIFORM from Hemingway´s band sits down at the bar´s piano. He BANGS OUT A ROUSING FRENCH DRINKING SONG. Pierre begins to pass around the drinks, and everyone SINGS ALONG.

After the song, Hemingway raises his glass.

2.CONTINUED:

(CONTINUED)

HEMINGWAYTo our lost brothers in arms, and to us...may we be as joyful forever as we are today.

Hemingway then moves around the room patting backs and shaking hands. Then finishing his drink, he sets his glass on the bar and motions to three members of his group to follow.

CUT TO:

EXT. RUE DE LA PAIX - MOMENTS LATER

Hemingway climbs behind the wheel of one of the jeeps. With the three men he navigates the littered street. Finally, he reaches Rue Daunou.

CUT TO:

EXT. RUE DANOU - CONTINUOUS

Hemingway stops the jeep in front of a storefront. A sign proclaims ¨Harry´s.¨ Hemingway gets out of the jeep and looks up at the sign.

HEMINGWAYJust ¨Harry´s?¨ What? Didn't the Krauts like ¨Harry´s New York Bar?¨ Well, what the hell, a lot of New Yorkers didn't care so much for the Krauts either.

Hemingway pulls around his carbine and begins to take a swing at the window, when he suddenly stops, reaches for his wallet, and pulls out a key.

HEMINGWAYHarry MacElhone himself gave me this key last May in London.

He gives the key a try, and the door CLICKS open.

HEMINGWAYDamn thing works.

CUT TO:

3.CONTINUED:

INT. HARRY´S BAR - MOMENTS LATER

As the group mills about the bar, Hemingway looks at the glass cabinet of whiskey bottles on the wall. Atop the bar sits the Star Red Hot hot dog machine.

Pacing to the back of the bar, he stares with surprise at the wall of American college pennants.

HEMINGWAYNot a God-damned thing has changed...Krauts must have thought they were running a museum.

After checking the bar, Hemingway pulls out a flashlight and motions to his group to follow him.

They slowly file down a spiral staircase.

CUT TO:

INT. CELLAR CABARET AT HARRY´S - CONTINUOUS

Hemingway strides a few paces over a rise in the floor and glances around at the cabaret.

HEMINGWAYDamn...the piano is gone...Gershwin´s piano. How the hell did they get it out of here.

FADE TO:

INT. HARRY´S BAR - LATER

Hemingway is behind the bar opening bottles and placing glasses on top of the bar. A SOLDIER IN A TANKER JACKET points to a photo on the wall of the bar.

SOLDIER IN TANKER JACKETChrist Ernie...is that you? What the hell are you doing on the wall of a Kraut Bar?

There is a photo of Hemingway on the wall. He is dressed in hunting tweeds and carrying a shotgun.

4.

(CONTINUED)

HEMINGWAYDifferent times, my friend, different times...the Lost Generation got lost here...some never got found...but Harry´s was the place for writers, composers, hangers-on, freebooters, and all around international fuck-ups in general...

FADE OUT. FADE IN:

EXT. RUE DAUNOU, 1928 - DAY

It is well before the war. The street in front of Harry´s is packed with automobiles inching their way along down the Rue Danou. We hear a Parisian TAXI KLAXON.

FADE TO:

INT. HARRY´S BAR - CONTINUOUS

A younger Hemingway is leaning over the bar talking to HARRY MACELHONE, the dark and burly Scottish owner of the bar.

HEMINGWAYHey Harry, have you seen anything of Fitzgerald or Zelda today? I hauled him back to the Ritz last night like a sack of potatoes.

HARRYNo Ernie, if they show up, it won´t be before five bells...they both need their beauty sleep.

HEMINGWAYBeauty sleep! Neither one has hit a key in months. Probably the wettest dry spell in history...and Zelda only writes when she gets pissed off at Scott. What they both need is a swift kick in the ass.

HARRYNow Ernie you're not exactly a dynamo these days...ah, here comes MR. GERSHWIN, maybe he saw the lovely couple at the Ritz.

5.CONTINUED:

(CONTINUED)

GERSHWINHarry...I need a Bloody Mary, but for chris’ sakes no Tabasco ...yesterday´s almost burnt off my foreskin...oh, hello Ernie...

HEMINGWAYForeskin! You're getting a little goyish, Georgie. You dropped your foreskin thirty years ago on Flatbush...you see the remains of the Fitzgeralds´ over at the Hotel?

GERSHWINNope...bit early for those two...Harry, I need to use the piano...got an idea last night...a dream sent from Heaven. I´m six months behind on my “American in Paris” project, and my brother keeps sending me wires...sez Paris is a damned playpen...the noive.

HARRYOK, go ahead George, but lock the door otherwise you'll draw a crowd and I'll have to stick in another bartender.

HEMINGWAYSome Scotsman you are, Harry...free Broadway talent and you won´t spare a few francs for a barman.

DISSOLVE TO:

INT. CELLAR CABARET AT HARRY´S - NIGHT

Gershwin sits at the upright piano his fingers work a BLUESY HARMONIC PROGRESSION OVER AND OVER. He has a short pencil in his mouth and looks at a half blank score sheet.

Hemingway leans on the upright piano top, glass in hand, cigarette in an ashtray atop the piano.

HEMINGWAYYou write notes and I write words.

6.CONTINUED:

(CONTINUED)

GERSHWINNo Ernie, the notes and the words are already floating around...we just pluck them out of the sky and hang ‘em on paper.

HEMINGWAYYou mean we’re artists.

GERSHWINYea, something like that.

HEMINGWAYBetter go out and buy a beret. And then we could collaborate.

GERSHWINLet’s see, how about a jazz opera in monosyllabic English?

A FLAPPER comes down the stairs and makes her way over to the piano.

FLAPPERPlay us something we can dance to, hmm, Georgie.

Gershwin smiles shamelessly and launches into A RAGTIME SONG.

The music in the background swells to JOIN IN THE TUNE, and soon the cramped room is alive with dancing.

Harry and Hemingway watch from the cellar bar, glasses in hand.

FADE OUT.

FADE IN:

INT. HARRY´S BAR, 1944 - AFTERNOON

Hemingway is now sitting on a bar stool in front of the window.

HEMINGWAYThose were very special times....and then the whole world blew a fuse...from Wall Street to Unter den Linden.

7.CONTINUED:

(CONTINUED)

MAN IN TANKER JACKETAnd then Hitler marched into Paris and your Harry skipped over to London...What happened to this place?

HEMINGWAYThe Germans and their French pals took over...and Harry and his family took a scramble. Harry had a rough trip. We can only wonder what happened here.

FADE OUT.FADE IN:

SERIES OF SHOTS

Clips from various newsreels display the date and depict the occupation and flight of refugees from Paris.

INT. CELLAR CABARET AT HARRY´S - DAY

Inside the bar, Harry and barman CHARLES SOUMILLE place cases of liquor into a small room in the cellar.

HARRYCharlie have you got the cement and bricks?

CHARLESYes, Mr. Mac...enough bricks ,some mortar but I don’t think it will stop the Germans...where is your son Andy?

HARRYThe boy is clearing out the car and stuffing it with staples... not much room in the Topolino... sorry I can’t take you with us but I only have room for two and enough food and clothes to make it for England...meeting my wife and daughter in Bordeaux...If I stay here I’ll be interned or worse. You try to look after the bar, Charlie.

8.CONTINUED:

(CONTINUED)

CHARLESI’ve dealt with the Huns in one of their prison camps back in 1917 ...I’ll be alright...picked up some of the language and know how to say jawohl...I’ll be alright Mr. Mac and I’ll do my best to protect your name and the bar.

DISSOLVE TO:

INT. CELLAR CABARET AT HARRY´S - LATER

Harry and Charles are smoothing the mortar over the entrance to the alcove where they stashed the liquor. The job appears amateurish.

DISSOLVE TO:

EXT. RUE DAUNOU, OUTSIDE HARRY´S - LATER

Harry and his son, ANDY, are placing cartons and picnic hampers into the back of a little Topolino 500.

The open trunk reveals a case of wine and two cans of gasoline.

HARRYLets take stock Andy...bread, ham, cheese, wine...just like a proper Sunday picnic with no ants to bother us, just Germans. Your Mother called last night and she and your sister will meet us at the bistro next to the prefecture of police in Bordeaux...there are channel boats running overtime and with God’s good grace we all should be in England tomorrow.

ANDYWill the Germans be shooting at us?

HARRYWell, they shot at me before and missed...don’t worry too much about it, son...they don’t shoot French civilians, at least they didn’t the last time...

9.CONTINUED:

(CONTINUED)

Harry turns his face from Andy to hide his fright. He closes his eyes and the slowly opens them.

CUT TO:

EXT. THE ROAD TO BORDEAUX - LATER

The road to Bordeaux is crammed with cars, trucks, and carts, some driven by horse and some pulled by refugees.

The scene is one of stop and start, and the face of hopelessness is everywhere.

Harry’s Topolino is behind an old, beat up truck. As they lumber over the Loire River bridge the Topolino breaks down.

Harry moves around to the front of the truck and nods to the TRUCK DRIVER.

HARRYMy car has broken down but I have petrol...is there any way we can help each other?

TRUCK DRIVERDon’t have any room for you but I’ll take the fuel and you can hitch your car up to my truck.

Harry begins to rope the frame of the Topolino to the back of the truck.

They drive on.

A few moments pass and the truck stops. The Topolino bangs into the back of the truck.

The truck stops again, and Harry slams on the brakes to no effect as again the Topolino rams into the truck. Apparently, the brakes have failed completely.

CUT TO:

EXT. THE ROAD TO BORDEAUX - LATER

It has gotten dark.

The Topolino continues to rear-end the truck at every stop.

10.CONTINUED:

(CONTINUED)

Harry and Andy are now crouching in their seat behind the dashboard of the Topolino.

The crashes just keep coming.

ANDYPapa..we’ve been on the road for six hours and according to the signs, we’re only half way there.

HARRYCheer up, Laddie and just hold on so you don’t go through the wind screen ...We'll reach Bordeaux.

A dark and pensive expression passes over Harry’s face. It is late and jarring collisions with the truck are taking a toll on their nerves.

FADE OUT. FADE IN:

EXT. BORDEAUX - NIGHT

The Topolino and its passengers finally arrive in Bordeaux.

The town is swarming with hordes of people, ill-dressed, dirty, and frightened. They line up at the various Channel Boats ticket offices.

GENDARMES and FRENCH SOLDIERS try to keep order in all the chaos.

HARRYAndy, here are enough francs for four tickets...when you have bought them, hide them in your shirt and stay here. I’m off to find your mother and sister.

Harry is moving about the crowds of refugees, asking about the prefecture of police and finally finds a GENDARME.

GENDARMEWe have eight.

HARRYDoes any of them have a bistro next to it?

11.CONTINUED:

(CONTINUED)

GENDARMEMost of them.

HARRYHow about the Cafe Lyon?

The Gendarme nods his head and is seen giving Harry a long, involved set of directions.

Above planes with German markings ROAR over the city, we hear BOMBS EXPLODING.

Harry is jostled by the crowds as he makes his way through the streets.

Suddenly we see a sign announcing ¨Cafe Lyon¨ over the crowds.

CUT TO:

INT. CAFE LYON - CONTINUOUS

Harry fights his way into the cafe and through to the back.

There sit FRANCINE and PATRICIA MacELONE, Harry’s wife and daughter of about twenty, each embracing one another.

GIRLDaddy!

HARRYThank god! Andy is waiting and has some bread and cheese to hold us over.

GIRLDid he bring mustard?

HARRY (looking up with a smile)

Give me courage , Lord

DISSOLVE TO:

EXT. ABOARD CHANNEL FERRY, FALMOUTH - DAY

Harry stands at the rail of the ferry smoking a large cigar when the ALARM is SHOUTED over the SHIP´S PUBLIC ADDRESS.

12.CONTINUED:

(CONTINUED)

SHIP´S PUBLIC ADDRESSAttention! Enemy aircraft approaching. Take cover. Again, take cover.

Suddenly, we hear a ROAR overhead and EXPLOSION nearby. The boat rocks in the wake that dumps gallons of water onto the deck.

Both Harry and his cigar are drenched. He raises his fist with his wilted cigar into the air.

HARRYDamned Huns.

FADE OUT. FADE IN:

INT. HARRY´S BAR - AFTERNOON

Charles sits alone at one of the tables. He looks out the front window at a virtual parade of Germans in various military uniforms strolling by.

He gets up and goes to the kitchen, opens the refrigerator door. Inside the racks are filled with frankfurters, some unpacked, some wrapped in butcher-paper. He selects three and walks to the bar area and inserts the wieners into the ¨Star Red Hot¨ steamer.

He then pours himself a draft of beer and returns to the table.

Arrayed before him on the table is a container of Amora mustard, an ashtray, and an old Parisian newspaper.

Suddenly, there is a RAP on the door.

Charles gets up and puts on his white apron, then answers the door. He is greeted by TWO FRENCHMEN and A PUDGY GERMAN OFFICER.

CHARLESBonjour.

13.CONTINUED:

(CONTINUED)

FIRST FRENCHMANBonjour, we are from the Paris chamber of merchants and we wish to advise you that this establishment has been assigned to a syndicate of brassieres to operate. Where is the owner MacElhone?

CHARLESHe left for Bordeaux three days ago and I don't expect him back.

PUDGY GERMANAnd who are you?

CHARLESCharles Soumille, barman, waiter, and purveyor of red hots.

PUDGY GERMANVas?

CHARLESWursts, mein Herr.

FIRST FRENCHMANMay we enter?

CHARLESAs you wish.

The three men walk through the upstairs bar and appraise the photos and portraits on the walls and then study the maze of American college pennants running along the entire bar.

SECOND FRENCHMANLook, he left all those bottles of fine whisky in the cabinet.

FIRST FRENCHMANBottles filled with colored water for show, I´m sure. Monsieur Soumillee, the syndicate would like to open this establishment as soon as possible which is part of the new policy of bringing Paris back into normal day to day commerce. You can stay on in your present position, but arriving tomorrow will be M. Noel Sydnee who will assume the authority of general manager.

14.CONTINUED:

(MORE)

(CONTINUED)

He will be here at nine o'clock to inspect the premises, the inventory, and the book-keeping.

CHARLESBut we don't have any employees. Most of them left Paris.

FIRST FRENCHMANWell, find those that are still here, and if you need assistance in searching for them, call me. And here, this is my card. My signature will provide you with safe conduct throughout Paris while you are on business.

PUDGY GERMANWhat is that odor?

CHARLES(eyeing the girth of the German)

Overcooked wurst.

We see the hot dogs burning inside the steam plate.

FADE OUT. FADE IN:

INT. HARRY’S BAR - NIGHT

The bar is now open. German officers and civilians fill the room. Charles stands behind the bar wiping a glass. Behind him NOEL SYDNEE, a fat Frenchman with a pencil mustache. He has an arrogant bearing.

CHARLESMonsieur Sydnee, the Germans have devoured most of the Cognac.

SYDNEEOur Germans friends will get us resupplied, in fact the Syndicate has informed me that four breweries will be operating by week´s end.

CHARLESJawohl.

Sydnee glares at Charlie.

15.CONTINUED:

FIRST FRENCHMAN (cont'd)

(CONTINUED)

Navigating through the crowd, we make our way to the back of the room and down the twisting narrow stairs towards the basement caberet.

The sound of a PIANO PLAYING “I´VE GOT RHYTHM” FLOATS up from below.

CUT TO:

INT. CELLAR CABARET AT HARRY´S - CONTINUOUS

YOUNG GERMAN OFFICERS in Wehrmacht, Kreigsmarine, and Luftwaffe uniforms stand around the piano enjoying the music. Behind the piano sits COLONEL SVEN BECK, a Luftwaffe officer in his forties.

YOUNG LUFTWAFFE OFFICERThat's very uptown, Colonel.

The others LAUGH at the American slang. Beck LAUGHS HEARTILY, as he finishes the song.

YOUNG KREIGSMARINE OFFICERHey, Colonel, how about some Boogie Woogie?

Beck BREAKS INTO THE PINETOP SMITH CLASSIC “BOOGIE WOOGIE.”

The Kreigsmarine officer BEATS the top of the piano in cadence.

WOLF STREICHER, a uniformed gestapo officer, appears before the piano and smacks the top of the piano with his riding crop sharply giving out a loud WHACK. The room immediately becomes SILENT.

STREICHERMust we be assaulted with this negroid offal?

BECKYou want offal...we have offal.

Colonel Beck BREAKS INTO THE POPULAR GERMAN “I WISH I WERE A CHICKEN,” ON THE PIANO. The young officers JOIN IN WITH A WHOOP. The song is nonsensical.

DISSOLVE TO:

16.CONTINUED:

INT. CELLAR CABARET AT HARRY´S - LATER

Beck sits at a table with some of the young officers.

BECK...and so I graduated at Madison and returned to Koln...found a job with Lufthansa...that was 1929...and they trained me as a pilot.

YOUNG WEHRMACHT OFFICERWhen you were leaving Wisconsin, I was starting at Brown.

YOUNG KREIGSMARINE OFFICERYale here...graduated four years ago. I truly enjoyed living in America...good people.

BECKPlaying their music in the new Reich may be less than stylish. And, if it is up to our Gestapo friend, it may be criminal some day. Did you know that George Gershwin wrote his American in Paris on that very piano? Right here in this basement, 1927-1928. He was living in the Ritz Hotel and had a piano in his suite, but the other guests complained about his composing. So he made a deal with the owner here to use this piano in the mornings when the bar was closed.

YOUNG KREIGSMARINE OFFICERAny Gershwin fan would look upon that piano as something almost sacred...especially now that he is dead these three years...

BECKYou may be right, my friend.

YOUNG LUFTWAFFE OFFICERHow about some poker...happen to have a deck.

He produces playing cards from his pocket.

17.

(CONTINUED)

YOUNG KREIGSMARINE OFFICERWatch it, Hans went to NYU...his deck may be marked.

They ALL LAUGH.

FADE OUT. FADE IN:

INT. RITZ HOTEL, LONDON - DAY

Harry and his son sit in the outer office of the managing director , SIR REGINALD MOWRY.

HARRYFirst they chase me out of France, then they bomb the bloody boat and then they bomb my work place...damned Huns...they're either at your throat or at your feet.

ANDYThat's Mr. Churchill´s phrase, Dad.

HARRYYea, and old Winnie was at my bar some years ago...ordered a Jameson, in fact, two. ¨Never drink anything stronger than beer before breakfast,¨he told me. Amiable old bloke.

The door to the director´s office opens and a MALE SECRETARY motions the MacElhones’ to enter.

SIR REGINALD MOWRYCome in, gentlemen, and, please, sit down. Would you care for some tea?

HARRYThank you so very much, Sir Reginald, but I´m sure your time is short.

18.CONTINUED:

(CONTINUED)

SIR REGINALD MOWRYAll our times are short with these blasted bombing raids...I understand that you stood your ground at the Cafe de Paris bombing outrage?

HARRYStood? No, we were both knocked on our bums. Andy here lost some teeth, and I lost considerable courage. Damned Huns. We took over one hundred casualties. Andy and I were blessed by the shadows of the saints. But the boy and I are looking for employment now, and considering our luck in this war so far, things have to get better.

SIR REGINALD MOWRYMr. MacElhone, we here at the Ritz have decided to open a new beverage outlet...an American-style bar...quite the fashion now. And you operated the most famous bar on the Continent. Would you be free to help us?

HARRYWe are as free as the nightingales in Berkeley Square at the moment...and with no prospects. When can we start?

SIR REGINALD MOWRYGoodo! MacElhone, you can start right now with the planning, the construction, and the procurement. The young man can act as your aide-de-camp.

HARRYWhat will you call it?

SIR REGINALD MOWRYCall it what you want. You´re the concessionaire.

DISSOLVE TO:

19.CONTINUED:

INT. RIVOLI BAR, RITZ HOTEL, LONDON - WEEKS LATER

Harry stands behind the new cocktail bar at the Ritz. His son Andy is dressed in a waiter´s uniform. The place is filled with military personnel from the various Allied Nations. Through the window we see as sign that reads ¨Rivoli Bar.”

A BRITISH ARMY MAJOR is at the bar TALKING to Harry.

BRITISH ARMY MAJORAnd so, Harry, how did you come to call it the Rivoli?

HARRYLooking out the window, the street reminded me of the Rue Rivoli in Paris.

BRITISH ARMY MAJORYou must miss Paris, Harry. But why an American bar in London?

HARRYMethinks that there are going to be a lot of Yanks here presently. They can't go directly to France as they did in ´17. The damned Huns will get them in the war again, and they will have to trot into old England for a pint of beer.

BRITISH ARMY MAJORYour family escaped with you, Harry?

HARRYAll but my son, HENRY, who is a prisoner of war in Alsace.

We see again the various uniforms, Dutch, British, French, along with uniformed British women from the various services.

Suddenly the LONDON AIR RAID SIREN WAILS and everyone starts towards a door marked “SHELTER.”

HARRY Damned Huns.

DISSOLVE TO:

20.

INT. OFFICE IN THE BRITISH EMBASSY, LONDON - DAY

Seated around a table are RAF and ARMY AIR CORPS OFFICERS. Among them sits the American MAJOR STAN NOVAK. In front stands a BRITISH SCIENTIST before a large chart.

BRITISH SCIENTISTGentleman, the Jerries developed a rocket thrust fighter only two years ago, designated the Heinkel 176. The chaps in Berlin weren't too interested and so it has been sitting in their Air Museum ever since.

The British Scientist flips over a page of his chart and raises his pointer.

BRITISH SCIENTISTHowever, taking the rocket a step down we have jet propulsion whereas using a kerosene derivative which is ignited within a cone. The thrust is maintained, the fuel consumption is much closer to piston-driven aircraft, and the whole business is a damned sight safer. Speeds of 550 miles per hour are quite possible, as opposed to four hundred miles per hour for one of our Spitfires. The Germans have been working on this solution to a faster climbing ship for some time and Messerschmitt is close to testing a plane that could be harnessed to what we could call a jet engine. They will test the plane this summer to evaluate the stress factor on the air frame. The jet-engine, designated BMW-003, is being developed right now at the Bayerische Motoren Werke somewhere in the Harz Mountains, or wherever. We are looking at jet propulsion ourselves, of course, but to find out how far Jerry has got would be a nice spoon of jam.

NOVAKHey! I thought Buck Rogers was on our side.

21.

(CONTINUED)

BRITISH SCIENTISTWell, Major, I don't know who your Mr. Rogers is but you are going to be billeted in Occupied Paris where we can't go...certainly not in uniform. We are at war with Jerry; you're not. You can mix it up a bit with the Germans, after all, that's what a military attache is supposed to do. And we also know, Major, that you were an observer with Doctor Goddard’s rocket experiments in New Mexico. And so, keep your ears open and stop at Harry´s New York Bar on Danou. Harry the owner had to leave Paris, wrong colored passport and all that. He can be now found in the Rivoli Bar in the Ritz Hotel here in London. He runs the place from behind the bar. His place in Paris is open and being run by the Germans and their French associates. It is well attended by the jackboots.

FADE TO:

INT. RIVOLI BAR, RITZ HOTEL, LONDON - AFTERNOON

Novak, dressed in civilian clothes, walks into the Rivoli and climbs atop a bar-stool. Stan looks straight at Harry, who is standing behind the bar.

NOVAKAre you Harry?

HARRYWhy? Are you a barber? Just joshing...you Yanks like a bit of pull...at least they did in my place in Paris. What would be your pleasure?

NOVAKBourbon, if you have it, if not, then your whisky would be just fine, and can you spare some ice?

HARRYYes sir.

22.CONTINUED:

(CONTINUED)

NOVAKAnd you're Harry MacElhone. My name is Novak, Stan Novak of the American Army Air Corps. You may be interested in the fact that I´m to be stationed in our Embassy in not-so-gay Pah-ree.

HARRYWith all those damned Huns?

Harry takes a breath and with a sly grin, punctuated by a large cigar, leans over the bar.

HARRYYou know, Mr. Novak, you could truly do me a great favor.

NOVAKMajor, actually, and I think that we might help each other and our mutual cause.

HARRYMutual?

NOVAKYou bet, we both like saloons.

FADE OUT. FADE IN:

INT. HARRY´S BAR - NIGHT

Novak enters Harry´s Bar dressed as a civilian in a grey suit and overcoat and a snap brim hat. The bar BUZZES WITH CONVERSATIONS including some ENGLISH. Charles, standing behind the bar, greets him in English.

CHARLESBack again, Mr. Novak,your pleasure?

NOVAKHello Charlie. I'll have a brandy and water, if you would be so kind.

CHARLESOn its way.

23.CONTINUED:

(CONTINUED)

The bar is filled with GERMAN OFFICERS OF THE VARIOUS SERVICES and WOMEN IN GERMAN AUXILIARY SERVICE UNIFORMS, some in Werhmacht grey, others in blue. The rest of the patrons are a mixed-bag of CIVILIANS and a few men in garish ITALIAN UNIFORMS.

The large multi-band radio behind the bar is on and SNIPPETS OF THE BBC NEWS can be heard in English.

Stan picks up his drink and strolls through the bar, turning to descend the spiral staircase to the basement cabaret. MUSIC WAFTS up from the tight, twisting stairway.

CUT TO:

INT. CELLAR CABARET AT HARRY´S - CONTINUOUS

At the piano sits Colonel Beck striding his way through “LADY BE GOOD.”

Novak takes a seat at a nearby table. When Beck finishes, Novak APPLAUDS LOUDLY. Beck looks in his direction and bows. Motioning the regular pianist to return to the piano, Beck walks over to Novak´s table.

BECK(in perfect English)

A little bit of home for you, Major?

Novak stiffens.

NOVAKYou have me at a disadvantage, Colonel.

BECKColonel Sven Beck at your service. Luftwaffe Air Intelligence Paris sector. And you are the air attache, Major Stan Novak,United States Army Air Corps, American Embassy. I was sent your dossier.

NOVAKOh yeah, can I read it?

BECKAnd we both have something in common, we are both Badgers.

24.CONTINUED:

(CONTINUED)

NOVAKYou? At the University of Wisconsin? When?

BECKGraduated in ´28...and you in ´33.

NOVAKI have to ask this, where did you play piano in Madison?

BECKAt Billy Ripp´s Pirate Ship off State. It was a proper speakeasy then.

NOVAKSit down Colonel and let's get away from the damned war for a while.

Beck LAUGHS HEARTILY, pulls up a chair, and lights a cigar. The two seem to chat amiably amidst the basement crowd enjoying the PIANO MUSIC.

DISSOLVE TO:

INT. CELLAR CABARET AT HARRY´S - LATER SAME EVENING

Suddenly Beck and Novak BREAK OUT IN SONG, SINGING the University of Wisconsin’s “VARSITY.”

STAN AND BECK(in harmony)

Var-si-ty, var-si-ty, U rah-rah, Wisconsin.

ANOTHER LUFTWAFFE OFFICER(in German with subtitles)

I´m sorry Colonel, telephone for you.

NOVAK(in German with subtitles)

Very nice meeting you, Colonel, and may I add...great piano.

BECK(laughing and in English)

Major...it has been a slice of heaven.

25.CONTINUED:

(CONTINUED)

The other Luftwaffe Officer is obviously not amused.

Far across the room, WOLF STREICHER looks on.

CUT TO:

INT. ROTHSCHILD MANSION, LUFTWAFFE HQ, PARIS - NEXT DAY

Beck is sitting behind his desk. Before him stands LEUTNANT BAYREUTHER. Beck is looking at a file.

BECKAnd so we must keep track of the American Major. Increase the surveillance to twenty-four hours, check the telephone tap integrity, and report any contacts with non-Americans. The Major is here for a reason other than making the cocktail circuit.

LEUTNANT BAYREUTERSir. We have a tap on his telephone at his flat but the Embassy is very difficult.

BECKWell, Leutnant, do what you can do and report on who he is in contact with, and find out who they are. Interesting background...mechanical engineering at Wisconsin, aeronautical engineering at Purdue. Learned to fly when he was sixteen, learned again in the Army Air Corps...fluent in German...adequate French...and look at this! Worked with Robert Goddard in New Mexico in 1938! .... Young for a Major.

Beck swings around in his chair and looks out the window overlooking the garden.

BECKMost impressive for an American, hence, a rather dangerous fellow. As we are years ahead of the Yanks in some areas of aviation, anything he might find could be of value to their air program.

26.CONTINUED:

(CONTINUED)

Beck swings back to the desk and scans a report, then looks up at the Lieutenant.

BECKHasn't been seen in any female company in his six weeks here in Paris...very unlike any Americans that I have known...perhaps we may be of assistance to the Major, Leutnant Bayreuther.

LEUTNANT BAYREUTHERYes sir!

BECKDo we have any patriotic young ladies here at headquarters?

LEUTNANT BAYREUTHERI'll prepare a list of those who would serve the Fatherland.

BECKWill that include the two new blonde ladies in the interpreters’ pool?

LEUTNANT BAYREUTHERYou mean Hanalore and Fraukie?

BECKVery good, Leutnant! A little socializing at Harry´s New York Bar might be in order. Bring me their personnel files. If they should express interest-which they will-prepare them for further vetting. This things can be delicate operations. I'd rather be bombing London...the bombs can´t come back at you.

DISSOLVE TO:

INT. HARRY´S BAR - EVENING

Stan Novak enters Harry’s and sits down at the bar.

NOVAKGood evening Charlie, how goes the battle?

27.CONTINUED:

(CONTINUED)

CHARLESEs geht.

NOVAKCharlie..you’re blending in too easily...Has the piano-playing colonel shown up tonight?

CHARLES Certainly has ...and with two little birds in blue.

Novak walks the length of the bar and turns right to the spiral stairway leading down to the basement caberet. He HEARS THE UNMISTAKABLE PIANO OF BECK.

CUT TO:

INT. CELLAR CABARET AT HARRY´S - CONTINUOUS

Beck is finishing up his set and motions the REGULAR PIANIST to return. The pianist is a bit miffed at the APPLAUSE for the Major.

Beck turns to see Novak and motions him over to a table. At the table sit FRAUKIE KOHL and HANALORE SCHLIFFEN, two blondes in Luftwaffe auxjlliary uniforms.

BECKGood evening Major ,please join us...

The Major gives a slight bow.

NOVAKI would be most happy to.

BECK.May I present Fraukie Kohl and Hanalore Schliffen.

NOVAKEnchante’

BECKMajor Novak is with the American Army Air Corps, whose last serious action was with an ape named King Kong.

LAUGHTER BY ALL

28.CONTINUED:

(CONTINUED)

HANALOREAnd what brings you to Paris, Major?

NOVAKThe museums.

BECKThe Major is the air attache’ and his interests lie in the sky.

FRAUKIEDo you enjoy the Colonel’s music, Major?

HANALOREI’m sure the Major enjoys Gershwin’s ...wasn’t he Jewish? Are you Jewish, Major?

NOVAKNo, Czech, German and Irish...a pure Chicagoan.

HANALOREStill....Jewish Music is looked upon as being degenerate in the Third Reich.

BECKI wonder if Jesus played the flute?

Hanalore gives Beck a steely look.

The four continue the conversation.

BEAT

Novak and Fraukie get up and begin to dance the fox trot.

NOVAKHow long have you been in Paris?

FRAUKIEAbout a month.

NOVAKAre you free to have dinner with a neutral?

29.CONTINUED:

(CONTINUED)

FRAUKIEA neutral...doesn’t sound very exciting...neutral in all areas?

NOVAKWhat sort of areas did you have in mind?

The are seen dancing while at the next table, a woman and a 31man look on. The man is Wolf Streicher in mufti. *

FADE OUT. FADE IN:

EXT. CAFE DE LA PAIX - AFTERNOON

Novak and Fraukie are seen sitting a cafe table, they are both drinking from coffee cups.

NOVAKYuk..next time I’ll bring some coffee from the embassy.

FRAUKIEThe privileged have their privileges.

NOVAKYour English astounds me and you never left Germany?

FRAUKIEThe Third Reich has special English courses available.

NOVAKWhen do you have to be back at the compound?

FRAUKIEMidnight...and not one minute late.

NOVAKLets’ go over to my place and listen to music...and I’ll introduce you to Manhattans.

FRAUKIEDo you have any Lucky Strikes there?

30.CONTINUED:

(CONTINUED)

NOVAKWill Camels do?

FRAUKIEI’d walk a mile for a Camel.

DISSOLVE TO:

INT. NOVAK’S APARTMENT - LATER

The room has a definite American look with Remington prints portraying the old West.

In front of a bay window Fraukie sits at one of two chairs that grace a table offering a view of the Seine and the Pontde L’Ama.

Fraukie’s blue-grey Lufwaffe tunic is draped over one of the chairs. She is wearing a knee-length skirt with a single pleat and a white shirt with a black tie. There is a Luftwaffe eagle pin holding the tie.

Novak is stirring a cocktail mixer. Two cocktail glasses sit on the table beneath cloth napkins.

FRAUKIEYou have a nice flat Major.

NOVAKIts been in the family for years.

FRAUKIEThe embassy maintains it for you?

NOVAKMe and all my predecessors...How long have you been in the Luftwaffe?

FRAUKIEAbout 18 months...I was teaching languages in Bamberg when I was recruited. It seemed like the right thing to do. A woman wearing a uniform was unique in Germany and I thought I should do my part.

NOVAKAnd you do interpreting?

31.CONTINUED:

(CONTINUED)

FRAUKIEWell, mostly signals, radio communications...Have done well.. did you notice my rank?

NOVAKLet’s see ...Oberfuehrerin.

FRAUKIEExtraordinary...most Germans would not recognize the insignia.

Stan pours Fraukie a Manhattan and adds fruit.

NOVAKTry this and you’ll feel extraordinary.

DISSOLVE TO:

INT. NOVAK’S APARTMENT - EVENING

Novak and Fraukie are sitting at the table. The ashtray is getting full. Stan has his tie loosened.

The street lights glow outside.

NOVAKNo, I never married...was close one time, but fate invervened.

FRAUKIEFate?

NOVAKMy fiancee was killed in a plane crash.

FRAUKIEI’m very sorry...

NOVAKSo was I...I was flying the plane...and walked away.

FRAUKIEMein Gott...

NOVAKBetter get you back to the compound before Beck sends out his airdales.

32.CONTINUED:

(MORE)

(CONTINUED)

I`ll call the embassy for a car. Will it be an embarrassment if Beck finds out we were out together?

FRAUKIEThe Colonel is a very civil man.

NOVAKTomorrow is Sunday...how about a picnic...have some bicycles at the embassy.

FRAUKIEWhat a lovely idea...when?

NOVAK I’ll pick you at noon.

FADE OUT. FADE IN:

INT. HOTEL MEURICE,GESTAPO HEADQUARTERS - DAY

Wolf Streicher sits in his office oiling his riding crop. On the floor next to his chair is his black German Shepherd, FANGZAHN.

STREICHERJa Fangzahn, I think we have ourselves an enemy in our midst what Herr Goebbles calls an Ideological Enemy of the State...A Luftwaffe Colonel who entertains his comrades with negroid Jewish piano music, and consorts with an American...probably military.

He reaches towards the office intercom.

STREICHERLADISH get in here!

HELMUT LADISH enters the room, offers the party salute and stiffens while CLICKING HIS BOOTS. Fangzahn GROWLS.

LADISHJawohl Doctor Streicher!

33.CONTINUED:

NOVAK (cont'd)

(CONTINUED)

STREICHERI was at the American bar last night and there was a Luftwaffe colonel with two of our uniformed ladies and an American. I need last night´s surveillance report for Harry´s and some identification of the party. Who do we have there?

LADISHJawohl, Herr Doctor. We have a waiter and our own partial surveillance. I'll go downstairs and get the report.

STREICHERAnd call our contact at Luftwaffe...Luftwaffe Colonel, six feet, medium build, black hair...has Intelligence Section shoulder flashes and plays American jazz on the piano.

LADISHBeck, sir, Colonel Sven Beck.

STREICHERExcellent, Ladish, excellent.

LADISHThank you mein Herr, I'll get all the information that is available.

FADE TO:

INT. HOTEL MEURICE,GESTAPO HEADQUARTERS - LATER

Dr. Streicher is seen walking to the elevator from his office, his dog is at his side. He enters the elevator and presses the bottom button for the basement.

A military band is HEARD PLAYING the Nazi anthem,DIE HORST WESSEL LIED.

He leaves the elevator and walks down a grey, gloomy corridor. He opens a door and we see a girl, probably in her late teens, and she is tied to a straight back chair. She is sobbing.

STREICHERWhat do we have here?

34.CONTINUED:

(CONTINUED)

MAN IN WHITE MEDICAL TUNICThe young lady has memory problems, Doctor.

STREICHERTake off her upper garments.

The man tears off her blouse and slip. Her breasts are heaving and she is sobbing. We see the back of Streicher as his flays at her with his riding crop. She screams and chokes and screams. Streicher lashes at her three times.

STREICHERThat will improve her memory...

Streicher strides from the room with his riding crop hanging towards the floor. The dog is licking the blood off of the riding crop. The man in white looks on in horror at the dog. We do not see the girl.

From the military band outside we are able to hear the “Horst Wessel Leid.”

FADE OUT. FADE IN:

EXT. IN FRONT OF THE EIFFEL TOWER - MORNING

We see Novak and Fraukie atop their bicycles amidst traffic Other traffic: command cars, German jeeps, and other cyclists. Most of the cyclists are Germans in military dress, some with lady friends. From the top of the Eiffel Tower flies the Swastika flag.

CUT TO:

EXT. A GRASSY AREA WITH THE EIFFEL TOWER IN BACK - MORNING

Novak and Fraukie are seated around a picnic table cloth. Nearby a straw hamper and the bicycles lie on the grass.

NOVAKThis a proper way to spend a Sunday...how did you spend Sundays in Bamberg.

FRAUKIEUp to several years ago, we spent them at political rallies.

35.CONTINUED:

(MORE)

(CONTINUED)

My father was a fervent Social Democrat. Of course, the new Reich changed all that.

NOVAKI bet...did your father survive being a democrat?

FRAUKIEHe just thrust himself into his work, which is building pianos. He works in a factory...more an artisan than worker.

NOVAKJust you and him?

FRAUKIEJust my father and my brother, OTTO.

NOVAKAnd your brother is in the service?

FRAUKIENo, he works in an aircraft factory.

NOVAKMesserschmidt?

FRAUKIEMein Gott...I’m being spied upon!

Fraukie is looking playful and teasing.

NOVAKJust the first plane that came to mind.

Novak takes notice, but lets it be for the moment. He takes a piece of bread and bounces it off the top of her head.

NOVAKAnd I’m not a spy. I am an observer, and I am enjoying what I am observing.

DISSOLVE TO:

36.CONTINUED:

FRAUKIE (cont'd)

EXT. IN FRONT OF AN APARTMENT - LATER THAT DAY

Novak and Fraukie are parking their bicycles, and, with hampers in hand, enter the building. They are holding hands.

DISSOLVE TO:

INT. NOVAK’S BEDROOM - EVENING

We see Novak and Fraukie in bed together. They are undressed. She is sleeping with her hair unbraided and loose. Stan is awake, sitting up in bed. He is looking into a wine glass pensively.

NOVAK(whispering)

OK, Frauk...time to go to Harry’s.

She opens her eyes and looks towards Novak with a smile that can only mean love.

FADE OUT. FADE IN:

INT. CELLAR CABARET AT HARRY’S - EVENING

The regular piano player is PLAYING some French sounding ditty when we hear a BUZZ OF PEOPLE TALKING. The piano player looks toward the entrance and his face shows excitement.

PIANO PLAYERLadies and Gentlemen, we are honored with the presence of M. MAURICE CHEVALIER now starring in “Bonjour Paris” at the Casino de Paris.

The whole crowd comes to their feet, APPLAUDING.

BEAT

NOEL, the manager, is seen going over to the table occupied Chevalier and his three guests.

NOEL THE MANAGERM.Chevalier, could you please honor us with just one song.

37.

(CONTINUED)

MAURICE CHEVALIEROn one condition...that I could choose the song.

NOEL THE MANAGERBut of course...what is it?

MAURICE CHEVALIERGershwin’s “A Foggy Day in London Town”.

Noel blanches then shrugs his shoulders. He spots Colonel Beck at the bar. He beckons towards Beck. Someone tosses a straw boater over to Chevalier.

CUT TO:

INT. CELLAR CABARET AT HARRY’S - A LITTLE LATER

We see Chevalier performing “Foggy Day” with Beck at the Piano. Chevalier wears a straw boater. In the corner banquette we see Novak and Fraukie sitting very close..they are holding hands and are enjoying the performance.

FADE OUT. FADE IN:

INT. HOTEL MEURICE, GESTAPO HEADQUARTERS - LATER

Streicher is studying a file. A photo of Colonel Beck lies on top of the papers. Streicher turns to his dog, who looks up attentively.

STREICHER(addressing his dog)

And so Fang our flying friend studied in America. Was among the first pilots with Fat Hermann. Flew with the Condor legion in Spain...was relieved of flying duties due to failing eyesight. Perhaps that is why he plays Negroid music...(chuckles to himself)...Appears to know Goering quite well. Air Intelligence?...and just what the hell do they do?(PAUSE) LADISH!

The door to Streicher´s office swings open and Ladish seems to appear in front of the chief´s desk.

38.CONTINUED:

(CONTINUED)

LADISHJawohl Herr Doctor!

STREICHERPlace an around the clock watch on the Colonel. I want to know what he's doing for the Reichsmarshall...Probably arranging for art shipments for Karinhall and Goering´s various other residences. Still...but, there is something here that smells anti-Reich. He was unusually defensive of the Jews the other night. Close to being criminal, in fact. Find out if this is his usual state of mind or just his untermensch musical tastes. Fat Hermann´s sense of security is sometimes lacking especially in his choice of associates.

LADISHWe do know that Beck was at a social function of Admiral Canaris last month.

STREICHERCanaris! That enigma....we don´t trust him...too many contacts in unfriendly countries. Christ, he keeps an apartment in Geneva! The chief of the Abwehr keeps a flat in Switzerland. And HITLER knows it. As do the British, the Russians, and most everybody else...The NKVD probably has it wired as tight as a fence.

LADISHI'll check out the flat in Geneva.

STREICHERNo need...we have already...just keep track of our Luftwaffe friend.

LADISHJawohl Herr Doctor!...One other thing. The American is Major Stan Novak, Air Attache’, American Embassy.

39.CONTINUED:

(CONTINUED)

STREICHER Ha! I smell an Admiral with a Greek name. Very good, Ladish

CLICKING HIS HEELS, LADISH pirouettes and leaves the rooms as quickly as he entered.

The dog gives out a LONG YAWN.

Streicher SLAPS his crop on the desk and breaks out in a wide grin. Turning in his swivel chair, he stares out the window to the bustling quay below.

CUT TO:

EXT. ON A ROWBOAT ON THE SEINE - NEXT AFTERNOON

We see Fraukie and Novak in a rowboat on the Seine. For the first time we see her in civilian dress. There is a picnic hamper in the boat and a portable radio. The MUSIC IS AMERICAN POPULAR. Novak is speaking.

NOVAKWhat you’ve told me about your Father’s and brother’s politics makes me think that you’re not in support of Mr. Hitler and his thugs either.

FRAUKIEHerr Hitler has done a great deal for our nation...but at great cost. The cost of the freedom to speak what you think, and there are many Germans who hate what he and his thugs, as you call them...do...but can say nothing.

NOVAKLike your brother Otto?

FRAUKIEI do so worry about him. He may do something irrational someday and he has a good job and income, but I know he would flee Germany if he could. But how could he? Where would he go?

NOVAKWhat does Otto do?

40.CONTINUED:

(CONTINUED)

FRAUKIEHe works in research at the BMW air craft engine division.

Novak chokes on his wine and COUGHS.

FRAUKIEAre you all right, darling?

NOVAKYea, yea, wine went down the wrong pipe.

FRAUKIELook Stan, there is the Pont Alexandre III.

We see the bridge and then Novak who has a look of astonishment on his face.

FADE OUT.FADE IN:

INT. LUFTWAFFE HEADQUARTER, ROTHSCHILD MANSION, LUFTWAFFE HQ, PARIS - THE NEXT DAY

Fraukie Kohl is standing in front of Colonel Beck who is sitting at his desk.

FRAUKIEI understand Colonel but Major Novak doesn’t talk about politics or his work. He just says that he is an observer and a diplomat. Is there something that I should ask him?

BECKAsk him about rockets.

FRAUKIEFireworks?

Beck smiles and then nods with a twinkle in his eye.

BECKAsk him if man will ever fly to the moon.

Fraukie looks at Beck curiously.

41.CONTINUED:

(CONTINUED)

FRAUKIEJawohl, mein Colonel.

FADE OUT. FADE IN:

INT. AMERICAN EMBASSY, PARIS - MORNING

Major Novak is in the office of Clayton Roberts and Novak is sitting in chair in front of Robert’s desk.

CLAYTON ROBERTSEither this is dumb luck or someone is setting you up.

NOVAKI’ll go with the dumb luck....Fraukie is sincere, but I wouldn’t begin to know how to approach her on getting Otto to commit treason. And get killed or worse.

CLAYTON ROBERTSBut he wants to leave the country. We could handle that with passport and money. He could hike over to the Swiss border and we could let the Swiss know that we have a lost American we have to help.

NOVAKWhoa Clay, I hear you but I’m going to need some time to lay this out.

CLAYTON ROBERTSThis is top priority, Stan...The Messerscmidt 262 would be four years ahead of us. Let’s work it out, and I’ll see you in Lisbon.

FADE OUT. FADE IN:

EXT. LISBON TRAIN STATION - NIGHT

The sign above the train station reads Lisboa. Stan Novak gets off the train. The scene is crowded with steam, people, uniforms, etc. Novak carries two bags, a large Gladstone and a larger one with two belts strapped around it.

42.CONTINUED:

(CONTINUED)

He looks around as though he is expecting to see someone. Out of the steam appears CLAYTON ROBERTS. He extends his hand to Stan.

CLAYTON ROBERTSWelcome to Portugal, Novak. It’s a nice change from Hitler's Paris and I’m damned impressed by your welcoming committee.

NOVAK...what committee?

CLAYTON ROBERTSLook straight ahead, we’ve got the Abwehr on one side and the Gestapo on the other...they don’t normally work in tandem. Let’s get into the car.

Roberts and Novak climb into a Buick and we see a MAN WITH A FEDORA and another MAN WITH A BERET hovering near the entrance of the station. After the Buick takes off, we see the two men walk in different directions.

CUT TO:

INT. BUICK - CONTINUOUS

NOVAKClay, what the hell is going on?

CLAYTON ROBERTSNot sure, the Gestapo follows me around from time to time but the Abwehr I usually see at cocktail parties...They don’t like each other, you know.

NOVAKSo I’ve heard...Canaris runs the military Abwehr and Kaltenbruner runs the Nazi SD and Gestapo...lots of spooks in Naziland.

CLAYTON ROBERTSIn any case we have you booked on the flight to London tomorrow and in the meantime I’ll bring you up to date...you were probably tailed all the way down from Paris.

43.CONTINUED:

(CONTINUED)

NOVAKLovely...and how about the Luftwaffe over the ocean blue?

CLAYTON ROBERTSNot a problem, the Brits and Germans don’t shoot down each other’s commercial planes as long as they’re over neutral territory.

NOVAKAnd since when is flying over London considered neutral?

CLAYTON ROBERTSYou sound scared, Novak.

NOVAK Scared? Damned right I’m scared...scared of getting my ass shot off in this damned war.

CLAYTON ROBERTSBy the way, your pal Colonel Gershwin is Abwehr.

He looks over to Novak, and taps him on the shoulder.

CLAYTON ROBERTSAnd how we doing with our shatzi Fraukie and Otto?

NOVAKFraukie has been talking about visiting her father in Bamberg...that is where Otto is also...if she goes I’m going to spring the BMW thing on her. I need an opening, Clay.

CLAYTON ROBERTSFair enough.

FADE OUT.FADE IN:

INT. LISBON CITRA AIRPORT - MORNING

Stan Novak stands at the bar looking through the window overlooking the airport’s tarmac.

44.CONTINUED:

(CONTINUED)

He looks at the collection of aircraft below on the airfield. He smiles and shakes his head.

Between two heavy grey Junker transports adorned with black swastikas on crimson background sits a British DC-3 painted dark green with blue camouflage patches and the Union Jack on the tail. To the side is an Ala Littoria liner with its Italian pilots with uniforms of powder blue with waves of gold braid and brass buttons.

Other pilots walk through the restaurant. British pilots in their black-blue uniforms with polished Sam Browne belts and Lufthansa pilots in dark blue with wings on their shoulders pass on another without notice.

NOVAKA crazy war, verdad?

BARTENDERSi senor.

FADE OUT.FADE IN:

INT. RIVOLI BAR, RITZ HOTEL, LONDON - AFTERNOON

Novak enters the Rivoli Bar and sees Harry behind the bar looking over some papers.

NOVAKHello Harry, juggling the books I see.

HARRYWell, Major Novak, back in merrie old England! And how are things in the city of light lost?

NOVAKCharlie sends his regards...his German is improving remarkably.

HARRYCharlie! How’s he doing?...I felt terrible about having to leave him.

NOVAKHe’s doing OK considering his new cast of characters.

45.CONTINUED:

(CONTINUED)

HARRYMajor, when and if you go back to my bar, I have.....

NOVAKHold it Harry, this is not our mission, running a bar via carrier pigeon with me doing the flight time.

HARRYOur mission?

NOVAKYes, Harry our mission is the bloody war. I’m the American air attache’ in Paris and the jackboots are finding your saloon to their liking. My mission, and now yours, is to seek out information that could be valuable to the war effort. Consider your bar in Paris a listening post. It has been enlisted for the duration.

HARRYWhat do you need, Major?

NOVAKWell, you know the building...is there any place in the bar where I could I could hide something in case I need to?

HARRYI had a safe in the office but I assume you need a little nook or cranny to stash some papers or whatever.

NOVAKSomething like that...

HARRYWell, give me a think....The Piano!

NOVAKThe piano?!

46.CONTINUED:

(CONTINUED)

HARRYYes...some years back I had a piano player who was a bit odd and he installed a plywood sleeve in the front panel of the upright for storage of his lists and music. Musicians have their own little ways and treasures....It is very well hidden.

NOVAKWell, that may work...anything else?

HARRYNo...how did you get here? Swim?

NOVAKCommercial aircraft via Lisbon ...British Overseas Airways no less.

HARRYBlimey! What a way to run a war.

FADE TO BLACK.

INT. NOVAK’S APARTMENT - EVENING

Stan and Fraukie are at the table sharing a bottle of wine, There is Glenn Miller MUSIC in the background from the radio.

FRAUKIEYou know that Colonel Beck interviews me after every time that we have been together.

NOVAKJesus, what do you say?

FRAUKIENot too much, there isn’t much to say is there? But this morning he did approve a week’s leave in order to see my family.

NOVAKWell that’s great..when are you going?

47.CONTINUED:

(CONTINUED)

FRAUKIEIf I can get train tickets, next week.

NOVAKFraukie, let’s go somewhere really nice for dinner.

DISSOLVE TO:

INT. RITZ HOTEL DINING ROOM - EVENING

Stan and Fraukie linger over coffee and cognac. Novak is dressed in a very luxurious pin stripe suit.

NOVAKI have a way to get Otto to Switzerland. It would be dangerous for both of you, especially Otto.

FRAUKIE(smiling)

Let’s see, you want him to steal a Messerschmidt 109.

NOVAKAlmost...I need photos of an aircraft engine. If Otto is agreeable, we can help him.

FRAUKIEI can ask him, but he’ll want money and papers.

NOVAKI can handle it...you talk to your brother. I’ll give you the information before you leave, not before. It is only a few words.

FRAUKIEI’m afraid I’ve just crossed a line.

Fraukie looks deep into her cognac glass. There is fear in her eyes. She holds back tears.

FRAUKIEDo you really love me or is this some stupid spy game you’re playing with me?

48.CONTINUED:

(CONTINUED)

NOVAKFraukie, I do love you very much and if you don’t want to be involved nothing will change...in fact, I’m trying to figure out how to get you to the States.

She has a look of surprise.

FRAUKIE(whispering)

Mein Gott.

FADE OUT.

INT. NOVAK’S APARTMENT - DAYS LATER

TELEPHONE RINGS, Stan picks up the phone.

FRAUKIEHello Leibchen

NOVAKFrauk...want to go out for a cocktail?

FRAUKIEAnd celebrate the good news, I’m on my way to see my Father.

NOVAKWonderful...Harry’s at Six?

FRAUKIESix thirty.

NOVAKAu revoir.

CUT TO:

INT. HARRY’S BAR - EVENING

Fraukie and Novak are seated in their favorite booth.

FRAUKIEI’m leaving for Bamberg Saturday. Now what information would you want from Otto.

49.CONTINUED:

(CONTINUED)

NOVAKPhotos of the BMW 003 engine, even better, photos of the plans.

FRAUKIEAnd for Otto...

NOVAKAn American passport and 50,000 Swiss francs. When he gets to Bern, he goes to the American Legation, and we will fix things up. I’ll need a passport photo of your brother. Does he have a camera?

FRAUKIEYes, he is good with cameras and I have some photos of Otto that you could use.

NOVAKBe very careful.

FADE OUT. FADE IN:

INT. AN ALPINE STYLE HOME - AFTERNOON

Fraukie and OTTO KOHL are looking at their FATHER through a doorway. The father is in a chair watching the fireplace. He is wearing a shawl.

OTTO KOHLHe is beginning to fail, Fraukie.

FRAUKIEHe has had a difficult life since mama died....Otto, we must speak of other serious matters.

OTTO KOHLJa?

FRAUKIEDo you still want to leave Germany?

OTTO KOHLSuch a question from my sweeet Luftwaffe sister.

50.CONTINUED:

(CONTINUED)

FRAUKIEI’m serious.

They go out to the back yard where the apples hang ripe from the trees. We sense the autumn atmosphere. They talk.

CUT TO:

EXT. CAFE DE LA PAIX - LATE AFTERNOON

Stan and Fraukie are seated at an outside table.

FRAUKIEAnd so Otto will go ahead with the project. He will deliver the film to me in my birthday present. A music box. My father makes music boxes as does Otto, it will be delivered to my compound. Then I give the film to you and you give me your package. I will be going back to Bamberg for Christmas and will see Otto. Also, remember that your flat is being watched and your phone is probably tapped. And so we will have to meet somewhere neutral.

NOVAKDamn Fraukie...go slow and make every move so careful...I don’t want to lose you.

They kiss.

DISSOLVE TO:

INT. HARRY´S BAR - EVENING

Novak enters Harry’s bar and climbs atop a bar stool and awaits the service of Charlie. Charlie saunters over.

CHARLESGood Evening Major...the usual?

NOVAKPlease Charlie.

51.CONTINUED:

(CONTINUED)

CHARLES(whispering)

We have a problem.

NOVAKWhat’s that?

CHARLESGot a call from Henry MacElhone, Harry’s son...he has escaped the prisoner of war camp and is here in Paris.

NOVAKJesus.

CHARLESHe needs help.

NOVAKLike what?

CHARLESCash spends anywhere..especially dollars.

NOVAK Damn....OK...I’ll bring two hundred and leave it with you.

CHARLESNo, not me...you can place it in the piano. Harry told you about the piano?

NOVAKWho the hell else knows about that piano?!

CHARLES.No one that’s left.

NOVAKWill he pick it up?

CHARLES.

52.CONTINUED:

(CONTINUED)

He will call me tomorrow from the phone in the bistro next door and I’ll give him instructions for the pick up...It will be a member of the Resistance who will be here before the cellar opens in the evening.

FADE OUT.FADE IN:

INT. HARRY´S BAR - THE NEXT AFTERNOON

We see Novak enter the empty bar. Charles is behind it and nods to Novak. Novak looks around and moves towards the end of the bar and towards the stairs to the cellar cabaret.

BEAT

Just as he returns he sees two German Wehrmacht officers standing at the bar.

NOVAK(In French)

Charlie have someone check your toilet and bring me a beer.

CHARLESOui, Monsieur

FADE OUT. FADE IN:

INT. HARRY´S BAR - NEXT EVENING

Charlie stands behind the bar. A MAN IN A HOMBURG HAT and a suit comes in and takes a place at the bar.

CHARLES.May I help you?

HOMBERGAn aperitif...Ronwoul.

CHARLES.We don’t have Ronwoul, sorry.

HOMBERGA Vichy water then.

53.CONTINUED:

(CONTINUED)

The man in the Homberg sips his water and then walks to the end of the bar and looking about shifts towards the entrance to the spiral staircase. We see him go down the stairs and into the caberet.

CUT TO:

INT. CELLAR CABARET AT HARRY´S - CONTINUOUS

The man in the Homburg looks about and then goes to the piano. He lifts up the top of the upright. After a bit searching, he draws up an envelope and places it into his shirt. He returns to the stairs.

CUT TO:

EXT. OUTSIDE OF HARRY’S BAR - MOMENTS LATER

The man in the Homburg leaves the bar, walking into the snow-covered street. From across the street a voice CALLS OUT.

MAN IN TRENCHCOATYou there, stop. We need to speak to you.

The man in the Homburg looks up and then suddenly starts to run up the street. The man CALLS AFTER him.

MAN IN TRENCHCOATStop! Or I will be forced to shoot.

The man in the Homburg stumbles in the snow. The man in the Trenchcoat draws a automatic pistol and FIRES THREE BURSTS.

The man in the Homburg falls. The Trenchcoat goes over to the body, lifts it up, and then lets the body fall. Blood spreads over the snow.

FADE OUT. FADE IN:

INT. HOTEL MEURICE,GESTAPO HEADQUARTERS - NEXT MORNING

Dr. Streicher is speaking to Ladish.

54.CONTINUED:

(CONTINUED)

STREICHERAnd so the man was at Harry’s was acting odd and just didn’t the fit the Harry’s type and the officer ask him to stop...he didn’t and the officer shot him dead...why dead? With two hundred American dollars on his person he needed to be interrogated.

He SLAPS his riding crop upon his desk.

STREICHERInterrogated vigorously...Now we must follow up tonight. Send in a squad of our agents around the early drinking time, and let’s see if we can find more dollars. Why dollars? Dollars here in Paris?

CUT TO:

INT. A LUFTWAFFE WOMEN’S BARRACKS - AFTERNOON

HANALOREFraukie...there is a package for you.

FRAUKIEOh! What is it...Lets see . Its from my brother...A birthday present!

She opens the very well wrapped package and sees a music box. She sets it down on her bed and starts it. The music PLAYS. The song is “DIE HORST WESSEL LIED.”

HANALOREDie Fanhe Hoch...Wunderbar! The Fuehrer would be so proud of you.

Fraukie, smiles and shakes her head. She notices a lever on the box and covers it with her thumb.

FRAUKIEOh...thank you Otto.

CUT TO:

55.CONTINUED:

INT. A SMALL BISTRO - AFTERNOON

Fraukie is at the bar having a cup of coffee. There is a telephone on the bar.

FRAUKIEBartender, may I use the telephone?

BARTENDERIt will cost you a franc.

Fraukie reached into her purse and places a franc on the top of the copper bar. She dials a number.

FRAUKIEMajor Novak please.

NOVAK(shown in split screen)

Novak here.

FRAUKIEI have it.

NOVAKHarry’s at 6:30...small envelope.

Fraukie HEARS A CLICK. She turns and walks towards the door.

DISSOLVE TO:

INT. HARRY´S BAR - THAT EVENING

Stan is sitting at table near the bar when Fraukie walks into the bar. She slowly approaches the table. Snow flakes on her coat and hat cover her hair and hat.

We see the two exchanging pleasantries. She bends over the table, as Stan lights her cigarette. Then Stan stands up, picks up his hat, bows and leaves the bar.

Fraukie goes over to the bar. Suddenly there is some shuffling at the entrance, and several men dressed in leather overcoats are seen questioning customers both in uniform and civilian attire. Some of the patrons are led outside to the street. Fraukie motions to Charlie to come over.

FRAUKIECharlie, can you hide this for me?

56.

(CONTINUED)

CHARLESIf it is bad for you, it is bad for me.

Fraukie and Charlie are seen whispering. Fraukie looks towards the caberet entrance with a puzzled look on her face.

She then walks toward the cellar stairs and goes down into the caberet.

CUT TO:

INT. CELLAR CABARET AT HARRY´S - CONTINUOUS

There is no one in the room. The sign on the wall states that the caberet opens at 8:00 PM. She walks over to the piano, opens the top, and slides an envelope into the sleeve.

She then goes back up the stairs. She is stopped by two by TWO GESTAPO OFFICERS in black leather overcoats.

GESTAPO OFFICERPlease come with us.

CUT TO:

INT. HARRY’S OFFICE - MOMENTS LATER

Inside the small office, they search her thoroughly.

GESTAPO OFFICERI’m sorry Oberfueherin, just following orders.

Fraukie appears to be very angry and leaves the bar. We see her going up the street to the bus stop.

FADE OUT. FADE IN:

INT. ROTHSCHILD MANSION, LUFTWAFFE HQ, PARIS - NEXT DAY

Colonel Beck is at his desk looking quite worried, the PHONE RINGS.

BECKBeck here. Yes Admiral Canaris.

57.CONTINUED:

(CONTINUED)

ADMIRAL CANARIS(split-screen)

Colonel Beck. I heard about the shooting last night on Danou. The man was a known Resistance operative and he was carrying dollars. Streicher somehow thinks that you know more than you’re saying.

BECKYes, I heard about the incident and I know very little.

ADMIRAL CANARISI think your American Major is involved because of the dollars. I think that I will have him recalled as a danger to the State...a common practice when you’re in the dark. And that will clear you a bit with the Gestapo.

BECKWhen will that be, Admiral?

ADMIRAL CANARISI have already issued the order. Colonel, watch your back, I think that Streicher wants you out of the way.

BECKYes. Sir, I’ll take your advice.

The phone CLICKS as the Admiral hangs up. Beck sets down the receiver.

BECKBayreuther, get in here.

LEUTNANT BAYREUTHERYes, sir.

BECKPrepare the immediate transfer of Luftwaffe Oberfuererhin Fraukie Kohl to the Warsaw district, and I mean today. Tell her that she has been promoted, then promote her. We have to clean up a messy situation, nicely...before it happens.

58.CONTINUED:

(CONTINUED)

LEUTNANT BAYREUTHERConsider it done, Colonel.

FADE OUT. FADE IN:

INT. US EMBASSY PARIS - DAY

Major Stan Novak is sitting in AMBASSADOR CARTWRIGHT’S Office. The Ambassador is speaking.

AMBASSADOR CARTWRIGHTWell, Major, you screwed up somewhere. The Germans want you out of Paris as of this morning. Persona non grata, and we will accept this directive under protest. But under the circumstances there is isn’t anything else we can do.

NOVAKYea, I understand...just trying to help out a friend’s son...

AMBASSADOR CARTWRIGHTAn escaped prisoner of war no less. They could have pressed charges. So consider yourself lucky. In any case, we’re re-assigning you to Lisbon. Air Attache and keep after the Buck Rogers projects.

NOVAKNo thanks for getting the goods?

AMBASSADOR CARTWRIGHTYou got the goods but it seems that the Luftwaffe may have dropped the BMW 003 in favor of another engine. But, it is the first info we have had on the jet engines so it has some value.

NOVAKYou’re telling me this now! I could have gotten killed!

59.CONTINUED:

(CONTINUED)

AMBASSADOR CARTWRIGHTYou’re in a dangerous business, Major...besides you needed the operational experience.

Novak stiffens, pulls a rabbit’s foot out of his pocket, and slowly leaves the office with a sardonic grin on his face twirling the rabbit’s foot.

FADE OUT.FADE IN:

INT. AMERICAN EMBASSY - LATER THAT MORNING

Major Novak is on the telephone.

NOVAKYes, I would like to speak to Luftwaffe Oberfuerherin, Fraukie Kohl.

VOICE OVEROne moment please.

There is a very long pause. We see Beck on a split screen.

BECKWell, Major I was expecting your call. Your lady friend has been transferred to Warsaw. And I understand that you are leaving us too. Shame, you two made such a nice couple, but it is best we send you on your way. Believe me Novak, I’ve done both of you a favor, Auf Weidersehen and On Wisconsin.

Becks abruptly hangs up. Novak slowly lowers the phone to its cradle.

FADE OUT. FADE IN:

INT. AN EUROPEAN TRAIN - AFTERNOON

Novak is sitting in a train compartment. The window shows the scenery of a snowy winter Europe passing by. He is writing on a legal pad. We can see what he has written.

Reasons for Expulsion.

60.CONTINUED:

(CONTINUED)

A. Sending $200 to help out young MacEhlone

B. The Resistance agent was caught and talked.

C. Fraukie is in prison and not in Warsaw?

D. Where is the passport and money?

D. Is Charlie involved?

DISSOLVE TO:

EXT. LISBON TRAIN STATION - MORNING

Standing at the station entrance is Clayton Roberts. He walks over to Novak.

CLAYTON ROBERTSWell, back so soon. Hope you have your class A uniforms in your bag, if you hadn’t heard...we’re at war.

NOVAKYou’re kidding!!

CLAYTON ROBERTSThe Japanese attacked Pearl Harbor yesterday...we really got clobbered. And we expect the Germans to follow suit and join their Axis partners.

NOVAKJesus...

CLAYTON ROBERTSWell, lets’ go. (Pointing over to the auto entrance) Your committee is back to welcome you.

The two men climb into the Buick sedan. We see two other men watching the Americans.

CUT TO:

61.CONTINUED:

INT. BUICK - MOMENTS LATER

CLAYTON ROBERTSAnd so you took $200 from special funds to give to Harry MacEhlone’s son...not very bright, Novak.

NOVAKI don’t know if he even got it.

CLAYTON ROBERTSI doubt it...the Gestapo shot somebody outside of Harry’s that night...and that’s all we know. In any case, someone in the Abwehr has taken a liking to you. The Gestapo would have slammed you into the stoney lonesome.

NOVAKColonel Beck?

CLAYTON ROBERTSProbably, we don’t know what Canaris is up to but the Brits feel that he is the leader of an anti-Hitler group.

NOVAKWhat do I do?

CLAYTON ROBERTSDo your job. And bye the bye, Major is now your permanent rank...there’s a war on.

FADE OUT. FADE IN:

INT. GESTAPO HEADQUARTERS HOTEL MEURICE - AFTERNOON

Streicher is seated at his desk and the PHONE RINGS. He picks it up. Through the window , we see it snowing.

STREICHERStreicher here...What?...Beck has been made Luftwaffe Air Attache’ in Lisbon. And the American Novak is his counterpart, Rather cosy.Ja? Too cosy.

62.

(CONTINUED)

Streicher listens for a while and then without saying a word hangs up the phone.

STREICHER (speaking to dog)

Well Fangzahn, I may be taking a trip to Portugal. And if I see Beck with Novak, Beck will be shot and Canaris will read the message.

The dog YAWNS.

FADE OUT. FADE IN:

INT. AMERICAN EMBASSY-LISBON - AFTERNOON

Six men are sitting around a table. At the head of the table is Clayton Roberts, speaking.

CLAYTON ROBERTSOther than the need for immediate intelligence on all levels and interests, we must concentrate now on the mission given us and especially to Major Novak...The advanced aircraft of the Luftwaffe. What do you have Stan?

NOVAKOnly what the Brits have given us and what I hear on the street from the Swiss and the Swedes. They are talking about the ME-262 and the Arado AR 234 as the jet fighters under development.

CLAYTON ROBERTSHow far away from being operational?

NOVAKAt least mid-1943 for either one.

CLAYTON ROBERTSMaybe you can get confirmation from the horse’s mouth. Beck is here in Lisbon. Maybe you can set him up.

NOVAKBeck! Oh Jesus...

63.CONTINUED:

(CONTINUED)

CLAYTON ROBERTSOur new Luftwaffe Air Attache’ and he can be found quite often in the Carlton Hotel lounge.

NOVAKI can’t be hanging out with the enemy.

CLAYTON ROBERTSPut on your dancing shoes Novak...you have my permission. But observe protocol. Beck works for Canarnis and the Brits say the Abwehr has been sending them very unusual information...least they think it is from the Abwehr.

FADE OUT. FADE IN:

INT. GERMAN EMBASSY, LISBON - MORNING

Colonel Sven Beck sits at his desk. In front of him sits Leutnant Bayreuther, smoking a cigarette.

BECKAnd so Bayreuther, we have to watch the Americans more than ever. Odd that they chose Major Novak to be their Air Attache’ here in Lisbon.

LEUTNANT BAYREUTHERThis is where the spies are, Colonel.

BECK.What do we hear from the Gestapo?

LEUTNANT BAYREUTHERNot enough.

BECKYou are going to have to cover my back especially in the evenings. Did you bring your Walther with you?

64.CONTINUED:

(CONTINUED)

LEUTNANT BAYREUTHERAt you service, Colonel.

Bayreuther opens his tunic revealing his pistol.

FADE OUT.FADE IN:

INT. THE HOTEL CARLTON BAR, LISBON - EVENING

Colonel Beck is seated at the bar looking at the unused piano with a mischievous glint in his eye. He is dressed in evening wear and has a cocktail in front of him.

BECK.BARTENDER, please come over here.

The bartender goes over to Beck.

BECKBartender, what is the policy for visiting pianists.

The bartender goes over to the cash register and draws a key from the drawer. He goes back to Beck and hands him the key.

BARTENDERPlease keep it light and cheery, sir. That is our policy. We are not a concert hall.

BECK sits down at the piano and BEGINS PLAYING a well-known Gershwin melody. The bartender smiles at Beck and nods his approval. People in the room all turn to see who the entertainer is.

At that moment, Major Novak appears at the door, also dressed in formal wear. He walks towards the bar and sits on a barstool. He sees Beck,but from the angle, Beck cannot see him. There are people standing around the piano.

FADE OUT. FADE IN:

INT. THE BAR AT THE CARLTON - A LITTLE LATER

Beck finishes a Gershwin tune with a flourish, to much APPLAUSE.

65.CONTINUED:

(CONTINUED)

He then returns to his drink at the bar. He turns and sees Novak at the next stool. He pretends not to see him. Novak also looks right through Beck.

BECKThis is stupid. What language should we use?

NOVAKFrench?

BECKEnglish.

NOVAKThere is a booth against the wall, I’ll go first.

Novak walks over to the booth, looks around, drink in hand and slides into the booth.

Beck follows, but not before turning toward the door where Bayreuther is standing with a drink in his hand, talking to the hat check girl. Beck and Bayreuther exchange knowing glances. Beck sits down.

NOVAKWhat did you do to Fraukie?

BECKPromoted her and transferred her out of harm’s way.

NOVAKWhy?

BECKShe fell in love while on the job. Had the Gestapo heard that, she would have been skewered.

NOVAKWhy was I tossed out of Paris? You did that, according to what I hear.

BECKIt’s not important now...we are at war, which includes you and I. And if our superiors knew that we were here exchanging pleasantries...they would not be very pleasant.

66.CONTINUED:

(CONTINUED)

NOVAKCare to open a back channel?

Beck stands up and gives Novak a courtly bow.

BECKWhy Major, I am shocked...absolutley shocked.

Beck walks towards the bar and motions to the bartender for the check. Novak remains in the booth.

FADE TO BLACK.

INT. THE OFFICE OF ABWEHR CHIEF WILHELM CANARIS 76/78 TIRPITZUFER,BERLIN - MORNING

Canaris sits at his bronze bound 19th century desk. On the desk is a model of the light cruiser Dresden and a letterpress mounted with the insignia of the Abwehr. Three brass monkeys sit prominently beside the model, one cupping its ear and listening, the second looking sharply over its shoulder, and the third with its hands over its mouth. Canaris picks up the phone.

CANARISYes, oh it’s you Beck. How are things in Lisbon?

BECK.Very pleasant and I made a cursory contact with Major Novak.

CANARISPlay your role as an enemy combatant and avoid being seen speaking with him. He may become valuable to us in the future.

BECK.He mentioned back channel.

CANARISHow forward...cheeky Americans. Keep him at bay but nearby.

BECK.Understood, sir.

FADE OUT. FADE IN:

67.CONTINUED:

INT. AMERICAN EMBASSY-LISBON - NEXT MORNING

Major Novak is seated in front of Clayton Roberts. A new nameplate on Roberts’ desk indicates his new rank of Lisbon Station Chief-Office of Strategic Services.

CLAYTON ROBERTSYou said what to him?

NOVAKI asked him about a back channel, this what I thought you wanted me to do.

CLAYTON ROBERTSLook Novak, we are at war with these characters...I know that there is group among them that want to get rid of Hitler but the back channels belong to our upper echelons to deal with...just keep friendly with the Swedes and the Swiss, and keep pumping them about jet propulsion. As for Beck, keep an eye on him...if he has something for us...well, we will see.

NOVAKLoud and clear, Sir...Office of Strategic Services? Sounds like a call girl operation.

CLAYTON ROBERTSDon’t get smart, Major.

FADE OUT. FADE IN:

INT. HOTEL MEURICE, GESTAPO HEADQUARTERS, PARIS - AFTERNOON

Streicher is talking to Ladish.

STREICHERBook me on the overnight train for Lisbon for tomorrow night. I am going to entrust Fangzahn to you for a week. Just keep him in my apartment and stop by twice each day to walk and feed him. I will be reached at the Hotel Madrid.

68.

(MORE)

(CONTINUED)

I would prefer for you to call me there than at the office in Lisbon.

LADISHJawohl, mein Herr, I will arrange everything

Ladish looks balefully at the dog. Streicher GRUNTS.

FADE OUT. FADE IN:

INT. THE BAR AT THE CARLTON HOTEL, LISBON - EVENING, DAYS LATER

Beck is at the piano again, this time with a very attractive LADY FRIEND seated next to him on the piano bench. He is PLAYING a Gershwin ballad.

At a far table a man sits in evening clothes. He wears thick glasses and a Guardsman’s moustache, grasping a walking cane.

The stock of a riding crop sticks up from the man’s lapel. It is Streicher. He watches Beck intently.

Suddenly, at the entrance appears Novak in evening clothes, and walking towards the bar.

DISSOLVE TO:

INT. HOTEL BAR - MINUTES LATER

Beck escorts his lady friend to the bar. She stops in front of Novak.

BECK’S LADY FRIENDWell, Major Novak...what a surprise?

NOVAKMs. Swenson, how are things at the Embassy.

BECK’S LADY FRIEND The Swedish embassy is always very busy, I don’t suppose you two have met.

She smiles teasingly.

69.CONTINUED:

STREICHER (cont'd)

(CONTINUED)

NOVAKIn better days...

BECK’S LADY FRIENDI’m going to powder my nose, I’ll let you two to renew old acquaintances.

NOVAKWhat do you hear from Harry’s?

BECKStill doing a brisk business.

NOVAKEven with their major piano act gone?

BECK.Paris’ loss is Lisbon’s pain.

Novak’s smile is infectious. Beck smiles as well.

Streicher watches the two officers in black tie and signals the waiter for the check.

FADE OUT.FADE IN:

EXT. IN FRONT OF THE CARLTON HOTEL - THAT EVENING

We see Beck climb into the front seat of a Mercedes sedan which is being driven by Leutnant Bayreuther. They speed off.

CUT TO:

INT. MERCEDES - CONTINUOUS

BECKLeutnant, just drive me back to my apartment. Then go back to the office and check on any cables or signals.

DISSOLVE TO:

70.CONTINUED:

EXT./INT. IN FRONT OF BECK’S APT. - MOMENTS LATER

Beck gets out the car. He walks towards of the entrance of his apartment building.

In the shadows, stands Streicher. He has disposed of his disguise, and now follows Beck into the building at a distance.

Beck gets into the elevator. We see Streicher race up the stairs.

Beck walks from the elevator. He opens the door to his apartment. Suddenly, Streicher rushes up behind Beck and with his foot and leg pushes Beck through the door, sending Beck sprawling on the floor.

INT. BECK’S APARTMENT - CONTINUOUS

Streicher draws a pistol from his pocket and closes the apartment door.

STREICHERBeck, it all over for you. I execute you in the name of Fuehrer,No?

BECKExecute? For what.

Beck slowly rises from the floor.

STREICHERHigh treason, consorting with the enemy.

BECKIf you mean Novak, I was under orders from the Abwehr, Admiral Canaris personally.

STREICHERRubbish.

BECKDo you want to speak to him, I can reach him through my office using Abwehr radio telephone. Be careful Herr Doctor...you are on dangerous ground.

71.

(CONTINUED)

STREICHERI’ll give you two minutes.

Beck goes over to the desk and picks up the telephone.

BECK.Operator give me 87490.

Beck waits for the connection.

BECKBayreuther! Get me Admiral Canaris on line...highest priority.

CUT TO:

INT. BECKS OFFICE - CONTINUOUS

Bayreuther looks surprised.

BAYREUTHERIs everything all right?

BECK(split-screen)

No, call him at his office.

BEAT

CUT TO:

INT. BECK’S APARTMENT - CONTINUOUS

Beck stands with the telephone to his ear.

BECKAdmiral Canaris, Colonel Beck here in Lisbon and I have a pistol pointing at me by Dr. Streicher of the Gestapo...Here Doctor, he wants to speak to you.

INT. BECKS OFFICE - CONTINUOUS

Bayreuther is looking at the phone. He listens to the Colonel.

CUT TO:

72.CONTINUED:

INT. BECK’S APARTMENT - CONTINUOUS

Streicher has a faint smile on his face as he steps closer to Beck.

Without warning, Beck smashes the phone into Streicher’sface.

Streicher CRIES OUT. Amidst the struggle the PISTOL IS FIRED. Beck knocks it of Streicher’s hand, and it slides beneath the couch.

Both men begin to wrestle on the floor. Streicher reaches for his riding crop and slashes Beck across the left eye. The two men struggle intensely, grappling on the floor.

There is much blood. Beck manages to kick Streicher in the groin. Streicher crumples at the blow. Beck takes the opportunity and grabs the riding crop, jamming it into Streicher’s mouth and throat.

Streicher’s arms flail as he chokes for air. Finally, there is silence. And Streicher lies on the floor with the butt end of the riding crop sticking out of his mouth. Beck goes over to the phone.

BECKDid you get all that?

BAYREUTHER (O.S.)Are you alright, Colonel?

BECKNo...get over here with a medical kit and some rope.

CUT TO:

INT. BECK’S APART - LATER THAT NIGHT

Bayreuther is placing a bandage on Beck’s eye.

BAYREUTHERWe have to get you to a hospital, Colonel, your eye is badly damaged.

BECKFirst we must get rid of Streicher.Get a blanket and your rope.

73.

(CONTINUED)

We see Beck and Bayreuther rolling the body into the blanket and tieing the blanket around Streicher.

BECKThe elevator goes to the basement and there is an exit. We’ll get him down there, and you’ll bring the car around to the back.

CUT TO:

EXT. BACK OF BECK’S APARTMENT - MOMENTS LATER

We see the Mercedes slowing coming around a corner of the building and parks. Bayreuther gets out and meets Beck who is guarding the body. They lift the body out of the exit and deposit it in the back seat.

CUT TO:

INT. THE MERCEDES - CONTINUOUS

Bayreuther is driving through the streets of Lisbon while Beck is holding the bandage on his eye.

BAYREUTHERWhat do we do with the body. Sir?

BECKWe’ll dump it over the fence onto the Embassy grounds.

BAYREUTHERWhich Embassy?

BECKOur Embassy.

Bayreuther looks at Beck in astonishment.

BAYREUTHER?Mein Gott im Himmel.

BECK.That way they’ll think the British did it.

74.CONTINUED:

(CONTINUED)

BAYREUTHERAnd we’ll retaliate against the British, and the British will retaliate against us, Colonel.

BECKIf you haven’t noticed we are already at war.

The Mercedes circles around the German Embassy twice, we can see the Swastika flag at the entrance gate. Around the back of the embassy grounds the car stops.

Beck and Bayreuther manhandle the body and hurl it over the fence.

We see a close up of the body and the butt end of the riding crop is still protruding from Streicher’s mouth.

FADE OUT. FADE IN:

INT. THE MERCEDES - MOMENTS LATER

BECKNow, drive to the municipal hospital, and when you get there drive into a lamp post. We need an accident to justify this eye.

From afar, we see a sign that reads Hospital Municipal and a Mercedes smashing into a lamp post.

FADE OUT. FADE IN:

INT. HOSPITAL EMERGENCY ROOM - LATER

A PORTUGUESE DOCTORThis is very serious, you must see a specialist as soon as possible.

In the doorway we see Bayreuther signing some papers with the local police.

75.CONTINUED:

(CONTINUED)

BAYREUTHERThis woman jumped right in front of us, and Colonel Beck had to swerve away and into the pole in order to miss her.

CUT TO:

INT. GERMAN EMBASSY, LISBON - MORNING

Colonel Beck is at his desk. His eye bears a heavy white bandage. The PHONE RINGS.

CANARIS(split-screen)

Colonel Beck.

BECKYes, Admiral.

CANARISYou were in an auto accident. Serious?

BECKDamage to my left eye.

CANARISCondolences...now what do you know about the murder of Streicher, and what was he doing in Lisbon?

BECKThe body was found on our embassy grounds, rather theatrical, I’d say.

CANARISYes,...tell me Beck did you study theatre in America?...never mind. It is time you transferred back to the regular Luftwaffe. Send both the Abwehr and Luftwaffe a request for this in about two weeks. This will resolve some issues.

Beck has a wry smile on his face.

BECKYes, my request for transfer will be prepared today.

76.CONTINUED:

(CONTINUED)

CANARISAu revoir, Colonel

Canaris hangs up abruptly and shakes his head,

FADE OUT. FADE IN:

INT. THE BAR AT THE CARLTON HOTEL, LISBON - EVENING

Novak is at the bar with Clayton Roberts where they are drinking cocktails.

CLAYTON ROBERTSAnd so the local police had to get involved, but they’re mostly pals with the Germans...the guy had a riding crop stuck down his throat. Can you imagine that...why not just shoot him and throw him in the river. Those Brits in their own words are a bit barmy.

NOVAKThe Brits did it then?

CLAYTON ROBERTSThe Germans admit he was one of theirs and claimed the body. Probably the Brits...their style.

Sitting next to Novak and Roberts are a young couple who are speaking French. Stan becomes alert when hears.

HENRY MACELHONE Harry’s Bar........Harry’s Bar

NOVAK(interrupting the conversation)

Do you mean Harry’s Bar in Paris?

HENRY MACEHLHONEYes, Harry’s Bar in Paris...Harry is my father.

NOVAKHenry! You made it.

HENRY MACELHONEAnd you are?

77.CONTINUED:

(CONTINUED)

NOVAKMajor Stan Novak...I sent the 200 dollars.

HENRY MACELHONEYes, the man was shot.

NOVAKDead?

HENRY MACELHONEDead.

Henry introduces his wife, CLARISE. Then he leans forward to speak to Novak.

HENRY MACELHONEI joined the Resistance in Charente, finally found Clarise...fled to Spain then here to Lisbon. We’re booked on a steamer to London.

CUT TO:

INT. THE TIVOLI BAR AT THE RITZ HOTEL, LONDON - MORNING

We see Harry and his son, Andy stocking bottles on the back bar. The radio IS TUNED TO the BBC News.

From the hotel lobby entrance we see Henry and Clarise. Andy looks at them in amazement. Henry places his finger over his mouth, then approaches his father from behind.

HENRY MACELHONEGood Morning Dad!

Harry freezes for a moment and then turns, runs around the bar and embraces Henry and then Clarise. There are tears everywhere even on Harry’s bluff face.

HARRYBloody Hell and praise the Lord.

For what ever reason, The RADIO Begins PLAYING “Rule Britannia.”

FADE OUT. FADE IN:

78.CONTINUED:

INT. CELLAR CABARET AT HARRY’S - EVENING

Colonel Beck is at the piano and is playing “I’ll Be Seeing You.” Leutnant Bayreuther is leaning over the upright piano.

BAYREUTHERWhat is that you’re playing, Colonel?

BECKThe biggest hit in America in this year of our Lord 1944, “I’ll Be Seeing You.” Hear it often on the American Military radio.

BAYREUTHERColonel.

BECKYes, Bayreuther, I know what you want, “Lili Marlene.”

Beck begins PLAYING “Lili Marlene” and Bayreuther, in a fine tenor, SINGS. Soon the whole of the audience JOINS in SINGING the song. It seems more like a dirge than a ballad. We see tired young men, some with scars and bandages.

CUT TO:

INT. CELLAR CABARET AT HARRY’S - LATER THAT EVENING

Beck stands alone in the basement cabaret. He looks wistfully at the piano.

BECKWell, Mr. Gershwin, I hope I’ve done you well.

FADE TO BLACK.NEWSREEL FOOTAGE:Vintage footage of British troops liberating Caen, France.

VO Canadian and British troops, after a month of some of the fiercest fighting of the war, have captured Caen.

CUT TO:

79.

EXT. IN FRONT OF ROTHSCHILD MANSION- LUFTWAFFE HEADQUARTERS, PARIS - AFTERNOON

Colonel Beck and Leutnant Bayreuther are standing in front of several military transport trucks. Men carry boxes and file cabinets and load them upon the trucks.

BAYREUTHERAfter this I will have the trucks refueled and we will be on our way to our Bamberg Air Base at dusk.

BECKVery well Leutnant but we are going to make on more stop.

CUT TO:

EXT. IN FRONT OF HARRY’S NEW YORK BAR - LATER

A scout car pulls in front of Harry’s. Beck jumps out and motions to some airman getting out of the back of a truck to follow him.

Beck goes up to the door and BANGS on it with his fist. Slowly we see the face of Charlie come in view in the door’s window. He opens the door.

CHARLES.Colonel Beck?

BECKLet us in Charlie, I must save a relic for posterity.

CHARLESSave what for who?

Beck and his three Luftwaffe airmen, who are carrying blankets and tools, go directly past the bar and take a right to the basement entrance.

CUT TO:

INT. CELLAR CABARET AT HARRY’S- MOMENTS LATER

Beck is standing in front of the upright piano.

80.

(CONTINUED)

BECKNow listen...I want you to disassemble this piano with all the care you would take to disassemble a Messerschmidt. Take each piece and wrap it in a blanket.

We watch the men take the piano apart piece by piece. At one point we see one of the men look curiously at the sleeve that is attached to the inside of the front panel. He goes on with the work and wraps the section in a blanket. The blankets all read “Armee de France.”

CUT TO:

INT. HARRY´S BAR - LATER

We see the men struggle with the piano sections taking them up the spiral staircase. The process is slow.

CUT TO:

INT. HARRY’S BAR - LATER

Charlie is behind the bar wiping down the back counter. The RADIO IS ON. A BBC ANNOUNCER IS SPEAKING.

BBC ANNOUNCER We have just received word from our listening stations that both DNB, the German Radio and Radio Zurich have said that an attempt has been made on Adolph Hitler’s life. The event took place somewhere on the Eastern Front. Hitler, it is reported, survived and has sworn vengeance on the perpetrators. Swiss Radio speculates that it was an attempted coup by elements in the German General Staff.

CUT TO:

EXT. IN FRONT OF HARRY’S NEW YORK BAR - LATER

Beck looks on as the last of the blanketed sections of the piano are loaded very carefully onto the truck. The back canopy of the truck comes down.

81.CONTINUED:

(CONTINUED)

Beck walks over to the scout car. Behind the wheel is Bayreuther.

Then from Rue de la Paix and into Rue Danou we see a black Mercedes drive towards the truck and Beck. It stops in front of Harry’s and two men in black leather overcoats get out and walk over to Beck.

GESTAPO OFFICERColonel Sven Beck?

BECKYes.

The Gestapo officer shows Beck a badge.

GESTAPO OFFICERYou are under arrest, please give me your sidearm and get in the back of the automobile.

BECKUnder what charge?!

GESTAPO OFFICERHigh treason.

BECK.That’s preposterous.

GESTAPO OFFICERDid you not work under Admiral Canaris?

BECKI was attached to the Abwehr but that was two years ago.

The second Gestapo man then draws out a Walther pistol and points at Beck, waving him towards the door of the car.

Bayreuther looks on from the scout car. He reaches for his pistol, but then gently puts it back in its holster.

Beck hands his pistol over the first Gestapo officer and proceeds to get in the back of the sedan.

The Mercedes drives off. Leutnant Bayreuther stares on, stunned.

FADE OUT. FADE IN:

82.CONTINUED:

INT. USAAF AIR BASE, HORHAM ENGLAND, STRATEGIC OPS OFFICE, SPRING 1945 - DAY

Sitting around a table are six USAAF officers including Colonel Stan Novak. COLONEL SAM WATKINS speaks.

COLONEL WATKINSAnd so, Colonel Novak, all your training over the last six months should now pay off.

Watkins looks down at a piece of paper.

COLONEL WATKINSLets see 150 hours in a twin engine P-38 and 40 hours in the new RAF jet Gloucester Meteor...Are you ready for “Operation Snatch”?

NOVAKIf you mean am I ready to steal a live Messerschmidt 262 from under the noses’ of the Germans...I guess I am, but can’t we wait until the war is over...won’t be but another couple or months.

COLONEL WATKINSLook Novak...we understand that the Luftwaffe is under orders to destroy the jets rather than have them captured. We need one that is operational.

NOVAKOK, even if I manage to fly one of their 262’s out of Bavaria and into France...how about the guy going in with me?

COLONEL WATKINSYou know the drill...that is the responsibility of the Brits’ Special Ops people, along with SOE and their Lysander scout planes...They’ll get you to the plane. Your job is to fly the damn thing out.

Novak nods his head dolefully.

83.

(CONTINUED)

NOVAKYes, Sir.

COLONEL WATKINSWell, thank you...and the best of luck.

FADE OUT. FADE IN:

EXT. AN AIRFIELD IN FRANCE - DUSK

Novak and Captain PETER BOSWELL are standing next to a small one engine plane. It is a British Lysander. The men are both wearing Luftwaffe style coveralls, complete with German insignia.

A PILOT waits at the plane’s controls.

PETER BOSWELLAnd so Colonel, it is going to be a bit a party. Your OSS man will signal us with radio and torch when we near the landing area. OSS and I will guide you to Lechfeld, which has the 262’s parked off the runway under camouflage netting. Its up to you after that.

NOVAKAnd at 0445, using the pistol engine starters, I’ll take off when I see you fire up the Luftwaffe emergency flares.

PETER BOSWELLAnd then you’re off to races, Colonel.

Novak gives Boswell a chagrined grin and nods his head.

CUT TO:

INT. LYSANDER AIRCRAFT - NIGHT

Through the cockpit windscreen, we see below moonlit farmland. The engine is ROARING over what conversation the men are having.

BEAT

84.CONTINUED:

(CONTINUED)

Suddenly the radio static is interrupted.

OSS MANBurglar here, I hear your engines.

PILOTRoger...snap your torch, Burglar.

We see through the wind screen a blinking light and the plane goes directly downward towards the light.

PILOTHold on to your kit, might be a bit of a bump.

We see the plane land directly on to the flashlight that is suspended by a stick.

BEAT

The little plane takes only fifty feet to come to a stop.

Two men jump from the craft. The engine is still running, then the plane revs up and in minutes is airborne again.

The two men run towards a clump of trees, and disappear.

CUT TO:

EXT. LECHFELD LUFTWAFFE BASE - NIGHT

Novak is clipping the lower wire of a barbed wire fence.

He slides beneath the fence, gets up and slowly moves into an area covered in camouflage netting that billows in the wind. It is raining lightly.

Slowly Novak sneaks his way towards a ME-262. He is seen with the tail of the plane in back of his head. The tail has a swastika insignia. He first goes to the front of the plane to kick out the chocks from under the wheels.

Slowly Novak slides back along the left wing of the plane, sticks his foot into the spur,he lifts himself up to the cockpit and raises the cockpit hood and climbs in.

CUT TO:

85.CONTINUED:

INT. THE 262 COCKPIT - CONTINUOUS

Novak sits in the cockpit of the German plane.

NOVAK(V.O.)

Little different from the salvaged wreck I had to play with.

Novak has a penlight and is carefully shining it on the instrument panel.

NOVAK(V.O.)

Now I have to think in metric...have 3/4’s fuel. The radio is simple...Let’s see where are the pistol starters?...Shit, they moved them.

Novak is peering all around the cockpit. Looking at all areas and checking his watch. It 4:25 or 0425 hrs.

NOVAK(V.O.)

Twenty minutes to gatetime, nice little horsey...just get me home, bitte?

BEAT

CUT TO:

EXT. SKY OVER LECHFELD AIR BASE - JUST BEFORE DAWN

Suddenly we see a flare shoot up into the sky. Then a SIREN SCREAMS.

Up in the control tower, lights flash on. We see men running toward the area where the flare is descending.

CUT TO:

INT. ME-262 - MOMENTS LATER

Novak pulls the trigger on the starter mechanism. There is a SHARP REPORT.

86.

(CONTINUED)

We see through the cockpit windscreen that the plane is moving.

CUT TO:

EXT. RUNWAY AT LECKFELD - CONTINUOUS

The plane is moving down the edge of the runway along the perimeter. Slowly it moves toward the end of the runway. At the end of the runway, it begins to turn around.

CUT TO:

INT. ME-262 - CONTINUOUS

NOVAK(V.O.)

Think metric...think metric...come along little doggy.

CUT TO:

EXT. RUNWAY AT LECHFELD - CONTINUOUS

The jet begins slowly moving down the runway, gradually picking up speed.

The plane reaches lift speed and suddenly a rooster tail like flames spew out of the two engines.

The plane is in the air.

DISSOLVE TO:

INT./EXT. THE 262 - CONTINUOUS

NOVAK(V.O.)

Jesus! The damn thing wants to fly to the moon!

We see the 262 in flight.

NOVAK(V.O.)

Damn! Why are the wing slats blinking on and off...and this damn thumping...Jesus...800KPH...

87.CONTINUED:

(CONTINUED)

Novak is looking at the instrument panel and then reaches for the FM-radio band and switches it on.

NOVAK(V.O.)

Base should begin broadcasting soon, its 0500 which means I’m about 50 minutes from Melun Field and Paris. Paris...what a thought.

BASE RADIOSnatcher...Snatcher...Do you read...we know you’re in the air, over.

NOVAKYa-hoo! Good to hear a friendly. I’m about fifty minutes out, I think. Over.

BASE RADIOSnatcher, we’ve alerted all British and American Tactical Air Commands that a stolen 262 is flying west by north west en route to Paris and that the 262 will be flying at 7,000 feet. They have been instructed not to fire. Over.

NOVAKI’ll roger that base, 7,000 feet or 2300 meters. Over.

BASE RADIODid you say meters? Over.

NOVAKKraut airplanes don’t do feet.

BASE RADIOBe back in 15 Snatcher...Luftwaffe radio has picked you up by now. Roger and out.

NOVAKRoger that, Base.

Novak is checking the instruments, suddenly he sees a flight of fighters off to left at 10 o’clock. They are heading towards him.

88.CONTINUED:

(CONTINUED)

NOVAK-VOChrist who are those guys...P-47’s...hope they got the word.

The P47’s whizz by waggling their wings, we see one of the pilots through his cockpit bubble waving his cigar.

NOVAK(V.O.)

Kids’s probably not old enough to smoke...Let’s see fuel is sufficient. Oil...compass, altimeter...Jesus in Metric I should have brought a slide rule.

We see the 262 bumping through space. Then in the upper corner we see another group of planes heading in Novak’s direction.

NOVAK(V.O.)

Another hunting party...looks like Spitfires...Tally Ho chaps.

We see the eight machines guns of a Spitfire blinking red, he is firing at Novak.

NOVAKChrist almighty! Somebody didn’t get the word.

The Spitfire flashes in front of him. It’s insignia is not British, it is the Cross of Loraine, the Free French Airforce.

NOVAKDamn Frogs! Lets’ get the hell out of here!

We see the 262 gain speed very rapidly and climb into the sky.

DISSOLVE TO:

INT. 262 - LATER

We see through the windscreen an air base with two runways, Novak taps the altimeter with his finger.

89.CONTINUED:

(CONTINUED)

BASE RADIOSnatcher do you read? We have you visual. All emergency equipment is in place. Over.

NOVAKRoger Base, landing this kite may be a real problem, it doesn’t like to slow up. May take a couple of turns. Over.

BASE RADIOGood luck, Snatcher.

CUT TO:

EXT. OVER FRENCH AIRFIELD - DAY

We see the 262 make an approach but the speed is such that the plane flies over the runway and disappears into the horizon.

BEAT

We see the 262 coming around for another approach, this time it appears to be slower.

CUT TO:

INT. 262 - CONTINUOUS

NOVAK(V.O.)

Lets see metric to miles, Christ, I’m approaching at 250 mph...one hot doggie. Have to try again.

CUT TO:

EXT. OVER FRENCH AIRFIELD - CONTINUOUS

We see the 262 over fly the runway again and pull up into the sky with the red rooster tails leaving a trail of red glows and smoky vapor.

BEAT

90.CONTINUED:

(CONTINUED)

The jet approaches the runway for third time and finally lands at the tip of the runway and goes and goes to the far end of the tarmac and onto a dirt road, starts sliding at a right angle and then slams into a wooden shed.

INT. 262 - MOMENTS LATER

Novak is slumped in the cockpit seat, his eyes are closed.

He opens his eyes and the first thing his sees in the windscreen are chickens, and they are very agitated.

Novak checks his face and his hands, shakes his head and breathes a sigh of relief.

BEAT

There is a RAP on the Cockpit hood. A face appears. Novak unlatches the hood and brings it up over his head. It is an GROUND CREW MAN in coveralls.

CREW MANYou OK, Colonel?

NOVAKI guess.

CREW MANThey’re waiting for you at OPs.

NOVAK I bet.

CUT TO:

EXT. 262 - CONTINUOUS

The 262 is at angle with its nose in the chicken coop and its tail up in the air.

FADE OUT. FADE IN:

EXT. BAMBERG USAAF BASE, BAMBERG GERMANY, SUMMER 1945 - AFTERNOON

Novak is sitting at a table on the porch of the officers’ club with Base Commander, COL. JIMMY DIGGS.

91.CONTINUED:

(CONTINUED)

Here and there are stenciled German language reminders of the former occupants, the German Luftwaffe.

A newer sign states: REMEMBER !FRATERNIZING WITH THE ENEMY IS FORBIDDEN BY LAW AND WILL BE ENFORCED BY THE PROVOST MARSHALL.

NOVAKAnd so I spent the war chasing flying hookers.

JIMMY DIGGSFlying what?

NOVAKFlying hookers...thats what the boys called the jets...no visible means of support.

JIMMY DIGGSAnd then you’re here to collect the 262s, right?

NOVAKThere are others like the Arado but the ME 262 are the most numerous. You know that the Brits now have the Glouster Meteors and we will have our P-80 on the line in the fall.

Out of the corner of his eye, Novak sees a German workman passing into the entrance of the officers’ club.

NOVAKWho’s that guy?

JIMMY DIGGSHim? ...he’s fixing the piano.

NOVAKFixing it?

JIMMY DIGGSWell, actually putting it back together. The Krauts had it in storage...disassembled..for whatever reason.

Novak gets up. He follows the the workman into a back room. There is an upright piano almost put together.

92.CONTINUED:

(CONTINUED)

He immediately recognizes the French Pleyel piano with the cigarette burns on top as the piano from Harry’s Bar.

The front panel is leaning against the wall. Stan walks over to the wall. He turns the panel and reaches into the plywood sleeve halfway down the board. He pulls up an envelope.

NOVAKJesue Christ Almighty!

Novak pulls the passport out and pushes it in front of the workman’s face. The photo is that of Otto.

NOVAKLook familiar, Otto?

Otto looks stunned. Novak stuffs the passport in his pocket and reaches into the sleeve and produces a small packet wrapped in waxed paper. He tosses it to Otto.

NOVAKHere Otto...this belongs to you.

Otto unwraps the packet and looks over to Novak.

OTTOI’ve got plenty of nothing?

NOVAKWhat!

Otto shows what he is holding. It is sheet music, “I’ve Got Plenty o’Nuttin,” by George Gerswhin.

NOVAKDamn...Beck.

Then Novak looks to Otto. Novak’s face shows pain.

NOVAKDid Fraukie survive?

Otto nods his head affirmativly.

DISSOLVE TO:

EXT. THE FRONT DOOR OF THE KOHL HOME, BAMBERG - MORNING

The sun is very bright. We see in front of the door a uniformed arm reach out and knock three times on the door. After a few moments, the door opens and we see Fraukie Kohl.

93.CONTINUED:

(CONTINUED)

She squints as the bright sun is in her eyes. She makes out a uniform and looks frightened. Suddenly, she hears:

NOVAKHi Frauk...

FRAUKIEMein Gott...Stan

The both stand staring at each other. Novak is in the uniform of full Colonel-USAAF. Fraukie looks dowdy, thin and tired in a cheap house dress.

Then Novak walks toward Fraukie and they embrace. They hold each other for a long, long time. Then Fraukie looks up and they kiss.

FRAUKIEPlease, come inside...here you are still the enemy...the neighbors will not understand.

NOVAKI have some food in my jeep.

Fraukie nods and Novak goes out to jeep and picks up a cardboard box and returns to the house and enters. He places the box on a table. He takes out of the box a bottle of Jim Beam bourbon and puts it on the table.

NOVAKThere are canned goods and other stuff in the box. Are you here alone?

FRAUKIEFather is sitting in the yard, and Otto is working somewhere.

NOVAKI saw Otto.

Novak sits down in a chair and looks down at the floor and then up at Fraukie. He shakes his head with a lopsided, sardonic grin on his face.

NOVAKSo you put the passport and the money in the piano...

FRAUKIE(shaking her head)

Ja...

94.CONTINUED:

(CONTINUED)

NOVAKAnd then Beck took the money and left the passport

FRAUKIEHow would you know that....Beck was arrested last year after July 20th.

NOVAKJuly 20th?

FRAUKIELast year when they attempted to kill Hitler...Hannalore told me.

NOVAKHannalore? And where’s she?

FRAUKIEDead.

NOVAKAnd how are you, Frauk? You’re still beautiful...a bit war worn, but aren’t we all...Can we see each other tonight?

FRAUKIEThat is verboten...your anti-fraternization laws.

NOVAKOh yea...those...Tell you what. Go to the Bamberg Hotel about eight tonight and ask for Herr Novak.

Fraukie looks up at the eagles on Novak’s shoulders and smiles.

FRAUKIEI see you made colonel, Herr Novak...I will be there...Can you help Otto..he is a bit bitter.

NOVAKYea, the fortunes of war...we will do something for Otto....eight o’clock, then?

FRAUKIEOf course.

95.CONTINUED:

(CONTINUED)

They embrace again.

FADE OUT. FADE IN:

INT. BAMBERG HOTEL ROOM - EVENING

We see Novak and Fraukie in bed sleeping. From outside we HEAR PIANO MUSIC. The song is Gershwin’s “Lady be Good.” We see Novak wake up and listen intently. He then shakes his head and lies back down on the pillow.

INT./EXT. A STREET IN BAMBERG - CONTINUOUS

We follow the music out the window and down the fire escape to the street. We go up the street about a half a block and we see a door to a cellar caberet. The door opens as we approach the music. We see a piano and a worn and shiny tuxedo and then the scarred face of Beck who is sporting an eye patch and a cigar. His hair is snow white.

FADE OUT. FADE IN:

INT. HARRY´S BAR - EVENING

Harry and Hemingway are talking at the end of the bar and through the window we see a beautiful 1939 Mercedes 230 Roadster. The street light gives it a showroom sparkle. Charlie is next to them mixing a drink. Hemingway munches on a hot dog.

HEMINGWAYHarry, what ever happened to your old piano, the new one just doesn’t sound the same...

HARRYAsk Charlie...he was there.

CHARLESThe Germans just took it. They took it apart, wrapped up the parts in army blankets and put them on a truck ...they just took it.

HARRYDamned Huns.

96.CONTINUED:

(CONTINUED)

HEMINGWAYMust be a story there somewhere.

Charlie reaches into his pocket and pulls out a car key with a Mercedes badge attached, looks out the window at the Mercedes and quietly smiles. He flips the key fob in the air and then puts it back into his pocket.

FIN

FADE TO BLACK.

97.CONTINUED: