The Old Man and the She (Score)
19
The Old Man and the She Justin T. Capps
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Flute/percussion duo inspired by the painting Aino-Taru by Akseli Gallen-Kallela.
Transcript of The Old Man and the She (Score)
The Old Man and the She
Justin T. Capps
Justin T. Capps
Copyright © 2008, Justin T. Capps, All Rights Reserved
HeavilyHeavilyHeavilyHeavily q = 80
The Old Man and the SheI. Provocation
Piccolo
Timpani
at odds with each other, flippant
f
3
D-A-C-F#
p
f
p
f
5
Picc.
Timp.
ff
p
p
8
Picc.
Timp.
ff
3
pp
3 3 3 3
3 3
3
ff
3
pp
3 3
12
Picc.
Timp.
ff
f
p
15
Picc.
Timp.
pp
mf
pp
2
19
Picc.
Timp.
mf
ff
3
3
ff
p
ff
pedal ad lib, in this general shapeuntil gliss
p
23
Picc.
Timp.
27q=72
Picc.
Timp.
f
p
the consideration of unwanted love ff
p
3 3
gliss.
ff
mpprecise and martial
fp
3 3
32
Picc.
Timp.
f
p
ff
3
fp
3 3
36
Picc.
Timp.
sub. pp
ff
3 3
3
ff
pp
ff
3 3
3
38
Picc.
Timp.
mf
fff
f
3 3
pp
ff
mf
3 3 3
41
Picc.
Timp.
3
ff
3
3
f
ff
p
gliss.
3 3 3 3
45
Picc.
Timp.
mp
pp
wooing with magical singing
p
3 ppp
very steady, delicate and restrained
pp
49
Picc.
Timp.
mf
f
3
33
mf
53
Picc.
Timp.
3 3
3 3
3 3 3
p
4
56
Picc.
Timp.
ff
poco p
(p)
mf
60
Picc.
Timp.
ff
poco p
62
Picc.
Timp.
fff
ff
one mallet, pick up tambourine
p
65
Picc.
Perc.
freely, cadential (to be played from memory while crossing stage to alto flute station)rejecting the suitor, repulsed by the thought
mp
in strict time ca. 120 march tempo, while crossing the stage, completely independent of piccolotambourine
67
Picc.
fff
5
68
Picc.
Perc.
molto accel.
ff mf
sfffz
70
Picc.
Crot.
p
attacca
arco
mf
6
II. Contemplation71
Picc.
Perc.
Perc.
Crot.
to alto flute
high suscymbal
low suscymbal
low tom
med tom
high tom
IntrospectivelyIntrospectivelyIntrospectivelyIntrospectivelyq=6073
A. Fl.
Perc.
Crot.
p
ff
p
ff
3
p
mf
3
80
A. Fl.
Perc.
mf
3 3
f
3
drag sharply
sfz
sfz
ff
mf
3
ff
85
A. Fl.
Perc.
Crot.
p
mf
pp
3
3
3
mf
ff
drag sharply 3
ord.
mf
7
89
A. Fl.
Crot.
fff
pp
fff
mp 3 3
arco
fff
94
A. Fl.
Perc.
Perc.
Crot.
3
f
3
mf
p
mf
with fingertips
mf
ff
3
f
98
A. Fl.
Perc.
Perc.
ff
mf
3
ff
p
3
101
A. Fl.
Perc.
Crot.
f
mf
f
mf
pp
3
sfz
sfz
(arco)
f
8
105
A. Fl.
Perc.
Perc.
mf
pp
mf
mf
p
ff
p ff
f
3
110
A. Fl.
Perc.
Perc.
Crot.
f
p
f
f
sfzp
fff
mf
f
f
ord.
116
A. Fl.
Perc.
Perc.
ff
3
with sticks
f
mf
with sticks
ff
p
fff
f
3
120
A. Fl.
Perc.
Crot.
mf
(ord.)
f
arco
9
125
A. Fl.
Perc.
Perc.
Crot.
pp
mf
3
ord.
130
A. Fl.
Perc.
Perc.
fff
3
f
mf
fff
f
3
135
A. Fl.
Perc.
Perc.
3
ffff
f
sfffzp
10
138
A. Fl.
Perc.
Perc.
submerged by the percussion
f
f
f
dominating the flute
3
140
A. Fl.
Perc.
Perc.
mp
3
pp
3 3
143
A. Fl.
Crot.
mf
ff
pp
3
mf
(ord.) non diminuendo
146
A. Fl.
Perc.
oscillating in perpetual variation of speed and intensity while moving to flute station, movingamong pairs at will
cease when marimba strikes first note
fast dance (132 bpm), while crossing to marimba, independentof alto flute
brief pause to pick up mallets
11
Infectiously Jubilant Infectiously Jubilant Infectiously Jubilant Infectiously Jubilant
q = 132
III. Liberation
Flute
Marimba
f
155
Fl.
Mar.
emerging quickly
f
3
mf
160
Fl.
Mar.
fff
3
f
fff
164
Fl.
Mar.
mf
floating
p
p
12
168
Fl.
Mar.
3 3
171
Fl.
Mar.
ff
3 3
ff
174
Fl.
Mar.
mp
coyly
mf
p
mp
178
Fl.
Mar.
181
Fl.
Mar.
ff
ff
13
186
q=120
Fl.
Mar.
190
Fl.
Mar.
f
translucently
mp
193
Fl.
Mar.
pulling back a little
p
in time
mp
3 3
196
Fl.
Mar.
14
198
Fl.
Mar.
ffff
5 6
fff
201
Fl.
Mar.
mf
3 3 3 3 3
mp
204
Fl.
Mar.
3 33
206
Fl.
Mar.
f
mp
3 3
mf
15
209
Fl.
Mar.
f
mp
dreadfully optimistic
dreadfully optimistic
212
Fl.
Mar.
f
f
214
Fl.
Mar.
3
216
Fl.
Mar.
ff
16
218
Fl.
Mar.
falling apart
falling apart
221
q=132
Fl.
Mar.
firmly
225
Fl.
Mar.
like an annoying and insistent bird
f
33
mp
228
Fl.
Mar.
glis
s.
mf
231
Fl.
Mar.
ff
f
17
235
Fl.
Mar.
239
Fl.
Mar.
243
Fl.
Mar.
246
Fl.
Mar.
ffff (possibile)
3 3
fff
250
Fl.
Mar.
sub. mp
sub. p
18
254
Fl.
Mar.
256
Fl.
Mar.
ffff
flutter
gliss.
3
ffff
19
